Chapter V: Part 5

The borrowing is often honest enough, and comes of magnanimity and stoutness. A great man quotes bravely and will not draw on his invention when his memory serves him with a word as good. What he quotes, he fills with his own voice and humor, and the whole cyclopædia of his table-talk is presently believed to be his own. Thirty years ago, when Mr. Webster at the bar or in the Senate filled the eyes and minds of young men, you might often hear cited as Mr. Webster's three rules: first, never to do to-day what he could defer till to-morrow; secondly, never to do himself what he could make another do for him; and, thirdly, never to pay any debt to-day. Well, they are none the worse for being already told, in the last generation, of Sheridan; and we find in Grimm's _Mémoires_ that Sheridan got them from the witty D'Argenson; who, no doubt, if we could consult him, could tell of whom he first heard them told. In our own college days we remember hearing other pieces of Mr. Webster's advice to students,--among others, this: that, when he opened a new book, he turned to the table of contents, took a pen, and sketched a sheet of matters and topics,--what he knew and what he thought,--before he read the book. But we find in Southey's "Commonplace Book" this said of the Earl of Strafford: "I learned one rule of him," says Sir G. Radcliffe, "which I think worthy to be remembered. When he met with a well-penned oration or tract upon any subject, he framed a speech upon the same argument, inventing and disposing what seemed fit to be said upon that subject, before he read the book; then, reading, compared his own with the author's, and noted his own defects and the author's art and fulness; whereby he drew all that ran in the author more strictly, and might better judge of his own wants to supply them." I remember to have heard Mr. Samuel Rogers, in London, relate, among other anecdotes of the Duke of Wellington, that a lady having expressed in his presence a passionate wish to witness a great victory, he replied: "Madam, there is nothing so dreadful as a great victory,--excepting a great defeat." But this speech is also D'Argenson's, and is reported by Grimm. So the sarcasm attributed to Lord Eldon upon Brougham, his predecessor on the woolsack, "What a wonderful versatile mind has Brougham! he knows politics, Greek, history, science; if he only knew a little of law, he would know a little of everything." You may find the original of this gibe in Grimm, who says that Louis XVI., going out of chapel after hearing a sermon from the Abbé Maury, said, "_Si l'Abbé nous avait parlé un peu de religion, il nous aurait parlé de tout_." A pleasantry which ran through all the newspapers a few years since, taxing the eccentricities of a gifted family connection in New England, was only a theft of Lady Mary Wortley Montagu's _mot_ of a hundred years ago, that "the world was made up of men and women and Herveys."

Many of the historical proverbs have a doubtful paternity. Columbus's egg is claimed for Brunelleschi. Rabelais's dying words, "I am going to see the great Perhaps" (_le grand Peut-être_), only repeats the "IF" inscribed on the portal of the temple at Delphi. Goethe's favorite phrase, "the open secret," translates Aristotle's answer to Alexander, "These books are published and not published." Madame de Staël's "Architecture is frozen music" is borrowed from Goethe's "dumb music," which is Vitruvius's rule, that "the architect must not only understand drawing, but music." Wordsworth's hero acting "on the plan which pleased his childish thought," is Schiller's "Tell him to reverence the dreams of his youth," and earlier, Bacon's "_Consilia juventutis plus divinitatis habent_."

In romantic literature examples of this vamping abound. The fine verse in the old Scotch ballad of "The Drowned Lovers,"

"Thou art roaring ower loud, Clyde water,
Thy streams are ower strang;
Make me thy wrack when I come back,
But spare me when I gang,"

is a translation of Martial's epigram on Hero and Leander, where the prayer of Leander is the same:--

"Parcite dum propero, mergite dum redeo."

Hafiz furnished Burns with the song of "John Barleycorn," and furnished Moore with the original of the piece,

"When in death I shall calm recline,
Oh, bear my heart to my mistress dear," etc.

There are many fables which, as they are found in every language, and betray no sign of being borrowed, are said to be agreeable to the human mind. Such are "The Seven Sleepers," "Gyges's Ring," "The Travelling Cloak," "The Wandering Jew," "The Pied Piper," "Jack and his Beanstalk," the "Lady Diving in the Lake and Rising in the Cave,"--whose omnipresence only indicates how easily a good story crosses all frontiers. The popular incident of Baron Munchausen, who hung his bugle up by the kitchen fire, and the frozen tune thawed out, is found in Greece in Plato's time. Antiphanes, one of Plato's friends, laughingly compared his writings to a city where the words froze in the air as soon as they were pronounced, and the next summer, when they were warmed and melted by the sun, the people heard what had been spoken in the winter. It is only within this century that England and America discovered that their nursery-tales were old German and Scandinavian stories; and now it appears that they came from India, and are the property of all the nations descended from the Aryan race, and have been warbled and babbled between nurses and children for unknown thousands of years.

If we observe the tenacity with which nations cling to their first types of costume, of architecture, of tools and methods in tillage, and of decoration,--if we learn how old are the patterns of our shawls, the capitals of our columns, the fret, the beads, and other ornaments on our walls, the alternate lotus-bud and leaf-stem of our iron fences,--we shall think very well of the first men, or ill of the latest.

