Chapter XXI: Part III: (13-16), phrase
_Transition_, period-form (17-26), leading into the new key.
_First Sub. Theme_, period, Antecedent (27-32), Consequent (33-39).
_Re-transition_ (40).
_Principal Theme_, as before, (41-56). This ends the EXPOSITION.
_Second Sub. Theme_, Part I (57-66), period, literal repetition. Part II (67-74) period-form. Part III (75-79) phrase.
Parts II and III repeated (80-92); the process of _re-transition_ begins one measure earlier (91), and is pursued to measure 99.
The RECAPITULATION begins in the next measure with the
_Principal Theme_, as before, slightly modified (100-115).
_Transition_, as before, slightly abbreviated (116-123).
_First Subordinate Theme_, as before, but transposed to the principal key, A major, and somewhat modified (124-135).
_Principal Theme_ begins in measure 135, where the preceding theme ends; consequently, there is an Elision. In measure 140 it is dissolved into the
_Coda_: Section 1 (to measure 148).
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Lessons in Music FormChapter XXI: Part III: (13-16), phrase
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