Chapter VII: Part 7

The great father of mankind and of the Gods, Jove, the son of Saturn, had the fifth car, ornate and rich in pomp beyond all the others; for, besides the five fables that were seen painted there, as with the others, it was rendered rich and marvellous beyond belief by three statues that served as most imposing partitions to those fables. By one of these was seen represented the image, such as it is believed to have been, of the young Epaphus, the son of Io and Jove, and by the second that of the lovely Helen, who was born from Leda at one birth with Castor and Pollux; even as by the last was represented that of the grandfather of the sage Ulysses, called Arcesius. For the first of the fables already mentioned was seen Jove transformed into a Bull, conveying the trusting Europa to Crete, even as for the second was seen his perilous rape as he flew to Heaven in the form of an Eagle with the Trojan Ganymede, and for the third his other transformation into fire when he wished to lie with the beautiful AEgina, daughter of Asopus. For the fourth was seen the same Jove, changed into a rain of gold, falling into the lap of his beloved Danae; and in the fifth and last he was seen delivering his father Saturn, who, as has been told above, was unworthily held prisoner by the Titans. In such and so adorned a car, then, and upon a most beautiful throne composed of various animals and of many gilded Victories, with a little mantle woven of divers animals and plants, the above-named great father Jove was seen seated in infinite majesty, with a garland of leaves similar to those of the common olive, and in the right hand a Victory crowned with a band of white wool, and in the left hand a royal sceptre, at the head of which was shown poised the imperial Eagle. At the foot of the throne, to render it more imposing and pompous, was seen on one side Niobe, with her children, dying by the shafts of Apollo and Diana, and on the other side seven men in combat, who were seen to have in their midst a boy with the head bound with white wool, even as in another place could be seen Hercules and Theseus, who were shown in combat with the famous Amazons. And at the foot of the car, which was drawn by two very large and very naturally figured eagles, there was seen walking (as has been told of the others) Bellerophon adorned with a royal habit and a royal diadem, in allusion to whose fable there was seen over that diadem the Chimera slain by him; having in his company the young Perseus, born from Jove and Danae, with the usual head of Medusa in his hand, and the usual knife at his flank; and with them was the above-named Epaphus, who had as a cap the head of an African elephant. Hercules, the son of Jove and Alcmena, with the customary lion's skin and the customary club, was seen coming after them; and in his company he had Scythes, his brother (although born from a different mother), the first inventor of bow and arrows, on which account his hands and his flank were seen furnished with these. After them were seen the two gracious Twins, Castor and Pollux, riding with an air of no less beauty upon two milk-white and spirited coursers, and dressed in military habit; each having upon the helmet, one of which was dotted with eight stars and the other with ten, a brilliant little flame as helmet-crest, in allusion to that salutary light, now called S. Elmo's Fire, which is wont to appear to mariners as a sign that the tempest has passed; the stars being intended to signify how they were placed in Heaven by Jove as the sign of the Twins. Then Justice was seen coming after these, a beautiful maiden, who was beating with a stick and finally strangling a woman ugly and deformed, and in her company were four of the Gods Penates, two male and two female, these demonstrating--although in barbaric and extravagant dress, and although they had on the head a pediment which, with the base turned upwards, supported the heads of a young man and an old--by the gilded chain with a heart attached that they had about the neck, and by their long, ample, and pompous vestments, that they were persons of great weight and of great and lofty counsel; which was done with much reason, seeing that they were reputed by the ancient writers to be the counsellors of Jove. After them were seen walking the two Palici, born of Jove and Thaleia, adorned with draperies of tawny hue, and crowned with various ears of corn, and each with an altar in the hand; and in their company was Iarbas, King of Gaetulia, the son of the same Jove, crowned with a white band, and with the head of a lion surmounted by a crocodile as a cap, and his other garments interwoven with leaves of cane and papyrus and various monsters, and with the sceptre and a burning flame of fire in the hands. Behind these were seen coming Xanthus, the Trojan River, likewise the son of Jove, in human form, but all yellow, all nude, and all shorn, with the overflowing vase in his hands, and Sarpedon, King of Lycia, his brother, in a most imposing garb, and in his hand a little mound covered with lions and serpents. And the last part of that great company, concluding the whole, was formed of four armed Curetes, who kept clashing their swords one against another, thus reviving the memory of Mount Ida, where Jove was saved from the voracious Saturn by their means, drowning by the clash of their arms the wailing of the tender babe; among whom, with the last couple, for greater dignity, as Queen of all the others, winged and without feet, and with much pomp and grandeur, proud Fortune was seen haughtily approaching.

SIXTH CAR, OF MARS.