Now shall we say that only the first men were well alive, and the existing generation is invalided and degenerate? Is all literature eavesdropping, and all art Chinese imitation? our life a custom, and our body borrowed, like a beggar's dinner, from a hundred charities? A more subtle and severe criticism might suggest that some dislocation has befallen the race; that men are off their centre; that multitudes of men do not live with Nature, but behold it as exiles. People go out to look at sunrises and sunsets who do not recognize their own quietly and happily, but know that it is foreign to them. As they do by books, so they _quote_ the sunset and the star, and do not make them theirs. Worse yet, they live as foreigners in the world of truth, and quote thoughts, and thus disown them. Quotation confesses inferiority. In opening a new book we often discover, from the unguarded devotion with which the writer gives his motto or text, all we have to expect from him. If Lord Bacon appears already in the preface, I go and read the "Instauration" instead of the new book.

The mischief is quickly punished in general and in particular. Admirable mimics have nothing of their own. In every kind of parasite, when Nature has finished an aphis, a teredo, or a vampire bat,--an excellent sucking-pipe to tap another animal, or a mistletoe or dodder among plants,--the self-supplying organs wither and dwindle, as being superfluous. In common prudence there is an early limit to this leaning on an original. In literature quotation is good only when the writer whom I follow goes my way, and, being better mounted than I, gives me a cast, as we say; but if I like the gay equipage so well as to go out of my road, I had better have gone afoot.

But it is necessary to remember there are certain considerations which go far to qualify a reproach too grave. This vast mental indebtedness has every variety that pecuniary debt has,--every variety of merit. The capitalist of either kind is as hungry to lend as the consumer to borrow; and the transaction no more indicates intellectual turpitude in the borrower than the simple fact of debt involves bankruptcy. On the contrary, in far the greater number of cases the transaction is honorable to both. Can we not help ourselves as discreetly by the force of two in literature? Certainly it only needs two well placed and well tempered for co-operation, to get somewhat far transcending any private enterprise! Shall we converse as spies? Our very abstaining to repeat and credit the fine remark of our friend is thievish. Each man of thought is surrounded by wiser men than he, if they cannot write as well. Cannot he and they combine? Cannot they sink their jealousies in God's love, and call their poem Beaumont and Fletcher, or the Theban Phalanx's? The city will for nine days or nine years make differences and sinister comparisons: there is a new and more excellent public that will bless the friends. Nay, it is an inevitable fruit of our social nature. The child quotes his father, and the man quotes his friend. Each man is a hero and an oracle to somebody, and to that person whatever he says has an enhanced value. Whatever we think and say is wonderfully better for our spirits and trust in another mouth. There is none so eminent and wise but he knows minds whose opinion confirms or qualifies his own: and men of extraordinary genius acquire an almost absolute ascendant over their nearest companions. The Comte de Crillon said one day to M. d'Allonville, with French vivacity, "If the universe and I professed one opinion, and M. Necker expressed a contrary one, I should be at once convinced that the universe and I were mistaken."

Original power is usually accompanied with assimilating power, and we value in Coleridge his excellent knowledge and quotations perhaps as much, possibly more, than his original suggestions. If an author give us just distinctions, inspiring lessons, or imaginative poetry, it is not so important to us whose they are. If we are fired and guided by these, we know him as a benefactor, and shall return to him as long as he serves us so well. We may like well to know what is Plato's and what is Montesquieu's or Goethe's part, and what thought was always dear to the writer himself; but the worth of the sentences consists in their radiancy and equal aptitude to all intelligence. They fit all our facts like a charm. We respect ourselves the more that we know them.

Next to the originator of a good sentence is the first quoter of it. Many will read the book before one thinks of quoting a passage. As soon as he has done this, that line will be quoted east and west. Then there are great ways of borrowing. Genius borrows nobly. When Shakspeare is charged with debts to his authors, Landor replies: "Yet he was more original than his originals. He breathed upon dead bodies and brought them into life." And we must thank Karl Ottfried Müller for the just remark, "Poesy, drawing within its circle all that is glorious and inspiring, gave itself but little concern as to where its flowers originally grew." So Voltaire usually imitated, but with such superiority that Dubuc said: "He is like the false Amphitryon; although the stranger, it is always he who has the air of being master of the house." Wordsworth, as soon as he heard a good thing, caught it up, meditated upon it, and very soon reproduced it in his conversation and writing. If De Quincey said, "That is what I told you," he replied, "No: that is mine,--mine, and not yours." On the whole, we like the valor of it. 'Tis on Marmontel's principle, "I pounce on what is mine, wherever I find it"; and on Bacon's broader rule, "I take all knowledge to be my province." It betrays the consciousness that truth is the property of no individual, but is the treasure of all men. And inasmuch as any writer has ascended to a just view of man's condition, he has adopted this tone. In so far as the receiver's aim is on life, and not on literature, will be his indifference to the source. The nobler the truth or sentiment, the less imports the question of authorship. It never troubles the simple seeker from whom he derived such or such a sentiment. Whoever expresses to us a just thought makes ridiculous the pains of the critic who should tell him where such a word had been said before. "It is no more according to Plato than according to me." Truth is always present: it only needs to lift the iron lids of the mind's eye to read its oracles. But the moment there is the purpose of display, the fraud is exposed. In fact, it is as difficult to appropriate the thoughts of others, as it is to invent. Always some steep transition, some sudden alteration of temperature, of point or of view, betrays the foreign interpolation.

