Chapter II: Part 2

"Say, Jane," she whispered, with great pretence of secrecy, "what do you think just come into my head? Do you s'pose Mattie would be put out, if I should give Claribel a hat?"

"Mercy sakes, no! all in the family so! But what set you out on that? She's got a good last year's one now, an' the ribbin's all pressed out an' turned, complete."

"I'll tell you," Said Lucindy, leaning nearer, and speaking as if she feared the very corners might hear. "You know I never was allowed to wear bright colors. And to this day, I see the hats the other girls had, blue on 'em, and pink. And if I could stand by and let a little girl pick out a hat for herself, without a word said to stop her, 'twould be real agreeable to me." Lucindy was shrewd enough to express herself somewhat moderately. She knew by experience how plainly Jane considered it a duty to discourage any overmastering emotion. But Jane Wilson was, at the same instant, feeling very keenly that Lucindy, faded and old as she was, needed to be indulged in all her riotous fancies. She repressed the temptation, however, at its birth.

"Why, I dunno's there's anything in the way of it," she said, soberly.

"Then, if you must go, I'll walk right along now. Claribel and I'll go down to Miss West's, and see what she's got. Nothin''s to be gained by waitin'!"

When they walked out through the hall together, Lucindy cast a quick and eager glance into the parlor. She almost hoped Claribel had unhooked the glass prisms from the lamp, and left them scattered on the floor, or that she had broken the precious shells, more than half a century old. She wanted to put her arms round her, and say fondly, "Never mind!" But the room was in perfect order, and little Claribel waited for them, conscious of a propriety unstained by guilt.

"Lucindy," said Mrs. Wilson, who also had used her eyes, "where's your father's canes? They al'ays stood right here in this corner."

Lucindy flushed.

"Jane," she whispered, "don't you tell, but I--I buried 'em! I felt somehow as if I couldn't--do the things I wanted to, if they set there just the same."

Jane could only look at her in silence.

"Well," she said, at length, "it takes all kinds o' people to make a world!"

That, at least, was non-committal.

She left the shoppers at her own gate, and they walked on together. Lucindy was the more excited of the two.

"Now, Claribel," she was saying, "you remember you can choose any hat you see, and have it trimmed just the way you like. What color do you set by most?"

"I don't know," said Claribel. "Blue, I guess."

"Well, there's a hat there all trimmed with it. I see it this mornin'. Real bright, pretty blue! I believe there was some little noddin' yellow flowers on it, too. But mind you don't take it unless you like it."

Miss West's shop occupied the front room of her house, a small yellow one on a side street. The upper part of the door was of glass, and it rang a bell as it opened. Lucindy had had very few occasions for going there, and she entered with some importance. The bell clanged; and Miss West, a portly woman, came in from the back room, whisking off her apron in haste.

"Oh, that you, Miss Lucindy?" she called. "I've just been fryin' some riz doughnuts. Well, how'd the flowers suit?"

"I haven't quite made up my mind," said Lucindy, trying to speak with the dignity befitting her quest. "I just come in with little Claribel here. She's goin' to have a new hat, and her grandma said she might come down with me to pick it out. You've got some all trimmed, I believe?"

Miss West opened a drawer in an old-fashioned bureau.

"Yes," she said, "I've got two my niece trimmed for me before she went to make her visit to Sudleigh. One's blue. I guess you've seen that. Then there's a nice white one. The 'Weekly' says white's all the go, this year."

She took out two little hats, and balanced them on either hand. The blue one was strongly accented. The ribbon was very broad and very bright, and its nodding cowslips gleamed in cheerful yellow.

"Ain't that a beauty?" whispered Lucindy close to the little girl's ear. "But there! Don't you have it unless you'd rather. There's lots of other colors, you know; pink, and all sorts.".

Claribel put out one little brown hand, and timidly touched the other hat.

"This one," she said.

It was very plain, and very pretty; yet there were no flowers, and the modest white ribbon lay smoothly about the crown. Miss Lucindy gave a little cry, as if some one had hurt her.

"O!" she exclaimed, "O Claribel! you sure?" Claribel was sure.

"She's got real good taste," put in Miss West. "Shall I wrop it up?"

"Yes," answered Lucindy, drearily. "We'll take it. But I suppose if she should change, her mind before she wore it--" she added, with some slight accession of hope.

"Oh, yes, bring it right back. I'll give her another choice."

But Claribel was not likely to change her mind. On the way home, she walked sedately, and carried her hat with the utmost care. At her grandmother's gate, she looked up shyly, and spoke of her own accord,--

"Thank you, ever so much!"

Then she fled up the path, her bundle waving before her. That, at least, looked like spontaneous joy, and the sight of it soothed Lucindy into a temporary resignation; yet she was very much disappointed.

The next afternoon, Tiverton saw a strange and wondrous sight. The Crane boy led Old Buckskin, under an ancient saddle, into Miss Lucindy's yard, and waited there before her door. The Crane boy had told all his mates, and they had told their fathers and mothers, so that a wild excitement flew through the village like stubble fire, stirring the inhabitants to futile action. "It's like the 'clipse," said one of the squad of children collected at the gate, "only they ain't no smoked glass." Some of the grown people "made an errand" for the sake of being in the street, but those who lived near-by simply mounted guard at their doors and windows. The horse had not waited long when Miss Lucindy appeared before the gaze of an eager world. Her face had wakened into a keen excitement.

"Here!" she called to the Crane boy's brother, who was lingering in the background grinding his toes on the gravel and then lifting them in sudden agony, "you take this kitchen chair and set it down side of him, so't I can climb up."

