Chapter XIII (4)

The competition is opened by M. Levanz, a young man of thirty, who took a second prize last year, and who has chosen the closet-scene from _Hamlet_ (the translation of the elder Dumas) as his _cheval de bataille_. He has a marked Germanic countenance, decidedly the reverse of handsome, yet mobile and expressive: his voice is good, his figure tall and manly. He has evidently seen Rossi in Hamlet, and models his conception of the character on that grand impersonation. Next comes M. Bregaint in a scene from _Andromaque:_ he is so bad, so _very_ bad, that the audience are moved to sudden outbursts of hilarity by his grand tragic points. He is succeeded by a boy of sixteen, tall and graceful, with a fine tragic face of the heroic Kemble mould, and great blue-gray eyes that dilate or contract beneath the impulses of the moment--a born actor from head to foot. He fairly thrills the audience in the great scene of the duke de Nemours from _Louis XI_. This youth, M. Guitry, is undoubtedly, if his life be spared, the coming tragedian of the French stage. Then we have the first one of the lady competitors, Mademoiselle Edet, a tall, awkward girl of eighteen, with a flat face and Chinese-like features, dressed up in a gown of cream-yellow foulard trimmed with wide fringe and made with a loose jacket, whereon the fringes wave wildly in the air as she flings her arms around in the tragic love-making of Phèdre. Two or three others of moderate merit succeed, and then comes Mademoiselle Jullien, who gives the great scene of Roxane in _Bajazet_ with so much intelligence of intonation and grace of gesture that the audience are moved to sudden applause. She is rather too short and of too delicate a physique for tragedy, but her face is expressive, her eyes fine, and there are intellect and talent in every tone and movement. She is nearly twenty-nine years of age, so has not much time to waste if she is to make her mark in her profession. Last on the list of tragic aspirants comes a gentleman of thirty-one, M. Aubert, who goes through a scene from _Hamlet_ in a very tolerable manner. He was in the army, was doing well and was rising in grade when, seized by the theatrical mania, he relinquished his profession and turned his attention to the stage. Thus far, he has proved, practically speaking, a failure: he has won no prizes, and no manager will engage him. This is his last chance, as his age will prevent him, by the rules of the Conservatoire, from taking part in any future competition.

The tragedy concours ended, a recess of an hour is proclaimed, and there is a rush to the refreshment-tables and a great consumption of sandwiches and cakes, of coffee and water (known as "mazagran") and of _vin ordinaire_. Under that vestibule pass and repass the literary luminaries of modern France. Here is Henri de Bornier, the author of _La Fille de Roland_, a quiet, earnest-looking gentleman, with clear luminous eyes and the smallest hands imaginable. Here comes Francisque Sarcey, the greatest dramatic critic of France and one of the most noted of her Republican journalists, broad-shouldered, black-eyed and stalwart-looking. Yonder stand a group of Academicians--Legouvé, Doucet, Dumas--in earnest conversation with Édouard Thierry, the librarian of the Arsénal. The handsome, delicate, aristocratic-looking gentleman who joins the group is M. Perrin, the director of the Comédie Française, the most accomplished and intelligent theatrical manager in France. There is an elderly, reserved-looking gentleman beside him who looks like a solemn _savant_ out on a holiday. It takes more than one glance for us to recognize in him the most accomplished light comedian of our day, that embodiment of grace, vivacity, sparkling wit and unfading youth, who is known to the boards of the Comédie Française by the name of Delaunay. There are other minor luminaries, too numerous to mention.