There is, besides, a new charm in such intellectual works as, passing through long time, have had a multitude of authors and improvers. We admire that poetry which no man wrote,--no poet less than the genius of humanity itself,--which is to be read in a mythology, in the effect of a fixed or national style of pictures, of sculptures, or drama, or cities, or sciences, on us. Such a poem also is language. Every word in the language has once been used happily. The ear, caught by that felicity, retains it, and it is used again and again, as if the charm belonged to the word, and not to the life of thought which so enforced it. These profane uses, of course, kill it, and it is avoided. But a quick wit can at any time reinforce it, and it comes into vogue again. Then people quote so differently: one finding only what is gaudy and popular; another, the heart of the author, the report of his select and happiest hour: and the reader sometimes giving more to the citation than he owes to it. Most of the classical citations you shall hear or read in the current journals or speeches were not drawn from the originals, but from previous quotations in English books; and you can easily pronounce, from the use and relevancy of the sentence, whether it had not done duty many times before,--whether your jewel was got from the mine or from an auctioneer. We are as much informed of a writer's genius by what he selects as by what he originates. We read the quotation with his eyes, and find a new and fervent sense; as a passage from one of the poets, well recited, borrows new interest from the rendering. As the journals say, "the italics are ours." The profit of books is according to the sensibility of the reader. The profoundest thought or passion sleeps as in a mine, until an equal mind and heart finds and publishes it. The passages of Shakspeare that we most prize were never quoted until within this century; and Milton's prose, and Burke, even, have their best fame within it. Every one, too, remembers his friends by their favorite poetry or other reading.

Observe, also, that a writer appears to more advantage in the pages of another book than in his own. In his own, he waits as a candidate for your approbation; in another's, he is a lawgiver.

Then another's thoughts have a certain advantage with us simply because they are another's. There is an illusion in a new phrase. A man hears a fine sentence out of Swedenborg, and wonders at the wisdom, and is very merry at heart that he has now got so fine a thing. Translate it out of the new words into his own usual phrase, and he will wonder again at his own simplicity, such tricks do fine words play with us.

'Tis curious what new interest an old author acquires by official canonization in Tiraboschi, or Dr. Johnson, or Von Hammer-Purgstall, or Hallam, or other historian of literature. Their registration of his book, or citation of a passage, carries the sentimental value of a college diploma. Hallam, though never profound, is a fair mind, able to appreciate poetry, unless it becomes deep, being always blind and deaf to imaginative and analogy-loving souls, like the Platonists, like Giordano Bruno, like Donne, Herbert, Crashaw, and Vaughan; and Hallam cites a sentence from Bacon or Sidney, and distinguishes a lyric of Edwards or Vaux, and straightway it commends itself to us as if it had received the Isthmian crown.

It is a familiar expedient of brilliant writers, and not less of witty talkers, the device of ascribing their own sentence to an imaginary person, in order to give it weight,--as Cicero, Cowley, Swift, Landor, and Carlyle have done. And Cardinal de Retz, at a critical moment in the Parliament of Paris, described himself in an extemporary Latin sentence, which he pretended to quote from a classic author, and which told admirably well. It is a curious reflex effect of this enhancement of our thought by citing it from another, that many men can write better under a mask than for themselves,--as Chatterton in archaic ballad, Le Sage in Spanish costume, Macpherson as "Ossian,"--and, I doubt not, many a young barrister in chambers in London, who forges good thunder for the "Times," but never works as well under his own name. This is a sort of dramatizing talent; as it is not rare to find great powers of recitation, without the least original eloquence,--or people who copy drawings with admirable skill, but are incapable of any design.

In hours of high mental activity we sometimes do the book too much honor, reading out of it better things than the author wrote,--reading, as we say, between the lines. You have had the like experience in conversation: the wit was in what you heard, not in what the speakers said. Our best thought came from others. We heard in their words a deeper sense than the speakers put into them, and could express ourselves in other people's phrases to finer purpose than they knew. In Moore's Diary, Mr. Hallam is reported as mentioning at dinner one of his friends who had said, "I don't know how it is, a thing that falls flat from me seems quite an excellent joke when given at second-hand by Sheridan. I never like my own _bon-mots_ until he adopts them." Dumont was exalted by being used by Mirabeau, by Bentham, and by Sir Philip Francis, who, again, was less than his own "Junius"; and James Hogg (except in his poems "Kilmeny" and "The Witch of Fife") is but a third-rate author, owing his fame to his effigy colossalized through the lens of John Wilson,--who, again, writes better under the domino of "Christopher North" than in his proper clothes. The bold theory of Delia Bacon, that Shakspeare's plays were written by a society of wits,--by Sir Walter Raleigh, Lord Bacon, and others around the Earl of Southampton,--had plainly for her the charm of the superior meaning they would acquire when read under this light; this idea of the authorship controlling our appreciation of the works themselves. We once knew a man overjoyed at the notice of his pamphlet in a leading newspaper. What range he gave his imagination! Who could have written it? Was it not Colonel Carbine, or Senator Tonitrus, or, at the least, Professor Maximilian? Yes, he could detect in the style that fine Roman hand. How it seemed the very voice of the refined and discerning public, inviting merit at last to consent to fame, and come up and take place in the reserved and authentic chairs! He carried the journal with haste to the sympathizing Cousin Matilda, who is so proud of all we do. But what dismay, when the good Matilda, pleased with his pleasure, confessed she had written the criticism, and carried it with her own hands to the post-office! "Mr. Wordsworth," said Charles Lamb, "allow me to introduce to you my only admirer."