The chair was placed, and Miss Lucindy essayed to climb, but vainly.

"Ann!" she called, "you bring me that little cricket."

Ann Toby appeared unwillingly, the little cricket in her hand. She was a tall, red-haired woman, who bore the reputation of being willing to be "tore into inch pieces" for Miss Lucindy. Her freckled face burned red with shame and anger.

"For Heaven's sake, you come back into the house!" she whispered, with tragic meaning. "You jest give it up, an' I'll scatter them boys. Sassy little peeps! what are they starin' round here for, I'd like to know!"

But Lucindy had mounted the cricket with much agility, and seated herself on the horse's back. Once she slipped off; but the Crane boy had the address to mutter, "Put your leg over the horn!" and, owing to that timely advice, she remained. But he was to experience the gratitude of an unfeeling world; for Ann Toby, in the irritation of one tried beyond endurance, fell upon him and cuffed him soundly. And Mrs. Crane, passing the gate at that moment, did not blame her.

"My! it seems a proper high place to set," remarked Lucindy, adjusting herself. "Well, I guess I sha'n't come to no harm. I'll ride round to your place, boys, when I get through, and leave the horse there." She trotted out of the yard amid the silence of the crowd.

The spectacle was too awesome to be funny, even to the boys; it seemed to Tiverton strangely like the work of madness. Only one little boy recovered himself sufficiently to ran after her and hold up a switch he had been peeling.

"Here!" he piped up, daringly, "you want a whip."

Lucindy smiled upon him benignly.

"I never did believe in abusin' dumb creatur's," she said, "but I'm much obliged." She took the switch and rode on.

Now Mrs. Wilson had heard the rumor too late to admit of any interference on her part, and she was staying indoors, suffering an agony of shame, determined not to countenance the scandalous sight by her presence. But as she sat "hooking-in," the window was darkened, and involuntarily she lifted her eyes. There was the huge bulk of a horse, and there was Lucindy. The horsewoman's cheeks were bright red with exercise and joy. She wore a black dress and black mitts. Her little curls were flying; and oh, most unbearable of all! they were surmounted by a bonnet bearing no modest sheaf of wheat, but blossoming brazenly out into lavender roses. The spectacle was too much for Mrs. Wilson. She dropped her hook, and flew to the door.

"Well, I've known a good deal, fust an' last, but I never see the beat o' this! Lucindy, where'd you git that long dress?"

"It's my cashmere," answered Lucindy, joyously. "I set up last night to lengthen it down."

"Well, I should think you did! Lothrop!"

Her husband had been taking a nap in the sitting-room, and he came out, rubbing his eyes. Mrs. Wilson could not speak for curiosity. She watched him with angry intentness. She wondered if he would take Lucindy's part now! But Lothrop only moved forward and felt at the girth.

"You know you want to pull him up if he stumbles," he said; "but I guess he won't. He was a stiddy horse, fifteen year ago."

"Lothrop," began his wife, "do you want to be made a laughin'-stock in this town--"

"I guess if I've lived in a place over sixty year an' hil' my own, I can yet," said Lothrop, quietly. "You don't want to ride too long, Lucindy. You'll be lame to-morrer."

"I didn't suppose 'twould jounce so," said Lucindy; "but it's proper nice. I don't know what 'twould be on a real high horse. Well, good-by!" She turned the horse about, and involuntarily struck him with her little switch. Old Buckskin broke into a really creditable trot, and they disappeared down the village street. Lothrop sensibly took his way down to the shop while his wife was recovering her powers of speech; and for that, Jane herself mentally commended him.

Lucindy kept on out of the village and along the country road. The orioles were singing in the elms, and the leaves still wore the gloss of last night's shower. The earth smiled like a new creation, very green and sweet, and the horse's hoofs made music in Lucindy's mind. It seemed to her that she had lost sight both of youth and crabbed age; the pendulum stood still in the jarring machinery of time, the hands pointing to a moment of joy. She was quite happy, as any of us may be who seek the fellowship of dancing leaves and strong, bright sun. She turned into a cross-road, hardly wider than a lane, and bordered with wild rose and fragrant raspberry. There was but one house here,--a little, time-stained cottage, where Tom McNeil lived with his wife and five children. Perhaps these were the happiest people in all Tiverton, though no one but themselves had ever found it out. Tom made shoes in a desultory fashion, and played the fiddle earnestly all winter, and in summer, peddled essences and medicines from a pack strapped over his shoulders. Sometimes in the warm summer weather Molly, his wife, and all the children tramped with him, so that the house was closed for weeks at a time,--a thing very trying to the conventional sensibilities of Tiverton. Tom might have had a "stiddy job o' work" with some of the farmers; Molly might have helped about the churning and ironing. But no! they were like the birds, nesting happily in summer, and drawing their feet under their feathers when the snow drifted in. The children--lank, wild-eyed creatures--each went to school a few months, and then stopped, unable to bear the cross of confinement within four dull walls. They could not write; it was even rumored that they had never learned to tell time. And, indeed, what good would it have done them when the clock was run down and stood always at the hour of noon? But they knew where thoroughwort grows, and the wholesome goldthread; they gathered cress and peppermint, and could tell the mushroom from its noisome kindred. Day after day, they roamed the woods for simples to be distilled by the father, and made into potent salves and ointments for man and the beasties he loved better.

