Chapter VI: Part 6

When fifteen years had gone by there were naturally some changes in Heatherton, sleepy and; unprogressive as it was. Most of the old people were in the little hillside burying-ground that fronted the sunrise. Old Jim Parmelee was there with his recollections of four generations. Men and women who had been in their prime when Wesley went away were old now and the children were grown up and married.

Theodosia was thirty-five and was nothing like! the slim, dimpled girl who had stood on the porch steps and watched her husband drive away that morning fifteen years ago. She was stout and comely; the auburn hair was darker and arched away from her face in smooth, shining waves instead of the old-time curls. Her face was unlined and fresh-coloured, but no woman could live in subjection to her own unbending will for so many years and not show it. Nobody, looking at Theodosia now, would have found it hard to believe that a woman with such a determined, immoveable face could stick to a course of conduct in defiance of circumstances.

Wesley Brooke was almost forgotten. People knew, through correspondents of Greene and Cary, that he had prospered and grown rich. The curious old story had crystallized into accepted history.

A life may go on without ripple or disturbance for so many years that it may seem to have settled into a lasting calm; then a sudden wind of passion may sweep over it and leave behind a wake of tempestuous waters. Such a time came at last to Theodosia.

One day in August Mrs. Emory Merritt dropped in. Emory Merritt's sister was Ogden Greene's wife, and the Merritts kept up an occasional correspondence with her. Hence, Cecilia Merritt always knew what was to be known about Wesley Brooke, and always told Theodosia because she had never been expressly forbidden to do so.

Today she looked slightly excited. Secretly she was wondering if the news she brought would have any effect whatever on Theodosia's impassive calm.

"Do you know, Dosia, Wesley's real sick? In fact, Phoebe Greene says they have very poor hopes of him. He was kind of ailing all the spring, it seems, and about a month ago he was took down with some kind of slow fever they have out there. Phoebe says they have a hired nurse from the nearest town and a good doctor, but she reckons he won't get over it. That fever goes awful hard with a man of his years."

Cecilia Merritt, who was the fastest talker in Heatherton, had got this out before she was brought up by a queer sound, half gasp, half cry, from Theodosia. The latter looked as if someone had struck her a physical blow.

"Mercy, Dosia, you ain't going to faint! I didn't suppose you'd care. You never seemed to care."

"Did you say," asked Theodosia thickly, "that Wesley was sick--dying?"

"Well, that's what Phoebe said. She may be mistaken. Dosia Brooke, you're a queer woman. I never could make you out and I never expect to. I guess only the Lord who made you can translate you."

Theodosia stood up. The sun was getting low, and the valley beneath them, ripening to harvest, was like a river of gold. She folded up her sewing with a steady hand.

"It's five o'clock, so I'll ask you to excuse me, Cecilia. I have a good deal to attend to. You can ask Emory if he'll drive me to the station in the morning. I'm going out to Wes."

"Well, for the land's sake," said Cecilia Merritt feebly, as she tied on her gingham sunbonnet. She got up and went home in a daze.

Theodosia packed her trunk and worked all night, dry-eyed, with agony and fear tearing at her heart. The iron will had snapped at last, like a broken reed, and fierce self-condemnation seized on her. "I've been a wicked woman," she moaned.

A week from that day Theodosia climbed down from the dusty stage that had brought her from the station over the prairies to the unpretentious little house where Wesley Brooke lived. A young girl, so like what Ogden Greene's wife had been fifteen years before that Theodosia involuntarily exclaimed, "Phoebe," came to the door. Beyond her, Theodosia saw the white-capped nurse.

Her voice trembled.

"Does--does Wesley Brooke live here?" she asked.

The girl nodded.

"Yes. But he is very ill at present. Nobody is allowed to see him."

Theodosia put up her hand and loosened her bonnet strings as if they were choking her. She had been sick with the fear that Wesley would be dead before she got to him. The relief was almost overwhelming.

"But I must see him," she cried hysterically--she, the calm, easy-going Dosia, hysterical--"I am his wife--and oh, if he had died before I got here!"

The nurse came forward.

"In that case I suppose you must," she conceded. "But he does not expect you. I must prepare him for the surprise."

She turned to the door of a room opening off the kitchen, but Theodosia, who had hardly heard her, was before her. She was inside the room before the nurse could prevent her. Then she stood, afraid and trembling, her eyes searching the dim apartment hungrily.

When they fell on the occupant of the bed Theodosia started in bitter surprise. All unconsciously she had been expecting to find Wesley as he had been when they parted. Could this gaunt, haggard creature, with the unkempt beard and prematurely grey hair and the hollow, beseeching eyes, be the ruddy, boyish-faced husband of her youth? She gave a choking cry of pain and shame, and the sick man turned his head. Their eyes met.

Amazement, incredulity, hope, dread, all flashed in succession over Wesley Brooke's lined face. He raised himself feebly up.

"Dosia," he murmured.

Theodosia staggered across the room and fell on her knees by the bed. She clasped his head to her breast and kissed him again and again.

"Oh, Wes, Wes, can you forgive me? I've been a wicked, stubborn woman--and I've spoiled our lives. Forgive me."

He held his thin trembling arms around her and devoured her face with his eyes.

"Dosia, when did you come? Did you know I was sick?"

"Wes, I can't talk till you say you've forgiven me."

