Chapter XXIV: Appendix

I.
THE WILL OF EDWIN FORREST.

I, EDWIN FORREST, of the city of Philadelphia, State of Pennsylvania, do make and publish this my last Will and Testament.

I give, bequeath and devise unto my friends JAMES OAKES, Esquire, of Boston, JAMES LAWSON, Esquire, of New York, and DANIEL DOUGHERTY, Esquire, of Philadelphia, all my property and estate, real and personal, of whatsoever description and wheresoever situated, upon the trusts and confidences hereinafter expressed; and I also appoint them my executors to administer my personal estate and bring it into the hands of said trustees; that is to say, upon trust,

_First._ That they the said trustees, the survivors and survivor of them, shall be authorized to sell all my real estate, at public or private sale, at such times as in their judgment shall appear to be for the best advantage of my estate, excepting from this power my country place, in the Twenty-third Ward of the city of Philadelphia, called “Springbrook,” and to convey to purchasers thereof a good title, in fee simple, discharged of all trusts and obligation to see to the application of the purchase moneys; and such purchase moneys, and the proceeds of all the personal estate, shall be invested in such securities and loans as are made lawful investments by the laws of Pennsylvania, and shall be in the joint names of the trustees under my Will. The investments which I shall have made my executors or trustees may retain or change as they may think for the best advantage of my estate.

_Secondly._ Upon trust, to pay to my two sisters, Caroline and Eleanora, jointly, while both remain single, and to the survivor of them until her marriage or death, which shall first happen, an annuity of six thousand dollars, in equal quarterly payments, in advance, from the date of my decease; and should one marry, then to pay the said annuity of six thousand dollars unto the other until marriage or death, whichever event shall first happen; said annuity, however, not to be a charge upon any real estate which shall be sold, but only upon the proceeds, and upon trust to permit my said sisters, and the survivor of them, to use and occupy my country place called Springbrook, with the necessary furniture and utensils, and stock, until marriage or death as aforesaid, free of all charge for rent, and to take the income and profits thereof; and the said trustees shall pay the taxes thereon, and keep the same in repair.

_Thirdly._ To take and hold all said property and estate in trust for an institution, which they will call “THE EDWIN FORREST HOME,” to embrace the purposes of which I hereinafter give the outlines; which institution shall be established at my country place called Springbrook, certainly within twenty-one years after the decease of the survivor of my said sisters, and sooner if found judiciously practicable.

The following is an _Outline of my Plan_ for said Home, which may be filled out in more detail by the Charter and By-Laws.

ARTICLE 1st. The said Institution shall be for the support and maintenance of Actors and Actresses, decayed by age, or disabled by infirmity, who if natives of the United States shall have served at least five years in the Theatrical profession; and if of foreign birth shall have served in that profession at least ten years, whereof three years, next previous to the application, shall have been in the United States; and who shall in all things comply with the laws and regulations of the Home, otherwise be subject to be discharged by the Managers, whose decision shall be final.

ARTICLE 2d. The number of inmates in the Home shall never exceed the annual net rent and revenue of the Institution; and after the number of inmates therein shall exceed twelve, others to be admitted shall be such only as shall receive the approval of the majority of the inmates as well as of the Managers.

ARTICLE 3d. The said corporation shall be managed by a Board of Managers, seven in number, who shall in the first instance be chosen by the said Trustees, and shall include themselves so long as any of them shall be living, and also the Mayor of the city of Philadelphia for the time being; and as vacancies shall occur, the existing Managers shall, from time to time, fill them, so that, if practicable, only one vacancy shall ever exist at a time.

ARTICLE 4th. The Managers shall elect one of their number to be the President of the Institution; appoint a Treasurer and Secretary, Steward, and Matron, and, if needed, a Clerk; the said Treasurer, Secretary, Steward, Matron, and Clerk subject to be at any time discharged by the Managers; except the Treasurer, the said officers may be chosen from the inmates of the Home; and the Treasurer shall not be a Manager, nor either of his sureties. The Managers shall also appoint a Physician for the Home.

ARTICLE 5th. Should there be any failure of the Managers to fill any vacancy which may occur in their board for three months, or should they in any respect fail to fulfil their trust according to the intent of my Will and the Charter of the Institution, it is my will, that upon the petition of any two or more of said Managers, or of the Mayor of the City, the Orphans’ Court of Philadelphia county shall make such appointments to fill any vacancy or vacancies, and all orders and decrees necessary to correct any failure or breach of trust, which shall appear to said court to be required, as in case of any other testamentary trust, so that the purposes of this charity may never fail or be abused.

ARTICLE 6th. The purposes of the said “Edwin Forrest Home” are intended to be partly educational and self-sustaining, as well as eleemosynary, and never to encourage idleness or thriftlessness in any who are capable of any useful exertion. My library shall be placed therein in precise manner as now it exists in my house in Broad Street, Philadelphia. There shall be a neat and pleasant theatre for private exhibitions and histrionic culture. There shall be a picture gallery for the preservation and exhibition of my collection of engravings, pictures, statuary, and other works of art, to which additions may be made from time to time, if the revenues of the Institution shall suffice. These objects are not only intended to improve the taste, but to promote the health and happiness of the inmates, and such visitors as may be admitted.

