Chapter II: Front Matter (2)

A few who have not heard of them have heard of Wolsey. The pursy old cardinal furnishes the surviving one of the two main props of Hampton's glory. An oddly-assorted pair, indeed--the delicate Italian painter, without a thought outside of his art, and the bluff English placeman, avid of nothing but honors and wealth. And the association of either of them with the spot is comparatively so slight. Wolsey held the ground for a few years, only by lease, built a mere fraction of the present edifice, and disappeared from the scene within half a generation. What it boasts, or boasted, of the other belongs to the least noted of his works--half a dozen sketches meant for stuff-patterns, and never intended to be preserved as pictures. Pictures they are, nevertheless, and all the more valuable and surprising as manifesting such easy command of hand and faculty, such a matter-of-course employment of the utmost resources of art on a production designed to have no continuing existence except as finished, rendered and given to the world by a "base mechanical," with no sense of art at all.

Royalty, and the great generally, availed themselves of their opportunities to select the finest locations and stake out the best claims along these shores. Of elevation there is small choice, a level surface prevailing. What there is has been generally availed of for park or palace, with manifest advantage to the landscape. The curves of the river are similarly utilized. Kew and Hampton occupy peninsulas so formed. The latter, with Bushy Park, an appendage, fills a water-washed triangle of some two miles on each side. The southern angle is opposite Thames Ditton, a noted resort for brethren of the angle, with an ancient inn as popular, though not as stylish and costly, as the Star and Garter at Richmond. The town and palace of Hampton lie about halfway up the western side of the demesne. The view up and down the river from Hampton Bridge is one of the crack spectacles of the neighborhood. Satisfied with it, we pass through the principal street, with the Green in view to our left and Bushy Park beyond it, to the main entrance. This is part of the original palace as built by the cardinal. It leads into the first court. This, with the second or Middle Quadrangle, may all be ascribed to him, with some changes made by Henry VIII. and Christopher Wren. The colonnade of coupled Ionic pillars which runs across it on the south or right-hand side as you enter was designed by Wren. It is out of keeping with its Gothic surroundings. Standing beneath it, you see on the opposite side of the square Wolsey's Hall. It looks like a church. The towers on either side of the gateway between the courts bear some relics of the old faith in the shape of terra-cotta medallions, portraits of the Roman emperors. These decorations were a present to the cardinal from Leo X. The oriel windows by their side bear contributions in a different taste from Henry VIII. They are the escutcheons of that monarch. The two popes, English and Italian, are well met. Our engravings give a good idea of the style of these parts of the edifice. The first or outer square is somewhat larger than the middle one, which is a hundred and thirty-three feet across from north to south, and ninety-one in the opposite direction, or in a line with the longest side of the whole palace.

A stairway beneath the arch leads to the great hall, one hundred and six feet by forty. This having been well furbished recently, its aspect is probably little inferior in splendor to that which it wore in its first days. The open-timber roof, gay banners, stained windows and groups of armor bring mediaeval magnificence very freshly before us. The ciphers and arms of Henry and his wife, Jane Seymour, are emblazoned on one of the windows, indicating the date of 1536 or 1537. Below them were graciously left Wolsey's imprint--his arms, with a cardinal's hat on each side, and the inscription, "The Lord Thomas Wolsey, Cardinal legat de Latere, archbishop of Yorke and chancellor of Englande." The tapestry of the hall illustrates sundry passages in the life of Abraham. A Flemish pupil of Raphael is credited with their execution or design.

This hall witnessed, certainly in the reign of George I., and according to tradition in that of Elizabeth, the mimic reproduction of the great drama with which it is associated. It is even said that Shakespeare took part here in his own play, _King Henry VIII., or the Fall of Wolsey_. In 1558 the hall was resplendent with one thousand lamps, Philip and Mary holding their Christmas feast. The princess Elizabeth was a guest. The next morning she was compliant or politic enough to hear matins in the queen's closet.

The Withdrawing Room opens from the hall. It is remarkable for its carved and illuminated ceiling of oak. Over the chimney is a portrait of Wolsey in profile on wood, not the least interesting of a long list of pictures which are a leading attraction of the place. These are assembled, with few exceptions, in the third quadrangle, built in 1690. Into this we next pass. It takes the place of three of the five original courts, said to have been fully equal to the two which remain.

The modern or Eastern Quadrangle is a hundred and ten by a hundred and seventeen feet. It is encircled by a colonnade like that in the middle square, and has nothing remarkable, architecturally, about it. In the public rooms that surround us there are, according to the catalogue, over a thousand pictures. Leonardo da Vinci, Paul Veronese, Titian, Giulio Romano, Murillo and a host of lesser names of the Italian and Spanish schools, with still more of the Flemish, are represented. To most visitors, who may see elsewhere finer works by these masters, the chief attraction of the walls is the series of original portraits by Holbein, Vandyck, Lely and Kneller. The two full-lengths of Charles I. by Vandyck, on foot and on horseback, both widely known by engravings, are the gems of this department, as a Vandyck will always be of any group of portraits.

Days may be profitably and delightfully spent in studying this fine collection. The first men and women of England for three centuries handed down to us by the first artists she could command form a spectacle in which Americans can take a sort of home interest. Nearly all date before 1776, and we have a rightful share in them. Each head and each picture is a study. We have art and history together. Familiar as we may be with the events with which the persons represented are associated, it is impossible to gaze upon their lineaments, set in the accessories of their day by the ablest hands guided by eyes that saw below the surface, and not feel that we have new readings of British annals.

