Chapter I

On nights like this the huddled sheep
Are like white clouds upon the grass,
And merry herdsmen guard their sleep,
And chat and watch the big stars pass.

It is a pleasant thing to lie
Upon the meadow on the hill
With kindly fellowship near by
Of sheep and men of gentle will.

I lean upon my broken crook
And dream of sheep and grass and men--
O shameful eyes that cannot look
On any honest thing again!

On bloody feet I clambered down
And fled the wages of my sin,
I am the leavings of the town,
And meanly serve its meanest inn.

I tramp the courtyard stones in grief,
While sleep takes man and beast to her.
And every cloud is calling “Thief!”
And every star calls “Murderer!”

The hand of God is sure and strong,
Nor shall a man forever flee
The bitter punishment of wrong.
The wrath of God is over me!

With ashen bread and wine of tears
Shall I be solaced in my pain.
I wear through black and endless years
Upon my brow the mark of Cain.

Poor vagabond, so old and mild,
Will they not keep him for a night?
And She, a woman great with child,
So frail and pitiful and white.

Good people, since the tavern door
Is shut to you, come here instead.
See, I have cleansed my stable floor
And piled fresh hay to make a bed.

Here is some milk and oaten cake.
Lie down and sleep and rest you fair,
Nor fear, O simple folk, to take
The bounty of a child of care.

On nights like this the huddled sheep--
I never saw a night so fair.
How huge the sky is, and how deep!
And how the planets flash and glare!

At dawn beside my drowsy flock
What wingéd music I have heard!
But now the clouds with singing rock
As if the sky were turning bird.

O blinding Light, O blinding Light!
Burn through my heart with sweetest pain.
O flaming Song, most loudly bright,
Consume away my deadly stain!

The stable glows against the sky,
And who are these that throng the way?
My three old comrades hasten by
And shining angels kneel and pray.

The door swings wide--I cannot go--
I must and yet I dare not see.
Lord, who am I that I should know--
Lord, God, be merciful to me!

O Whiteness, whiter than the fleece
Of new-washed sheep on April sod!
O Breath of Life, O Prince of Peace,
O Lamb of God, O Lamb of God!

EASTER

The air is like a butterfly
With frail blue wings.
The happy earth looks at the sky
And sings.

MOUNT HOUVENKOPF

Serene he stands, with mist serenely crowned,
And draws a cloak of trees about his breast.
The thunder roars but cannot break his rest
And from his rugged face the tempests bound.
He does not heed the angry lightning’s wound,
The raging blizzard is his harmless guest,
And human life is but a passing jest
To him who sees Time spin the years around.

But fragile souls, in skyey reaches find
High vantage-points and view him from afar.
How low he seems to the ascended mind,
How brief he seems where all things endless are;
This little playmate of the mighty wind,
This young companion of an ancient star.

THE HOUSE WITH NOBODY IN IT

Whenever I walk to Suffern along the Erie track
I go by a poor old farmhouse with its shingles broken and black.
I suppose I’ve passed it a hundred times, but I always stop for a minute
And look at the house, the tragic house, the house with nobody in it.

I never have seen a haunted house, but I hear there are such things;
That they hold the talk of spirits, their mirth and sorrowings.
I know this house isn’t haunted, and I wish it were, I do;
For it wouldn’t be so lonely if it had a ghost or two.

This house on the road to Suffern needs a dozen panes of glass,
And somebody ought to weed the walk and take a scythe to the grass.
It needs new paint and shingles, and the vines should be trimmed and
tied;
But what it needs the most of all is some people living inside.

If I had a lot of money and all my debts were paid
I’d put a gang of men to work with brush and saw and spade.
I’d buy that place and fix it up the way it used to be
And I’d find some people who wanted a home and give it to them free.

Now, a new house standing empty, with staring window and door,
Looks idle, perhaps, and foolish, like a hat on its block in the store.
But there’s nothing mournful about it; it cannot be sad and lone
For the lack of something within it that it has never known.

But a house that has done what a house should do, a house that has
sheltered life,
That has put its loving wooden arms around a man and his wife,
A house that has echoed a baby’s laugh and held up his stumbling feet,
Is the saddest sight, when it’s left alone, that ever your eyes could
meet.

So whenever I go to Suffern along the Erie track
I never go by the empty house without stopping and looking back,
Yet it hurts me to look at the crumbling roof and the shutters fallen
apart,
For I can’t help thinking the poor old house is a house with a broken
heart.

