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Main Currents in Nineteenth Century Literature - 5. The Romantic School in FranceGeorg Brandes

Main Currents in Nineteenth Century Literature - 5. The Romantic School in France

by OpenStories

Original author: Georg Brandes

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"Main Currents in Nineteenth Century Literature - 5. The Romantic School in France" by Georg Brandes is a historical account written in the early 20th century. This volume explores the evolution of literature in France during the Romantic period, particularly focusing on the social, political, and artistic influences that shaped writers like Victor Hugo, George Sand, and Alfred de Musset. The book likely delves into how these writers reacted to the cultural climate following the upheavals of the French Revolution and the rise of the bourgeoisie, as well as their struggles against established literary conventions. The opening of this work provides a rich backdrop to the Romantic School in France, detailing the political landscape from 1825 to 1835. Brandes discusses how the young generation of writers sought to express their individualistic ideals amid the political reactions that marked the reign of Louis Philippe. The literature of this time is presented as a passionate reaction against the dreary bourgeois materialism of their era, characterized by a longing for artistic liberty and vibrancy. Brandes illustrates the broader context of their struggles against both societal constraints and the artistic conventions of the previous classical period, setting the stage for the emergence of their unique voices and themes.

Main Currents in Nineteenth Century Literature - 5. The Romantic School in France, by Georg Brandes. Republished by OpenStories from Project Gutenberg eBook #47950.

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36 Chapters

  1. 1.Chapter I: The Political Background92 words
  2. 2.Chapter I: The Political Background2,301 words
  3. 3.Chapter II: The Generation of 18302,952 words
  4. 4.Chapter III: Romanticism5,288 words
  5. 5.Chapter IV: Charles Nodier3,861 words
  6. 6.Chapter V: Retrospect--Foreign Influences5,190 words
  7. 7.Chapter VI: Retrospect--Indigenous Sources8,079 words
  8. 8.Chapter VII: De Vigny's Poetry and Hugo's "orientales"2,848 words
  9. 9.Chapter VIII: Hugo and De Musset5,149 words
  10. 10.Chapter IX: De Musset and George Sand5,085 words
  11. 11.Chapter X: Alfred De Musset3,909 words
  12. 12.Chapter XI: George Sand9,923 words
  13. 13.Chapter XII: Balzac4,086 words
  14. 14.Chapter XIII: Balzac1,862 words
  15. 15.Chapter XIV: Balzac1,915 words
  16. 16.Chapter XV: Balzac1,814 words
  17. 17.Chapter XVI: Balzac4,268 words
  18. 18.Chapter XVII: Balzac2,223 words
  1. 19.Chapter XVIII: Beyle4,195 words
  2. 20.Chapter XIX: Beyle4,076 words
  3. 21.Chapter XX: Beyle4,032 words
  4. 22.Chapter XXI: Mérimée2,521 words
  5. 23.Chapter XXII: Beyle and Mérimée4,694 words
  6. 24.Chapter XXIII: Mérimée2,343 words
  7. 25.Chapter XXIV: Mérimée2,857 words
  8. 26.Chapter XXV: Mérimée2,136 words
  9. 27.Chapter XXVI: Mérimée and Gautier1,993 words
  10. 28.Chapter XXVII: Théophile Gautier3,557 words
  11. 29.Chapter XXVIII: Théophile Gautier3,599 words
  12. 30.Chapter XXIX: Sainte-Beuve4,965 words
  13. 31.Chapter XXX: Sainte-Beuve2,081 words
  14. 32.Chapter XXXI: Sainte-Beuve and Modern Criticism4,290 words
  15. 33.Chapter XXXII: The Drama: Vitet, Dumas, De Vigny, Hugo6,414 words
  16. 34.Chapter XXXIII: Literature in Its Relation to the Social and Political Movements of the Day4,663 words
  17. 35.Chapter XXXIV: The Overlooked and Forgotten6,378 words
  18. 36.Conclusion1,079 words