Chapter IV: Part 4

It was a voluptuous scene, that masquerade. But first let me tell of the rooms in which it was held. There were seven--an imperial suite. In many palaces, however, such suites form a long and straight vista, while the folding doors slide back nearly to the walls on either hand, so that the view of the whole extent is scarcely impeded. Here the case was very different, as might have been expected from the duke's love of the bizarre. The apartments were so irregularly disposed that the vision embraced but little more than one at a time. There was a sharp turn at every twenty or thirty yards, and at each turn a novel effect. To the right and left, in the middle of each wall, a tall and narrow Gothic window looked out upon a closed corridor which pursued the windings of the suite. These windows were of stained glass, whose colour varied in accordance with the prevailing hue of the decorations of the chamber into which it opened. That at the eastern extremity was hung, for example, in blue--and vividly blue were its windows. The second chamber was purple in its ornaments and tapestries, and here the panes were purple. The third was green throughout, and so were the casements. The fourth was furnished and lighted with orange--the fifth with white--the sixth with violet. The seventh apartment was closely shrouded in black velvet tapestries that hung all over the ceiling and down the walls, falling in heavy folds upon a carpet of the same material and hue. But in this chamber only the colour of the windows failed to correspond with the decorations. The panes here were scarlet--a deep blood colour. Now in no one of the seven apartments was there any lamp or candelabrum, amid the profusion of golden ornaments that lay scattered to and fro, or depended from the roof. There was no light of any kind emanating from lamp or candle within the suite of chambers. But in the corridors that followed the suite, there stood, opposite to each window, a heavy tripod, bearing a brazier of fire, that projected its rays through the tinted glass, and so glaringly illumined the room. And thus were produced a multitude of gaudy and fantastic appearances. But in the western or black chamber the effect of the firelight that streamed upon the dark hangings through the blood-tinted panes, was ghastly in the extreme, and produced so wild a look upon the countenances of those who entered, that there were few of the company bold enough to set foot within its precincts at all.

It was in this apartment, also, that there stood against the western wall a gigantic clock of ebony. Its pendulum swung to and fro with a dull, heavy, monotonous clang; and when the minute-hand made the circuit of the face, and the hour was to be stricken, there came from the brazen lungs of the clock a sound which was clear and loud and deep and exceedingly musical; but of so peculiar a note and emphasis that, at each lapse of an hour, the musicians of the orchestra were constrained to pause, momentarily, in their performance, to hearken to the sound; and thus the waltzers perforce ceased their evolutions; and there was a brief disconcert of the whole gay company; and, while the chimes of the clock yet rang, it was observed that the giddiest grew pale, and the more aged and sedate passed their hands over their brows as if in confused reverie or meditation. But when the echoes had fully ceased, a light laughter at once pervaded the assembly; the musicians looked at each other and smiled as if at their own nervousness and folly, and made whispering vows, each to the other, that the next chiming of the clock should produce in them no similar emotion; and then, after the lapse of sixty minutes (which embrace three thousand and six hundred seconds of the Time that flies), there came yet another chiming of the clock, and then were the same disconcert and tremulousness and meditation as before.

But, in spite of these things, it was a gay and magnificent revel. The tastes of the duke were peculiar. He had a fine eye for colours and effects. He disregarded the _decora_ of mere fashion. His plans were bold and fiery, and his conceptions glowed with barbaric lustre. There are some who would have thought him mad. His followers felt that he was not. It was necessary to hear and see and touch him to be sure that he was not.

He had directed, in great part, the movable embellishments of the seven chambers, upon occasion of this great fête; and it was his own guiding taste which had given character to the masqueraders. Be sure they were grotesque. There were much glare and glitter and piquancy and phantasm--much of what has been since seen in "Hernani." There were arabesque figures with unsuited limbs and appointments. There were delirious fancies as the madman fashions. There were much of the beautiful, much of the wanton, much of the bizarre, something of the terrible, and not a little of that which might have excited disgust. To and fro in the seven chambers there stalked, in fact, a multitude of dreams. And these--the dreams--writhed in and about, taking hue from the rooms, and causing the wild music of the orchestra to seem as the echo of their steps. And, anon, there strikes the ebony clock which stands in the hall of the velvet. And then, for a moment, all is still, and all is silent save the voice of the clock. The dreams are stiff-frozen as they stand. But the echoes of the chime die away--they have endured but an instant--and a light, half-subdued laughter floats after them as they depart. And now again the music swells, and the dreams live, and writhe to and fro more merrily than ever, taking hue from the many tinted windows through which stream the rays from the tripods. But to the chamber which lies most westwardly of the seven, there are now none of the maskers who venture; for the night is waning away; and there flows a ruddier light through the blood-coloured panes; and the blackness of the sable drapery appals; and to him whose foot falls upon the sable carpet, there comes from the near clock of ebony a muffled peal more solemnly emphatic than any which reaches their ears who indulge in the more remote gaieties of the other apartments.