We go up stairs and resume our seats, and the competition of comedy is begun. Scene succeeds to scene and competitor to competitor: the day wears on, and flitting clouds from time to time obscure the dome, bringing out the glare of the footlights that have been burning all day in a singularly effective manner. Of the nineteen competitors, the deepest impression is made by M. Barral, who plays a scene from _L'Avare_ magnificently; by Mademoiselle Carrière, who reveals herself as a sparkling and intelligent soubrette; and by Mademoiselle Sisos, a genuine _comédienne_, only sixteen years of age and as pretty as a peach. It is six o'clock when the last competitor has said his say, and then the jury retire to deliberate respecting the awards. What a flutter there must be among the young things whose future destiny is now swaying in the balance, for success means fortune, and failure a disheartening postponement, and to the elder ones downright and disastrous ruin of all their hopes! Half an hour passes, and then, after what seems a weary period of suspense, the box-door is thrown open and the jury resume their seats. Ambroise Thomas, the president of the Conservatoire, strikes his bell and a dead silence ensues. In a full sonorous voice he begins: "Concours of tragedy, men's class. No prizes.--Usher, summon M. Guitry." The gifted boy comes forward to the footlights. "M. Guitry, the jury have awarded to you a _premier accessit_." He bows and retires amid the hearty applause of the audience. "Women's class.--Usher, call Mademoiselle Jullien." She comes out pale and agitated, the slight form quivering like a wind-swept flower in her robes of creamy cashmere. Is it the Odéon that awaits her--the second prize? for in her modesty she had only hoped for a _premier accessit._ "Mademoiselle Jullien, the jury have awarded to you the first prize." The first prize! Those words mean to her an assured career, a brilliant future, the doors of the Comédie Française flung wide open to receive her. She falters, trembles, bows profoundly, and goes off in a very passion of hysterical weeping. Then come the comedy awards. M. Barral gets a first prize, as is his just due, as does also Mademoiselle Carrière. "Usher, call Mademoiselle Sisos." She comes forward, her great brown eyes dilated with excitement, her cheeks burning like two red roses, a mass of faded white roses clinging amid the rumpled gold of her hair--a very bewitching picture of childish grace and beauty. "Mademoiselle Sisos, the jury have awarded to you a second prize." She laughs and blushes, and brings her hands together with a childlike gesture of delight. "Oh, merci!" she cries, and drops a courtesy, and then away she goes--happy little creature, thus consecrated artiste at sixteen! The other awards are given, the jury leave their box, and the audience disperse. The friends of the competitors crowd around the stage-door, and each of the successful ones is seized by the hand and congratulated and embraced, the youthful Guitry being especially surrounded. Two or three more years of study will land this gifted boy on the boards of the Comédie Française. The queen of the day, Mademoiselle Jullien, has stolen away overcome by excess of emotion, which, though joyful, is still exhausting to her delicate frame. Finally, everybody retires, the doors are closed, and the long, exciting _séance_ has come to an end at last.

L.H.H.

BRIGHAM YOUNG AND MORMONISM.

Brigham Young's career is a valuable commentary on that of Mohammed, and will hereafter be a standard citation with explorers of the natural history of religions. It might be more proper to go back of Young, and adhere to Joe Smith as the figure-head of the Mormon dispensation. How Smith would have turned out had he lived, and whether he would have made as much of Utah as the man upon whose shoulders his mantle fell, is not easy to say; but his was a less robust character, the enthusiast in him too far obscuring the organizer and commander. The Church is the thing to look at, rather than its leaders, when we consider duration--the soil rather than the plough. Why has Mohammed's creation lasted longer and spread wider than that of Charlemagne or Tamerlane? And is Smith's to have the like fortune, or to die out like those of Münster and Joanna Southcote?

The Mormon "revelation" has been before the world more than forty years. In twenty-two years from his first vision Mohammed had reduced all Arabia under his religious and political sway. Young's dominions have not expanded territorially. His faith cannot be said to exist outside of Utah. His converts are compelled to go thither for the exercise of their religion. Salt Lake City is not a Mecca, the goal of a passing pilgrimage, but the one and only possible abiding-place of those who profess its creed. A system thus localized is in danger of being stifled. Especially is this the case when its seat is exposed to invasion by a swelling current of non-sympathizers or open enemies. These may be repelled or prevented from improving their foothold by the firmness, unity and numerical predominance of the invaded. So it has happened at Salt Lake. The Mormons hold all the serviceable soil, and it is difficult for the "Gentiles" to effect a lodgment. Until they do, they must occupy, even in their own eyes, somewhat the position of adventurers. They cannot hope to secure the respect of the industrious sectaries who own and till the soil, and who are taught to count them aliens and persecutors. Irrigation is here the only means of successful agriculture. It involves great outlay of capital and labor, and creates great fixedness of tenure. Newcomers are thus additionally discouraged.

