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Chapter X: Part 10

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“This fascinating little book is thrice welcome. It is important to
the practical painter, valuable to the connoisseur and cultivated
art critic, and interesting to the general reader. It is the work
of an artist with his pen as well as with his brush, the
composition forming a beautiful and artistic poem rendered in the
most rhythmical prose. We close this book with regret; it is a rare
treat; and we feel assured no one will read it once without turning
to it again and again.”--_Robinson’s Epitome of Literature._

“Very curious and suggestive are Couture’s ideas about the old
masters and the modern French painters. The great point in all this
book is to impress on artists that they should dare, above all
things, to be themselves.”--_New York Times._

“A volume so characteristic, so entirely stamped with the
individuality of the writer, that those who know him recognize his
peculiar expressions, his eccentricities of manner, and almost seem
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charm and a pleasure in reading it. It will take an important place
in art literature.”--_Catholic World._

“We heartily recommend the book to all who are seeking to cultivate
their artistic perceptions, whether as practical artists or
connoisseurs.”--_Christian Union._

* * * * *

PUBLICATIONS OF

G. P. PUTNAM’S SONS.

ART, GENERAL AND TECHNICAL.

=ART HAND-BOOKS (PUTNAM’S SERIES OF).= Edited by SUSAN N. CARTER,
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I.--=Sketching from Nature.= By THOMAS ROWBOTHAM. Reprinted from the
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II.--=Landscape Painting in Oil Colors.= By W. WILLIAMS. Reprinted
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III.--=Flower Painting.= By Mrs. WM. DUFFIELD. Reprinted from the
twelfth English edition. 12 illustrations. 16mo, boards 50

IV.--=Figure Drawing.= By C. H. WEIGALL 50

V.--=Water-Color Painting.= By AARON PAULEY. Reprinted from the
thirty-eighth English edition. 16mo, boards 50

VI.--=An Artistic Treatise on the Human Figure.= By HENRY WARREN.
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VII.--=Sketching in Water-Colors.= By HATTON 50

VIII.--=Drawing in Black and White, Charcoal, Crayon, Pencil, and
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“The rules and principles they lay down are safe and practical
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=ART SUGGESTIONS FROM THE MASTERS.= Selected from the works of
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=LUKIN= (JOHN) =The Young Mechanic=; Practical Carpentry. Containing
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=RYDBERG= (VIKTOR) =Roman Days=. Translated by ALFRED CORNING CLARK,
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FOOTNOTES:

[1] For the reason stated in my preface, I have not thought it expedient to publish my lectures on the great masters of the fifteenth, sixteenth, and seventeenth centuries.

[2] These uncouth attitudes are faithful reproductions of Nos. 1 and 7 of the instantaneous photographic series.

[3] The old masters used terra verte for this preparatory modelling; but modern terra verte will not withstand the action of the lime, so it is necessary to compound a substitute, and the above mixture answers very well.

[4] Taken from the “Acouchement de la Reine” (one of the “Medici” series) by Rubens.

[5] All these diagrams illustrate a faulty arrangement.

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Lectures on Painting, Delivered to the Students of the Royal AcadamyChapter X: Part 10

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