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Chapter II: Part 2

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"Endicott doesn't care what happens to the colonists. It's out to make Wendel Atomics come to terms and has methods of its own to keep the colonists inflamed and reckless. The whole situation has even taken on a political cast. There are pro-Wendel colonists, who work hand in glove with the Wendel police and colonists who would willingly lay down their lives in defense of noble, altruistic Endicott. It's the right of everyone to buy fuel on speculation, isn't it?"

"I see," I said. "And my job will be to step right into the middle of all that, and try to bring order out of chaos."

Trilling didn't say anything for a moment. He just looked at me, but his gaze was not unsympathetic.

"There's something I'd like to have you hear, Ralph," he said, when the silence had lengthened between us and become almost minute-long. "We have a new, round-the-clock recording to replace the one we've been transmitting at intervals, night and day, for five years. I won't even ask you how many times you've heard it, because you travel around a lot and must have memorized it word for word. But this one is better, I think. At least, it appeals to me more. A hundred million people will hear it, starting tomorrow. It will be on every tele-screen."

He bent over his desk and removed a miniature tape-recorder from the upper right hand drawer. He set it down on the desk and clicked it on.

"Just one passage I'd like you to listen to, Ralph. Not the whole recording. This is it--"

The voice that came from the tape was a very good reading voice, one of the best I'd ever heard. The man was probably a poet. But the words themselves interested me more.

"... so bright with promise has Man's future become that all of the old animosities, the old hates, will soon seem alien to us and strange. A new world is in the making. Who can deny it? The colonization of Mars has fulfilled the deepest instincts of Man's nature, and provided scope for a growth that is as natural to him as breathing.

"The desire to know more, to explore the unknown, to reach out toward constantly expanding horizons can only be satisfied by boldly accepting what the advance of modern science has brought within our grasp. The colonization of Mars is a tribute to Man's stubborn refusal to be easily discouraged or to let mechanical difficulties, no matter how formidable, stand in his way. A tribute as well to his constructive genius, his daring and breadth of vision."

Trilling clicked the tape recorder off, returned it to his desk, and turned to face me again.

"That, Ralph, is the dream," he said. "You and I know what the reality is like. But the millions who will listen to that recording do not. They still believe--and hope."

I was silent for a moment, not quite sure how he'd take what I was going to say. I went over it in my mind, searching for just the right words. It took me a full minute to find them, but he didn't grow impatient.

"I'm not sure the Board is wise in putting out that kind of propaganda. Or any kind of propaganda. After all, we're not trying to sell Mars to anyone. We're doing something that has to be done--you might almost say we're just trying, in a very earnest way, to plug up a gap in the biggest dam that was ever built, to keep the flood waters from carrying us all to destruction."

"You're wrong, Ralph," he said. "It isn't just propaganda. A dream always has to go striding on ahead of reality. It may seem strange to you, but the reality does not frighten or discourage me. Mars is a new world and on a new world there has to be--not one, but many beginnings."

He paused an instant, then added: "That's why we're sending you to Mars, Ralph. There will have to be another beginning. It won't show too much on the surface. No matter how successful you are, for the colony will remain what it is basically--an experiment in survival. All of a new world's energy will remain, and the turbulence and the hard-to-endure disappointments. But you can help the Colonists go back, and feel the way they did when the first passenger rocket settled down on the red desert sand forty million miles from Earth and the Space Age took on a new dimension."

4

There was only one small window in Trilling's office. But I could see that the sky outside was still bright with stars, and the glimmer of the ceiling lamp made the metal surface above us seem to fall away and dissolve into a much wider expanse of star-studded space.

The ceiling-mirrored image of the lamp itself looked like the Sun, blazing in noonday brightness directly overhead and out beyond were galaxies and super-galaxies strung like beads on a wire across the great curve of the universe.

It was just an illusion, of course. You could see the same thing in the light-mirroring depths of a glass of wine, if you stared hard enough. But for an instant it seemed to bring bigness, vastness right into the room with us.

I was conscious of the silence again, lengthening, hanging heavy between us, as if we'd each said too much, or possibly ... not quite enough.

Then Trilling bent and removed something else from his desk. I couldn't see what it was until he set it down directly in front of me, because it was much smaller than the midget tape recorder and his hand covered it.

A flat metal box, wafer-thin, doesn't provide much scope for speculation, and I was pretty sure that the object inside was a tiny metal precision instrument or a watch or a medal even before he said: "This should make Joan change her mind, Ralph!" and snapped the box open.

The insignia caught and held the light, a two-inch silver hawk with its wings outspread. The white lining of the box made it stand out, as if it were flying through fleecy clouds high in the sky, and symboling in its flight far more than just the elevation of one man to the highest command post the Martian Colonization Board had the authority to bestow.

The significance of that finely-wrought, seldom-worn silver bird was not lost on me. In the maze of a hundred legends, a hundred witness-confirmed stories of triumph and disappointment, of heroic progress and tragic back-tracking, it had remained an important link between Earthside expectations and what was actually taking place on Mars.