When Lucindy came in sight of the house, she was glad to find it open. She had scarcely gone so far afield for years, and the reports concerning this strange people had reached her only by hearsay. She felt like a discoverer. In close neighborhood to the house stood a peculiar structure,--the half-finished dwelling McNeil had attempted, in a brief access of ambition, to build with his own hands. The chimney, slightly curving and very ragged at the top, stood foolishly above the unfinished lower story. Lucindy remembered hearing how Tom had begun the chimney first, and built the house round it. But the fulfilment of his worldly dream never came to pass; and perhaps it was quite as well, for thereby would the unity of his existence have been destroyed. He might have lived up to the house; he might even have grown into a proud man, and accumulated dollars. But the bent of birth was too much for him. A day dawned, warm and entrancing; he left his bricks and boards in the midst, and the whole family went joyfully off on a tramp. To Tiverton, the unfinished house continued to serve as an immortal joke, and Tom smiled as broadly as any. He always said he couldn't finish it; he had mislaid the plan.

A little flower-garden bloomed between the two houses, and on the grass, by one of its clove-pink borders, sat a woman, rocking back and forth in an ancient chair, and doing absolutely nothing. She was young, and seemed all brown; for her eyes were dark, and her skin had been tanned to the deep, rich tint sweeter to some eyes than pure roses and milk. Lucindy guided Buckskin up to the gate, and Molly McNeil looked up and smiled without moving.

"How do?" she said, in a soft, slow voice. "Won't you come in?"

Lucindy was delighted. It was long since she had met a stranger.

"Well, I would," she answered, "but I don't know as I can get down. This is new business to me."

"Ellen," called Mrs. McNeil, "you bring out somethin' to step on!"

A little girl appeared with a yellow kitchen chair. Mrs. McNeil rose, carried it outside the gate, and planted it by Buckskin's side.

"There!" she said, "you put your hand on my shoulder and step down. It won't tip. I've got my knee on it."

Lucindy alighted, with some difficulty, and drew a long breath.

"I'll hitch him," said Molly McNeil. "You go in and sit down in that chair, and Ellen'll bring you a drink of water."

Ellen was barelegged and barefooted. Her brown hair hung over her dark eyes in a pleasant tangle. Her even teeth were white, and her lips red. There was no fault nor blemish in her little face; and when she had brought the dipper full of water, and stood rubbing one foot against its neighboring leg, Lucindy thought she had never seen anything so absolutely bewitching. Molly had hitched the horse, in manly and knowing fashion, and then seated herself on the kitchen chair beside Lucindy; but the attitude seemed not to suit her, and presently she rose and lay quietly down at full length on the grass. She did it quite as a matter of course, and her visitor thought it looked very pleasant; possibly she would have tried it herself if she had not been so absorbed in another interest. She was watching the little girl, who was running into the house with the dipper.

"Ain't she complete!" she said. "Your oldest?"

"She ain't mine at 'all." Mrs. McNeil rose on one elbow, and began chewing a grass stem.

It was very restful to Lucindy to see some one who was too much interested in anything, however trivial, to be interested in her. "You know about the Italian that come round with the hand-organ last month? He was her father. Well, he died,--fell off a mow one night,--and the town sold the hand-organ and kept Ellen awhile on the farm. But she run away, and my boys found her hidin' in the woods starved most to death. So I took her in, and the overseer said I was welcome to her. She's a nice little soul."

"She's proper good-lookin'!" Lucindy's eyes were sparkling.

"She don't look as well as common to-day, for the boys went off plummin' without her. She was asleep, and I didn't want to call her. She had a cryin' spell when she waked up, but I didn't know which way they'd gone."

Ellen came wandering round the side of the house, and Lucindy crooked a trembling finger at her.

"Come here!" she called. "You come here and see me!"

Ellen walked up to her with a steady step, and laid one little brown hand on Lucindy's knee. But the old Judge's daughter drew the child covetously to her lap.

"Look here," she said, "should you like to go home and spend a week with me?"

The little maid threw back her tangle of curls, and looked Lucindy squarely in the eyes.

"Yes," she answered.

Lucindy's grasp tightened round her.

"How should you like to live with me?"

The child touched her little breast inquiringly with one finger.

"Me?" She pointed over to Mrs. McNeil, who lay listening and stretching her limbs in lazy comfort. "Leave _her_?" And then, gravely, "No; she's good to me."

Lucindy's heart sank.

"You could come over to see her," she pleaded, "and I'd come too. We'd all go plummin' together. I should admire to! And we'd have parties, and ask 'em all over. What say?"

The child sat straight and serious, one warm hand clinging to Lucindy's slender palm. But her eyes still sought the face of her older friend. Molly McNeil rose to a sitting posture. She took the straw from her mouth, and spoke with the happy frankness of those who have no fear because they demand nothing save earth and sky room.

"I know who you are," she said to Lucindy. "You're left well off, and I guess you could bring up a child, give you your way. We're as poor as poverty! You take her, if she'll go. Ellen, she's a nice lady; you better say 'yes.'"

Lucindy was trembling all over.

"You come, dear," she urged, piteously. "You come and live with me."

Ellen thought a moment more. Then she nodded.

"I'll come," said she.

Lucindy could not wait.

"I'll send a wagon over after her to-night." She had put Ellen down, and was rising tremblingly. "I won't stop to talk no more now, but you come and see me, won't you? Now, if you'll help me mount up--there! My! it's higher 'n 'twas before! Well, I'll see you again." She turned Old Buckskin's head away from the fence; then she pulled him fiercely round again. "Here!" she called, "what if she should jump up behind me and come now!"