Swedenborg threw a formidable theory into the world, that every soul existed in a society of souls, from which all its thoughts passed into it, as the blood of the mother circulates in her unborn child; and he noticed that, when in his bed,--alternately sleeping and waking,--sleeping, he was surrounded by persons disputing and offering opinions on the one side and on the other side of a proposition; waking, the like suggestions occurred for and against the proposition as his own thoughts; sleeping again, he saw and heard the speakers as before: and this as often as he slept or waked. And if we expand the image, does it not look as if we men were thinking and talking out of an enormous antiquity, as if we stood, not in a coterie of prompters that filled a sitting-room, but in a circle of intelligences that reached through all thinkers, poets, inventors, and wits, men and women, English, German, Celt, Aryan, Ninevite, Copt,--back to the first geometer, bard, mason, carpenter, planter, shepherd,--back to the first negro, who, with more health or better perception, gave a shriller sound or name for the thing he saw and dealt with? Our benefactors are as many as the children who invented speech, word by word. Language is a city, to the building of which every human being brought a stone; yet he is no more to be credited with the grand result than the acaleph which adds a cell to the coral reef which is the basis of the continent.

Πάντα ῥεῖ: all things are in flux. It is inevitable that you are indebted to the past. You are fed and formed by it. The old forest is decomposed for the composition of the new forest. The old animals have given their bodies to the earth to furnish through chemistry the forming race, and every individual is only a momentary fixation of what was yesterday another's, is to-day his, and will belong to a third to-morrow. So it is in thought. Our knowledge is the amassed thought and experience of innumerable minds: our language, our science, our religion, our opinions, our fancies we inherited. Our country, customs, laws, our ambitions, and our notions of fit and fair,--all these we never made; we found them ready-made; we but quote them. Goethe frankly said, "What would remain to me if this art of appropriation were derogatory to genius? Every one of my writings has been furnished to me by a thousand different persons, a thousand things: wise and foolish have brought me, without suspecting it, the offering of their thoughts, faculties, and experience. My work is an aggregation of beings taken from the whole of nature; it bears the name of Goethe."

But there remains the indefeasible persistency of the individual to be himself. One leaf, one blade of grass, one meridian, does not resemble another. Every mind is different; and the more it is unfolded, the more pronounced is that difference. He must draw the elements into him for food, and, if they be granite and silex, will prefer them cooked by sun and rain, by time and art, to his hand. But, however received, these elements pass into the substance of his constitution, will be assimilated, and tend always to form, not a partisan, but a possessor of truth. To all that can be said of the preponderance of the Past, the single word Genius is a sufficient reply. The divine resides in the new. The divine never quotes, but is, and creates. The profound apprehension of the Present is Genius, which makes the Past forgotten. Genius believes its faintest presentiment against the testimony of all history; for it knows that facts are not ultimates, but that a state of mind is the ancestor of everything. And what is Originality? It is being, being one's self, and reporting accurately what we see and are. Genius is, in the first instance, sensibility, the capacity of receiving just impressions from the external world, and the power of co-ordinating these after the laws of thought. It implies Will, or original force, for their right distribution and expression. If to this the sentiment of piety be added, if the thinker feels that the thought most strictly his own is not his own, and recognizes the perpetual suggestion of the Supreme Intellect, the oldest thoughts become new and fertile whilst he speaks them.

Originals never lose their value. There is always in them a style and weight of speech, which the immanence of the oracle bestowed, and which cannot be counterfeited. Hence the permanence of the high poets. Plato, Cicero, and Plutarch cite the poets in the manner in which Scripture is quoted in our churches. A phrase or a single word is adduced, with honoring emphasis, from Pindar, Hesiod, or Euripides, as precluding all argument, because thus had they said: importing that the bard spoke not his own, but the words of some god. True poets have always ascended to this lofty platform, and met this expectation. Shakspeare, Milton, Wordsworth, were very conscious of their responsibilities. When a man thinks happily, he finds no foot-track in the field he traverses. All spontaneous thought is irrespective of all else. Pindar uses this haughty defiance, as if it were impossible to find his sources: "There are many swift darts within my quiver, which have a voice for those with understanding; but to the crowd they need interpreters. He is gifted with genius who knoweth much by natural talent."

Our pleasure in seeing each mind take the subject to which it has a proper right is seen in mere fitness in time. He that comes second must needs quote him that comes first. The earliest describers of savage life, as Captain Cook's account of the Society Islands, or Alexander Henry's travels among our Indian tribes, have a charm of truth and just point of view. Landsmen and sailors freshly come from the most civilized countries, and with no false expectation, no sentimentality yet about wild life, healthily receive and report what they saw,--seeing what they must, and using no choice; and no man suspects the superior merit of the description, until Chateaubriand, or Moore, or Campbell, or Byron, or the artists arrive, and mix so much art with their picture that the incomparable advantage of the first narrative appears. For the same reason we dislike that the poet should choose an antique or far-fetched subject for his muse, as if he avowed want of insight. The great deal always with the nearest. Only as braveries of too prodigal power can we pardon it, when the life of genius is so redundant that out of petulance it flings its fire into some old mummy, and, lo! it walks and blushes again here in the street.