Mars, the proud and warlike God, covered with brightly-shining armour, had the sixth car, adorned with no little richness and pomp, and drawn by two ferocious wolves very similar to the reality; and therein his wife Neriene and his daughter Evadne, figured in low-relief, served to divide three of his fables, which (as has been told of the other cars) were painted there. For the first of these, he was seen slaying the hapless son of Neptune, Halirrhotius, in vengeance for the violation of Alcippe, and for the second he was seen in most amorous guise lying with Rea Silvia, and begetting by her the two great founders of Rome, Romulus and Remus; even as for the third and last he was seen miserably reduced to captivity (as happens often enough to his followers) in the hands of the impious Otus and Ephialtes. Then before the car, as the first figures, preceding it on horseback, were seen two of his priests, the Salii, with their usual shields, the Ancilia, and clad and adorned with their usual armour and vestments, and wearing on their heads, in place of helmets, two caps in the likeness of cones; and they were seen followed by the above-named Romulus and Remus in the guise of shepherds, covered in rustic fashion with skins of wolves, while, to distinguish the one from the other, Remus had six vultures placed in his head-dress, and Romulus twelve, in memory of his more happy augury. After them came Oenomaus, King of the Greek Pisa, and also the son of Mars, who held in one hand, as King, a royal sceptre, and in the other a little chariot all broken, in memory of the treachery shown against him by the charioteer Myrtilus in his combat for his daughter Hippodameia against Pelops, her lover. And after him were seen coming Ascalaphus and Ialmenus, likewise sons of Mars, adorned with a rich military habit; recalling by the ships that they had in the hand, one for each, the weighty succour brought by them with fifty ships to the besieged Trojans. These were followed by the beautiful Nymph Britona, daughter likewise of Mars, with a net in her arms, in memory of her miserable fate; and by the not less beautiful Harmonia, who was born of the same Mars and lovely Venus, and became the wife of Theban Cadmus. To her, it is said, Vulcan once presented a most beautiful necklace, on which account she was seen with that necklace about her neck; and in the upper parts she had the semblance of a woman, but in the lower parts--denoting that she was transformed, together with her husband, into a serpent--she was seen all covered with serpent's skin. These had behind them, with a bloody knife in the hand and across the shoulders a little kid split open, and very fierce in aspect, Hyperion, born from the same father, by whom it is said that men were first taught to kill brute-animals, and with him the no less fierce AEtolus, likewise the offspring of Mars; and between them was seen walking blind Rage, adorned with a red habit all picked out with black embroidery, with foaming mouth, and with a rhinoceros on the head and a cynocephalus upon the back. After these walked Fraud, with the face of a human creature and with the other parts as they are described by Dante in the Inferno, and Menace, truly threatening in aspect with the sword and the staff that she had in the hands, covered with grey and red draperies, and with the mouth open; and they were seen to have behind them Fury, the great Minister of Mars, and Death, pallid and not less in harmony with the same Mars; the first all draped and tinted in dark red, with the hands bound behind the back, and seeming to be seated, all threatening, upon a great bundle of various arms, and the second all pallid, as has been said, and covered with black draperies, with the eyes closed, and with a presence no less awful and no less horrible. Spoils, then, in the form of a woman adorned with a lion's skin, with an ancient trophy in the hand, was seen coming after these, and she appeared as if desirous to exult over two prisoners, wounded and bound, who were on either side of her; having behind her, as the last line of so terrible a company, a woman of a very stalwart presence, with two bull's horns on the head and with an elephant in the hand, representing Force, to whom Cruelty, all red and likewise awful, killing a little child, seemed to make a true and fit companion.

SEVENTH CAR, OF VENUS.

Very different was the aspect of the charming, graceful, elegant, and gilded car of benign Venus, which was seen coming after the last in the seventh place, drawn by two most peaceful, snow-white, and amorous doves; wherein were not wanting four scenes executed with great mastery, to render it pleasing, gladsome, and rich in pomp. For the first of these was seen the lovely Goddess transforming herself into a fish, to escape from the fury of the Giant Typhoeus, and for the second, likewise, she was seen praying the great father Jove most piteously that he should deign to make an end at last of the many labours of her much-enduring son AEneas. In the third was seen the same Venus caught by her husband Vulcan with the net, while lying with her lover Mars; even as in the fourth and last she was seen, no less solicitous for her same son AEneas, coming into accord with the so inexorable Juno to unite him with the snares of love to the chaste Queen of Carthage. The beautiful Adonis, as her dearest lover, was seen walking first before the car, in the gracious habit of a huntsman, and with him appeared as his companions two charming little Loves, with painted wings and with bows and arrows. These were followed by the marital Hymeneus, young and beautiful, with the customary garland of marjoram, and in his hand the lighted torch; and by Thalassius with the spear and shield, and the little basket full of wool. And after them was seen coming Peitho, the Goddess of Persuasion, robed in the habit of a matron, with a great tongue upon the head (after the Egyptian custom) containing a bloody eye, and in the hand another similar tongue which was joined to another counterfeited hand; and with her the Trojan Paris in the habit of a shepherd, who was seen carrying in memory of his fable that for him so unlucky apple. Even as Concord, in the form of a grave and beautiful woman crowned with a garland, with a cup in one hand and in the other a sceptre wreathed in flowers, could be seen following these; and with her, likewise, appeared as a companion Priapus, the God of orchards, with the usual sickle and with the lap all full of fruits; and with them, with a cube in the hand and another upon the head, Manturna, who was always invoked most devoutly by brides on the first night that they were joined with their husbands, believing that firmness and constancy could be infused by her into inconstant minds. Extravagantly figured, next, was Friendship, who came after these, for, although in the form of a young woman, she was seen to have the bare head crowned with leaves of pomegranate and myrtle, wearing a rough dress, upon which could be read, MORS ET VITA; with the breast open, so that the heart could be perceived, and there, likewise, were to be read these words written, LONGE ET PROPE; and she carried in the hand a withered elm-trunk entwined with a fresh and fertile vine. In her company was Pleasure, both the seemly and the unseemly, likewise extravagantly figured in the form of two young women that were shown attached to one another by the back; one white, and, as Dante said, cross-eyed and with the feet distorted, and the other, although black, yet of a seemly and gracious form, girt with beautiful consideration by the jewelled and gilded cestus, with a bit and a common braccio for measuring in the hands. And she was followed by the Goddess Virginensis, who used also to be invoked in ancient nuptials, that she might aid the husband to loose the virgin zone; on which account, all robed in draperies of white linen, with a crown of emeralds and a cock upon the head, she was seen walking with the above-named zone and with a little branch of agnus-castus in the hands. In her company was Beauty, desired so much and by so many, in the form of a gracious virgin wreathed in flowers, and all crowned with lilies; and with them was Hebe, the Goddess of Youth, likewise a virgin, and likewise dressed with much richness and infinite grace, and crowned with the ornament of a lovely gilded garland, and carrying in the hand a beautiful little branch of flowering almond. Finally, that most lovely company was concluded by Joy, likewise a virgin, gracious and crowned with a garland, who in similar guise carried in the hand a thyrsus all woven of garlands and various leaves and flowers.