But these other apartments were densely crowded, and in them beat feverishly the heart of life. And the revel went whirlingly on, until at length there commenced the sounding of midnight upon the clock. And then the music ceased, as I have told; and the evolutions of the waltzers were quieted; and there was an uneasy cessation of all things as before. But now there were twelve strokes to be sounded by the bell of the clock; and thus it happened, perhaps, that more of thought crept, with more of time, into the meditations of the thoughtful among those who revelled. And thus, too, it happened, perhaps, that before the last echoes of the last chime had utterly sunk into silence, there were many individuals in the crowd who had found leisure to become aware of the presence of a masked figure which had arrested the attention of no single individual before. And the rumour of this new presence having spread itself whisperingly around, there arose at length from the whole company a buzz, or murmur, expressive of disapprobation and surprise--then, finally, of terror, of horror, and of disgust.

In an assembly of phantasms, such as I have painted, it may well be supposed that no ordinary appearance could have excited such sensation. In truth the masquerade license of the night was nearly unlimited; but the figure in question had out-Heroded Herod, and gone beyond the bounds of even the prince's indefinite decorum. There are chords in the hearts of the most reckless which cannot be touched without emotion. Even with the utterly lost, to whom life and death are equally jests, there are matters of which no jests can be made. The whole company, indeed, seemed now deeply to feel that in the costume and bearing of the stranger neither wit nor propriety existed. The figure was tall and gaunt, and shrouded from head to foot in the habiliments of the grave. The mask which concealed the visage was made so nearly to resemble the countenance of a stiffened corpse that the closest scrutiny must have had difficulty in detecting the cheat. And yet all this might have been endured, if not approved, by the mad revellers around. But the mummer had gone so far as to assume the type of the Red Death. His vesture was dabbled in _blood_--and his broad brow, with all the features of the face, was besprinkled with the scarlet horror.

When the eyes of Prince Prospero fell upon this spectral image (which with a slow and solemn movement, as if more fully to sustain its _rôle_, stalked to and from among the waltzers), he was seen to be convulsed, in the first moment, with a strong shudder either of terror or distaste; but, in the next, his brow reddened with rage.

"Who dares?" he demanded hoarsely of the courtiers who stood near him--"who dares insult us with this blasphemous mockery? Seize him and unmask him--that we may know whom we have to hang at sunrise from the battlements!"

It was in the eastern or blue chamber in which stood the Prince Prospero as he uttered these words. They rang throughout the seven rooms loudly and clearly--for the prince was a bold and robust man, and the music had become hushed at the waving of his hand.

It was in the blue room where stood the prince with a group of pale courtiers by his side. At first, as he spoke, there was a slight rushing movement of this group in the direction of the intruder, who, at the moment, was also near at hand, and now, with deliberate and stately step, made closer approach to the speaker. But from a certain nameless awe with which the mad assumptions of the mummer had inspired the whole party, there were found none who put forth hand to seize him; so that, unimpeded, he passed within a yard of the prince's person; and while the vast assembly, as if with one impulse, shrank from the centres of the rooms to the walls, he made his way uninterruptedly, but with the same solemn and measured step which had distinguished him from the first, through the blue chamber to the purple--through the purple to the green--through the green to the orange--through this again to the white--and even thence to the violet, ere a decided movement had been made to arrest him. It was then, however, that the Prince Prospero, maddened with rage and the shame of his own momentary cowardice, rushed hurriedly through the six chambers, while none followed him on account of a deadly terror that had seized upon all. He bore aloft a drawn dagger, and had approached, in rapid impetuosity, to within three or four feet of the retreating figure, when the latter, having attained the extremity of the velvet apartment, turned suddenly and confronted his pursuer. There was a sharp cry--and the dagger dropped gleaming upon the sable carpet, upon which, instantly afterward, fell prostrate in death the Prince Prospero. Then, summoning the wild courage of despair, a throng of the revellers at once threw themselves into the black apartment, and, seizing the mummer, whose tall figure stood erect and motionless within the shadow of the ebony clock, gasped in unutterable horror at finding the grave cerements and corpse-like mask which they handled with so violent a rudeness, untenanted by any tangible form.

And now was acknowledged the presence of the Red Death. He had come like a thief in the night. And one by one dropped the revellers in the blood-bedewed halls of their revel, and died each in the despairing posture of his fall. And the life of the ebony clock went out with that of the last of the gay. And the flames of the tripods expired. And Darkness and Decay and the Red Death held illimitable dominion over all.

VII

DR. MANETTE'S MANUSCRIPT

CHARLES DICKENS

"I, Alexandre Manette, unfortunate physician, native of Beauvais, and afterward resident in Paris, write this melancholy paper in my doleful cell in the Bastille, during the last month of the year, 1767. I write it at stolen intervals, under every difficulty. I design to secrete it in the wall of the chimney, where I have slowly and laboriously made a place of concealment for it. Some pitying hand may find it there, when I and my sorrows are dust.