"Oh, Dosia, you have just as much to forgive. We were both too set. I should have been more considerate."

"Just say, I forgive you, Dosia,'" she entreated.

"I forgive you, Dosia," he said gently, "and oh, it's so good to see you once more, darling. There hasn't been an hour since I left you that I haven't longed for your sweet face. If I had thought you really cared I'd have gone back. But I thought you didn't. It broke my heart. You did though, didn't you?"

"Oh, yes, yes, yes," she said, holding him more closely, with her tears falling.

When the young doctor from Red Butte came that evening he found a great improvement in his patient. Joy and happiness, those world-old physicians, had done what drugs and medicines had failed to do.

"I'm going to get better, Doc," said Wesley. "My wife has come and she's going to stay. You didn't know I was married, did you? I'll tell you the story some day. I proposed going back east, but Dosia says she'd rather stay here. I'm the happiest man in Red Butte, Doc."

He squeezed Theodosia's hand as he had used to do long ago in Heatherton church, and Dosia smiled down at him. There were no dimples now, but her smile was very sweet. The ghostly finger of old Henry Ford, pointing down through the generations, had lost its power to brand with its malediction the life of these, his descendants. Wesley and Theodosia had joined hands with their long-lost happiness.

The Story of an Invitation

Bertha Sutherland hurried home from the post office and climbed the stairs of her boarding-house to her room on the third floor. Her roommate, Grace Maxwell, was sitting on the divan by the window, looking out into the twilight.

A year ago Bertha and Grace had come to Dartmouth to attend the Academy, and found themselves roommates. Bertha was bright, pretty and popular, the favourite of her classmates and teachers; Grace was a grave, quiet girl, dressed in mourning. She was quite alone in the world, the aunt who had brought her up having recently died. At first she had felt shy with bright and brilliant Bertha; but they soon became friends, and the year that followed was a very pleasant one. It was almost ended now, for the terminal exams had begun, and in a week's time the school would close for the holidays.

"Have some chocolates, Grace," said Bertha gaily. "I got such good news in my letter tonight that I felt I must celebrate it fittingly. So I went into Carter's and invested all my spare cash in caramels. It's really fortunate the term is almost out, for I'm nearly bankrupt. I have just enough left to furnish a 'tuck-out' for commencement night, and no more."

"What is your good news, may I ask?" said Grace.

"You know I have an Aunt Margaret--commonly called Aunt Meg--out at Riversdale, don't you? There never was such a dear, sweet, jolly aunty in the world. I had a letter from her tonight. Listen, I'll read you what she says."

_I want you to spend your holidays with me, my dear. Mary
Fairweather and Louise Fyshe and Lily Dennis are coming, too. So
there is just room for one more, and that one must be yourself.
Come to Riversdale when school closes, and I'll feed you on
strawberries and cream and pound cake and doughnuts and mince
pies, and all the delicious, indigestible things that school
girls love and careful mothers condemn. Mary and Lou and Lil are
girls after your own heart, I know, and you shall all do just as
you like, and we'll have picnics and parties and merry doings
galore._

"There," said Bertha, looking up with a laugh. "Isn't that lovely?"

"How delightful it must be to have friends like that to love you and plan for you," said Grace wistfully. "I am sure you will have a pleasant vacation, Bertie. As for me, I am going into Clarkman's bookstore until school reopens. I saw Mr. Clarkman today and he agreed to take me."

Bertha looked surprised. She had not known what Grace's vacation plans were.

"I don't think you ought to do that, Grace," she said thoughtfully. "You are not strong, and you need a good rest. It will be awfully trying to work at Clarkman's all summer."

"There is nothing else for me to do," said Grace, trying to speak cheerfully. "You know I'm as poor as the proverbial church mouse, Bertie, and the simple truth is that I can't afford to pay my board all summer and get my winter outfit unless I do something to earn it. I shall be too busy to be lonesome, and I shall expect long, newsy letters from you, telling me all your fun--passing your vacation on to me at second-hand, you see. Well, I must set to work at those algebra problems. I tried them before dark, but I couldn't solve them. My head ached and I felt so stupid. How glad I shall be when exams are over."

"I suppose I must revise that senior English this evening," said Bertha absently.

But she made no move to do so. She was studying her friend's face. How very pale and thin Grace looked--surely much paler and thinner than when she had come to the Academy, and she had not by any means been plump and rosy then.

I believe she could not stand two months at Clarkman's, thought Bertha. If I were not going to Aunt Meg's, I would ask her to go home with me. Or even if Aunt Meg had room for another guest, I'd just write her all about Grace and ask if I could bring her with me. Aunt Meg would understand--she always understands. But she hasn't, so it can't be.

Just then a thought darted into Bertha's brain.

"What nonsense!" she said aloud so suddenly and forcibly that Grace fairly jumped.

"What is?"

"Oh, nothing much," said Bertha, getting up briskly. "See here, I'm going to get to work. I've wasted enough time."

She curled herself up on the divan and tried to study her senior English. But her thoughts wandered hopelessly, and finally she gave it up in despair and went to bed. There she could not sleep; she lay awake and wrestled with herself. It was after midnight when she sat up in bed and said solemnly, "I will do it."

Next day Bertha wrote a confidential letter to Aunt Meg. She thanked her for her invitation and then told her all about Grace.

