Chapter XVII: Part VII (10)

And then, of a sudden, I began to comprehend. I had scarce time to think--scarce time to act and save myself. I was on the summit of one swell when the schooner came stooping over the next. The bowsprit was over my head. I sprang to my feet and leaped, stamping the coracle under water. With one hand I caught the jib-boom, while my foot was lodged between the stay and the brace; and as I still clung there panting a dull blow told me that the schooner had charged down upon and struck the coracle, and that I was left without retreat on the _Hispaniola_.

I had scarce gained a position on the bowsprit, when the flying jib flapped and filled upon the other tack, with a report like a gun. The schooner trembled to her keel under the reverse; but next moment, the other sails still drawing, the jib flapped back again and hung idle.

This had nearly tossed me off into the sea; and now I lost no time, crawled back along the bowsprit, and tumbled head foremost on the deck.

I was on the lee side of the forecastle, and the mainsail, which was still drawing, concealed from me a certain portion of the after-deck. Not a soul was to be seen. The planks, which had not been swabbed since the mutiny, bore the print of many feet; and an empty bottle, broken by the neck, tumbled to and fro like a live thing in the scuppers.

Suddenly the _Hispaniola_ came right into the wind. The jibs behind me cracked aloud; the rudder slammed to; the whole ship gave a sickening heave and shudder, and at the same moment the main-boom swung inboard, the sheet groaning in the blocks, and showed me the lee after-deck.

There were the two watchmen, sure enough: red-cap on his back, as stiff as a handspike, with his arms stretched out like those of a crucifix, and his teeth showing through his open lips; Israel Hands propped against the bulwarks, his chin on his chest, his hands lying open before him on the deck, his face as white, under its tan, as a tallow candle.

For awhile the ship kept bucking and sidling like a vicious horse, the sails filling, now on one tack, now on another, and the boom swinging to and fro till the mast groaned aloud under the strain. Now and again, too, there would come a cloud of light sprays over the bulwark, and a heavy blow of the ship's bows against the swell: so much heavier weather was made of it by this great rigged ship than by my home-made, lopsided coracle, now gone to the bottom of the sea.

At every jump of the schooner red-cap slipped to and fro; but--what was ghastly to behold--neither his attitude nor his fixed teeth-disclosing grin was anyway disturbed by this rough usage. At every jump, too, Hands appeared still more to sink into himself and settle down upon the deck, his feet sliding ever the farther out, and the whole body canting toward the stern, so that his face became, little by little, hid from me; and at last I could see nothing beyond his ear and the frayed ringlet of one whisker.

At the same time, I observed, around both of them, splashes of dark blood upon the planks, and began to feel sure that they had killed each other in their drunken wrath.

While I was thus looking and wondering, in a calm moment, when the ship was still, Israel Hands turned partly round, and, with a low moan, writhed himself back to the position in which I had seen him first. The moan, which told of pain and deadly weakness, and the way in which his jaw hung open, went right to my heart. But when I remembered the talk I had overheard from the apple barrel, all pity left me.

I walked aft until I reached the mainmast.

"Come aboard, Mr. Hands," I said ironically.

He rolled his eyes round heavily; but he was too far gone to express surprise. All he could do was to utter one word: "Brandy."

It occurred to me there was no time to lose; and, dodging the boom as it once more lurched across the deck, I slipped aft, and down the companion stairs into the cabin.

It was such a scene of confusion as you can hardly fancy. All the lockfast places had been broken open in quest of the chart. The floor was thick with mud, where ruffians had sat down to drink or consult after wading in the marshes round their camp. The bulkheads, all painted in clear white, and beaded round with gilt, bore a pattern of dirty hands. Dozens of empty bottles clinked together in corners to the rolling of the ship. One of the doctor's medical books lay open on the table, half of the leaves gutted out, I suppose, for pipe-lights. In the midst of all this the lamp still cast a smoky glow, obscure and brown as umber.

I went into the cellar; all the barrels were gone, and of the bottles a most surprising number had been drunk out and thrown away. Certainly, since the mutiny began, not a man of them could ever have been sober. Foraging about I found a bottle with some brandy left, for Hands; and for myself I routed out some biscuit, some pickled fruits, a great bunch of raisins, and a piece of cheese. With these I came on deck, put down my own stock behind the rudder head, and well out of the coxswain's reach, went forward to the waterbreaker, and had a good, deep drink of water, and then, and not till then, gave Hands the brandy.

He must have drunk a gill before he took the bottle from his mouth.

"Ay," said he, "by thunder, but I wanted some o' that!"

I had sat down already in my own corner and begun to eat.

"Much hurt?" I asked him.

He grunted, or, rather, I might say, he barked.

"If that doctor was aboard," he said, "I'd be right enough in a couple of turns; but I don't have no manner of luck, you see, and that's what's the matter with me. As for that swab, he's good and dead, he is," he added, indicating the man with the red cap. "He warn't no seaman, anyhow. And where mought you have come from?"

"Well," said I, "I've come aboard to take possession of this ship, Mr. Hands; and you'll please regard me as your captain until further notice."