"These words are formed by the rusty iron point with which I write with difficulty in scrapings of soot and charcoal from the chimney, mixed with blood, in the last month of the tenth year of my captivity. Hope has quite departed from my breast. I know from terrible warnings I have noted in myself that my reason will not long remain unimpaired, but I solemnly declare that I am at this time in the possession of my right mind--that my memory is exact and circumstantial--and that I write the truth as I shall answer for these my last recorded words, whether they be ever read by men or not, at the Eternal Judgment-seat.

"One cloudy moonlight night, in the third week of December (I think the twenty-second of the month) in the year 1757, I was walking on a retired part of the quay by the Seine for the refreshment of the frosty air, at an hour's distance from my place of residence in the Street of the School of Medicine, when a carriage came along behind me, driven very fast. As I stood aside to let that carriage pass, apprehensive that it might otherwise run me down, a head was put out at the window, and a voice called to the driver to stop.

"The carriage stopped as soon as the driver could rein in his horses, and the same voice called to me by my name. I answered. The carriage was then so far in advance of me that two gentlemen had time to open the door and alight before I came up with it. I observed that they were both wrapped in cloaks, and appeared to conceal themselves. As they stood side by side near the carriage door, I also observed that they both looked of about my own age, or rather younger, and that they were greatly alike, in stature, manner, voice, and (as far as I could see) £ace too.

"'You are Doctor Manette?' said one.

"'I am.'

"'Doctor Manette, formerly of Beauvais,' said the other; 'the young physician, originally an expert surgeon, who within the last year or two has made a rising reputation in Paris?'

"'Gentlemen,' I returned, 'I am that Doctor Manette of whom you speak so graciously.'

"'We have been to your residence,' said the first, 'and not being so fortunate as to find you there, and being informed that you were probably walking in this direction, we followed, in the hope of overtaking you. Will you please to enter the carriage?'

"The manner of both was imperious, and they both moved, as these words were spoken, so as to place me between themselves and the carriage door. They were armed. I was not.

"'Gentlemen,' said I, 'pardon me; but I usually inquire who does me the honour to seek my assistance, and what is the nature of the case to which I am summoned.'

"The reply to this was made by him who had spoken second. 'Doctor, your clients are people of condition. As to the nature of the case, our confidence in your skill assures us that you will ascertain it for yourself better than we can describe it. Enough. Will you please to enter the carriage?'

"I could do nothing but comply, and I entered it in silence. They both entered after me--the last springing in, after putting up the steps. The carriage turned about, and drove on at its former speed.

"I repeat this conversation exactly as it occurred. I have no doubt that it is, word for word, the same. I describe everything exactly as it took place, constraining my mind not to wander from the task. Where I make the broken marks that follow here, I leave off for the time, and put my paper in its hiding-place. * * * *

"The carriage left the streets behind, passed the North Barrier, and emerged upon the country road. At two-thirds of a league from the Barrier--I did not estimate the distance at that time, but afterward when I traversed it--it struck out of the main avenue, and presently stopped at a solitary house. We all three alighted, and walked, by a damp soft footpath in a garden where a neglected fountain had overflowed, to the door of the house. It was not opened immediately, in answer to the ringing of the bell, and one of my two conductors struck the man who opened it, with his heavy riding glove, across the face.

"There was nothing in this action to attract my particular attention, for I had seen common people struck more commonly than dogs. But, the other of the two, being angry likewise, struck the man in like manner with his arm; the look and bearing of the brothers were then so exactly alike, that I then first perceived them to be twin brothers.

"From the time of our alighting at the outer gate (which we found locked, and which one of the brothers had opened to admit us, and had relocked), I had heard cries proceeding from an upper chamber. I was conducted to this chamber straight, the cries growing louder as we ascended the stairs, and I found a patient in a high fever of the brain, lying on a bed.

"The patient was a woman of great beauty, and young; assuredly not much past twenty. Her hair was torn and ragged, and her arms were bound to her sides with sashes and handkerchiefs. I noticed that these bonds were all portions of a gentleman's dress. On one of them, which was a fringed scarf for a dress of ceremony, I saw the armorial bearings of a Noble, and the letter E.

"I saw this, within the first minute of my contemplation of the patient; for, in her restless strivings she had turned over on her face on the edge of the bed, had drawn the end of the scarf into her mouth, and was in danger of suffocation. My first act was to put out my hand to relieve her breathing; and in moving the scarf aside, the embroidery in the corner caught my sight.

"I turned her gently over, placed my hands upon her breast to calm her and keep her down, and looked into her face. Her eyes were dilated and wild, and she constantly uttered piercing shrieks, and repeated the words, 'My husband, my father, and my brother!' and then counted up to twelve, and said, 'Hush!' For an instant, and no more, she would pause to listen, and then the piercing shrieks would begin again, and she would repeat the cry, 'My husband, my father, and my brother!' and would count up to twelve, and say, 'Hush!' There was no variation in the order, or the manner. There was no cessation, but the regular moment's pause in the utterance of these sounds.

"'How long,' I asked, 'has this lasted?'

"To distinguish the brothers, I will call them the elder and the younger; by the elder, I mean him who exercised the most authority. It was the elder who replied, 'Since about this hour last night.'

"'She has a husband, a father, and a brother?'