Thus entrenched in a well-provisioned citadel, welcoming all the new levies it can win, and amply able to provide for them, Mormonism bids fair to make a prolonged stand. To emerge from a defensive position and strike for unlimited sway is what it cannot, to judge by all precedents, expect. It will be compelled, in fact, to lighten itself of some dead weights in order to maintain its actual situation. Polygamy must go, and the absolute power of the priesthood be modified. With some such adaptations it may continue a reality for generations to come. And time is a great sanctifier. A creed that lives for one or two centuries is by so much the more likely to live longer. Youth is the critical period with religions, as with animals and plants and nations. Through that period Mormonism is passing with flattering success. That such a lusty juvenile will, by favor of the mellowing effect imposed on all creeds by early years of toil, trouble and experience, reach a middle age of presentable decency, is not a more unlikely supposition than the worthy Vermont clergyman would have pronounced, half a century ago, the idea that his _jeu d'esprit_ would become the Bible of sixty thousand industrious, well-ordered English-speaking people in the heart of the American continent.

E.C.B.

THE EDUCATION OF WOMEN IN INDIA.

According to a report sent to our Commissioner of Education at Washington four years ago, there were then in India one thousand girls' schools supported by the government and some five hundred missionary schools devoted to female education. Besides these, there has sprung up during the last few years a new field for the women-educators in that country. This is the teaching of women in their homes. It is called _zenana-work._ The _zenana_ is the women's apartment in the house--the _harem_ of the Turks. Women have been sent from England and from America for this special object, and their labors are meeting with encouraging success. They are constantly gaining admission to new families, which from caste or other causes are opposed to sending their young women to the regular schools. Some of the zenana-teachers are regularly-educated physicians.

For the government schools each province has a director of public instruction, with inspectors of divisions and subdivisions. These directors are "gentlemen of high qualification and well paid." It is a notable fact that in one of the provinces the office of director is filled by a Christian woman--a foreigner no doubt, though the report does not say.

At Dehra, at the foot of the Himalaya Mountains, there is a high school for girls organized on the plan of the Mount Holyoke Seminary. Here English is spoken, and the pupils are carried through a course of training that may justly be termed _high_. One of the pupils of this school has lately been appointed by the government to go to England and qualify herself as a physician, under a contract to return and serve the government by taking charge of a hospital and college for training young women as midwives and nurses.

Of course, in a country containing a population of over one hundred and fifty-one millions, one thousand public schools for girls, supplemented as these are by missionary schools of many denominations, are inadequate to meet the needs of the people. There is an increasing demand in all the provinces for schools and colleges; and the native young men especially are eagerly seeking the educational advantages of the colleges and universities, because they know that these are a sure road to preferment. "The government takes care to give employment to those who wish it."

The difficulties in the way of female education in India are well expressed in a late letter from one of the most distinguished native reformers, Baboo Keshub Chunder Sen of Calcutta. "No words of mine," he says, "would convey to you an adequate idea of the great obstacles which the social and religious condition of the Hindoo community presents in the way of female education and advancement. In a country where superstition and caste prejudices prevail to an alarming extent, where widows are cruelly persecuted and prevented from remarrying, where high-caste Hindoos are allowed to marry as many wives as they like without undertaking the responsibility of protecting them, and where little girls marry at a most tender age and sacrifice all prospects of healthy physical and mental development, it will take centuries before any solid and extensive reform is achieved."

Until recently, scarcely one woman in ten thousand learned to read or acquired any of the accomplishments common to women of Christian countries. Occasionally, women of vicious lives in cities, having leisure, became quite learned, and this made learning a shame for women of irreproachable reputation. Moreover, Hindoo husbands declared, and believed, that if you taught a woman to read she would be sure in time to have illicit relations with some one. Ignorance was innocence, the safeguard of both rank and chastity.

The missionaries, who were the first to attempt the amelioration of the people, had to commence with the lowest castes or classes, those having nothing to lose; and even then the teachers had to pay the girls a small copper coin daily for attending school. Even the government schools in some places pay the girls for attending, but they are much more popular than the missionary schools, because, according to the Rev. Joseph Warren in the report mentioned, the parents are not afraid that their girls will become Christians by attending them; and he adds that the government teachers and books are "all positively heathen or quite destitute of all religion." In some parts of the country the government schools secure the attendance of high-caste girls by allowing them to be placed behind a curtain, and thus screened from the eyes of the male teacher or inspector, as all the women of such classes are screened from male visitors. Even the physician sees only a hand protruded from under a curtain, and by the touch of this, with a few unsatisfactory answers to his questions, he is supposed to be able to know what the malady is, and how to prescribe for it.