ARTICLE 7th. Also as a means of preserving health, and consequently the happiness, of the inmates, as well as to aid in sustaining the Home, there shall be lectures and readings therein, upon oratory and the histrionic art, to which pupils shall be admitted upon such terms and under such regulations as the Managers may prescribe. The garden and grounds are to be made productive of profit as well as of health and pleasure, and, so far as capable, the inmates not otherwise profitably occupied, shall assist in farming, horticulture, and the cultivation of flowers in the garden and conservatory.

ARTICLE 8th. “The Edwin Forrest Home” may also, if the revenues shall suffice, embrace in its plan, lectures on science, literature and the arts; but preferably oratory and the histrionic art, in manner to prepare the American citizen for the more creditable and effective discharge of his public duties, and to raise the education and intellectual and moral tone and character of actors, that thereby they may elevate the drama, and cause it to subserve its true and great mission to mankind, as their profoundest teacher of virtue and morality.

ARTICLE 9th. The “Edwin Forrest Home” shall also be made to promote the love of liberty, our country and her institutions, to hold in honor the name of the great Dramatic Bard, as well as to cultivate a taste and afford opportunity for the enjoyment of social rural pleasures. Therefore there shall be read therein, to the inmates and public, by an inmate or pupil thereof, the immortal Declaration of Independence, as written by Thomas Jefferson, without expurgation, on every Fourth day of July, to be followed by an oration under the folds of our National flag. There shall be prepared and read therein before the like assemblage, on the birthday of Shakspeare, the twenty-third of April in every year, an eulogy upon his character and writings, and one of his plays, or scenes from his plays, shall, on that day, be represented in the theatre. And on the first Mondays of every June and October the “Edwin Forrest Home” and grounds shall be opened for the admission of ladies and gentlemen of the theatrical profession, and their friends, in the manner of social picnics, when all shall provide their own entertainments.

The foregoing general outline of my plan of the Institution I desire to establish, has been sketched during my preparations for a long voyage by sea and land, and should God spare my life, it is my purpose to be more full and definite; but should I leave no later Will or Codicil, my friends, who sympathize in my purposes, will execute them in the best and fullest manner possible, understanding that they have been long meditated by me and are very dear to my heart.

They will also remember that my professional brothers and sisters are often unfortunate, and that little has been done for them either to elevate them in their profession or to provide for their necessities under sickness or other misfortunes. God has favored my efforts and given me great success, and I would make my fortune the means to elevate the education of others, and promote their success and to alleviate their sufferings, and smooth the pillows of the unfortunate in sickness, or other disability, or the decay of declining years.

These are the grounds upon which I would appeal to the Legislature of my Native State, to the Chief Magistrate of my Native City, to the Courts and my Fellow-Citizens to assist my purposes, which I believe to be demanded by the just claims of humanity, and by that civilization and refinement which spring from intellectual and moral culture.

I, therefore, lay it as a duty on my Trustees to frame a bill which the Legislature may enact as and for the Charter of said Institution, which shall ratify the Articles in said Outline of Plan, shall authorize the Mayor of the City to act as one of its Managers, and the said Court to exercise the visitatorial jurisdiction invoked; and prevent streets from being run through so much of the Springbrook grounds as shall include the buildings and sixty acres of ground. Such a Charter being obtained, the corporation shall be authorized, at a future period, to sell the grounds outside said space, the proceeds to be applied to increase the endowment and usefulness of the Home. And so far as I shall not have built to carry out my views, I authorize the said Managers, with consent of my sisters, or survivor of them, having a right to reside at Springbrook, to proceed to erect and build the buildings required by my outline of plan, and towards their erection apply the income, accumulated or current, of my estate. And should my sisters consent, or the survivor of them consent, in case of readiness to open the Home, to remove therefrom, a comfortable house shall be procured for them elsewhere, furnished, and rent and taxes paid, as required in respect to Springbrook, at the cost and charge of my estate, or of the said corporation, if then in possession thereof. Whensoever the requisite Charter shall be obtained, and the corporation be organized and ready to proceed to carry out its design, then it shall be the duty of said Trustees to assign and convey all my said property and estate unto the said “Edwin Forrest Home,” their successors and assigns forever; and for the latter to execute and deliver, under the corporate seal, a full and absolute discharge and acquittance forever, with or without auditing of accounts by an auditor of the court as they may think proper, unto the said Executors and Trustees.

In testimony whereof, I have hereunto set my hand and seal, this fifth day of April, eighteen hundred and sixty-six.

EDWIN FORREST, [SEAL.]

Signed, sealed, declared and published as and for his last Will and
Testament by Edwin Forrest, in our presence, who at his request and
in his presence, and in presence of each other, have hereunto set
our hands as witnesses thereto.

ELI K. PRICE,
H. C. TOWNSEND,
J. SERGEANT PRICE.

Whereas I, EDWIN FORREST, of the city of Philadelphia, State of Pennsylvania, having made and duly executed my last Will and Testament in writing, bearing date the fifth day of April, eighteen hundred and sixty-six. Now I do hereby declare this present writing to be as a Codicil to my said Will, and direct the same to be annexed thereto, and taken as a part thereof.