DAVE LILLY

There’s a brook on the side of Greylock that used to be full of trout,
But there’s nothing there now but minnows; they say it is all fished out.
I fished there many a Summer day some twenty years ago,
And I never quit without getting a mess of a dozen, or so.

There was a man, Dave Lilly, who lived on the North Adams road,
And he spent all his time fishing, while his neighbors reaped and sowed.
He was the luckiest fisherman in the Berkshire hills, I think.
And when he didn’t go fishing he’d sit in the tavern and drink.

Well, Dave is dead and buried and nobody cares very much;
They have no use in Greylock for drunkards and loafers and such.
But I always liked Dave Lilly, he was pleasant as you could wish;
He was shiftless and good-for-nothing, but he certainly could fish.

The other night I was walking up the hill from Williamstown
And I came to the brook I mentioned, and I stopped on the bridge and sat
down.
I looked at the blackened water with its little flecks of white
And I heard it ripple and whisper in the still of the Summer night.

And after I’d been there a minute it seemed to me I could feel
The presence of someone near me, and I heard the hum of a reel.
And the water was churned and broken, and something was brought to land
By a twist and flirt of a shadowy rod in a deft and shadowy hand.

I scrambled down to the brookside and hunted all about;
There wasn’t a sign of a fisherman; there wasn’t a sign of a trout.
But I heard somebody chuckle behind the hollow oak
And I got a whiff of tobacco like Lilly used to smoke.

It’s fifteen years, they tell me, since anyone fished that brook;
And there’s nothing in it but minnows that nibble the bait off your hook.
But before the sun has risen and after the moon has set
I know that it’s full of ghostly trout for Lilly’s ghost to get.

I guess I’ll go to the tavern and get a bottle of rye
And leave it down by the hollow oak, where Lilly’s ghost went by.
I meant to go up on the hillside and try to find his grave
And put some flowers on it--but this will be better for Dave.

ALARM CLOCKS

When Dawn strides out to wake a dewy farm
Across green fields and yellow hills of hay
The little twittering birds laugh in his way
And poise triumphant on his shining arm.
He bears a sword of flame but not to harm
The wakened life that feels his quickening sway
And barnyard voices shrilling “It is day!”
Take by his grace a new and alien charm.

But in the city, like a wounded thing
That limps to cover from the angry chase,
He steals down streets where sickly arc-lights sing,
And wanly mock his young and shameful face;
And tiny gongs with cruel fervour ring
In many a high and dreary sleeping place.

WAVERLEY

1814–1914

When on a novel’s newly printed page
We find a maudlin eulogy of sin,
And read of ways that harlots wander in,
And of sick souls that writhe in helpless rage;
Or when Romance, bespectacled and sage,
Taps on her desk and bids the class begin
To con the problems that have always been
Perplexed mankind’s unhappy heritage;

Then in what robes of honour habited
The laureled wizard of the North appears!
Who raised Prince Charlie’s cohorts from the dead,
Made Rose’s mirth and Flora’s noble tears,
And formed that shining legion at whose head
Rides Waverley, triumphant o’er the years!

EARLY POEMS

IN A BOOK-SHOP

All day I serve among the volumes telling
Old tales of love and war and high romance;
Good company, God wot, is in them dwelling,
Brave knights who dared to scorn untoward chance.

King Arthur--Sidney--Copperfield--the daring
And friendly souls of Meredith’s bright page--
The Pilgrim on his darksome journey faring,
And Shakespeare’s heroes, great in love and rage.

Fair ladies, too--here Beatricè smiling
Through hell leads Dante to the happy stars;
And Heloise, the cruel guards beguiling,
With Abelard makes mock of convent bars.

Yet when night comes I leave these folks with pleasure
To open Love’s great summer-scented tome
Within whose pages--precious beyond measure--
My own White Flower Lady hath her home.

SLENDER YOUR HANDS

Slender your hands and soft and white
As petals of moon-kissed roses;
Yet the grasp of your fingers slight
My passionate heart encloses.

Innocent eyes like delicate spheres
That are born when day is dying;
Yet the wisdom of all the years
Is in their lovelight lying.

SLEEP SONG

The Lady World
Is sleeping on her white and cloudy bed.
Like petals furled
Her eyelids close. Beside her dream-filled head
Her lover stands in silver cloak and shoon,
The faithful Moon.

