Chapter I: Part 1

TRANSCRIBER’S NOTE:
Italic text is denoted by _underscores_.

MEMOIRS

OF

DOCTOR BURNEY.

CONTENTS

Chapters. Page
ADVERTISEMENT. ii
PREFACE, OR APOLOGY. v
INTRODUCTION. x
MEMOIRS OF DOCTOR BURNEY. 1

ADVERTISEMENT.

IT was the intention of the Biographer of DOCTOR BURNEY, to have printed the Doctor’s Correspondence, in a fourth volume, at the same time with the Memoir; but upon examining the collection, there appears such a dearth of the Doctor’s own Letters, of which he very rarely kept copies, that it seems to be expedient to postpone their publication, till it can be rendered more complete; to which end, the Biographer ventures earnestly to entreat, that all who possess any original Letters of Doctor Burney, whether addressed to themselves, or retained by inheritance, will have the goodness—where there seems no objection to their meeting the public eye—to forward them to Mr. MOXON, who will carefully transmit them to the Biographer, by whom they will afterwards be restored to their owners, with the most grateful acknowledgments.

MEMOIRS

OF

DOCTOR BURNEY,

ARRANGED

FROM HIS OWN MANUSCRIPTS, FROM FAMILY PAPERS, AND
FROM PERSONAL RECOLLECTIONS.

BY

HIS DAUGHTER, MADAME D’ARBLAY.

“O could my feeble powers thy virtues trace,
By filial love each fear should be suppress’d;
The blush of incapacity I’d chace,
And stand—Recorder of Thy worth!—confess’d.”

_Anonymous Dedication of Evelina, to Dr. Burney, in 1778._

IN THREE VOLUMES.

VOL. I.

LONDON:

EDWARD MOXON, 64, NEW BOND STREET.

1832.

LONDON:
BRADBURY AND EVANS, PRINTERS,
BOUVERIE STREET.

PREFACE, OR APOLOGY.

THE intentions, or, rather, the directions of Dr. Burney that his Memoirs should be published; and the expectation of his family and friends that they should pass through the hands of his present Editor and Memorialist, have made the task of arranging the ensuing collations with her own personal recollections, appear to her a sacred duty from the year 1814.[1]

But the grief at his loss, which at first incapacitated her from such an effort, was soon afterwards followed by change of place, change of circumstances—almost of existence—with multiplied casualties that, eventually, separated her from all her manuscript materials. And these she only recovered when under the pressure of a new affliction that took from her all power, or even thought, for their investigation. During many years, therefore, they have been laid aside, though never forgotten.

But if Time, as so often we lament, will not stand still upon happiness, it would be graceless not to acknowledge, with gratitude to Providence, that neither is it positively stationary upon sorrow: for though there are calamities which it cannot obliterate, and wounds which Religion alone can heal, Time yet seems endowed with a secret principle for producing a mental calm, through which life imperceptibly glides back to its customary operations; however powerless Time itself—earthly Time!—must still remain for restoring lost felicity.

Now, therefore,—most unexpectedly,—that she finds herself sufficiently recovered from successive indispositions and afflictions to attempt the acquittal of a debt which has long hung heavily upon her mind, she ventures to re-open her manuscript stores, and to resume, though in trembling, her long-forsaken pen.

That the life of so eminent a man should not pass away without some authenticated record, will be pretty generally thought; and the circumstances which render her its recorder, grow out of the very nature of things: she possesses all his papers and documents; and, from her earliest youth to his latest decline, not a human being was more confidentially entrusted than herself with the occurrences, the sentiments, and the feelings of his past and passing days.

Although, as biography, from time immemorial, has claimed the privilege of being more discursive than history, the Memorialist may seek to diversify the plain recital of facts by such occasional anecdotes as have been hoarded from childhood in her memory; still, and most scrupulously, not an opinion will be given as Dr. Burney’s, either of persons or things, that was not literally his own: and fact will as essentially be the basis of every article, as if its object were still lent to earth, and now listening to this exposition of his posthumous memoirs with her own recollections.

Nevertheless, though nothing is related that does not belong to Dr. Burney and his history, the accounts are not always rigidly confined to his presence, where scenes, or traits, still strong in the remembrance of the Editor, or still before her eyes in early letters or diaries, invite to any characteristic details of celebrated personages.