M.H.

LITERATURE OF THE DAY.

Birds and Poets: with other Papers. By John Burroughs. New York: Hurd & Houghton.

A duodecimo that discourses on equal terms of Emerson and the chickadee, and unites Carlyle and the author's cow with a cement or filling-in indescribable in variety and in the comminution of materials, need not be held to strict account in the matter of neatness or accuracy of title. The closing article, headed "The Flight of the Eagle," is the most remarkable of the collection. Who would suspect, under such a heading, an elaborate eulogy of Walt Whitman? The writer is obviously more at home among the song-birds than among the Raptores, unless he be the discoverer of some new species of eagle characterized by traits very unlike those of other members of the genus. It were to be wished that he had left out the disquisition on Whitman, for it is a jarring chord in his little orchestra of lyric and ornithologic song. He might have kept it by him till the longer growing of his critical beard, and then, if still a devotee at that singular shrine, have expanded it into a volume or two explanatory of the imagination, animus and metre of his favorite bard.

The feathered warblers have always been popular with the featherless, who are indebted to them for no end of similes and suggestions. What would poetry be without the skylark, the nightingale, the dove and the eagle? It is far yet from having exhausted them. It cannot be said to have approached them in the right way--on the most eloquent and interesting side. It forgets that each species of bird stands by itself, and has its special life and history as truly as man. We counted thirty-nine kinds in a grove the centre whereof was our delightful abode for two-thirds of the past summer, each endowed with its separate outfit of language, ways and means of living, tastes and political and social notions. In each, moreover, individualism showed itself--if not to our apprehension as articulately, yet as indubitably, as among the race which considers them to have been all created for its amusement and advantage. It does not take long, superficial as is our acquaintance with their vernacular and the workings of their little brains, to single out particular specimens, and perceive that no two "birds of a feather" are exactly alike. A particular robin will rule the roost, and assert successfully for his mate the choice of resting-places above competing redbreasts. It is a particular catbird, identified, it may be, by a missing feather in his tail, that heads the foray on our strawberries and cherries. We recognize afar off either of the pair of "flickers," or yellow-shafted woodpeckers, which have set up their penates in the heart of the left-hand garden gatepost. The wren whose modest tabernacle occupies the top of the porch pilaster we have little difficulty in "spotting" when we meet her in a joint stroll along the lawn-fence. Her ways are not as the ways of other wrens. She has a somewhat different style of diving into the ivy and exploring the syringa. A new generation of doves has grown up since the lilacs were in bloom, and nothing is easier than to distinguish the old and young of the two or three separate families till all leave the grass and the gravel together and hie to the stubble-fields beyond our ken. Of the one mocking bird who made night hideous by his masterly imitations of the screaking of a wheel-barrow (regreased at an early period in self-defence) and the wheezy bark of Beppo, the superannuated St. Bernard, there could of course be no doubt. There was none of his kind to compare him with--not even a mate, for "sexual selection" could not possibly operate in face of so inharmonious a love-song. His isolation had its parallel in the one white guinea-fowl that haunted the shrubbery like a ghost, much more silent and placid than it would have been in society, and its antitype in the hennery, where individuality of course ran riot among the Brahmas, Dominicas and Hamburgs--hens that would and would not lay, that would and would not set, that would and would not scratch up seeds, and presented generally as great a variety of vagaries as of feathers. So, when we turned our back at last on lovely Boscobel, itself shut out, as the common phrase goes, "from the world" by serried ramparts of maple, elm, acacia and catalpa, we knew well that that enceinte of leafage enclosed many little worlds of its own--winged microcosms, epicycles of the grand cycle of dateless life which man in his humility assumes to be merely a subsidiary appendage of his own orbit.