So Love, my Love,
Sleep on, my Love, my Life, be not afraid.
The Moon above
Shall guard the World, and I my little maid.
Your life, your love, your dreams are mine to keep,
So sleep, so sleep.

WHITE BIRD OF LOVE

Little white bird of the summer sky,
Silver against the golden sun,
Over the green of the hills you fly,
You and the sweet, wild air are one.

Glorious sights are in that far place
Reached by your daisy-petal wing,
Rose-coloured meteors dive through space,
Stars made of molten music sing.

Still, though your quivering eager flight
Reaches the groves by Heaven town,
Where all the angels cry out, “Alight!
Stop, little bird, come down, come down!”

Careless you speed over fields of stars,
Darting through Heaven swift and free;
Nothing your arrowy passage bars
Back to the earth and back to me.

Here in the orchard of dream-fruit fair
Out of my dreams is built your nest.
Blossoming dreams all the branches bear,
Fit for my silver dream-bird’s rest.

Here, since they love you, the young stars shine,
Through the white petals come their beams.
Little white love-laden bird of mine,
Let them shine on you through my dreams.

TRANSFIGURATION

If it should be my task, I being God,
From whirling atoms to evolve your mate,
With hands omnipotent I should create
A great-souled hero, with the starlight shod.
The subject worlds should tremble at his nod
And all the angel host upon him wait,
Yet he should leave his pomp and splendid state
And kneel to kiss the ground whereon you trod.

But God, who like a little child is wise,
Made me, a common thing of earthly clay;
Then bade me go and see within your eyes
The flame of love that burns more bright than day,
And as I looked I knew with wild surprise
I was transformed--your heart in my heart lay.

BALLADE OF MY LADY’S BEAUTY

Squire Adam had two wives, they say,
Two wives had he, for his delight,
He kissed and clypt them all the day
And clypt and kissed them all the night.
Now Eve like ocean foam was white
And Lilith roses dipped in wine,
But though they were a goodly sight
No lady is so fair as mine.

To Venus some folk tribute pay
And Queen of Beauty she is hight,
And Sainte Marie the world doth sway
In cerule napery bedight.
My wonderment these twain invite,
Their comeliness it is divine,
And yet I say in their despite,
No lady is so fair as mine.

Dame Helen caused a grievous fray,
For love of her brave men did fight,
The eyes of her made sages fey
And put their hearts in woful plight.
To her no rhymes will I indite,
For her no garlands will I twine,
Though she be made of flowers and light
No lady is so fair as mine.

L’ENVOI

Prince Eros, Lord of lovely might
Who on Olympus dost recline,
Do I not tell the truth aright?
No lady is so fair as mine.

FOR A BIRTHDAY

April with her violets,
May and June with roses,
Young July with all her flowers, crimson, gold and white,
Each in place her tribute sets,
Each her wreath composes,
Making glad the roadway for the Lady of Delight.

Birds with many colours gay,
Through the branches flitting,
Sing, to greet my Lady Love, a lusty welcome song.
Even bees make holiday,
Hive and honey quitting,
Tremulous and jubilant they join the eager throng.

Now the road is flower-paved;
Timid fawns are peering
From their pleasant vantage in the roadside’s leafy green.
All the world in sunlight laved,
Knows the hour is nearing
That shall bring the golden presence of the well-loved Queen.

Hark! at last the silver trill
Of a lute is sounding--
Happy August, purple-clad, appears with all her train.
Sudden sweet the branches fill;
Every heart is bounding;
August comes, the kindly nurse of her who is to reign!

And now, with proud and valiant gait,
An hundred centaurs come.
Pan rides the foremost one in state;
The waiting crowd grows dumb.
Each centaur wears a jewelled thong
And harness bright of sheen;
They draw through surging floods of song
The carriage of the Queen!

“Hail! Hail! Hail! to the Queen in her moonstone car!
Hail! Hail! Hail! to the Lady whose slaves we are!
We of the meadows, the rocks and the hills,
Dwellers in oceans and rivers and rills,
Beasts of the forests and birds of the air,
Linnet and butterfly, lion and bear,
Daisy and daffodill, spruce-tree and fir,
Yield to our Queen and do homage to her!
Hail! Hail! Hail! we welcome thy royal sway!
Hail! Hail! Hail! O Queen, on this festal day!”