He looked at me sourly enough, but said nothing. Some of the color had come back into his cheeks, though he still looked very sick, and still continued to slip out and settle down as the ship banged about.

"By the bye," I continued, "I can't have these colors, Mr. Hands; and, by your leave, I'll strike 'em. Better none than these."

And, again dodging the boom, I ran to the color lines, handed down their cursed black flag, and chucked it overboard.

"God save the king!" said I, waving my cap.

He watched me keenly and slyly, his chin all the while on his breast.

"I reckon," he said at last--"I reckon, Cap'n Hawkins, you'll kind of want to get ashore, now. S'pose we talks."

"Why, yes," says I, "with all my heart, Mr. Hands. Say on." And I went back to my meal with a good appetite.

"This man," he began, nodding feebly at the corpse--"O'Brien were his name--a rank Irelander--this man and me got the canvas on her, meaning for to sail her back. Well, _he's_ dead now, he is--as dead as bilge; and who's to sail this ship, I don't see. Without I gives you a hint, you ain't that man, as far's I can tell. Now, look here, you gives me food and drink, and an old scarf or ankecher to tie my wound up, you do; and I'll tell you how to sail her; and that's about square all round, I take it.

"I'll tell you one thing," says I: "I'm not going back to Captain Kidd's anchorage. I mean to get into North Inlet, and beach her quietly there."

"To be sure you did," he cried. "Why, I ain't such an infernal lubber, after all. I can see, can't I? I've tried my fling, I have, and I've lost, and it's you has the wind of me. North Inlet? Why, I haven't no chi'ce, not I! I'd help you sail her up to Execution Dock, by thunder! so I would."

Well, as it seemed to me, there was some sense in this. We struck our bargain on the spot. In three minutes I had the _Hispaniola_ sailing easily before the wind along the coast of Treasure Island, with good hopes of turning the northern point ere noon, and beating down again as far as North Inlet before high water, when we might beach her safely, and wait till the subsiding tide permitted us to land.

Then I lashed the tiller and went below to my own chest, where I got a soft silk handkerchief of my mother's. With this, and with my aid, Hands bound up the great bleeding stab he had received in the thigh, and after he had eaten a little and had a swallow or two more of the brandy, he began to pick up visibly, sat straighter up, spoke louder and clearer, and looked in every way another man.

The breeze served us admirably. We skimmed before it like a bird, the coast of the island flashing by, and the view changing every minute. Soon we were past the high lands and bowling beside low, sandy country, sparsely dotted with dwarf pines, and soon we were beyond that again, and had turned the corner of the rocky hill that ends the island on the north.

I was greatly elated with my new command, and pleased with the bright, sunshiny weather and these different prospects of the coast. I had now plenty of water and good things to eat, and my conscience, which had smitten me hard for my desertion, was quieted by the great conquest I had made. I should, I think, have had nothing left me to desire but for the eyes of the coxswain as they followed me derisively about the deck, and the odd smile that appeared continually on his face. It was a smile that had in it something both of pain and weakness--a haggard, old man's smile; but there was besides that, a grain of derision, a shadow of treachery in his expression as he craftily watched, and watched, and watched me at my work.

The wind, serving us to a desire, now hauled into the west. We could run so much the easier from the northeast corner of the island to the mouth of the North Inlet. Only, as we had no power to anchor, and dared not beach her till the tide had flowed a good deal farther, time hung on our hands.

The coxswain told me how to lay the ship to; after a good many trials I succeeded, and we both sat in silence over another meal.

"Cap'n," said he, at length, with that same uncomfortable smile, "here's my old shipmate, O'Brien; s'pose you was to heave him overboard. I ain't partic'lar as a rule, and I don't take no blame for settling his hash; but I don't reckon him ornamental, now, do you?"

"I'm not strong enough, and I don't like the job; and there he lies, for me," said I.

"This here's an unlucky ship--this _Hispaniola_, Jim," he went on, blinking. "There's a power of men been killed in this _Hispaniola_--a sight o' poor seamen dead and gone since you and me took ship to Bristol. I never seen sich dirty luck, not I. There was this here O'Brien, now--he's dead, ain't he? Well, now, I'm no scholar, and you're a lad as can read and figure; and, to put it straight, do you take it as a dead man is dead for good, or do he come alive again?"

"You can kill the body, Mr. Hands, but not the spirit; you must know that already," I replied. "O'Brien there is in another world, and maybe watching us."

"Ah!" says he. "Well, that's unfort'nate--appears as if killing parties was a waste of time. Howsomever, sperrits don't reckon for much, by what I've seen. I'll chance it with the sperrits, Jim. And now, you've spoke up free, and I'll take it kind if you'd step down into that there cabin and get me a--well, a--shiver my timbers! I can't hit the name on't; well, you get me a bottle of wine, Jim--this here brandy's too strong for my head."