"And what I want to ask, Aunt Meg, is that you will let me transfer my invitation to Grace, and ask her to go to Riversdale this summer in my place. Don't think me ungrateful. No, I'm sure you won't, you always understand things. But you can't have us both, and I'd rather Grace should go. It will do her so much good, and I have a lovely home of my own to go to, and she has none."

Aunt Meg understood, as usual, and was perfectly willing. So she wrote to Bertha and enclosed a note of invitation for Grace.

I shall have to manage this affair very carefully, reflected Bertha. Grace must never suspect that I did it on purpose. I will tell her that circumstances have prevented me from accepting Aunt Meg's invitation. That is true enough--no need to say that the circumstances are hers, not mine. And I'll say I just asked Aunt Meg to invite her in my place and that she has done so.

When Grace came home from her history examination that day, Bertha told her story and gave her Aunt Meg's cordial note.

"You must come to me in Bertha's place," wrote the latter. "I feel as if I knew you from her letters, and I will consider you as a sort of honorary niece, and I'll treat you as if you were Bertha herself."

"Isn't it splendid of Aunt Meg?" said Bertha diplomatically. "Of course you'll go, Gracie."

"Oh, I don't know," said Grace in bewilderment. "Are you sure you don't want to go, Bertha?"

"Indeed, I do want to go, dreadfully," said Bertha frankly. "But as I've told you, it is impossible. But if I am disappointed, Aunt Meg musn't be. You must go, Grace, and that is all there is about it."

In the end, Grace did go, a little puzzled and doubtful still, but thankful beyond words to escape the drudgery of the counter and the noise and heat of the city. Bertha went home, feeling a little bit blue in secret, it cannot be denied, but also feeling quite sure that if she had to do it all over again, she would do just the same.

The summer slipped quickly by, and finally two letters came to Bertha, one from Aunt Meg and one from Grace.

"I've had a lovely time," wrote the latter, "and, oh, Bertie, what do you think? I am to stay here always. Oh, of course I am going back to school next month, but this is to be my home after this. Aunt Meg--she makes me call her that--says I must stay with her for good."

In Aunt Meg's letter was this paragraph:

_Grace is writing to you, and will have told you that I intend
to keep her here. You know I have always wanted a daughter of my
own, but my greedy brothers and sisters would never give me one
of theirs. So I intend to adopt Grace. She is the sweetest girl
in the world, and I am very grateful to you for sending her
here. You will not know her when you see her. She has grown
plump and rosy._

Bertha folded her letters up with a smile. "I have a vague, delightful feeling that I am the good angel in a storybook," she said.

The Touch of Fate

Mrs. Major Hill was in her element. This did not often happen, for in the remote prairie town of the Canadian Northwest, where her husband was stationed, there were few opportunities for match-making. And Mrs. Hill was--or believed herself to be--a born matchmaker.

Major Hill was in command of the detachment of Northwest Mounted Police at Dufferin Bluff. Mrs. Hill was wont to declare that it was the most forsaken place to be found in Canada or out of it; but she did her very best to brighten it up, and it is only fair to say that the N.W.M.P., officers and men, seconded her efforts.

When Violet Thayer came west to pay a long-promised visit to her old schoolfellow, Mrs. Hill's cup of happiness bubbled over. In her secret soul she vowed that Violet should never go back east unless it were post-haste to prepare a wedding trousseau. There were at least half a dozen eligibles among the M.P.s, and Mrs. Hill, after some reflection, settled on Ned Madison as the flower of the flock.

"He and Violet are simply made for each other," she told Major Hill the evening before Miss Thayer's arrival. "He has enough money and he is handsome and fascinating. And Violet is a beauty and a clever woman into the bargain. They can't help falling in love, I'm sure; it's fate!"

"Perhaps Miss Thayer may be booked elsewhere already," suggested Major Hill. He had seen more than one of his wife's card castles fall into heartbreaking ruin.

"Oh, no; Violet would have told me if that were the case. It's really quite time for her to think of settling down. She is twenty-five, you know. The men all go crazy over her, but she's dreadfully hard to please. However, she can't help liking Ned. He hasn't a single fault. I firmly believe it is foreordained."

And in this belief Mrs. Hill rested securely, but nevertheless did not fail to concoct several feminine artifices for the helping on of foreordination. It was a working belief with her that it was always well to have the gods in your debt.

Violet Thayer came, saw, and conquered. Within thirty-six hours of her arrival at Dufferin Bluff she had every one of the half-dozen eligibles at her feet, not to mention a score or more ineligibles. She would have been surprised indeed had it been otherwise. Miss Thayer knew her power, and was somewhat unduly fond of exercising it. But she was a very nice girl into the bargain, and so thought one and all of the young men who frequented Mrs. Hill's drawing-room and counted it richly worth while merely to look at Miss Thayer after having seen nothing for weeks except flabby half-breed girls and blue-haired squaws.

Madison was foremost in the field, of course. Madison was really a nice fellow, and quite deserved all Mrs. Hill's encomiums. He was good-looking and well groomed--could sing and dance divinely and play the violin to perfection. The other M.P.s were all jealous of him, and more so than ever when Violet Thayer came. They did not consider that any one of them had the ghost of a chance if Madison entered the lists against them.

