Chapter II: Pure Love and Party Strife

The Christmas holidays passed pleasantly under the hospitable roof of the McClory family. The chief amusement of the neighborhood was drinking in the shebeen, or local public house, but Hugh declined to accompany Paddy to the shebeen, preferring solitude with his sister.

Before the holidays had come to a close, Hugh and Alice had become engaged, but the course of true love in their case was destined to the proverbial fate. All Miss McClory's friends were scandalized at the thought of her consenting to marry a Protestant.

Religion, among Catholics and Orangemen, in those days, consisted largely of party hatred. He was a good Protestant who, sober as well as drunk, cursed the Pope, and on the 12th of July wore orange colors, and played with fife and drum a tune known as "The Battle of the Boyne." And he was a good Catholic who, in whatever condition, used equally emphatic language regarding King William. No more genuine expression of religious feeling was looked for on either side.

There is a story told in the McClory district which illustrates the current religious sentiment. Two brother Orangemen, good men after their lights, had long been fast friends. They seldom missed an opportunity, in the presence of Catholics, of consigning the Pope to an uncomfortable place, to which he himself has been wont to consign heretics.

It happened that one of the two Orangemen fell sick, and when he was at the point of death his friend became greatly concerned about his spiritual state, and visited him. He found him in an unconscious condition, and sinking fast; and putting his lips close to the ear of his sick friend, he asked him to give him a sign that he felt spiritually happy. The dying man, with a last supreme effort, raised his voice above a whisper, and in the venerable and well-known formula cursed the Pope. His friend was comforted, believing that all was well.

Whether this gruesome story be true or not, it goes to illustrate the fact that blasphemous bigotry had largely usurped the place of religion. But bitter party feeling did not end with mere words. Bloody battles between Orangemen and Catholics were periodically fought on the 12th of July, the anniversary of the battle of the Boyne, and on the 17th of March, Saint Patrick's day. Within six miles of McClory's house more than a dozen pitched battles were fought, sometimes with scythes tied on poles, and sometimes with firearms. One of these murderous onsets, known as the battle of Ballynafern, took place within sight of McClory's house.

At Dolly's Brae a battle was fought in 1849, in presence of a large body of troops, who remained neutral spectators of the conflict till the Catholics fled, and then joined with the victors in firing on the flying foe.

The scenes of these struggles, such as Tillyorier, Katesbridge, Hilltown, The Diamond, etc., are classic spots now. Each has had its poet, and ballads are sung to celebrate the prowess of the victors, who were uniformly the Orangemen, inasmuch as they used firearms, while the Catholics generally fought with pikes and scythes.

Hugh Bronte had not yet discovered the deep and wide gulf that yawned between Protestants and Catholics, and so he made light of the religious objections of which he had heard so much from Alice. But the Catholic friends of Miss McClory, who had heard the Pope cursed by Protestant lips almost every day of their lives, could not stand by and see a Catholic lamb removed into the Protestant shambles. They came to look on Bronte as a Protestant emissary, more influenced by a fiendish desire to plunder the Catholic fold than by love for their beautiful relative.

Hugh Bronte, in his eager simplicity, wanted to supersede all opposition by getting married immediately, but so great a commotion ensued that he had to return to the kilns at Mount Pleasant, leaving his matrimonial prospects in a very unsatisfactory condition.

Troops of relatives invaded the McClory house daily, and ardent Catholics tried in vain to argue down Alice McClory's newly kindled love. All the Roman Catholic neighbors joined in giving copious advice, and little was talked of in fairs and markets, and at chapel, but the proposed marriage of Alice McClory with an unknown Protestant heretic.

The priest, also, as family friend, was drawn into the matter. In those days Irish priests were educated in France or Italy, and were generally men of culture and refinement. Their horizon had been widened. They had come in contact with the language, literature, and social habits of other peoples, and they had become courteous men of the world. They had to some extent got out of touch with the fierce fanaticism of party strife.

The priest called on Miss McClory. Everybody knew that he had, and awaited the result; but Alice's beauty and simplicity and tears made such an impression on the kind-hearted old priest that his chivalrous instinct was aroused, and he was almost won to the lady's side. The centre of the agitation then shifted from McClory's cottage to the priest's manse, and so hot was the anger of the infuriated Catholics that the good-natured priest promised, sorely against his will, that he would not consent to marry the pair.