Now, the coxswain's hesitation seemed to be unnatural; and as for the notion of his preferring wine to brandy, I entirely disbelieved it. The whole story was a pretext. He wanted me to leave the deck--so much was plain; but with what purpose I could in no way imagine. His eyes never met mine; they kept wandering to and fro, up and down, now with a look to the sky, now with a flitting glance upon the dead O'Brien. All the time he kept smiling and putting his tongue out in the most guilty, embarrassed manner, so that a child could have told that he was bent on some deception. I was prompt with my answer, however, for I saw where my advantage lay; and that with a fellow so densely stupid I could easily conceal my suspicions to the end.

"Some wine?" I said. "Far better. Will you have white or red?"

"Well, I reckon it's about the blessed same to me, shipmate," he replied; "so it's strong and plenty of it, what's the odds?"

"All right," I answered. "I'll bring you port, Mr. Hands. But I'll have to dig for it."

With that I scuttled down the companion with all the noise I could, slipped off my shoes, ran quietly along the sparred gallery, mounted the forecastle ladder and popped my head out of the fore companion. I knew he would not expect to see me there; yet I took every precaution possible; and certainly the worst of my suspicions proved too true.

He had risen from his position to his hands and knees; and though his leg obviously hurt him pretty sharply when he moved--for I could hear him stifle a groan--yet it was at a good, rattling rate that he trailed himself across the deck. In half a minute he had reached the port scuppers, and picked out a coil of rope, a long knife, or rather a short dirk, discolored to the hilt with blood. He looked upon it for a moment, thrusting forth his under jaw, tried the point upon his hand, and then, hastily concealing it in the bosom of his jacket, trundled back again into his old place against the bulwark.

That was all that I required to know. Israel could move about; he was now armed; and if he had been at so much trouble to get rid of me, it was plain that I was meant to be the victim. What he would do afterward--whether he would try to crawl right across the island from North Inlet to the camp among the swamps, or whether he would fire Long Tom, trusting that his own comrades might come first to help him, was, of course, more than I could say.

Yet I felt sure that I could trust him in one point, since in that our interests jumped together, and that was in the disposition of the schooner. We both desired to have her stranded safe enough, in a sheltered place, and so that, when the time came, she could be got off again with as little labor and danger as might be; and until that was done I considered that my life would certainly be spared.

While I was thus turning the business over in my mind, I had not been idle with my body. I had stolen back to the cabin, slipped once more into my shoes, and laid my hand at random on a bottle of wine, and now, with this for an excuse, I made my reappearance on the deck.

Hands lay as I had left him, all fallen together in a bundle, and with his eyelids lowered, as though he were too weak to bear the light. He looked up, however, at my coming, knocked the neck off the bottle, like a man who had done the same thing often, and took a good swig, with his favorite toast of "Here's luck!" Then he lay quiet for a little, and then, pulling out a stick of tobacco, begged me to cut him a quid.

"Cut me a junk o' that," says he, "for I haven't no knife, and hardly strength enough, so be as I had. Ah, Jim, Jim, I reckon I've missed stays! Cut me a quid, as'll likely be the last, lad; for I'm for my long home, and no mistake."

"Well," said I, "I'll cut you some tobacco; but if I was you and thought myself so badly, I would go to my prayers, like a Christian man."

"Why?" said he. "Now, you tell me why."

"Why?" I cried. "You were asking me just now about the dead. You've broken your trust; you've lived in sin and lies and blood; there's a man you killed lying at your feet this moment; and you ask me why! For God's mercy, Mr. Hands, that's why."

I spoke with a little heat, thinking of the bloody dirk he had hidden in his pocket, and designed, in his ill thoughts, to end me with. He, for his part, took a great draught of the wine, and spoke with the most unusual solemnity.

"For thirty years," he said, "I've sailed the seas, and seen good and bad, better and worse, fair weather and foul, provisions running out, knives going, and what not. Well, now I tell you, I never seen good come o' goodness yet. Him as strikes first is my fancy; dead men don't bite; them's my views--amen, so be it. And now, you look here," he added, suddenly changing his tone, "we've had about enough of this foolery. The tide's made good enough by now. You just take my orders, Cap'n Hawkins, and we'll sail slap in and be done with it."

All told, we had scarce two miles to run; but the navigation was delicate, the entrance to this northern anchorage was not only narrow and shoal, but lay east and west, so that the schooner must be nicely handled to be got in. I think I was a good, prompt subaltern, and I am very sure that Hands was an excellent pilot; for we went about and about, and dodged in, shaving the banks, with a certainty and a neatness that was a pleasure to behold.

Scarcely had we passed the heads before the land closed around us. The shores of North Inlet were as thickly wooded as those of the southern anchorage; but the space was longer and narrower, and more like, what in truth it was, the estuary of a river.

Right before us, at the southern end, we saw the wreck of a ship in the last stages of dilapidation. It had been a great vessel of three masts, but had lain so long exposed to the injuries of the weather that it was hung about with great webs of dripping seaweed, and on the deck of it shore bushes had taken root, and now flourished thick with flowers. It was a sad sight, but it showed us that the anchorage was calm.

"Now," said Hands, "look there; there's a pet bit for to beach a ship in. Fine flat sand, never a catspaw, trees all around of it, and flowers a-blowing like a garding on that old ship."

"And once beached," I inquired, "how shall we get her off again?"