EIGHTH CAR, OF MERCURY.

To Mercury, who had the caduceus, the cap, and the winged sandals, was given the eighth car, drawn by two most natural storks, and likewise enriched and adorned with five of his fables. For the first of these he was seen appearing upon the new walls of Carthage, as the Messenger of Jove, to the enamoured AEneas, and commanding him that he should depart thence and set out on the way to Italy; even as for the second was seen the unhappy Agraulos converted by him into stone, and for the third he was seen likewise at the command of Jove binding the too audacious Prometheus to the rocks of Mount Caucasus. In the fourth, again, he was seen converting the ill-advised Battus into that stone that is called basanite; and in the fifth and last was his slaying, so cunningly achieved, of the many-eyed Argus. For clearer demonstration, that same Argus was seen walking first before the car, in a pastoral habit all covered with eyes; and with him was seen as his companion Maia, the mother of the above-named Mercury and daughter of Faunus, in the very rich habit of a young woman, with a vine upon the head and a sceptre in the hand, having some serpents tame in appearance that were following her. After these was seen coming Palaestra, daughter of Mercury, in the semblance of a virgin wholly nude, but stalwart and proud to a marvel, and adorned with various leaves of olive over the whole person, with the hair cut short, to the end that when fighting, as it was her custom always to do, it might not give a grip to the enemy; and with her was Eloquence, also the daughter of Mercury, robed in the dignified and decorous habit of a matron, with a parrot upon the head, and with one of the hands open. Next were seen the three Graces, with the hands linked in the usual manner, and draped in most delicate veiling; and after them were seen coming the two Lares, dressed in the skins of dogs, with whom there appeared as their companion Art, also in the habit of a matron, with a great lever and a great flame of fire in the hands. These were followed by Autolycus, that most subtle thief, the son of Mercury and of the Nymph Chione, with shoes of felt and a closed cap that hid his face, having both his hands occupied with such a lantern as is called a thieves' lantern, various picklocks, and a rope-ladder. And finally, Hermaphroditus, the offspring of the same Mercury and of Venus, figured in the usual manner, was seen bringing up the rear of that little company.

NINTH CAR, OF THE MOON.

The ninth car, all silvered, of the Moon, drawn by two horses, one black and the other white, was seen passing in no less lovely fashion after the last; the Moon, draped, as is customary, in a white and delicate veil, guiding the silver reins with grace most gracious; and, like the others, it was seen adorned with no less beauty and pomp by four of her fables. For the first of these that most gentle Goddess, flying from the fury of Typhoeus, was seen constrained to transform herself into a cat; even as in the second she was seen fondly embracing and kissing beautiful Endymion as he lay asleep, and in the third she was seen, won over by a delicate fleece of white wool, making her way into a dark forest, there to lie with the enamoured Pan, the God of Shepherds. In the fourth was seen how the same Endymion named above, for the grace acquired with her, was given pasture for his white flock; and for a better representation of him who was so dear to the Moon, he was then seen walking first before the car, crowned with dittany, and in his company a fair-haired child, with a serpent in the hand, and also crowned with leaves of the plane, representing the Good Genius, and a great black man, awful in aspect, with the beard and hair all dishevelled and with an owl in the hand, representing the Evil Genius. These were followed by the God Vaticanus, who is believed to be able to bring succour to the wailing of little infants, robed in a handsome tawny habit, and with an infant in his arms; and with him was likewise seen coming, in a splendid and well-varied dress, with a key in the hand, the Goddess Egeria, who is also invoked in aid of pregnant women; and with them the other Goddess, Nundina, who likewise protects the names of little babes, in a venerable habit, with a branch of laurel and a sacrificial vase in the hands. Then after these Vitumnus was seen walking, who was reputed to breathe the soul into children at their birth, figured after the Egyptian custom, and with him Sentinus, who likewise was believed by the ancients to give to the newly-born the power of the senses, on which account, he himself being all white, there were seen in his head-dress the heads of those five animals that are believed to have the five senses more acute than any of the others; that of an ape, namely, that of a vulture, that of a wild-boar, that of a lynx, and that--or rather, the whole body--of a little spider. Then Edusa and Potina, who preside over the nourishment of those same infants, were seen riding in the same fashion as the others, in the habit of nymphs, but with breasts very long and very full, one holding a basin containing white bread, and the other a most beautiful vase that seemed to be full of water; and with them, concluding the last part of the company, was Fabulinus, who presides over the first speech of the same infants, robed in various colours, with the head all crowned with wagtails and singing chaffinches.

