Chapter IX: Part 9

Amongst the curiosities of literature is "a narrative extracted from Luther's writings, of the dialogue related by Luther himself to have been carried on between him and the devil, who, Luther declares, was the first who pointed out to him the absurdity and evil of private mass. Of course it is strongly pressed upon the pious reader that even Luther himself confesses that the Father of Lies was the author of the Reformation; and a pretty good story is made out for the Catholics." John Galt, in his Life of Wolsey, says, "Those pious Presbyterians, who inveigh against cards as the devil's books, are little aware that they were an instrument in the great work of the Reformation. The vulgar game about that time was the devil and the priest; and the skill of the players consisted in preserving the priest from the devil; but the devil in the end always got hold of him."

Mighty means indeed trifles have sometimes proved. The foolish ballad of Lilli Burlero, treating the Papists, and chiefly the Irish, in a very ridiculous manner, slight and insignificant as it now seems, had once a more powerful effect than the Philippics of either Demosthenes or Cicero; it contributed not a little toward the great revolution in 1688; the whole army and the people in country and city caught it up, and "sang a deluded prince out of three kingdoms." Percy has preserved the ballad in his Reliques, but who remembers the air? My Uncle Toby, it seems, was about the last to whistle it.

The most popular song ever written in the British Islands, that of Auld Lang Syne, is anonymous, and we know no more of the author of the music than we do of the author of the words. Much of Burns' great fame rests upon this song, in which his share amounts only to a few emendations. The Last Rose of Summer is said to be made up in great part of an old Sicilian air, originating nobody knows when. Old Hundred, they say, was constructed out of fragments as old as music itself--strains that are as immortal as the instinct of music. Home, Sweet Home was written in a garret in the Palais Royal, Paris, when poor Payne was so utterly destitute and friendless that he knew not where the next day's dinner was to come from. It appeared originally in a diminutive opera called Clari, the Maid of Milan. The opera is seldom seen or heard of now, but the song grows nearer and dearer as the years roll away. More than once the unfortunate author, walking the lonely streets of London or Paris amid the storm and darkness, hungry, houseless, and penniless, saw the cheerful light gleaming through the windows of happy homes, and heard the music of his own song drifting out upon the gloomy night to mock the wanderer's heart with visions of comfort and of joy, whose blessed reality was forever denied to him. Home, Sweet Home was written by a homeless man. Lamartine, in his History of the Girondists, has given an account of the origin of the French national air, the Marseillaise. In the garrison of Strasburg was quartered a young artillery officer, named Rouget de l'Isle. He had a great taste for music and poetry, and often entertained his comrades during their long and tedious hours in the garrison. Sought after for his musical and poetical talent, he was a frequent and familiar guest at the house of one Dietrich, an Alsacian patriot, mayor of Strasburg. The winter of 1792 was a period of great scarcity at Strasburg. The house of Dietrich was poor, his table was frugal, but a seat was always open for Rouget de l'Isle. One day there was nothing but bread and some slices of smoked ham on the table. Dietrich, regarding the young officer, said to him with sad serenity, "Abundance fails at our boards; but what matters that, if enthusiasm fails not at our civic fetes, nor courage in the hearts of our soldiers. I have still a last bottle of wine in my cellar. Bring it," said he to one of his daughters, "and let us drink France and Liberty! Strasburg should have its patriotic solemnity. De l'Isle must draw from these last drops one of those hymns which raise the soul of the people." The wine was brought and drank, after which the officer departed. The night was cold. De l'Isle was thoughtful. His heart was moved, his head heated. He returned, staggering, to his solitary room, and slowly sought inspiration, sometimes in the fervor of his citizen soul, and anon on the keys of his instrument, composing now the air before the words, and then the words before the air. He sang all and wrote nothing, and at last, exhausted, fell asleep, with his head resting on his instrument, and woke not till day-break. The music of the night returned to his mind like the impression of a dream. He wrote it, and ran to Dietrich, whom he found in the garden, engaged with his winter lettuces. The wife and daughters of the old man were not up. Dietrich awoke them, and called in some friends, all as passionate as himself for music, and able to execute the composition of De l'Isle. At the first stanza, cheeks grew pale; at the second, tears flowed; and at last, the delirium of enthusiasm burst forth. The wife of Dietrich, his daughters, himself, and the young officer threw themselves, crying, into each other's arms. The hymn of the country was found. Executed some days afterward in Strasburg, the new song flew from city to city, and was played by all the popular orchestras. Marseilles adopted it to be sung at the commencement of the sittings of the clubs, and the Marseillaise spread it through France, singing it along the public roads. From this came the name of Marseillaise. It was the song for excited men under the fiery impulse of liberty. Those melodies for little children, just as immortal, owe their existence to circumstances just as accidental. We mean the melodies of Mother Goose. The story of this Iliad of the nursery is told as follows: The mother-in-law of Thomas Fleet, the editor, in 1731, of the Boston Weekly Rehearsal, was the original Mother Goose--the Mother Goose of the world-famous melodies. Mother Goose belonged to a wealthy family in Boston, where her eldest daughter, Elizabeth Goose, was married by Cotton Mather, in 1715, to Fleet, and in due time gave birth to a son. Like most mothers-in-law in our own day, the importance of Mrs. Goose increased with the appearance of her grandchild, and poor Mr. Fleet, half distracted with her endless nursery ditties, finding all other means fail, tried what ridicule could effect, and actually printed a book, with the title "Songs for the Nursery, or Mother Goose's Melodies for Children, printed by T. Fleet, at his printing house, Pudding Lane, Boston. Price, ten coppers." Mother Goose was the mother of nineteen children, and hence we may easily trace the origin of that famous classic, "There was an old woman who lived in a shoe; she had so many children she didn't know what to do."