Among the most ancient heads is a medallion of Henry VII. by Torregiano, the peppery and gifted Florentine who executed the marvelous chapel in Westminster Abbey and broke the nose of Michael Angelo. English art--or rather art in England--may be said to date from him. He could not create a school of artists in the island--the material did not exist--but the few productions he left there stood out so sharply from anything around them that the possessors of the wealth that was then beginning to accumulate employed it in drawing from the Continent additional treasures from the newly-found world of beauty. The riches of England have grown apace, and her collectors have used them liberally, if not always wisely, until her galleries, in time, have come to be sought by the connoisseurs, and even the artists, of the Continent.

The last picture-gallery we traverse is the only one at Hampton Court specially built for its purpose; and it is empty. This is the room erected by Sir Christopher Wren for the reception of the Cartoons. It leads us to the corridor that opens on the garden-front. We leave behind us, in addition to the state apartments, a great many others which are peopled by other inhabitants than the big spiders, said to be found nowhere else, known as cardinals. The old palace is not kept wholly for show, but is made useful in the political economy of the kingdom by furnishing a retreat to impecunious members of the oligarchy. Certain families of distressed aristocrats are harbored here--clearly a more wholesome arrangement than letting them take their chance in the world and bring discredit on their class.

Emerging on the great gardens, forty four acres in extent, we find ourselves on broad walks laid out with mathematical regularity, and edged by noble masses of yew, holly, horse-chestnut, etc. almost as rectangular and circular. We are here struck with the great advantage derived in landscape gardening from the rich variety of large evergreens possible in the climate of Britain. The holly, unknown as an outdoor plant in this country north of Philadelphia, is at home in the north of Scotland, eighteen degrees nearer the pole. We are more fortunate with the Conifers, many of the finest of which family are perfectly hardy here. But we miss the deodar cedar, the redwood and Washingtonia of California, and the cedar of Lebanon. These, unless perhaps the last, cannot be depended on much north of the latitude of the _Magnolia grandiflora._ They thrive all over England, with others almost as beautiful, and as delicate north of the Delaware. Of the laurel tribe, also hardy in England, our Northern States have but a few weakly representatives. So with the Rhododendra.

When, tired of even so charming a scene of arboreal luxury, we knock at the Flower-Pot gate to the left of the palace, and are admitted into the private garden, we make the acquaintance of another stately stranger we have had the honor at home of meeting only under glass. This is the great vine, ninety years or a hundred old, of the Black Hamburg variety. It does not cover as much space as the Carolina Scuppernong--the native variety that so surprised and delighted Raleigh's Roanoke Island settlers in 1585--often does. But its bunches, sometimes two or three thousand in number, are much larger than the Scuppernong's little clumps of two or three. They weigh something like a pound each, and are thought worthy of being reserved for Victoria's dessert. Her own family vine has burgeoned so broadly that three thousand pounds of grapes would not be a particularly large dish for a Christmas dinner for the united Guelphs.

We must not forget the Labyrinth, "a mighty maze, but not without a plan," that has bewildered generations of young and old children since the time of its creator, William of Orange. It is a feature of the Dutch style of landscape gardening imprinted by him upon the Hampton grounds. He failed to impress a like stamp upon that chaos of queer, shapeless and contradictory means to beneficent ends, the British constitution.

Hampton Court, notwithstanding the naming of the third quadrangle the Fountain Court, and the prominence given to a fountain in the design of the principal grounds, is not rich in waterworks. Nature has done a good deal for it in that way, the Thames embracing it on two sides and the lowness of the flat site placing water within easy reach everywhere. This superabundance of the element did not content the magnificent Wolsey. He was a man of great ideas, and to secure a head for his jets he sought an elevated spring at Combe Wood, more than two miles distant. To bring this supply he laid altogether not less than eight miles of leaden pipe weighing twenty-four pounds to the foot, and passing under the bed of the Thames. Reduced to our currency of to-day, these conduits must have cost nearly half a million of dollars. They do their work yet, the gnawing tooth of old _Edax rerum_ not having penetrated far below the surface of the earth. Better hydraulic results would now be attained at a considerably reduced cost by a steam-engine and stand-pipe. At the beginning of the sixteenth century this motor was not even in embryo, unless we accept the story of Blasco de Garay's steamer that manoeuvred under the eye of Charles V. as fruitlessly as Fitch's and Fulton's before Napoleon. Coal, its dusky pabulum, was also practically a stranger on the upper Thames. The ancient fire-dogs that were wont to bear blazing billets hold their places in the older part of the palace.

