Kabuki
by OpenStories
Original author: Zoë Kincaid
"Kabuki: The Popular Stage of Japan" by Zoë Kincaid is an insightful account of the traditional Japanese theater form known as Kabuki, written in the early 20th century. The work explores the history, cultural significance, and complexity of Kabuki, emphasizing its roots within Japanese society and its development over three centuries. Kincaid examines not only the performances themselves, but also the dedicated craftsmanship of the actors and the vibrant audiences that support this unique theatrical art. The opening of the narrative begins with the author acknowledging her sources and influences, including notable scholars and practitioners in the field of Kabuki. Kincaid sets the stage by describing the atmosphere of the Kabuki theater, where immense crowds gather to experience the performances that resonate deeply with the spirit and emotions of the Japanese people. She outlines the distinctions between Kabuki and other forms of Japanese theater, such as Nō and Ningyo-shibai (Doll Theatre), while hinting at Kabuki's dynamic relationship with Western theatrical traditions. This foundational chapter serves to immerse readers in the richness of Kabuki, laying the groundwork for a deeper exploration of its conventions, audience engagement, and artistic heritage in the subsequent sections.
Kabuki, by Zoë Kincaid. Republished by OpenStories from Project Gutenberg eBook #70471.
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32 Chapters
- 1.Chapter XXIX: Contemporary Kabuki 3671,250 words
- 2.Introduction642 words
- 3.Chapter I: Kabuki1,726 words
- 4.Chapter II: Kabuki Audiences2,554 words
- 5.Chapter III: Conventions of Kabuki3,681 words
- 6.Chapter IV: Craftsmanship of Kabuki1,974 words
- 7.Chapter V: Kabuki’s School of Acting1,674 words
- 8.Chapter VI: Actor Ceremonials2,201 words
- 9.Chapter VII: O-Kuni of Izumo2,960 words
- 10.Chapter VIII: Onna Kabuki: the Woman’s Stage1,740 words
- 11.Chapter IX: Wakashu Kabuki: the Young Men’s Stage2,970 words
- 12.Chapter X: Theatres of the Three Towns3,237 words
- 13.Chapter XI: Danjuro and Tojuro3,709 words
- 14.Chapter XII: Yakusha of Genroku3,792 words
- 15.Chapter XIII: Yakusha of Horeki3,116 words
- 16.Chapter XIV: Yakusha of Pre-Restoration Period3,439 words
- 17.Chapter XV: Onnagata4,010 words
- 18.Chapter XVI: Yakusha and Marionette2,813 words
- 19.Chapter XVII: Lives of the Yakusha4,595 words
- 20.Chapter XVIII: Customs of Shibai4,667 words
- 21.Chapter XIX: Shibai and Outside Influence2,729 words
- 22.Chapter XX: Music of Shibai2,735 words
- 23.Chapter XXI: Shibai and Interference4,471 words
- 24.Chapter XXII: Externals of Shibai2,356 words
- 25.Chapter XXIII: Customs of the Sakusha2,263 words
- 26.Chapter XXIV: Representative Sakusha6,276 words
- 27.Chapter XXV: Kabuki Play Forms7,201 words
- 28.Chapter XXVI: Motives of Kabuki Plays11,069 words
- 29.Chapter XXVII: Kabuki Rôles3,713 words
- 30.Chapter XXVIII: Meiji Kabuki (1)8,882 words
- 31.Chapter XXVIII: Meiji Kabuki (2)4,994 words
- 32.Chapter XXIX: Contemporary Kabuki5,314 words