We cannot overstate our debt to the Past, but the moment has the supreme claim. The Past is for us; but the sole terms on which it can become ours are its subordination to the Present. Only an inventor knows how to borrow, and every man is or should be an inventor. We must not tamper with the organic motion of the soul. 'Tis certain that thought has its own proper motion, and the hints which flash from it, the words overheard at unawares by the free mind, are trustworthy and fertile, when obeyed, and not perverted to low and selfish account. This vast memory is only raw material. The divine gift is ever the instant life, which receives and uses and creates, and can well bury the old in the omnipotency with which Nature decomposes all her harvest for recomposition.

PROGRESS OF CULTURE.

PROGRESS OF CULTURE.

ADDRESS READ BEFORE THE Φ Β Κ SOCIETY AT CAMBRIDGE,
JULY 18, 1867.

WE meet to-day under happy omens to our ancient society, to the commonwealth of letters, to the country, and to mankind. No good citizen but shares the wonderful prosperity of the Federal Union. The heart still beats with the public pulse of joy, that the country has withstood the rude trial which threatened its existence, and thrills with the vast augmentation of strength which it draws from this proof. The storm which has been resisted is a crown of honor and a pledge of strength to the ship. We may be well contented with our fair inheritance. Was ever such coincidence of advantages in time and place as in America to-day?--the fusion of races and religions; the hungry cry for men which goes up from the wide continent; the answering facility of immigration, permitting every wanderer to choose his climate and government. Men come hither by nations. Science surpasses the old miracles of mythology, to fly with them over the sea, and to send their messages under it. They come from crowded, antiquated kingdoms to the easy sharing of our simple forms. Land without price is offered to the settler, cheap education to his children. The temper of our people delights in this whirl of life. Who would live in the stone age, or the bronze, or the iron, or the lacustrine? Who does not prefer the age of steel, of gold, of coal, petroleum, cotton, steam, electricity, and the spectroscope?

"Prisca juvent alios, ego me nunc denique natum Gratulor."

All this activity has added to the value of life, and to the scope of the intellect. I will not say that American institutions have given a new enlargement to our idea of a finished man, but they have added important features to the sketch.

Observe the marked ethical quality of the innovations urged or adopted. The new claim of woman to a political status is itself an honorable testimony to the civilization which has given her a civil status new in history. Now that, by the increased humanity of law she controls her property, she inevitably takes the next step to her share in power. The war gave us the abolition of slavery, the success of the Sanitary Commission and of the Freedmen's Bureau. Add to these the new scope of social science; the abolition of capital punishment and of imprisonment for debt; the improvement of prisons; the efforts for the suppression of intemperance; the search for just rules affecting labor; the co-operative societies; the insurance of life and limb; the free-trade league; the improved alms-houses; the enlarged scale of charities to relieve local famine, or burned towns, or the suffering Greeks; the incipient series of international congresses,--all, one may say, in a high degree revolutionary,--teaching nations the taking of government into their own hands, and superseding kings.

The spirit is new. A silent revolution has impelled, step by step, all this activity. A great many full-blown conceits have burst. The coxcomb goes to the wall. To his astonishment he has found that this country and this age belong to the most liberal persuasion; that the day of ruling by scorn and sneers is past; that good sense is now in power, and _that_ resting on a vast constituency of intelligent labor, and, better yet, on perceptions less and less dim of laws the most sublime. Men are now to be astonished by seeing acts of good-nature, common civility, and Christian charity proposed by statesmen, and executed by justices of the peace,--by policemen and the constable. The fop is unable to cut the patriot in the street; nay, he lies at his mercy in the ballot of the club.

Mark, too, the large resources of a statesman, of a socialist, of a scholar, in this age. When classes are exasperated against each other, the peace of the world is always kept by striking a new note. Instantly the units part, and form in a new order, and those who were opposed are now side by side. In this country the prodigious mass of work that must be done has either made new divisions of labor or created new professions. Consider, at this time, what variety of issues, of enterprises public and private, what genius of science, what of administration, what of practical skill, what masters, each in his several province, the railroad, the telegraph, the mines, the inland and marine explorations, the novel and powerful philanthropies, as well as agriculture, the foreign trade and the home trade (whose circuits in this country are as spacious as the foreign), manufactures, the very inventions, all on a national scale too, have evoked!--all implying the appearance of gifted men, the rapid addition to our society of a class of true nobles, by which the self-respect of each town and State is enriched.

Take as a type the boundless freedom here in Massachusetts. People have in all countries been burned and stoned for saying things which are commonplaces at all our breakfast-tables. Every one who was in Italy twenty-five years ago will remember the caution with which his host or guest, in any house looked around him, if a political topic were broached. Here the tongue is free, and the hand; and the freedom of action goes to the brink, if not over the brink, of license.