Crossing the Kingston road, which runs across the peninsula and skirts the northern boundary of Hampton Park, we get into its continuation, Bushy Park. This is larger than the chief enclosure, but less pretentious. We cease to be oppressed by the palace and its excess of the artificial. The great avenues of horse-chestnut, five in number, and running parallel with a length of rather more than a mile and an aggregate breadth of nearly two hundred yards, are formal enough in design, but the mass of foliage gives them the effect of a wood. They lead nowhere in particular, and are flanked by glades and copses in which the genuinely rural prevails. Cottages gleam through the trees. The lowing of kine, the tinkling of the sheep-bell, the gabble of poultry, lead you away from thoughts of prince and city. Deer domesticated here since long before the introduction of the turkey or the guinea-hen bear themselves with as quiet ease and freedom from fear as though they were the lords of the manor and held the black-letter title-deeds for the delicious stretch of sward over which they troop. Less stately, but scarce more shy, indigenes are the hares, lineal descendants of those which gave sport to Oliver Cromwell. When that grim Puritan succeeded to the lordship of the saintly cardinal, he was fain, when the Dutch, Scotch and Irish indulged him with a brief chance to doff his buff coat, to take relaxation in coursing. We loiter by the margin of the ponds he dug in the hare-warren, and which were presented as nuisances by the grand jury in 1662. The complaint was that by turning the water of the "New River" into them the said Oliver had made the road from Hampton Wick boggy and unsafe. Another misdemeanor of the deceased was at the same time and in like manner denounced. This was the stopping up of the pathway through the warren. The palings were abated, and the path is open to all nineteenth-century comers, as it probably will be to those of the twentieth, this being a land of precedent, averse to change. We may stride triumphantly across the location of the Cromwellian barricades, and not the less so, perhaps, for certain other barricades which he helped to erect in the path of privilege.

Directing our steps to the left, or westward, we again reach the river at the town of Hampton. It is possessed of pretty water-views, but of little else of note except the memory and the house of Garrick. Hither the great actor, after positively his last night on the stage, retired, and settled the long contest for his favor between the Muses of Tragedy and Comedy by inexorably turning his back on both. He did not cease to be the delight of polished society, thanks to his geniality and to literary and conversational powers capable of making him the intimate of Johnson and Reynolds. More fortunate in his temperament and temper than his modern successor, Macready, he never fretted that his profession made him a vagabond by act of Parliament, or that his adoption of it in place of the law had prevented his becoming, by virtue of the same formal and supreme stamp, the equal of the Sampson Brasses plentiful in his day as in ours among their betters of that honorable vocation. His self-respect was of tougher if not sounder grain. "Worth makes the man, and want of it the fellow," was the motto supplied him by his friend and neighbor, Pope, but obeyed long before he saw it in the poetic form.

Garrick's house is separated from its bit of "grounds," which run down to the water's edge, by the highway. It communicates with them by a tunnel, suggested by Johnson. It was not a very novel suggestion, but the excavation deserves notice as probably the one engineering achievement of old Ursus major. We may fancy the Titan of the pen and the tea-table, in his snuffy habit as he lived and as photographed by Boswell, Mrs. Thrale, Fanny Burney, and their epitomizer Macaulay, diving under the turnpike and emerging among the osiers and water-rats to offer his orisons at the shrine of Shakespeare. For, in the fashion of the day, Garrick erected a little brick "temple," and placed therein a statue of the man it was the study of his life to interpret. The temple is there yet. The statue, a fine one by Roubillac, now adorns the hall of the British Museum, a much better place for it. Garrick, and not Shakespeare, is the _genius loci_.

This is but one, if the most striking, of a long row of villas that overlook the river, each with its comfortable-looking and rotund trees and trim plat in front, with sometimes a summer-house snuggling down to the ripples. These riverside colonies, thrown out so rapidly by the metropolis, have no colonial look. We cannot associate the idea of a new settlement with rich turf, graveled walks and large trees devoid of the gaunt and forlorn look suggestive of their fellows' having been hewn away from their side. The houses have some of the pertness, rawness and obtrusiveness of youth, but it is not the youth of the backwoods.

Bob and sinker are in their glory hereabouts. Fishing-rods in the season and good weather form an established part of the scenery. From the banks of the stream, from the islands and from box-like boats called punts in the middle of the water, their slender arches project. It becomes a source of speculation how the breed of fish is kept up. Seth Green has never operated on the Thames. Were he to take it under his wing, a sum in the single rule of three points to the conclusion that all London would take its seat under these willows and extract ample sustenance from the invisible herds. If perch and dace can hold their own against the existing pressure and escape extinction, how would they multiply with the fostering aid of the spawning-box! We are not deep in the mysteries of the angle, but we believe English waters do not boast the catfish. They ought to acquire him. He is almost as hard to extirpate as the perch, would be quite at home in these sluggish pools under the lily-pads, and would harmonize admirably with the eel in the pies and other gross preparations which delight the British palate. He hath, moreover, a John Bull-like air in his broad and burly shape, his smooth and unscaly superficies and the _noli-me-tangere_ character of his dorsal fin. Pity he was unknown to Izaak Walton!

At this particular point the piscatory effect is intensified by the dam just above Hampton Bridge. Two parts of a river are especially fine for fishing. One is the part above the dam, and the other the part below. These two divisions may be said, indeed, in a large sense to cover all the Thames. Moulsey Lock, while favorable to fish and fishermen, is unfavorable to dry land. Yet there is said to be no malaria. Hampton Court has proved a wholesome residence to every occupant save its founder.

The angler's capital is Thames Ditton, and his capitol the Swan Inn. Ditton is, like many other pretty English villages, little and old. It is mentioned in _Domesday Boke_ as belonging to the bishop of Bayeux in Normandy, famous for the historic piece of tapestry. Wadard, a gentleman with a Saxon name, held it of him, probably for the quit--rent of an annual eel-pie, although the consideration is not stated. The clergy were, by reason of their frequent meagre days and seasons, great consumers of fish. The phosphorescent character of that diet may have contributed, if we accept certain modern theories of animal chemistry as connected in some as yet unexplained way with psychology, to the intellectual predominance of that class of the population in the Middle Ages. That occasional fasting, whether voluntary and systematic as in the cloisters, or involuntary and altogether the reverse of systematic in Grub street, helps to clear the wits, with or without the aid of phosphorus, is a fixed fact. The stomach is apt to be a stumbling-block to the brain. We are not prone to associate prolonged and productive mental effort with a fair round belly with fat capon lined. It was not the jolly clerics we read of in song, but the lean ascetic brethren who were numerous enough to balance them, that garnered for us the treasures of ancient literature and kept the mind of Christendom alive, if only in a state of suspended animation. It was something that they prevented the mace of chivalry from utterly braining humankind.

