Chapter VI: Reproductions of Handwriting of Thomas Gray and Horace Walpole (9)
[Footnote 1: In the spring Montgolfier had made the first ascent in a balloon, which as a novelty created great excitement in Paris. The Queen gave permission for the balloon to be called by her name; and the next year, during a visit of Gustavus, King of Sweden, to Versailles, it went up from the grounds of the Trianon, and made a successful voyage to Chantilly (the Editor's "Life of Marie Antoinette," c. 19).]
_5th._
P.S.--The Opposition in the House of Commons were so humbled by their two defeats, that, though Mr. Pitt had declared he would contest every clause (of the India Bill) in the committee, (where in truth, if the Bill is so bad as he says, he ought at least to have tried to amend it,) that he slunk from the contest, and all the blanks were filled up without obstruction, the opponents promising only to resist it in its last stage on Monday next; but really, having no hopes but in the House of Lords, where, however, I do not believe they expect to succeed. Mr. Pitt's reputation is much sunk; nor, though he is a much more correct logician than his father, has he the same firmness and perseverance. It is no wonder that he was dazzled by his own premature fame; yet his late checks may be of use to him, and teach him to appreciate his strength better, or to wait till it is confirmed. Had he listed under Mr. Fox, who loved and courted him, he would not only have discovered modesty, but have been more likely to succeed him, than by commencing his competitor. But what have I to do to look into futurity?[1]
[Footnote 1: Evidently not much: as few prophecies have been more strikingly and speedily falsified.]
_BALLOONS._
TO THE HON. H.S. CONWAY.
STRAWBERRY HILL, _Oct._ 15, 1784.
As I have heard nothing from you, I flatter myself Lady Aylesbury mends, or I think you would have brought her again to the physicians: you will, I conclude, next week, as towards the end of it the ten days they named will be expired. I must be in town myself about Thursday on some little business of my own.
As I was writing this, my servants called me away to see a balloon; I suppose Blanchard's, that was to be let off from Chelsea this morning. I saw it from the common field before the window of my round tower. It appeared about a third of the size of the moon, or less, when setting, something above the tops of the trees on the level horizon. It was then descending; and, after rising and declining a little, it sunk slowly behind the trees, I should think about or beyond Sunbury, at five minutes after one. But you know I am a very inexact guesser at measures and distances, and may be mistaken in many miles; and you know how little I have attended to these _airgonauts_: only t'other night I diverted myself with a sort of meditation on future _airgonation_, supposing that it will not only be perfected, but will depose navigation. I did not finish it, because I am not skilled, like the gentleman that used to write political ship-news, in that style which I wanted to perfect my essay: but in the prelude I observed how ignorant the ancients were in supposing Icarus melted the wax of his wings by too near access to the sun, whereas he would have been frozen to death before he made the first post on that road. Next, I discovered an alliance between Bishop Wilkins's[1] art of flying and his plan of universal language; the latter of which he no doubt calculated to prevent the want of an interpreter when he should arrive at the moon.
[Footnote 1: Dr. Wilkins, Bishop of Chester in the reign of Charles II., was chiefly instrumental in the foundation of the Royal Society. Among his works was a treatise to prove that "It is probable there may be another habitable world in the moon, with a discourse concerning the possibility of a passage thither." Burnet ("Hist. of his Own Times," Anno 1661) says of him, "He was a great observer and promoter of experimental philosophy, which was then a new thing. He was naturally ambitious, but was the wisest clergyman I ever knew." He married Cromwell's sister, and his daughter was the wife of Archbishop Tillotson.]
But I chiefly amused myself with ideas of the change that would be made in the world by the substitution of balloons to ships. I supposed our seaports to become _deserted villages_; and Salisbury Plain, Newmarket Heath, (another canvass for alteration of ideas,) and all downs (but _the_ Downs) arising into dockyards for aërial vessels. Such a field would be ample in furnishing new speculations. But to come to my ship-news:--
"The good balloon Daedalus, Captain Wing-ate, will fly in a few days for China; he will stop at the top of the Monument to take in passengers.
"Arrived on Brand-sands, the Vulture, Captain Nabob; the Tortoise snow, from Lapland; the Pet-en-l'air, from Versailles; the Dreadnought, from Mount Etna, Sir W. Hamilton, commander; the Tympany, Montgolfier; and the Mine-A-in-a-bandbox, from the Cape of Good Hope. Foundered in a hurricane, the Bird of Paradise, from Mount Ararat. The Bubble, Sheldon, took fire, and was burnt to her gallery; and the Phoenix is to be cut down to a second-rate."
In those days Old Sarum will again be a town and have houses in it. There will be fights in the air with wind-guns and bows and arrows; and there will be prodigious increase of land for tillage, especially in France, by breaking up all public roads as useless. But enough of my fooleries; for which I am sorry you must pay double postage.
_HIS LETTERS ON LITERATURE--DISADVANTAGE OF MODERN WRITERS--COMPARISON OF LADY MARY WORTLEY WITH MADAME DE SÉVIGNÉ._
TO JOHN PINKERTON, ESQ.
_June_ 22, 1785.