"Why, so," he replied: "you take a line ashore there on the other side at low water; take a turn about one o' them big pines; bring it back, take a turn round the capstan, and lie-to for the tide. Come high water, all hands take a pull upon the line, and off she comes as sweet as natur'. And now, boy, you stand by. We're near the bit now, and she's too much way on her. Starboard a little--so--steady--starboard--larboard a little--steady--steady!"

So he issued his commands, which I breathlessly obeyed; till, all of a sudden, he cried: "Now, my hearty, luff!" And I put the helm hard up, and the _Hispaniola_ swung round rapidly, and ran stem on for the low wooded shore.

The excitement of these last maneuvers had somewhat interfered with the watch I had kept hitherto, sharply enough, upon the coxswain. Even then I was still so much interested, waiting for the ship to touch, that I had quite forgot the peril that hung over my head, and stood craning over the starboard bulwarks and watching the ripples spreading wide before the bows. I might have fallen without a struggle for my life, had not a sudden disquietude seized upon me, and made me turn my head. Perhaps I had heard a creak, or seen his shadow moving with the tail of my eye; perhaps it was an instinct like a cat's; but, sure enough, when I looked round, there was Hands, already halfway toward me, with the dirk in his right hand.

We must both have cried out aloud when our eyes met; but while mine was the shrill cry of terror, his was a roar of fury like a charging bull's. At the same instant he threw himself forward, and I leaped sideways toward the bows. As I did so I let go of the tiller, which sprang sharp to leeward; and I think this saved my life, for it struck Hands across the chest and stopped him, for the moment, dead.

Before he could recover, I was safe out of the corner where he had me trapped, with all the deck to dodge about. Just forward of the mainmast I stopped, drew a pistol from my pocket, took a cool aim, though he had already turned and was once more coming directly after me, and drew the trigger. The hammer fell, but there followed neither flash nor sound; the priming was useless with sea-water. I cursed myself for my neglect. Why had not I, long before, reprimed and reloaded my only weapons? Then I should not have been as now, a mere fleeing sheep before this butcher.

Wounded as he was, it was wonderful how fast he could move, his grizzled hair tumbling over his face, and his face itself as red as a red ensign with his haste and fury. I had no time to try my other pistol, nor, indeed, much inclination, for I was sure it would be useless. One thing I saw plainly: I must not simply retreat before him, or he would speedily hold me boxed into the bows, as a moment since he had so nearly boxed me in the stern. Once so caught, and nine or ten inches of the bloodstained dirk would be my last experience on this side of eternity. I placed my palms against the mainmast, which was of a goodish bigness, and waited, every nerve upon the stretch.

Seeing that I meant to dodge, he also paused; and a moment or two passed in feints on his part, and corresponding movements upon mine. It was such a game as I had often played at home about the rocks of Black Hill Cove; but never before, you may be sure, with such a wildly beating heart as now. Still, as I say, it was a boy's game, and I thought I could hold my own at it, against an elderly seaman with a wounded thigh. Indeed, my courage had begun to rise so high that I allowed myself a few darting thoughts on what would be the end of the affair; and while I saw certainly that I could spin it out for long, I saw no hope of any ultimate escape.

Well, while things stood thus, suddenly the _Hispaniola_ struck, staggered, ground for an instant in the sand, and then, swift as a blow, canted over to the port side, till the deck stood at an angle of forty-five degrees, and about a puncheon of water splashed into the scupperholes, and lay in a pool between the deck and bulwark.

We were both of us capsized in a second, and both of us rolled, almost together, into the scuppers; the dead red-cap, with his arms still spread out, tumbled stiffly after us. So near were we, indeed, that my head came against the coxswain's foot with a crack that made my teeth rattle. Blow and all, I was the first afoot again; for Hands had got involved with the dead body. The sudden canting of the ship had made the deck no place for running on; I had to find some new way of escape, and that upon the instant, for my foe was almost touching me. Quick as thought I sprang into the mizzen shrouds, rattled up hand over hand, and did not draw a breath till I was seated on the crosstrees.

I had been saved by being prompt; the dirk had struck not half a foot below me, as I pursued my upward flight; and there stood Israel Hands with his mouth open and his face upturned to mine, a perfect statue of surprise and disappointment.

Now that I had a moment to myself, I lost no time in changing the priming of my pistol, and then, having one ready for service, and to make assurance doubly sure, I proceeded to draw the load of the other, and recharge it afresh from the beginning.

My new employment struck Hands all of a heap; he began to see the dice going against him; and after an obvious hesitation, he also hauled himself heavily into the shrouds, and, with the dirk in his teeth, began slowly and painfully to mount. It cost him no end of time and groans to haul his wounded leg behind him; and I had quietly finished my arrangements before he was much more than a third of the way up. Then, with a pistol in either hand, I addressed him.

"One more step, Mr. Hands," said I, "and I'll blow your brains out! Dead men don't bite, you know," I added, with a chuckle.