The Thames is hereabouts joined from the south by a somewhat exceptional style of river, characterized by Milton as "the sullen Mole, that runneth underneath," and by Pope, in dutiful imitation, as "the sullen Mole that hides his diving flood." Both poets play on the word. In our judgment, Milton's line is the better, since moles do not dive and have no flood--two false figures in one line from the precise and finical Pope! Thomson contributes the epithet of "silent," which will do well enough as far as it goes, though devoid even of the average force of Jamie. But, as we have intimated, it is a queer river. Pouring into the Thames by several mouths that deviate over quite a delta, its channel two or three miles above is destitute in dry seasons of water. Its current disappears under an elevation called White Hill, and does not come again to light for almost two miles, resembling therein several streams in the United States, notably Lost River in North-eastern Virginia, which has a subterranean course of the same character and about the same length, but has not yet found its Milton or Pope, far superior as it is to its English cousin in natural beauty.

For this defect art and association amply atone. On the southern side of the Mole, not far from the underground portion of its course--"the Swallow" as it is called--stand the charming and storied seats of Esher and Claremont.

Esher was an ancient residence of the bishops of Winchester. Wolsey made it for a time his retreat after being ousted from Hampton Court. A retreat it was to him in every sense. He dismissed his servants and all state, and cultivated the deepest despondency. His inexorable master, however, looked down on him, from his ravished towers hard by, unmoved, and, as the sequel in a few years proved, unsatisfied in his greed. Gardiner, bishop of Winchester, was called upon for a contribution. He loyally surrendered to the king the whole estate of Esher, a splendid mansion with all appurtenances and a park a mile in diameter. Henry annexed Esher to Hampton Court, and continued his research for new subjects of spoliation. His daughter Mary gave Esher back to the see of Winchester. Elizabeth bought it and bestowed it on Lord Howard of Effingham, who well earned it by his services against the Armada. Of the families who subsequently owned the place, the Pelhams are the most noted. Now it has passed from their hands. That which has alone been preserved of the palace of Wolsey is an embattled gatehouse that looks into the sluggish Mole, and joins it mayhap in musing over "the days that we have seen."

Claremont, its next neighbor, unites, with equal or greater charms of landscape, in preaching the old story of the decadence of the great. Lord Clive, the Indian conqueror and speculator, built the house from the designs of Capability Browne at a cost of over a hundred thousand pounds. His dwelling and his monument remain to represent Clive. After him, two or three occupants removed, came Leopold of Belgium, with his bride, the Princess Charlotte, pet and hope of the British nation. Their stay was more transient still--a year only, when death dissipated their dream and cleared the way to the throne for Victoria. Leopold continued to hold the property, and it became a generation later the asylum of Louis Philippe. To an ordinary mind the miseries of any one condemned to make this lovely spot his home are not apt to present themselves as the acme of despair. A sensation of relief and lulling repose would be more reasonably expected, especially after so stormy a career as that of Louis. The change from restless and capricious Paris to dewy shades and luxurious halls in the heart of changeless and impregnable England ought, on common principles, to have promoted the content and prolonged the life of the old king. Possibly it did, but if so, the French had not many months' escape from a second Orleans regency, for the exile's experience of Claremont was brief. We may wander over his lawns, and reshape to ourselves his reveries. Then we may forget the man who lost an empire as we look up at the cenotaph of him who conquered one. Both brought grist to Miller Bull, the fortunate and practical-minded owner of such vast water-privileges. His water-power seems proof against all floods, while the corn of all nations must come to his door. Standing under these drooping elms, by this lazy stream, we hear none of the clatter of the great mill, and we cease to dream of affixing a period to its noiseless and effective work.

If we are not tired of parks for today, five minutes by rail will carry us west to Oatlands Park, with its appended, and more or less dependent, village of Walton-upon-Thames. But a surfeit even of English country-houses and their pleasances is a possible thing; and nowhere are they more abundant than within an hour's walk of our present locality. So, taking Ashley Park, Burwood Park, Pains Hill and many others, as well as the Coway Stakes--said by one school of antiquarians to have been planted in the Thames by Cæsar, and by another to be the relics of a fish-weir--Walton Church and Bradshaw's house, for granted, we shall turn to the east and finish the purlieus of Hampton with a glance at the old Saxon town of Kingston-on-Thames. Probably an ardent Kingstonian would indignantly disown the impression our three words are apt to give of the place. It is a rapidly--growing town, and "Egbert, the first king of all England," who held a council at "Kyningestun, famosa ilia locus," in 838, would be at a loss to find his way through its streets could he revisit it. It has the population of a Saxon county. Viewed from the massive bridge, with the church-tower rising above an expanse of sightly buildings, it possesses the least possible resemblance to the cluster of wattled huts that may be presumed to have sheltered Egbert and his peers.