Since I received your book,[1] Sir, I scarce ceased from reading till I had finished it; so admirable I found it, and so full of good sense, brightly delivered. Nay, I am pleased with myself, too, for having formed the same opinions with you on several points, in which we do not agree with the generality of men. On some topics, I confess frankly, I do not concur with you: considering how many you have touched, it would be wonderful if we agreed on all, or I should not be sincere if I said I did. There are others on which I have formed no opinion; for I should give myself an impertinent air, with no truth, if I pretended to have any knowledge of many subjects, of which, young as you are, you seem to have made yourself master. Indeed, I have gone deeply into nothing, and therefore shall not discuss those heads on which we differ most; as probably I should not defend my own opinions well. There is but one part of your work to which I will venture any objection, though you have considered it much, and I little, very little indeed, with regard to your proposal, which to me is but two days old: I mean your plan for the improvement of our language, which I allow has some defects, and which wants correction in several particulars. The specific amendment which you propose, and to which I object, is the addition of _a's_ and _o's_ to our terminations. To change _s_ for _a_ in the plural number of our substantives and adjectives, would be so violent an alteration, that I believe neither the power of Power nor the power of Genius would be able to effect it. In most cases I am convinced that very strong innovations are more likely to make impression than small and almost imperceptible differences, as in religion, medicine, politics, &c.; but I do not think that language can be treated in the same manner, especially in a refined age.
[Footnote 1: Mr. Pinkerton was a Scotch lawyer, who published a volume entitled "Letters on Literature" under the name of Heron; which, however, he afterwards suppressed, as full of ill-considered ideas, which was not strange, as he was only twenty-five.]
When a nation first emerges from barbarism, two or three masterly writers may operate wonders; and the fewer the number of writers, as the number is small at such a period, the more absolute is their authority. But when a country has been polishing itself for two or three centuries, and when, consequently, authors are innumerable, the most super-eminent genius (or whoever is esteemed so, though without foundation) possesses very limited empire, and is far from meeting implicit obedience. Every petty writer will contest very novel institutions: every inch of change in any language will be disputed; and the language will remain as it was, longer than the tribunal which should dictate very heterogeneous alterations. With regard to adding _a_ or _o_ to final consonants, consider, Sir, should the usage be adopted, what havoc it would make! All our poetry would be defective in metre, or would become at once as obsolete as Chaucer; and could we promise ourselves, that, though we should acquire better harmony and more rhymes, we should have a new crop of poets, to replace Milton, Dryden, Gray, and, I am sorry you will not allow me to add, Pope! You might enjoin our prose to be reformed, as you have done by the "Spectator" in your thirty-fourth Letter; but try Dryden's "Ode" by your new institution.
I beg your pardon for these trivial observations: I assure you I could write a letter ten times as long, if I were to specify all I like in your work. I more than like most of it; and I am charmed with your glorious love of liberty, and your other humane and noble sentiments. Your book I shall with great pleasure send to Mr. Colman[1]: may I tell him, without naming you, that it is written by the author of the comedy I offered to him? He must be struck with your very handsome and generous conduct in printing your encomiums on him, after his rejecting your piece. It is as great as uncommon, and gives me as good an opinion of your heart, Sir, as your book does of your great sense. Both assure me that you will not take ill the liberty I have used in expressing my doubts on your plan for amending our language, or for any I may use in dissenting from a few other sentiments in your work; as I shall in what I think your too low opinion of some of the French writers, of your preferring Lady Mary Wortley to Madame de Sévigné, and of your esteeming Mr. Hume a man of deeper and more solid understanding than Mr. Gray. In the two last articles it is impossible to think more differently than we do.[2] In Lady Mary's "Letters," which I never could read but once, I discovered no merit of any sort; yet I have seen others by her (unpublished) that have a good deal of wit; and for Mr. Hume, give me leave to say that I think your opinion, "that he might have ruled a state," ought to be qualified a little; as in the very next page you say, his "History" is "a mere apology for prerogative," and a very weak one. If he could have ruled a state, one must presume, at best, that he would have been an able tyrant; and yet I should suspect that a man, who, sitting coolly in his chamber, could forge but a weak apology for the prerogative, would not have exercised it very wisely. I knew personally and well both Mr. Hume and Mr. Gray, and thought there was no degree of comparison between their understandings; and, in fact, Mr. Hume's writings were so superior to his conversation, that I frequently said he understood nothing till he had written upon it. What you say, Sir, of the discord in his "History" from his love of prerogative and hatred of churchmen, flatters me much; as I have taken notice of that very unnatural discord in a piece I printed some years ago, but did not publish, and which I will show to you when I have the pleasure of seeing you here; a satisfaction I shall be glad to taste, whenever you will let me know you are at leisure after the beginning of next week. I have the honour to be, Sir, &c.
[Footnote 1: Mr. Colman was manager of the Haymarket Theatre.]
[Footnote 2: It is difficult to judge what were the published letters of Lady Mary which Walpole could have seen. If Mr. Pinkerton preferred them to those of Mme. de Sévigné, he could certainly have adduced plausible reasons for his preference. There is far greater variety in them, as was natural from the different lives led by the two fair writers. Mme. de Sévigné's was almost confined to Paris and the Court; Lady Mary was a great traveller. Her husband was English ambassador at Constantinople and other places, and her letters give descriptions of that city, of Vienna, the Hague, Venice, Rome, Naples, &c., &c. It may be fitly pointed out here that in a letter to Lord Strafford Walpole expresses an opinion that letter-writing is a branch of literature in which women are likely to excel men; "for our sex is too jealous of the reputation of good sense to hazard a thousand trifles and negligences which give grace, ease, and familiarity to correspondence."]
_CRITICISM ON VARIOUS AUTHORS: GREEK, LATIN, FRENCH, AND ENGLISH--HUMOUR OF ADDISON, AND OF FIELDING--WALLER--MILTON--BOILEAU'S "LUTRIN"--"THE RAPE OF THE LOCK"--MADAME DE SÉVIGNÉ._
TO JOHN PINKERTON, ESQ.
