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Chapter II: Part 2

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The clergyman is often annoyed by the dropping of hymn-books or prayer-books noisily into the rack, especially at the close of the last hymn, when he is waiting to pronounce the benediction. This might be done as well and better without any noise whatever.

It is rude in the extreme to seize hats and rush for the door as soon as the last word is said, or to engage at once in idle chatter and laughter. There should be a reverent pause, and then we should pass slowly and quietly down the aisle. It is ill-bred to seem in haste to be gone. Unless we can sit through the service with patience, we should not attend it. Looking at the clock or taking out one's watch during service comes under the same condemnation as leaving with unbecoming haste at the close.

LESSON IX.

OUTLINE FOR BLACKBOARD.

MANNERS AT PLACES OF AMUSEMENT.

_Punctuality._
_Finding seats._
_Waiting with quietness._
_Gazing about and making criticisms._
_Talking and laughing,--story._
_Looking at watches and clocks._
_Applause._
_Doing fancy work._
_Courtesy to others._
_Time and manner of leaving._

LESSON IX.

MANNERS AT PLACES OF AMUSEMENT.

WHEN we attend a lecture, concert, or other entertainment, we should go in season: to enter after the performance begins is a discourtesy to the performers and an annoyance to every person in the audience. If we are obliged to be late, we should wait for a favorable time, and then be seated quickly and quietly.

When there is a choice of seats we have a right to take the best that remain when we arrive; but this right offers no excuse for us to push and elbow other people, or to obtain such seats by crowding others aside. It is better to have the poorest seat in the house or none at all than to sacrifice good manners and self-respect. We often see disgraceful exhibitions of selfishness at entertainments on the part of people who pride themselves at home and in company on their politeness.

If we are too early, or if there is delay in commencing, we should wait with well-bred quietness. Nothing marks more surely the ill-bred person than noisy demonstrations of impatience at waiting. This is one of the occasions to practise the graceful sitting still which has been spoken of in the lesson on manners in society.

It is not polite to gaze at those around us, still less to make remarks about them or their dress.

Loud talking and laughing, and all conduct calculated to make ourselves conspicuous, should be avoided. The people who attract attention in these ways will be likely to eat candy, nuts, and popped corn while the exercises are going on, and to violate propriety in other ways.

Whispering during a performance is an offence against good manners; yet it is surprising how common the offence is. School children know how the visitors on examination days often talk to each other throughout the exercises, to the great disturbance of the whole school as well as the teacher, and this recollection ought to make them more careful to avoid the impoliteness themselves. Many people seem to attend places of amusement for the sole purpose of talking with their friends. They will hold long discussions upon dress, cooking, and family matters, as if no music or speaking were in progress, and as if no one else cared to hear more than they. If we do not go to a concert to hear the music, we have no right there; and the same is true at all public entertainments.

It is related of Margaret Fuller that at one of Jenny Lind's concerts her evening's enjoyment was destroyed by some rude young people who whispered incessantly, laughed at each other's foolish jokes, and paid no attention to the wonderful music. At the close of the concert she sent for the young girl whose behavior had been most noticeable to come to her. The girl was much flattered by the request from so distinguished a person, though she was at a loss to account for it. As she appeared with an air of pleased curiosity, Margaret Fuller said to her, "I hope that never again in your life will you be the cause of so much annoyance and pain to any one as you have been to me this evening."

It is to be hoped that this rebuke, with the good advice given with it to this thoughtless girl, was a lesson in good manners which she and her companions never forgot.

To take out one's watch or to turn the head to look at the clock is like saying we are impatient to go, and must be disturbing to the speaker. If it is necessary for us to look at a watch, we should do so without its being seen, and should stifle in our pockets the click of shutting it.

It is rude to applaud noisily: we can be enthusiastic in applause without being boisterous.

Some ladies have a habit of carrying fancy work to places of amusement. If they knit or crochet before the performance begins, it is a foolish parade of industry which is probably not carried out at home; but if they continue the occupation after one begins to sing or speak or read, it is impertinent, and extremely annoying to the speaker. It seems like saying that his words are not worthy of undivided attention, but are of so little consequence that one can take in their meaning and beauty while counting stitches and studying patterns.