A more solid memento of the Saxons is preserved in the King's Stone. This has been of late years set up in the centre of the town, surrounded with an iron railing, and made visible to all comers, skeptical or otherwise. Tradition credits it with having been that upon which the kings of Wessex were crowned, as those of Scotland down to Longshanks, and after him the English, were on the red sandstone palladium of Scone. From the list of ante-Norman monarchs said to have received the sceptre upon it the poetically inclined visitor will select for chief interest Edwy, whose coronation was celebrated in great state in his seventeenth year. How he fell in love with and married secretly his cousin Elgiva; how Saint Dunstan and his equally saintly though not regularly beatified ally, Odo, archbishop of Canterbury, indignant at a step taken against their fulminations and protests, and jealous of the fair queen, tore her from his arms, burnt with hot iron the bloom out of her cheeks, and finally put her to death with the most cruel tortures; and how her broken-hearted boy-lord, dethroned and hunted, died before reaching twenty,--is a standing dish of the pathetic. Unfortunately, the story, handed down to us with much detail, appears to be true. We must not accept it, however, as an average illustration of life in that age of England. The five hundred years before the Conquest do not equal, in the bloody character of their annals, the like period succeeding it. Barbarous enough the Anglo-Saxons were, but wanton cruelty does not seem to have been one of their traits. To produce it some access of religious fury was usually requisite. It was on the church doors that the skins of their Danish invaders were nailed.

Kingston has no more Dunstans. Alexandra would be perfectly safe in its market-place. The rosy maidens who pervade its streets need not envy her cheeks, and the saints and archbishops who are to officiate at her husband's induction as head of the Anglican Church have their anxieties at present directed to wholly different quarters. They have foes within and foes without, but none in the palace.

Kingston bids fair to revert, after a sort, to the metropolitan position it boasted once, but has lost for nine centuries. The capital is coming to it, and will cover the four remaining miles within a decade or two at the existing rate of progress. Kingston may be assigned to the suburbs already. It is much nearer London, in point of time, than Union Square in New York to the City Hall. A slip of country not yet endowed with trottoirs and gas-lamps intervenes. Call this park, as you do the square miles of such territory already deep within the metropolis.

London's jurisdiction, as marked by the Boundary Stone, extends much farther up the river than we have as yet gone. Nor are the swans her only vicegerents. The myrmidons of Inspector Bucket, foot and horse, supplement those natatory representatives. So do the municipalities encroach upon and overspread the country, as it is eminently proper they should, seeing that to the charters so long ago exacted, and so long and so jealously guarded, by the towns, so much of the liberty enjoyed by English-speaking peoples is due. Large cities may be under some circumstances, according to an often-quoted saying, plague-spots on the body politic, but their growth has generally been commensurate with that of knowledge and order, and indicative of anything but a diseased condition of the national organism.

But here we are, under the shadow of the departed Nine Elms and of the official palace of the Odos, deep enough in Lunnon to satisfy the proudest Cockney, in less time than we have taken in getting off that last commonplace on political economy. Adam Smith and Jefferson never undertook to meditate at thirty-five miles an hour.

EDWARD C. BRUCE.

LINES WRITTEN AT VENICE IN OCTOBER, 1865.

Sleep, Venice, sleep! the evening gun resounds
Over the waves that rock thee on their breast:
The bugle blare to kennel calls the hounds
Who sleepless watch thy waking and thy rest.

Sleep till the night-stars do the day-star meet,
And shuddering echoes o'er the water run,
Rippling through every glass-green, wavering street
The stern good-morrow of thy guardian Hun.

Still do thy stones, O Venice! bid rejoice,
With their old majesty, the gazer's eye,
In their consummate grace uttering a voice,
From every line, of blended harmony.

Still glows the splendor of the wondrous dreams
Vouchsafed thy painters o'er each sacred shrine,
And from the radiant visions downward streams
In visible light an influence divine.

Still through thy golden day and silver night
Sings his soft jargon the gay gondolier,
And o'er thy floors of liquid malachite
Slide the black-hooded barks to mystery dear.

Like Spanish beauty in its sable veil,
They rustle sideling through the watery way,
The wild, monotonous cry with which they hail
Each other's passing dying far away.

As each steel prow grazes the island strands
Still ring the sweet Venetian voices clear,
And wondering wanderers from far, free lands
Entranced look round, enchanted listen here.

From the far lands of liberty they come--
England's proud children and her younger race;
Those who possess the Past's most noble home,
And those who claim the Future's boundless space.

Pitying they stand. For thee who would not weep?
Well it beseems these men to weep for thee,
Whose flags (as erst they own) control the deep,
Whose conquering sails o'ershadow every sea.

Yet not in pity only, but in hope,
Spring the hot tears the brave for thee may shed:
Thy chain shall prove but a sand-woven rope;
But sleep thou still: the sky is not yet red.

Sleep till the mighty helmsman of the world,
By the Almighty set at Fortune's wheel,
Steers toward thy freedom, and, once more unfurled,
The banner of St. Mark the sun shall feel.

Then wake, then rise, then hurl away thy yoke,
Then dye with crimson that pale livery,
Whose ghastly white has been the jailer's cloak
For years flung o'er thy shame and misery!

Rise with a shout that down thy Giants' Stair
Shall thy old giants bring with thundering tread--
The blind crusader standing stony there,
And him, the latest of thy mighty dead.

Whose patriot heart broke at the Austrian's foot,
Whose ashes under the black marble lie,
From whose dry dust, stirred by the voice, shall shoot
The glorious growth of living liberty.