Mrs. McNeil, being the thrall only of the earth, saw no reason, why a thing should not be done as one wanted it. She lifted; the child and set her on the horse behind Lucindy. And so, in this strange fashion, the two entered the high street of Tiverton.

A few weeks after this, Mrs. Wilson and Lucindy went together to the little millinery shop. Ellen trotted between them, taking excursions into the street, now and again, in pursuit of butterflies or thistledown. When they entered, Miss West, who had seen their approach from her position at the ironing-board, came forward with a gay little hat in her hand. It was trimmed with pink, and a wreath of tiny white flowers clung about the crown. She set it on Ellen's curls; and Ellen, her face quite radiant, looked up at Miss Lucindy for approval. But that lady was gazing anxiously at Mrs. Wilson.

"Now, there ain't anything unsuitable about that, is there?" she asked. "I know, it's gay, and I want it to be gay. I can tell about _that_! But is it all right? Is it such as you'd be willin' to have Claribel wear?"

"It's a real beauty!" Mrs. Wilson answered, cordially; but she could not refrain from adding, while Miss West was doing up the hat, and Ellen surreptitiously tried on a black poke bonnet, "Now, don't you spile her, Lucindy! She's a nice little girl as ever was, but you ain't no more fit to bring up a child than the cat!"

Lucindy did not hear. She was smiling at Ellen, and Ellen smiled back at her. They thought they knew.

TOLD IN THE POORHOUSE.

"Le' me see," said old Sally Flint, "was it fifty year ago, or was it on'y forty? Some'er's betwixt 1825 an' '26 it must ha' been when they were married, an' 'twas in '41 he died."

The other old women in the Poorhouse sitting-room gathered about her. Old Mrs. Forbes, who dearly loved a story, unwound a length of yarn with peculiar satisfaction, and put her worn shoe up to the fire. Everybody knew when Sally Flint was disposed to open her unwritten book of folk-tales for the public entertainment; and to-day, having tied on a fresh apron and bound a new piece of red flannel about her wrist, she was, so to speak, in fighting trim. The other members of the Poorhouse had scanty faith in that red flannel. They were aware that Sally had broken her wrist, some twenty years before, and that the bandage was consequently donned on days when her "hand felt kind o' cold," or was "burnin' like fire embers;" but there was an unspoken suspicion that it really served as token of her inability to work whenever she felt bored by the prescribed routine of knitting and sweeping. No one had dared presume on that theory, however, since the day when an untactful overseer had mentioned it, to be met by such a stream of unpleasant reminiscence concerning his immediate ancestry that he had retreated in dismay, and for a week after, had served extra pieces of pie to his justly offended charge.

"They were married in June," continued Sally. "No, 'twa'n't; 'twas the last o' May. May thirty-fust--no, May 'ain't but thirty days, has it?"

"'Thirty days hath September,'" quoted Mrs. Giles, with importance. "That's about all I've got left o' my schoolin', Miss Flint. May's got thirty-one days, sure enough."

"Call it the thirty-fust, then. It's nigh enough, anyway. Well, Josh Marden an' Lyddy Ann Crane was married, an' for nine year they lived like two kittens. Old Sperry Dyer, that wanted to git Lyddy himself, used to call 'em cup an' sasser, 'There they be,' he'd say, when he stood outside the meetin'-house door an' they drove up; 'there comes cup an' sasser.' Lyddy was a little mite of a thing, with great black eyes; an' if Josh hadn't been as tough as tripe, he'd ha' got all wore out waitin' on her. He even washed the potaters for her, made the fires, an' lugged water. Scairt to death if she was sick! She used to have sick headaches, an' one day he stopped choppin' pine limbs near the house 'cause the noise hurt Lyddy Ann's head. Another time, I recollect, she had erysipelas in her face, an' I went in to carry some elder-blows, an' found him readin' the Bible. 'Lord!' says I, 'Josh; that's on'y Genesis! 'twon't do the erysipelas a mite o' good for you to be settin' there reading the be'gats! You better turn to Revelation.' But 'twa'n't all on his side, nuther. 'Twas give an' take with them. It used to seem as if Lyddy Ann kind o' worshipped him. 'Josh' we all called him; but she used to say 'Joshuay,' an' look at him as if he was the Lord A'mighty."

"My! Sally!" said timid Mrs. Spenser, under her breath; but Sally gave no heed, and swept on in the stream of her recollections.