We should be mindful of little courtesies to those near us, such as handing our programme or opera-glass to one who has none. If a question is asked about the performance, we should answer with cordial politeness and cheerfully give any information we can.

We should never leave the hall while the performance is going on. It is, like coming in late, an affront to the performers and to the audience. Usually, if we cannot stay until the close, we should stay away. If there is any urgent reason, such as taking a train, for our leaving before the close, we should do so between the parts of a performance, and as noiselessly as possible. When we stay to the end we should remain seated and give our attention until the last word is uttered. The speaker usually keeps his best effort for the close, and he should not be embarrassed, or those listening be disturbed, by the confusion of preparations for departure. To reach the door a minute or two sooner, or to get the best seats in a car, is not worth the rudeness it requires. We shall never be guilty of it if we only apply the Golden Rule and consider how we should feel in the speaker's place.

LESSON X.

OUTLINE FOR BLACKBOARD.

MANNERS IN STORES AND SIMILAR PUBLIC PLACES.

_Shutting doors._
_How to ask for articles in stores._
_Making trouble for clerks._
_Handling goods._
_Finding fault with articles or prices._
_Courtesy to other customers._
_Courtesy to clerks._
_Conduct in the post-office,--entering in crowds,
not waiting for others, noise and rudeness._
_Visiting railroad stations._
_Two things to consider._

LESSON X.

MANNERS IN STORES AND SIMILAR PUBLIC PLACES.

ON entering or leaving a store in cold weather we should consider the comfort of those behind the counters and shut the door, if there is no one whose business it is to do it for us. We ought to state clearly and definitely what we want to buy, and patiently explain if the clerk, through inexperience or dulness, does not at first understand our request.

A good supply of patience and politeness is needed in shopping, and a true lady or gentleman will not lose temper or forget good manners, even if a clerk is impertinent or disobliging.

We should not make unnecessary trouble for clerks by asking them to take down and unfold piece after piece of goods for us to examine, if we have no intention of buying. Many ladies do this habitually, because they enjoy it, and then wonder that the clerks are not more polite. If we wish merely to examine before buying at some future time, it is better to say so, and then the merchant or clerk will not be disappointed if we do not purchase.

We should handle delicate fabrics in stores as carefully as if they were our own, and not tumble them over, leaving ribbons and laces in tangled heaps, especially if we do not buy.

We should not find fault with the quality of articles. If we are not satisfied, it is enough to say that the goods do not suit us, without making disparaging remarks to the clerk, who has no responsibility in the matter.

It is a sign of ignorance and ill-breeding to haggle over the price of a thing and try to induce the seller to take less for it. In Oriental countries, it is said, the dealer always asks at first four times the price he expects to receive, but in our country this is not customary, and the price stated is supposed to be fair and final. If we think the article is not worth the price, or if it is beyond our means, it is best to say we do not wish to pay so much and leave it. If the dealer can afford to sell it cheaper, and will do so for the sake of our buying, it is his place to offer it for less, not ours to ask. If he asks more than a thing is worth, hoping to take advantage of our need of it or our ignorance, he ought to be punished by our refusal to buy.

We should wait our turn at a counter and regard the convenience of others as well as ourselves. It is not polite to demand the attention of a clerk who is waiting upon another customer, or to take up what another is looking at. If we are in great haste, and customers who seem to have plenty of time are at the counter before us, we may sometimes ask their permission to be waited on while they are looking at goods, apologizing for doing so. If we are sitting at a counter, we should politely give our seat to an older lady, or to one who looks weary.

If a clerk takes uncommon pains to please us, or puts himself to more trouble than we have a right to expect, we must not forget to thank him. If customers are polite and considerate, they seldom have reason to complain of those behind the counter. The same is true at post-offices, railroad stations, and wherever we are served by others.