_June_ 26, 1785.
I have sent your book to Mr. Colman, Sir, and must desire you in return to offer my grateful thanks to Mr. Knight, who has done me an honour, to which I do not know how I am entitled, by the present of his poetry, which is very classic, and beautiful, and tender, and of chaste simplicity.
To _your_ book, Sir, I am much obliged on many accounts; particularly for having recalled my mind to subjects of delight, to which it was grown dulled by age and indolence. In consequence of your reclaiming it, I asked myself whence you feel so much disregard for certain authors whose fame is established: you have assigned good reasons for withholding your approbation from some, on the plea of their being imitators: it was natural, then, to ask myself again, whence they had obtained so much celebrity. I think I have discovered a cause, which I do not remember to have seen noted; and _that_ cause I suspect to have been, that certain of those authors possessed grace:--do not take me for a disciple of Lord Chesterfield, nor imagine that I mean to erect grace into a capital ingredient of writing, but I do believe that it is a perfume that will serve from putrefaction, and is distinct even from style, which regards expression. _Grace_, I think, belongs to _manner_. It is from the charm of grace that I believe some authors, not in your favour, obtained part of their renown; Virgil, in particular: and yet I am far from disagreeing with you on his subject in general. There is such a dearth of invention in the Aeneid (and when he did invent, it was often so foolishly), so little good sense, so little variety, and so little power over the passions, that I have frequently said, from contempt for his matter, and from the charm of his harmony, that I believe I should like his poem better, if I was to hear it repeated, and did not understand Latin. On the other hand, he has more than harmony: whatever he utters is said gracefully, and he ennobles his images, especially in the Georgics; or, at least, it is more sensible there, from the humility of the subject. A Roman farmer might not understand his diction in agriculture; but he made a Roman courtier understand farming, the farming of that age, and could captivate a lord of Augustus's bedchamber, and tempt him to listen to themes of rusticity. On the contrary, Statius and Claudian, though talking of war, would make a soldier despise them as bullies. That graceful manner of thinking in Virgil seems to me to be more than style, if I do not refine too much: and I admire, I confess, Mr. Addison's phrase, that Virgil "tossed about his dung with an air of majesty." A style may be excellent without grace: for instance, Dr. Swift's. Eloquence may bestow an immortal style, and one of more dignity; yet eloquence may want that ease, that genteel air that flows from or constitutes grace. Addison himself was master of that grace, even in his pieces of humour, and which do not owe their merit to style; and from that combined secret he excels all men that ever lived; but Shakspeare, in humour,[1] by never dropping into an approach towards burlesque and buffoonery, when even his humour descended to characters that in other hands would have been vulgarly low. Is not it clear that Will Wimble was a gentleman, though he always lived at a distance from good company? Fielding had as much humour, perhaps, as Addison; but, having no idea of grace, is perpetually disgusting. His innkeepers and parsons are the grossest of their profession; and his gentlemen are awkward when they should be at their ease.
[Footnote 1: "_Addison's humour._" Undoubtedly there is much gentlemanlike humour in Addison's Sir Roger de Coverley; but to say that he "excels all men that ever lived" in that quality is an exaggeration hardly to be understood in a man who had seen the "Rivals" and the "Critic." In the present day no one, it may be supposed, would echo it, after Scott with the Baron, the Antiquary, Dalgetty, &c., and Thackeray with Mrs. O'Dowd, Major Pendennis, and Colonel Newcome. The epithet "_Vafer_" applied to Horace by Persius is not inapplicable to Addison. There is a slyness about some of his sketches which breathes something of the Horatian facetiousness. It is remarkable that in all this long and varied criticism Walpole scarcely mentions _wit_, which he seems to allow to no one but Horace and Boileau. His comparative denial of it to Aristophanes and Lucian creates a supposition that his Greek was inferior to his Latin scholarship. It is not always easy to distinguish humour from wit; of the two, the former seems the higher quality. Wit is verbal, conversant with language, combining keenness and terseness of expression with a keen perception of resemblances or differences; humour has, comparatively speaking, little to do with language, and is of different kinds, varying with the class of composition in which it is found. In one of his "Imaginary Conversations" Savage Landor remarks that "It is no uncommon thing to hear, 'Such an one has humour rather than wit.' Here the expression can only mean _pleasantry_, for whoever has humour has wit, although it does not follow that whoever has wit has humour.... The French have little humour, because they have little _character_; they excel all nations in wit, because of their levity and sharpness."]
The Grecians had grace in everything; in poetry, in oratory, in statuary, in architecture, and probably, in music and painting. The Romans, it is true, were their imitators; but, having grace too, imparted it to their copies, which gave them a merit that almost raises them to the rank of originals. Horace's "Odes" acquired their fame, no doubt, from the graces of his manner and purity of his style--the chief praise of Tibullus and Propertius, who certainly cannot boast of more meaning than Horace's "Odes."
Waller, whom you proscribe, Sir, owed his reputation to the graces of his manner, though he frequently stumbled, and even fell flat; but a few of his smaller pieces are as graceful as possible: one might say that he excelled in painting ladies in enamel, but could not succeed in portraits in oil, large as life. Milton had such superior merit, that I will only say, that if his angels, his Satan, and his Adam have as much dignity as the Apollo Belvedere, his Eve has all the delicacy and graces of the Venus of Medicis; as his description of Eden has the colouring of Albano. Milton's tenderness imprints ideas as graceful as Guido's Madonnas: and the "Allegro," "Penseroso," and "Comus" might be denominated from the three Graces; as the Italians gave similar titles to two or three of Petrarch's best sonnets.