Only one man could wear it at any one time, and only four men had worn it since the establishment of the colony. All four were dead now, their gravestones a white gleaming on the red desert sand a few miles north of the colony.

"Well, Ralph?" Trilling said.

I tried hard to maintain my composure, to say just the right thing, because I'd lived long enough to know there are depths beyond depths to some emotions that can't be put into words. Attempt to talk the way you feel, and you're sure to sound a little ridiculous. I was only certain of one thing. No man could wear that insignia and not feel, resting upon his shoulders, a responsibility so tremendous that whatever pride he might take in it would have to be tempered by humility--if he wanted to go on wearing it for long.

Trilling seemed aware of what was passing through my mind, for he made it easy for me. He simply smiled, snapped the box shut with a briskness that was almost casual, and handed it to me.

"You've got real massive military prestige now, Ralph," he said. "Right at the moment the Board would be gravely concerned if you wore that insignia in public. But there's nothing to prevent you from wearing it in the privacy of your own home. Later on the Board may decide you can accomplish more by coming right out and letting the colonists know there's a lion in the streets who intends to do more than just roar. A safe, protective kind of lion--dangerous only to over-ambitious men with destructive ideas."

I started to reply but he waved me to silence. "Hold on, Ralph--let me finish. You won't be wearing that insignia in public straight off. But I hope you'll have enough good sense to make the best possible use of it to overcome the first really big obstacle in your path."

He nodded. "It will be a kind of blackmail, in a way--morally reprehensible. You'll be taking advantage of something it isn't in a woman's nature to resist. But you have no choice. You've got to go to Mars and if you went alone you'd be about as useful to us as a celibate kangaroo, all packaged and ready to be sent on a journey to the taxidermist."

He seemed to realize it wouldn't have to be quite that drastic, for he grimaced wryly. "All right, all right. You could go out and find another woman and I probably could talk the Board into being the opposite of stuffy about it. But I happen to know what kind of man you are, and how you feel about Joan. I could be wrong, but I'm pretty sure she's the only woman in the world for you."

There was nothing I could say to that. I had the insignia in my inner breast pocket, and I knew that there were few obstacles it couldn't blast away on Earth or on Mars, if I kept remembering what it symbolized with Joan at my side.

I went out into the cool night again, past that long tremendous building with just one of its floors ablaze, past the big sky ships looming like sentinel ghosts on their launching pads, past winking lights and speeding cars and pedestrians walking slowly and something inside of me made me feel I'd undergone a kind of sea change, and could face whatever the future might hold without grabbing for a life-line that didn't exist.

It was a good way to feel. A man had to sink or swim without having a life-line thrown to him--if he hoped to live long enough to change things around in an important way on Mars. He had to keep his head and breast the raging currents with the sturdiest kind of overhand strokes, or be drawn down into the undertow and battered senseless against the rocks that lined the shoreline.

The change must have shown a little on the surface, in the set of my jaw or just the way I was walking, because no less than three pedestrians turned to stare at me as I went striding past them on my way to the New Chicago Underground.

I was almost at the northern entrance of the big, tree-lined square directly opposite the Administration Building when it hit me--the memory-recall, the swift emergence from its cubby-hole deep in my mind of the narrow brush I'd had with Death and hadn't even discussed with Trilling.

It had been a mistake not to discuss it, because it concerned the Board as much as it did me. Someone who knew about the insignia--or had made a shrewd guess as to just how big a job was awaiting me on Mars--had wanted me dead. The attempt on my life took on a much larger, more crucial dimension when viewed in that light.

There were three hundred million people in the United States, and if I'd been just a private citizen, with no more than my own safety at stake, I could have lost myself in that immense ocean of humanity for a week or a month and gained a brief respite. There are plenty of ways you can protect yourself against a surprise attempt on your life, if you have the time to take safety precautions. When there's a would-be assassin at large who is dead set on measuring you for a coffin you have to work the problem out carefully, with a minimum of risk.

It takes skill and psychological insight, but it can be done. You've just got to remember that an assassin is never quite normal. Even when a socio-political motivation is the governing passion of his life you're one jump ahead of him the instant you've figured out exactly how his mind works.

In fact, one of those safety precautions could have been protecting me as I crossed the square, if I hadn't let my stubborn pride stand in the way. Why hadn't I asked Trilling to provide me with armed protection?

Two alert bodyguards, trailing me on the street and down into the Underground and standing watch outside my apartment all night long--and staying fifty paces behind me until the Mars' rocket zero-count ended and the big sky ship took off with a roar ... would have given the Board the kind of reassurance they had a right to expect.