These general principles of politeness in stores can be applied in all similar public places.

The post-office is often the scene of most unmannerly conduct on the part of boys and girls, especially just after the close of school, when they all rush in for letters. Instead of quietly walking up to the window, one at a time, the boys giving way to the girls when there is but one place of delivery, and both boys and girls waiting for older people, they are apt to go in by dozens, crowding to the window and clamoring for their letters, making themselves extremely annoying to all grown people present.

We should say, "I would like a dozen stamps, if you please," or, "Please weigh this letter," rather than, "I want a dozen stamps," or, "Weigh this letter, will you?"

The post-office is a place of business, like a store or a bank. Our only object in going there is to mail or receive letters, which we should do like any other business,--in a quiet, respectable manner. No one has a right to stand around in the way of others, or to make it a place of idle resort. No well-bred person, even a child, will indulge in loud laughing and talking, staring at or making remarks about people, or other conspicuous behavior here or in any public resort.

A railroad station is also a place of business, and unless it is necessary for us to go there, we had better stay away. In small towns it is quite a fashion for boys and girls to go to the station "to see the cars come in"; but it is not improving to their manners or morals. If they could realize, especially the girls, how out of place they appear standing on platforms, where they have no occasion to be, jostled by passengers and baggage-men, and exposed to the rude remarks of passers-by, they would never go there unnecessarily.

In all public places we should consider, in reference to our conduct, two things: first, the courtesy we owe to others; and second, the respect we owe to ourselves.

LESSON XI.

OUTLINE FOR BLACKBOARD.

MANNERS IN TRAVELLING.

_Politeness in the waiting-room._
_Buying a ticket._
_Getting on and off the cars._
_Obtaining and occupying seats._
_Offering seats to ladies._
_Leaving seats temporarily._
_Talking, laughing, and eating._
_Taking a seat with another._
_Courtesy toward officials._
_Courtesy toward fellow-travellers._
_Conduct if delays occur._
_Behavior at places for refreshment._
_A French boy's politeness in travelling._

LESSON XI.

MANNERS IN TRAVELLING.

BEFORE we fairly begin the journey we want to consider what belongs to good manners at the station.

If the waiting-room is crowded, and there are not seats for all, the young ought cheerfully to give place to older people, especially to old ladies and to mothers with little children in their arms. There is often opportunity here to show little courtesies to others which may brighten their whole day.

To amuse a fretful child for a few moments, or bring it a glass of water when the mother cannot leave other children to do it, or to find the baggage-master and get a trunk checked for a nervous old lady, is a small thing in itself, but it may be more welcome to the receiver under the circumstances than a far greater favor at another time. The comfort or discomfort of a journey is made up of just such small things.

When the ticket window is opened there is no need for us to rush to it or to push aside any one else. Time is given for all to buy their tickets comfortably. We ought, if possible, to hand the exact price of the ticket, and not take the ticket-seller's time to change large bills. For the same reason we should ask for the ticket in the briefest sentence we can frame, and if a question is necessary, put it in the most business-like manner, and thank him for the information given.

We should not attempt to get on the cars while others are getting off: it hinders them and ourselves, and nothing is gained by such unbecoming haste. The much-ridiculed American hurry is well illustrated by a company of people crowding up the steps while another company is crowding down. When we leave the cars it is better to wait until they come to a full stop before rising from our seats. We shall be likely to get out as soon as if we went swaying down the aisle, crowding other people, and in danger of falling headlong when the train finally stops.

What has been said about obtaining seats at places of amusement applies to seats in cars as well. Those who come first have the first choice; but we should not forget good manners in the choosing. We have no right to more room than we pay for, and, unless there are plenty of unoccupied seats, it is rude and selfish to spread out our parcels and wraps so as to discourage any one from asking to sit beside us; yet a well-dressed woman, with her possessions unconcernedly arranged on a seat facing her, ignoring the fact that others are standing in the aisle, is not an uncommon spectacle.

Courtesy in the cars or in a coach is as binding on us as courtesy in the parlor, and never, perhaps, is it better appreciated than by tired travellers.