A controlling influence of the times has been the wide and successful study of Natural Science. Steffens said, "The religious opinions of men rest on their views of nature." Great strides have been made within the present century. Geology, astronomy, chemistry, optics, have yielded grand results. The correlation of forces and the polarization of light have carried us to sublime generalizations,--have affected an imaginative race like poetic inspirations. We have been taught to tread familiarly on giddy heights of thought, and to wont ourselves to daring conjectures. The narrow sectarian cannot read astronomy with impunity. The creeds of his church shrivel like dried leaves at the door of the observatory, and a new and healthful air regenerates the human mind, and imparts a sympathetic enlargement to its inventions and method. That cosmical west-wind which, meteorologists tell us, constitutes, by the revolution of the globe, the upper current, is alone broad enough to carry to every city and suburb--to the farmer's house, the miner's shanty, and the fisher's boat--the inspirations of this new hope of mankind. Now, if any one say we have had enough of these boastful recitals, then I say, Happy is the land wherein benefits like these have grown trite and commonplace.

We confess that in America everything looks new and recent. Our towns are still rude,--the make-shifts of emigrants,--and the whole architecture tent-like, when compared with the monumental solidity of mediæval and primeval remains in Europe and Asia. But geology has effaced these distinctions. Geology, a science of forty or fifty summers, has had the effect to throw an air of novelty and mushroom speed over entire history. The oldest empires,--what we called venerable antiquity,--now that we have true measures of duration, show like creations of yesterday. 'Tis yet quite too early to draw sound conclusions. The old six thousand years of chronology become a kitchen clock,--no more a measure of time than an hour-glass or an egg-glass,--since the duration of geologic periods has come into view. Geology itself is only chemistry with the element of time added; and the rocks of Nahant or the dikes of the White Hills disclose that the world is a crystal, and the soil of the valleys and plains a continual decomposition and recomposition. Nothing is old but the mind.

But I find not only this equality between new and old countries, as seen by the eye of science, but also a certain equivalence of the ages of history; and as the child is in his playthings working incessantly at problems of natural philosophy,--working as hard and as successfully as Newton,--so it were ignorance not to see that each nation and period has done its full part to make up the result of existing civility. We are all agreed that we have not on the instant better men to show than Plutarch's heroes. The world is always equal to itself. We cannot yet afford to drop Homer, nor Æschylus, nor Plato, nor Aristotle, nor Archimedes. Later, each European nation, after the breaking up of the Roman Empire, had its romantic era, and the productions of that era in each rose to about the same height. Take for an example in literature the _Romance of Arthur_, in Britain, or in the opposite province of Brittany; the _Chansons de Roland_, in France; the Chronicle of the Cid, in Spain; the _Niebelungen Lied_, in Germany; the Norse Sagas, in Scandinavia; and, I may add, the Arabian Nights, on the African coast. But if these works still survive and multiply, what shall we say of names more distant, or hidden through their very superiority to their coevals,--names of men who have left remains that certify a height of genius in their several directions not since surpassed, and which men in proportion to their wisdom still cherish,--as Zoroaster, Confucius, and the grand scriptures, only recently known to Western nations, of the Indian Vedas, the Institutes of Menu, the Puranas, the poems of the Mahabarat and the Ramayana?

In modern Europe, the Middle Ages were called the Dark Ages. Who dares to call them so now? They are seen to be the feet on which we walk, the eyes with which we see. 'Tis one of our triumphs to have reinstated them. Their Dante and Alfred and Wickliffe and Abelard and Bacon; their Magna Charta, decimal numbers, mariner's compass, gunpowder, glass, paper, and clocks; chemistry, algebra, astronomy; their Gothic architecture, their painting,--are the delight and tuition of ours. Six hundred years ago Roger Bacon explained the precession of the equinoxes, and the necessity of reform in the calendar; looking over how many horizons as far as into Liverpool and New York, he announced that machines can be constructed to drive ships more rapidly than a whole galley of rowers could do, nor would they need anything but a pilot to steer; carriages, to move with incredible speed, without aid of animals; and machines to fly into the air like birds. Even the races that we still call savage or semi-savage, and which preserve their arts from immemorial traditions, vindicate their faculty by the skill with which they make their yam-cloths, pipes, bows, boats, and carved war-clubs. The war-proa of the Malays in the Japanese waters struck Commodore Perry by its close resemblance to the yacht "America."

As we find thus a certain equivalence in the ages, there is also an equipollence of individual genius to the nation which it represents. It is a curious fact, that a certain enormity of culture makes a man invisible to his contemporaries. 'Tis always hard to go beyond your public. If they are satisfied with cheap performance, you will not easily arrive at better. If they know what is good, and require it, you will aspire and burn until you achieve it. But, from time to time, in history, men are born a whole age too soon. The founders of nations, the wise men and inventors, who shine afterwards as their gods, were probably martyrs in their own time. All the transcendent writers and artists of the world,--'tis doubtful who they were,--they are lifted so fast into mythology,--Homer, Menu, Viasa, Dædalus, Hermes, Zoroaster, even Swedenborg and Shakspeare. The early names are too typical,--Homer, or _blind man_; Menu, or _man_; Viasa, _compiler_; Dædalus, _cunning_; Hermes, _interpreter_; and so on. Probably, the men were so great, so self-fed, that the recognition of them by others was not necessary to them. And every one has heard the remark (too often, I fear, politely made), that the philosopher was above his audience. I think I have seen two or three great men who, for that reason, were of no account among scholars.