Violet liked Madison, and was very chummy with him after her own fashion. She thought all the M.P.s were nice boys, and they amused her, for which she was grateful. She had expected Dufferin Bluff to be very dull, and doubtless it would pall after a time, but for a change it was delightful.

The sixth evening after her arrival found Mrs. Hill's room crowded, as usual, with M.P.s. Violet was looking her best in a distracting new gown--Sergeant Fox afterwards described it to a brother officer as a "stunning sort of rig between a cream and a blue and a brown"; she flirted impartially with all the members of her circle at first, but gradually narrowed down to Ned Madison, much to the delight of Mrs. Hill, who was hovering around like a small, brilliant butterfly.

Violet was talking to Madison and watching John Spencer out of the tail of her eye. Spencer was not an M.P. He had some government post at Dufferin Bluff, and this was his first call at Lone Poplar Villa since Miss Thayer's arrival. He did not seem to be dazzled by her at all, and after his introduction had promptly retired to a corner with Major Hill, where they talked the whole evening about the trouble on the Indian reservation at Loon Lake.

Possibly this indifference piqued Miss Thayer. Possibly she considered it refreshing after the servile adulation of the M.P.s. At any rate, when all the latter were gathered about the piano singing a chorus with gusto, she shook Madison off and went over to the corner where Spencer, deserted by the Major, whose bass was wanted, was sitting in solitary state.

He looked up indifferently as Violet shimmered down on the divan beside him. Sergeant Robinson, who was watching them jealously from the corner beyond the palms, and would have given his eyes, or at least one of them, for such a favour, mentally vowed that Spencer was the dullest fellow he had ever put those useful members on.

"Don't you sing, Mr. Spencer?" asked Violet by way of beginning a conversation, as she turned her splendid eyes full upon him. Robinson would have lost his head under them, but Spencer kept his heroically.

"No," was his calmly brief reply, given without any bluntness, but with no evident intention of saying anything more.

In spite of her social experience Violet felt disconcerted.

"If he doesn't want to talk to me I won't try to make him," she thought crossly. No man had ever snubbed her so before.

Spencer listened immovably to the music for a time. Then he turned to his companion with a palpable effort to be civilly sociable.

"How do you like the west, Miss Thayer?" he said.

Violet smiled--the smile most men found dangerous.

"Very much, so far as I have seen it. There is a flavour about the life here that I like, but I dare say it would soon pall. It must be horribly lonesome here most of the time, especially in winter."

"The M.P.s are always growling that it is," returned Spencer with a slight smile. "For my own part I never find it so."

Violet decided that his smile was very becoming to him and that she liked the way his dark hair grew over his forehead.

"I don't think I've seen you at Lone Poplar Villa before?" she said.

"No. I haven't been here for some time. I came up tonight to see the Major about the Loon Lake trouble."

"Otherwise you wouldn't have come," thought Violet. "Flattering--very!" Aloud she said, "Is it serious?"

"Oh, no. A mere squabble among the Indians. Have you ever visited the Reservation, Miss Thayer? No? Well, you should get some of your M.P. friends to take you out. It would be worth while."

"Why don't you ask me to go yourself?" said Violet audaciously.

Spencer smiled again. "Have I failed in politeness by not doing so? I fear you would find me an insufferably dull companion."

So he was not going to ask her after all. Violet felt piqued. She was also conscious of a sensation very near akin to disappointment. She looked across at Madison. How trim and dapper he was!

"I hate a bandbox man," she said to herself.

Spencer meanwhile had picked up one of Mrs. Hill's novels from the stand beside him.

"_Fools of Habit_," he said, glancing at the cover. "I see it is making quite a sensation down east. I suppose you've read it?"

"Yes. It is very frivolous and clever--all froth but delightful froth. Did you like it?"

Spencer balanced the novel reflectively on his slender brown hand.

"Well, yes, rather. But I don't care for novels as a rule. I don't understand them. The hero of this book, now--do you believe that a man in love would act as he did?"

"I don't know," said Violet amusedly. "You ought to be a better judge than I. You are a man."

"I have never loved anybody, so I am in no position to decide," said Spencer.

There was as little self-consciousness in his voice as if he were telling her a fact concerning the Loon Lake trouble. Violet rose to the occasion.

"You have an interesting experience to look forward to," she said.

Spencer turned his deep-set grey eyes squarely upon her.

"I don't know that. When I said I had never loved, I meant more than the love of a man for some particular woman. I meant love in every sense. I do not know what it is to have an affection for any human being. My parents died before I can remember. My only living relative was a penurious old uncle who brought me up for shame's sake and kicked me out on the world as soon as he could. I don't make friends easily. I have a few acquaintances whom I like, but there is not a soul on earth for whom I care, or who cares for me."

"What a revelation love will be to you when it comes," said Violet softly. Again he looked into her eyes.

"Do you think it will come?" he asked.

Before she could reply Mrs. Hill pounced upon them. Violet was wanted to sing. Mr. Spencer would excuse her, wouldn't he? Mr. Spencer did so obligingly. Moreover, he got up and bade his hostess good night. Violet gave him her hand.

"You will call again?" she said.

Spencer looked across at Madison--perhaps it was accidental.

"I think not," he said. "If, as you say, love will come some time, it would be a very unpleasant revelation if it came in hopeless guise, and one never knows what may happen."