Good-breeding does not require a gentleman or a boy to offer his seat to any lady who is standing, but he should never fail to do it to an old lady or one with a child in her arms, or one with an inconvenient package; and it is pleasant to see that fine politeness which prompts its possessor to treat every lady as he would wish his mother or sister treated. A lady should not accept such a civility in silence. We too often see her drop into a seat which a gentleman rises to offer as if it were her right, without a word or even a bow of acknowledgment. Such a person has no right to expect a similar courtesy the second time.

If any one leaves his seat for a time without leaving any piece of property in it to show that it belongs to him, he cannot lawfully claim it on returning; but civility should prevent any one from taking it, if he knows it belongs to another.

In travelling, as everywhere in public, noisy conversation and the "loud laugh that speaks the vacant mind" are offensive to good taste. Constant eating of fruit and peanuts is bad manners, and, as has been said before, it is generally associated with loud talking and laughing and other rude behavior.

On long journeys it is necessary to eat luncheons or even regular meals, but this, done in a well-bred way, is a very different thing from the continual eating indulged in by a certain class of travellers.

We should not sit down beside another without asking if the seat is engaged. If a person asks to sit beside us, we should assent with cordiality, not sullenly gather up our bundles, as we often see people do, impatient at having their selfish ease disturbed. It is polite for a gentleman to offer a lady the seat next the window.

We ought to have our ticket ready when the conductor comes around, and not keep him waiting while we hunt for it in bag or pocket.

If a brakeman raises a window or shuts a door for us, we should thank him; and it is polite to thank the train boy who passes us water. We need not be ill-natured because he puts a magazine or prize package in our lap every half-hour. It is not an uncivil thing to do, and it is just as easy for us to receive it civilly, and say in a pleasant tone that we do not care for it, as to add one more snappish answer to the many given him in the course of a day.

We should be watchful of occasions to show politeness to our fellow-travellers. There may be an old lady not accustomed to travelling, anxious and uneasy, to whom we can be of use. We can ask where she is going, and take the burden off her mind by saying, "I will tell you when we come to it."

A gentlemanly boy will not see a lady trying to open or shut a window or reverse a seat without offering to do it for her, any more than a gentleman would.

We should be patient in answering questions, especially from old people. If we are passing objects of interest with which we are familiar, it is polite to speak of them to a stranger sitting near. If we were journeying in the White Mountain region and were well acquainted with it, a stranger by our side would like to know the names of the different peaks, and to have the historic Willey House pointed out to him. One cheerful, obliging person will add to the comfort of the whole company.

If delays occur on the way, and long periods of waiting, as often happen, we should be patient and cheerful over the matter ourselves, and thus help others to be so. Good-nature is contagious at such times. It is of no use to tire the conductor and brakemen with repeated questions: they are rarely responsible for the delay, which is more vexatious to them than to us.

Places for refreshment on a journey, with the brief time usually allowed, afford opportunities to show one's good or ill breeding. It would be better to have no lunch than to struggle for the best place and loudly demand attention, to the exclusion of others. To bring a cup of tea to an old lady, or to the mother who cannot leave her baby to get it herself, is a slight thing for us to do, but it may be a great favor to them.

In an article on the politeness of French children as compared with boys and girls in America, the writer illustrates what he is saying in this way:--

"I was travelling in a compartment with a little French boy of twelve, the age at which American children, as a rule, deserve killing for their rudeness and general disagreeableness. I sat between him and the open window, and he was eating pears. Now most boys in our country of that age would either have dropped the cores upon the floor or tossed them out of the window, without regard to anybody. But this small gentleman, every time, with a 'Permit me, sir,' said in the most pleasant way, rose and came to the window and dropped them out, and then with a 'Thanks, sir,' quietly took his seat. French children do not take favors as a matter of course and unacknowledged. And when in his seat, if an elderly person came in, he was the very first to rise and offer his place, if it were in the slightest degree more comfortable than another; and the good-nature with which he insisted on the new-comer's taking it was delightful to see."