And I do hereby give and bequeath unto my friend James Lawson, Esq., of the city of New York, the sum of five thousand dollars.

And, also, to my friend Daniel Dougherty, Esq., the sum of five thousand dollars.

And, also, to my beloved friend Miss Elizabeth, sometimes called Lillie Welsh, eldest daughter of John R. Welsh, broker, of Philadelphia, the sum of five thousand dollars.

And, also, to my friend S. S. Smith, Esq., of Cincinnati, Ohio, the sum of two thousand dollars.

And, also, to the benevolent society called the Actors’ Order of Friendship, “the first one of that name established in Philadelphia,” I will and bequeath the like sum of two thousand dollars.

In witness whereof, I, the said Edwin Forrest, have to this Codicil set my hand and seal, this fifth day of April, eighteen hundred and sixty- six.

EDWIN FORREST, [SEAL.]

Published and declared as a Codicil to his Will in our presence, by
E. Forrest, who in his presence and at his request have signed as
witnesses in presence of each other.

ELI K. PRICE,
H. C. TOWNSEND,
J. SERGEANT PRICE.

Whereas I have this day, October 18th, 1871, provided my friend James Oakes with an annuity of twenty-five hundred dollars during his life, I have erased from this Codicil and do revoke the five thousand dollars’ legacy to him, and now do bequeath the said sum of five thousand dollars intended for James Oakes, to my beloved friend Miss Elizabeth, sometimes called Lillie Welsh, eldest daughter of John R. Welsh, broker, of Philadelphia. This five thousand dollars is to be given in addition to the sum of five thousand dollars already bequeathed to the said Miss Welsh, making in all to her the gift of ten thousand dollars ($10,000).

In witness hereof I set my hand and seal.

EDWIN FORREST, [SEAL.]

Witnesses present at signing:

GEO. C. THOMAS,
J. PAUL DIVER.

FORREST MEDALS.
]

II.
THE FORREST MEDALS.

The duplicate of the first medal in gold was presented by Mr. Forrest to the New York Historical Society, at a meeting held June 22d, 1868, through the hands of James Lawson. It was accepted, with a vote of thanks to the donor, and placed in the archives of the Society.

The legend or motto on the second medal is from a sonnet by James Lawson “To Andrew Jackson,” which may be found in Duyckinck’s Cyclopædia of American Literature, vol. ii. p. 280, New York edition, 1855.

The tokens were issued by tradesmen as a mode of advertisement. They are an interesting proof of the great popularity of the tragedian.

I.

_Ob._—A profile head of Forrest, facing to the left. Below the head
engraver’s initials, “C. C. W., Sc.”

_Leg._—“Histrioni optimo Eduino Forrest, viro præstanti, MDCCC.
XXXIV.”

_Rev._—The muse of Tragedy seated, holding in one hand a wreath, the
other holding a dagger, and resting on her lap. A mask resting
beside her.

_Leg._—“Great in mouths of wisest censure.”

_Ex._—“C. INGHAM, Del.”

Metal, silver; size, 1–11/16 inch; edge plain. Two struck in
gold, twenty-six in silver.

II.

_Ob._—A profile bust of Forrest, facing to the left.

_Leg._—“Edwin Forrest.”

_Ex._—In small letters, “_A. W. Jones, Del._ F. B. Smith & Hartmann,
N. Y., fecit.”

_Rev._—A wreath bound with a ribbon, on which are inscribed the names
of Mr. Forrest’s celebrated characters. Within the wreath, “Born
in the City of Philadelphia, Pa., March 9, 1806.” “Just to
opposers, and to friends sincere.”

Metal, copper; size, 3 inches; edge plain. Two struck in
silver; also struck in tin.

III.

_Ob._—A profile head of Forrest, facing to the left. Below the head
the engraver’s name, “Merriam, Boston.”

_Leg._—“Edwin Forrest, born March 9, 1806.”

_Rev._—An olive wreath, enclosing the words, “Rose by his own
efforts,” also engraver’s name, “Merriam, Boston.” Outside of
the wreath, “Just to opposers, and to friends sincere.”

Metal, copper; size, 1⅕ inch; edge plain. Also struck in
tin.

THE FORREST TOKENS.

I.

_Ob._—A profile bust of Forrest enclosed with laurel branches, and
facing to the right.

_Rev._—“E. Hill, Dealer in Coins, Medals, Minerals, Autographs,
Engravings, Old Curiosities, &c., No. 6 Bleecker St., N. York,
1860.”

Metal, tin; edge plain; size, 1⅛ inch.

II.

_Ob._—Same as last.

_Rev._—Half-length figure of a man smoking. Legend, “No pleasure can
exceed the smoking of the weed.”

Metal, tin; edge milled; size, 1⅛ inch.

III.

_Ob._—Same as No. I.

_Rev._—A box of cigars (regalias), two pipes crossed above the box.
Legend, “Levick, 904 Broadway, New York, 1860.”

Metal, tin; edge milled; size, 1⅛ inch.

IV.