Not slight, however, is the embarrassment that struggles with the pleasure of these mingled reminiscences, from their appearance of personal obtrusion: yet, when it is seen that they are never brought forward but to introduce some incident or speech, that must else remain untold of Dr. Johnson, Mr. Burke, Mrs. Delany, Mrs. Thrale, Mr. Bruce—nay, Napoleon—and some other high-standing names, of recent date to the aged, yet of still living curiosity to the youthful reader—these apparent egotisms may be something more,—perhaps—than pardoned.

Where the life has been as private as that of Dr. Burney, its history must necessarily be simple, and can have little further call upon the attention of the world, than that which may belong to a wish of tracing the progress of a nearly abandoned Child, from a small village of Shropshire, to a Man allowed throughout Europe to have risen to the head of his profession; and thence, setting his profession aside, to have been elevated to an intellectual rank in society, as a Man of Letters—

“Though not First, in the very first line”

with most of the eminent men of his day,—Dr. Johnson and Mr. Burke, soaring above any contemporary mark, always, like Senior Wranglers, excepted.

And to this height, to which, by means and resources all his own, he arose, the Genius that impelled him to Fame, the Integrity that established his character, and the Amiability that magnetized all hearts,—in the phrase of Dr. Johnson—_to go forth to meet him_, were the only materials with which he worked his way.

INTRODUCTION.

COPIED FROM A MANUSCRIPT MEMOIR IN THE DOCTOR’S OWN HAND-WRITING.

IF the life of a humble individual, on whom neither splendid appointments, important transactions, nor atrocious crimes have called the attention of the public, can afford amusement to the friends he leaves behind, without being offered either as a model to follow, or a precipice to shun, the intention of the writer of these Memoirs will be fully accomplished. But there is no member of society who, by diligence, talents, or conduct, leaves his name and his race a little better than those from which he sprung, who is totally without some claim to attention on the means by which such advantages were achieved.

My life, though it has been frequently a tissue of toil, sickness, and sorrow, has yet been, upon the whole, so much more pleasant and prosperous than I had a title to expect, or than many others with higher claims have enjoyed, that its incidents, when related, may, perhaps, help to put mediocrity in good-humour, and to repress the pride and overrated worth and expectations of indolence.

Perhaps few have been better enabled to describe, from an actual survey, the manners and customs of the age in which he lived than myself; ascending from those of the most humble cottagers, and lowest mechanics, to the first nobility, and most elevated personages, with whom circumstances, situation, and accident, at different periods of my life, have rendered me familiar. Oppressed and laborious husbandmen; insolent and illiberal yeomanry; overgrown farmers; generous and hospitable merchants; men of business and men of pleasure; men of letters; men of science; artists; sportsmen and country ’squires; dissipated and extravagant voluptuaries; gamesters; ambassadors; statesmen; and even sovereign princes, I have had opportunities of examining in almost every point of view: all these it is my intention to display in their respective situations; and to delineate their virtues, vices, and apparent degrees of happiness and misery.

A book of this kind, though it may mortify and offend a few persons of the present age, may be read with avidity at the distance of some centuries, by antiquaries and lovers of anecdotes; though it will have lost the poignancy of personality.

My grandfather, James Macburney, who, by letters which I have seen of his writing, and circumstances concerning him which I remember to have heard from my father and mother, was a gentleman of a considerable patrimony at Great Hanwood, a village in Shropshire, had received a very good education; but, from what cause does not appear, in the latter years of his life, was appointed land steward to the Earl of Ashburnham. He had a house in Privy Garden, Whitehall. In the year 1727, he walked as esquire to one of the knights, at the coronation of King George the Second.

My father, James, born likewise at Hanwood, was well educated also, both in school learning and accomplishments. He was a day scholar at Westminster School, under the celebrated Dr. Busby, while my grandfather resided at Whitehall. I remember his telling a story of the severe chastisement he received from that terrific disciplinarian, Dr. Busby, for playing truant after school hours, instead of returning home. My grandfather, who had frequently admonished him not to loiter in the street, lest he should make improper and mischievous acquaintance, finding no attention was paid to his injunctions, gave him a letter addressed to the Reverend Dr. Busby; which he did not fail to deliver, with ignorant cheerfulness, on his entrance into the school. The Doctor, when he had perused it, called my father to him, and, in a very mild, and seemingly good-humoured voice, said, “Burney, can you read writing?” “Yes, Sir,” answered my father, with great courage and flippancy. “Then read this letter aloud,” says the Doctor; when my father, with an audible voice, began: “Sir, My son, the bearer of this letter, having long disregarded my admonitions against stopping to play with idle boys in his way home from school—” Here my father’s voice faltered. “Go on,” says his master; “you read very well.” “I am sorry to be under the necessity of entreating you to—to—to—to cor—” Here he threw down the letter, and fell on his knees, crying out: “Indeed, Sir, I’ll never do so again!—Pray forgive me!” “O, you read perfectly well,” the Doctor again tells him, “pray finish the Letter:” And making him pronounce aloud the words, “correct him;” complied with my grandfather’s request in a very liberal manner.