Birds should be studied seriously. The naturalists will tell us more about them, and interest us more, than the poets. Mr. Bryant makes fun of the bobolink, and turns into an aimless whistle the solemn oration on domestic matters uttered by that small but energetic American to his mate. The waterfowl he treats more gravely and respectfully, but he still makes it only a part of the landscape and the theme, without ascribing any intelligent purpose to its flight. The bird, proceeding steadily and calmly to its business, may well have confounded its versifier with his fellow the fowler, and looked upon him, too, as regretting only that it was out of gunshot. Audubon or Wilson would have noted more sensibly the floating figure, far above "falling dew," and the earth-bound mortal who was evidently afraid of rheumatics and calculating whether he could walk home before dark. The bird, they would have been perfectly aware, was neither "wandering" nor "lost," and no more in need of the special interposition of a protecting Providence than they or Mr. Bryant. They would infer its motives, its point of departure and its destination, the character of the friends it left behind or sought--whether it was carrying out a plan of the day or bound on an expedition covering half the year. Its species would have been plain to them at half a glance, and its scientific name would have replaced the vague designation of "waterfowl." Its life, habits and habitat winter and summer, would have unrolled before them, and the dogs-eared and rain-stained note-book sprung open for a new entry. The poet, on the other hand, got happily home without injury to his health (for he is still hale half a century after the fact), lit the gas, nibbed the quill pen of the day, and sent down to us what must be confessed a pleasanter memorandum than we should have had from the forest-students. These, brave and ardent fellows! have long been asleep beneath the birds.

Mr. Burroughs is half poet, half naturalist in his way of looking at Nature, and steers clear of the poetic vagueness in regard to species. A passing description of the brown thrush as "skulking" among the bushes hits that bird to the life. Some remarks on page 119 would seem to be applied by a slip of the pen to the crow blackbird, instead of the cowbird, which has always enjoyed the distinction of being the only American species that disposes of its offspring after the fashion of the cuckoo and Jean Jacques Rousseau. The chapter on Emerson contains some acute remarks, but the warmest tribute to Emerson is the book itself, in which that writer's influence is everywhere patent both in style and thought. Mr. Burroughs has a happy facility of expression, and could well afford by this time to discard the Emersonian props and stand on his own merits.

The Life of Edgar Allan Poe. By W.F. Gill. Illustrated. New York: Dillingham.

Griswold's memoir of Poe has been actually beneficial to the reputation of its subject, contrary to its obvious design. It has caused a thorough sifting of all accessible records of the poet's short and dreary life, and elicited many reminiscences from men of mark who were in one way or another personally associated with him. We know now, more certainly than we might have done but for Griswold's effort to prove the opposite, that Poe was not expelled in disgrace from the University of Virginia, but bore himself well there as a student and a man; that he deliberately went to work and procured his being dropped from the rolls of West Point by building up with venial faults the requisite sum of "demerits," after having repeatedly and in vain sought permission to withdraw from the control of a system of discipline so unsuited to his temperament; that, so far from being intemperate, a single glass of wine sufficed to bring on something like insanity; that, instead of neglecting his family, he devoted himself to them with a very rare exclusiveness, and wore down his health by watching at the bedside of his sick wife; that he was as faithful to his business as to his domestic obligations; and that, wholly disqualified for battling with the world, he managed to keep his necessarily troubled life at least unstained. We know, moreover, that he did not appoint Griswold his literary executor, and that the document used by the latter as a means of deriving from that assumed office an opportunity of vindictive defamation was drawn up after the poet's death by Griswold himself. To the controversy thus excited we are indebted for the illumination of one or two poems relinquished by the critics as hopelessly, if not intentionally, obscure. _Ulalume_, for example, held by some to be a mere experiment on the jingling capacity of words and the taste of readers for grappling with insoluble puzzles, is pronounced by one familiar with his most intimate feelings at the time of its composition a sublimated but distinct reflex of them and of the circumstances which gave them color.

Could Poe's pen have cleared itself from the morbid influences which fixed it in a peculiar path, we might have missed some of his finest and most subtle poems and some prose efforts which we could better spare. But his wonderful powers of analysis would have been serviceable upon a broader and more practical field. He had an insight into the laws of language and of rhythm equalled by no one else in our day. What is most mysterious in the forms and relations of matter had a special charm for him. None could trace it more acutely; and his powers, matured by more and healthier years and applied in their favorite direction, were quite equal to results like those attained by his predecessor Goethe, the savant of poets. He died a few years older than Burns and Byron, but more of a boy than either. The man Poe we never saw. The best of him was to come, and it never came. Poe had, however, what he is not always credited with--the sincerity and earnestness of maturity. He was anything but a mere propounder of riddles. Had he lived to our day, his office would have been to aid science, so wonderfully advanced in the intervening third of a century, in solving some of its own. And in addition to that possible work we should have been none the poorer in the treasures of poetry he actually gave us.

