Chapter IX: Part 9

“The Pompadour pigeon is the species, which, by carrying the fruit of
the cinnamon to different places, is a great disseminator of this
valuable tree.”—See _Brown_’s Illustr. Tab. 19.

Footnote 348:

p. 307.—_The past, the present, and future of pleasure._

“Whenever our pleasure arises from a succession of sounds, it is a
perception of a complicated nature, made up of a _sensation_ of the
present sound or note, and an _idea_ or remembrance of the foregoing,
while their mixture and concurrence produce such a mysterious delight,
as neither could have produced alone. And it is often heightened by an
anticipation of the succeeding notes. Thus Sense, Memory and
Imagination are conjunctively employed.”—_Gerrard_ on Taste.

This is exactly the Epicurean theory of Pleasure, as explained by
Cicero:—“Quocirca corpus gaudere tamdiu, dum præsentem sentiret
voluptatem: animum et præsentem percipere pariter cum corpore et
prospicere venientem, nec præteritam præterfluere sinere.”

Madame de Staël accounts upon the same principle for the gratification
we derive from _rhyme_:—“Elle est l’image de l’espérance et du
souvenir. Un son nous fait désirer celui qui doit lui répondre, et
quand le second retentit il nous rappelle celui qui vient de nous
échapper.”

Footnote 349:

p. 308.—_Whose glimpses are again withdrawn._

“The Persians have two mornings, the Soobhi Kazim and the Soobhi
Sadig, the false and the real day-break. They account for this
phenomenon in a most whimsical manner. They say that as the sun rises
from behind the Kohi Qaf (Mount Caucasus), it passes a hole perforated
through that mountain, and that darting its rays through it, it is the
cause of the Soobhi Kazim, or this temporary appearance of day-break.
As it ascends, the earth is again veiled in darkness, until the sun
rises above the mountain, and brings with it the Soobhi Sadig, or real
morning.”—_Scott Waring._ He thinks Milton may allude to this, when he
says,—

“Ere the blabbing Eastern scout,
The nice morn on the Indian steep
From her cabin’d loop-hole peep.”

Footnote 350:

p. 309.—_In his magnificent Shalimar._

“In the centre of the plain, as it approaches the Lake, one of the
Delhi Emperors, I believe Shah Jehan, constructed a spacious garden
called the Shalimar, which is abundantly stored with fruit-trees and
flowering shrubs. Some of the rivulets which intersect the plain are
led into a canal at the back of the garden, and flowing through its
centre, or occasionally thrown into a variety of water-works, compose
the chief beauty of the Shalimar. To decorate this spot, the Mogul
Princes of India have displayed an equal magnificence and taste;
especially Jehan Gheer, who, with the enchanting Noor Mahl, made
Kashmire his usual residence during the summer months. On arches
thrown over the canal are erected, at equal distances, four or five
suites of apartments, each consisting of a saloon, with four rooms at
the angles, where the followers of the court attend, and the servants
prepare sherbets, coffee, and the hookah. The frame of the doors of
the principal saloon is composed of pieces of a stone of a black
colour, streaked with yellow lines, and of a closer grain and higher
polish than porphyry. They were taken, it is said, from a Hindoo
temple, by one of the Mogul princes, and are esteemed of great
value.”—_Forster._

Footnote 351:

p. 309.—_Of beauty from its founts and streams._

“The waters of Cachemir are the more renowned from its being supposed
that the Cachemirians are indebted for their beauty to them.”—_Ali
Yezdi._

Footnote 352:

p. 309.—_Singing in gardens of the South._

“From him I received the following little Gazzel, or Love Song, the
notes of which he committed to paper from the voice of one of those
singing girls of Cashmere, who wander from that delightful valley over
the various parts of India.”—_Persian Miscellanies._

Footnote 353:

p. 309.—_Delicate as the roses there._

“The roses of the Jinan Nile, or Garden of the Nile (attached to the
Emperor of Marocco’s palace), are unequalled, and mattresses are made
of their leaves for the men of rank to recline upon.”—_Jackson._

Footnote 354:

p. 309.—_With Paphian diamonds in their locks._

“On the side of a mountain near Paphos there is a cavern which
produces the most beautiful rock-crystal. On account of its brilliancy
it has been called the Paphian diamond.”—_Mariti._

Footnote 355:

p. 309.—_On the gold meads of Candahar._

“There is a part of Candahar, called Peria, or Fairy
Land.”—_Thevenot._ In some of those countries to the north of India,
vegetable gold is supposed to be produced.

Footnote 356:

p. 310.—_Had been by magic all set flying._

“These are the butterflies which are called in the Chinese language
Flying Leaves. Some of them have such shining colours, and are so
variegated, that they may be called flying flowers; and indeed they
are always produced in the finest flower-gardens.”—_Dunn._

Footnote 357:

p. 310.—_The features of young Arab maids._

“The Arabian women wear black masks with little clasps prettily
ordered.”—_Carreri._ Niebuhr mentions their showing but one eye in
conversation.