So all the world kneels down to you,
And all things are your own;
Now let a humble rhymer sue
Before your crystal throne.
Fair Queen, at your rose-petal feet
Bid me to live and die!
Not all your world of lovers, Sweet,
Can love so much as I.

JOYCE KILMER, AGE 21

TAKEN IN ACADEMIC GOWN, IMMEDIATELY AFTER HIS GRADUATION, AND DIRECTLY PRECEDING HIS MARRIAGE]

WAYFARERS

Underneath the orchard trees lies a gypsy sleeping,
Tattered cloak and swarthy face and shaggy moonlit hair;
One brown hand his crazy fiddle in its grasp is keeping,
Through the Land of Dreams he strolls and sings his love songs there.

Up above the apple blossoms where the stars are shining,
Free and careless wandering among the clouds he goes,
Singing of his lady-love and for her pleasure twining
Wreaths of Heaven flowers, violet and golden rose.

In his sleep he stirs, and wakes to find his love beside him,
Pours his load of Dreamland blooms before her silver feet,
Takes her in his arms and as her soft brown tresses hide him
Both together fare to Dreamland up the star-paved street.

PRINCESS BALLADE

Never a horn sounds in Sherwood to-night,
Friar Tuck’s drinking Olympian ale,
Little John’s wandered away from our sight,
Robin Hood’s bow hangs unused on its nail.
Even the moon has grown weary and pale
Sick for the glint of Maid Marian’s hair,
But there is one joy on mountain and dale,
Fairies abound all the time, everywhere!

Saints have attacked them with sacredest might,
They could not shatter their gossamer mail;
Steam-driven engines can never affright
Fairies who dance in their spark-sprinkled trail.
Still for a warning the sad Banshees wail,
Still are the Leprechauns ready to bear
Purses of gold to their captors for bail;
Fairies abound all the time, everywhere!

Oberon, king of the realms of delight,
May your domain over us never fail.
Mab, as a rainbow-hued butterfly bright,
Yours is the glory that age cannot stale.
When we are planted down under the shale,
Fairy-folk, drop a few daffodils there,
Comfort our souls in the Stygian vale;
Fairies abound all the time, everywhere.

L’ENVOI

White Flower Princess, though sophisters rail,
Let us be glad in faith that we share.
None shall the Good People safely assail;
Fairies abound all the time, everywhere!

LULLABY FOR A BABY FAIRY

Night is over; through the clover globes of crystal shine;
Birds are calling; sunlight falling on the wet green vine.
Little wings must folded lie, little lips be still
While the sun is in the sky, over Fairy Hill.
Sleep, sleep, sleep,
Baby with buttercup hair,
Golden rays
Into the violet creep.
Dream, dream deep;
Dream of the night-revels fair.
Daylight stays;
Sleep, little fairy child, sleep.

Rest in daytime; night is playtime, all good fairies know.
Under sighing grasses lying, off to slumber go.
Night will come with stars agleam, lilies in her hand,
Calling you from Hills of Dream back to Fairyland.
Sleep, sleep, sleep,
Baby with buttercup hair;
Golden rays
Into the violet creep.
Dream, dream deep;
Dream of the night-revels fair.
Daylight stays;
Sleep, little fairy child, sleep.

A DEAD POET

Fair Death, kind Death, it was a gracious deed
To take that weary vagrant to thy breast.
Love, Song and Wine had he, and but one need--
Rest.

THE MAD FIDDLER

I sleep beneath a bracken sheet
In sunlight or in rain,
The road dust burns my naked feet,
The sunrays sear my brain;
But children love my fiddle’s sound
And if a lad be straying,
His mother knows he may be found
Where old Mad Larry’s playing.

O fiddle, let us follow, follow,
Till we see my Eileen’s face,
Through the moonlight like a swallow
Off she flew to some far place.

O, did you ever love a lass?
I loved a lass one day,
And she would lie upon the grass
And sing while I would play.
She was a cruel, lovely thing,
Nor heart nor soul have I,
For Eileen took them that soft spring
When she flew to the sky.

So fiddle, let us follow, follow,
Till we see my Eileen’s face,
Through the moonlight like a swallow
Off she flew to some far place.

THE GRASS IN MADISON SQUARE

The pleasant turf is dried and marred and seared,
The grass is dead.
No soft green shoot, by rain and sunshine reared,
Lifts up its head.