_Ob._—Same as No. I.

_Rev._—“F. C. Key & Sons, Die Sinkers and Medalists, 123 Arch St.,
Phila.,” enclosed within a circle of thirty-two stars.

Metal, tin; edge plain; size, 1⅛ inch.

V.

_Ob._—A profile bust of Forrest, facing to the right. Legend, “Edwin
Forrest.”

_Rev._—Same as Rev. IX., last.

Metal, tin; edge plain; size, 1⅛ inch.

VI.

_Ob._— Same as No. V.

_Rev._—Profile bust of Webster, facing to the right. Legend, “Daniel
Webster.”

Metal, tin; edge plain; size, 1⅛ inch.

VII.

_Ob._—Same as No. V.

_Rev._—“Dedicated to Coin and Medal Collectors,” enclosed by two palm
branches crossed. Ex., “1860.”

Metal, tin; edge plain; size, 1⅛ inch.

VIII.

_Ob._—Same as No. V.

_Rev._—A race-horse standing, and facing to the left. “Mobile Jockey
Club.” “Member’s Medal.”

Metal, tin; edge plain; size, 1⅛ inch.

IX.

_Ob._—Same as No. V.

_Rev._—A witch riding on a broomstick. “We all have our hobbies.” “G.
H. L.”

Metal, tin; edge plain; size, 1⅛ inch.

X.

_Ob._—Same as No. V.

_Rev._—The name “Key” in large letters occupying the entire centre of
the field; within the name are enclosed in small letters the
following, “Ornamental Medal and Seal Die Sinkers, &c., &c., 329
Arch St., Phila.” The whole surrounded by a constellation of
stars.

Metal, tin; edge plain; size, 1⅛ inch.

XI.

_Ob._—Same as No. V.

_Rev._—“Not transferable, 1853.”

Metal, tin; edge plain; size, 1⅛ inch.

XII.

_Ob._—Same as No. V.

_Rev._—Cupid on a dolphin. Ex., “1860.”

Metal, tin; edge plain; size, 1⅛ inch.

XIII.

_Ob._—Same as No. V.

_Rev._—“F. C. Key & Sons, Die Sinkers and Medalists, 123 Arch St.,
Philadelphia.”

Metal, tin; edge plain; size, 1⅛ inch.

INDEX.

Acrostic on Forrest, 845.

Actions, the ninth dramatic language, 467.

Actor, fame of, not perishable, 338.

Actors, generosity of, 526.
lives of, 20.

Adams, Samuel, 24.

Æsthetic gymnastic, 659.

Albany, speech of Forrest there in 1864, 559.

Alger, William R., 846.

Allen, Caridora, 324.

Alleyn, Edward, 847.

America, characteristic faults of, 49.
composite of races in, 47-52.
future of drama in, 547.
idea and genius and destiny of, 40-44.
lessons for, from the East, 48.

American Drama, 421.

American School of Acting, 17.

Americanism, intense, of Forrest, 39, 40.

Angelo, Michael, 480.

Animal magnetism, 468, 469.

Animals, societies for preventing cruelty to, 86.

Aristocratic code of manners, 669.

Artistic School of Acting, 646, 658-662.

Asp, hisses the Cleopatra of Marmontel, 479.

Asses, Feast of, in the Church, 685.

Astor Place Opera-House Riot, 430-432.

Atheists, 576.

Athletic development, its glory, 251.

Attitudes, the second dramatic language, 464.

Auld Lang Syne, 422.

Ball, Thomas, sculptor, his Coriolanus statue, 631-633.

Bannister, John, Forrest’s admiration of, 30.
his retort on the jealous actors, 480.
his vast popularity, 585.

Barnwell, George, moral power of the play, 703.

Baron, the French actor, 643.

Barrett, Mrs. George, 533.

Barry, Thomas, 527.

Bath, Russian, Forrest’s first one, 283.

Battle of the Theatre and the Church, 682-695.

Beecher, Henry Ward, on theatre, 693.

Bertinazzi, the pantomimist, 544.

Betty, Master, the Infant Roscius, 595.

Biddle, Nicholas, 325.

Bird, Robert M., 169.

Black, Colonel Samuel, 574.

Blake, William R., his Jesse Rural, 545.

Bob, Forrest’s mocking-bird, 824.

Bogota, Broker of, 350.

Bohemians, dramatic critics, 438, 549.

Bonaparte, Jerome, Forrest’s interview with, 413.

Booth, Edwin, abusive criticism of, 457.
the elder, 540.
Wilkes, affecting anecdote of, 546.

Borgia, Rosalia de, Forrest appears as, 60.

Bowie, Colonel James, 118-120.

Bozzaris, Marco, 192, 289.

Brady, James T., 618.

Breeding, animals and human species, laws of, 46.

Broker of Bogota, 350.

Brooke, Gustavus Vasa, plays Iago to Forrest’s Othello, 401.

Brownie, Forrest’s horse, 823.

Browning, Elizabeth Barrett, 563.

Brutus, 220.

Bryant, William Cullen, 338.
speech at Forrest Banquet, 417.

Bryson, Mrs., Forrest boards with, 105.