"'A brother.'

"'I do not address her brother?'

"He answered with great contempt, 'No.'

"'She has some recent association with the number twelve?'

"The younger brother impatiently rejoined, 'With twelve o'clock.'

"'See, gentlemen,' said I, still keeping my hands upon her breast, 'how useless I am, as you have brought me! If I had known what I was coming to see, I could have come provided. As it is, time must be lost. There are no medicines to be obtained in this lonely place.'

"The elder brother looked to the younger, who said haughtily, 'There is a case of medicines here;' and brought it from a closet, and put it on the table. * * * *

"I opened some of the bottles, smelt them, and put the stoppers to my lips. If I had wanted to use anything save narcotic medicines that were poisons in themselves, I would not have administered any of those.

"'Do you doubt them?' asked the younger brother.

"'You see, monsieur, I am going to use them,' I replied, and said no more.

"I made the patient swallow, with great difficulty, and after many efforts, the dose that I desired to give. As I intended to repeat it after a while, and as it was necessary to watch its influence, I then sat down by the side of the bed. There was a timid and suppressed woman in attendance (wife of the man downstairs), who had retreated into a corner. The house was damp and decayed, indifferently furnished--evidently, recently occupied and temporarily used. Some thick old hangings had been nailed up before the windows, to deaden the sound of the shrieks. They continued to be uttered in their regular succession, with the cry, 'My husband, my father, and my brother!' the counting up to twelve, and 'Hush!' The frenzy was so violent, that I had not unfastened the bandages restraining the arms; but, I had looked to them, to see that they were not painful. The only spark of encouragement in the case, was, that my hand upon the sufferer's breast had this much soothing influence, that for minutes at a time it tranquillised the figure. It had no effect upon the cries; no pendulum could be more regular.

"For the reason that my hand had this effect (I assume), I had sat by the side of the bed for half an hour, with the two brothers looking on, before the elder said:

"'There is another patient.'

"I was startled, and asked, 'Is it a pressing case?'

"'You had better see,' he carelessly answered; and took up a light. * * * *

"The other patient lay in a back room across a second staircase, which was a species of loft over a stable. There was a low plastered ceiling to a part of it; the rest was open, to the ridge of the tiled roof, and there were beams across. Hay and straw were stored in that portion of the place, fagots for firing, and a heap of apples in sand. I had to pass through that part to get at the other. My memory is circumstantial and unshaken. I try it with these details, and I see them all, in this my cell in the Bastille, near the close of the tenth year of my captivity, as I saw them all that night.

"On some hay on the ground, with a cushion thrown under his head, lay a handsome peasant boy--a boy of not more than seventeen at the most. He lay on his back, with his teeth set, his right hand clenched on his breast, and his glaring eyes looking straight upward. I could not see where his wound was, as I kneeled on one knee over him; but, I could see that he was dying of a wound from a sharp point.

"'I am a doctor, my poor fellow,' said I. 'Let me examine it.'

'"I do not want it examined,' he answered; 'let it be.'

"It was under his hand, and I soothed him to let me move his hand away. The wound was a sword-thrust, received from twenty to twenty-four hours before, but no skill could have saved him if it had been looked to without delay. He was then dying fast. As I turned my eyes to the elder brother, I saw him looking down at this handsome boy whose life was ebbing out, as if he were a wounded bird, or hare, or rabbit; not at all as if he were a fellow-creature.

"'How has this been done, monsieur?' said I.

"'A crazed young common dog! A serf! Forced my brother to draw upon him, and has fallen by my brother's sword--like a gentleman.'

"There was no touch of pity, sorrow, or kindred humanity in this answer. The speaker seemed to acknowledge that it was inconvenient to have that different order of creature dying there, and that it would have been better if he had died in the usual obscure routine of his vermin kind. He was quite incapable of any compassionate feeling about the boy, or about his fate.

"The boy's eyes had slowly moved to him as he had spoken, and they now slowly moved to me.

"'Doctor, they are very proud, these Nobles; but we common dogs are proud too, sometimes. They plunder us, outrage us, beat us, kill us; but we have a little pride left, sometimes. She--have you seen her, Doctor?'

"The shrieks and the cries were audible there, though subdued by the distance. He referred to them, as if she were lying in our presence.

"I said, 'I have seen her.'

"'She is my sister, Doctor. They have had their shameful rights, these Nobles, in the modesty and virtue of our sisters, many years, but we have had good girls among us. I know it, and have heard my father say so. She was a good girl. She was betrothed to a good young man, too: a tenant of his. We were all tenants of his--that man's who stands there. The other is his brother, the worst of a bad race.'

"It was with the greatest difficulty that the boy gathered bodily force to speak; but, his spirit spoke with a dreadful emphasis.

"'We were so robbed by that man who stands there, as all we common dogs are by those superior Beings--taxed by him without mercy, obliged to work for him without pay, obliged to grind our corn at his mill, obliged to feed scores of his tame birds on our wretched crops, and forbidden for our lives to keep a single tame bird of our own, pillaged and plundered to that degree that when we chanced to have a bit of meat, we ate it in fear, with the door barred and the shutters closed, that his people should not see it and take it from us--I say, we were so robbed, and hunted, and were made so poor, that our father told us it was a dreadful thing to bring a child into the world, and that what we should most pray for was, that our women might be barren and our miserable race die out!'