"Well, it went on for fifteen year, an' then 'Mandy Knowles, Josh's second cousin, come to help 'em with the work. 'Mandy was a queer creatur'. I've studied a good deal over her, an' I dunno's I've quite got to the bottom of her yit. She was one o' them sort o' slow women, with a fat face, an' she hadn't got over dressin' young, though Lyddy an' the rest of us that was over thirty was wearin' caps an' talkin' about false fronts. But she never'd had no beaux; an' when Josh begun to praise her an' say how nice 'twas to have her there, it tickled her e'en a'most to death. She'd lived alone with her mother an' two old-maid aunts, an' she didn't know nothin' about men-folks; I al'ays thought she felt they was different somehow,--kind o' cherubim an' seraphim,--an' you'd got to mind 'em as if you was the Childern of Isr'el an' they was Moses. Josh never meant a mite o' harm, I'll say that for him. He was jest man-like, that's all. There's lots o' different kinds,--here, Mis' Niles, you know; you've buried your third,--an' Josh was the kind that can't see more'n, one woman to a time. He looked at 'Mandy, an' he got over seein' Lyddy Ann, that's all. Things would ha' come out all right--as right as they be for most married folks--if Lyddy Ann hadn't been so high-sperited; but she set the world by Joshuay, an' there 'twas. 'Ain't it nice to have her here?' he kep' on sayin' over'n' over to Lyddy, an' she'd say 'Yes;' but byme-by, when she found he was al'ays on hand to bring a pail o' water for 'Mandy, or to throw away her suds, or even help hang out the clo'es--I see 'em hangin' out clo'es one day when I was goin' across their lot huckleberr'in', an' he did look like a great gump, an' so did she--well, then, Lyddy Ann got to seemin' kind o' worried, an' she had more sick headaches than ever. Twa'n't a year afore that, I'd been in one day when she had a headache, an' he says, as if he was perfessin' his faith in meetin', 'By gum! I wish I could have them headaches for her!' an' I thought o' speakin' of it, about now, when I run in to borrer some saleratus, an' he hollered into the bedroom: 'Lyddy Ann, you got another headache? If I had such a head as that, I'd cut it off!' An' all the time 'Mandy did act like the very Old Nick, jest as any old maid would that hadn't set her mind on menfolks till she was thirty-five. She bought a red-plaid bow an' pinned it on in front, an' one day I ketched her at the lookin'-glass pullin' out a gray hair.

"'Land, 'Mandy,' says I (I spoke right up), 'do you pull 'em out as fast as they come? That's why you ain't no grayer, I s'pose. I was sayin' the other day, "'Mandy Knowles is gittin' on, but she holds her own pretty well. I dunno how she manages it, whether she dyes or not,"' says I.

"An' afore she could stop herself, 'Mandy turned round, red as a beet, to look at Josh an' see if he heard. He stamped out into the wood-house, but Lyddy Ann never took her eyes off her work. Them little spiteful things didn't seem to make no impression on her. I've thought a good many times sence, she didn't care how handsome other women was, nor how scrawny she was herself, if she could on'y keep Josh. An' Josh he got kind o' fretful to her, an' she to him, an' 'Mandy was all honey an' cream. Nothin' would do but she must learn how to make the gingerbread he liked, an' iron his shirts; an' when Lyddy Ann found he seemed to praise things up jest as much as he had when she done 'em, she give 'em up, an' done the hard things herself, an' let 'Mandy see to Josh. She looked pretty pindlin' then, mark my words; but I never see two such eyes in anybody's head. I s'pose 'twas a change for Josh, anyway, to be with a woman like 'Mandy, that never said her soul's her own, for Lyddy'd al'ays had a quick way with her; but, land! you can't tell about men, what changes 'em or what don't. If you're tied to one, you've jest got to bear with him, an' be thankful if he don't run some kind of a rig an' make you town-talk."

There was a murmur from gentle Lucy Staples, who had been constant for fifty years to the lover who died in her youth; but no one took any notice of her, and Sally Flint went on:

"It come spring, an' somehow or nuther 'Mandy found out the last o' March was Josh's birthday, an' nothin' would do but she must make him a present. So she walked over to Sudleigh, an' bought him a great long pocket-book that you could put your bills into without foldin' 'em, an' brought it home, tickled to death because she'd been so smart. Some o' this come out at the time, an' some wa'n't known till arterwards; the hired man told some, an' a good deal the neighbors see themselves. An' I'll be whipped if 'Mandy herself didn't tell the heft on't arter 'twas all over. She wa'n't more'n half baked in a good many things. It got round somehow that the pocket-book was comin', an' when, I see 'Mandy walkin' home that arternoon, I ketched up my shawl an' run in behind her, to borrer some yeast. Nobody thought anything o' birthdays in our neighborhood, an' mebbe that made it seem a good deal more 'n 'twas; but when I got in there, I vow I was sorry I come. There set Josh by the kitchen table, sort o' red an' pleased, with his old pocket-book open afore him, an' he was puttin' all his bills an' papers into the new one, an' sayin', every other word,--

"'Why, 'Mandy, I never see your beat! Ain't this a nice one, Lyddy?'

"An' 'Mandy was b'ilin' over with pride, an' she stood there takin' off her cloud; she'd been in such a hurry to give it to him she hadn't even got her things off fust. Lyddy stood by the cupboard, lookin' straight at the glass spoon-holder. I thought arterwards I didn't b'lieve she see it; an' if she did, I guess she never forgot it.

"'Yes, it's a real nice one,' says I.

"I had to say suthin', but in a minute, I was most scairt. Lyddy turned round, in a kind of a flash; her face blazed all over red, an' her eyes kind o' went through me. She stepped up to the table, an' took up the old pocket-book.

"'You've got a new one,' says she. 'May I have this?'

"'Course you may,' says he.

"He didn't look up to see her face, an' her voice was so soft an' still, I guess he never thought nothin' of it. Then she held the pocket-book up tight ag'inst her dress waist an' walked off into the bedroom. I al'ays thought she never knew I was there. An' arterwards it come out that that old pocket-book was one she'd bought for him afore they was married,--earned it bindin' shoes."

"_'Twas_ kind o' hard," owned Mrs. Niles, bending forward, and, with hands clasped over her knees, peering into the coals for data regarding her own marital experiences. "But if 'twas all wore out--did you say 'twas wore?--well, then I dunno's you could expect him to set by it. An' 'twa'n't as if he'd give it away; they'd got it between 'em."