TENTH CAR, OF MINERVA.

Minerva, clad in armour, with the spear and the shield of the Gorgon, as she is generally figured, had the tenth car, composed in a triangular form and in the colour of bronze, and drawn by two very large and most bizarre owls, of which I cannot forbear to say that although it would be possible to relate singular and even incredible marvels of all the animals that drew the cars, yet these, beyond all the others, were figured so lifelike and so natural, and their feet, wings, and necks were made to move, and even the eyes to open and shut so well, and with a resemblance so close to the reality, that I know not how I could ever be able to convince of it those who never saw them. However, ceasing to speak of these, I must relate that of the three sides of which the triangular car was composed, there was seen painted in one the miraculous birth of the Goddess from the head of Jove, even as in the second Pandora was seen adorned by her with all those countless ornaments, and in the third, likewise, she was seen converting the hair of the wretched Medusa into snakes. Then on one part of the base there was painted the contest that she had with Neptune over the name that was to be given to Athenae (before she had such a name), when, he producing the fiery horse and she the fruitful olive, she was seen to win thereby a glorious and memorable victory; and on the other she was seen in the form of a little old woman, striving to persuade the overbold Arachne, before she had transformed her into the animal of that name, that she should consent, without putting the matter to the proof, to yield her the palm in the art of embroidery; even as in the third and last part, with a different aspect, she was seen valorously slaying the proud Typhon. Before the car was seen walking Virtue, in the form of a young and stalwart woman, with two great wings, and in an easy, chaste, and becoming habit, having as a worthy companion the venerable Honour, crowned with palm and resplendent in purple and gold, with the shield and spear in the hands, who was shown supporting two temples, into one of which (namely, that dedicated to the same Honour) it appeared impossible to pass save by way of that dedicated to Virtue; and to the end that a noble and worthy companion might be given to those masks, it seemed right that Victory, crowned with laurel and likewise with a branch of palm in the hand, should be added to the same line. These were followed by Good Fame, figured in the form of a young woman with two white wings, sounding a great trumpet, and after her, with a little white dog in her arms, came Faith, likewise all white, with a luminous veil that was seen covering her arms, head, and face; and with them Salvation, holding in the right hand a cup that she seemed to be seeking to offer to a serpent, and in the other a thin and straight wand. After these, then, was seen coming Nemesis, the daughter of Night, who rewards the good and chastises the wicked, virginal in aspect, and crowned with little stags and little victories, with a spear of ash and a similar cup in the hands; with whom appeared as her companion Peace, also a virgin, but of a kindly aspect, with a branch of olive in the hand and a blind boy, representing the God of riches, in the arms; and with them, carrying in the hand a drinking-vessel in the form of a lily, and in similar guise, was seen likewise coming ever-verdant Hope, followed by Clemency, who was riding upon a great lion, with a spear in one hand and in the other a thunderbolt, which she was making as if not to hurl furiously, but to throw away. Then were seen likewise coming Opportunity, who had a little behind her Penitence, by whom she seemed to be continually smitten, and Felicity, upon a commodious throne, with a caduceus in one hand and a horn of plenty in the other. And these were seen followed by the Goddess Pellonia, whose office it is to keep enemies at a distance, in full armour, with two great horns upon the head, and in the hand a vigilant crane, who was seen poised upon one foot, as is their custom, and holding in the other a stone; and with her, closing the last part of the glorious company, was Science, figured in the form of a young man, who was shown carrying in the hand a book and upon the head a gilded tripod, to denote his constancy and firmness.

ELEVENTH CAR, OF VULCAN.