He stopped instantly. I could see by the working of his face that he was trying to think, and the process was so slow and laborious that, in my new-found security, I laughed aloud. Then with a swallow or two, he spoke, his face still wearing the same expression of extreme perplexity. In order to speak he had to take the dagger from his mouth, but, in all else, he remained unmoved.

"Jim," says he, "I reckon we're fouled, you and me, and we'll have to sign articles. I'd have had you but for that there lurch: but I don't have no luck, not I; and I reckon I'll have to strike, which comes hard, you see, for a master mariner to a ship's younker like you, Jim."

I was drinking in his words and smiling away, as conceited as a cock upon a wall, when, all in a breath back went his right hand over his shoulder. Something sang like an arrow through the air; I felt a blow and then a sharp pang, and there I was pinned by the shoulder to the mast. In the horrid pain and surprise of the moment--I scarce can say it was by my own volition, and I am sure it was without a conscious aim--both my pistols went off, and both escaped out of my hands. They did not fall alone; with a choked cry, the coxswain loosed his grasp upon the shrouds, and plunged head first into the water.

Stevenson was not one of the men who can write only one sort of
thing. The numerous little poems contained in the first volume of
this series show his sympathetic knowledge of children, while his
essays prove that he could handle serious subjects in a most
masterly manner. The extract from _Treasure Island_ which you have
just been reading displays his skill in still another field--the
writing of stories of pure adventure.

One of the striking things in all Stevenson's writings is his power
of vivid description, his ability to make us see things. Nor does
he make us wait while he gives us page-long descriptions; he
suggests pictures to us with a few words. It may be safely said of
descriptions, when they are part of a story, that those which are
given in the fewest words, if those few words are the right ones,
are most effective. Stevenson fully grasped this fact, and that is
the reason he is able to bring all his scenes before us so vividly,
without wearying our patience.

FOOTNOTES:

[352-1] From _Treasure Island_.

JOHN GREENLEAF WHITTIER[381-1]

_By_ GRACE E. SELLON

Near the town of Haverhill, Massachusetts, in the old homestead of his father's family, the poet John Greenleaf Whittier was born December 17, 1807. Like all the other children who generation after generation had come to live in this Quaker dwelling, he was brought up in simple, useful ways, and was early given his full share of the duties about the farm. No matter how sharply the cold of the harsh New England winter pierced his homespun clothes, the snow must be shoveled from the paths, firewood must be brought, the stalls in the barn must be littered, and, worst task of all for him, seven cows must be milked. Yet there was plenty of fun to be had, too. When the snow fell so heavily that it blocked all the roads and closed in tightly about the house, the two Whittier boys found it exciting work to dig their way to the outside world.

When the early twilight fell and passed into night, the boys with their sisters joined the group gathered about the great hearth, and there listened to stories of Indians, witches and Christian martyrs, and to many another weird or adventurous tale told by the older members of the family. While they were being thus entertained, the blaze of the red logs went roaring up the chimney,

"The house-dog on his paws outspread
Laid to the fire his drowsy head,
The cat's dark silhouette on the wall
A couchant tiger's seemed to fall;
And, for the winter fireside meet,
Between the andirons' straddling feet,
The mug of cider simmered slow,
The apples sputtered in a row,
And, close at hand, the basket stood
With nuts from brown October's wood."

All too soon this pleasant time came to an end, and the boys must go to their bare, unheated room upstairs. There, the poet has written,

"Within our beds awhile we heard
The wind that round the gables roared,
With now and then a ruder shock,
Which made our very bedsteads rock.
We heard the loosened clapboards tost,
The board-nails snapping in the frost;
And on us, through the unplastered wall,
Felt the lightsifted snowflakes fall;
But sleep stole on, as sleep will do
When hearts are light and life is new;
Faint and more faint the murmurs grew,
Till in the summer-land of dreams
They softened to the sound of streams.
Low stir of leaves, and dip of oars,
And lapsing waves on quiet shores."

In the warm season, though there was much to do in helping plant and harvest the crops, there were good times to be had in climbing to the top of Job's hill, next to the house, where the friendly oxen were pastured, or in gathering berries or nuts, or in watching the birds, bees and squirrels as they worked or played about their homes. It was these delights of his childhood that the poet was calling to remembrance when he wrote _The Barefoot Boy_, which may be found elsewhere in these volumes.

Probably there are few country lads to-day who know so little as did the Whittier boys of the common sights and pleasures of city life. The strict Quaker belief regarding children's amusement barred them from most of the enjoyment familiar to the young people in the great world that lay beyond their home. So little were they acquainted with the forbidden attractions at the circus that one time when President Monroe visited Haverhill, Greenleaf (as the poet was known in his home), looking next day for traces of the presence of the great man, whom he had not been allowed to see, came upon the tracks of an elephant that had been in town with a traveling menagerie, and in his ignorance believed that these were the footsteps of the famous visitor. The theater, so the children were taught, was to be shunned as a place of wickedness. Once when Greenleaf was visiting in Boston he was asked to go to a play by a lady whom he met in the home where he was staying. When he found that the lady was an actress, he became so much afraid of being led into sinful ways that, not daring to remain longer, he started off at once for home.