Olivia Raleigh. By W.W. Follett Synge. Philadelphia: J.B. Lippincott & Co.

In the few choice words of introduction to the American reprint Mrs. Annis Lee Wister admirably characterizes this charming novel. It is indeed like a "clear, pure breath of English air:" from the first page to the last it is redolent of the health of an "incense-breathing morn." There are no dark scenes here, leaving on the reader a feeling of degradation that such things can be--no impossible villain weaving a web of intricate or purposeless villainy--but all is fresh and genuine, and we close the volume with a sense of gratitude that such a story is possible.

Even if this be not in itself a recommendation sufficient to enlist the interest of novel-readers, _Olivia Raleigh_ is something more: it is a work of art: there is in it nothing crude or hasty or ill-digested. Around the four or five prominent characters all the interest centres, and the attention is not distracted by any wearisome episodes that have nothing to do with the main story. The characters are admirably thought out, and reveal themselves more by their actions than by any microscopical analysis of motives. They pass before us like veritable human beings, and what they are we learn from what they do. The transformation of one of the characters from a gay, debonnair bachelor past middle age into a penurious miser of the Blueberry-Jones type is bold, and in less skilful hands would be a blemish, but Mr. Synge has amply justified it, and admirably uses it to cement the structure of his plot. There is no weakness in any chapter, and as we read so secure do we feel in the author's strength that, had he chosen to end the story in sorrow and not in joy, we should submit as though to an inflexible decree of Fate.

Les Koumiassine. Par Henry Gréville. Paris: Plon.

It is always interesting to watch the course of French fiction, because while the novel is in all countries at the present time the favorite form of expression of those writers who eschew scientific work on the one side and stand aloof from poetry on the other, in France, which is noticeably the country where theories are put into practice as well as invented, all sorts of literary methods have their clever defenders, who furnish examples of what they preach. Since Balzac and George Sand died, the post of leading novelist has been vacant, although there has been no lack of writers of the second or third, and especially of still lower, rank. Octave Feuillet still produces occasionally a clever piece of workmanship; Cherbuliez at intervals writes a novel which proves how lamentable a thing is the possession of brilliancy alone apart from the seriousness of character, or of some sides of character, which must exist alongside of even high intellectual qualities in order that the man may make a lasting impression on his time. Great gifts frittered away on meaningless trifles are as disappointing as possible, and are the more disappointing in proportion to the greatness of the gifts; so that the decadence of Cherbuliez--or, if this is too severe, his lack of improvement after his brilliant beginning--is a very melancholy thing. Zola is among the younger men, the head of a number of enthusiasts who revel in the exact study of social ordure, and who threaten to destroy fiction by ridding it of what makes its life--imagination, that is--and substituting for it scientific fact. Theuriet is an amiable but by no means a powerful writer, who so far has contented himself with following different models without striking out any special path of his own.