Vulcan, the God of fire, old, ugly, and lame, with a cap of turquoise-blue upon the head, had the eleventh car, drawn by two great dogs; and in it was figured the Isle of Lemnos, where it is said that Vulcan, thrown down from Heaven, was nursed by Thetis, and began to fashion there the first thunderbolts for Jove. Before it were seen walking, as his ministers and servants, three Cyclopes, Brontes, Steropes, and Pyracmon, of whose aid he is said to have been wont to avail himself in making those thunderbolts. After them was seen coming Polyphemus, the lover of the beautiful Galatea and the first of all the Cyclopes, in the garb of a shepherd, with a great pipe hanging from his neck and a staff in the hand; and with him, crowned with seven stars, the deformed but ingenious Ericthonius, born with serpent's feet from Vulcan's attempt to violate Minerva, to conceal the ugliness of which it is believed that he invented the use of chariots, on which account he walked with one of these in the hand. He was seen followed by the savage Cacus, also the son of Vulcan, spouting a stream of sparks from the mouth and nose; and by Caeculus, likewise the son of Vulcan, and likewise in pastoral garb, but adorned with the royal diadem, and in one of his hands, in memory of the building of Praeneste, was seen a city placed upon a hill, and in the other a ruddy and burning flame. After these was seen coming Servius Tullius, King of Rome, who is also believed to have been born of Vulcan, and upon his head, even as in the hand of Caeculus, in token of his happy augury, a similar flame was seen to form in marvellous fashion a splendid and propitious garland. Then was seen the jealous Procris, daughter of the above-named Ericthonius, and wife of Cephalus, who, in memory of the ancient fable, seemed to have the breast transfixed by a javelin; and with her was seen Oreithyia, her sister, in a virginal and lovely habit, and in the centre between them was Pandion, King of Athens, born with them of the same father, adorned with the vestments of a Grecian King. After him came Procne and Philomela, his daughters, one dressed in the skin of a deer, with a spear in the hand and upon the head a little chattering swallow, and the other carrying in the same place a nightingale, and likewise having in the hand a woman's embroidered mantle, in allusion to her miserable fate; and she appeared to be following her beloved father all filled with sorrow, although adorned with a rich vestment. And with them, to conclude the last part of the company, was Caca, the sister of Cacus, adored by the ancients as a Goddess for the reason that, laying aside her love for her brother, she is said to have revealed to Hercules the secret of the stolen cattle.

TWELFTH CAR, OF JUNO.

When Vulcan had passed, Queen Juno, adorned with a rich, superb, and royal crown, and with vestments transparent and luminous, was seen coming in much majesty upon the twelfth car, which was not less pompous than any of the others, and drawn by two most lovely peacocks; and between the five little stories of her actions that were seen painted therein, were Lycorias, Beroe, and Deiopea, her most beautiful and most favoured Nymphs. For the first of these stories was seen the unhappy Callisto transformed by her into a bear, who was placed afterwards by compassionate Jove among the principal stars in the heavens; and in the second was seen how, having transformed herself into the likeness of Beroe, she persuaded the unsuspecting Semele to beseech Jove that he should deign in his grace to lie with her in the guise wherein he was wont to lie with his wife Juno; on which account the unhappy mortal, not being able to sustain the force of the celestial splendour, was consumed by fire, and Jove was seen to take Bacchus from her belly and place him in his own, preserving him for the full time of birth. In the third, likewise, she was seen praying AEolus that he should send his furious winds to scatter the fleet of Trojan AEneas; even as in the fourth she was seen in like manner, filled with jealousy, demanding from Jove the miserable Io transformed into a cow, and giving her, to the end that she might not be stolen from her by Jove, into the custody of the ever-vigilant Argus, who, as has been told elsewhere, was put to sleep and slain by Mercury; and in the fifth picture was seen Juno sending after most unhappy Io the pitiless gad-fly, to the end that he might keep her continually pricked and stung. At the foot of the car, then, were seen coming a good number of those phenomena that are formed in the air, among which could be seen as the first Iris, regarded by the ancients as the messenger of the Gods, and the daughter of Thaumas and Electra; all lissom and free, and dressed in vestments of red, yellow, blue, and green, signifying the rainbow, with two hawks' wings upon the head that denoted her swiftness. In her company, then, in a red habit, with the hair ruddy and dishevelled, was the Comet, figured as a young woman who had a large and shining star upon the brow; and with them came Clear Sky, in the aspect of a virgin, who was seen with the countenance of turquoise-blue, and turquoise-blue all the wide and ample dress, not without a white dove likewise upon the head, to signify the sky. After these were seen Snow and Mist, coupled together; the first dressed in tawny-coloured draperies, upon which were shown lying many trunks of trees all sprinkled with snow, and the other was seen walking, as if she had no shape, as it were in the semblance of a great white mass; having with them verdant Dew, figured in that same colour, to denote the green plants upon which she is generally seen, and having a round moon upon the head, signifying that in the time of the moon's fulness, above all, dew is wont to fall from the heavens upon green herbage. Then there followed Rain, dressed in a white but somewhat soiled habit, upon whose head seven stars, partly bright and partly dim, formed a garland representing the seven Pleiades, even as the seventeen that blazed upon her breast appeared to denote the sign of rainy Orion. There followed, likewise, three virgins of different ages, attired in white draperies and also crowned with olive, representing the three classes of virgins that used to run races in the ancient games of Juno; having with them, for the last, the Goddess Populonia in the rich habit of a matron, with a garland of pomegranate and balm-mint upon the head, and with a little table in the hand, by whom the airy company above described was seen graciously concluded.

THIRTEENTH CAR, OF NEPTUNE.