Though young Whittier was a wide-awake boy and eager to learn, there was only the district school, held for a few weeks each winter, for him to attend. Yet an opportunity was not lacking for bringing to light his poetic gift. One of his schoolmasters, who lived for part of the term in the Whittier home, used to read to the family from various interesting books, and one night chose for their entertainment a volume of Burns's poems. As the lines of the much-loved Scotch poet fell from the reader's lips, the young boy listened as he had never before listened in his life. His own power awakened and responded warmly to that of the older poet. From that hour, whether he was at home or at school, he found great pleasure in writing verses, which he often showed to his young friends. Thus it was that his older sister Mary was able, all unknown to him, to send off one of his poems to the Newburyport _Free Press_. When the paper containing the verses came, the young poet read the lines over and over again, almost too dazed to recognize them as his own. This contribution was followed by another made to the same paper. By this time the editor's interest had been so much aroused that, learning from the postman of the author's whereabouts, he traveled to Haverhill to visit him. This editor was no other than William Lloyd Garrison, who later became famous as a leader of the cause of abolition. He urged strongly that the boy's education be continued. Perhaps his words would have counted for nothing, however, had it not been that somewhat later the editor of the Haverhill _Gazette_, in which some of young Whittier's verses had been published, entreated the boy's parents to send him to the new Haverhill Academy. His father's consent having been gained, Greenleaf learned from a man who worked on the farm how to make slippers, and thus he became able to pay his own expenses during a term at the Academy. By teaching school in the winter, and by helping to keep the books of a Haverhill merchant, he was able to provide for a second term. Thus was completed his regular schooling.

In the meanwhile his friend Garrison had kept an eye on him, and at the close of 1825 secured for him the editorship of _The American Manufacturer_, a weekly magazine published in Boston. Young Whittier entered with great interest into the work, contributing articles on politics and temperance as well as numerous poems. Though he received only nine dollars a week, he was able, when called back to Haverhill in 1829, by his father's illness, to give about one half of what he had earned to help remove the mortgage on the farm.

He remained at home until his father's death in 1830, editing for a time the Haverhill _Gazette_ and sending to the _New England Review_, of Hartford, Connecticut, various poems and articles. So much favor did these find with the editor, George D. Prentice, that he invited the young writer to fill his position during a temporary absence. The offer was highly complimentary, for the _Review_ was the principal political journal in Connecticut supporting Henry Clay. However, Whittier was well prepared for the work, for he had become acquainted with the leaders and with the chief interests of the Whig party while editing the _Manufacturer_, and was himself an enthusiastic follower of Clay. His common sense and shrewd but kindly reading of human nature, united with a high sense of honor and justice, enabled him to fill this responsible position with marked success until his failing health forced him to give it up in January, 1832.

There was much reason for Whittier to look for success in political life, for his editorial work had made him widely known as a man of sane and practical views, and he was so highly regarded in the district where he lived that had he reached the required age of twenty-five, he would in all probability have been made a candidate for Congress in 1832. Thus it was that although he had published more than a hundred favorably received poems between 1828 and 1832, he wrote in the latter year: "My prospects are too good to be sacrificed for any uncertainty. I have done with poetry and literature."

A far nobler mission, however, and greater usefulness than he could have planned for himself lay before Whittier. It was not political success that was to draw forth the greatness of his nature. The strong and fearless interest with which his friend Garrison had begun to champion the abolition of slavery in the United States appealed to him, he felt with all his heart that the cause was right, and, closing his eyes to the bright promise of political success, he chose to unite himself with the scorned and mistreated upholders of freedom. After thorough consideration and study, he wrote and published in 1833 the pamphlet _Justice and Expediency_, in which he set forth fully the arguments against slavery. This was the first of his strong and stirring protests against oppression. From that time until the close of the Civil War his fervent, fearless love of liberty voiced itself through ringing verses, in constant appeals to the conscience of the nation. The greatness of this influence, as it worked silently in men's hearts, who can estimate?

Whittier's part in the anti-slavery struggle was not always a quiet one. On one occasion, when in company with a famous but unpopular English reformer he was to address an audience on the subject of abolition, he was attacked by a mob while passing quietly along the street with a friend, and narrowly escaped being tarred and feathered. Somewhat later he was set upon in another town by a crowd armed with sticks and stones and other missiles, from which he fled with more haste than dignity. It was while he was editor of the _Freeman_ that Pennsylvania Hall, where the Philadelphia Abolitionists held their meetings, was burned by a mob, and the papers from Whittier's editorial room in this building were used to help start the blaze.

In 1836 the farm at Haverhill had been sold, and a cottage was bought in Amesbury near the Quaker meetinghouse. It was in this quiet place, under the loving care of his mother and sister, that Whittier made his home after resigning his position with the _Freeman_. These two women were in their way as unselfishly devoted to the cause of freedom as was the poet himself, for they encouraged his loyalty and bore privation uncomplainingly. In the darkest hour of their need, when it seemed as if their home must be mortgaged, Whittier was invited to become a contributor to the _Atlantic Monthly_, then being founded, and thus the long period of want was brought to an end.