I started to turn back, then changed my mind abruptly. I'd taken just as great a risk by walking from the lakeside to the skyport right after the attack, hadn't I? And I'd be in the Underground in another three or four minutes, with people around me and--

All right. It was an out-of-focus rationalization and nothing more--an attempt to find an excuse for not turning back. But when I do something reckless for complicated reasons, when I've forged ahead despite my better judgment, I'm usually just impulsive enough to carry the folly-ball all the way across the goal line.

It was the thing I'd have to guard most against on Mars, that damnable twisted pride and impulsiveness, that taking of too much for granted when I started to do something I knew was unwise, but had an overpowering urge to carry out anyway.

Every weaving shadow beneath the double row of trees that towered on both sides of me could have cloaked a crouching figure adjusting another small mechanical killer to the deadliest possible angle of flight. But I had another reason for not wanting to go back. Trilling might fall in with the armed guard idea but I doubted it like hell. I could picture him saying instead: "Ralph, even an armed car can be blown up. You're staying under lock and key all night ... right here in the Administration Building."

I could even picture him saying much the same thing to Joan, her image bright enough on his office tele-screen to be visible from where I'd be standing: "He's not coming home tonight, Joan. We're sending an armored car to pick you up in the morning. Wait, hold on--I'll let you talk to him!"

And I could almost hear her replying: "Don't bother to send the car. I'm not going with him. Please don't think too harshly of me, please try to understand. I just can't--"

I started down the long boulevard on the far side of the square, still walking rapidly and feeling suddenly confident I'd been justified in not turning back. I could see the entrance to the Underground glimmering in the darkness a hundred feet ahead of me and there were people all around me walking in both directions. I wasn't even troubled by the feeling that everyone gets at times--that something terrible and unexpected can happen right in the midst of a crowd, if only because the presence of many people exposes you to a dangerously wide range of unpredictable human emotions.

For the barest instant, when I crossed the narrow strip of pavement directly in front of the kiosk, fear tugged at my nerves and I felt myself growing tense. But I became calm again the moment I looked around and saw that the only pedestrian within thirty feet of me was a hurrying girl with a portfolio under her arm. When she saw how intently I was staring at her she frowned and a look of annoyance came into her eyes.

Oh, for God's sake, I told myself, get rid of this nagging uncertainty, and stop behaving like a fool. If he intended to try again tonight I'd know by now. He's missed a dozen very good chances, so something must be making him super-cautious, if he hasn't keeled over just from the strain of watching me refuse to die. Killing's never easy, even for a professional. It must be a little like being cut open, watching your own blood pouring out of you, because all violence inflicts a two-way trauma ... severe enough at times to make even a mad slayer fling down his gun before going on a rampage of indiscriminate slaughter.

There were arguments I could have used to wrap it up even tighter--such as the way he'd be trapped and blasted down almost instantly if he launched another attack on me so close to the spaceport's three interlocking, hyper-sensitive security alert systems.

But I didn't even pause to weigh them, because right up to that minute I'd done very well, and the fear which had come upon me had been as brief as an autumnal flurry of wind when you're coming around a tall building at breakneck speed.

* * * * *

I let the girl dart past me, taking my time, and in another five seconds was descending into the big, brightly lighted cavern that was New Chicago's intercity pride.

As every school kid knows, the New Chicago Underground is six years old, and is the largest, smoothest-running transportation system in the world. It cost seven billion dollars to build and has almost as many tracks and suburban off-shoots as station guards.

It interlocks, spirals outward in a half dozen directions and circles back upon itself. In a way, it's like the serpent you see in bas-reliefs dating back three thousand years, in Babylonian and Pre-Dynastic Egyptian tombs, for instance, or on totem poles in the Northwest ... a serpent that's continually swallowing its own tail. It's the oldest archeological art-form on Earth and is supposed to symbolize Eternal Life.

But to some people at least the New Chicago Underground symbolizes something far more gloomy. If you're not careful to board just the right train you can get lost in its tomblike, spiraling immensity and feel as helpless as a wandering ghost or an experimental laboratory animal caught up in a blind maze. You can be carried fifty miles in the wrong direction and look out through the windows of a train traveling at half the speed of sound, and see a country landscape or the wide sweep of Lake Michigan five minutes after you've settled down in a comfortable chair and become absorbed in the news of the day on micro-film.

You'll stare out and the section of the city where your home is located just won't be sweeping past. You'll have to get off at the next station, perhaps twenty or thirty miles further on, ride back, and board another train. It's seldom quite as frustrating as that, but only because most of the riders have been conditioned to keep their wits about them through a nightmare kind of trial-and-error apprenticeship.

You've got to stay alert until you've boarded a train with just the right combination of numerals on its destination plate. It isn't hard to do, unless you're carrying a tiny silver hawk in a wafer-thin case, and your destination may be changed without warning and with unbelievable infamy by someone capable of great evil who would much prefer not to have you board a train at all.

I could almost picture him weaving in and out between the platform crowds--faceless so far, but quite possibly glassy-eyed with little waltzing death-heads in the depth of his pupils. An unknown human cipher intent on my destruction, refusing to be discouraged by the failure of a small mechanical killer to do the job for him.