As to the plays of the stage, we all know how some of them have gradually, in the long years, grown to be there, from additions by actors and managers, so wholly different from what they are in literature, that in important parts they would hardly be recognized as the same. Sheridan's Critic, with the numerous "gags" by Jack Bannister, King, Miss Pope, Richard Jones, Liston, Mrs. Gibbs, Charles Mathews, and other great actors, is a famous instance of the kind. And as to playing, Mathews says it is possible for a man, absurd as it may seem, to obtain favor with the public by merely attending to the mechanical portion of the profession, without any exertion of his intellect beyond committing his words to memory, and speaking to his "cues" at the right moment and with the proper emphasis. He gives a remarkable illustration of this strange possibility. When Douglas Jerrold's play of the Bubbles of the Day was produced at Covent Garden Theatre, there was a long-experienced actor, standing exceedingly well with the public, and an undoubted favorite, who played one of the parts so admirably that he met with unqualified success with the audience, and was a prominent feature in the piece, highly praised by the press, and complimented by the author himself, as having perfectly embodied his conception. After the play had run for some ten or fifteen nights, he one day came to Mathews and asked him as a favor that he would let him have the manuscript of the piece for a short time. Certainly, said Mathews; but what do you want it for? Why, said he, I was unfortunately absent from the reading; and I have not the slightest idea what it is about, or who and what I am in it. He had literally, according to Mathews, played his part admirably for many nights to the gratification of the public, the press, and the author; and he had never even had the curiosity to inquire in what way he was mixed up with the plot. He had seized the instructions given him by Jerrold during the rehearsals, and adopted his suggestions so correctly that he was able to fulfill all the requirements of the character assigned to him without the least idea of what he was doing, or of the person whom he represented. So it would seem that ignorance is not always a hinderance to success; on the contrary, it is sometimes the very foundation of what passes for knowledge. Take the wise doctor's remedies. They are adopted for the number that recover who use them, not for the numbers that die, who used them also. "The sun gives light to their success, and the earth covers their failures." "If your physician," says Montaigne, "does not think it good for you to sleep, to drink wine, or to eat such and such meats, never trouble yourself; I will find you another that shall not be of his opinion." Heine, during the eight years he lay bed-ridden with a kind of paralysis, read all the medical books which treated of his complaint. "But," said he to some one who found him thus engaged, "what good this reading is to do me I don't know, except that it will qualify me to give lectures in heaven on the ignorance of doctors on earth about diseases of the spinal marrow." What is often accepted as high moral truth is only a small part of what the philosopher has thought--the result less of faith than of skepticism; the two being in about the proportion of Falstaff's bread to his sack.

To get away from the ideal to the physical, what can at first blush be so absurd as the climatic changes believed by some to be produced by railroads? The desert of Western America has been transformed into a fertile plain: the railroad, they say, has brought rain. No element, we are told, was wanting in the earth itself, nor was aught in excess to enforce sterility, but everywhere there was drought. In the hot dust nothing grew but stunted hardy grass and sage brush. All seemed desolation and utter hopelessness. Wherever irrigation was tried, its success exceeded expectation in developing an almost miraculous productiveness in the soil. No enthusiast dared, however, to dream of the possibility of artificial irrigation over all that enormous expanse. Rivers entering there would soon have been drunk up by the thirsty earth and sky. Yet man's work, it would seem, has irrigated that whole desert by unexpected means. The railroad brought rain. Year by year, since the Union Pacific Railroad has been operated through, the rain-fall had steadily increased until the summer of 1873, when it became, to the operators of the road, a positive nuisance. Icicles, paradoxical as it may seem, are formed, science tells us, by the process of freezing in sunshine hot enough to melt snow, blister the human skin, and even, when concentrated, to burn up the human body itself. They result from the fact that air is all but completely transparent to the heat rays emitted by the sun--that is, such rays pass through the air without warming it. Only the scanty fraction of rays to which air is not transparent expend their force in raising its temperature. In the Alps, Tyndall tells us, when the liquefaction is copious and the cold intense, icicles grow to an enormous size. Over the edges (mostly the southern edges) of the chasms hangs a coping of snow, and from this depend, like stalactites, rows of transparent icicles, ten, twenty, thirty feet long, constituting one of the most beautiful features of the higher crevasses. An icicle would be incomprehensible if we did not know that the solar beams may pass through the air, and still leave it at an icy temperature. One of the contradictions of ice is, that, formed at a temperature of twenty-five to thirty degrees Fahrenheit, it is as different from that which is formed when the temperature has ranged for some time between ten degrees and one degree, as chalk is from granite. The ice at the lower temperature is dense and hard as flint. It strikes fire at the prick of a skate. In St. Petersburg, in 1740, when masses of it were turned and bored for cannon, though but four inches thick, they were loaded with iron cannon-balls and a charge of a quarter of a pound of powder, and fired without explosion.