Burns, Robert, birthday festival in memory of, 403.

Burton, W. G., his toast, 339.

Cade, Jack, by R. T. Conrad, 360.

Caldwell, James H., 71, 111, 116, 137.

California, official honors to Forrest, 555.
visit of Forrest there, 570.

Cass, Lewis, gives a banquet in honor of Forrest, 593.

Catullus, his threnody, 624.

Chamouni, Forrest reads Coleridge’s hymn there, 281.

Chandler, Joseph R., 333.
verses on Forrest, 67.

Channing, William Ellery, 563.

Character, three types of, in every man, 460.

Charm, fourteen-fold, of the theatre, 688.

Children, Forrest’s love for, 581, 824-826.

Childs, George W., 836.

Chinese Drama, 683.

Choate, Rufus, death of, 573.

Church and Theatre reconciled, 718.

Circus, Forrest engages as a rider in, 112.

Claqueurs, hired, 594.

Classic School of Acting, 640.

Clay, Henry, anecdote of, 593.

Clown, secret of the vulgar delight in, 698.

Club, the Edwin Forrest, 845.

Coleridge, 24.

Columbine and Harlequin, 697.

Columbus, 698.

Comer, Thomas, subjected to priestly bigotry, 694.

Comparisons, personal, uses of, 673.

Conrad, Robert T., 169, 332, 615, 616.

Consuelo letter, the, 486.

Contradictory accounts of Forrest’s Claude Melnotte, 458.

Conway, the ill-fated actor, 136.

Cooke, George Frederick, 456.

Cooper, J. Fenimore, tribute to, 601.

Cooper, Thomas A., interview of Forrest with, 68, 533.

Coriolanus, as played by Forrest, 762-769.
Leggett on, 324.

Criticism, dramatic, in newspapers, 458.
need of, for the critics, 439.

Critics, Forrest grateful to three classes of, 434-436.

Cushman, Charlotte, her Nancy Sykes, 457.

Damon, 211.

Davenport, E. L., 540.
his tribute to Forrest, 541.

Dawson, Moses, 104.

Death always essentially the same, 831.
and immortality, Forrest on, 814.
of actors, 831.
of Forrest, 832.

Definition of the Drama, 22, 459.

Delsarte, François, 657-662.

Democracy, ideal of, in Forrest, 53.

Democratic code of manners, 669.

Democratic Review on Forrest’s second reception in England, 399.

Dewey, Rev. Orville, his eloquence, 339.

Dougherty, Daniel, 16, 577, 834, 836.

Drake, the theatrical manager, 536.

Drama, definition of, 22, 459.

Dramatic Art, definition of, 87.
illustrated in fables, 84.
in animals, 78-80.
in children, 83, 84.
in savages, 80-82.

Dramatic Art, in society and in the theatre, 90.
varieties and levels of the, 95.

Dramatic literature, American, patronized by Forrest, 167-170.

Duane, William, first criticism on Forrest, 66.

Dunlap, William, letter of, 336.

Durang, Charles, 149.

Durivage, F. A., letter by, 620.
poem by, 833.

Elssler, Fanny, 563.

Emperor, the American, 634.

England, Forrest’s first appearance in, 298.
American actors in, 296.

Envy, 173.
vanity, and jealousy among actors, 387.

Eshcol, grapes of, 62, 278.

Evans, Platt, and the Distressed Tailor, 109.

Expression, laws of, 463.

Facial expression, the fifth dramatic language, 465.

Fame defined, 583.
not to be despised, 582.

Farragut, Admiral, funeral of, 823.

Feast of Asses, 685.
of Fools, 685.

Febro, Richelieu, and Lear, as represented by Forrest, 354.

Fennell, James, 532.

Five classes of censorious critics, 436-439.

Focal points in society where human nature is revealed, 674-680.

Fonthill Castle, 484, 485.

Fools of Shakspeare, 540.

Forgiveness of enemies, beauty and wisdom of, 605.

Forms, the first dramatic language, 464.

Formula of central law of dramatic expression, 793.

Forney, John W., 577, 593, 836.

Forrest, Mrs. Catherine N., 483.
letters by her, 382, 493, 506.

Forrest, Edwin, the author’s first interview with, 15.
misrepresentations of him, 26, 27.
his father, 33.
his mother, 35.
his brothers and sisters, 36-39.
intended for Christian ministry, 56.
first appearance on the stage, 60, 61.
takes nitrous oxide in the Tivoli Garden, 63.
his spirit of revenge, 64, 65.
his early practice of gymnastics, 96.
sickness of, in New Orleans, 130.
chased by a shark, 139.
his gymnastics, 141.
forswears gambling, 147.
his débût in New York, 150.
pays his father’s debts, 167.
makes his mother and sisters independent, 167.
attacks on, and enmity to, 173-179.
public dinner to, in New York, 181.
disliked to impersonate ignoble characters, 259.
visits the grave of Talma, 266.
public dinner to, in Philadelphia, 325.
nominated for Congress, 348.
his letter on the giving of benefits by actors, 378.
hisses Macready, 410.
anecdotes of, at Edinburgh, 412.
his limitations as an actor, 472.
flings off his wig on the stage, 478.
tribute to, by James E. Murdoch, 480.
his jealousy of his wife, 488-490.
first appearance on the stage after divorce, 502.
his tremendous strength, 539.
portraits of, at different ages, 586, 587.
originality of, 664.
thrice thought of leaving the stage, 795.
his letter on Lear, 797.
his last appearance in New York, 801-810.
last appearance on the stage, 811.
defects in character of, 816.
his love of his mother, 822.
estimates of, after his death, 836-840.
his lasting memory, 847, 848.