FRANCES ANNE KEMBLE.

SKETCHES OF INDIA.

I.

"Come," says my Hindu friend, "let us do Bombay."

The name of my Hindu friend is Bhima Gandharva. At the same time, his name is _not_ Bhima Gandharva. But--for what is life worth if one may not have one's little riddle?--in respect that he is _not_ so named let him be so called, for thus will a pretty contradiction be accomplished, thus shall I secure at once his privacy and his publicity, and reveal and conceal him in a breath.

It is eight o'clock in the morning. We have met--Bhima Gandharva and I--in "The Fort." The Fort is to Bombay much as the Levee, with its adjacent quarters, is to New Orleans; only it is--one may say _Hibernice_--a great deal more so. It is on the inner or harbor side of the island of Bombay. Instead of the low-banked Mississippi, the waters of a tranquil and charming haven smile welcome out yonder from between wooded island-peaks. Here Bombay has its counting-houses, its warehouses, its exchange, its "Cotton Green," its docks. But not its dwellings. This part of the Fort where we have met is, one may say, only inhabited for six hours in the day--from ten in the morning until four in the afternoon. At the former hour Bombay is to be found here engaged at trade: at the latter it rushes back into the various quarters outside the Fort which go to make up this many-citied city. So that at this particular hour of eight in the morning one must expect to find little here that is alive, except either a philosopher, a stranger, a policeman or a rat.

"Well, then," I said as Bhima Gandharva finished communicating this information to me, "we are all here."

"How?"

"There stand you, a philosopher; here I, a stranger; yonder, the policeman; and, heavens and earth! what a rat!" I accompanied this exclamation by shooing a big musky fellow from behind a bale of cotton whither I had just seen him run.

Bhima Gandharva smiled in a large, tranquil way he has, which is like an Indian plain full of ripe corn. "I find it curious," he said, "to compare the process which goes on here in the daily humdrum of trade about this place with that which one would see if one were far up yonder at the northward, in the appalling solitudes of the mountains, where trade has never been and will never be. Have you visited the Himalaya?"

I shook my head.

"Among those prodigious planes of snow," continued the Hindu, "which when level nevertheless frighten you as if they were horizontal precipices, and which when perpendicular nevertheless lull you with a smooth deadly half-sense of confusion as to whether you should refer your ideas of space to the slope or the plain, there reigns at this moment a quietude more profound than the Fort's. But presently, as the sun beats with more fervor, rivulets begin to trickle from exposed points; these grow to cataracts and roar down the precipices; masses of undermined snow plunge into the abysses; the great winds of the Himalaya rise and howl, and every silence of the morning becomes a noise at noon. A little longer, and the sun again decreases; the cataracts draw their heads back into the ice as tortoises into their shells; the winds creep into their hollows, and the snows rest. So here. At ten the tumult of trade will begin: at four it will quickly freeze again into stillness. One might even carry this parallelism into more fanciful extremes. For, as the vapors which lie on the Himalaya in the form of snow have in time come from all parts of the earth, so the tide of men that will presently pour in here is made up of people from the four quarters of the globe. The Hindu, the African, the Arabian, the Chinese, the Tartar, the European, the American, the Parsee, will in a little while be trading or working here."

"What a complete _bouleversement_," I said, seating myself on a bale of cotton and looking toward the fleets of steamers and vessels collected off the great cotton-presses awaiting their cargoes, "this particular scene effects in the mind of a traveler just from America! India has been to me, as the average American, a dream of terraced ghauts, of banyans and bungalows, of Taj Mahals and tigers, of sacred rivers and subterranean temples, and--and that sort of thing. I come here and land in a big cotton-yard. I ask myself, 'Have I left Jonesville--dear Jonesville!--on the other side of the world, in order to sit on an antipodal cotton-bale?'"

"There is some more of India," said Bhima Gandharva gently. "Let us look at it a little."

One may construct a good-enough outline map of this wonderful land in one's mind by referring its main features to the first letter of the alphabet. Take a capital A; turn it up side down; imagine that the inverted triangle forming the lower half of the letter is the Deccan, the left side representing the Western Ghauts, the right side representing the Eastern Ghauts, and the cross-stroke standing for the Vindhya Mountains; imagine further that a line from right to left across the upper ends of the letter, trending upward as it is drawn, represents the Himalaya, and that enclosed between them and the Vindhyas is Hindustan proper. Behind--i.e. to the north of--the centre of this last line rises the Indus, flowing first north-westward through the Vale of Cashmere, then cutting sharply to the south and flowing by the way of the Punjab and Scinde to where it empties at Kurrachee. Near the same spot where the Indus originates rises also the Brahmaputra, but the latter empties its waters far from the former, flowing first south-eastward, then cutting southward and emptying into the Gulf of Bengal. Fixing, now, in the mind the sacred Ganges and Jumna, coming down out of the Gangetic and Jumnatic peaks in a general south-easterly direction, uniting at Allahabad and emptying into the Bay of Bengal, and the Nerbudda River flowing over from the east to the west, along the southern bases of the Vindhyas, until it empties at the important city of Brooch, a short distance north of Bombay, one will have thus located a number of convenient points and lines sufficient for general references.