The warm-blooded, fur-covered cat is just as contradictory--in one peculiarity at least. Gilbert White says, "There is a propensity belonging to common house-cats that is very remarkable; that is, their violent fondness for fish, which appears to be their most favorite food: and yet nature in this instance seems to have planted in them an appetite that, unassisted, they know not how to gratify; for of all quadrupeds cats are the least disposed toward water; and will not, when they can avoid it, deign to wet a foot, much less to plunge into that element." And there is quite as curious a fact pertaining to the rat. Naturalists say that his propensity to gnaw must not be attributed altogether to a reckless determination to overcome impediments. The never-ceasing action of his teeth is not a pastime, but a necessity of his existence. The ceaseless working of his incisors against some hard substance is necessary to keep them down, and if he did not gnaw for his subsistence he would be compelled to gnaw to prevent his jaw being gradually locked by their rapid development. And there is the tortoise. The same delightful naturalist we have quoted had a pet one, of whose habits he made many curious notes. He says no part of its behavior ever struck him more than the extreme timidity it always expressed with regard to rain; for though it had a shell that would secure it against the wheel of a loaded cart, yet did it discover as much solicitude about rain as a lady dressed in all her best attire, shuffling away on the first sprinklings, and running its head up in a corner.

But man, at last, is the creature fullest of contradictions, and his vanity is at the bottom of most of them. "What a sensible and agreeable companion is that gentleman who has just left us," said the famous Charles Townshend to the worthy and sensible Fitzherbert; "I never passed an evening with a more entertaining acquaintance in my life." "What could entertain you? the gentleman never opened his lips." "I grant you, my dear Fitz, but he listened faithfully to what I said, and always laughed in the right place." Darwin, speaking of one of his walks in New Zealand, says, "I should have enjoyed it more, if my companion, the chief, had not possessed extraordinary conversational powers. I knew only three words--'good,' 'bad,' and 'yes;' and with these I answered all his remarks, without, of course, having understood one word he said. This, however, was quite sufficient; I was a good listener, an agreeable person, and he never ceased talking to me." John Chester was a delightful companion to Coleridge, on the same principle. This Chester, says Hazlitt, was one of those who was attracted to Coleridge's discourse as flies are to honey, or bees in swarming-time to the sound of a brass pan. He gave Hazlitt his private opinion, though he rarely opened his lips, that Coleridge was a wonderful man! "He followed Coleridge into Germany, where the Kantian philosophers were puzzled how to bring him under any of their categories. When he sat down at table with his idol, John's felicity was complete; Sir Walter Scott's, or Blackwood's, when they sat down at the table with the king, was not more so. Once he was astonished," continues Hazlitt, "that I should be able to suggest anything to Coleridge that he did not already know!" "Demosthenes Taylor, as he was called (that is, the editor of Demosthenes), was the most silent man," said Dr. Johnson to Boswell, "the merest statue of a man, that I have ever seen. I once dined in company with him, and all he said during the whole time was not more than Richard. How a man should say only Richard, it is not easy to imagine. But it was thus: Dr. Douglass was talking of Dr. Zachary Grey, and was ascribing to him something that was written by Dr. Richard Grey. So, to correct him, Taylor said (imitating his affected sententious emphasis and nod) 'Richard.'" "Demosthenes" must have been "a sensible and agreeable companion." That one word was to the point, and was more effective than a dozen would have been to a man like Johnson. Two words, however, if we are to believe the story chronicled by John of Brompton of the mother of Thomas a Becket, performed a still more memorable service. His father, Gilbert a Becket, was taken prisoner during one of the Crusades by a Syrian emir, and held for a considerable period in a kind of honorable captivity. A daughter of the emir saw him at her father's table, heard him converse, fell in love with him, and offered to arrange the means by which both might escape to Europe. The project only partly succeeded; he escaped, but she was left behind. Soon afterward, however, she contrived to elude her attendants, and after many marvelous adventures by sea and land arrived in England, knowing but two English words, "London" and "Gilbert." By constantly repeating the first, she was directed to the city; and there, followed by a mob, she walked for months from street to street, crying as she went, "Gilbert! Gilbert!" She at last came to the street in which her lover lived. The mob and the name attracted the attention of a servant in the house; Gilbert recognized her; and they were married! But there remains one to be spoken of who gained immortal reputation for his sayings, who may be said to have never said anything at all of his own. Joe Miller, whose name as a wit is now current wherever the English language is spoken, was, when living, himself a jest for dullness. According to report, Miller, who was an excellent comic actor, but taciturn and saturnine, "was in the habit of spending his afternoons at the Black Jack, a well-known public-house in London, which at that time was frequented by the most respectable tradesmen in the neighborhood, who from Joe's imperturbable gravity, whenever any risible saying was recounted, ironically ascribed it to him. After his death, having left his family unprovided for, advantage was taken of this badinage. A Mr. Motley, a well-known dramatist of that day, was employed to collect all the stray jests then current on the town. Joe Miller's name was affixed to them, and from that day to this the man who never uttered a jest has been the reputed author of every jest."