Footnote 358:

p. 311.—_On_ CASBIN’S _hills._

“The golden grapes of Casbin.”—_Description of Persia._

Footnote 359:

p. 311.—_And sunniest apples that Caubul_—

“The fruits exported from Caubul are apples, pears, pomegranates,”
&c.—_Elphinstone._

Footnote 360:

p. 311.—_in all its thousand gardens bears._

“We sat down under a tree, listened to the birds, and talked with the
son of our Mehmaundar about our country and Caubul, of which he gave
an enchanting account: that city and its 100,000 gardens,” &c.—_Id._

Footnote 361:

p. 311.—MALAYA’S _nectar’d mangusteen._

“The mangusteen, the most delicate fruit in the world; the pride of
the Malay islands.”—_Marsden._

Footnote 362:

p. 311.—_Seed of the Sun, from_ IRAN’S _land._

“A delicious kind of apricot, called by the Persians tokm-ek-shems,
signifying sun’s seed.”—_Description of Persia._

Footnote 363:

p. 311.—_With rich conserve of Visna cherries._

“Sweetmeats, in a crystal cup, consisting of rose-leaves in conserve,
with lemon of Visna cherry orange flowers,” &c.—_Russel._

Footnote 364:

p. 311.—_Feed on in Erac’s rocky dells._

“Antelopes, cropping the fresh berries of Erac.”—The _Moallakat_, Poem
of Tarafa.

Footnote 365:

p. 311.—_And urns of porcelain from that isle._

Mauri-ga-Sima, an island near Formosa, supposed to have been sunk in
the sea for the crimes of its inhabitants. The vessels which the
fishermen and divers bring up from it are sold at an immense price in
China and Japan.—See _Kæmpfer_.

Footnote 366:

p. 312.—_Amber Rosolli._—Persian Tales.

Footnote 367:

p. 312.—_From vineyards of the Green-Sea gushing._

The white wine of Kishma.

Footnote 368:

p. 312.—_Offer’d a city’s wealth._

“The King of Zeilan is said to have the very finest ruby that was ever
seen. Kublai-Khan sent and offered the value of a city for it, but the
King answered he would not give it for the treasure of the
world.”—_Marco Polo._

Footnote 369:

p. 312.—_Upon a rosy lotus wreath._

The Indians feign that Cupid was first seen floating down the Ganges
on the Nymphæa Nelumbo.—See _Pennant_.

Footnote 370:

p. 312.—_When warm they rise from Teflis’ brooks._

Teflis is celebrated for its natural warm baths.—See _Ebn Haukal_.

Footnote 371:

p. 312.—_Of a syrinda._

“The Indian Syrinda, or guitar.”—_Symez._

Footnote 372:

p. 313.—_It is this, it is this._

“Around the exterior of the Dewan Khafs (a building of Shah Allum’s)
in the cornice are the following lines in letters of gold upon a
ground of white marble:—‘_If there be a paradise upon earth, it is
this, it is this._’”—_Franklin._

Footnote 373:

p. 313.—_As the flower of the Amra just op’d by a bee._

“Delightful are the flowers of the Amra trees on the mountain-tops,
while the murmuring bees pursue their voluptuous toil.”—_Song of
Jayadeva._

Footnote 374:

p. 314.—_And precious their tears as that rain from the sky._

“The Nisan or drops of spring rain, which they believe to produce
pearls if they fall into shells.”—_Richardson._

Footnote 375:

p. 314.—_Who for wine of this earth left the fountains above._

For an account of the share which wine had in the fall of the angels,
see _Mariti_.

Footnote 376:

p. 314.—_Of_ ISRAFIL, _the Angel, there._

The Angel of Music. See note 293.

Footnote 377:

p. 318.—_When first ’tis by the lapwing found._

The Hudhud, or Lapwing, is supposed to have the power of discovering
water under ground.

Footnote 378:

p. 321.—_Of her dream._—See p. 215.

Footnote 379:

p. 322.—_Like that painted porcelain._ “The Chinese had formerly the
art of painting on the sides of porcelain vessels fish and other
animals, which were only perceptible when the vessel was full of some
liquor. They call this species Kia-tsin, that is, _azure is put in
press_, on account of the manner in which the azure is laid on.”—“They
are every now and then trying to recover the art of this magical
painting, but to no purpose.”—_Dunn._

Footnote 380:

p. 323.—_House of Azor._—An eminent carver of idols, said in the Koran
to be father to Abraham. “I have such a lovely idol as is not to be
met with in the house of Azor.”—_Hafiz._

Footnote 381:

p. 323.—_The Unequalled._—Kachmire be Nazeer.—_Forster._

Footnote 382:

p. 324.—_Miraculous fountains._—“The pardonable superstition of the
sequestered inhabitants has multiplied the places of worship of
Mahadeo, of Beschan, and of Brama. All Cashmere is holy land, and
miraculous fountains abound.”—_Major Rennel_’s Memoirs of a Map of
Hindostan.

