Chapter II

At last, through clouds,--as from a cavern hewn
Into night's heart,--the sun burst, angry roon;
And every cedar, with its weight of wet,
Against the sunset's fiery splendour set,
Frightened to beauty, seemed with rubies strewn:
Then in drenched gardens, like sweet phantoms met,
Dim odours rose of pink and mignonette;
And in the East a confidence, that soon
Grew to the calm assurance of the moon.

TO FALL

Sad-hearted spirit of the solitudes,
Who comest through the ruin-wedded woods!
Gray-gowned with fog, gold-girdled with the gloom
Of tawny twilights; burdened with perfume
Of rain-wet uplands, chilly with the mist;
And all the beauty of the fire-kissed
Cold forests crimsoning thy indolent way,
Odorous of death and drowsy with decay.
I think of thee as seated 'mid the showers
Of languid leaves that cover up the flowers,--
The little flower-sisterhoods, whom June
Once gave wild sweetness to, as to a tune
A singer gives her soul's wild melody,--
Watching the squirrel store his granary.
Or, 'mid old orchards I have pictured thee:
Thy hair's profusion blown about thy back;
One lovely shoulder bathed with gypsy black;
Upon thy palm one nestling cheek, and sweet
The rosy russets tumbled at thy feet.
Was it a voice lamenting for the flowers?
A heart-sick bird that sang of happier hours?
A cricket dirging days that soon must die?
Or did the ghost of Summer wander by?

SUNSET IN AUTUMN

Blood-coloured oaks, that stand against a sky of gold and brass;
Gaunt slopes, on which the bleak leaves glow of brier and sassafras,
And broom-sedge strips of smoky-pink and pearl-gray clumps of grass
In which, beneath the ragged sky, the rain pools gleam like glass.

From West to East, from wood to wood, along the forest-side,
The winds,--the sowers of the Lord,--with thunderous footsteps
stride;
Their stormy hands rain acorns down; and mad leaves, wildly dyed,
Like tatters of their rushing cloaks, stream round them far and
wide.

The frail leaf-cricket in the weeds rings a faint fairy bell;
And like a torch of phantom ray the milkweed's windy shell
Glimmers; while, wrapped in withered dreams, the wet autumnal smell
Of loam and leaf, like some sad ghost, steals over field and dell.

The oaks, against a copper sky--o'er which, like some black lake
Of Dis, bronze clouds, like surges fringed with sullen fire, break--
Loom sombre as Doom's citadel above the vales that make
A pathway to a land of mist the moon's pale feet shall take.

Now, dyed with burning carbuncle, a limbo-litten pane,
Within its walls of storm, the West opens to hill and plain,
On which the wild-geese ink themselves, a far triangled train,
And then the shuttering clouds close down--and night is here again.

THE HILLS

There is no joy of earth that thrills
My bosom like the far-off hills!
Th' unchanging hills, that, shadowy,
Beckon our mutability
To follow and to gaze upon
Foundations of the dusk and dawn.
Meseems the very heavens are massed
Upon their shoulders, vague and vast
With all the skyey burden of
The winds and clouds and stars above.
Lo, how they sit before us, seeing
The laws that give all Beauty being!
Behold! to them, when dawn is near,
The nomads of the air appear,
Unfolding crimson camps of day
In brilliant bands; then march away;
And under burning battlements
Of twilight plant their tinted tents.
The truth of olden myths, that brood
By haunted stream and haunted wood,
They see; and feel the happiness
Of old at which we only guess:
The dreams, the ancients loved and knew,
Still as their rocks and trees are true:
Not otherwise than presences
The tempest and the calm to these:
One, shouting on them all the night,
Black-limbed and veined with lambent light;
The other with the ministry
Of all soft things that company
With music--an embodied form,
Giving to solitude the charm
Of leaves and waters and the peace
Of bird-begotten melodies--
And who at night doth still confer
With the mild moon, that telleth her
Pale tale of lonely love, until
Wan images of passion fill
The heights with shapes that glimmer by
Clad on with sleep and memory.

CONTENT

When I behold how some pursue
Fame, that is Care's embodiment
Or fortune, whose false face looks true,--
An humble home with sweet content
Is all I ask for me and you.

An humble home, where pigeons coo,
Whose path leads under breezy lines
Of frosty-berried cedars to
A gate, one mass of trumpet-vines,
Is all I ask for me and you.

A garden, which all summer through,
The roses old make redolent,
And morning-glories, gay of hue,
And tansy, with its homely scent,
Is all I ask for me and you.

An orchard, that the pippins strew,
From whose bruised gold the juices spring;
A vineyard, where the grapes hang blue,
Wine-big and ripe for vintaging,
Is all I ask for me and you.

A lane that leads to some far view
Of forest or of fallow-land,
Bloomed o'er with rose and meadow-rue,
Each with a bee in its hot hand,
Is all I ask for me and you.

At morn, a pathway deep with dew,
And birds to vary time and tune;
At eve, a sunset avenue,
And whippoorwills that haunt the moon,
Is all I ask for me and you.

Dear heart, with wants so small and few,
And faith, that's better far than gold,
A lowly friend, a child or two,
To care for us when we are old,
Is all I ask for me and you.