VIII.

MUTATIONS.

Swift left some thoughts on various subjects--acute and profound--which it would appear were jotted down at different periods of life, and in different humors. In his most prosperous days, when he dreamed of becoming a bishop, he might have written hopefully, "No wise man ever wished to be younger." At a much later time in life he might have written, sagely and sadly, "Every man desireth to live long, but no man would be old." We can imagine that he wrote the former just after he received the deanery of St. Patrick, and the latter just after he returned from the walk in the neighborhood of Dublin, referred to by the author of Night Thoughts. "Perceiving he did not follow us," says Young, "I went back, and found him fixed as a statue, and earnestly gazing upward at a noble elm, which in its uppermost branches was much decayed. Pointing at it, he said, 'I shall be like that tree; I shall die at the top.'"

Bolingbroke, writing to Swift, says, "It is now six in the morning; I recall the time--and am glad it is over--when about this hour I used to be going to bed surfeited with pleasure, or jaded with business; my head often full of schemes, and my heart as often full of anxiety. Is it a misfortune, think you, that I rise at this hour refreshed, serene, and calm: that the past and even the present affairs of life stand like objects at a distance from me, where I can keep off the disagreeable, so as not to be strongly affected by them, and from whence I can draw the others nearer to me?"

De Foe moralizes in memorable language: "I know too much of the world to expect good in it, and have learned to value it too little to be concerned at the evil. I have gone through a life of wonders, and am the subject of a vast variety of providences. I have been fed more by miracles than Elijah when the ravens were his purveyors. I have some time ago summed up the scenes of my life in this distich:--

'No man has tasted differing fortunes more;
And thirteen times I have been rich and poor.'

In the school of affliction I have learnt more philosophy than at the academy, and more divinity than from the pulpit. In prison I have learnt that liberty does not consist in open doors and the egress and regress of locomotion. I have seen the rough side of the world as well as the smooth; and have in less than half a year tasted the difference between the closet of a king and the dungeon of Newgate. I have suffered deeply for cleaving to principles, of which integrity I have lived to say, none but those I suffered for ever reproached me with."

We are told by Middleton that "before Cicero left Sicily, at the end of his term as quaestor, he made the tour of the island, to see everything in it that was curious, and especially the city of Syracuse, which had always made the principal figure in its history. Here his first request to the magistrates, who were showing him the curiosities of the place, was to let him see the tomb of Archimedes, whose name had done so much honor to it; but to his surprise, he perceived that they knew nothing at all of the matter, and even denied that there was any such tomb remaining; yet as he was assured of it beyond all doubt, by the concurrent testimony of writers, and remembered the verses inscribed, and that there was a sphere with a cylinder engraved on some part of it, he would not be dissuaded from the pains of searching it out. When they had carried him, therefore, to the gate where the greatest number of their old sepulchres stood, he observed, in a spot overgrown with shrubs and briers, a small column, whose head just appeared above the bushes, 'with the figure of a sphere and a cylinder upon it; this, he presently told the company, was the thing they were looking for; and sending in some men to clear the ground of the brambles and rubbish, he found the inscription also which he expected, though the latter part of all the verses was effaced. Thus,' says he, 'one of the noblest cities of Greece, and once likewise the most learned, had known nothing of the monument of its most deserving and ingenious citizen, if it had not been discovered to them by a native of Arpinum.'"

Anaxagoras knew the short memory of the people, and chose a happy way to lengthen it, and at the same time to perpetuate himself. When the chief persons of the city paid him a visit, and asked him whether he had any commands for them, he answered that he only desired that children might be permitted to play every year during the month in which he died. His request was respected, and the custom continued for ages.

"Ruins," in the impressive language of Alger, "symbolize the wishes and fate of man; the weakness of his works, the fleetingness of his existence. Who can visit Thebes, in whose crowded crypts, as he enters, a flight of bats chokes him with the dust of disintegrating priests and kings; see the sheep nibbling herbage between the fallen cromlechs of Stonehenge; or confront a dilapidated stronghold of the Middle Ages, where the fox looks out of the window and the thistle nods on the wall, without thinking of these things? They feelingly persuade him what he is.... Tyre was situated of old at the entry of the sea, the beautiful mistress of the earth, haughty in her purple garments, the tiara of commerce on her brow. Now the dust has been scraped from her till she has become a blistered rock, whereon the solitary fisher spreads his nets. A few tattered huts stand among shapeless masses of masonry where glorious Carthage stood; the homes of a few husbandmen where voluptuous Corinth once lifted her splendid array of marble palaces and golden towers. Many a nation, proud and populous in the elder days of history, like Elephanta, or Memphis, is now merely a tomb and a shadowy name. Pompeii and Herculaneum are empty sepulchres, which that fatal flight before the storm of ashes and lava cheated of their occupants; the traveler sees poppies blooming in the streets where chariots once flashed.... Tigers foray in the palace yards of Persepolis, and camels browse in Babylon on the site of Belshazzar's throne; at Baalbec, lizards overrun the altars of the Temple of the Sun, and in the sculptured friezes, here the nests of obscene birds, there the webs of spiders."