Whether my father was intended for any particular profession, I know not, but, during his youth, besides his school learning, he acquired several talents and accomplishments, which, in the course of his life, he was obliged professionally to turn to account. He danced remarkably well; performed well on the violin, and was a portrait painter of no mean talents.

Notwithstanding the Mac which was prefixed to my grandfather’s name, and which my father retained for some time, I never could find at what period any of my ancestors lived in Scotland or in Ireland, from one of which it must have been derived. My father and grandfather were both born in Shropshire, and never even visited either of those countries.

Early in his life, my father lost the favour of his sire, by eloping from home, to marry a young actress of Goodman’s-fields’ theatre, by whom he had a very large family. My grandfather’s affection was completely alienated by this marriage; joined to disapproving his son’s conduct in other respects. To the usual obduracy of old age, he afterwards added a far more than similar indiscretion himself, by marrying a female domestic, to whom, and to a son, the consequence of that marriage, he bequeathed all his possessions, which were very considerable. Joseph, this son, was not more prudent than my father; for he contrived, early in life, to dissipate his patrimony; and he subsisted for many years in Norfolk, by teaching to dance. I visited him in 1756, in a tour I made to Yarmouth. He lived then at Ormsby, a beautiful village near that town, with an amiable wife, and a large family of beautiful children, in an elegant villa, with a considerable garden; and he appeared, at that time, in perfectly restored and easy circumstances.

N. B.—The fragment whence this is taken here stops.

* * * * *

This Introduction, which is copied literally from the hand-writing of Dr. Burney, was both begun and dropped, as appears by a marginal note, in the year 1782; but, from what cause is unknown, was neither continued, nor resumed, save by occasional memorandums, till the year 1807, when the Doctor had reached the age of eighty-one, and was under the dejecting apprehension of a paralytic seizure. From that time, nevertheless, he composed sundry manuscript volumes, of various sizes, containing the history of his life, from his cradle nearly to his grave.

Out of the minute amplitude of this vast mass of matter, it has seemed the duty of his Editor and Memorialist, to collect all that seemed to offer any interest for the general reader; but to commit nothing to the public eye that there is reason to believe the author himself would have withheld from it at an earlier period; or would have obliterated, even at a much later, had he revised his writings after the recovery of his health and spirits.

MEMOIRS

OF

DOCTOR BURNEY.

CHARLES BURNEY was born at Shrewsbury, on the twelfth of April, 1726.

He was issue of a second marriage, of a very different colour with respect to discretion, or to prejudice, from that with the account of which he has opened his own narration. The poor actress was no more; but neither her hardly judged, though enthusiastically admired profession, nor her numerous offspring, nor the alienation she had unhappily caused in the family, proved obstacles to the subsequent union of her survivor with Miss * * * who in those days, though young and pretty, was called Mrs. Ann Cooper, a Shropshire young lady, of bright parts and great personal beauty; as well as an inheritress of a fortune which, for the times, was by no means inconsiderable. The parchments of the marriage settlement upon this occasion are still remaining amongst the few family records that Dr. Burney preserved.

Whether attracted by her beauty, her sprightliness, or her portion; or by the aggregate influence of those three mighty magnetizers of the passions of man, is not known; but Wycherley, the famous poet, fine gentleman, and Wit of the reign of Charles the Second, had been so enamoured with Mrs. Ann Cooper in her earliest youth, which flourished in his latest decadency, that he sought her for his bride.

The romance, however, of his adoration, did not extend to breaking his heart; for though he expired within a few months after her rejection, it was not from wearing the willow: another fair one, yet younger, proved less cruel, and changed it to a wreath of myrtle. But the fates were adverse to his tender propensities, and he outlived his fair fortune and his nuptials only a fortnight.