HEART OF MY HEART

Here where the season turns the land to gold,
Among the fields our feet have known of old,--
When we were children who would laugh and run,
Glad little playmates of the wind and sun,--
Before came toil and care and years went ill,
And one forgot and one remembered still;
Heart of my heart, among the old fields here,
Give me your hands and let me draw you near,
Heart of my heart.

Stars are not truer than your soul is true--
What need I more of heaven then than you?
Flowers are not sweeter than your face is sweet--
What need I more to make my world complete?
O woman nature, love that still endures,
What strength has ours that is not born of yours?
Heart of my heart, to you, whatever come,
To you the lead, whose love hath led me home.
Heart of my heart.

OCTOBER

Long hosts of sunlight, and the bright wind blows
A tourney-trumpet on the listed hill;
Past is the splendour of the royal rose
And duchess daffodil.

Crowned queen of beauty, in the garden's space,
Strong daughter of a bitter race and bold,
A ragged beggar with a lovely face,
Reigns the sad marigold.

And I have sought June's butterfly for days,
To find it--like a coreopsis bloom--
Amber and seal, rain-murdered 'neath the blaze
Of this sunflower's plume.

Here drones the bee; and there sky-daring wings
Voyage blue gulfs of heaven; the last song
The red-bird flings me as adieu, still rings
Upon yon pear-tree's prong.

No angry sunset brims with rubier red
The bowl of heaven than the days, indeed,
Pour in each blossom of this salvia-bed,
Where each leaf seems to bleed.

And where the wood-gnats dance, like some slight mist,
Above the efforts of the weedy stream,
The girl, October, tired of the tryst,
Dreams a diviner dream.

One foot just dipping the caressing wave,
One knee at languid angle; locks that drown
Hands nut-stained; hazel-eyed, she lies, and grave,
Watching the leaves drift down.

MYTH AND ROMANCE

I

When I go forth to greet the glad-faced Spring,
Just at the time of opening apple-buds,
When brooks are laughing, winds are whispering,
On babbling hillsides or in warbling woods,
There is an unseen presence that eludes:--
Perhaps a dryad, in whose tresses cling
The loamy odours of old solitudes,
Who, from her beechen doorway, calls, and leads
My soul to follow; now with dimpling words
Of leaves; and now with syllables of birds;
While here and there--is it her limbs that swing?
Or restless sunlight on the moss and weeds?

II

Or, haply, 'tis a Naiad now who slips,
Like some white lily, from her fountain's glass,
While from her dripping hair and breasts and hips
The moisture rains cool music on the grass.
Her have I heard and followed, yet, alas!
Have seen no more than the wet ray that dips
The shivered waters, wrinkling where I pass;
But in the liquid light where she doth hide,
I have beheld the azure of her gaze
Smiling; and, where the orbing ripple plays,
Among her minnows I have heard her lips,
Bubbling, make merry by the waterside.

III

Or now it is an Oread--whose eyes
Are constellated dusk--who stands confessed,
As naked as a flow'r; her heart's surprise,
Like morning's rose, mantling her brow and breast:
She, shrinking from my presence, all distressed
Stands for a startled moment ere she flies,
Her deep hair blowing, up the mountain crest,
Wild as a mist that trails along the dawn.
And is't her footfalls lure me? or the sound
Of airs that stir the crisp leaf on the ground?
And is't her body glimmers on yon rise?
Or dogwood blossoms snowing on the lawn?

IV

Now 'tis a satyr piping serenades
On a slim reed. Now Pan and Faun advance
Beneath green-hollowed roofs of forest glades,
Their feet gone mad with music: now, perchance,
Sylvanus sleeping, on whose leafy trance
The nymphs stand gazing in dim ambuscades
Of sun-embodied perfume.--Myth, Romance,
Where'er I turn, reach out bewildering arms,
Compelling me to follow. Day and night
I hear their voices and behold the light
Of their divinity that still evades,
And still allures me in a thousand forms.

GENIUS LOCI

I

What wood-god, on this water's mossy curb,
Lost in reflections of earth's loveliness,
Did I, just now, unconsciously disturb?
I who haphazard, wandering at a guess,
Came on this spot, wherein with gold and flame
Of buds and blooms the season writes its name.--
Ah me! could I have seen him ere alarm
Of my approach aroused him from his calm!
As he, part Hamadryad and, mayhap,
Part Faun, lay here; who left the shadow warm
As a wood-rose, and filled the air with balm
Of his wild breath as with ethereal sap.

II

Does not the moss retain some slight impress,
Green-dented down, of where he lay or trod?
Do not the flow'rs, so reticent, confess
With conscious looks the contact of a god?
Does not the very water garrulously
Boast the indulgence of a deity?
And, hark! in burly beech and sycamore
How all the birds proclaim it! and the leaves
Rejoice with clappings of their myriad hands!
And shall not I believe, too, and adore,
With such wide proof?--Yea, though my soul perceives
No evident presence, still it understands.

III

And for a while it moves me to lie down
Here on the spot his god-head sanctified:
Mayhap some dream he dreamed may linger, brown
And young as joy, around the forest side;
Some dream within whose heart lives no disdain
For such as I whose love is sweet and sane;
That may repeat, so none but I may hear--
As one might tell a pearl-strung rosary--
Some epic that the leaves have learned to croon,
Some lyric whispered in the wild-flow'r's ear,
Whose murmurous lines are sung by bird and bee,
And all the insects of the night and noon.