If I'd had a strong reason to believe I actually was being followed, if he'd come right out into the open and I could have caught a glimpse of him, however brief, I'd have felt a subconscious relief that would have kept me on guard and confident. It would have given me an edge that not even the fact that I had no gun could have taken away from me.

It's the unknown and unpredictable that's unnerving, the realization that invisible eyes may be scrutinizing you from a distance and the brain behind them deciding that it would be a great mistake to let a failure of nerve or concern for the consequences interfere with what had to be done.

He wouldn't be wanting me to wear that insignia ever--on Earth or on Mars--and just knowing that made me almost miss my train as it came rushing toward me.

The train was so crowded I had to stand, but I had no complaint on that score. In a seat, with people jamming the aisle in front of me, I'd have been wedged in even more securely. In a standing position I could edge forward and back and keep an eye on the passengers who were holding fast to the horizontal support rail on both sides of me.

5

There were twenty-five or thirty passengers wedged into the middle section of the train, all standing in slightly cramped postures and most of them unsmiling. I knew exactly how they felt. Not being able to get a seat in an off-hour in the evening can be irritating. But right at the moment there was no room in my mind for annoyance. A slow, hard-to-pin-down uneasiness was creeping over me again, as if a pendulum were swinging back and forth somewhere close to me, ticking out a warning in rhythm--and I couldn't shut out the sound of it.

Just my over-strained nerves, of course. How could it have been anything else? I turned and looked at the man standing next to me. He was middle-aged, conservatively dressed, and had a square-jawed, rather handsome face, with a dusting of gray at his temples.

He was frowning slightly and his expression didn't change when I broke the rule of silence which was customarily observed in the Underground.

"No reason for all the seats to be gone at this hour," I said.

The crazy kind of over-exuberance mixed with peevishness that makes some people say things like that to total strangers a dozen times a day had always seemed inexcusable to me. But when you're under tension you sometimes break all the habits of rational behavior you've imposed on yourself in small matters.

My excuse was that I simply wanted to test the firmness and steadiness of my own voice, to make sure that, deep down, I wasn't nearly as apprehensive as I was beginning to feel.

"Yes, I know," the gray-templed man agreed. "It burns me up a little too. But I guess it just can't be helped at times. Operating an Underground this size must be an awful train-scheduling headache."

"Headache or not," I said. "There's no excuse for it."

He smiled abruptly, exposing large, white teeth and I noticed that there was something almost birdlike in the way his eyes lighted up. Small, black, very bright eyes they were, under short-lashed lids, and quite suddenly he made me think of a magpie alighting on a limb, taking off and alighting again, hardly able to restrain an impulse to chatter.

"What it boils down to," he said, "is the old quarrel between a pedestrian and a man in a car. Neither can understand or sympathize with the other's point of view. Fifteen million people ride this Underground every day and to them it's a poor slob's service at best. That's because they feel themselves to be the victims, at the receiving end. But you've got to remember that safety precautions pose a problem. Avoiding accidents comes first and the New Chicago Transportation System, considering its colossal size, does pretty well in that respect."

"People have been killed," I said, and could have bitten my tongue out. Why let him even suspect that I was thinking about something that wasn't tied in with his argument at all, why give him the slightest hint? The Underground's accident record was good and couldn't have justified such cynicism on my part. And just suppose he wasn't the garrulous, middle-aged business man he appeared to be--

A very sinister game can start in just that way, with everything favoring the alerted party until he lets the other know that he's on his guard and is having uneasy thoughts. That's where the danger lies, in a subconscious betrayal, a slip of the tongue that will precipitate violence faster than it would ordinarily occur.

If a killer feels that he must move swiftly, before suspicion can become a certainty, the odds shift in his favor. He has the advantage of surprise. He becomes alerted too, and necessity acts as a goad--a kind of trigger-mechanism. He'll act more quickly and decisively, without the careful planning that may prompt him to talk too much and give himself away.

He'll take risks that are dangerous and could destroy him, strike with witnesses present and all escape routes blocked. If he has to, he'll strike even in a crowded Underground train with the next station minutes away. And that kind of audacity sometimes pays off.

I told myself that I was imagining things, jumping to a completely unwarranted conclusion. The conversation of the man next to me was exactly what you'd expect from a magpie. He was carefully sidestepping all realistic appraisals of the Underground's shortcomings, trying his best to look at the problem from all sides, even if it meant being shallow and over-optimistic. He was the citizen with a smiling face, the rather likeable guy--why should one hold it against him?--who was trying his best to be fair to everybody, even if he had to burst a blood-vessel doing it.

Realizing all that made me feel less tense and part of the nightmare feeling I'd been experiencing went away. But not quite all of it and when the train passed into an unlighted tunnel and the aisle went dark apprehension began to mount in me again.