A few years after this second marriage, Mr. Burney senior, finally, and with tolerable success, fixed himself to the profession of portrait-painting; and, quitting Shrewsbury, established himself in the city of Chester; where, to his reputation in the delightful arts of the pencil, he joined a far surpassing pre-eminence in those of society. His convivial spirit, his ready repartee, and his care-chasing pleasantry, made his intercourse sought by all to whom such qualifications afford pleasure: and we are yet, I believe, to learn where coin of such sterling value for exhilarating our fellow-creatures, fails of passing current.

The then Earl of Cholmondeley was particularly partial to him, and his most essential friend.

Charles, who was Mr. Burney’s last born son, had a twin sister, called Susanna, whom he early lost, but for whom he cherished a peculiar fondness that he seemed tenderly to transmit to the beloved and meritorious daughter to whom he gave her name.[2]

CONDOVER.

From what cause is not known, and it is difficult to conceive any that can justify such extraordinary neglect, young Charles was left in Shropshire, upon the removal of his parents to Chester; and abandoned, not only during his infancy, but even during his boyhood, to the care of an uncultivated and utterly ignorant, but worthy and affectionate old nurse, called Dame Ball, in the rustic village of Condover, not far from Shrewsbury.

His reminiscences upon this period were amongst those the most tenaciously minute, and the most agreeable to his fancy for detail, of any part of his life; and the uncommon gaiety of his narratory powers, and the frankness with which he set forth the pecuniary embarrassments and provoking mischances, to which his thus deserted childhood was exposed, had an ingenuousness, a good-humour, and a comicality, that made the subject of Condover not more delectable to himself than entertaining to his hearer.

Nevertheless, these accounts, when committed to paper, and produced without the versatility of countenance, and the vivacious gestures that animated the colloquial disclosures, so lose their charm, as to appear vapid, languid, and tedious: and the editor only thus slightly recurs to them for the purpose of pointing out how gifted must be the man who, through disadvantages of so lowering a species, could become, in after-life, not only one of the best informed, but one of the most polished, members of society.

There were few subjects of his childish remembrance with which he was himself more amused, than with the recital of the favourite couplets which the good nurse Ball most frequently sang to him at her spinning wheel; and which he especially loved to chaunt, in imitating her longdrawn face, and the dolorous tones of her drawling sadness.

“Good bye, my dear neighbours! My heart it is sore,
For I must go travelling all the world o’er.
And if I should chance to come home very rich,
My friends and relations will make of me mich;
But if I should chance to come home very poor,
My friends and relations will turn me out of door,
After I have been travelling, travelling, travelling, all the
world o’er.”

CHESTER.

The education of the subject of these memoirs, when, at length, he was removed from this his first instructress, whom he quitted, as he always protested, with agony of grief, was begun at the Free School at Chester.

It can excite no surprise, his brilliant career through life considered, that his juvenile studies were assiduous, ardent, and successful. He was frequently heard to declare that he had been once only chastised at school, and that not for slackness, but forwardness in scholastic lore. A favourite comrade, who shared his affections, though not his application or his genius, was hesitating through an ill-learnt lesson, and on the point of incurring punishment, when young Burney, dropping his head on his breast to muffle his voice, whispered the required answer.

“Burney prompts, Sir!” was loudly called out by a jealous, or malevolent fellow-student: and Burney paid the ignoble tax at which his incautious good nature, and superior talents, were assessed.

The resources of practical education ought, perhaps, to be judged only by the experience which puts them into play; but incongruous, at least to all thinking, though it may be incompetent, observers, must seem the discipline that appoints to the instinctive zeal of youthful friendship, the same degrading species of punishment that may be necessary for counteracting the sluggard mischiefs of indolence, or the dangerous examples of misconduct.

The prominent talents of young Burney for music fixed that tuneful art for his profession; and happily so; for while its pursuit was his business, its cultivation was his never-ceasing delight.

Yet not exclusively: far otherwise. He had a native love of literature, in all its branches, that opened his intellects to observation, while it furnished his mind with embellishments upon almost every subject; a thirst of knowledge, that rendered science, as far as he had opportunity for its investigation, an enlargement to his understanding; and an imagination that invested all the arts with a power of enchantment.

SHREWSBURY.

His earliest musical instructor was his eldest half brother, Mr. James Burney, who was then, and for more than half a century afterwards, organist of St. Margaret’s, Shrewsbury; in which city the young musician elect began his professional studies.

It was, however, in age only that Mr. James Burney was his brother’s senior or superior; from him, therefore, whatever could be given or received, was finished almost ere it was begun, from the quickness with which his pupil devoted himself to what he called the slavery of conquering unmeaning difficulties in the lessons of the times.