"The Roman Emperor Hadrian," philosophizes Hillard, "after many years of care and conquest, with a marked taste for architecture, and the resources of the whole civilized world at his command, resolved to surround his declining life with reproductions of all the striking objects which he had seen in the course of his world-wide wanderings. He selected for the site of this gigantic enterprise a spot singularly favorable to his objects. It was a range of gently undulating hills, of about three miles in extent, with a natural boundary, formed in part by a winding valley, and partly by walls of rock. On the east, it was overlooked by the wooded heights of the Sabine Mountains; and, on the west, it commanded a view of the Campagna and the Eternal City, whose temples and obelisks, relieved against the golden sky of sunset, must have soothed the mind of its imperial master with thoughts of duties performed and of repose, earned by toil. The natural inequalities and undulations of the site, which furnished heights, plains, valleys, and glens, aided and lightened the tasks of the architect and the landscape gardener. The emperor is said to have inclosed a space of eight or ten miles in circuit, so that, if the statement were true, the villa and its appurtenances occupied an area greater than that of Pompeii. Here he set to work with armies of laborers and mountains of gold, and, in an incredibly short space of time, the ground was covered with an amazing number of costly and extensive structures, which had risen like exhalations from the soil. Besides the imperial palace, there was a library, an academy, a lyceum, numerous temples, one or more theatres, a covered walk or portico, and spacious barracks for the accommodation of the Praetorian guards. Besides these, a glen through which a stream flowed was made into a miniature likeness of the vale of Tempe; a flowery plain was called by the name of the Elysian Fields; and an immense cavern, filled with sunless waters, recalled the gloom of Tartarus.... The ruins, at the present time, seen hastily and without the interpretation of an intelligent guide, are a confused mass of decay, revealing very little of their former destination or structure.... A considerable portion of the space formerly occupied by the villa is now under cultivation, and nature, aided by a soft sky and a productive soil, has been busy in healing the gaping wounds of time, and covering unsightly ruin with a mantle of bloom and beauty.... The whole scene is now a broad page on which is stamped an impressive lesson of the vanity of human wishes. The great emperor, even while his last workmen were gathering up their tools to depart, was attacked by a mortal disease; and, seventy years after his death, Caracalla began the work of spoliation by carrying off its most costly marbles to decorate the baths whose ruins are in turn monuments to his name in Rome. A recent French traveler states that a species of syringa, which Hadrian brought from the East and planted here, still sheds its fragrance over these ruins; this delicate and fragile flower, a part of the perennial life of Nature, remaining faithful to the emperor's memory, while stone, marble, and bronze have long since betrayed their trust."

"Neither the troubles, Zenobia," mused La Bruyere, "which disturb your empire, nor the war which since the death of the king, your husband, you have so heroically maintained against a powerful nation, diminish anything of your magnificence. You have preferred the banks of the Euphrates to any other country, and resolved to raise a stately fabric there. The air is healthful and temperate; the situation charming; that sacred wood makes an awful shade on the west; the Syrian gods, who sometimes dwell on earth, could not choose a finer abode. The plain about it is peopled with men who are constantly employed in shaping and cutting, going and coming, transporting the timber of Lebanon, brass, and porphyry. Their tools and engines are heard in the air; and the travelers who pass that way to Arabia expect on their return home to see it finished with all the splendor you design to bestow on it, ere you or the princes your children make it your dwelling. Spare nothing, great queen, nor gold, nor the labor of the most excellent artists; let the Phidiases and Zeuxises of your age show the utmost of their art on your walls and ceilings. Mark out vast and delicious gardens, whose beauty shall appear to be all enchantment, and not the workmanship of man. Exhaust your treasures, and tire your industry on this incomparable edifice, and after you have given it the last perfection, some grazier or other, who lives on the neighboring sands of Palmyra, enriched by taking toll on your rivers, shall buy with ready money this royal mansion, to adorn it, and make it worthy of him and his fortune."

Gibbon thus concludes his review of the entire series of Byzantine emperors: "In a composition of some days, in a perusal of some hours, six hundred years have rolled away, and the duration of a life or reign is contracted to a fleeting moment; the grave is ever beside the throne: the success of a criminal is almost instantly followed by the loss of his prize; and our immortal reason survives and disdains the sixty phantoms of kings who have passed before our eyes, and faintly dwell on our remembrance."