Fanciful, bizarre, and beautiful beyond all the others appeared the thirteenth car, of Neptune, which was composed of an immense crab, such as the Venetians are wont to call Grancevola, which rested upon four great dolphins, having about the base, which resembled a real and natural rock, a vast number of sea-shells, sponges, and corals, which rendered it most lovely and ornate, and being drawn by two sea-horses; and upon it was seen standing Neptune, in the customary form and with the customary trident, having at his feet, as a companion, his spouse Salacia, in the form of a snow-white nymph all covered with foam. Before the car, then, was seen walking the old and bearded Glaucus, all dripping and all covered with sea-weed and moss, whose person from the waist downwards was seen in the form of a swimming fish. About him circled many halcyon-birds, and with him was seen the much-changing and deceitful Proteus, likewise old, all dripping, and covered with sea-weed; and with them proud Phorcys, with a royal band of turquoise-blue about the head, and with beard and hair long and flowing beyond measure, and carrying in the hand the famous Pillars of Hercules, as a sign of the empire that he once had. Then followed two Tritons with the customary tails, sounding their trumpets, and in their company appeared old AEolus, likewise holding in the hands a royal sceptre and a sail, and having upon the head a burning flame of fire. And he was followed by four of his principal Winds; by young Zephyrus, with the locks and the varied wings adorned with various little flowers, by dark and parching Eurus, who had a radiant sun upon the head; by cold and snowy Boreas; and, finally, by the soft, cloudy, and proud Auster; all figured, according as they are generally painted, with swelling cheeks and with the large and swift wings that are customary. After these, in due place, were seen coming the two giants, Otus and Ephialtes, all wounded and transfixed by various arrows, in memory of their having been slain by Apollo and Diana; and with them, not less appropriately, were seen coming likewise two Harpies, with the customary maiden's face and the customary rapacious claws and most hideous belly. There was seen also the Egyptian God Canopus, in memory of the astuteness formerly used by the priest against the Chaldaeans, figured as very short, round, and fat; and likewise, young and lovely, winged Zetes and Calais, the sons of Boreas, by whose valour it is related that once upon a time those foul and ravenous Harpies were driven from the world. And with them were seen, at the last, the beautiful Nymph Amymone, beloved by Neptune, with a gilded vase, and the young Greek Neleus, son of the same Neptune, who, with royal sceptre and habit, was seen to conclude the last part of the company described above.

FOURTEENTH CAR, OF OCEANUS AND OF TETHYS.

There followed in the fourteenth company, with Tethys, the great Queen of the sea, the great father Oceanus, her husband, the son of Heaven, who was figured in the form of a tall and cerulean old man, with a great beard and long hair all wet and dishevelled, and covered all over with sea-weed and various sea-shells, with a horrible seal in the hand, while she was represented as a tall and masterful matron, resplendent, old, and white, and holding in the hand a great fish; and they were both seen upon a most fantastic car in the semblance of a rock, very strange and bizarre, drawn by two immense whales. At the foot of the car was seen walking Nereus, their son, old, venerable, and covered with foam, and with him Thetis, daughter of that Nereus and of Doris, and mother of great Achilles, who was shown riding upon a dolphin; and she was seen followed by three most beautiful Sirens figured in the usual manner, who had behind them two very beautiful, although white-haired, Nymphs of the sea, called Graeae, likewise daughters of the Sea-God Phorcys and of the Nymph Ceto, clothed most pleasingly in various graceful draperies. Behind these, then, were seen coming the three Gorgons with their snaky locks, daughters of the same father and mother, who made use of a single eye, with which alone, lending it to one another, they were all three able to see; and there was likewise seen coming the cruel Scylla, with the face and breast of a maiden and with the rest of the person in the form of a fish, and with her the old, ugly, and voracious Charybdis, transfixed by an arrow in memory of her well-deserved punishment. And behind these, in order to leave the last part of the company more gladsome in aspect, there was seen coming for the last, all nude, the beautiful and pure-white Galatea, beloved and gracious daughter of Nereus and Doris.

FIFTEENTH CAR, OF PAN.

In the fifteenth car, which had the natural and true appearance of a shady forest counterfeited with much artifice, and was drawn by two great white he-goats, was seen coming the rubicund Pan, the God of forests and of shepherds, in the form of an old and horned Satyr, crowned with foliage of the pine, with the spotted skin of a panther across the body, and in the hands a great pipe with seven reeds and a pastoral staff. At the foot of the car were seen walking some other Satyrs and some old Sylvan Gods, crowned with fennel and lilies, and holding some boughs of cypress in memory of the beloved Cyparissus. After these, likewise, were seen coming two Fauns crowned with laurel, and each with a cat upon the right shoulder; and behind them the wild and beautiful Syrinx, beloved by Pan, who, flying from him, is said to have been transformed by the Naiad sisters into a tremulous and musical reed. Syrinx had in her company the other Nymph, Pitys, likewise beloved by Pan; but since the wind Boreas was also and in like manner enamoured of her, it is believed that out of jealousy he hurled her over a most cruel rock, whereupon, being all shattered, it is said that out of pity she was transformed by Mother Earth into a beautiful pine, from the foliage of which her lover Pan used, as has been shown above, to make himself a gracious and well-beloved garland. Then after these was seen coming Pales, the revered custodian and protectress of flocks, dressed as a gentle shepherdess, with a great vessel of milk in the hands, and a garland of medicinal herbs; and with her the protectress of herds, by name Bubona, in a similar pastoral dress, with an ornate head of an ox that made a cap for her head; and Myiagrus, the God of flies, dressed in white, with an infinite multitude of those importunate little creatures about his head and his person, with a garland of spondyl, and with the club of Hercules in his hand; and Evander, who first taught men in Italy to make sacrifices to Pan, adorned with royal purple and the royal head-band, and with the royal sceptre in his hand, concluded with gracious pomp the last part of that pastoral, indeed, yet pleasing and most fair company.