What if he was putting on an act, and wasn't the kind of man he appeared to be at all? What does a killer look like? Certainly age had nothing to do with it. He can be young or old--eighteen or seventy-five.

His appearance, his clothes? There were wild-eyed killers with "psycho" stamped all over them, and dignified, soberly-dressed men who looked no different from your next door neighbor and had criminal records a yard long, including, in all likelihood, a murder or two the Law would have a difficult time proving.

I didn't have to speculate about it. I _knew_, because I'd done more than my share of social research. There was nothing to prevent a man of distinction from becoming a killer, if he had a secret life that was ugly and devious and a powerful enough motive.

But now he was talking again, despite the darkness, and I was listening with my nerves on edge. I was completely in the dark as to why something about him had set the alarm bells ringing but I was sure I could hear them, very faint and distant this time, but clearly enough. It was funny. Sometimes it meant something and sometimes it didn't. I could feel that danger was hovering right at my elbow and in the end discover I'd been completely mistaken.

I hoped I was mistaken this time, but I knew there was a possibility--remote, perhaps, but dangerous to ignore--that the man who had set the small mechanical killer in motion by the Lakeside had followed me from the Administration Building into the Underground and was standing by my side.

"You take one of the really big power combines," he was saying. "Like, say, Wendel Atomics. It has its defenders and detractors, and I daresay there are quite a few people who would be happy to see its Board of Directors behind bars. I'm not defending the Wendel monopoly, understand. If I was a Martian colonist I might feel quite differently about it. But you've got to remember that when you give the go-ahead signal for a project that big you're asking fifty or a hundred key executives to do the impossible--or pretty close to the impossible."

"The impossible?" I said, trying to sound no more than mildly interested, because I didn't want him to suspect what a jolt his mention of Wendel Atomics had given me.

"Oh, yes," he went on. "That's what it boils down to. Every one of those men will be as human as you or I. They'll react in highly individual ways to every problem that comes up, every frustration, every serious interference with their private lives. You've got to remember that a man's private life is the most important thing in the world--to him personally. Every one of those fifty or a hundred men will have health worries, money worries, love life worries, every kind of worry you can think of. And on Mars worries can pile up."

"So I've heard," I said.

"Well, that's all. That sums it up. I'm simply citing Wendel as an example of what the New Chicago Transportation System is up against. I'd say, in general, that most of the directors are doing their best, when the Old Adam in them isn't in the driver's seat, to keep the trains running on schedule."

He stopped talking abruptly. I didn't think anything of it for a moment, for a loquacious man will often pause in the middle of a conversation to wonder what kind of dent he's been making on the party who's doing most of the listening. But when a full minute passed and the darkness held, and he didn't say a word, when I couldn't even hear him breathing, I began to grow uneasy.

Reach out and touch him? Well, why not? It was the simplest, quickest way of finding out whether he was still at my side and he could hardly be offended if my hand grazed his elbow in a jostling motion that would seem accidental.

It was very strange. I didn't think he was the man I'd feared he might be any longer, because of what he'd said, because he had brought Wendel Atomics into the conversation. If he'd _had_ designs on my life giving his hand away like that would have been the height of folly. It would have been like giving me cards and spades, and a detailed history of his activities for the past five years.

It didn't take any gifted reasoning to figure that out and I didn't pride myself on it. Even a child could have done it. What disturbed me and kept me from feeling relieved was something quite different. The alarm bells were still ringing. _They were still ringing._

Louder now and with a dirgelike persistence, as if I was already dead and buried. And neither a child nor a grown man could have figured that one out.

That's why I felt I had to reach out and touch him, had to start him talking again ... had to be sure he was still there at my side.

He was there, all right. He was there in the most alarming possible way, as a dead weight lurching against me, then swaying and screaming as I tried to straighten him up, and stop the terrible downward drag of his sagging body.

He was sinking lower and lower, clutching at my knees now, refusing to take advantage of the support I was offering him. I strained and tugged, but it was no use. He was too heavy to raise and I could hear the breath wheezing out of his throat and there could be no mistaking the weight of horror that was making him twist and writhe as he sagged--the deadliness of whatever it was that had struck at him in the darkness without making a sound.

He screamed again. It was the kind of agonized protest which could only have come from the throat of a man who hardly knew what was happening to him ... a man with his terror heightened and made more acute by the awful, groping-in-the-dark realization that he was experiencing a torment he was powerless to explain.

There had to be an answer but I didn't know what it was, and when the scream died away and the tugging stopped all I could hear for an instant was the steady droning of the train. Then there was another violent movement close to me and a harsh intake of breath.

My hand shot out, grazed something smooth that whipped away from me and caught hold of a wrist that was much thinner than a man's wrist had any right to be.

Much softer too, velvety soft, and it tugged and jerked in a frantic effort to free itself, holding tight to the knife that it would have taken all of a woman's strength to plunge deep into my heart.