I think the grass that made the park so gay
In early spring
Now decks the lawns of Heaven where babies play
And dance and sing.

And poor old vagabonds who now have left
The dusty street,
Find fields of which they were in life bereft,
Beneath their feet.

SAID THE ROSE

No flower hath so fair a face as this pale love of mine;
When he bends down to kiss my heart, my petals try to twine
About his lips to hold them fast. He is so very fair,
My lover with the pale, sad face and forest-fragrant hair.

I think it is a pleasant place, this garden where I grow,
With gravel walks and grassy mounds and crosses in a row.
There is no toil nor worry here, nor clatter of the street,
And here each night my lover comes, pale, sad and very sweet.

He never heeds the violets or lilies tall and white;
I am his love, his only love, his Flower of Delight;
And often when the cold moonbeams are lying all around
My lover kneels the whole night through beside me on the ground.

How can I miss the sunshine-laden breezes of the south
When all my heart is burning with the kisses of his mouth?
How can I miss the coming of the comfort-bringing rain
When his hot tears are filling me with heaven-sweet love-pain?

There is a jealous little bird that envies me my love,
He sings this bitter, bitter song from his brown nest above:
“Was ever yet a mortal man who wed a flower wife?
He loves the girl down in your roots whose dead breast gives you life.”

O little bird, O jealous bird, fly off and cease your chatter!
My lover is my lover, and what can a dead girl matter?
In his hot kisses and sweet tears I shall my petals steep;
I am his love, his only love, I have his heart to keep.

METAMORPHOSIS

He was an evil thing to see--
Of joy his mouth was desolate;
His body was a stunted tree,
His eyes were pools of lust and hate.

Now silverly the linnet sings
On leaves that from his temples start,
And gay the yellow crocus springs
From the rich clod that was his heart.

FOR A CHILD

His mind has neither need nor power to know
The foolish things that men call right and wrong.
For him the streams of pleasant love-wind flow,
For him the mystic, sleep-compelling song.
Through love he rules his love-made universe,
And sees with eyes by ignorance made keen
The fauns and elves whom older eyes disperse,
Great Pan and all the fairies with their queen.
King gods, I pray, bestow on him this dole,
Not wisdom, wealth, nor mighty deeds to do,
But let him keep his happy pagan soul,
The poet-vision, simple, free and true,
To hunt the rainbow-gold and phantom lights,
And meet with dryads on the wooded heights.

THE CLOUDED SUN

(To A. S.)

It is not good for poets to grow old,
For they serve Death that loves and Love that kills;
And Love and Death, enthroned above the hills,
Call back their faithful servants to the fold
Before Age makes them passionless and cold.

Therefore it is that no more sorry thing
Can shut the sunlight from the thirsty grass
Than some grey head through which no longer pass
Wild dreams more lively than the scent of Spring
To fire the blood and make the glad mouth sing.

Far happier he, who, young and full of pride
And radiant with the glory of the sun,
Leaves earth before his singing time is done.
All wounds of Time the graveyard flowers hide,
His beauty lives, as fresh as when he died.

Then through the words wherein his spirit dwells
The world may see his young impetuous face
Unmarred by Time, with undiminished grace;
While memory no piteous story tells
Of barren days, stale loves and broken spells.

* * * * *

Brother and Master, we are wed with woe.
Yea, Grief’s funereal cloud it is that hovers
About the head of us, thy mournful lovers.
Uncomforted and sick with pain we go,
Dust on our brows and at our hearts the snow.

The London lights flare on the chattering street,
Young men and maidens love and dance and die;
Wine flows, and the perfumes float up to the sky.
Once thou couldst feel that this was very sweet,
Now thou art still--mouth, hands and weary feet.

O subtle mouth, whereon the Sphinx has placed
The smile of those she kisses at their birth,
Sing once again, for Spring has thrilled the earth.
Nay, thou art dumb. Not even April’s taste
Is sweet to thee in thy live coffin cased.

There is no harsher tragedy than this--
That thou, who feltest as no man before
Scent, colour, taste and sound and didst outpour
For us rich draughts of thine enchanted bliss
Shouldst be plunged down this cruel black abyss.

Brother and Master, if our love could free
Thy flameborne spirit from its leaden chain,
Thou shouldst rise up from this sad house of pain,
Be young and fair as thou wast wont to be,
And strong with joy as is the boundless sea.