"I had never before seen the sense of being oppressed bursting forth like a fire. I had supposed that it must be latent in the people somewhere; but, I had never seen it break out, until I saw it in the dying boy.

"'Nevertheless, Doctor, my sister married. He was ailing at that time, poor fellow, and she married her lover, that she might tend and comfort him in our cottage--our dog-hut, as that man would call it. She had not been married many weeks, when that man's brother saw her and admired her, and asked that man to lend her to him--for what are husbands among us! He was willing enough, but my sister was good and virtuous, and hated his brother with a hatred as strong as mine. What did the two then, to persuade her husband to use his influence with her, to make her willing?'

"The boy's eyes, which had been fixed on mine, slowly turned to the looker-on, and I saw in the two faces that all he said was true. The two opposing kinds of pride confronting one another, I can see, even in this Bastille; the gentleman's, all negligent indifference; the peasant's, all trodden-down sentiment, and passionate revenge.

"'You know, Doctor, that it is among the Rights of these Nobles to harness us common dogs to carts, and drive us. They so harnessed him and drove him. You know that it is among their Rights to keep us in their grounds all night, quieting the frogs, in order that their noble sleep may not be disturbed. They kept him out in the unwholesome mists at night and ordered him back into his harness in the day. But he was not persuaded. No! Taken out of harness one day at noon, to feed--if he could find food--he sobbed twelve times, once for every stroke of the bell, and died on her bosom.'

"Nothing human could have held life in the boy but his determination to tell all his wrong. He forced back the gathering shadows of death, as he forced his clenched right hand to remain clenched, and to cover his wound.

"'Then, with that man's permission and even with his aid, his brother took her away; in spite of what I know she must have told his brother--and what that is, will not be long unknown to you, Doctor, if it is now--his brother took her away--for his pleasure and diversion, for a little while. I saw her pass me on the road. When I took the tidings home, our father's heart burst; he never spoke one of the words that filled it. I took my young sister (for I have another) to a place beyond the reach of this man, and where, at least, she will never be his vassal. Then, I tracked the brother here, and last night climbed in--a common dog, but sword in hand.-- Where is the loft window? It was somewhere here?'

"The room was darkening to his sight; the world was narrowing around him. I glanced about me, and saw that the hay and straw were trampled over the floor, as if there had been a struggle.

"'She heard me, and ran in. I told her not to come near us till he was dead. He came in and first tossed me some pieces of money; then struck at me with a whip. But I, though a common dog, so struck at him as to make him draw. Let him break into as many pieces as he will, the sword that he stained with my common blood; he drew to defend himself--thrust at me with all his skill for his life.'

"My glance had fallen, but a few moments before, on the fragments of a broken sword, lying among the hay. That weapon was a gentleman's. In another place, lay an old sword that seemed to have been a soldier's.

"'Now, lift me up, Doctor; lift me up. Where is he?'

"'He is not here,' I said, supporting the boy, and thinking that he referred to the brother.

"'He! Proud as these nobles are, he is afraid to see me. Where is the man who was here? Turn my face to him.'

"I did so, raising the boy's head against my knee. But, invested for the moment with extraordinary power, he raised himself completely: obliging me to rise too, or I could not have still supported him.

"'Marquis,' said the boy, turned to him with his eyes opened wide, and his right hand raised, 'in the days when all these things are to be answered for, I summon you and yours, to the last of your bad race, to answer for them. I mark this cross of blood upon you, as a sign that I do it. In the days when all these things are to be answered for, I summon your brother, the worst of the bad race, to answer for them separately. I mark this cross of blood upon him, as a sign that I do it.'

"Twice, he put his hand to the wound in his breast, and with his forefinger drew a cross in the air. He stood for an instant with the finger yet raised, and as it dropped, he dropped with it, and I laid him down dead. * * * *

"When I returned to the bedside of the young woman, I found her raving in precisely the same order of continuity. I knew that this might last for many hours, and that it would probably end in the silence of the grave.

"I repeated the medicines I had given her, and I sat at the side of the bed until the night was far advanced. She never abated the piercing quality of her shrieks, never stumbled in the distinctness or order of her words. They were always 'My husband, my father, and my brother! One, two, three, four, five, six, seven, eight, nine, ten, eleven, twelve. Hush!'

"This lasted twenty-six hours from the time when I first saw her. I had come and gone twice, and was again sitting by her, when she began to falter. I did what little could be done to assist that opportunity, and by-and-bye she sank into a lethargy, and lay like the dead.

"It was as if the wind and rain had lulled at last, after a long and fearful storm. I released her arms, and called the woman to assist me to compose her figure and the dress she had torn. It was then that I knew her condition to be that of one in whom the first expectations of being a mother have arisen; and it was then that I lost the little hope I had had of her.