The writer goes on to say that this was not an exceptional boy, but a fair type of the average French child, and his conduct was a sample of what might be seen anywhere, even among the ragged boys of the street. The reason for this state of things is given in the opening sentences of the article:--

"Politeness, with the French, is a matter of education as well as nature. The French child is taught that lesson from the beginning of its existence, and it is made a part of its life. It is the one thing that is never forgotten, and the lack of it never forgiven."

LESSON XII.

OUTLINE FOR BLACKBOARD.

MANNERS IN BORROWING.

_Care of borrowed articles._
_What not to borrow._
_How to return a book._
_Returning an equivalent._
_Promptness in returning,--anecdote._

LESSON XII.

MANNERS IN BORROWING.

IT is an old saying, "He that goes borrowing goes sorrowing"; but it might often be more truly said of the one to whom the borrower goes.

We should be more careful of a borrowed article than if it were our own. If we are so unfortunate as to injure or lose it, we should replace it, if it can be done; if not, make the best possible apology. We have no right to lend a borrowed thing to an other without the owner's permission. Perhaps nothing is treated in this way oftener than a book. People who consider themselves honest and just will lend a borrowed book to half a neighborhood, and if it is defaced or lost will give themselves no concern about it.

It is not polite to borrow a garment to wear except of a relative or intimate friend. Neither is it good manners to ask for a garment or pattern to cut one by for ourselves: the owner may prefer not to have it copied. If a person admires a garment or pattern belonging to us, and we are willing to lend it, it is our place to offer it without its being asked for.

If a book or article to read is lent us, we should read it promptly, and when we return it say whatever pleasant things we can of it with truth. To send it back without expressing an opinion, or making acknowledgment of the kindness, is inexcusable.

If we borrow something which is not to be returned itself, but its equivalent, we should be careful to return what is of as good or better quality, and as much in quantity, if not a little more, to make up for the trouble of the one who lends to us.

It is not polite to keep a borrowed article long; and if a time for returning it is specified, we should be careful not to neglect doing it when the time comes. If possible, we should return it ourselves, not give it to the owner to carry home or send it by another; and we should never omit to thank the lender. To compel the owner to send for his property is a gross violation of good manners on the part of the borrower. The owner should not send unless he feels that he can wait no longer, or unless the borrower is habitually careless and needs to be taught a lesson.

"I never ask a gentleman to return money he has borrowed," said one man to another.

"How then do you get it?" asked his friend.

"After a while," was the answer, "I conclude he is not a gentleman, and then I ask him."

This reasoning will apply in case of lending other things as well as money.

When we lend we should do so with cordial politeness and not spoil the favor by the half-hearted way in which we offer or grant it; but borrowing should be regarded as a necessary evil, to be resorted to only when it cannot well be avoided. The habitual borrower is a burden to society.

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=Child's Book Of Health= By Dr. BLAISDELL

FOR FOURTH AND FIFTH YEARS IN SCHOOL

=Robinson Crusoe= Arranged for Schools by W. T.
ADAMS

=Arabian Nights' Entertainments= (=Selections=)
Arranged for Schools by Dr. ELIOT, formerly
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=Stories from American History= By N. S. DODGE

=The Boston Tea-Party and other Stories of the
Revolution= Relating many Daring Deeds of the Old
Heroes By H. C. WATSON

FOR FIFTH AND SIXTH YEARS IN SCHOOL

=Noble Deeds of our Fathers= as told by Soldiers
of the Revolution gathered around the Old Bell of
Independence By H. C. WATSON

=The Flower People= (Child's Talk with the
Flowers) By Mrs. HORACE MANN

=The Nation in a Nutshell= By GEORGE MAKEPEACE
TOWLE

=Short Studies of American Authors= By T. W.
HIGGINSON

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These books are well made, good print and paper, strongly bound in boards, with many illustrations, and of an exceedingly interesting character. They are in use for supplementary reading in hundreds of schools in various parts of the country. New volumes will be added to this list from time to time, the object being to furnish good reading for home and school at a low price.