Cowley, I think, would have had grace (for his mind was graceful) if he had had any ear, or if his task had not been vitiated by the pursuit of wit; which, when it does not offer itself naturally, degenerates into tinsel or pertness. Pertness is the mistaken affection of grace, as pedantry produces erroneous dignity; the familiarity of the one, and the clumsiness of the other, distort or prevent grace. Nature, that furnishes samples of all qualities, and on the scale of gradation exhibits all possible shades, affords us types that are more apposite than words. The eagle is sublime, the lion majestic, the swan graceful, the monkey pert, the bear ridiculously awkward. I mention these as more expressive and comprehensive than I could make definitions of my meaning; but I will apply the swan only, under whose wings I will shelter an apology for Racine, whose pieces give me an idea of that bird. The colouring of the swan is pure; his attitudes are graceful; he never displeases you when sailing on his proper element. His feet may be ugly, his notes hissing, not musical, his walk not natural; he can soar, but it is with difficulty;--still, the impression the swan leaves is that of grace. So does Racine.
Boileau may be compared to the dog, whose sagacity is remarkable, as well as its fawning on its master, and its snarling at those it dislikes. If Boileau was too austere to admit the pliability of grace, he compensates by good sense and propriety. He is like (for I will drop animals) an upright magistrate, whom you respect, but whose justice and severity leave an awe that discourages familiarity. His copies of the ancients may be too servile: but, if a good translator deserves praise, Boileau deserves more. He certainly does not fall below his originals; and, considering at what period he wrote, has greater merit still. By his imitations he held out to his countrymen models of taste, and banished totally the bad taste of his predecessors. For his "Lutrin,"[1] replete with excellent poetry, wit, humour, and satire, he certainly was not obliged to the ancients. Excepting Horace, how little idea had either Greeks or Romans of wit and humour! Aristophanes and Lucian, compared with moderns, were, the one a blackguard, and the other a buffoon. In my eyes, the "Lutrin," the "Dispensary," and the "Rape of the Lock," are standards of grace and elegance, not to be paralleled by antiquity; and eternal reproaches to Voltaire, whose indelicacy in the "Pucelle" degraded him as much, when compared with the three authors I have named, as his "Henriade" leaves Virgil, and even Lucan, whom he more resembles, by far his superiors.
[Footnote 1: The "Lutrin" is a critical poem in six cantos. Lutrin means a desk; and Hallam, who does not seem to rate it very highly, regards the plan of it as borrowed from Tassoni's "Secchia rapita," Secchia meaning a pitcher.]
"The Dunciad" is blemished by the offensive images of the games; but the poetry appears to me admirable; and, though the fourth book has obscurities, I prefer it to the three others: it has descriptions not surpassed by any poet that ever existed, and which surely a writer merely ingenious will never equal. The lines on Italy, on Venice, on Convents, have all the grace for which I contend as distinct from poetry, though united with the most beautiful; and the "Rape of the Lock," besides the originality of great part of the invention, is a standard of graceful writing.
In general, I believe that what I call grace, is denominated elegance; but by grace I mean something higher. I will explain myself by instances--Apollo is graceful, Mercury is elegant. Petrarch, perhaps, owed his whole merit to the harmony of his numbers and the graces of his style. They conceal his poverty of meaning and want of variety. His complaints, too, may have added an interest, which, had his passion been successful, and had expressed itself with equal sameness, would have made the number of his sonnets insupportable. Melancholy in poetry, I am inclined to think, contributes to grace, when it is not disgraced by pitiful lamentations, such as Ovid's and Cicero's in their banishments. We respect melancholy, because it imparts a similar affection, pity. A gay writer, who should only express satisfaction without variety, would soon be nauseous.
Madame de Sévigné shines both in grief and gaiety. There is too much of sorrow for her daughter's absence; yet it is always expressed by new terms, by new images, and often by wit, whose tenderness has a melancholy air. When she forgets her concern, and returns to her natural disposition--gaiety, every paragraph has novelty: her allusions, her applications are the happiest possible. She has the art of making you acquainted with all her acquaintance, and attaches you even to the spots she inhabited. Her language is correct, though unstudied; and, when her mind is full of any great event, she interests you with the warmth of a dramatic writer, not with the chilling impartiality of an historian. Pray read her accounts of the death of Turenne, and of the arrival of King James in France, and tell me whether you do not know their persons as if you had lived at the time.
For my part, if you will allow me a word of digression (not that I have written with any method), I hate the cold impartiality recommended to Historians: "Si vis me flere, dolendum est Primùm ipsi tibi:"[1] but, that I may not wander again, nor tire, nor contradict you any more, I will finish now, and shall be glad if you will dine at Strawberry Hill next Sunday, and take a bed there, when I will tell you how many more parts of your book have pleased me, than have startled my opinions, or, perhaps, prejudices. I have the honour to be, Sir, with regard, &c.
[Footnote 1: A quotation from Horace's "Ars Poetica," 102.]
_MINISTERIAL DIFFICULTIES--THE AFFAIR OF THE NECKLACE IN PARIS--FLUCTUATING UNPOPULARITY OF STATESMEN--FALLACIES OF HISTORY._
TO SIR HORACE MANN.
STRAWBERRY HILL, _Aug._ 26, 1785.
