Chapter IV

September came in: which made it a year since Nash died. And on one of its bright days, when the sun was high, and the blue sky cloudless, Church Dykely had a stir given it in the sight of the mistress of Caromel's Farm. She and her father were in a gig together, driving off on the Worcester road: and it was so very rare a thing to see her abroad now, that folks ran to their windows and doors to stare. Her golden hair, what could be seen of it for her smart blue parasol, shone in the sunlight; but her face looked white and thin through the black crape veil.

"Just like a woman who gets disturbed o' nights," pronounced Sam Rimmer, thinking of the ghostly presence that was believed to haunt the house.

Before that day's beautiful sun had gone down to light the inhabitants of the other hemisphere, ill-omened news reached Church Dykely. An accident had happened to the horse and gig. It was said that both Nave and his daughter were dreadfully injured; one of them nearly killed. Miss Gwinny, left at home to take care of Caromel's Farm, posted off to the scene of damage.

Holding Caromel's Farm in small respect now, the Squire yet chose to show himself neighbourly; and he rose up from his dinner to go there and inquire particulars. "You may come with me, lads, if you like," said he. Tod laughed.

"He's afraid of seeing Caromel," whispered he in my ear, as we took down our hats.

And, whether the Squire was afraid of it or not, he did see him. It was a lovely moonlight night, bright and clear as the day had been. Old Grizzel could not tell us much more of the accident than we had heard before; except that it was quite true there had been one, and that Miss Gwinny had gone. And, by the way Grizzel inwardly shook and shivered while she spoke, and turned her eyes to all corners in some desperate fear, one might have thought she had been pitched out of a gig herself.

We had left the door--it was the side-entrance--when the Squire turned back to put some last query to her. Tod and I went on. The path was narrow, the overhanging trees on either side obscured the moonlight, making it dark. Chancing to glance round, I noticed the Squire, at the other end of the path, come soberly after us. Suddenly he seemed to halt, to look sideways at the trees, and then he came on with a bound.

"Boys! Boys!" cried he, in a half-whisper, "come on. There's Caromel yonder."

And to see the pater's face in its steaming consternation, and to watch him rush on to the gate, was better than a play. Seen Caromel! It was not so long since he had mocked at us for saying it.

Through the gate went he, bolt into the arms of some unexpected figure, standing there. We peered at it in the uncertain lights cast by the trees, and made it out to be Dobbs, the blacksmith.

Dobbs, with a big coat on, hiding his shirt-sleeves and his leather apron: Dobbs standing as silent as the grave: arms folded, head bent: Dobbs in stockinged feet, without his shoes.

"Dobbs, my good fellow, what on earth do you put yourself in people's way for, standing stock-still like a Chinese image?" gasped the Squire. "Dobbs--why, you have no boots on."

"Hush!" breathed Dobbs, hardly above his breath. "I ask your pardon, Squire. Hush, please! There's something uncanny in this place; some ugly mystery. I mean to find it out if I can, sirs, and this is the third night I've come here on the watch. Hark!"

Sounds, as of a woman's voice weeping and wailing, reached us faintly from somewhere--down beyond the garden trees. The pater looked regularly flustered.

"Listen!" repeated Dobbs, raising his big hand to entreat for silence. "Yes, Squire; I don't know what the mystery is; but there is something wrong about the place, and I can't sleep o' nights for it. Please hearken, sirs."

The blacksmith was right. Wrong and mystery, such as the world does not often hear of, lay within Caromel's Farm. Curious mystery; wicked wrong. Leaning our arms on the gate, watching the moonlight flickering on the trees, we listened to Dobbs's whispered revelation. It made the Squire's hair stand on end.

THE LAST OF THE CAROMELS.