"I dunno; it's all dark to me," owned Sally Flint. "I guess 'twould puzzle a saint to explain men-folks, anyway, but I've al'ays thought they was sort o' numb about some things. Anyway, Josh Marden was. Well, things went on that way till the fust part o' the summer, an' then they come to a turnin'-p'int. I s'pose they'd got to, some time, an' it might jest as well ha' been fust as last. Lyddy Ann was pretty miserable, an' she'd been dosin' with thoroughwort an' what all when anybody told her to; but I al'ays thought she never cared a mite whether she lived to see another spring. The day I'm comin' to, she was standin' over the fire fryin' fish, an' 'Mandy was sort o' fiddlin' round, settin' the table, an' not doin' much of anything arter all. I dunno how she come to be so aggravatin', for she was al'ays ready to do her part, if she _had_ come between husband an' wife. You know how hard it is to git a fish dinner! Well, Lyddy Ann was tired enough, anyway. An' when Josh come in, 'Mandy she took a cinnamon-rose out of her dress, an' offered it to him.

"'Here's a flower for your button-hole,' says she, as if she wa'n't more 'n sixteen. An' then she set down in a chair, an' fanned herself with a newspaper.

"Now that chair happened to be Lyddy Ann's at the table, an' she see what was bein' done. She turned right round, with the fish-platter in her hand, an' says she, in an awful kind of a voice,--

"'You git up out o' my chair! You've took my husband away, but you sha'n't take my place at the table!'

"The hired man was there, washin' his hands at the sink, an' he told it to me jest as it happened. Well, I guess they all thought they was struck by lightnin', an' Lyddy Ann most of all. Josh he come to, fust. He walked over to Lyddy Ann.

"'You put down that platter!' says he. An' she begun to tremble, an' set it down.

"I guess they thought there was goin' to be murder done, for 'Mandy busted right out cryin' an' come runnin' over to me, an' the hired man took a step an' stood side o' Lyddy Ann. He was a little mite of a man, Cyrus was, but he wouldn't ha' stood no violence.

"Josh opened the door that went into the front entry, an' jest p'inted. 'You walk in there,' he says, 'an' you stay there. That's your half o' the house, an' this is mine. Don't you dast to darken my doors!'

"Lyddy Ann she walked through the entry an' into the fore-room, an' he shet the door."

"I wouldn't ha' done it!" snorted old Mrs. Page, who had spent all her property in lawsuits over a right of way. "Ketch me!"

"You would if you'd 'a' been Lyddy Ann!" said Sally Flint, with an emphatic nod. Then she continued: "I hadn't more'n heard 'Mandy's story afore I was over there; but jest as I put my foot on the door-sill, Josh he come for'ard to meet me.

"'What's wanted?' says he. An' I declare for't I was so scairt I jest turned round an' cut for home. An' there set 'Mandy, wringin' her hands.

"'What be I goin' to do?' says she, over 'n' over. 'Who ever'd ha' thought o' this?'

"'The thing for you to do,' says I, 'is to go, straight home to your mother, an' I'll harness up an' carry you. Don't you step your foot inside that house ag'in. Maybe ma'am will go over an' pack up your things. You've made mischief enough.' So we got her off that arter-noon, an' that was an end of _her_.

"I never could see what made Josh think so quick that day. We never thought he was brighter 'n common; but jest see how in that flash o' bein' mad with Lyddy Ann he'd planned out what would be most wormwood for her! He gi'n her the half o' the house she'd furnished herself with hair-cloth chairs an' a whatnot, but 'twa'n't the part that was fit to be lived in. She stayed pretty close for three or four days, an' I guess she never had nothin' to eat. It made me kind o' sick to think of her in there settin' on her hair-cloth sofy, an' lookin' at her wax flowers an' the coral on the what-not, an' thinkin' what end she'd made. It was of a Monday she was sent in there, an' Tuesday night I slipped over an' put some luncheon on the winder-sill; but 'twas there the next day, an' Cyrus see the old crower fly up an' git it. An' that same Tuesday mornin', Josh had a j'iner come an' begin a partition right straight through the house. It was all rough boards, like a high fence, an' it cut the front entry in two, an' went right through the kitchen--so't the kitchen stove was one side on't, an' the sink the other. Lyddy Ann's side had the stove. I was glad o' that, though I s'pose she 'most had a fit every day to think o' him tryin' to cook over the airtight in the settin'-room. Seemed kind o' queer to go to the front door, too, for you had to open it wide an' squeeze round the partition to git into Lyddy Ann's part, an' a little mite of a crack would let you into Josh's. But they didn't have many callers. It was a good long while afore anybody dared to say a word to her; an' as for Josh, there wa'n't nobody that cared about seein' him but the tax-collector an' pedlers.

"Well, the trouble Josh took to carry out that mad fit! He split wood an' laid it down at Lyddy Ann's door, an' he divided the eggs an' milk, an' shoved her half inside. He bought her a separate barrel o' flour, an' all the groceries he could think on; they said he laid money on her winder-sill. But, take it all together, he was so busy actin' like a crazed one that he never got his 'taters dug till 'most time for the frost. Lyddy Ann she never showed her head among the neighbors ag'in. When she see she'd got to stay there, she begun to cook for herself; but one day, one o' the neighbors heard her pleadin' with Josh, out in the cow-yard, while he was milkin'.

"'O Joshuay,' she kep' a-sayin' over 'n' over, 'you needn't take me back, if you'll on'y let me do your work! You needn't speak to me, an' I'll live in the other part; but I shall be crazy if you don't let me do your work. O Joshuay! O Joshuay!' She cried an' cried as if her heart would break, but Josh went on milkin', an' never said a word.