Miss Thayer was conscious of a distinct fluttering of her heart as she went across to the piano. This was a new sensation for her, and worthy of being analyzed. After the M.P.s had gone she asked Mrs. Hill who Mr. Spencer was.

"Oh, John Spencer," said Mrs. Hill carelessly. "He's at the head of the Land Office here. That's really all I know about him. Jack says he is a downright good fellow and all that, you know. But he's no earthly good in a social way; he can't talk or he won't. He's flat. So different from Mr. Madison, isn't he?"

"Very," said Violet emphatically.

After Mrs. Hill had gone out Violet walked to the nearest mirror and looked at herself with her forefinger in the dimple of her chin.

"It is very odd," she said. She did not mean the dimple.

* * * * *

Spencer had told her he was not coming back. She did not believe this, but she did not expect him for a few days. Consequently, when he appeared the very next evening she was surprised. Madison, to whom she was talking when Spencer entered, does not know to this day what she had started to say to him, for she never finished her sentence.

"I wonder if it is the Loon Lake affair again?" she thought nervously.

Mrs. Hill came up at this point and whisked Madison off for a waltz. Spencer, seeing his chance, came straight across the room to her. Sergeant Robinson, who was watching them as usual, is willing to make affidavit that Miss Thayer changed colour.

After his greeting Spencer said nothing. He sat beside her, and they watched Mrs. Hill and Madison dancing. Violet wondered why she did not feel bored. When she saw Madison coming back to her she was conscious of an unreasonable anger with him. She got up abruptly.

"Let us go out on the verandah," she said imperiously. "It is absolutely stifling in here."

They went out. It was very cool and dusky. The lights of the town twinkled out below them, and the prairie bluffs behind them were dark and sibilant.

"I am going to drive over to Loon Lake tomorrow afternoon to look into affairs there," said Spencer. "Will you go with me?"

Violet reflected a moment. "You didn't ask me as if you really wanted me to go," she said.

Spencer put his hand over the white fingers that rested on the railing. He bent forward until his breath stirred the tendrils of hair on her forehead.

"Yes, I do," he said distinctly. "I want you to go with me to Loon Lake tomorrow more than I ever wanted any thing in my life before."

Later on, when everybody had gone, Violet had her bad quarter of an hour with Mrs. Hill. That lady felt herself aggrieved.

"I think you treated poor Ned very badly tonight, Vi. He felt really blue over it. And it was awfully bad form to go out with Spencer as you did and stay there so long. And you oughtn't to flirt with him--he doesn't understand the game."

"I'm not going to flirt with him," said Miss Thayer calmly.

"Oh, I suppose it's just your way. Only don't turn the poor fellow's head. By the way, Ned is coming up with his camera tomorrow afternoon to take us all."

"I'm afraid he won't find me at home," said Violet sweetly. "I am going out to Loon Lake with Mr. Spencer."

Mrs. Hill flounced off to bed in a pet. She was disgusted with everything, she declared to the Major. Things had been going so nicely, and now they were all muddled.

"Isn't Madison coming up to time?" queried the Major sleepily.

"Madison! It's Violet. She is behaving abominably. She treated poor Ned shamefully tonight. You saw yourself how she acted with Spencer, and she's going to Loon Lake with him tomorrow, she says. I'm sure I don't know what she can see in him. He's the dullest, pokiest fellow alive--so different from her in every way."

"Perhaps that is why she likes him," suggested the Major. "The attraction of opposites and all that, you know."

But Mrs. Hill crossly told him he didn't know anything about it, so, being a wise man, he held his tongue.

* * * * *

During the next two weeks Mrs. Hill was the most dissatisfied woman in the four districts, and every M.P. down to the rawest recruit anathemized Spencer in secret a dozen times a day. Violet simply dropped everyone else, including Madison, in the coolest, most unmistakable way.

One night Spencer did not come to Lone Poplar Villa. Violet looked for him to the last. When she realized that he was not coming she went to the verandah to have it out with herself. As she sat huddled up in a dim corner beneath a silkily rustling western maple two M.P.s came out and, not seeing her, went on with their conversation.

"Heard about Spencer?" questioned one.

"No. What of him?"

"Well, they say Miss Thayer's thrown him over. Yesterday I was passing here about four in the afternoon and I saw Spencer coming in. I went down to the Land Office and was chatting to Cribson when the door opened about half an hour later and Spencer burst in. He was pale as the dead, and looked wild. 'Has Fyshe gone to Rainy River about those Crown Lands yet?' he jerked out. Cribson said, 'No.' Then tell him he needn't; I'm going myself,' said Spencer and out he bolted. He posted off to Rainy River today, and won't be back for a fortnight. She'll be gone then."

"Rather rough on Spencer after the way she encouraged him," returned the other as they passed out of earshot.

Violet got up. All the callers were gone, and she swept in to Mrs. Hill dramatically.

"Edith," she said in the cold, steady voice that, to those who knew her, meant breakers ahead for somebody, "Mr. Spencer was here yesterday when I was riding with the Major, was he not? What did you tell him about me?"

Mrs. Hill looked at Violet's blazing eyes and wilted.

"I--didn't tell him anything--much."

"What was it?"

Mrs. Hill began to sob.