Though I am delighted to see your handwriting, I beg you will indulge me no more with it. It fatigues you, and that gives me more pain than your letters can give me satisfaction. Dictate a few words on your health to your secretary; it will suffice. I don't care a straw about the King and Queen of Naples, nor whether they visit your little Great Duke and Duchess. I am glad when monarchs are playing with one another, instead of scratching: it is better they should be idle than mischievous. As I desire you not to write, I cannot be alarmed at a strange hand.
Your philosophic account of yourself is worthy of you. Still, I am convinced you are better than you seem to think. A cough is vexatious, but in old persons is a great preservative. It is one of the forms in which the gout appears, and exercises and clears the lungs. I know actually two persons, no chickens, who are always very ill if they have no annual cough. You may imagine that I have made observations in plenty on the gout: yes, yes, I know its ways and its jesuitic evasions. I beg its pardon, it is a better soul than it appears to be; it is we that misuse it: if it does not appear with all its credentials, we take it for something else, and attempt to cure it. Being a remedy, and not a disease, it will not be cured; and it is better to let it have its way. If it is content to act the personage of a cough, pray humour it: it will prolong your life, if you do not contradict it and fling it somewhere else.
The Administration has received a total defeat in Ireland, which has probably saved us another civil war.[1] Don't wonder that I am continually recollecting my father's _Quieta non movere_. I have never seen that maxim violated with impunity. They say, that in town a change in the Ministry is expected. I am not of that opinion; but, indeed, nobody can be more ignorant than I. I see nobody here but people attached to the Court, and who, however, know no more than I do; and if I did see any of the other side, they would not be able to give me better information; nor am I curious.
[Footnote 1: In the session of 1785 Grattan opposed a body of "resolutions" calculated to relieve the distress of the Irish manufacturers, and altogether to emancipate the trade and commerce of Ireland from many mischievous restrictions which had hitherto restrained their progress. Lord Stanhope, in his "Life of Pitt," i. 273, quotes a description of Grattan's speech as "a display of perhaps the most beautiful eloquence ever heard, but seditious and inflammatory to a degree hardly credible;" and he so far prevailed, that in the Irish House of Commons the resolutions were only carried by a majority of twenty-nine--one so small, that the Duke of Rutland, the Lord-Lieutenant, felt it safer to withdraw them.]
A stranger event than a revolution in politics has happened at Paris. The Cardinal de Rohan is committed to the Bastile for forging the Queen's hand to obtain a collar of diamonds;[1] I know no more of the story: but, as he is very gallant, it is guessed (_here_ I mean) that it was a present for some woman. These circumstances are little Apostolic, and will not prop the falling Church of Rome. They used to forge donations and decretals. This is a new manoeuvre. Nor were Cardinals wont to be treated so cavalierly for peccadilloes. The House of Rohan is under a cloud: his Eminence's cousin, the Prince of Guemené,[2] was forced to fly, two or three years ago, for being the Prince of Swindlers. _Our_ Nabobs are not treated so roughly; yet I doubt they collect diamonds still more criminally.
[Footnote 1: "_A collar of diamonds._" The transaction here referred to--though, strangely enough, it is looked on as one that had a political interest--was, in fact, a scheme of a broken-down gambler to swindle a jeweller out of a diamond necklace of great value. The Court jeweller had collected a large number of unusually fine diamonds, which he had made into a necklace, in the hope that the Queen would buy it, and the Cardinal de Rohan, who was a member of one of the noblest families in France, but a man of a character so notoriously profligate, that, when he was ambassador at Vienna, Maria Teresa had insisted on his recall, was mixed up in the fraud in a manner scarcely compatible with ignorance of its character. He was brought to trial with the more evident agents in the fraud, and the whole history of the French Parliaments scarcely records any transaction more disgraceful than his acquittal. For some months the affair continued to furnish pretext to obscure libellers to calumniate the Queen with insinuations not less offensive than dangerous from their vagueness; all such writers finding a ready paymaster in the infamous Duc d'Orléans.]
[Footnote 2: The Prince de Guemenée, a very profligate and extravagant man, by 1782 had become so hopelessly embarrassed that he was compelled to leave Paris, and consequently the Princess, his wife, who ever since the birth of Louis XVI. had held the office of "Governess of the Royal Children," a life-appointment, was forced to resign it, much to the pleasure of the Queen, who disapproved of her character, and bestowed the office on Mme. de Polignac, and when, at the beginning of the Revolution, she also fled from Paris, on Mme. de Tourzel. But, in truth, under Marie Antoinette the office was almost a sinecure. She considered superintendence of the education of her children as among the most important of her duties; and how judiciously she performed it is seen in an admirable letter of hers to Mme. de Tourzel, which can hardly be surpassed for its discernment and good-feeling. (See the Editor's "Life of Marie Antoinette," iii. 55.)]
Your nephew will be sorry to hear that the Duke of Montrose's third grandson, Master William Douglas, died yesterday of a fever. These poor Montroses are most unfortunate persons! They had the comfort this spring of seeing Lord Graham marry: the Duchess said, "I thought I should die of grief, and now I am ready to die of joy." Lady Graham soon proved with child, but soon miscarried; and the Duke and Duchess may not live to have the consolation of seeing an heir--for we must hope and make visions to the last! _I_ am asking for samples of Ginori's porcelain at sixty-eight! Well! are not heirs to great names and families as frail foundations of happiness? and what signifies what baubles we pursue? Philosophers make systems, and we simpletons collections: and we are as wise as they--wiser perhaps, for we know that in a few years our rarities will be dispersed at an auction; and they flatter themselves that their reveries will be immortal, which has happened to no system yet. A curiosity may rise in value; a system is exploded.