But Jove is in his reserves. The truth, the hope of any time, must always be sought in the minorities. Michel Angelo was the conscience of Italy. We grow free with his name, and find it ornamental now; but in his own days, his friends were few; and you would need to hunt him in a conventicle with the Methodists of the era, namely, Savonarola, Vittoria Colonna, Contarini, Pole, Occhino,--superior souls, the religious of that day, drawn to each other, and under some cloud with the rest of the world,--reformers, the radicals of the hour, banded against the corruptions of Rome, and as lonely and as hated as Dante before them.

I find the single mind equipollent to a multitude of minds, say to a nation of minds, as a drop of water balances the sea; and under this view the problem of culture assumes wonderful interest. Culture implies all which gives the mind possession of its own powers; as languages to the critic, telescope to the astronomer. Culture alters the political status of an individual. It raises a rival royalty in a monarchy. 'Tis king against king. It is ever the romance of history in all dynasties,--the co-presence of the revolutionary force in intellect. It creates a personal independence which the monarch cannot look down, and to which he must often succumb. If a man know the laws of nature better than other men, his nation cannot spare him; nor if he know the power of numbers, the secret of geometry, of algebra, on which the computations of astronomy, of navigation, of machinery, rest. If he can converse better than any other, he rules the minds of men wherever he goes; if he has imagination, he intoxicates men. If he has wit, he tempers despotism by epigrams: a song, a satire, a sentence, has played its part in great events. Eloquence a hundred times has turned the scale of war and peace at will. The history of Greece is at one time reduced to two persons,--Philip, or the successor of Philip, on one side, and Demosthenes, a private citizen, on the other. If he has a military genius, like Belisarius, or administrative faculty, like Chatham or Bismarck, he is the king's king. If a theologian of deep convictions and strong understanding carries his country with him, like Luther, the state becomes Lutheran, in spite of the Emperor, as Thomas à Becket overpowered the English Henry. Wit has a great charter. Popes and kings and Councils of Ten are very sharp with their censorships and inquisitions, but it is on dull people. Some Dante or Angelo, Rabelais, Hafiz, Cervantes, Erasmus, Béranger, Bettine von Arnim, or whatever genuine wit of the old inimitable class, is always allowed. Kings feel that this is that which they themselves represent; this is no red-kerchiefed, red-shirted rebel, but loyalty, kingship. This is real kingship, and their own only titular. Even manners are a distinction, which, we sometimes see, are not to be overborne by rank or official power, or even by other eminent talents, since they too proceed from a certain deep innate perception of fit and fair.

It is too plain that a cultivated laborer is worth many untaught laborers; that a scientific engineer, with instruments and steam, is worth many hundred men, many thousands; that Archimedes or Napoleon is worth for labor a thousand thousands; and that in every wise and genial soul we have England, Greece, Italy, walking, and can dispense with populations of _navvies_.

Literary history and all history is a record of the power of minorities, and of minorities of one. Every book is written with a constant secret reference to the few intelligent persons whom the writer believes to exist in the million. The artist has always the masters in his eye, though he affect to flout them. Michel Angelo is thinking of Da Vinci, and Raffaele is thinking of Michel Angelo. Tennyson would give his fame for a verdict in his favor from Wordsworth. Agassiz and Owen and Huxley affect to address the American and English people, but are really writing to each other. Everett dreamed of Webster. McKay, the shipbuilder, thinks of George Steers; and Steers, of Pook, the naval constructor. The names of the masters at the head of each department of science, art, or function are often little known to the world, but are always known to the adepts; as Robert Brown in botany, and Gauss in mathematics. Often the master is a hidden man, but not to the true student; invisible to all the rest, resplendent to him. All his own work and culture form the eye to see the master. In politics, mark the importance of minorities of one, as of Phocion, Cato, Lafayette, Arago. The importance of the one person who has the truth over nations who have it not, is because power obeys reality, and not appearance; according to quality, and not quantity. How much more are men than nations! the wise and good souls, the stoics in Greece and Rome, Socrates in Athens, the saints in Judæa, Alfred the king, Shakspeare the poet, Newton the philosopher, the perceiver, and obeyer of truth,--than the foolish and sensual millions around them! so that, wherever a true man appears, everything usually reckoned great dwarfs itself; he is the only great event, and it is easy to lift him into a mythological personage.

Then the next step in the series is the equivalence of the soul to nature. I said that one of the distinctions of our century has been the devotion of cultivated men to natural science. The benefits thence derived to the arts and to civilization are signal and immense. They are felt in navigation, in agriculture, in manufactures, in astronomy, in mining, and in war. But over all their utilities, I must hold their chief value to be metaphysical. The chief value is not the useful powers he obtained, but the test it has been of the scholar. He has accosted this immeasurable nature, and got clear answers. He understood what he read. He found agreement with himself. It taught him anew the reach of the human mind, and that it was citizen of the universe.