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=A WINTER IN CENTRAL AMERICA AND MEXICO=

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=A SUMMER IN THE AZORES, with a Glimpse of Madeira=

By Miss C. ALICE BAKER. Little Classic style.
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"Miss Baker gives us a breezy, entertaining description of these picturesque islands. She is an observing traveller, and makes a graphic picture of the quaint people and customs."--_Chicago Advance._

=LIFE AT PUGET SOUND=

With sketches of travel in Washington Territory,
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=EUROPEAN BREEZES=

By MARGERY DEANS. Cloth, gilt top, $1.50. Being
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"A very bright, fresh and amusing account, which tells us about a host of things we never heard of before, and is worth two ordinary books of European travel."--_Woman's Journal._

=BEATEN PATHS; or, A Woman's Vacation in Europe=

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A lively and chatty book of travel, with pen-pictures humorous and graphic, that are decidedly out of the "beaten paths" of description.

=AN AMERICAN GIRL ABROAD=

By Miss ADELINE TRAFTON, author of "His
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"A sparkling account of a European trip by a wide-awake, intelligent, and irrepressible American girl. Pictured with a freshness and vivacity that is delightful."--_Utica Observer._

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=OVER THE OCEAN; or, Sights and Scenes in Foreign Lands=

By CURTIS GUILD, editor of "The Boston Commercial
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"The utmost that any European tourist can hope to do is to tell the old story in a somewhat fresh way, and Mr. Guild has succeeded in every part of his book in doing this."--_Philadelphia Bulletin._

=ABROAD AGAIN; or, Fresh Forays in Foreign Fields=

Uniform with "Over the Ocean." By the same author.
Crown 8vo. Cloth, $2.50.

"He has given us a life-picture. Europe is done in a style that must serve as an invaluable guide to those who go 'over the ocean,' as well as an interesting companion."--_Halifax Citizen._

* * * * *

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BY POPULAR AUTHORS

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=THE STORIES MOTHER NATURE TOLD HER CHILDREN=

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New edition, with an introduction by LOUISA
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=THE SEVEN LITTLE SISTERS PROVE THEIR SISTERHOOD=

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=TEN BOYS WHO LIVED ON THE ROAD FROM LONG AGO TO NOW=

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=GEOGRAPHICAL PLAYS FOR YOUNG FOLKS AT SCHOOL AND AT HOME=

Price each play in paper 15 cents postage paid 1
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America 5 Australia and Isles of the Sea 6 The
Commerce of the World

The above bound in one volume Cloth $1.00 postage
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For use in schools By Professor TWEED, late
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=_1000 BLUNDERS IN ENGLISH_=

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=_ENGLISH SYNONYMES DISCRIMINATED_=

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Of Words often mispronounced, and of words as to
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=_CAMPBELL'S HANDBOOK OF ENGLISH SYNONYMES_=

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In connection with Sight Reading and Writing in
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=_FORGOTTEN MEANINGS_=

Or, An Hour with the Dictionary. By ALFRED WAITES,
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=_SHORT STUDIES OF AMERICAN AUTHORS_=

By THOMAS WENTWORTH HIGGINSON, author of "Young
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=_UNIVERSAL PHONOGRAPHY_=

Or, Shorthand by the "Allen Method." A
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additional Speed at each Subsequent Lesson. By G.
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* * * * *

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=ADVANCED READINGS AND RECITATIONS= By AUSTIN B.
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$1.50

"Professor Fletcher's noteworthy compilation has been made with rare rhetorical judgment, and evinces a sympathy for the best forms of literature, adapted to attract readers and speakers, and mould their literary taste."--Professor J. W. CHURCHILL, _Andover Theological Seminary_.