But she could have done it, whoever she was, for there was a wiry strength in her--a strength so great that I had to twist her wrist cruelly before her fingers relaxed and the knife dropped to the floor of the train.

She gasped in pain--or was it fury?--and exerted all of her strength again in a desperate effort to break my grip. And this time luck was on her side. No, call it what it was. Luck may have figured, but most of it was plain blundering stupidity on my part. I was pretty sure I knew what her first, misdirected blow with the knife had done to the man I'd been talking to, and the thought so sickened and unnerved me that my fingers relaxed a little when the knife went clattering, and she took advantage of that to break free.

The passengers were crowding me now, pushing, shoving in alarm, and I knew it would be easy enough for her to force her way between them, still exerting all of her strength and get far enough away to be just one of the thirty terrified people when the train roared out into the light again. They'd all look disheveled, on the verge of panic and I wouldn't have a chance of identifying her.

How could I have identified her with any certainty, even if she'd been the only one with a guilty stare? I hadn't the least idea what she looked like. I only knew that she wasn't old, was all woman in her lithe softness, the opposite of an Amazon despite her strength. The femininity which had emanated from her--how instantly it can make itself felt, how instinctively overwhelming it can be!--had made me feel like a brute for an instant, even though I'd known it was her life or mine and I would have been quite mad to spare her.

There were men I could think of, the opposite of brutes, who would have knocked her unconscious with a blow to the head. To spare a determined killer is potentially suicidal, but I doubted if I could have done that.

I was still doubting it an instant later, when the train emerged from the unlighted tunnel and the bright glare of the Underground lamps flooded the aisle, bringing the man she'd stabbed by accident into clear view.

I was sure by now that she'd stabbed him by accident in a try for me, but that wasn't going to help him at all. He had flopped over on his back and was lying sprawled out in the middle of the aisle, and his eyes stared up at me, sightless and glazed.

There was no blood either on or beside him, but that only meant that he'd been stabbed in the back and there hadn't been time for blood from the wound to stain the edge of his clothes and trickle out from beneath him across the aisle.

His face had the pallor of death and his lips were drawn back over the large white teeth I'd noticed when he'd been talking to me. Drawn back in a stiff, unnatural grin and I didn't have to bend down and listen for a heartbeat I knew I wouldn't hear to be completely sure that the words he'd spoken to me would be the last he'd ever speak on Earth.

Just the way his head lolled, back and forth with the rhythmic throbbings of the train, would have clinched it for me. And I couldn't have bent down, because the other passengers were all staring at him too now, and elbowing me away from him to get a closer look, torn between morbid curiosity and stark terror.

I was too shaken, too sick at heart, to resent the elbowing. There was anger in me too, cold, uncompromising and right at that moment I could no longer even think of her as a woman.

* * * * *

It was past midnight when I got home and let myself into the apartment. I was more shaken than I would have cared to admit to anyone who didn't know me as well as Trilling did, because casual acquaintances can do you an injustice and judge the extent of your control by the way you happen to be looking at the moment.

I was quite sure that I was looking _very_ bad, and however severely I'd been shaken up by what had happened I still had a fair measure of control over my emotions.

I hadn't stayed in the train or on the platform to assist in the investigation, but I didn't feel guilty about it. Trilling could square all that with the authorities easily enough and he wouldn't have wanted me to talk to the police and have to identify myself. I was sure of that. My evidence would be taken down and turned over to the proper authorities in good time. The rule for me--the only rule I had a right to consider--was no entanglements.

I shut and locked the front door and almost called out: "It's me, darling!" as I usually do when I come home late, because when Joan is alone in the apartment and hears a door opening and closing she gets angry when I just walk in unannounced. It's part woman-curiosity, part fear, I guess--the thought that it could be a prowler and why should she be kept in suspense while I'm hanging up my hat and coat?

But this time something prevented me from calling out. Possibly the quarrel we'd had was still rankling a little deep in my mind and I wasn't quite sure how she'd take the "Darling."

My stubborn pride again. Or possibly it was just the feeling I had that the apartment was quieter than usual, that when you're keyed up and alert enough to hear a pin drop and you hear nothing--just a stillness that's a little on the weird side--your anxiety becomes too great to be relieved by calling out a cheery greeting.

I felt somehow that it would be wiser, and set better with the way I felt, if I just hung up my coat and walked into the living room without saying a word.

So I walked into the living room without saying a word and she was sitting right in the middle of it, on a straight-back chair with all of her bags packed and standing on the floor by the window, and with all of my bags packed and standing cheek-by-jowl with hers, and the three trunks that were going with me to Mars all sealed up and double-locked, and she wasn't angry or shaking her head or looking at the luggage with scorn.

There was pride in her lustrous brown eyes and the adorable tilt of her chin, and a warmth and a tenderness, and she was smiling at me and nodding.

"Oh, darling," she said. "Darling ... darling ... come here. Did you think I'd ever let you go to Mars without me? It was just talk--just stubborn, wild, crazy talk and it didn't mean a thing."