"Don't look at me like that, Violet! He just dropped in and we were talking about you--at least I was--and I had heard that Harry St. Maur was paying you marked attention before you came west--and--and that some people thought you were engaged--and so--and so--"

"You told Mr. Spencer that I was engaged to Harry St. Maur?"

"No-o-o--I just hinted. I didn't mean an-any harm. I never dreamed you'd really c-care. I thought you were just amusing yourself--and so did everybody--and I wanted Ned Madison--"

Violet had turned very pale.

"I love him," she said hoarsely, "and you've sent him away. He's gone to Rainy River. I shall never see him again!"

"Oh, yes, you will," gasped Mrs. Hill faintly. "He'll come back when he knows--you c-can write and tell him--"

"Do you suppose I am going to write and ask him to come back?" said Violet wildly. "I've enough pride left yet to keep me from doing that for a man at whose head I've thrown myself openly--yes, openly, and who has never, in words at least, told me he cared anything about me. I will never forgive you, Edith!"

Then Mrs. Hill found herself alone with her lacerated feelings. After soothing them with a good cry, she set to work thinking seriously. There was no doubt she had muddled things badly, but there was no use leaving them in a muddle when a word or two fitly spoken might set them straight.

Mrs. Hill sat down and wrote a very diplomatic letter before she went to bed, and the next morning she waylaid Sergeant Fox and asked him if he would ride down to Rainy River with a very important message for Mr. Spencer. Sergeant Fox wondered what it could be, but it was not his to reason why; it was his only to mount and ride with all due speed, for Mrs. Hill's whims and wishes were as stringent and binding as the rules of the force.

That evening when Mrs. Hill and Violet--the latter very silent and regal--were sitting on the verandah, a horseman came galloping up the Rainy River trail. Mrs. Hill excused herself and went in. Five minutes later John Spencer, covered with the alkali dust of his twenty miles' ride, dismounted at Violet's side.

* * * * *

The M.P.s gave a concert at the barracks that night and Mrs. Hill and her Major went to it, as well as everyone else of any importance in town except Violet and Spencer. They sat on Major Hill's verandah and watched the moon rising over the bluffs and making milk-white reflections in the prairie lakes.

"It seems a year of misery since last night," sighed Violet happily.

"You couldn't have been quite as miserable as I was," said Spencer earnestly. "You were everything--absolutely everything to me. Other men have little rills and driblets of affection for sisters and cousins and aunts, but everything in me went out to you. Do you remember you told me the first time we met that love would be a revelation to me? It has been more. It has been a new gospel. I hardly dared hope you could care for me. Even yet I don't know why you do."

"I love you," said Violet gravely, "because you are you."

Than which, of course, there could be no better reason.

The Waking of Helen

Robert Reeves looked somewhat curiously at the girl who was waiting on him at his solitary breakfast. He had not seen her before, arriving at his summer boarding house only the preceding night.

It was a shabby farmhouse on the inland shore of a large bay that was noted for its tides, and had wonderful possibilities of light and shade for an impressionist. Reeves was an enthusiastic artist. It mattered little to him that the boarding accommodations were most primitive, the people uncultured and dull, the place itself utterly isolated, as long as he could revel in those transcendent sunsets and sunrises, those marvellous moonlights, those wonderful purple shores and sweeps of shimmering blue water.

The owner of the farm was Angus Fraser, and he and his wife seemed to be a reserved, uncouth pair, with no apparent interest in life save to scratch a bare living out of their few stony acres. He had an impression that they were childless and was at a loss to place this girl who poured his tea and brought in his toast. She did not resemble either Fraser or his wife. She was certainly not beautiful, being very tall and rather awkward, and dressed in a particularly unbecoming dark print wrapper. Her luxuriant hair was thick and black, and was coiled in a heavy knot at the nape of her neck. Her features were delicate but irregular, and her skin was very brown. Her eyes attracted Reeves's notice especially; they were large and dark and full of a half-unconscious, wistful longing, as if a prisoned soul behind them were vainly trying to reveal itself.

Reeves could find out nothing of her from herself, for she responded to his tentative questions about the place in the briefest fashion. Afterwards he interviewed Mrs. Fraser cautiously, and ascertained that the girl's name was Helen Fraser, and that she was Angus's niece.

"Her father and mother are dead and we've brought her up. Helen's a good girl in most ways--a little obstinate and sulky now and then--but generally she's steady enough, and as for work, there ain't a girl in Bay Beach can come up to her in house or field. Angus calculates she saves him a man's wages clear. No, I ain't got nothing to say against Helen."

Nevertheless, Reeves felt somehow that Mrs. Fraser did not like her husband's niece. He often heard her scolding or nagging Helen at her work, and noticed that the latter never answered back. But once, after Mrs. Angus's tongue had been especially bitter, he met the girl hurrying along the hall from the kitchen with her eyes full of tears. Reeves felt as if someone had struck him a blow. He went to Angus and his wife that afternoon. He wished to paint a shore picture, he said, and wanted a model. Would they allow Miss Fraser to pose for him? He would pay liberally for her time.

Angus and his wife had no objection. They would pocket the money, and Helen could be spared a spell every day as well as not. Reeves told Helen of his plan himself, meeting her in the evening as she was bringing the cows home from the low shore pastures beyond the marsh. He was surprised at the sudden illumination of her face. It almost transfigured her from a plain, sulky-looking girl into a beautiful woman.