After the death of his mother, in the following year (1858), Whittier's association with his sister Elizabeth became even closer than before, though they had always shared each other's hopes and interests with unusual sympathy and understanding. When she died, in 1864, it seemed to him that part of his life had gone with her. It was with this grief still fresh in his mind that he wrote the best known of his poems, _Snow-Bound, A Winter Idyl_, in which he pictures in the most simple and lifelike manner the quiet loveliness of his childhood home. With especial tenderness he tells of the much-loved sister, and lets his mingled grief and hope of reunion be seen:

"As one who held herself a part
Of all she saw, and let her heart
Against the household bosom lean,
Upon the motley-braided mat
Our youngest and our dearest sat,
Lifting her large, sweet, asking eyes,
Now bathed within the fadeless green
And holy peace of Paradise.
Oh, looking from some heavenly hill,
Or from the shade of saintly palms,
Or silver reach of river calms,
Do those large eyes behold me still?
With me one little year ago:--
The chill weight of the winter snow
For months upon her grave has lain;
And now, when summer south-winds blow,
And brier and harebell bloom again,
I tread the pleasant paths we trod,
I see the violet-sprinkled sod,
Whereon she leaned, too frail and weak,
The hillside flowers she loved to seek,
Yet following me where'er I went
With dark eyes full of love's content.
The birds are glad; the brier-rose fills
The air with sweetness; all the hills
Stretch green to June's unclouded sky;
But still I wait with ear and eye
For something gone which should be nigh,
A loss in all familiar things,
In flower that blooms, and bird that sings.
And yet, dear heart! remembering thee,
Am I not richer than of old?
Safe in thy immortality,
What change can reach the wealth I hold?
What chance can mar the pearl and gold
Thy love hath left in trust with me?
And while in life's late afternoon
Where cool and long the shadows grow,
I walk to meet the night that soon
Shall shape and shadow overflow,
I cannot feel that thou art far,
Since near at need the angels are;
And when the sunset gates unbar,
Shall I not see thee waiting stand,
And, white against the evening star,
The welcome of thy beckoning hand?"

After the death of Elizabeth Whittier, the Amesbury home was cared for by the poet's niece. During the remaining years of his life Whittier passed his time here or in the country. He lived in comparative comfort, for the publication of _Snow-Bound_ in 1866 had brought very good returns. These were years of great peace, in which he remained actively interested in the affairs of the nation, yet liked most to dwell upon the beauty of nature and especially upon the thought of God's goodness that must triumph over all the evil in the world. _Among the Hills_ and the collections _Tent on the Beach_ and _At Sundown_ were produced in the last period; but his religious poems seem best to represent his thought and feeling in the closing years. From these were taken the beautiful verses _At Last_, read as the poet passed away from earth, September 7, 1892.

Though Whittier remained throughout his life a Quaker not only in dress and speech but in belief and character, yet with his quietness and quaint simplicity was blended no severity nor gloom. He had a great love of fun, which alone can account for his mischievous habit of teasing, and for his keeping such pets as the little bantam rooster that aroused the household each morning with its crowing, and the parrot "Charlie" that swore when excited, stopped the horses in the street with its cries of "whoa," and nipped the ankles of unwary visitors. Then, too, he was always attractive to children, and often preferred their society to that of older people. But above all else, with each succeeding year he became more just and compassionate towards others. The kindliness of his nature was untouched by the sorrow and sickness that he bore. "Love--love to all the world," he would often repeat in his last years, and the sweet influence of the benediction is felt by all who read his life and works:

"Best loved and saintliest of our singing train,
Earth's noblest tributes to thy name belong.
A lifelong record closed without a stain,
A blameless memory shrined in deathless song."[390-2]

FOOTNOTES:

[381-1] The poetical quotations given in this article are from _Snow-Bound_.

[390-2] From an ode written by Oliver Wendell Holmes upon the death of Whittier.

WILLIAM CULLEN BRYANT

Plain indeed was the little home among the hills of Western Massachusetts, near the town of Cummington, where was born on November 3, 1794, the first great American poet, William Cullen Bryant. His father was a physician of scholarly tastes, and his mother, though not highly educated, was a woman of much practical wisdom. Both parents were kind and affectionate, but followed the custom of that time in treating their children with a strictness unknown to American boys and girls of to-day. Even small acts of disrespect or disobedience were promptly punished, and to aid in the work of correction the Bryant home as well as that of almost every neighbor was provided with a good-sized bundle of birch sticks hanging warningly on the kitchen wall. As the poet himself tells us in a sketch of his early life, the children looked upon the older people of the family with so much awe that they could not go to them freely nor act naturally in their presence.

This severity in his home must have made young Bryant, who was by nature grave and thoughtful, even more serious. Then, too, his mental powers developed with surprising quickness, so that by the time he had reached his teens, he was thinking and expressing himself upon subjects usually discussed by men rather than boys. Having begun to write verses when only nine years old, he had had enough practice in this kind of exercise to compose when thirteen years of age a satirical poem addressed to President Jefferson, because of his part in passing the Embargo Act by which New England commerce had been greatly injured. These verses were published and met with a ready sale. But far more remarkable as an early expression of genius was _Thanatopsis_, written several months before Bryant's eighteenth birthday. This poem deals with the subject of death with such deep thoughtfulness and in such a stately and powerful style that although it did not appear until six years later, it was even then believed to have been written by the poet's father, who had sent it to the publisher.