Henry Gréville is a new author, who has reached by no means the highest, yet a very respectable, place--such as would be a source of gratification to most people. The name signed to her novels is the _nom-de-plume_ of a lady who, as is also apparent from her work, has lived long enough in Russia to become familiar with the people and their ways. _Les Koumiassine_ is a story of Russian life, treating of a rich family whose name gives the title to the novel. The family is one of great wealth, and consists of the Count Koumiassine and his wife, their two children--one a boy of nine or ten, the other a girl half a dozen years older--and a niece of about seventeen. The plot concerns itself with the efforts of the countess to give her niece, whom she values much less than her daughter, a suitable husband. The poor girl is bullied and badgered after the most approved methods of domestic tyranny, and her high-spirited struggle against adverse circumstances makes the book as readable as one could wish. After all, the family is a microcosm, and furnishes frequent opportunity for the practice of good or bad qualities; and the cleverest novel-writers have chosen just this subject which seems so bald to the romantic writer. The contest in this case is a long one, and is hotly contested, and the imperiousness of the countess and the graceful courage of the girl are excellently well described. The other characters too are clearly put before the reader, so that those who exercise care in their choice of French novels may take up this one with the certainty that they will be entertained, and, what is rarer, innocently entertained. For in a large pile of French novels it would be hard to find so pretty a story so well told as is the intimacy between the two young girls, the cousins, who in their different ways circumvent Fate in the person of the countess. Their amiability and jollity and loyalty to each other give the book an air of attractive truthfulness and refinement which well replaces the priggishness generally to be found in innocuous French fiction. More than this, the plot is intelligently handled, and no person is introduced who is not carefully studied. In this respect of careful execution the author resembles Tourgueneff, whose friend and disciple she is. Like him, and like those who have been affected by his influence, she gives attention to the minor characters and comparatively insignificant incidents, so that the book makes a really lifelike impression. This is not a story of great passion, but it deals very cleverly with the less open waters of domestic strife. While what it shows of human nature in general is the most important thing, what is shown of Russian life is of great interest. The position of the countess, and the habit of her mind with its over-bearing self-will and ingenious self-approval, are studies possible, of course, anywhere, but pretty sure to be found especially in a land like Russia, where the habit of command was until recently so strongly fostered by the existence of serfdom. The condition of those who are exposed to this aggressive imperiousness is clearly illustrated in the numerous dependants who make their appearance in this story. But it is the countess who is the best drawn and most impressive personage. She is really lifelike, and yet not a commonplace figure.

_Books Received_.

Disease of the Mind: Notes on the Early Management, European and American Progress, Modern Methods, etc., in the Treatment of Insanity, with especial reference to the needs of Massachusetts and the United States. By Charles F. Folsom, M.D. Boston: A. Williams & Co.

Cicero's Tusculan Disputations; also Treatises on The Nature of the Gods, and on The Commonwealth. Literally translated by C.D. Yonge. New York: Harper & Brothers.

Shakespeare: The Man and the Book. Being a collection of Occasional Papers on the Bard and his Writings. Part I. By C.M. Ingleby, M.A. London: Trübner & Co.

Shakespeare's Comedy of a Midsummer Night's Dream. Edited with Notes by William J. Rolfe, A.M. New York: Harper & Brothers.

Four Irrepressibles; or, The Tribe of Benjamin: Their Summer with Aunt Agnes, what they Did, and what they Undid. Boston: Loring.

The Magnetism of Iron Vessels, with a Short Treatise on Terrestrial Magnetism. By Fairman Rogers. New York: D. Van Nostrand.

Virgin Soil. By Ivan Tourgueneff. From the French by T.S. Perry. (Leisure-Hour Series.) New York: Henry Holt & Co.

Personal Appearance and the Culture of Beauty. By T.S. Sozinsky, M.D., Ph.D. Philadelphia: Allen, Lane & Scott.

An English Commentary on the Tragedies of Euripides. By Charles Anthon, LL.D. New York: Harper & Brothers.

Strength of Men and Stability of Nations. By P.A. Chadbourne, D.D., LL.D. New York: G.P. Putnam's Sons.

Eighth Annual Report of the State Board of Health of Massachusetts. Boston: Albert J. Wright. State Printer.

The Antelope and Deer of America. By John Dean Caton, LL.D. New York: Hurd & Houghton.

G.T.T.; or, The Wonderful Adventures of a Pullman. By Edward E. Hale. Boston: Roberts Brothers.

Until the Day Break. By Mrs. J.M.D. Bartlett ("Birch Arnold"). Philadelphia: Porter & Coates.

Other People's Children. By the author of "Helen's Babies." New York: G.P. Putnam's Sons.

Poet and Merchant. By B. Auerbach. (Leisure-Hour Series.) New York: Henry Holt & Co.

Mental Education. By J. Edward Cranage, M.A., Ph.D. London: Bemrose & Sons.

Beautiful Edith, the Child-Woman. (Loring's Tales of the Day.) Boston: Loring.

Aliunde; or, Love Ventures of Tom, Dick and Harry. New York: Charles P. Somerby.

Ideals made Real: A Romance. By George L. Raymond. New York: Hurd & Houghton.

Lola. By A. Griffiths. (Leisure-Hour Series.) New York: Henry Holt & Co.

Kilmeny: A Novel. By William Black. New York: Harper & Brothers.

Winstowe: A Novel. By Mrs. Leith-Adams. New York: Harper & Brothers.