But the glow passed quickly. She assented to his plan quietly, almost lifelessly. He walked home with her behind the cows and talked of the sunset and the mysterious beauty of the bay and the purple splendour of the distant coasts. She listened in silence. Only once, when he spoke of the distant murmur of the open sea, she lifted her head and looked at him.

"What does it say to you?" she asked.

"It speaks of eternity. And to you?"

"It calls me," she answered simply, "and then I want to go out and meet it--and it hurts me too. I can't tell how or why. Sometimes it makes me feel as if I were asleep and wanted to wake and didn't know how."

She turned and looked out over the bay. A dying gleam of sunset broke through a cloud and fell across her hair. For a moment she seemed the spirit of the shore personified--all its mystery, all its uncertainty, all its elusive charm.

She has possibilities, thought Reeves.

Next day he began his picture. At first he had thought of painting her as the incarnation of a sea spirit, but decided that her moods were too fitful. So he began to sketch her as "Waiting"--a woman looking out across the bay with a world of hopeless longing in her eyes. The subject suited her well, and the picture grew apace.

When he was tired of work he made her walk around the shore with him, or row up the head of the bay in her own boat. He tried to draw her out, at first with indifferent success. She seemed to be frightened of him. He talked to her of many things--the far outer world whose echoes never reached her, foreign lands where he had travelled, famous men and women whom he had met, music, art and books. When he spoke of books he touched the right chord. One of those transfiguring flashes he delighted to evoke now passed over her plain face.

"That is what I've always wanted," she said hungrily, "and I never get them. Aunt hates to see me reading. She says it is a waste of time. And I love it so. I read every scrap of paper I can get hold of, but I hardly ever see a book."

The next day Reeves took his Tennyson to the shore and began to read the _Idylls of the King_ to her.

"It is beautiful," was her sole verbal comment, but her rapt eyes said everything.

After that he never went out with her without a book--now one of the poets, now some prose classic. He was surprised by her quick appreciation of and sympathy with the finest passages. Gradually, too, she forgot her shyness and began to talk. She knew nothing of his world, but her own world she knew and knew well. She was a mine of traditional history about the bay. She knew the rocky coast by heart, and every old legend that clung to it. They drifted into making excursions along the shore and explored its wildest retreats. The girl had an artist's eye for scenery and colour effect.

"You should have been an artist," Reeves told her one day when she had pointed out to him the exquisite loveliness of a shaft of light falling through a cleft in the rocks across a dark-green pool at their base.

"I would rather be a writer," she said slowly, "if I could only write something like those books you have read to me. What a glorious destiny it must be to have something to say that the whole world is listening for, and to be able to say it in words that will live forever! It must be the noblest human lot."

"Yet some of those men and women were neither good nor noble," said Reeves gently, "and many of them were unhappy."

Helen dismissed the subject as abruptly as she always did when the conversation touched too nearly on the sensitive edge of her soul dreams.

"Do you know where I am taking you today?" she said.

"No--where?"

"To what the people here call the Kelpy's Cave. I hate to go there. I believe there is something uncanny about it, but I think you will like to see it. It is a dark little cave in the curve of a small cove, and on each side the headlands of rock run far out. At low tide we can walk right around, but when the tide comes in it fills the Kelpy's Cave. If you were there and let the tide come past the points, you would be drowned unless you could swim, for the rocks are so steep and high it is impossible to climb them."

Reeves was interested.

"Was anyone ever caught by the tide?"

"Yes," returned Helen, with a shudder. "Once, long ago, before I was born, a girl went around the shore to the cave and fell asleep there--and the tide came in and she was drowned. She was young and very pretty, and was to have been married the next week. I've been afraid of the place ever since."

The treacherous cave proved to be a picturesque and innocent-looking spot, with the beach of glittering sand before it and the high gloomy walls of rock on either hand.

"I must come here some day and sketch it," said Reeves enthusiastically, "and you must be the Kelpy, Helen, and sit in the cave with your hair wrapped about you and seaweed clinging to it."

"Do you think a kelpy would look like that?" said the girl dreamily. "I don't. I think it is a wild, wicked little sea imp, malicious and mocking and cruel, and it sits here and watches for victims."

"Well, never mind your sea kelpies," Reeves said, fishing out his Longfellow. "They are a tricky folk, if all tales be true, and it is supposed to be a very rash thing to talk about them in their own haunts. I want to read you 'The Building of the Ship.' You will like it, I'm sure."

When the tide turned they went home.

"We haven't seen the kelpy, after all," said Reeves.

"I think I shall see him some day," said Helen gravely. "I think he is waiting for me there in that gloomy cave of his, and some time or other he will get me."

Reeves smiled at the gloomy fancy, and Helen smiled back at him with one of her sudden radiances. The tide was creeping swiftly up over the white sands. The sun was low and the bay was swimming in a pale blue glory. They parted at Clam Point, Helen to go for the cows and Reeves to wander on up the shore. He thought of Helen at first, and the wonderful change that had come over her of late; then he began to think of another face--a marvellously lovely one with blue eyes as tender as the waters before him. Then Helen was forgotten.

The summer waned swiftly. One afternoon Reeves took a fancy to revisit the Kelpy's Cave. Helen could not go. It was harvest time, and she was needed in the field.

"Don't let the kelpy catch you," she said to him half seriously. "The tide will turn early this afternoon, and you are given to day-dreaming."