The following spirited paragraph on his juvenile progress is transcribed from his early memorandums.

“The celebrated Felton, and after him, the first Dr. Hayes,
came from Oxford to Shrewsbury on a tour, while I was
studying hard, without instruction or example; and they
amazed and stimulated me so forcibly by their performance
on the organ, as well as by their encouragement, that I
thenceforward went to work with an ambition and fury that
would hardly allow me to eat or sleep.

“The quantity of music which I copied at this time, of
all kinds, was prodigious; and my activity and industry
surprised every body; for, besides writing, teaching, tuning,
and playing for my brother, at my _momens perdus_, I was
educating myself in every way I was able. With copy-books,
I improved my hand-writing so much, that my father did not
believe I wrote my letters to him myself. I tried hard to
at least keep up the little Latin I had learned; and I
diligently practised both the spinet and violin; which,
with reading, transcribing music for business, and poetry
for pleasure; attempts at composition, and attention to my
brother’s affairs, filled up every minute of the longest day.

“I had, also, a great passion for angling; but whenever I
could get leisure to pursue that sport, I ran no risk of
losing my time, if the fish did not bite; for I had always
a book in my pocket, which enabled me to wait with patience
their pleasure.”

Another paragraph, which is singular and amusing, is transcribed, also, from the Shrewsbury Annals:—

“CHARACTER OF LADY TANKERVILLE.[3]

“This lady was the daughter of Sir John Ashley, of the Abbey
Foregate, Shrewsbury. She manifested a passion for music very
early, in practising on the German flute, which was then
little known in the country, Sir William Fowler and this lady
being the only performers on that instrument that obtained,
or deserved the least notice. Miss Ashley practised the
harpsichord likewise, and took lessons of my brother: and she
used to make little Matteis, the language master, and first
violinist of the place, accompany her. She was an _espiegle_,
and doted on mischief; and no sooner found that Matteis was
very timid and helpless at the slightest distress or danger,
than she insisted, during summer, upon taking her lessons in
the middle of an old and lofty oak tree; placing there a seat
and a desk, adroitly well arranged for her accommodation;
while another seat and desk, upon a thick but tottering
branch, was put up for poor Matteis, who was so terrified,
that he could not stop a note in tune; yet so fearful, that
he could not bring himself to resist her orders.

“In 1738, she married Lord Ossulston, son of the Earl of
Tankerville: and I remember leading off a choral song, or
hymn, by her direction, to chaunt her out of St. Julian’s
Church. I was then quite a boy; and I heard no more of her
till I was grown up, and settled in London.”

CHESTER.

On quitting Shrewsbury to return to his parents at Chester, the ardour of young Burney for improvement was such as to absorb his whole being; and his fear lest a moment of daylight should be profitless, led him to bespeak a labouring boy, who rose with the sun, to awaken him regularly with its dawn. Yet, as he durst not pursue his education at the expense of the repose of his family, he hit upon the ingenious device of tying one end of a ball of pack-thread round his great toe, and then letting the ball drop, with the other end just within the boy’s reach, from an aperture in the old-fashioned casement of his bed-chamber window.

This was no contrivance to dally with his diligence; he could not choose but rise.

He was yet a mere youth, when, while thus unremittingly studious, he was introduced to Dr. Arne, on the passage of that celebrated musician through the city of Chester, when returning from Ireland: and this most popular of English vocal composers since the days of Purcel, was so much pleased with the talents of this nearly self-instructed performer, as to make an offer to Mr. Burney senior, upon such conditions as are usual to such sort of patronage, to complete the musical education of this lively and aspiring young man; and to bring him forth to the world as his favourite and most promising pupil.

To this proposal Mr. Burney senior was induced to consent; and, in the year 1714, at the age of seventeen, the eager young candidate for fame rapturously set off, in company with Dr. Arne, for the metropolis.

LONDON.

Arrived in London, young Burney found himself unrestrainedly his own master, save in what regarded his articled agreement with Dr. Arne. Every part of his numerous family was left behind him, or variously dispersed, with the single exception of his elder and only own brother, Richard Burney, afterwards of Worcester, but who, at this period, was settled in the capital.

This brother was a man of true worth and vigorous understanding, enriched with a strong vein of native humour. He was an indefatigable and sapient collector of historical portraits, and passionately fond of the arts; and he was father of a race of children who severally, and with distinction, shone in them all; and who superadded to their ingenuity and their acquirements the most guileless hearts and scrupulous integrity.