=THE BOOK OF ELOQUENCE= A collection of extracts
in prose and verse from the most famous orators
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"What can be said that is more eloquent praise than that Charles Dudley Warner has carefully selected three hundred and sixty-four specimens of the choicest things from the world's literature? If there is any subject untouched, we fail to discover it. It is a compendium of the world's eloquence. It is useless to tell who is in here, for everybody is; and it is clear that Mr. Warner has made his extracts with great care. It has the most eloquence ever packed into twice as many pages."

=VOCAL AND ACTION LANGUAGE, CULTURE AND
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in elocution in Boston University By mail 83
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"This is a treatise, at once scientific and practical, on the theory and art of elocution. It treats of the structure of the vocal organs, of vocal culture and expression, of action-language, gesticulation, the use of the body and hands in oratory, etc. There is also a well-arranged collection of extracts for elocution. The work is well adapted for use as a text-book on elocution, and for study by professional students."--_Indianapolis Journal._

=FIVE-MINUTE READINGS= Selected and adapted by
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=FIVE-MINUTE DECLAMATIONS= Selected and adapted by
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=FIVE-MINUTE DECLAMATIONS= _Second Part_ Selected
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=FIVE-MINUTE RECITATIONS= By WALTER K. FOBES 50
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Pupils in public schools, on declamation days, are limited to five minutes each for the delivery of "pieces." There is a great complaint of the scarcity of material for such a purpose, while the injudicious pruning of eloquent extracts has often marred the desired effects. To obviate these difficulties new "Five-Minute" books have been prepared by a competent teacher.

"We have never before seen packed in so small a compass so much that may be considered really representative of the higher class of oratory."--_Boston Transcript._

=ELOCUTION SIMPLIFIED= With an appendix on
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Speech By WALTER K. FOBES graduate of the "Boston
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"The whole art of elocution is succinctly set forth in this small volume, which might be judiciously included among the text-books of schools."--_New Orleans Picayune._

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=DRIFTING ROUND THE WORLD; A Boy's Adventures by
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Royal 8vo. Handsome cover. $1.75. Cloth, gilt,
$2.50.

"Out of the beaten track" in its course of travel, record of adventures, and descriptions of life in Greenland, Labrador, Ireland, Scotland, England, France, Holland, Russia, Asia, Siberia, and Alaska. Its hero is young, bold, and adventurous; and the book is in every way interesting and attractive.

_EDWARD GREEY'S JAPANESE SERIES_

=YOUNG AMERICANS IN JAPAN; or, The Adventures of
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With 170 full-page and letter-press illustrations.
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This story, though essentially a work of fiction, is filled with interesting and truthful descriptions of the curious ways of living of the good people of the land of the rising sun.

=THE WONDERFUL CITY OF TOKIO; or, The Further
Adventures of the Jewett Family and their Friend
Oto Nambo=

With 169 illustrations. Royal 8vo, 7 x 9-1/2 inches.
With cover in gold and colors, designed by the
author. $1.75. Cloth, black and gold, $2.50.

"A book full of delightful information. The author has the happy gift of permitting the reader to view things as he saw them. The illustrations are mostly drawn by a Japanese artist, and are very unique."--_Chicago Herald._

=THE BEAR WORSHIPPERS OF YEZO AND THE ISLAND OF
KARAFUTO; being the further Adventures of the
Jewett Family and their Friend Oto Nambo=

180 illustrations. Boards, $1.75. Cloth, $2.50.

Graphic pen and pencil pictures of the remarkable bearded people who live in the north of Japan. The illustrations are by native Japanese artists, and give queer pictures of a queer people, who have been seldom visited.

_HARRY W. FRENCH'S BOOKS_

=OUR BOYS IN INDIA=

The wanderings of two young Americans in
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the sacred rivers and wild mountains. With 145
illustrations. Royal 8vo, 7 x 9-1/2 inches. Bound
in emblematic covers of Oriental design, $1.75.
Cloth, black and gold, $2.50.

While it has all the exciting interest of a romance, it is remarkably vivid in its pictures of manners and customs in the land of the Hindu. The illustrations are many and excellent.