Though he was thoughtful beyond his years and had shown unusual poetic power, young Bryant was in other ways quite an ordinary boy. He was quiet and studious in the school room, but was active enough in the games played outside. Of the sports enjoyed by himself and the other boys of the district school, he writes: "We amused ourselves with building dams across the rivulet, and launching rafts made of old boards on the collected water; and in winter, with sliding on the ice and building snow barricades, which we called forts, and, dividing the boys into two armies, and using snowballs for ammunition, we contended for the possession of these strongholds. I was one of their swiftest runners in the race, and not inexpert at playing ball, but, being of a slight frame, I did not distinguish myself in these sieges." Sometimes, on long evenings, Cullen and his elder brother Austin would play that they were the heroes of whom they had read in the _Iliad_, and, fitted out with swords and spears and homemade armor, they would enact in the barn the great battles of the Trojan War.

Not only the _Iliad_, but other carefully chosen works of literature were discovered by the boy in his father's library, and he read widely and well. It proved that this reading had to take the place of a much hoped-for course at college. After attending Williams College for only two terms, he left there, expecting to enter Yale, but was forced to give up his plan, owing to his father's inability to supply him with the necessary means. He did not let this great disappointment overcome him, however, but a few months later began the study of law, with the result that in 1815 he was admitted to the bar.

It is a fact well worth noting that at the very beginning of his career as a lawyer, on the day when he was walking from his home to the little village where he was to start his practice, having learned, in his doubt and loneliness, a great lesson in faith, he wrote the beautiful poem that shows his genius at its best, and probably more than any other made him famous, the ode _To a Waterfowl_.

When a little boy, he had prayed, in his simple way, that he might be a great poet, and though he had outgrown the prayer, his desire was unchanged. More than this, he had now produced two works that undoubtedly showed genius. It is not surprising, then, that in a few years a literary career was opened to him and he was able to give up the law, for which he had no especial liking.

In 1825, after his marriage to a Miss Fairchild of Great Barrington, he removed from that town to New York. There he became editor of the _New York Review_ and _Athenaeum Magazine_; and a year later he accepted the position of assistant editor of the _Evening Post_, a newspaper with which he remained for the rest of his life, assuming in 1829 the office of editor-in-chief. Though his contributions to this paper were not a poet's work, they enabled him to unite his literary power with his deep interest in the political concerns of the country, and for many years to help direct public opinion during the most critical periods in the history of the new nation. More than this, while steadily provided with a good income he could spend his leisure hours among the quiet country scenes where he found inspiration for his greatest works, his simple nature poems.

The busy years of his life as a journalist were several times interrupted by travel. Besides visiting Mexico, Cuba and various parts of the United States, he made six voyages to Europe, and on the fourth extended the journey to Egypt and the Holy Land. His _Letters of a Traveller_ and _Letters from the East_ tell of the impressions he received in these countries.

Besides translating the _Iliad_ and the _Odyssey_ and writing the two fairy stories in verse, _Sella_ and _The Little People of the Snow_, Bryant undertook no poetic work of any length. The poems for which his name is most honored are the little lyrics in which the calm and beauty of nature tell us of truths that never change. Among these, some that are best liked by readers both young and old are _The Yellow Violet_, _The Fringed Gentian_, _A Forest Hymn_, _The Planting of the Apple Tree_, _Robert of Lincoln_, _The Gladness of Nature_, _March_ and _To a Waterfowl_.

These poems, when studied, are sure to reveal the simplicity and sincerity not only of Bryant's love for nature, but of his character as a man. They show the freedom from affectation that marks alike his writings and his everyday life. He followed almost sternly his high ideals both of moral right and literary correctness, and this has made him seem somewhat cold and formal. But probably all who can read most clearly the meaning of his life and works feel that so true-hearted a man could not have been lacking in warm and generous kindliness.

TO A WATERFOWL

_By_ WILLIAM CULLEN BRYANT

NOTE.--"He says in a letter that he felt, as he walked up the
hills, very forlorn and desolate indeed, not knowing what was to
become of him in the big world, which grew bigger as he ascended,
and yet darker with the coming on of night. The sun had already
set, leaving behind it one of those brilliant seas of chrysolite
and opal which often flood the New England skies; and, while he was
looking upon the rosy splendor with rapt admiration, a solitary
bird made wing along the illuminated horizon. He watched the lone
wanderer until it was lost in the distance, asking himself whence
it had come and to what far home it was flying. When he went to the
house where he was to stop for the night, his mind was still full
of what he had seen and felt, and he wrote these lines, as
imperishable as our language, _To a Waterfowl_."--Parke Godwin, in
Biography of Bryant.

Whither, 'midst falling dew,
While glow the heavens with the last steps of day,
Far through their rosy depths dost thou pursue
Thy solitary way?