"'Is she dead?' asked the Marquis, whom I will still describe as the elder brother, coming booted into the room from his horse.

"'Not dead,' said I; 'but like to die.'

"'What strength there is in these common bodies!' he said, looking down at her with some curiosity.

"'There is prodigious strength,' I answered him, 'in sorrow and despair.'

"He first laughed at my words, and then frowned at them. He moved a chair with his foot near to mine, ordered the woman away, and said in a subdued voice,

"'Doctor, finding my brother in this difficulty with these hinds, I recommend that your aid should be invited. Your reputation is high, and, as a young man with your fortune to make, you are probably mindful of your interest. The things that you see here are things to be seen, and not spoken of.'

"I listened to the patient's breathing, and avoided answering.

"'Do you honour me with your attention, Doctor?'

"'Monsieur,' said I, 'in my profession, the communications of patients are always received in confidence.' I was guarded in my answer, for I was troubled in my mind with what I had heard and seen.

"Her breathing was so difficult to trace, that I carefully tried the pulse and the heart. There was life, and no more. Looking round as I resumed my seat, I found both the brothers intent upon me. * * * *

"I write with so much difficulty, the cold is so severe, I am so fearful of being detected and consigned to an underground cell and total darkness, that I must abridge this narrative. There is no confusion or failure in my memory; I can recall, and could detail, every word that was ever spoken between me and those brothers.

"She lingered for a week. Toward the last, I could understand some few syllables that she said to me, by placing my ear close to her lips. She asked me where she was, and I told her; who I was, and I told her. It was in vain that I asked her for her family name. She faintly shook her head upon the pillow and kept her secret, as the boy had done.

"I had no opportunity of asking her any question, until I had told the brothers she was sinking fast, and could not live another day. Until then, though no one was ever presented to her consciousness save the woman and myself, one or the other of them had always jealously sat behind the curtain at the head of the bed when I was there. But when it came to that, they seemed careless what communication I might hold with her; as if--the thought passed through my mind--I were dying too.

"I always observed that their pride bitterly resented the younger brother's (as I call him) having crossed swords with a peasant, and that peasant a boy. The only consideration that appeared to affect the mind of either of them was the consideration that this was highly degrading to the family, and was ridiculous. As often as I caught the younger brother's eyes, their expression reminded me that he disliked me deeply, for knowing what I knew from the boy. He was smoother and more polite to me than the elder; but I saw this. I also saw that I was an incumbrance in the mind of the elder, too.

"My patient died, two hours before midnight--at a time, by my watch, answering almost to the minute when I had first seen her. I was alone with her, when her forlorn young head drooped gently on one side, and all her earthly wrongs and sorrows ended.

"The brothers were waiting in a room downstairs, impatient to ride away. I had heard them, alone at the bedside, striking their boots with their riding-whips, and loitering up and down.

"'At last she is dead?' said the elder, when I went in.

"'She is dead,' said I.

"'I congratulate you, my brother,' were his words as he turned round.

"He had before offered me money, which I had postponed taking. He now gave me a rouleau of gold. I took it from his hand, but laid it on the table. I had considered the question, and had resolved to accept nothing.

"'Pray excuse me,' said I. 'Under the circumstances, no.'

"They exchanged looks, but bent their heads to me as I bent mine to them, and we parted without another word on either side. * * * *

"I am weary, weary, weary--worn down by misery. I cannot read what I have written with this gaunt hand.

"Early in the morning, the rouleau of gold was left at my door in a little box, with my name on the outside. From the first, I had anxiously considered what I ought to do. I decided, that day, to write privately to the Minister, stating the nature of the two cases to which I had been summoned, and the place to which I had gone: in effect, stating all the circumstances. I knew what Court influence was, and what the immunities of the Nobles were, and I expected that the matter would never be heard of; but, I wished to relieve my own mind. I had kept the matter a profound secret, even from my wife; and this, too, I resolved to state in my letter. I had no apprehension whatever of my real danger; but I was conscious that there might be danger for others, if others were compromised by possessing the knowledge that I possessed.

"I was much engaged that day, and could not complete my letter that night. I rose long before my usual time next morning to finish it. It was the last day of the year. The letter was lying before me just completed, when I was told that a lady waited, who wished to see me. * * * *

"I am growing more and more unequal to the task I have set myself. It is so cold, so dark, my senses are so benumbed, and the gloom upon me is so dreadful.

"The lady was young, engaging, and handsome, but not marked for long life. She was in great agitation. She presented herself to me as the wife of the Marquis St. Evrémonde. I connected the title by which the boy had addressed the elder brother, with the initial letter embroidered on the scarf, and had no difficulty in arriving at the conclusion that I had seen that nobleman very lately.

"My memory is still accurate, but I cannot write the words of our conversation. I suspect that I am watched more closely than I was, and I know not at what times I may be watched. She had in part suspected, and in part discovered, the main facts of the cruel story, of her husband's share in it, and my being resorted to. She did not know that the girl was dead. Her hope had been, she said in great distress, to show her, in secret, a woman's sympathy. Her hope had been to avert the wrath of Heaven from a House that had long been hateful to the suffering many.