Fourth-of-July celebration, oration by Forrest, 339.
in London, 413.

French notice of Forrest in Parisian journal, 398.

Friendship, its rarity, its nature, its meaning, 606-609.

Future of the Drama in America, 547.

Gallagher, William D., 101, 105, 614.

Gambling, its fearful power, 147.

Garrick, 455.
and Lekain in Paris, 546.
his couplet on Nature and Art, 667.
tomb of, 189.

Garrick Club, banquet to Forrest by, 316.

Gaylord, Tom, 841.

Gazonac, the gambler and duellist, 122-124.

Genealogy, its interest and importance, 32.

Genius of the Drama in Shakspeare, 524.

Genoa, Forrest boards an American man-of-war at, 277.

Georges, Mademoiselle, 264.

Gestures, the fourth dramatic language, 465.

Gilfert, Charles, the manager, 147, 150, 154, 155.

Gospel and Drama have the same end, 682.

Government, the ideal of, 51.

Graham, Captain, 126, 131.

Graham, John, 618.

Grant, General, 610.

Great men, 23, 24.

Greek Drama, 683.

Greene, Charles Gordon, 614.

Gymnastic, æsthetic system, 563-566.
ecclesiastic contempt for, 561.
the Greek, 560.
training of Forrest, 564.

Hackett, James H., 191.
the American Falstaff, 540.

Halleck, Fitz-Greene, 192, 403.

Hamlet, as played by Forrest, 751-762.

Harlequin and Columbine, 697.

Harrison, Gabriel, 542.
acknowledgments to, 31.
speech by, 845, 846.

Harrison, William Henry, his kindness to Forrest, 105.

Heenan, John C., 563.

Henry Clay, burning of the steamer, 554.

Hereditary qualities in Forrest, 45.

Heredity, law of, 44, 45.

Hernizer, George, teaches Forrest to spar, 160, 161.

Heywood, Thomas, lines to, 524.

Hissing justified by Forrest, 411.

Holland, George, 531.
subject of priestly bigotry, 694.

Holley, President Horace, 101, 102, 842.

Home, the Edwin Forrest, for Decayed Actors, 847.

Hooper, Lucy H., poem by, 825.

Hospital, secrets of human nature discovered in, 676.

Humboldt, Forrest’s tribute to, 820.

Humor, a happy attribute, 818.

Humorous anecdotes of Forrest, 819.

Hunter, James, a valuable critic of Forrest, 434.

Iago, the canal-boatman on Forrest’s, 477.

Idea, the American, Asiatic, and European, 54.

Ideal of life, the ecclesiastic and the dramatic, 689.

Ideals expressed in acting, 195, 196.

Immigration to America, 40, 41.

Indian summer, 575.

Ingersoll, Charles, his speech at the Forrest banquet in Philadelphia,
336.

Ingersoll, Joseph R., 327.

Ingham, C. C., the artist, 182.

Ingraham, D. P., 166.

Irving, Washington, 338.

Jackson, Andrew, Forrest’s visit to, 384.

Jamieson, George W., 486, 610.

Japanese Drama, 683.

Jealousy, its different levels, 513-522.
the, of Forrest, 488-490.

Jefferson, Joseph, his letter to Forrest, 544.

Jefferson, Joseph, the elder, 456, 534-536.
Forrest’s tribute to, 827.

Jefferson, Thomas, tribute to, by Forrest, 343.

Johnson, Dr. Samuel, on Garrick, 585.

Jones, the theatrical manager, 537.

Juliet, actress in, first awakened love in Forrest, 532.

Kean, Edmund, 141-146.
belittling and insulting critiques on, 456.

Kellogg, Miss Gertrude, 537.

Kemble, Charles, presents two swords to Forrest, 317.

Kemble, John Philip, 456.

Kennedy, John P., 338.

King, Starr, tree in Mammoth Grove, 571.

Kingship and priesthood of man, 53.

Kneller, Sir Godfrey, on Addison, 678.

Knowles, James Sheridan, 275.
his anecdote of Siddons, 545.

Lablache, his facial picture of a thunder-storm, 657.

Labor and Cost, 682.

La Fayette, Forrest sees him, 133.

Lafitte, the pirate, 125.

Landor, Walter Savage, 577.

Languages, the nine dramatic, 464.

Laughter, abuse of, 702.

Laws of dramatic expression, 793.

Lawson, James, 152, 491, 506, 836.
a great friend of Forrest, 613, 645.

Lawyer, a New York, taught love of nature by Forrest, 576.

Lear, as played by Forrest, 781-792.
Forrest’s letter on, 797.