"I went to-day," said Cobbett, "to see the house I formerly occupied. How small! It is always thus: the words large and small are carried about with us in our minds, and we forget real dimensions. The idea, such as it was received, remains during our absence from the object. When I returned to England in 1800, after an absence from the country parts of it for sixteen years, the trees, the hedges, even the parks and woods, seemed so small! It made me laugh to hear little gutters, that I could jump over, called rivers! The Thames was but a 'creek!' But when, in about a month after my arrival in London, I went to Farnham, the place of my birth, what was my surprise! Everything was become so pitifully small!... There is a hill not far from the town called Crooksbury Hill, which rises up out of a flat in the form of a cone, and is planted with Scotch fir-trees. Here I used to take the eggs and young ones of crows and magpies. This hill was a famous object in the neighborhood. It served as the superlative degree of height. 'As high as Crooksbury Hill' meant, with us, the utmost degree of height. Therefore the first object that my eyes sought was this hill. I could not believe my eyes! Literally speaking, I for a moment thought the famous hill removed, and a little heap put in its stead; for I had seen in New Brunswick a single rock, or hill of solid rock, ten times as big, and four or five times as high.... What a change! What scenes I had gone through! How altered my state! I had dined the day before at a secretary of state's, in company with Mr. Pitt, and had been waited upon by men in gaudy liveries! I had had nobody to assist me in the world. No teachers of any sort. Nobody to shelter me from the consequences of bad, and no one to counsel me to good behavior. I felt proud. The distinctions of rank, birth, and wealth, all became nothing in my eyes; and from that moment--less than a month from my arrival in England--I resolved never to bend before them."

"We read in the Memoirs of Moore," says a writer on M. Guizot, in the London Quarterly, 1854, "that in 1820 he was present at a performance in Paris, of Tarare, an opera of Beaumarchais, which was written in 1787, at a period when the promulgation of liberal ideas, with a certain infusion of science, was the fashion in Paris. Accordingly, while Nature and the Genius of Heat are trilling in a duet the laws of gravitation, Tarare (a virtuous soldier) defends his wife from the assaults of the monarch of Ormuz, who, being finally defeated, kills himself, and Tarare is proclaimed king in his place. Only three years afterward Louis XVI., having become a constitutional sovereign, and Bailly (who had shortly to pay with his head for his patriotic illusions) being Maire of Paris, Tarare was not allowed to be acted in its original form. Beaumarchais fitted it to the altered circumstances, and in its remodeled shape, Tarare becomes a constitutional king. Under the Republic, Tarare was not allowed to be a monarch at all; and when the opera was performed in 1795, the victorious soldier indignantly refuses the crown. Under Bonaparte, Tarare was again recast to bring it into harmony with the delusion of the hour; and lastly, when in 1820 the performance was witnessed by Moore, Tarare, become more monarchal than ever, displays his loyalty by defending the king of Ormuz from a popular insurrection, and ultimately falls with emotion at the feet of the tyrant, who has the magnanimity to restore his wife to him."

St. Austin, with his mother Monica, was led one day by a Roman praetor to see the tomb of Caesar. Himself thus describes the corpse: "It looked of a blue mould, the bone of the nose laid bare, the flesh of the nether lip quite fallen off, his mouth full of worms, and in his eye-pit a hungry toad, feasting upon the remnant portion of flesh and moisture: and so he dwelt in his house of darkness."

A traveler in Ceylon, who visited the ruins of ancient Mahagam, says that one of the ruined buildings had apparently rested upon seventy-two pillars. These were still erect, standing in six lines of twelve columns. This building must have formed an oblong of three hundred feet by two hundred and fifty. The stone causeway which passed through the ruins was about two miles in length, being for the most part overgrown with low jungle and prickly cactus. The first we hear of this city is 286 B. C.; but we have no account of the era or cause of its destruction. The records of Ceylon give no satisfactory account of it. The wild elephants come out of the jungles and rub their backs against the columns of this forgotten temple, as the naked Indians gamble with forked sticks on the desolate ruins of Central America.

But a few years sometimes change the whole face of a country. Sir Woodbine Parish informed Darwin that during the three years' drought in Buenos Ayres, beginning in 1827, the ground being so long dry, such quantities of dust were blown about that in the open country the landmarks became obliterated, and people could not tell the limits of their estates.

But what shall we say of the instability of human greatness? The career and end of Pompey furnish a striking example. "He who a few days before commanded kings and consuls, and all the noblest of Rome, was sentenced to die by a council of slaves; murdered by a base deserter; cast out naked and headless on the Egyptian strand; and when the whole earth, as Velleius says, had scarce been sufficient for his victories, could not find a spot upon it at last for a grave. His body was burnt on the shore by one of his freedmen, with the planks of an old fishing-boat; and his ashes, being conveyed to Rome, were deposited privately by his wife Cornelia in a vault of his Alban villa."

Aristotle, that prince of all true thinkers, loaded with immortal glory, was compelled to flee suddenly and by stealth to Chalcis, in order to save his life, and spare, as he said, the Athenians a new crime against philosophy. There, it is believed, the great man, in his old age, wearied with persecutions, poisoned himself.

The venerable Hildebrand, the greatest of all the popes, after the herculean labors of his self-devoted and mighty career, crushed by an accumulation of hardships, said, "I have loved justice and hated iniquity; therefore I die in exile."