=OUR BOYS IN CHINA=

The adventures of two young Americans, wrecked in
the China Sea on their return from India, with
their strange wanderings through the Chinese
Empire. 188 illustrations. Boards, ornamental
covers in colors and gold, $1.75. Cloth, $2.50.

This gives the further adventures of "Our Boys" of India fame in the land of Teas and Queues.

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=EVERY-DAY BUSINESS NOTES ON ITS PRACTICAL DETAILS=

=Arranged for Young People by M. S. EMERY=

Price, boards, 30 cents net. By mail, 35 cents.

AN accurate knowledge of how to attend to the every-day affairs of a business life is, indeed, a most valuable possession. The requirements of modern business life are manifold and exacting, demanding technical information, and, besides, quite a degree of what may justly be termed "cultivation." This valuable and indispensable book covers a wide range of information of much importance, and is designed as a text-book for schools, and for ready reference for young people and those who need such instruction as it contains. It treats in an attractive and clear manner subjects which bear on every-day callings, like "Letter-writing," by which so large a percentage of business is conducted; "Bills, Receipts, and Accounts;" "Post-Office Business," with instructions regarding late advantages and scope of accommodation; "Telegrams," "Express Business," "United States Money," "Savings Banks," "National Banks," "Bank Checks," "Notes and Drafts," "Mortgages," "Investment and Speculation," "Taxes," "Fire Insurance," and "Life Insurance." These are topics conveying a general idea of the worth of the book--topics about which business men must know, and covering that which they who would be business men must learn. Keeping relatively abreast of modern methods, the educators of our day see the necessity of imparting _business knowledge_, as well as that which is purely scientific, historical, or literary in its nature; hence, the adaptability of "Every-Day Business" to the necessities of American schools and our progressive ways of life.

=MISS WEST'S CLASS IN GEOGRAPHY=

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"After making child-nature a special study, Miss Sparhawk offers this little book as its result. It is designed to be used as a supplementary reader for classes in geography, and in cases of very young children as preparatory to the definitions and statements of text-books, which to children so often mean nothing. Still, the author does not intend that because this book is used all verbal explanations should be done away with; and while it is designed to take the place of aimless and weary work, it is not at all intended to do away with work and substitute play in its stead. The subjects treated preclude that idea. Such topics as the following require study and work on the part of both teacher and pupil: 'The Horizon,' 'Trees,' 'Vegetation,' 'Heat and Moisture,' 'Water-sheds,' 'Sun and Rain,' 'Highways and Barriers,' 'From the Lakes to the Gulf,' 'Cities,' 'Mountains and Rivers,' and many more important topics, including the continents."--_School Journal._

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=GERMANY SEEN WITHOUT SPECTACLES; or, Random
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"Mr. Ruggles writes briskly: he chats and gossips, slashing right and left with stout American prejudices, and has made withal a most entertaining book."--_New York Tribune._

=TRAVELS AND OBSERVATIONS IN THE ORIENT, with a
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By WALTER HARRIMAN (ex-Governor of New Hampshire).
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"The author, in his graphic description of these sacred localities, refers with great aptness to scenes and personages which history has made famous. It is a chatty narrative of travel."--_Concord Monitor._

=FORE AND AFT=

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Travels in Mexico, with vivid descriptions of manners and customs, form a large part of this striking narrative of a fourteen-months' voyage.

=VOYAGE OF THE PAPER CANOE=

A Geographical Journey of Twenty-five Hundred
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NATHANIEL H. BISHOP. With numerous illustrations
and maps specially prepared for this work. Crown
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"Mr. Bishop did a very bold thing, and has described it with a happy mixture of spirit, keen observation, and _bonhomie_."--_London Graphic._

=FOUR MONTHS IN A SNEAK-BOX=

A Boat Voyage of Twenty-six Hundred Miles down the
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=A THOUSAND MILES' WALK ACROSS SOUTH AMERICA, Over
the Pampas and the Andes=

By NATHANIEL H. BISHOP. Crown 8vo. New edition.
Illustrated. $1.50.

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Lessons on Manners for School and Home UseChapter II: Part 2

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