"I'll be careful," he promised laughingly, and he meant to be careful. But somehow when he reached the cave its unwholesome charm overcame him, and he sat down on the boulder at its mouth.

"An hour yet before tide time," he said. "Just enough time to read that article on impressionists in my review and then stroll home by the sandshore."

From reading he passed to day-dreaming, and day-dreaming drifted into sleep, with his head pillowed on the rocky walls of the cave.

How long he had slept he did not know, but he woke with a start of horror. He sprang to his feet, realizing his position instantly. The tide was in--far in past the headlands already. Above and beyond him towered the pitiless unscalable rocks. There was no way of escape.

Reeves was no coward, but life was sweet to him, and to die like that--like a drowned rat in a hole--to be able to do nothing but wait for that swift and sure oncoming death! He reeled against the damp rock wall, and for a moment sea and sky and prisoning headlands and white-lined tide whirled before his eyes.

Then his head grew clearer. He tried to think. How long had he? Not more than twenty minutes at the outside. Well, death was sure and he would meet it bravely. But to wait--to wait helplessly! He should go; mad with the horror of it before those endless minutes would have passed!

He took something from his pocket and bent his, head over it, pressing his lips to it repeatedly. And then, when he raised his face again, a dory was coming around the headland on his right, and Helen Fraser was in it.

Reeves was dizzy again with the shock of joy and thankfulness. He ran down over the little stretch of sand still uncovered by the tide and around to the rocks of the headlands against which the dory was already grating. He sprang forward impulsively and caught the girl's cold hands in his as she dropped the oars and stood up.

"Helen, you have saved me! How can I ever thank you? I--"

He broke off abruptly, for she was looking up at him, breathlessly and voicelessly, with her whole soul in her eyes. He saw in them a revelation that amazed him; he dropped her hands and stepped back as if she had struck him in the face.

Helen did not notice the change in him. She clasped her hands together and her voice trembled.

"Oh, I was afraid I should be too late! When I came in from the field Aunt Hannah said you had not come back--and I knew it was tide time--and I felt somehow that it had caught you in the cave. I ran down over the marsh and took Joe Simmon's dory. If I had not got here in time--"

She broke off shiveringly. Reeves stepped into the dory and took up the oars.

"The kelpy would have been sure of its victim then," he said, trying to speak lightly. "It would have almost served me right for neglecting your warning. I was very careless. You must let me row back. I am afraid you have overtasked your strength trying to cheat the kelpy."

Reeves rowed homeward in an absolute silence. Helen did not speak and he could not. When they reached the dory anchorage he helped her out.

"I think I'll go out to the Point for a walk," he said. "I want to steady my nerves. You must go right home and rest. Don't be anxious--I won't take any more chances with sea kelpies."

Helen went away without a word, and Reeves walked slowly out to the Point. He was grieved beyond measure at the discovery he believed he had made. He had never dreamed of such a thing. He was not a vain man, and was utterly free from all tendency to flirtation. It had never occurred to him that the waking of the girl's deep nature might be attended with disastrous consequences. He had honestly meant to help her, and what had he done?

He felt very uncomfortable; he could not conscientiously blame himself, but he saw that he had acted foolishly. And of course he must go away at once. And he must also tell her something she ought to know. He wished he had told her long ago.

The following afternoon was a perfect one. Reeves was sketching on the sandshore when Helen came. She sat down on a camp stool a little to one side and did not speak. After a few moments Reeves pushed away his paraphernalia impatiently.

"I don't feel in a mood for work," he said. "It is too dreamy a day--one ought to do nothing to be in keeping. Besides, I'm getting lazy now that my vacation is nearly over. I must go in a few days."

He avoided looking at her, so he did not see the sudden pallor of her face.

"So soon?" she said in a voice expressive of no particular feeling.

"Yes. I ought not to have lingered so long. My world will be forgetting me and that will not do. It has been a very pleasant summer and I shall be sorry to leave Bay Beach."

"But you will come back next summer?" asked Helen quickly. "You said you would."

Reeves nerved himself for his very distasteful task.

"Perhaps," he said, with an attempt at carelessness, "but if I do so, I shall not come alone. Somebody who is very dear to me will come with me--as my wife. I have never told you about her, Helen, but you and I are such good friends that I do not mind doing so now. I am engaged to a very sweet girl, and we expect to be married next spring."

There was a brief silence. Reeves had been vaguely afraid of a scene and was immensely relieved to find his fear unrealized. Helen sat very still. He could not see her face. Did she care, after all? Was he mistaken?

When she spoke her voice was perfectly calm.

"Thank you, it is very kind of you to tell me about her. I suppose she is very beautiful."

"Yes, here is her picture. You can judge for yourself."

Helen took the portrait from his hand and looked at it steadily. It was a miniature painted on ivory, and the face looking out from it was certainly lovely.

"It is no wonder you love her," said the girl in a low tone as she handed it back. "It must be strange to be so beautiful as that."

Reeves picked up his Tennyson.

"Shall I read you something? What will you have?"

"Read 'Elaine,' please. I want to hear that once more."

Reeves felt a sudden dislike to her choice.

"Wouldn't you prefer something else?" he asked, hurriedly turning over the leaves. "'Elaine' is rather sad. Shan't I read 'Guinevere' instead?"