"She had reasons for believing that there was a young sister living, and her greatest desire was, to help that sister. I could tell her nothing but that there was such a sister; beyond that, I knew nothing. Her inducement to come to me, relying on my confidence, had been the hope that I could tell her the name and place of abode. Whereas, to this wretched hour I am ignorant of both. * * * *

"These scraps of paper fail me. One was taken from me, with a warning, yesterday. I must finish my record to-day.

"She was a good, compassionate lady, and not happy in her marriage. How could she be! The brother distrusted and disliked her, and his influence was all opposed to her; she stood in dread of him, and in dread of her husband too. When I handed her down to the door, there was a child, a pretty boy from two to three years old, in her carriage.

"'For his sake, Doctor,' she said, pointing to him in tears, 'I would do all I can to make what poor amends I can. He will never prosper in his inheritance otherwise. I have a presentiment that if no other innocent atonement is made for this, it will one day be required of him. What I have left to call my own--it is little beyond the worth of a few jewels--I will make it the first charge of his life to bestow, with the compassion and lamentation of his dead mother, on this injured family, if the sister can be discovered.'

"She kissed the boy, and said, caressing him, 'It is for thine own dear sake. Thou wilt be faithful, little Charles?' The child answered her bravely, 'Yes!' I kissed her hand, and she took him in her arms, and went away caressing him. I never saw her more.

"As she had mentioned her husband's name in the faith that I knew it, I added no mention of it to my letter. I sealed my letter, and, not trusting it out of my own hands, delivered it myself that day.

"That night, the last night of the year, toward nine o'clock, a man in a black dress rang at my gate, demanded to see me, and softly followed my servant, Ernest Defarge, a youth, up-stairs. When my servant came into the room where I sat with my wife--O my wife, beloved of my heart! My fair young English wife!--we saw the man, who was supposed to be at the gate, standing silent behind him.

"An urgent case in the Rue St. Honoré, he said. It would not detain me, he had a coach in waiting.

"It brought me here, it brought me to my grave. When I was clear of the house, a black muffler was drawn tightly over my mouth from behind, and my arms were pinioned. The two brothers crossed the road from a dark corner, and identified me with a single gesture. The Marquis took from his pocket the letter I had written, showed it me, burnt it in the light of a lantern that was held, and extinguished the ashes with his foot. Not a word was spoken. I was brought here, I was brought to my living grave.

"If it had pleased God to put it in the hard heart of either of the brothers, in all these frightful years, to grant me any tidings of my dearest wife--so much as to let me know by a word whether alive or dead--I might have thought that He had not quite abandoned them. But, now I believe that the mark of the red cross is fatal to them, and that they have no part in His mercies. And them and their descendants, to the last of their race, I, Alexandre Manette, unhappy prisoner, do this last night of the year 1767, in my unbearable agony, denounce to the times when all these things shall be answered for. I denounce them to Heaven and to earth."

VIII

SILENCE*

LEONIDAS ANDREIYEFF

*Reprinted by permission of Nicholas L. Brown, Publisher.

I

One moonlight night in May, while the nightingales sang, Father Ignatius' wife entered his chamber. Her countenance expressed suffering, and the little lamp she held in her hand trembled. Approaching her husband, she touched his shoulder, and managed to say between her sobs:

"Father, let us go to Verochka."

Without turning his head, Father Ignatius glanced severely at his wife over the rims of his spectacles, and looked long and intently, till she waved her unoccupied hand and dropped on a low divan.

"That one toward the other be so pitiless!" she pronounced slowly, with emphasis on the final syllables, and her good plump face was distorted with a grimace of pain and exasperation, as if in this manner she wished to express what stern people they were--her husband and daughter.

Father Ignatius smiled and arose. Closing his book, he removed his spectacles, placed them in the case, and meditated. His long, black beard, inwoven with silver threads, lay dignified on his breast, and it slowly heaved at every deep breath.

"Well, let us go!" said he.

Olga Stepanovna quickly arose and entreated in an appealing, timid voice:

"Only don't revile her, father! You know the sort she is."

Vera's chamber was in the attic, and the narrow, wooden stair bent and creaked under the heavy tread of Father Ignatius. Tall and ponderous, he lowered his head to avoid striking the floor of the upper story, and frowned disdainfully when the white jacket of his wife brushed his face. Well he knew that nothing would come of their talk with Vera.

"Why do you come?" asked Vera, raising a bared arm to her eyes. The other arm lay on top of a white summer blanket hardly distinguishable from the fabric, so white, translucent, and cold was its aspect.

"Verochka!" began her mother, but sobbing, she grew silent.

"Vera!" said her father, making an effort to soften his dry and hard voice. "Vera, tell us, what troubles you?"

Vera was silent.

"Vera, do not we, your mother and I, deserve your confidence? Do we not love you? And is there someone nearer to you than we? Tell us about your sorrow, and, believe me, you'll feel better for it. And we too. Look at your aged mother, how much she suffers!"