Jehanguire mentions “a fountain in Cashmere called Tirnagh, which
signifies a snake; probably because some large snake had formerly been
seen there.”—“During the lifetime of my father, I went twice to this
fountain, which is about twenty coss from the city of Cashmere. The
vestiges of places of worship and sanctity are to be traced without
number amongst the ruins and the caves, which are interspersed in its
neighbourhood.”—_Toozek Jehangeery._—Vide _Asiat. Misc._ vol. ii.

There is another account of Cashmere by Abul-Fazil, the author of the
Ayin-Acbaree, “who,” says _Major Rennel_, “appears to have caught some
of the enthusiasm of the valley, by his description of the holy places
in it.”

Footnote 383:

p. 324.—_Roofed with flowers._—“On a standing roof of wood is laid a
covering of fine earth, which shelters the building from the great
quantity of snow that falls in the winter season. This fence
communicates an equal warmth in winter, as a refreshing coolness in
the summer season, when the tops of the houses, which are planted with
a variety of flowers, exhibit at a distance the spacious view of a
beautifully chequered parterre.”—_Forster._

Footnote 384:

p. 324.—_The triple-coloured tortoise-shell of Pegu._—“Two hundred
slaves there are, who have no other office than to hunt the woods and
marshes for triple-coloured tortoises for the King’s Vivary. Of the
shells of these also lanterns are made.”—_Vincent le Blanc_’s Travels.

Footnote 385:

p. 325.—_Like the meteors of the north as they are seen by those
hunters._—For a description of the Aurora Borealis as it appears to
these hunters, vide _Encyclopædia_.

Footnote 386:

p. 325.—_Odoriferous wind._—This wind, which is to blow from Syria
Damascena, is, according to the Mahometans, one of the signs of the
Last Day’s approach.

Another of the signs is, “Great distress in the world, so that a man
when he passes by another’s grave shall say, ‘Would to God I were in
his place!’”—_Sale_’s Preliminary Discourse.

Footnote 387:

p. 328.—_As precious as the Cerulean Throne of Coolburga._—“On
Mahommed Shaw’s return to Koolburga (the capital of Dekkan), he made a
great festival, and mounted this throne with much pomp and
magnificence, calling it Firozeh, or Cerulean. I have heard some old
persons, who saw the throne Firozeh in the reign of Sultan Mamood
Bhamenee, describe it. They say that it was in length nine feet, and
three in breadth; made of ebony, covered with plates of pure gold, and
set with precious stones of immense value. Every prince of the house
of Bhamenee, who possessed this throne, made a point of adding to it
some rich stones; so that when in the reign of Sultan Mamood it was
taken to pieces, to remove some of the jewels to be set in vases and
cups, the jewellers valued it at one corore of oons (nearly four
millions sterling). I learned also that it was called Firozeh from
being partly enamelled of a sky-blue colour, which was in time totally
concealed by the number of jewels.”—_Ferishta._

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Transcriber’s Notes

This file uses _underscores_ to indicate italic text.

In cases where it is not clear whether a stanza break occurred across a page break, this edition follows the stanza breaks in the first edition of 1817. Obvious typographical errors such as missing or mismatched quotation marks were fixed on pages 77, 134, 183, 186, 342, 364, and 371, and the use of small caps in apostrophized words has been silently standardized. Other inconsistencies in spelling, hyphenation, etc. have not been corrected except as noted below.

The formatting of the endnotes in the printed edition varies. In this edition missing punctuation has been supplied and centered text has been left justified, but paragraph breaks have not been standardized. The page numbers given are those in the printed edition.

Images have been moved to natural breaks in the printed text; however, the printed page numbers in the Table of Illustrations have not been changed.

The illustrated title-page for the fourth section contains the drawn text “The Light of the Harem;” however, in the Table of Contents and in the story itself, the word is spelled “Haram.”

Itemized changes from the original text:

• p. xvi: Changed “aquaintance” to “acquaintance” in “a hasty renewal of my acquaintance with it.” • p. xvii n. iii: Changed “Jansenistes” to “jansénistes” in French quotation. • p. xxiii: Changed “Peri” to “Péri” in French quotation. • p. 9: Added missing endnote reference 25 to poem title. • p. 91: Changed “half way” to “half-way” in “souls but half-way curst”. • p. 212: Changed “e’er” to “ere” in “ere a drop of this night’s gore”. • p. 218: Removed comma after “keen” from “With that keen second-scent of death”. • p. 230 and note 255: Changed “dark-sea robber’s way” to “dark sea-robber’s way.” • p. 251: Supplied missing indentation to match other public domain editions. • p. 334 n. 15: Changed “Hindostan” to “Hindoostan” in citation. • p. 355: Corrected endnote number from 131 to 181. • p. 366 n. 266: Changed “Bidmusk” to “Bid-musk” in head quote to match main text; left as “Bidmusk” in quotation from cited text. • p. 368 n. 279: Changed “lightning gem” to “lightning-gem” to match main text. • p. 371 n. 310: Changed “durée” to “duré” and “apperçût” to “apperçut” in French quotation. • p. 375: Corrected endnote number from 44 to 344. • p. 379 n. 371: Changed “Symez” to “Symes”. • p. 381 n. 386: Corrected nested quotation marks in endnote 386.