SIXTEENTH CAR, OF PLUTO AND OF PROSERPINE.

Then followed infernal Pluto with Queen Proserpine, all nude, awful, and dark, and crowned with funeral cypress, holding a little sceptre in one of his hands as a sign of his royal power, and having at his feet the great, horrible, and triple-throated Cerberus; but Proserpine, who was seen with him (accompanied by two Nymphs, one holding in the hand a round ball, and the other a great and strong key, denoting that one who has once come into that kingdom must abandon all hope of return), was shown clothed in a white and rich dress, ornate beyond belief. And both were in the usual car, drawn by four jet-black horses, whose reins were seen guided by a most hideous and infernal monster, who had with him, as worthy companions, the three likewise infernal Furies, bloody, foul, and awful, with the hair and the whole person entwined with various venomous serpents. Behind these were seen following the two Centaurs, Nessus and Astylus, with bows and arrows, and besides these arms Astylus carried in the hand a great eagle; and with them the proud giant Briareus, who had a hundred hands armed with sword and buckler, and fifty heads, from which a stream of fire was seen spouting through the mouth and nostrils. These were followed by turbid Acheron, pouring water and sand, livid and stinking, from a great vase that he carried in his hands, and with him was seen coming the other infernal river, Cocytus, likewise pallid and dark, and likewise pouring from a similar vase a similar fetid and turbid stream; having with them the horrible and sluggish Styx, daughter of Oceanus, so much feared by all the Gods, who was dressed in a nymph's habit, but dark and foul, and carried a similar vase, and seemed to be encompassed by the other infernal river, Phlegethon, whose whole person, with his vase and the boiling waters, was tinted with a dark and fearful redness. Then followed old Charon, with the oar, and with the eyes (as Dante said) of glowing coal; accompanied, to the end that not one of the infernal rivers might be absent, by the pallid, meagre, emaciated, and oblivious Lethe, in whose hand was seen a similar vase, which likewise poured from every side turbid and livid water; and following behind them were the three great judges of Hell, Minos, AEacus, and Rhadamanthus, the first being figured in royal form and habit, and the second and third attired in dark, grave, and venerable vestments. After these was seen coming Phlegyas, the sacrilegious King of the Lapithae, recalling, by an arrow that transfixed his breast, the memory of the burned temple of Phoebus and the chastisement received from him, and, for clearer demonstration, carrying that temple all burning in one of his hands. Next was seen the afflicted Sisyphus under the great and ponderous stone, and with him the famished and miserable Tantalus, who was shown with the fruits so vainly desired close to his mouth. And then were seen coming, but in more gracious aspect, as if setting out from the glad Elysian Fields, with the comet-like star on the brow, and wearing the imperial habit, the divine Julius and the happy Octavianus Augustus, his successor; the terrible and dreadful company being finally concluded in most noble fashion by the Amazon Penthesileia, adorned with the spear, the half-moon shield, and the royal band upon the head, and by the widowed Queen Tomyris, who likewise had the hands and side adorned with the bow and barbaric arrows.

SEVENTEENTH CAR, OF CYBELE.

After these was seen coming Cybele, the great mother of the Gods, crowned with towers, and, for the reason that she is held to be Goddess of the Earth, robed in a vestment woven of various plants, with a sceptre in the hand, and seated upon a quadrangular car, which contained many other empty seats besides her own, and was drawn by two great lions; and for the adornment of the car were painted with most beautiful design four of her stories. For the first of these was seen how, when she was conveyed from Pessinus to Rome, the ship that was carrying her being stuck fast in the Tiber, she was drawn miraculously to the bank by the Vestal Claudia with only her own simple girdle, to the rare marvel of the bystanders; even as for the second she was seen taken by command of her priests to the house of Scipio Nasica, who was judged to be the best and most holy man to be found in Rome at that time. For the third, likewise, she was seen visited in Phrygia by the Goddess Ceres, after she thought to have hidden her daughter Proserpine safely in Sicily; and for the fourth and last she was seen flying from the fury of the Giants into Egypt, as the poets relate, and constrained to transform herself into a blackbird. At the foot of the car, then, were seen riding ten Corybantes, armed after the ancient fashion, who were making various extravagant gestures of head and person; after whom were seen coming two Roman matrons in Roman dress, with the head covered by a yellow veil, and with them the above-named Scipio Nasica and the Vestal Virgin Claudia, who had over the head a square white kerchief with a border all around, which was fastened under the throat. And for the last, to give a gracious conclusion to the little company, there was seen coming with an aspect of great loveliness the young and beautiful Atys, beloved most ardently, as we read, by Cybele; who, besides the rich, easy, and charming costume of a huntsman, was seen most gracefully adorned by a very beautiful gilded collar.