Brother and Master, at thy feet we lay
These roses, red as lips that thou hast sung,
To mingle with the green and fragrant bay,
And cypress wreaths above thy head are hung.
We kneel awhile, then turn in tears away.

THE POET’S EPITAPH

Dreams fade with morning light;
Never a morn for thee,
Dreamer of dreams, good-night.

Over our earthly sight
Shadows of woe must be;
Dreams fade with morning light.

Soldiers awake to fight--
Thou art from strife set free,
Dreamer of dreams, good-night.

Day breaketh, cruel, white,
Lovely the forms that flee;
Dreams fade with morning light.

Thine is the sure delight,
Sleep-visions still to see,
Dreamer of dreams, good-night.

Pity us from thy height,
Dawn-haunted slaves are we;
Dreams fade with morning light,
Dreamer of dreams, good-night.

BEAUTY’S HAIR

A gleam of light across the night,
I know that you are there;
The heavens show the lovely glow
Of your transcendent hair,
Your luminous, miraculous, and morning-coloured hair.

I’ll take my silver javelin
And point it with a star,
For I have vowed to climb a cloud
And reach to where you are.
My javelin’s barb shall pierce your hair
And pin it to the sky,
And I will run to the island sun
Where captive you will lie,
And then I shall dare to touch your hair,
To steal a tress of your magic hair,
And bring to the world a tress of hair
And win the world thereby.

Or shall I put on a green-sea cloak
With sunset laces trimmed,
And shine so gay that the dawn will say
That her radiance is dimmed?
There never was a lover could shine more fair
Than I in my cloak will shine;
And all for the sake of your merry hair,
Your whimsical, perilous, golden hair,
Your lovely, terrible, golden hair,
More sweet than love or wine.

A twisted bit of silver
Fell down and bruised my face.
What was it broke my broidered cloak
And tore the sunset lace?
I must be clad in sorrow
Because you are so gay,
And close my eyes if I would see
A whiter light than day.
So lofty is your golden hair,
I cannot climb to touch your hair,
I must kneel down to find your hair
Upon the trampled way.

THE WAY OF LOVE

(An Old Legend)

When darkness hovers over earth
And day gives place to night,
Then lovers see the Milky Way
Gleam mystically bright,
And calling it the Way of Love
They hail it with delight.

She was a lady wondrous fair,
A right brave lover he,
And sooth they suffered grievous pain
And sorrowed mightily,
For they were parted during life
By leagues of land and sea.

She died. Then Death came to the man.
He met him joyfully,
And said, “Thou Angel Death, well met!
Quick, do thy will with me,
That I may haste to greet my love
In Heaven’s company.”

Now on one side of Heaven he dwelt
And on the other, she;
And broad between them stretched sheer space
Whereon no way might be,
The empty, yawning, awful depth,
Unplumbed infinity.

The deathless spheric melody
Came gently to his ear,
And dulcet notes, the harmonies
Of Seraphs chanting near.
He heeded not for listening
His lady’s voice to hear.

The Saints and Martyrs round him ranged
A goodly company,
The Virgin, robed in radiance,
The Holy Trinity.
He heeded not, but strained his eyes
His lady’s face to see.

At last from far across the void
Her voice came, faint and sweet.
The bright-hued walls of Paradise
Did the glad sound repeat;
The distant stars on which she stood
Shone bright beneath her feet.

“Dear Love,” she said, “Oh, come to me!
I cannot see your face.
O will not Lord Christ grant to us
To cross this sea of space?”
Then thrilled his heart with Love’s own might.
He answered, by Love’s grace.

“The world is wide, and Heaven is wide,
From me to thee is far,
Alas! across Infinity
No passageways there are.
Sweetheart, I’ll make my way to thee,
I’ll build it, star by star!”

Through all the curving vault of sky
His lusty blows rang out.
He smote the jewel-studded walls
And with a mighty shout
He tore the gleaming masonry
And posts that stood about.

He strove to build a massive bridge
That should the chasm span.
With heart upheld by hope and love
His great task he began,
And toiled and laboured doughtily
To work his God-like plan.

He took the heavy beams of gold
That round him he did see;
The beryl, jacinth, sardius,
That shone so brilliantly,
And no fair jewel would he spare
So zealously worked he.