"Verochka!"

"And I..." The dry voice trembled, truly something had broken in it. "And I ... do you think I find it easy? As if I did not see that some sorrow is gnawing at you--and what is it? And I, your father, do not know what it is. Is it right that it should be so?"

Vera was silent. Father Ignatius very cautiously stroked his beard, as if afraid that his fingers would enmesh themselves involuntarily in it, and continued:

"Against my wish you went to St. Petersburg--did I pronounce a curse upon you, you who disobeyed me? Or did I not give you money? Or, you'll say, I have not been kind? Well, why then are you silent? There, you've had your St. Petersburg!"

Father Ignatius became silent, and an image arose before him of something huge, of granite, and terrible, full of invisible dangers and strange and indifferent people. And there, alone and weak, was his Vera and there they had lost her. An awful hatred against that terrible and mysterious city grew in the soul of Father Ignatius, and an anger against his daughter who was silent, obstinately silent.

"St. Petersburg has nothing to do with it," said Vera, morosely, and closed her eyes. "And nothing is the matter with me. Better go to bed, it is late."

"Verochka," whimpered her mother. "Little daughter, do confess to me."

"Akh, mamma!" impatiently Vera interrupted her.

Father Ignatius sat down on a chair and laughed.

"Well, then it's nothing?" he inquired, ironically.

"Father," sharply put in Vera, raising herself from the pillow, "you know that I love you and mother. Well, I do feel a little weary. But that will pass. Do go to sleep, and I also wish to sleep. And to-morrow, or some other time, we'll have a chat."

Father Ignatius impetuously arose so that the chair hit the wall, and took his wife's hand.

"Let us go."

"Verochka!"

"Let us go, I tell you!" shouted Father Ignatius. "If she has forgotten God, shall we..."

Almost forcibly he led Olga Stepanovna out of the room, and when they descended the stairs, his wife, decreasing her gait, said in a harsh whisper:

"It was you, priest, who have made her such. From you she learnt her ways. And you'll answer for it. Akh, unhappy creature that I am!"

And she wept, and, as her eyes filled with tears, her foot, missing a step, would descend with a sudden jolt, as if she were eager to fall into some existent abyss below.

From that day Father Ignatus ceased to speak with his daughter, but she seemed not to notice it. As before she lay in her room, or walked about, continually wiping her eyes with the palms of her hands as if they contained some irritating foreign substance. And crushed between these two silent people, the jolly, fun-loving wife of the priest quailed and seemed lost, not knowing what to say or do.

Occasionally Vera took a stroll. A week following the interview she went out in the evening, as was her habit. She was not seen alive again, as on this evening she threw herself under the train, which cut her in two.

Father Ignatius himself directed the funeral. His wife was not present in church, as at the news of Vera's death she was prostrated by a stroke. She lost control of her feet, hands, and tongue, and she lay motionless in the semi-darkened room when the church bells rang out. She heard the people, as they issued out of church and passed the house, intone the chants, and she made an effort to raise her hand, and to make a sign of the cross, but her hand refused to obey; she wished to say: "Farewell, Vera!" but the tongue lay in her mouth huge and heavy. And her attitude was so calm, that it gave one an impression of restfulness or sleep. Only her eyes remained open.

At the funeral, in church, were many people who knew Father Ignatius, and many strangers, and all bewailed Vera's terrible death, and tried to find in the movements and voice of Father Ignatius tokens of a deep sorrow. They did not love Father Ignatius because of his severity and proud manners, his scorn of sinners, for his unforgiving spirit, his envy and covetousness, his habit of utilising every opportunity to extort money from his parishioners. They all wished to see him suffer, to see his spirit broken, to see him conscious in his two-fold guilt for the death of his daughter--as a cruel father and a bad priest--incapable of preserving his own flesh from sin. They cast searching glances at him, and he, feeling these glances directed toward his back, made efforts to hold erect its broad and strong expanse, and his thoughts were not concerning his dead daughter, but concerning his own dignity.

"A hardened priest!" said, with a shake of his head, Karzenoff, a carpenter, to whom Father Ignatius owed five roubles for frames.

And thus, hard and erect, Father Ignatius reached the burial ground, and in the same manner he returned. Only at the door of his wife's chamber did his spine relax a little, but this may have been due to the fact that the height of the door was inadequate to admit his tall figure. The change from broad daylight made it difficult for him to distinguish the face of his wife, but, after scrutiny, he was astonished at its calmness and because the eyes showed no tears. And there was neither anger, nor sorrow in the eyes--they were dumb, and they kept silent with difficulty, reluctantly, as did the entire plump and helpless body, pressing against the feather bedding.

"Well, how do you feel?" inquired Father Ignatius.

The lips, however, were dumb; the eyes also were silent. Father Ignatius laid his hand on her forehead; it was cold and moist, and Olga Stepanovna did not show in any way that she had felt the hand's contact. When Father Ignatius removed his hand there gazed at him, immobile, two deep grey eyes, seeming almost entirely dark from the dilated pupils, and there was neither sadness in them, nor anger.