The first quality we know in matter is centrality,--we call it gravity,--which holds the universe together, which remains pure and indestructible in each mote, as in masses and planets, and from each atom rays out illimitable influence. To this material essence answers Truth, in the intellectual world,--Truth, whose centre is everywhere, and its circumference nowhere, whose existence we cannot disimagine,--the soundness and health of things, against which no blow can be struck but it recoils on the striker,--Truth, on whose side we always heartily are. And the first measure of a mind is its centrality, its capacity of truth, and its adhesion to it.

When the correlation of the sciences was announced by Oersted and his colleagues, it was no surprise; we were found already prepared for it. The fact stated accorded with the auguries or divinations of the human mind. Thus, if we should analyze Newton's discovery, we should say that if it had not been anticipated by him, it would not have been found. We are told that, in posting his books, after the French had measured on the earth a degree of the meridian, when he saw that his theoretic results were approximating that empirical one, his hand shook, the figures danced, and he was so agitated that he was forced to call in an assistant to finish the computation. Why agitated?--but because, when he saw, in the fall of an apple to the ground, the fall of the earth to the sun, of the sun and of all suns to the centre, that perception was accompanied by the spasm of delight by which the intellect greets a fact more immense still, a fact really universal,--holding in intellect as in matter, in morals as in intellect,--that atom draws to atom throughout nature, and truth to truth throughout spirit? His law was only a particular of the more universal law of centrality. Every law in nature, as gravity, centripetence, repulsion, polarity, undulation, has a counterpart in the intellect. The laws above are sisters of the laws below. Shall we study the mathematics of the sphere, and not its causal essence also? Nature is a fable, whose moral blazes through it. There is no use in Copernicus, if the robust periodicity of the solar system does not show its equal perfection in the mental sphere,--the periodicity, the compensatory errors, the grand reactions. I shall never believe that centrifugence and centripetence balance, unless mind heats and meliorates, as well as the surface and soil of the globe.

On this power, this all-dissolving unity, the emphasis of heaven and earth is laid. Nature is brute but as this soul quickens it; Nature always the effect, mind the flowing cause. Nature, we find, is ever as is our sensibility; it is hostile to ignorance;--plastic, transparent, delightful, to knowledge. Mind carries the law; history is the slow and atomic unfolding. All things admit of this extended sense, and the universe at last is only prophetic, or, shall we say, symptomatic, of vaster interpretation and results. Nature an enormous system, but in mass and in particle curiously available to the humblest need of the little creature that walks on the earth! The immeasurableness of Nature is not more astounding than his power to gather all her omnipotence into a manageable rod or wedge, bringing it to a hair-point for the eye and hand of the philosopher.

Here stretches out of sight, out of conception even, this vast Nature, daunting, bewildering, but all penetrable, all self-similar,--an unbroken unity,--and the mind of man is a key to the whole. He finds that the universe, as Newton said, "was made at one cast"; the mass is like the atom,--the same chemistry, gravity, and conditions. The asteroids are the chips of an old star, and a meteoric stone is a chip of an asteroid. As language is in the alphabet, so is entire Nature--the play of all its laws--in one atom. The good wit finds the law from a single observation,--the law, and its limitations, and its correspondences,--as the farmer finds his cattle by a footprint. "State the sun, and you state the planets, and conversely."

Whilst its power is offered to his hand, its laws to his science, not less its beauty speaks to his taste, imagination, and sentiment. Nature is sanative, refining, elevating. How cunningly she hides every wrinkle of her inconceivable antiquity under roses, and violets, and morning dew! Every inch of the mountains is scarred by unimaginable convulsions, yet the new day is purple with the bloom of youth and love. Look out into the July night, and see the broad belt of silver flame which flashes up the half of heaven, fresh and delicate as the bonfires of the meadow-flies. Yet the powers of numbers cannot compute its enormous age,--lasting as space and time,--embosomed in time and space. And time and space,--what are they? Our first problems, which we ponder all our lives through, and leave where we found them; whose outrunning immensity, the old Greeks believed, astonished the gods themselves; of whose dizzy vastitudes all the worlds of God are a mere dot on the margin; impossible to deny, impossible to believe. Yet the moral element in man counterpoises this dismaying immensity, and bereaves it of terror. The highest flight to which the muse of Horace ascended was in that triplet of lines in which he described the souls which can calmly confront the sublimity of nature:--

"Hunc solem, et stellas, et decedentia certis
Tempora momentis, sunt qui formidine nulla
Imbuti spectant."

The sublime point of experience is the value of a sufficient man. Cube this value by the meeting of two such,--of two or more such,--who understand and support each other, and you have organized victory. At any time, it only needs the contemporaneous appearance of a few superior and attractive men to give a new and noble turn to the public mind.

The benefactors we have indicated were exceptional men, and great because exceptional. The question which the present age urges with increasing emphasis, day by day, is, whether the high qualities which distinguished them can be imparted? The poet Wordsworth asked, "What one is, why may not millions be?" Why not? Knowledge exists to be imparted. Curiosity is lying in wait for every secret. The inquisitiveness of the child to hear runs to meet the eagerness of the parent to explain. The air does not rush to fill a vacuum with such speed as the mind to catch the expected fact. Every artist was first an amateur. The ear outgrows the tongue, is sooner ripe and perfect; but the tongue is always learning to say what the ear has taught it, and the hand obeys the same lesson.