Such reflections are applicable to politics, and make me look on them as equally nugatory. Last year Mr. Fox was burnt in effigy; now Mr. Pitt is. Oh! my dear Sir, it is all a farce! On _this day_, about a hundred years ago (look at my date), was born the wisest man I have seen.[1] He kept this country in peace for twenty years, and it flourished accordingly. He injured no man; was benevolent, good-humoured, and did nothing but the common necessary business of the State. Yet was he burnt in effigy too; and so traduced, that his name is not purified yet!--Ask why his memory is not in veneration? You will be told, from libels and trash, that he was _the Grand Corruptor_.--What! did he corrupt the nation to make it happy, rich, and peaceable? Who was oppressed during his administration? Those saints Bolingbroke and Pulteney were kept out of the Paradise of the Court; ay, and the Pretender was kept out and was kept quiet. Sir Robert fell: a Rebellion ensued in four years, and the crown shook on the King's head. The nation, too, which had been tolerably corrupted before his time, and which, with all its experience and with its eyes opened, has not cured itself of being corrupt, is not quite so prosperous as in the day of that man, who, it seems, poisoned its morals. Formerly it was the most virtuous nation on the earth!
[Footnote 1: He means his own father, the Prime Minister from 1720 to 1741.]
Under Henry VIII. and his children there was no persecution, no fluctuation of religion: their Ministers shifted their faith four times, and were sincere honest men! There was no servility, no flattery, no contempt of the nation abroad, under James I. No tyranny under Charles I. and Laud; no factions, no civil war! Charles II., however, brought back all the virtues and morality, which, somehow or other, were missing! His brother's was a still more blessed reign, though in a different way! King William was disturbed and distressed by no contending factions, and did not endeavour to bribe them to let him pursue his great object of humbling France! The Duke of Marlborough was not overborne in a similar and more glorious career by a detestable Cabal!--and if Oxford and Bolingbroke did remove him, from the most patriot motives, they, good men! used no corruption! Twelve Peerages showered at once, to convert the House of Lords, were no bribes; nor was a shilling issued for secret services; nor would a member of either House have received it!
Sir R. Walpole came, and strange to tell, found the whole Parliament, and every Parliament, at least a great majority of every Parliament, ready to take his money. For what?--to undo their country!--which, however, wickedly as he meant, and ready as they were to concur, he left in every respect in the condition he found it, except in being improved in trade, wealth, and tranquillity; till _its friends_ who expelled him, had dipped their poor country in a war; which was far from mending its condition. Sir Robert died, foretelling a rebellion, which happened in less than six months, and for predicting which he had been ridiculed: and in detestation of a maxim ascribed to him by his enemies, that _every man has his price_, the tariff of every Parliament since has been as well known as the price of beef and mutton; and the universal electors, who cry out against that traffic, are not a jot less vendible than their electors.--Was not Sir Robert Walpole an abominable Minister?
_29th._
P.S.--The man who certainly provoked Ireland _to think_, is dead--Lord Sackville.[1]
[Footnote 1: Lord George Sackville Germaine, third son of Lionel [first] Duke of Dorset, who, when secretary to his father, when Lord-Lieutenant of Ireland, gave rise, by his haughty behaviour, to the factions that have ever since disturbed that country, and at last shaken off its submission to this country.--WALPOLE.]
_30th._
I see, by the _Gazette_, that Lord Cowper's pinchbeck principality is allowed. I wonder his Highness does not desire the Pope to make one of his sons a bishop _in partibus infidelium_.
_BREVITY OF MODERN ADDRESSES--THE OLD DUCHESS OF MARLBOROUGH._
TO SIR HORACE MANN.
STRAWBERRY HILL, _Oct._ 4, 1785.
I don't love to transgress my monthly regularity; yet, as you must prefer facts to words, why should I write when I have nothing to tell you? The newspapers themselves in a peaceable autumn coin wonders from Ireland, or live on the accidents of the Equinox. They, the newspapers, have been in high spirits on the prospect of a campaign in Holland; but the Dutch, without pity for the gazetteers of Europe, are said to have submitted to the Emperor's terms: however, the intelligence-merchants may trust that _he_ will not starve them long!
Your neighbour, the Queen of Sardinia, it seems, is dead: but, if there was anything to say about her, you must tell it to me, not I to you; for, till she died, I scarce knew she had been alive.
Our Parliament is put off till after Christmas; so, I have no more resource from domestic politics than from foreign wars. For my own particular, I desire neither. I live here in tranquillity and idleness, can content myself with trifles, and think the world is much the happier when it has nothing to talk of. Most people ask, "Is there any news?"--How can one want to know one does not know what? when anything has happened, one hears it.