"The ceremony of Galileo's abjuration," says Sir David Brewster, in his biography of that great man, "was one of exciting interest and of awful formality. Clothed in the sackcloth of a repentant criminal, the venerable sage fell upon his knees before the assembled cardinals; and, laying his hands upon the Holy Evangelists, he invoked the divine aid in abjuring and detesting, and vowing never again to teach, the doctrine of the earth's motion and of the sun's stability. He pledged himself that he would never again, either in words or in writing, propagate such heresies; and he swore that he would fulfill and observe the penances which had been inflicted upon him. At the conclusion of this ceremony, in which he recited his abjuration word for word, and then signed it, he was conveyed, in conformity with his sentence, to the prison of the Inquisition." All because it had been said that the "sun runneth about from one end of heaven to the other," and that "the foundations of the earth are so firmly fixed that they cannot be moved."

Think of this in connection with the fact that "in five years Charles II. touched twenty-three thousand six hundred and one of his subjects for the evil; that the bishops invented a sort of heathen service for the occasion; that the unchristianlike, superstitious ceremony was performed in public; and that, as soon as prayers were ended, the Duke of Buckingham brought a towel, and the Earl of Pembroke a basin and ewer, who, after they had made obeisance to his majesty, kneeled down till his majesty had washed." Dr. Wiseman, an eminent surgeon of that period, in writing on scrofula, says, "However, I must needs profess that his majesty (Charles II.) cureth more in any one year than all the chirurgeons of London have done in an age."

And think at the same time of the trial of a mother and her daughter, eleven years old, before "the great and good Sir Matthew Hale," then Lord Chief Baron, for witchcraft; and their conviction and execution at Bury St. Edmunds, principally on the evidence of Sir Thomas Browne, one of the first physicians and scholars of his day.

In Fuller's Church History there is a curious fact, showing the power of superstition over even such a man as Wolsey. The great cardinal "in his life-time was informed by some fortune-tellers that he should have his end at Kingston. This his credulity interpreted of Kingston-on-Thames; which made him always avoid the riding through that town, though the nearest way from his house to the court. Afterward, understanding that he was to be committed by the king's express orders to the charge of Sir Anthony Kingston, it struck to his heart; too late perceiving himself deceived by that father of lies in his homonymous prediction."

But credulity seems to have had a foundation place in the characters of some of the world's greatest men. There, for instance, is Hooker, author of that great work, Ecclesiastical Polity,--according to Hallam "the finest as well as the most philosophical writer of the Elizabethan period;" according to Lecky "the most majestic of English writers." Being appointed to preach a sermon at St. Paul's Cross, London, he lodged at the Shunamite's house, a dwelling appropriated to preachers, and was skillfully persuaded by the landlady "that it was best for him to have a wife that might prove a nurse to him, such an one as might prolong his life, and make it more comfortable, and such an one as she could and would provide for him if he thought fit to marry." The unsuspecting young divine agreed to abide by her choice, which fell upon her own daughter, who proved to be not only "a silly, clownish woman," but a very Xantippe. Izaak Walton, in his biography of Hooker, thus philosophizes upon this remarkable marriage: "This choice of Mr. H. (if it were his choice) may be wondered at; but let us consider that the prophet Ezekiel says, 'There is a wheel within a wheel;' a secret, sacred wheel of Providence (not visible in marriages), guided by his hand, that 'allows not the race to the swift,' nor 'bread to the wise,' nor good wives to good men; and He that can bring good out of evil (for mortals are blind to this reason) only knows why this blessing was denied to patient Job, to meek Moses, and to our as meek and patient Mr. Hooker." Farther on, by way of explanation and apology, old Izaak quaintly says, "God and nature blessed him with so blessed a bashfulness, that as in his younger days his pupils might easily look him out of countenance, so neither then, nor in his age, did he ever willingly look any man in the face: and was of so mild and humble a nature, that his poor parish clerk and he did never talk but with both their hats on or both off at the same time: and to this may be added, that though he was not purblind, yet he was short or weak sighted; and where he fixed his eyes at the beginning of his sermon, there they continued till it was ended: and the reader has a liberty to believe, that his modesty and dim sight were some of the reasons why he trusted Mrs. Churchman to choose his wife." His anger is said to have been like a vial of clear water, which, when shook, beads at the top, but instantly subsides, without any soil or sediment of uncharitableness.

Nobody knows, to say truth, how much the great, modest Hooker was benefited by what appeared to his friends his calamitous marriage. "There is no great evil," said Publius Syrus, "which does not bring with it some advantage." Calamities, we know, have often proved blessings. There are cases where blows on the head have benefited the brain, and produced extraordinary changes for the better. Mabillon was almost an idiot at the age of twenty-six. He fell down a stone staircase, fractured his skull, and was trepanned. From that moment he became a genius. Dr. Prichard mentioned a case of three brothers, who were all nearly idiots. One of them was injured on the head, and from that time he brightened up, and became a successful barrister. Wallenstein, too, they say, was a mere fool, till he fell out of a window, and awoke with enlarged capabilities. Here is an instance noted by Robinson in his Diary: "After dinner called on the Flaxmans. Mrs. Flaxman--wife of the sculptor--admitted me to her room. She had about a fortnight before broken her leg, and sprained it besides, by falling down-stairs. This misfortune, however, instead of occasioning a repetition of the paralytic stroke which she had a year ago, seemed to have improved her health. She had actually recovered the use of her hand in some degree, and her friends expect that she will be benefited by the accident."