If you marry a woman like Joan and ever have a moment of doubt ... well, it means you ought to have your head examined. But you're twice as far removed from sanity if you throw away the check. For you can always be sure it will be redeemed eventually, in full measure and brimming over.

I didn't even have to put on my uniform and attach the small silver hawk to it.

6

We were not the only passengers in the eight-cabined forward section of the big sky ship which had been assigned to us. But it had taken us almost a week to get acquainted. To get really acquainted, that is, so that we could relax and feel at ease and really enjoy one another's company.

We were sitting in lounge chairs on the long promenade deck that ran parallel with all eight of the cabins, staring out through translucent crystal at a wide waste of stars.

Sitting in the first chair was a tall, sturdily built man of thirty-eight, with keen blue eyes and a dusting of gray at his temples. His name was Clifton Maddox and he was an electronic engineer. He had stories on tap that could turn your hair white, because he had been to Mars and back eight times.

Seated next to him, with her hand resting lightly on his arm, was a woman in her early twenties, with honey-blonde hair and eyes that held unfathomable glints and an enigmatical ingenuousness that could keep a man guessing in an exciting way. Her name was Helen Melton and she had eyes only for the man at her side. She had managed to make of the trip a continuous honeymoon, despite a few lovers' quarrels and the stern exactions which her work as a medical laboratory technician had imposed on her.

I mention these two because they were fairly typical of the group as a whole. They were all unusual individuals, the kind of people you take a liking to straight off, when you meet them casually at a party and exchange a few words with them that you keep remembering for days.

Joan and I sat in the last two chairs on the promenade deck, a little apart from the others. Joan was deep in a book and a little weary of talking and I ... was thinking about the robots.

The robots were a story in themselves--a story that could bear a great deal of re-telling. If right at that moment I'd had a son--a bright and eager lad of six or eight--I'd have set him on my knee and talked about the robots.

The five hundred passengers in the big sky ship were not alone in the long journey through interplanetary space. In the last years of the twentieth century, I'd have taken pains to make very clear to him, and in the early years of the twenty-first, a great new science had grown from an infant into a giant.

The science of cybernetics, of giant computers that could do much of Man's thinking for him on a specialized technological level, had transformed the face of the Earth and was continuing to transform it at a steadily accelerating pace.

The rocket's four giant computers were of the newest and most efficient type--humanoid in aspect, with conical heads, massive metal body-boxes, and three-jointed metal limbs which had all of Man's flexible adaptability in the carrying out of complex and difficult tasks.

Robotlike and immense, they towered in the chart room with their six-digited metal hands on their metal knees, their electronic circuits clicking, their tiers of memory banks in constant motion, but otherwise outwardly indifferent to the human activity that was taking place around them.

Four metal giants in a metal rocket, functioning cooperatively with Man in the gulfs between the planets, might have made an imaginative fiction writer of an earlier age catch his breath and glory in the fulfillment of a prophecy. An H. G. Wells perhaps, or an Olaf Stapledon. But the reality was an even greater tribute to the human mind's inventive brilliance than the Utopian dream had been.

The four giant computers were capable of solving problems too technical for the human mind to master without assistance, usually with astounding swiftness and always with the more-than-human accuracy of thinking machines whose prime function was to correlate without error the data supplied to them on punched metallic tapes, and to perform intricate mechanical tasks based upon that data.

The robots were tremendous, by any yardstick you might care to apply, and if I'd had a son--

I stopped thinking about the robots abruptly and sat very still, listening. A sound I'd heard a moment before had come again, much louder this time--a chill, unearthly screeching.

The chart room was just outside the eight-cabin section and I could hear the sound clearly. My nerves again, my over-stimulated imagination?

In space strange and unusual sounds are as common as pips on a radar screen. It was queer how quickly you got used to them. You had to walk around with your ears plugged up, in a sense, but the plugs didn't have to be inserted. They were just natural growths inside your ears--invisible and without substance, but plugs notwithstanding. They produced a kind of psycho-somatic deafness which didn't otherwise interfere with your hearing.

Just the very unusual sounds, the totally inexplicable raspings, dronings, creakings--usually of short duration--were blotted out.

You didn't hear them unless something deep in your mind whispered: "This one is different. This is an emergency. Take heed!"

The screeching was very different. It was like nothing I'd ever heard before, on Earth or in space.

The others must have heard it too, for it had been too loud, the second time, to be ignored. But apparently that strange acceptance of strange noises in space which goes with the kind of deafness I've mentioned had only been shattered for me. The six men and women in the lounge chairs had looked a little startled for a moment and exchanged puzzled glances. Which meant, of course, that they had heard it despite the mental earplugs in some inner recess of their minds. But that didn't prevent them from shrugging it off and resuming their conversation.

Joan also looked a trifle uneasy. She stopped reading just long enough to raise her eyes and frown, then became absorbed in the book again.