Hugh Bronte was nominally a Protestant, but he had not been in a church of any kind from the time he was five years of age. He had received no religious instruction. He could not read the Bible for himself, and no one had ever read it to him, and he was as innocent of any religious bias or bigotry as a savage in Central Africa. Suddenly he found himself the central figure in a fierce religious drama.

At first he was greatly amused, and laughed at the very suggestion of his religion being considered a stumbling-block. From the time he left his father's house he had seldom heard the divine name except in some form of malediction, and religion had brought no consolation to his hard life. He had never presumed to think that he had any relationship to the church, its priests were so gorgeous, and its people so well-to-do. Gallagher had made him familiar with the dread powers of the infernal world, and with the "Blessed Virgin and the saints" in their malevolent capacity, but the malignant hypocrisy of Gallagher was quite as repulsive to him as the vindictive blasphemy of his uncle. In fact, he had lived in an atmosphere untouched by the light or warmth of religion.

Hugh's bondage and suffering had made him neither cringing nor cruel, and his freedom had come in time to permit the full development of a large and generous heart in a robust and healthy body. In his simplicity of heart he prevailed on Alice to invite her friends to meet him. He would soon remove their dislike with regard to his religion. Under the impulse of his enthusiasm he thought he could disarm prejudice by a frank and open avowal of his absolute indifference to all religions.

Nothing, perhaps, in the whole history of the Brontes exceeded in interest that meeting. A dozen wily Ulster Catholics gathered round simple-hearted Hugh Bronte in Paddy McClory's kitchen. How the Orange champions would have trembled for the Protestant cause if they had been aware of Hugh's danger!

The preliminary salutations over, a black bottle was produced, and a glass of whiskey handed round. Hugh had never learned to drink whiskey, and, at that time, detested the very smell of it. His refusal to drink with McClory's friends was a first ground of offence, but the whiskey had not yet brought the drinkers into the quarrelsome mood.

When several bottles of McClory's whiskey had been drunk, and the temperature of the guests had risen, the religious question was approached. Bronte was urged, in peremptory tones, to abjure Protestantism. He had his answer ready. He was no more a Protestant than they were, and he had no Protestantism to abjure. "Will you then curse King William?" said a fiery little man, who had taken much liquor, and seemed to be the spokesman of the party.

There is a principle in human nature which has been taken far too little account of by both philosophers and peasants. It has been the dominant principle in many of the important decisions that have sealed the fate of nations as well as of individuals. The principle is expressed by a word which is always pronounced in one way by the cultured, and in quite a different way by the unlettered. The word in its illiterate use is "contr_air_yness," and but for the principle expressed by this word the Bronte girls would never have made their mark in literature, and this history would never have been written.

"Curse King William," shouted the fiery little man, supported by a hoarse shout from the other half-tipsy guests, all of whom had turned fierce and glaring eyes on the supposed Protestant.

"I cannot curse King William," replied Hugh, smiling. "He never did me any harm; besides, he is beyond the region of my blessings and cursings. But," added he, warming with his subject, "I should not mind cursing the Pope, if he is the author of your fierce and besotted religion."

Alice first saw the danger, and uttered a sharp cry. Suddenly the family party sprang upon Hugh, as the ambushed Philistines once flung themselves on Samson, but he shook them off, and left them sprawling on the floor. Alice drew him from the house, bleeding and disheveled, and after a tender parting in the grove beside the stream, he started on foot for Mount Pleasant.

Two immediate results followed that conflict. Hugh Bronte became a furious Protestant and a frantic lover. There was no lukewarmness or indifference as to his Protestantism. The Bronte _contrairyness_ had met the kind of opposition to give it a stubborn set, and he there and then became a Protestant, double-dyed, in the warp and in the woof. The process of his conversion, such as it was, was prompt, decisive, effectual. It was somewhat orange in hue and militant in fibre, and was a genuine product of the times.

Hugh's love for Alice was fanned into a fierce flame by the events of that night. When he first met her he had been dazzled by her rare beauty. He had seen few women, and never one like Alice. For the first time he had come under the spell of a simple but beautiful girl. They were young, shy lovers; very happy in each other's company, but each sufficiently self-possessed to be happy enough in self.

From the crucible of contradiction on that night the jewel love had leaped forth. Each was drawn out from the self-centre in which each had been concentrated in self; he to declare his love in the face of relentless foes, and she to cling to him, and protect him, when bruised and torn by her friends. Beneath the pines, that night, they pledged, with mingling tears, undying love. They parted, but their hearts were one; and persecution, poverty and bereavement only welded them more closely together in the changing years.