There is one subject on which I wish I had occasion to write; I think it long since I heard how you go on: I flatter myself, as I have no letter from you or your nephew, prosperously. I should prefer a letter from him, that you may not have the trouble; and I shall make this the shorter, as a precedent for his not thinking more than a line necessary. The post does not insist on a certain quantity; it is content with being paid for whatever it carries--nay, is a little unreasonable, as it doubles its price for a cover that contains nothing but a direction: and now it is the fashion to curtail the direction as much as possible. Formerly, a direction was an academy of compliments: "To the most noble and my singularly respected friend," &c., &c.--and then, "Haste! haste, for your life, haste!" Now, we have banished even the monosyllable _To_! Henry Conway,[1] Lord Hertford's son, who is very indolent, and has much humour, introduced that abridgment. Writing to a Mr. Tighe at the Temple, he directed his letter only thus: "T. Ti., Temple"[2]--and it was delivered! Dr. Bentley was mightily flattered on receiving a letter superscribed "To Dr. Bentley in England." Times are altered; postmen are now satisfied with a hint. One modern retrenchment is a blessing; one is not obliged to study for an ingenious conclusion, as if writing an epigram--oh! no; nor to send compliments that never were delivered. I had a relation who always finished his letters with "his love to all that was near and dear to us," though he did not care a straw for me or any of his family. It was said of old Sarah, Duchess of Marlborough, that she never put dots over her _i's_, to save ink: how she would have enjoyed modern economy in that article! She would have died worth a thousand farthings more than she did--nay, she would have known exactly how many; as Sir Robert Brown[3] did, who calculated what he had saved by never having an orange or lemon on his sideboard. I am surprised that no economist has retrenched second courses, which always consist of the dearest articles, though seldom touched, as the hungry at least dine on the first. Mrs. Leneve,[4] one summer at Houghton, counted thirty-six turkey-pouts[5] that had been served up without being meddled with.
[Footnote 1: Second son of Francis Seymour Conway, first Earl of Hertford.--WALPOLE.]
[Footnote 2: This address was surpassed towards the end of the reign, by a letter which arrived in London addressed to "Srumfredafi, England;" and was correctly interpreted at the Post Office as being designed for Sir Humphrey Davy.]
[Footnote 3: A noted miser, who raised a great fortune as a merchant at Venice, though his whole wealth, when he went thither, consisted in one of those vast wigs (a second-hand one, given to him) which were worn in the reign of Queen Anne, and which he sold for five guineas. He returned to England, very rich, in the reign of George II., with his wife and three daughters, who would have been great fortunes. The eldest, about eighteen, fell into a consumption, and, being ordered to ride, her father drew a map of the by-lanes about London, which he made the footman carry in his pocket and observe, that she might ride without paying a turnpike. When the poor girl was past recovery, Sir Robert sent for an undertaker, to cheapen her funeral, as she was not dead, and there was a possibility of her living. He went farther; he called his other daughters, and bade them curtsy to the undertaker, and promise to be his friends; and so they proved, for both died consumptive in two years.--WALPOLE.]
[Footnote 4: A lady who lived with Sir Robert Walpole, to take care of his youngest daughter, Lady Maria, after her mother's death. After Sir Robert's death, and Lady Mary's marriage with Mr. Churchill, she lived with Mr. H. Walpole to her death.--WALPOLE.]
[Footnote 5: As the sons of rajahs in India are called Rajah Pouts, and as turkeys came from the East, quaere if they were not called Turkey-pouts, as an Eastern diminutive?--WALPOLE.]
_5th._
I had written thus far yesterday. This minute I receive your nephew's of Sept. 20th; it is not such an one by any means as I had wished for. He tells me you have had a return of your disorder--indeed, he consoles me with your recovery; but I cannot in a moment shake off the impression of a sudden alarm, though the cause was ceased, nor can a second agitation calm a first on such shattered nerves as mine. My fright is over, but I am not composed. I cannot begin a new letter, and therefore send what I had written. I will only add, what you may be sure I feel, ardent wishes for your perfect health, and grateful thanks to your nephew for his attention--he is rather your son; but indeed he is Gal.'s son, and that is the same thing. How I love him for his attendance on you! and how very kind he is in giving me accounts of you! I hope he will continue, and I ask it still more for your sake than for my own, that you may not think of writing yourself. If he says but these words, "My uncle has had no return of his complaint," I shall be satisfied--satisfied!--I shall be quite happy! Indeed, indeed, I ask no more.
_LADY CRAVEN--MADAME PIOZZI--"THE ROLLIAD"--HERSCHEL'S ASTRONOMICAL DISCOVERY._
TO SIR HORACE MANN.
BERKELEY SQUARE, _Oct._ 30, 1785.
I am a contradiction, yet very naturally so; I wish you not to write yourself, and yet am delighted when I receive a letter in your own hand: however, I don't desire it should be of four pages, like this last of the 11th. When I have had the gout, I have always written by proxy. You will make me ashamed, if you don't use the precedent. Your account of yourself is quite to my satisfaction. I approve, too, of your not dining with your company. Since I must be old and have the gout, I have long turned those disadvantages to my own account, and plead them to the utmost when they will save me from doing anything I dislike. I am so lame, or have such a sudden pain, when I do not care to do what is proposed to me! Nobody can tell how rapidly the gout may be come, or be gone again; and then it is so pleasant to have had the benefit, and none of the anguish!
I did send you a line last week in the cover of a letter to Lady Craven,[1] which I knew would sufficiently tell your quickness how much I shall be obliged to you for any attentions to her. I thought her at Paris, and was surprised to hear of her at Florence. She has, I fear, been _infinitamente_ indiscreet; but what is that to you or me? She is very pretty, has parts, and is good-natured to the greatest degree; has not a grain of malice or mischief (almost always the associates, in women, of tender hearts), and never has been an enemy but to herself. For that ridiculous woman Madame Piozzi,[2] and t'other more impertinent one, of whom I never heard before, they are like the absurd English dames with whom we used to divert ourselves when I was at Florence. As to your little knot of poets, I do not hold the cocks higher than the hens; nor would I advise them to repatriate. We have at present here a most incomparable set, not exactly known by their names, but who, till the dead of summer, kept the town in a roar, and, I suppose, will revive by the meeting of Parliament. They have poured forth a torrent of odes, epigrams, and part of an imaginary epic poem, called the "Rolliad,"[3] with a commentary and notes, that is as good as the "Dispensary"[4] and "Dunciad," with more ease. These poems are all anti-ministerial, and the authors very young men, and little known or heard of before. I would send them, but you would want too many keys: and indeed I want some myself; for, as there are continually allusions to Parliamentary speeches and events, they are often obscure to me till I get them explained; and besides, I do not know several of the satirised heroes even by sight: however, the poetry and wit make amends, for they are superlative.