"I s'pose she thought he'd let her, the old hunks, for the next day, she baked some pies an' set 'em on the table in his part. She reached in through the winder to do it. But that night, when Josh come home, he hove 'em all out into the back yard, an' the biddies eat 'em up. The last time I was there, I see them very pieces o' pie-plate, white an' blue-edged, under the syringa bush. Then she kind o' give up hope. I guess--But no! I'm gittin' ahead o' my story. She did try him once more. Of course his rooms got to lookin' like a hog's nest--"

"My! I guess when she see him doin' his own washin', she thought the pocket-book was a small affair," interpolated Mrs. Niles.

"She used to go round peerin' into his winders when he wa'n't there, an' one day, arter he'd gone off to trade some steers, she jest spunked up courage an' went in an' cleaned all up. I see the bed airin', an' went over an' ketched her at it. She hadn't more'n got through an' stepped outside when Josh come home, an' what should he do but take the wheelbarrer an', beat out as he was drivin' oxen five mile, go down to the gravel-pit an' get a barrerful o' gravel. He wheeled it up to the side door, an' put a plank over the steps, an' wheeled it right in. An' then he dumped it in the middle o' his clean floor. That was the last o' her tryin' to do for him on the sly.

"I should ha' had some patience with him if 'twa'n't for one thing he done to spite her. Seemed as if he meant to shame her that way afore the whole neighborhood. He wouldn't speak to her himself, but he sent a painter by trade to tell her he was goin' to paint the house, an' to ask her what color she'd ruther have. The painter said she acted sort o' wild, she was so pleased. She told him yaller; an' Josh had him go right to work on't next day. But he had her half painted yaller, an' his a kind of a drab, I guess you'd call it. He sold a piece o' ma'sh to pay for't. Dr. Parks said you might as well kill a woman with a hatchet, as the man did down to Sudleigh, as put her through such treatment. My! ain't it growin' late? Here, let me set back by the winder. I want to see who goes by, to-day. An' I'll cut my story short.

"Well, they lived jest that way. Lyddy Ann she looked like an old woman, in a month or two. She looked every minute as old as you do, Mis' Gridley. Ain't you sixty-nine? Well, she wa'n't but thirty-six. Her hair turned gray, an' she was all stooped over. Sometimes I thought she wa'n't jest right. I used to go in to see if she'd go coltsfootin' with me, or plummin'; but she never'd make me no answer. I recollect two things she said. One day, she set rockin' back'ards an' for'ards in a straight chair, holdin' her hands round her knees, an' she says,--

"'I 'ain't got no pride, Sally Flint! I 'ain't got no pride!'

"An' once she looked up kind o' pitiful an' says, 'Ain't it queer I can't die?' But, poor creatur', I never thought she knew what she was sayin'. She'd ha' been the last one to own she wa'n't contented if she'd had any gover'ment over her words.

"Well, Josh he'd turned the hired man away because he couldn't do for him over the airtight stove, an' he got men to help him by days' works. An' through the winter, he jest set over the fire an' sucked his claws, an' thought how smart he was. But one day 'twas awful cold, an' we'd been tryin' out lard, an' the fat ketched fire, an' everything was all up in arms, anyway. Cyrus he was goin' by Josh's, an' he didn't see no smoke from the settin'-room stove. So he jest went to the side door an' walked in, an' there set Josh in the middle o' the room. Couldn't move hand nor foot! Cyrus didn't stop for no words, but he run over to our house, hollerin', 'Josh Harden's got a stroke!' An' ma'am left the stove all over fat an' run, an' I arter her, I guess Lyddy Ann must ha' seen us comin', for we hadn't more'n got into the settin'-room afore she was there. The place was cold as a barn, an' it looked like a hurrah's nest. Josh never moved, but his eyes follered her when she went into the bedroom to spread up the bed.

"'You help me, Cyrus,' says she, kind, o' twittery-like, but calm. 'We'll carry him in here. I can lift.'

"But our men-folks got there jest about as they was tryin' to plan how to take him, an' they h'isted him onto the bed. Cyrus harnessed up our horse an' went after Dr. Parks, an' by the time he come, we'd got the room so's to look decent. An'--if you'll b'lieve it! Lyddy Ann was in the bedroom tryin' to warm Josh up an' make him take some hot drink; but when I begun to sweep up, an' swop towards that gravel-pile in the middle o' the floor, she come hurryin' up, all out o' breath. She ketched the broom right out o' my hand.

"I'll sweep, byme-by,' says she. 'Don't you touch that gravel, none on ye!' An' so the gravel laid there, an' we walked round it, watchers an' all.

"She wouldn't have no watcher in his bedroom, though; she was determined to do everything but turn him an' lift him herself, but there was al'ays one or two settin' round to keep the fires goin' an' make sure there was enough cooked up. I swan, I never see a woman so happy round a bed o' sickness as Lyddy Ann was! She never made no fuss when Josh was awake, but if he shet his eyes, she'd kind o' hang over the bed an' smooth the clo'es as if they was kittens, an' once I ketched her huggin' up the sleeve of his old barn coat that hung outside the door. If ever a woman made a fool of herself over a man that wa'n't wuth it, 'twas Lyddy Ann Marden!

"Well, Josh he hung on for a good while, an' we couldn't make out whether he had his senses or not. He kep' his eyes shet most o' the time; but when Lyddy Ann's back was turned, he seemed to know it somehow, an' he'd open 'em an' foller her all round the room. But he never spoke. I asked the doctor about it.

"'Can't he speak, doctor?' says I. 'He can move that hand a leetle to-day. Don't you s'pose he could speak, if he'd a mind to?'