EIGHTEENTH CAR, OF DIANA.

In the eighteenth and incredibly beautiful car, drawn by two white stags, there was seen coming, with the gilded bow and gilded quiver, the huntress Diana, who was shown seated with infinite grace and loveliness upon two other stags, which with their hindquarters made for her, as it were, a most fanciful seat; the rest of the car being rendered strangely gracious, lovely, and ornate by nine of her most pleasing fables. For the first of these was seen how, moved by pity for the flying Arethusa, who was seen pursued by the enamoured Alpheus, the Goddess converted her into a fountain; even as for the second she was seen praying AEsculapius that he should consent to restore to life for her the dead but innocent Hippolytus; which being accomplished, she was then seen in the third ordaining him guardian of her temple and her sacred wood in Aricia. For the fourth she was seen chasing Cynthia, violated by Jove, from the pure waters where she used to bathe with her other virgin Nymphs; and for the fifth was seen the deceit practised by her on the above-named Alpheus, when, seeking presumptuously to obtain her as his wife, he was taken by her to see her dance, and there, having smeared her face with mire in company with the other Nymphs, she constrained him, not being able to recognize her in that guise, to depart all derided and scorned. For the sixth, then, she was seen in company with her brother Apollo, chastising proud Niobe and slaying her with all her children; and for the seventh she was seen sending the great and savage boar into the Calydonian forest, which laid all AEtolia waste, having been moved to just and righteous wrath against that people because they had discontinued her sacrifices. Even as for the eighth she was seen not less wrathfully converting the unhappy Actaeon into a stag; but in the ninth and last, moved on the contrary by pity, she was seen transforming Egeria, weeping for the death of her husband, Numa Pompilius, into a fountain. At the foot of the car, then, were seen coming eight of her huntress Nymphs, with their bows and quivers, dressed in graceful, pleasing, loose, and easy garments, composed of skins of various animals as it were slain by them; and with them, as the last, concluding the small but gracious company, was young Virbius, crowned with spotted-leaf myrtle, and holding in one hand a little broken chariot, and in the other a bunch of tresses virginal and blonde.

NINETEENTH CAR, OF CERES.

In the nineteenth car, drawn by two great dragons, coming in no less pomp than the others, was seen Ceres, the Goddess of grain-crops, in the habit of a matron, with a garland of ears of corn and with ruddy locks; and with no less pomp that car was seen adorned by nine of her fables, which had been painted there. For the first of these was seen figured the happy birth of Pluto, the God of Riches, born, as we read in certain poets, from her and from the hero Iasius; even as for the second she was seen washing with great care and feeding with her own milk the little Triptolemus, son of Eleusis and Hyona. For the third was seen the same Triptolemus flying by her advice upon one of the two dragons that had been presented to him by her, together with the car, to the end that he might go through the world piously teaching the care and cultivation of the fields; the other dragon having been killed by the impious King of the Getae, who sought with every effort likewise to slay Triptolemus. For the fourth was seen how she hid her beloved daughter Proserpine in Sicily, foreseeing in a certain sense that which afterwards befell her; even as in the fifth, likewise, she was seen after that event, as has been told elsewhere, going to Phrygia to visit her mother Cybele; and in the sixth, as she was dwelling in that place, the same Proserpine was seen appearing to her in a dream, and demonstrating to her in what a plight she found herself from Pluto's rape of her; on which account, being all distraught, she was seen in the seventh returning in great haste to Sicily. For the eighth, likewise, was seen how, not finding her there, in her deep anguish she kindled two great torches, being moved to the resolution to seek her throughout the whole world; and in the ninth and last she was seen arriving at the well of Cyane, and there coming by chance upon the girdle of her stolen daughter, a sure proof of what had befallen her; whereupon in her great wrath, not having aught else on which to vent it, she was seen turning to break to pieces the rakes, hoes, ploughs, and other rustic implements that chanced to have been left there in the fields by the peasants. At the foot of the car, then, were seen walking figures signifying her various sacrifices; first, for those that are called the Eleusinia, two little virgins attired in white vestments, each with a gracious little basket in the hands, one of which was seen to be all filled with various flowers, and the other with various ears of corn. After which, for those sacrifices that were offered to Ceres as Goddess of Earth, there were seen coming two boys, two women, and two men, likewise all dressed in white, and all crowned with hyacinths, who were leading two great oxen, as it were to sacrifice them; and then, for those others that were offered to Ceres the Law-giver, called by the Greeks Thesmophoros, were seen coming two matrons only, very chaste in aspect, likewise dressed in white, and in like manner crowned with ears of corn and agnus-castus. And after these, in order to display in full the whole order of her sacrifices, there were seen coming three Greek priests, likewise attired in white draperies, two of whom carried in the hands two lighted torches, and the other an ancient lamp, likewise lighted. And, finally, the sacred company was concluded by the two heroes so much beloved by Ceres, of whom mention has been made above--Triptolemus, namely, who carried a plough in the hand and was shown riding upon a dragon, and Iasius, whom it was thought proper to figure in the easy, rich, and gracious habit of a huntsman.

TWENTIETH CAR, OF BACCHUS.