[Footnote 1: Lady Craven, _née_ Berkeley, had given abundant cause for scandal during her husband's life, which did not abate when, a month after his death, she married the Margrave of Anspach.]
[Footnote 2: Mme. Piozzi, the Mrs. Thrale of Boswell's "Life of Johnson." Mr. Thrale was a brewer, the founder of the great firm now known as Barclay and Perkins. She was many years younger than he; and, after his death, she married Signor Piozzi, a professional musician of eminence. Johnson, who had been an habitual guest of her husband and her at their villa at Streatham, set the fashion of condemning this second marriage as a disgraceful _mésalliance_; but it is not very easy to see in what respect it was so. In social position she had certainly had the advantage over Mr. Thrale, being the daughter of a Carnarvonshire baronet of ancient family. But a first-rate musician was surely the equal of a brewer. After Johnson's death she published a volume of her reminiscences of him, which may be allowed to have been worthy neither of him nor of her, and which was ridiculed by Peter Pindar in "A Town Eclogue," in which the rivals Bozzy and Piozzi, on Virgil's principle--_Alternis dicetis, amant alterna Camaenae_--relate in turn anecdotes of Johnson's way of life, his witty sayings, &c., &c. Sir John Hawkins, as judge of the contest, gives neither a prize; tells the lady, "Sam's Life, dear ma'am, will only _damn your own_;" calls the gentleman "a chattering magpie;" and--
Then to their pens and paper rush'd the twain,
To kill the mangled RAMBLER o'er again.]
[Footnote 3: In 1785 the wits of Brooks's, being much disappointed at the result of the political conflict of 1784, gave some vent to their spleen in verse. For their subject they selected an imaginary epic, of which they gave fictitious extracts, and for their hero they took the Member for Devonshire, John Rolle, invoking him--
Illustrious Rolle! oh may thy honoured name
Roll down distinguished on the rolls of fame.
It is a little odd that they abstained from similar puns on Pitt and _pit_; but their indignation was chiefly directed at his youth as ill-suited to his powers--
A sight to make surrounding nations stare,
A kingdom trusted to a schoolboy's care.
The chief contributors were Burke's friend, Dr. Lawrence; Sheridan's brother-in-law, Tickell; General Fitzpatrick, Mr. G. Ellis, Lord G. Townshend, and General Burgoyne.]
[Footnote 4: "The Dispensary" was a poem by a physician named Garth, to advocate the cause of the physicians in a quarrel between them and the apothecaries about the price to be charged for medicines. Johnson, in his "Lives of the Poets," allows it the credit of smooth and free versification, but denies it that of elegance. "No passage falls below mediocrity, and few rise above it." It may be doubted whether Byron himself could have risen high "above it" on subjects so unpoetical as pills and black-doses.]
News I have none, wet or dry, to send you: politics are stagnated, and pleasure is not come to town. You may be sure I am glad that Caesar is baffled; I neither honour nor esteem him. If he is preferring his nephew to his brother, it is using the latter as ill as the rest of the world.
Mrs. Damer is again set out for the Continent to-day, to avoid the winter, which is already begun severely; we have had snow twice. Till last year, I never knew snow in October since I can remember; which is no short time. Mrs. Damer has taken with her her cousin Miss Campbell, daughter of poor Lady William, whom you knew, and who died last year. Miss Campbell has always lived with Lady Aylesbury, and is a very great favourite and a very sensible girl. I believe they will proceed to Italy, but it is not certain. If they come to Florence, the Grand Duke should beg Mrs. Damer to give him something of her statuary; and it would be a greater curiosity than anything in his Chamber of Painters. She has executed several marvels since you saw her; and has lately carved two colossal heads for the bridge at Henley, which is the most beautiful one in the world, next to the Ponte di Trinità, and was principally designed by her father, General Conway. Lady Spencer draws--incorrectly indeed, but has great expression. Italy probably will stimulate her, and improve her attention. You see we blossom in ruin! Poetry, painting, statuary, architecture, music, linger here,
on this sea-encircled coast (GRAY),
as if they knew not whither to retreat farther for shelter, and would not trust to the despotic patronage of the Attilas, Alarics, Amalasuntas of the North! They leave such heroic scourges to be decorated by the Voltaires and D'Alemberts of the Gauls, or wait till by the improvement of balloons they may be transported to some of those millions of worlds that Herschel[1] is discovering every day; for this new Columbus has thrown open the great gates of astronomy, and neither Spanish inquisitors nor English Nabobs will be able to torture and ransack the new regions and their inhabitants. Adieu!
[Footnote 1: Herschel, having constructed the largest telescope that at that time had ever been seen, in 1781 had given proof of its value by the discovery of the _Georgium sidus_.]
_MRS. YEARSLEY--MADAME PIOZZI--GIBBON--"LE MARIAGE DE FIGARO."_
TO MISS HANNAH MORE.[1]
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Letters of Horace Walpole — Volume IIChapter VI: Reproductions of Handwriting of Thomas Gray and Horace Walpole (9)
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