There is Cowper. But for his mental malady the world would have had much less of good poetry and fewer perfect letters. The thought of a clerkship in the House of Lords made him insane! "Innocent, pious, and confiding, he lived in perpetual dread of everlasting punishment: he could only see between him and heaven a high wall which he despaired of ever being able to scale; yet his intellectual vigor was not subdued by affliction. What he wrote for amusement or relief in the midst of 'supreme distress,' surpasses the elaborate efforts of others made under the most favorable circumstances; and in the very winter of his days, his fancy was as fresh and blooming as in the spring and morning of his existence." The Diverting History of John Gilpin, the production of a single night, was, curious to say, written by a man who lived in perpetual dread of eternal punishment; and while it was being read by Henderson, the actor, to large audiences in London, "all through Lent, at high prices," its author was raving mad. The ballad, which had become the town talk, was reprinted from the newspaper, wherein it had lain three years dormant. Gilpin, passing at full stretch by the Bell at Edmonton, was to be seen at all print-shops. One print-seller sold six thousand. What had succeeded so well in London was repeated with inferior ability, but with equal success, on provincial stages, and the ballad became in the highest degree popular before the author's name became known. The last reading to which Cowper listened appears to have been that of his own works. Beginning with the first volume, Mr. Johnson went through them, and he listened to them in silence till he came to John Gilpin, which he begged not to hear. It reminded him of cheerful days, and of those of whom he could not bear to think. "The grinners at John Gilpin," he said, "little dream what the author sometimes suffers. How I hated myself yesterday for having ever wrote it!" On his death-bed, when the clergyman told him to confide in the love of the Redeemer, who desired to save all men, Cowper gave a passionate cry, begging him not to give him such consolations. To our ignorant eyes it looks strange that the author of our best and most popular hymns should have thought his sins unpardonable; should have believed himself already damned.

One of Cowper's visitors and pensioners at Olney was a poor school-master (Teedon) who thought himself specially favored by Providence, and to whom Cowper communicated his waking dreams, and consulted, as a person whom the Lord was pleased to answer in prayer. This recalls a similar fact of the illustrious Tycho Brahe. When he lived in Uraniberg he maintained an idiot of the name of Lep, who lay at his feet whenever he sat down to dinner, and whom he fed with his own hand. Persuaded that his mind, when moved, was capable of fore-telling future events, Tycho carefully marked everything he said. (Striking instances, it may be observed, of the tribute which intelligence and science unconsciously pay to faith.)

It is pathetic to think, says Alger, how many great men have, like Homer and Milton, had the windows of their souls closed. Galileo, in his seventy-third year, wrote to one of his correspondents, "Alas! your dear friend has become irreparably blind. These heavens, this earth, this universe, which by wonderful observation I had enlarged a thousand times past the belief of past ages, are henceforth shrunk into the narrow space which I myself occupy. So it pleases God; it shall, therefore, please me also." Haendel passed the last seven years of his life in total blindness, in the gloom of the porch of death. How he and the spectators must have felt when the great composer, in 1753, stood pale and tremulous, with his sightless eyeballs turned toward a tearful concourse of people, while his sad song from Samson, "Total eclipse, no sun, no moon," was delivered! Leigh Hunt said of Haendel: He was the grandest composer that is known to have existed, wielding, as it were, the choirs of heaven and earth together. Mozart said of him, that he struck you, whenever he pleased, with a thunderbolt. His hallelujahs open the heavens. He utters the word "wonderful," as if all their trumpets spoke together.

Beethoven was afflicted with "dense and incurable deafness" long before he had composed his greatest works. He said, "I was nigh taking my life with my own hands. But art held me back. I could not leave the world until I had revealed what lay within me." He occupied for a long time a room in a remote house on a hill, and was called the Solitary of the Mountain, where he heard, no doubt, more distinctly "the voices," than if he had been blest with the best of ears. "When he produced his mighty opera, Fidelio, it failed. In vain he again modeled and remodeled it. He went himself into the orchestra and attempted to lead it; and the pitiless public of Vienna laughed." His work so far surpassed the appreciation of many of his contemporaries as to be condemned as the vagaries of a madman. Haydn and Mozart, as was said, had perfected instrumental music in form; it remained for deaf Beethoven to touch it, so that it became a living soul.

It does seem that God in his mystery has sometimes put out the eyes of poets and stopped the ears of musicians to admit them to glimpses of his own glories and whisper to them his own harmonies. Homer and Milton had inward poetic visions which light and sight alone never gave to man. Beethoven, unable from defective hearing to conduct an orchestra, produced celestial harmonies out of the silence of divine meditation.