He stole the gorgeous tinted stuffs
Whereof are sunsets made,
And his rude, grasping, eager hands
On little stars he laid;
To rob God’s sacred treasure-house
He was no whit afraid.

And so for centuries he worked.
Across the void at last
A bridge of precious mold did stand
Completed, strong and fast.
So now the faithful lovers met
And all their woe was past.

But soon a shining angel guard
Sped to the throne of gold
And said, “Lord, see yon new-made bridge,
A mortal, overbold,
Has built it, scorning thy desire!”
Straightway the tale he told.

Then said: “Now, Master, Thou mayst see
The thing that has been wrought.
Speak, then, the word, stretch forth Thine hand
That with the speed of thought
This poor presumptuous work may fall
And crumble into naught.”

God looked upon the angel then
And on the bridge below.
Then with His smile of majesty
He said: “Let all things know,
This bridge, which has by Love been built,
I will not overthrow.”

When darkness hovers over earth
And day gives place to night,
Then lovers see the Milky Way
Gleam mystically bright,
And calling it the Way of Love,
They hail it with delight.

CHEVELY CROSSING

There two roads cross by Chevely town
A man is lying dead.
The rumbling wains of scented hay
Roll over his fair head;
A stake is driven through his heart,
For his own blood he shed.

* * * * *

Among the pleasant flower-stars
By God’s own garden gate,
A little maid fresh come from earth
One summer night did wait;
Her poppy mouth dropped down with fear,
With fear her eyes were great.

The angels saw her sinless face,
The gate was opened wide.
She only shook her dawn-crowned head
And would not come inside.
She was alone, and so afraid--
She hid her face and cried.

Her tears dropped down like sun-filled rain
Through stars and starless space,
Until at last in Chevely town
Where in a moonlit place
Her lover knelt upon her grave,
They fell upon his face.

Said he, “My love, my only love,
My Elena, my Sweet!
Through what wild ways of mystery
Have strayed your little feet?
Alone, alone this lonely night
Where only spirits meet!

“It is not my bleak desert life
That turns my heart to lead,
Not for my empty arms I mourn,
Nor for my loveless bed;
But that you wander forth alone
On heights I may not tread.

“If I could stand beside you now,
Sin-burdened though I be,
I’d bear you through the trackless ways
From fear and danger free,
Not God himself could daunt the strong
Undying love of me!

“Though Heaven is a pleasant place,
What joy for you is there?
Who tread the jewelled streets alone
Without my heart to share
Each throb of your heart, and my arm
Around you, O my Fair!

“I hear your sobbing in the wind,
And in the summer rain
I feel your tears. My heart is pierced
With your sad, lonely pain.
My Love! My only Love! I come!
You shall not call in vain!”

* * * * *

Where two roads cross by Chevely town
A man is lying dead.
The rumbling wains of scented hay
Roll over his fair head;
A stake is driven through his heart,
For his own blood he shed.

THE OTHER LOVER

I’m home from off the stormy sea,
And down the street
The folk come out to welcome me
On eager feet.
O neighbours, God be with you all,
But for my true love I must call;
She lingers in her father’s hall
So shy, so sweet!

Here is a string of milky pearls
For her to wear,
An amber comb to match the curls
Of her bright hair.
O neighbours, do not crowd me so!
Stand by! stand by! for I must go
To put on my love’s hand of snow
This gold ring fair.

Good dame, why do you block the way
And shake your head?
Must all the things you have to say
Just now be said?
O neighbours, let me pass--but why--
My God, what makes you women cry?
Come tell me that I too may die!
Is my love dead?

“Nay, Marjorie’s a living thing,
And fair and strong.
Yet did you wait to give your ring
A year too long.
To seek her love there came the Moon;
Now Marjorie at night and noon
Is chained and sits alone to croon
The Moon’s love-song.”

Transcriber’s Notes

Punctuation, hyphenation, and spelling in the Memoir were made consistent when a predominant preference was found in the original book; otherwise they were not changed.

Simple typographical errors were corrected; unbalanced quotation marks were remedied when the change was obvious, and otherwise left unbalanced.

Illustrations in this eBook have been positioned between paragraphs and outside quotations. In versions of this eBook that support hyperlinks, the page references in the List of Illustrations lead to the corresponding illustrations.

Redundant Section title removed on the page before page 17.

Page 70: “Little Orphant Annie” was printed that way.