"The doctor he squinted up his eyes--he al'ays done that when he didn't want to answer--an' he says,--

"'I guess he's thinkin' on't over.'

"But one day, Lyddy Ann found she was all beat out, an' she laid down in the best bedroom an' went to sleep. I set with Josh. I was narrerin' off, but when I looked up, he was beckonin' with his well hand. I got up, an' went to the bed.

"'Be you dry?' says I. He made a little motion, an' then he lifted his hand an' p'inted out into the settin'-room.

"Do you want Lyddy Ann?' says I. 'She's laid down.' No, he didn't want her. I went to the settin'-room door an' looked out, an'--I dunno how 'twas--it all come to me.

"'Is it that gravel-heap?' says I. 'Do you want it carried off, an' the floor swop up?' An' he made a motion to say 'Yes.' I called Cyrus, an' we made short work o' that gravel. When, I'd took up the last mite on't, I went back to the bed.

"'Josh Marden,' says I, 'can you speak, or can't you?' But he shet his eyes, an' wouldn't say a word.

"When Lyddy Ann come out, I told her what he'd done, an' then she did give way a little mite. Two tears come out o' her eyes, an' jest rolled down her cheeks, but she didn't give up to 'em.

"'Sally,' says she, sort o' peaceful, 'I guess I'll have a cup o' tea.'

"Well, there was times when we thought Josh would git round ag'in, if he didn't have another stroke. I dunno whether he did have another or not, but one night, he seemed to be sort o' sinkin' away. Lyddy Ann she begun to turn white, an' she set down by him an' rubbed his sick hand. He looked at her,--fust time he had, fair an' square,--an' then he begun to wobble his lips round an' make a queer noise with 'em. She put her head down, an' then she says, 'Yes, Joshuay! yes, dear!' An' she got up an' took the pocket-book 'Mandy had gi'n him off the top o' the bureau, an' laid it down on the bed where he could git it. But he shook his head, an' said the word ag'in, an' a queer look--as if she was scairt an' pleased--flashed over Lyddy Ann's face. She run into the parlor, an' come back with that old pocket-book he'd give up to her, an' she put it into his well hand. That was what he wanted. His fingers gripped it up, an' he shet his eyes. He never spoke ag'in. He died that night."

"I guess she died, too!" said Lucy Staples, under her breath, stealthily wiping a tear from her faded cheek.

"No, she didn't, either!" retorted Sally Flint, hastily, getting up to peer from the window down the country road. "She lived a good many year, right in that very room he'd drove her out on, an' she looked as if she owned the airth. I've studied on it consid'able, an' I al'ays s'posed 'twas because she'd got him, an' that was all she cared for. There's the hearse now, an' two carriages, step an' step."

"Land! who's dead?" exclaimed Mrs. Forbes, getting up in haste, while her ball rolled unhindered to the other end of the room.

"It's Lyddy Ann Marden," returned Sally Flint, with the triumphant quiet of one first at the goal. "I see it this mornin' in the 'County Democrat,' when I was doin' up my wrist, an' you was all so busy."

HEMAN'S MA.

It was half-past nine of a radiant winter's night, and the Widder Poll's tooth still ached, though she was chewing cloves, and had applied a cracker poultice to her cheek. She was walking back and forth through the great low-studded kitchen, where uncouth shadows lurked and brooded, still showing themselves ready to leap aloft with any slightest motion of the flames that lived behind the old black fire-dogs. At every trip across the room, she stopped to look from the window into the silver paradise without, and at every glance she groaned, as if groaning were a duty. The kitchen was unlighted save by the fire and one guttering candle; but even through such inadequate illumination the Widder Poll was a figure calculated to stir rich merriment in a satirical mind. Her contour was rather square than oblong, and she was very heavy. In fact, she had begun to announce that her ankles wouldn't bear her much longer, and she should "see the day when she'd have to set by, from mornin' to night, like old Anrutty Green that had the dropsy so many years afore she was laid away." Her face, also, was cut upon the broadest pattern in common use, and her small, dull eyes and closely shut mouth gave token of that firmness which, save in ourselves, we call obstinacy. To-night, however, her features were devoid of even their wonted dignity, compressed, as they had been, by the bandage encircling her face. She looked like a caricature of her unprepossessing self. On one of her uneasy journeys to the window, she caught the sound of sleigh-bells; and staying only to assure herself of their familiar ring, she hastily closed the shutter, and, going back to the fireplace, sank into a chair there, and huddled over the blaze. The sleigh drove slowly into the yard, and after the necessary delay of unharnessing, a man pushed open the side door, and entered the kitchen. He, too, was short and square of build, though he had no superfluous flesh. His ankles would doubtless continue to bear him for many a year to come. His face was but slightly accented; he had very thin eyebrows, light hair, and only a shaggy fringe of whisker beneath the chin. This was Heman Blaisdell, the Widder Poll's brother-in-law, for whom she had persistently kept house ever since the death of his wife, four years ago. He came in without speaking, and after shaking himself out of his great-coat, sat silently down in his armchair by the fire. The Widder Poll held both hands to her face, and groaned again. At length, curiosity overcame her, and, quite against her judgment, she spoke. She was always resolving that she would never again take the initiative; but every time her resolution went down before the certainty that if she did not talk, there would be no conversation at all,--for Heman had a staying power that was positively amazing.

"Well?" she began, interrogatively.

Heman only stirred slightly in his chair.

"_Well!_ ain't you goin' to tell me what went on at the meetin'?"