I got up quietly and pressed her wrist. "See you," I said.

She shut the book abruptly and straightened in her chair. "Where are you going, Ralph?"

"Just stay right where you are, kitten," I said. "I'll be back in a moment."

"That screeching noise," she said. "I was wondering about it, Ralph. I guess you'd better see what's causing it."

So she'd been disturbed by it too, and ignoring it had taken a deliberate effort of will which I hadn't realized she was exerting. It made me happy in an odd inner way, because it proved again what I'd always known ... that we were very close and there were currents of understanding which flowed back and forth between us and I had a wife I could be proud of.

"It's probably nothing," I said, not wanting to alarm her. "But I might as well take a look. It seems to be coming from the chart room."

"All right," she said and squeezed my hand.

I had to open and shut two sliding panels and pass along a blank-walled passageway to get to the chart room. To my surprise the door was standing open. It's usually kept locked, because there's no section of the sky ship where a man who didn't want anyone to suspect that he harbored within himself the most dangerous kind of destructive impulses could do more damage.

The shattering of a photo-electric eye or the ripping out of a single live connection in just one of the four cybernetic robots could have wrecked the rocket, and sent it spiraling down through the space gulfs in flaming ruin, depending on just how vital to the robot's functioning the shattered part happened to be.

There was a security alert system which would have to be disconnected first, but anyone resourceful enough to get inside the chart room at all, without identification-disk proof that he had a right to be there, would have known precisely how to take care of the preliminary obstacles.

I didn't waste any time in getting to that wide-open door, for my mind was racing on ahead of me like the most alerted kind of alarm system, its jaggling warning me that every second counted and that what I dreaded most might very well be true.

What I actually saw, when I reached the doorway and stood there looking in, took me completely by surprise. It wasn't the way I'd pictured it at all. But it was just as unnerving, just as much of a threat to the safety of the ship and it startled me so I must have looked almost comic, standing there idiot-still. But there was nothing comic about what I saw.

The woman I'd almost asked to go to Mars with me was staring straight at me, her hair still piled up high, a look of terrified appeal in her eyes. She wasn't alone. She was struggling furiously with a crewman I'd talked to a few times and neither liked nor disliked--a heavyset man with high cheekbones and pale blue eyes. He was gripping her savagely by the wrist and they were both backed up against one of the robot giants.

Suddenly as I stared her head went back and a convulsive trembling seized her. She began to scream.

7

It was a christ-awful moment--for her and for me. For her because she had no right to be in the Chart Room, or even on the ship, as far as I knew, and there was a look on the crewman's face that chilled me to the core of my being. It went beyond the anger of a duty-obsessed man, outraged by her infringement of the regulations. It was a completely different kind of anger. There was a savage cruelty, a killing rage in his eyes, impossible to misinterpret.

It was just as awful a moment for me, because I wasn't sure I could get to him before he broke her wrist or did something worse to her. I'd seen a woman kneed in the groin once, by just such an enraged human animal, and the memory of it had never left me. A strong man, turned maniacal, could kill with his hands in a matter of seconds. I'd seen that happen too, and the victim hadn't been a woman, but a man as powerful as the killer.

I crossed the Chart Room in a running leap, grabbed him by the shoulders and swung him about, raining blows on him more or less at random. I just tried to hit him as hard as I could without caring much where the blows landed, so long as they resounded with a meaty smack where they would do the most good. My only aim was to stun and, if possible, cripple him in a terrible, punishing way, so that he'd release his grip on the wrist of the woman he'd been trying to hurt before she screamed again and her hand dangled with a sickening limpness, making me want to permanently demolish him in slow and painful stages.

For a moment I was only sure of one thing. My fist had smashed very solidly into his face at least twice and drawn blood. I could see the gleam of blood on his jaw as he reeled back, and I was almost sure I'd heard his nose crack. There was nothing wrong with that, but it didn't satisfy me. I wanted to turn his face into quivering jelly. But most of all I was hoping, praying that she'd break free before I set about doing that, because a voice was screaming deep in my mind that if she couldn't he might still be capable of injuring her cruelly.

She broke free. Just how I don't know, because the punishment I'd dished out hadn't stunned him. He could still have fractured her wrist, judging by the look of blazing fury he trained on me.

His determination to repay me in full probably explained it. He needed both of his hands free for that, because I could see that what he would have liked to do most was get a strangler's grip on my throat.

The human windpipe doesn't fracture easily, as every experienced medical examiner knows. It's elastic and it gives, and post-mortem appearances prove that you can die by strangulation with your windpipe intact. But I have a horror of anything like that, and I didn't intend to let his fingers come anywhere near my throat.

I smashed my fist into his groin twice, putting so much shoulder-to-elbow resilience into the blows that he bent almost double, wrapped his arms about his middle just above his groin and went staggering backwards.

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Mars is My DestinationChapter II: Part 2

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