Leggett, William, 152, 192.
anecdotes of, 373.
desires to write a play on Jack Cade, 325.
his death in 1838, 372.
letter of Forrest to, 316.
letter of, to mother of Forrest, 297.
speech in Philadelphia, 337.
toast in memory of, 422.

Leggett, William, tributes to, by Bryant and Whittier, 374.

Lekain, the French actor, 643.
and Garrick in the Champs Elysées, 546.

Lesson of Coriolanus, 791.
of Rip Van Winkle, 792.

Lessons in the acting of Forrest, 792, 793.

Library, the, of Forrest, 578.

Lillie, Miss, 537.

Limitations of Forrest as an actor, 472.

Love, in human life and in dramatic art, 508-510.
the six tragedies of, 510-513.

Macbeth, as played by Forrest, 737-746.

Mackaye, James Steele, 567.

Mackenzie, Dr. R. Shelton, 448.

Macklin, Charles, 455.
on Garrick, 844.

Macready, William Charles, 389-391.

Magnetism, human, 26, 118.
personal, its power, its grades and law, 721-726.

Magoon, Rev. E. L., 556.

Man, his inherent kingship and priesthood, 53.
his nine dramatic languages, 464.

Manliness of Forrest as an actor, 664.

Manners, index of souls, 667.
the art of, seen on the stage, 706.
the four codes of, 668.

Marionette-play, or a puppet-show, 699.

Marriage of Forrest and Miss Sinclair, 321.

Mars, Mademoiselle, Forrest’s introduction to, 270.

Marshall, Chief-Justice, Forrest sees him, 132.

Mazurier, the famous Punchinello, 699.

McArdle, Joseph, 819, 840.

McCoun, Chancellor, his speech at the Forrest Banquet, 1855, 185-187.

McCullough, John, 527, 542, 840.

McMichael, Morton, 331.

Melnotte, Claude, by Lord Lytton, 356.

Melodrama, defined, 696.

Melodramatic acting, 543, 643.
justified, 250.

Memory, the, of Forrest, 847, 848.

Metamora, 237.
London Times on, 476.

Miles, George H., 169.

Millennial state, how to be secured, 682.

Mills, John F., his report of Forrest’s talk at Cohasset, 579, 580.

Milman, Henry Hart, 321.

Mob, the Forrest-Macready, dispersed by military, 431.

Mohammed, 697.

Money, evils of the intense struggle for, 682.
Forrest’s alleged love of, 552, 553.
ingratitude of borrowers of, 530.

Moralities and Mysteries, 686.

Moray, John S., 802.

Morrell, T. H., a friend of Forrest, 31.

Mossop, 455.

Mother, Forrest’s love for his, 423-428, 822.

Motions, tend to produce the emotions they express, 568.

Movements, automatic, the third dramatic language, 464.

Murdoch, James E., his tribute to Forrest, 480.

Music, revelation of characters by, 695.

Mysteries and Moralities, 686.

Napoleon, Louis, 698.

Natural School of Acting, 643.

Nature and art in acting, 648, 663.

Negro, Forrest the earliest impersonator of, on the stage, 108, 109.

New Orleans, characteristics of, 113, 114.

Newspapers, their good and evil, 432.

Nine dramatic languages of man, the, 464.

Noises, inarticulate, the sixth dramatic language, 466.

Oakes, James, at the bier of Forrest, 833.
causes this biography to be written, 14-16.
his description of Forrest in Virginius, 650.
his first meeting with Forrest, 164.
his friendship with Forrest, 624-638.
his impression of Mrs. Wheatley, 533.
letters of Forrest to, 571, 573, 813, 814.
nurses Forrest, 812, 826, 830.
sketch of him, 619-624.

Oblivion speedily overtakes most men, 34.

O’Conor, Charles, his attack on Forrest, 486.

Originality has to buffet detraction, 475.

Othello, as played by Forrest, 769-781.

Padishah, Forrest’s adventure with, 288.

Page, William, his portrait of Forrest as Spartacus, 586.

Paine, Thomas, letter of, to Washington, 574.

Palace of king, secrets of human nature discovered in, 675.

Paralysis, Forrest attacked by, 569.

Parasites, 595.

Passions, the great dramatic, 463.

Paulding, James K., his advice to Forrest, 238.

Penalties of fame, 594.

Personal criticism, two evils of, 672.

Physical training, 158, 159.

Pike, Albert, 623, 624.

Pilmore, Dr. Joseph, 56.

Placide, Henry, 282.

Placide, Miss Jane, 137, 291.

Player, the perfect, his requirements, 472.

Plebeian code of manners, 669.

Politeness, principle of, 667.

Popularity, formerly and now, 172.

Porter, Charles S., the manager, 59, 147.

Prentiss, Sargent S., 24.

Press, its abuses in America, 432, 433.

Pride and vanity, 388.

Priest and player, their hostility, 689-695.

Priesthood and kingship of man, 53.

Prison, secrets of human nature discovered in, 676.

Prizes and penalties of fame, 594.

Profanity a safety-valve sometimes, 580.

Professional habits, 523.