This A of ours is a very capital A indeed, being some nineteen hundred miles in length and fifteen hundred in width. Lying on the western edge of this peninsula is Bombay Island. It is crossed by the line of 19° north latitude, and is, roughly speaking, halfway between the Punjab on the north and Ceylon on the south. Its shape is that of a lobster, with his claws extended southward and his body trending a little to the west of north. The larger island of Salsette lies immediately north, and the two, connected by a causeway, enclose the noble harbor of Bombay. Salsette approaches near to the mainland at its northern end, and is connected with it by the railway structure. These causeways act as break-waters and complete the protection of the port. The outer claw, next to the Indian Ocean, of the lobster-shaped Bombay Island is the famous Malabar Hill; the inner claw is the promontory of Calaba; in the curved space between the two is the body of shallow water known as the Back Bay, along whose strand so many strange things are done daily. As one turns into the harbor around the promontory of Calaba--which is one of the European quarters of the manifold city of Bombay, and is occupied by magnificent residences and flower-gardens--one finds just north of it the great docks and commercial establishments of the Fort; then an enormous esplanade farther north; across which, a distance of about a mile, going still northward, is the great Indian city called Black Town, with its motley peoples and strange bazars; and still farther north is the Portuguese quarter, known as Mazagon.

As we crossed the great esplanade to the north of the Fort--Bhima Gandharva and I--and strolled along the noisy streets, I began to withdraw my complaint. It was not like Jonesville. It was not like any one place or thing, but like a hundred, and all the hundred _outré_ to the last degree. Hindu beggars, so dirty that they seemed to have returned to dust before death; three fakirs, armed with round-bladed daggers with which they were wounding themselves apparently in the most reckless manner, so as to send streams of blood flowing to the ground, and redly tattooing the ashes with which their naked bodies were covered; Parsees with their long noses curving over their moustaches, clothed in white, sending one's thoughts back to Ormuz, to Persia, to Zoroaster, to fire-worship and to the strangeness of the fate which drove them out of Persia more than a thousand years ago, and which has turned them into the most industrious traders and most influential citizens of a land in which they are still exiles; Chinese, Afghans--the Highlanders of the East--Arabs, Africans, Mahrattas, Malays, Persians, Portuguese half-bloods; men that called upon Mohammed, men that called upon Confucius, upon Krishna, upon Christ, upon Gotama the Buddha, upon Rama and Sita, upon Brahma, upon Zoroaster; strange carriages shaded by red domes that compressed a whole dream of the East in small, and drawn by humped oxen, alternating with palanquins, with stylish turnouts of the latest mode, with cavaliers upon Arabian horses; half-naked workmen, crouched in uncomfortable workshops and ornamenting sandal-wood boxes; dusky curb-stone shopkeepers, rushing at me with strenuous offerings of their wares; lines of low shop-counters along the street, backed by houses rising in many stories, whose black pillared verandahs were curiously carved and painted: cries, chafferings, bickerings, Mussulman prayers, Arab oaths extending from "Praise God that you exist" to "Praise God _although_ you exist;"--all these things appealed to the confused senses.

The tall spire of a Hindu temple revealed itself.

"It seems to me," I said to Bhima Gandharva, "that your steeples--as we would call them in Jonesville--represent, in a sort of way, your cardinal doctrine: they seem to be composed of a multitude of little steeples, all like the big one, just as you might figure your Supreme Being in the act of absorbing a large number of the faithful who had just arrived from the dismal existence below. And then, again, your steeple looks as if it might be the central figure of your theistic scheme, surrounded by the three hundred millions of your lesser deities. How do you get on, Bhima Gandharva, with so many claims on your worshiping faculties? I should think you would be well lost in such a jungle of gods?"

"My friend," said Bhima Gandharva, "a short time ago a play was performed in this city which purported to be a translation into the Mahratta language of the _Romeo and Juliet_ which Shakespeare wrote. It was indeed a very great departure from that miraculous work, which I know well, but among its many deviations from the original was one which for the mournful and yet humorous truth of it was really worthy of the Master. Somehow, the translator had managed to get a modern Englishman into the play, who, every time that one of my countrymen happened to be found in leg-reach, would give him a lusty kick and cry out 'Damn fool!' Why is the whole world like this Englishman?--upon what does it found its opinion that the Hindu is a fool? Is it upon our religion? Listen! I will recite you some matters out of our scriptures: Once upon a time Arjuna stood in his chariot betwixt his army and the army of his foes. These foes were his kinsmen. Krishna--even that great god Krishna--moved by pity for Arjuna, had voluntarily placed himself in Arjuna's chariot and made himself the charioteer thereof. Then--so saith Sanjaya--in order to encourage him, the ardent old ancestor of the Kurus blew his conch-shell, sounding loud as the roar of a lion. Then on a sudden trumpets, cymbals, drums and horns were sounded. That noise grew to an uproar. And, standing on a huge car drawn by white horses, the slayer of Madhu and the son of Pandu blew their celestial trumpets. Krishna blew his horn called Panchajanya; the Despiser of Wealth blew his horn called the Gift of the Gods; he of dreadful deeds and wolfish entrails blew a great trumpet called Paundra; King Yudishthira, the son of Kunti, blew the Eternal Victory; Nakula and Sahadeva blew the Sweet-toned and the Blooming-with-Jewels. The king of Kashi, renowned for the excellence of his bow, and Shikandin in his huge chariot, Dhrishtyadumna, and Virata, and Satyaki, unconquered by his foes, and Drupada and the sons of Drupadi all together, and the strong-armed son of Subhadrá, each severally blew their trumpets. That noise lacerated the hearts of the sons of Dhartarashtra, and uproar resounded both through heaven and earth. Now when Arjuna beheld the Dhartarashtras drawn up, and that the flying of arrows had commenced, he raised his bow, and then addressed these words to Krishna:

"'Now that I have beheld this kindred standing here near together for the purpose of fighting, my limbs give way and my face is bloodless, and tremor is produced throughout my body, and my hair stands on end. My bow Gandiva slips from my hand, and my skin burns. Nor am I able to remain upright, and my mind is as it were whirling round. Nor do I perceive anything better even when I shall have slain these relations in battle, I seek not victory, Krishna, nor a kingdom, nor pleasures. What should we do with a kingdom, Govinda? What with enjoyments, or with life itself? Those very men on whose account we might desire a kingdom, enjoyments or pleasures are assembled for battle. Teachers, fathers, and even sons, and grandfathers, uncles, fathers-in-law, grandsons, brothers-in-law, with connections also,--these I would not wish to slay, though I were slain myself, O Killer of Madhu! not even for the sake of the sovereignty of the triple world--how much less for that of this earth! When we had killed the Dhartarashtras, what pleasure should we have, O thou who art prayed to by mortals? How could we be happy after killing our own kindred, O Slayer of Madhu? Even if they whose reason is obscured by covetousness do not perceive the crime committed in destroying their own tribe, should we not know how to recoil from such a sin? In the destruction of a tribe the eternal institutions of the tribe are destroyed. These laws being destroyed, lawlessness prevails. From the existence of lawlessness the women of the tribe become corrupted; and when the women are corrupted, O son of Vrishni! confusion of caste takes place. Confusion of caste is a gate to hell. Alas! we have determined to commit a great crime, since from the desire of sovereignty and pleasures we are prepared to slay our own kin. Better were it for me if the Dhartarashtras, being armed, would slay me, harmless and unresisting in the fight.'

"Having thus spoken in the midst of the battle, Arjuna, whose heart was troubled with grief, let fall his bow and arrow and sat down on the bench of the chariot."

"Well," I asked after a short pause, during which the Hindu kept his eyes fixed in contemplation on the spire of the temple, "what did Krishna have to say to that?"

"He instructed Arjuna, and said many wise things. I will tell you some of them, here and there, as they are scattered through the holy _Bhagavad-Gitá_: Then between the two armies, Krishna, smiling, addressed these words to him, thus downcast:

"'Thou hast grieved for those who need not be grieved for, yet thou utterest words of wisdom. The wise grieve not for dead or living. But never at any period did I or thou or these kings of men not exist, nor shall any of us at any time henceforward cease to exist. There is no existence for what does not exist, nor is there any non-existence for what exists.... These finite bodies have been said to belong to an eternal, indestructible and infinite spirit.... He who believes that this spirit can kill, and he who thinks that it can be killed--both of these are mistaken. It neither kills nor is killed. It is born, and it does not die.... Unborn, changeless, eternal both as to future and past time, it is not slain when the body is killed.... As the soul in this body undergoes the changes of childhood, prime and age, so it obtains a new body hereafter.... As a man abandons worn-out clothes and take other new ones, so does the soul quit worn-out bodies and enter other new ones. Weapons cannot cleave it, fire cannot burn it, nor can water wet it, nor can wind dry it. It is impenetrable, incombustible, incapable of moistening and of drying. It is constant; it can go everywhere; it is firm, immovable and eternal. And even if thou deem it born with the body and dying with the body, still, O great-armed one! thou art not right to grieve for it. For to everything generated death is certain: to everything dead regeneration is certain.... One looks on the soul as a miracle; another speaks of it as a miracle; another hears of it as a miracle; but even when he has heard of it, not one comprehends it.... When a man's heart is disposed in accordance with his roaming senses, it snatches away his spiritual knowledge as the wind does a ship on the waves.... He who does not practice devotion has neither intelligence nor reflection. And he who does not practice reflection has no calm. How can a man without calm obtain happiness? The self-governed man is awake in that which is night to all other beings: that in which other beings are awake is night to the self-governed. He into whom all desires enter in the same manner as rivers enter the ocean, which is always full, yet does not change its bed, can obtain tranquillity.... Love or hate exists toward the object of each sense. One should not fall into the power of these two passions, for they are one's adversaries.... Know that passion is hostile to man in this world. As fire is surrounded by smoke, and a mirror by rust, and a child by the womb, so is this universe surrounded by passion.... They say that the senses are great. The heart is greater than the senses. But the intellect is greater than the heart, and passion is greater than the intellect....

"'I and thou, O Arjuna! have passed through many transmigrations. I know all these. Thou dost not know them.... For whenever there is a relaxation of duty, O son of Bharata! and an increase of impiety, I then reproduce myself for the protection of the good and the destruction of evil-doers. I am produced in every age for the purpose of establishing duty.... Some sacrifice the sense of hearing and the other senses in the fire of restraint. Others, by abstaining from food, sacrifice life in their life. (But) the sacrifice of spiritual knowledge is better than a material sacrifice.... By this knowledge thou wilt recognize all things whatever in thyself, and then in me. He who possesses faith acquires spiritual knowledge. He who is devoid of faith and of doubtful mind perishes. The man of doubtful mind enjoys neither this world nor the other, nor final beatitude. Therefore, sever this doubt which exists in thy heart, and springs from ignorance, with thy sword of knowledge: turn to devotion and arise, O son of Bharata!...