Professions, the, 674-682.
the academic, 681.
the artistic, 678.
the dramatic, 679.
the imperial, 675.
the legal, 676.
the medical, 676.
the military, 675.
the priestly, 667.

Puppet-show, 699.

Push-ma-ta-ha, the young Choctaw chief, 125, 128, 138.

Quaker, cruelty of, to young Forrest, 65.

Quarrel, the Macready and Forrest, 422, 428-431.

Quin, 455.

Rachel, Forrest’s early prophecy of her greatness, 266.
her astonishing power, 707.

Readings, dramatic, by Forrest, 829.

Rees, James, 577, 813.
anecdote by, 478.

Richard, as played by Forrest, 746-751.

Richelieu, as played by Forrest, 728-737.

Riddle, Mrs., 99, 106, 110, 537.

Riot, Astor Place Opera-House, 430-432.

Robson, William, his “Old Play-Goer,” 456.

Rolla, 199.

Roman Drama, 684.

Romantic School of Acting, 641.

Royal code of manners, 668.

Russian Bath, Forrest’s, at Hamburg, 283.

Salvini, his La Civile Morte, 354.
his Othello compared with Forrest’s, 769.
inconsistent judgments on, 458.

San Francisco, Forrest’s first appearance there, 570.

Sarcasm, contradiction of tone and word, 470.

Satire of priests by players, 692, 693.

Saul, representation of, by Salvini, 712-718.

Sayers, Thomas, the pugilist, his funeral, 583.

Schools of Acting, 630-670.

Scoggan, the fool, 698.

Sedley, Henry, 439, 802.

Servility to the newspaper press an American vice, 600, 601.

Shakspeare, 524.
Forrest’s tribute to, 820.
remarkable tribute to, 578.

Shakspearean characters, interest of Forrest in, 737-739.

Shark, a, chases Forrest, 139.

Siddons, Mrs. Sarah, 456, 523, 525.
verses by, 596.

Sinclair, Catherine Norton, Forrest first meets, 320.

Sinclair, Mrs. C. N., 650.

Sinister and benign aspects of the four codes of manners, 668-670.

Smith, Sol, 104, 112, 618.

Sonnet to Forrest, 406.

Spartacus, 249.

Spinoza, Benedict, his Ethics, 578.

Standard, true, of criticism, 459, 469.

Standards for judging men, primary and secondary, 672.

Steevens, George, satirizes Mrs. Siddons, 456.

Stone, John A., 169.

Stratford-upon-Avon, Forrest’s visit there, 291.

Stuart, Gilbert, his last portrait one of Forrest, 586.

Studio, secrets of human nature discovered in, 676.

Sunshine, Forrest’s love of, 564.

Swift, Colonel John, 63, 333.

Talfourd, Thomas Noon, 316.

Talma, 189, 266, 317, 455.

Tartuffe, 692.

Tasistro, Louis F., acrostic on Forrest by, 845.

Taylor, James, 101, 616-618.
letter by, 841-844.

Tell, 204.

Temperaments, the chief varieties enumerated, 461.

Temple, secrets of human nature discovered in, 667.

Tent of general, secrets of human nature discovered in, 675.

Terrible fall from a balustrade, 796.

Theatre, alleged decline of, 828.
a nation in itself, 19.
fourteen-fold charm of, 688.
its future, 19.
its relation to church and state, 52.
secrets of human nature discovered in, 679.
the whole universe a divine one, 77.

Theatres of Greece and Rome, 639.

Theatricality, Forrest’s freedom from, off the stage, 821, 822.

Timon and parasitic friendship, 611.

Tivoli Garden, 329.

Tones, inflected, the seventh dramatic language, 466.

Tragedy, melodrama, and comedy compared, 91-93.

Training, physical, 158, 159, 161.

Tree, Ellen, 324.

Trowbridge, J. T., his “Darius Green,” 629.

Union, the American, Forrest on, 573.

Uses, social, of the dramatic art, 695.

Verses written by Forrest, 134-136.

Vincent, Mount Saint, Catholic sisterhood, 554.

Virginius, 230.

Voice of Braham, 655.
of Henry Russell, 653.

Voice, the perfection of, 653-656.

Voyage to Europe, 263.

Wagner, James V., 614.

Wallace, William Ross, poem on Forrest, 558.

Walpole, Horace, 455.

Walsh, Mike, his attack on Forrest, 375.

Webster, Daniel, 25, 388.

Wetmore, Prosper M., verses by, 156.

Wheatley, Mrs. Sarah, 538.

Wheatley, William, 538, 545.

Willis, N. P., 498.

Wilson, Alexander, the ornithologist, 57, 58.

Winter, William, 712, 651, 802.

Woffington, Peg, 459.

Woodhull, the actor, Forrest plays for his benefit, 149.

Words, articulated, the eighth dramatic language, 467.

Wright, C. C., the artist, 182.

Wright, Silas, and Daniel Webster, 610.

Wyman, Col. Powell T., 574, 622.

Zoroaster, 564.

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TRANSCRIBER’S NOTES

1. Silently corrected typographical errors and variations in spelling. 2. Anachronistic, non-standard, and uncertain spellings retained as printed. 3. Enclosed italics font in _underscores_.