DR. ARNE.

Dr. Arne, professionally, has been fully portrayed by the pupil who, nominally, was under his guidance; but who, in after-times, became the historian of his tuneful art.

Eminent, however, in that art as was Dr. Arne, his eminence was to that art alone confined. Thoughtless, dissipated, and careless, he neglected, or rather scoffed at all other but musical reputation. And he was so little scrupulous in his ideas of propriety, that he took pride, rather than shame, in being publicly classed, even in the decline of life, as a man of pleasure.

Such a character was ill qualified to form or to protect the morals of a youthful pupil; and it is probable that not a notion of such a duty ever occurred to Dr. Arne; so happy was his self-complacency in the fertility of his invention and the ease of his compositions, and so dazzled by the brilliancy of his success in his powers of melody—which, in truth, for the English stage, were in sweetness and variety unrivalled—that, satisfied and flattered by the practical exertions and the popularity of his fancy, he had no ambition, or, rather, no thought concerning the theory of his art.

The depths of science, indeed, were the last that the gay master had any inclination to sound; and, in a very short time, through something that mingled jealousy with inability, the disciple was wholly left to work his own way as he could through the difficulties of his professional progress.

Had neglect, nevertheless, been the sole deficiency that young Burney had had to lament, it would effectually have been counteracted by his own industry: but all who are most wanting to others, are most rapacious of services for themselves; and the time in which the advancement of the scholar ought to have been blended with the advantage of the teacher, was almost exclusively seized upon for the imposition of laborious tasks of copying music: and thus, a drudgery fitted for those who have no talents to cultivate; or those who, in possessing them, are driven from their enjoyment by distress, filled up nearly the whole time of the student, and constituted almost wholly the directions of the tutor.

MRS. CIBBER.

Young Burney, now, was necessarily introduced to Dr. Arne’s celebrated sister, the most enchanting actress of her day, Mrs. Cibber; in whose house, in Scotland-yard, he found himself in a constellation of wits, poets, actors, authors, and men of letters.

The social powers of pleasing, which to the very end of his long life endeared him to every circle in which he mixed, were now first lighted up by the sparks of convivial collision which emanate, in kindred minds, from the electricity of conversation. And though, as yet, he was but a gazer himself in the splendour of this galaxy, he had parts of such quick perception, and so laughter-loving a taste for wit and humour, that he not alone received delight from the sprightly sallies, the ludicrous representations, or the sportive mimicries that here, with all the frolic of high-wrought spirits, were bandied about from guest to guest; he contributed personally to the general enjoyment, by the gaiety of his participation; and appeared, to all but his modest self, to make an integral part of the brilliant society into which he was content, nay charmed, to seem admitted merely as an auditor.

GARRICK.

Conspicuous in this bright assemblage, Garrick, then hardly beyond the glowing dawn of his unparalleled dramatic celebrity, shone forth with a blaze of lustre that struck young Burney with enthusiastic admiration.

And nearly as prompt was the kind impression made in return, by the new young associate, on the fancy and the liking of this inimitable outward delineator of the inward human character; who, to the very close of that splendid circle which he described in the drama and in literature, retained for this early conquest a distinguishing, though not, perhaps, a wholly unremitting partiality; for where is the spoilt child, whether of the nursery or of the public, who is uniformly exempt from fickleness or caprice,—those wayward offsprings of lavish indulgence?

Not dense, however, nor frequent, were the occasional intermissions to the serenity of their intercourse; and the sunshine by which they were dispersed, beamed from an heightened esteem that, in both parties, terminated in cordial affection.

THOMSON.

With Thomson, too, whose fame, happily for posterity, hung not upon the ephemeral charm of accent, variety of attitude, or witchery of the eye, like that of even the most transcendent of the votaries of the buskins; with Thomson, too, his favoured lot led him to the happiness of early and intimate, though, unfortunately, not of long-enduring acquaintance, the destined race of Thomson, which was cut short nearly in the meridian of life, being already almost run.

It was not in the house only of Mrs. Cibber that he met this impressive and piety-inspiring painter of Nature, alike in her rural beauties and her elemental sublimities: the young musician had the advantage of setting to music a part of the mask of Alfred,[4] which brought him into close contact with the author, and rivetted good will on one side by high admiration on the other.

With various persons, renowned or interesting, of the same set, who were gaily basking, at this period, in the smiles of popular sunshine, the subject of these memoirs daily mixed; but, unfortunately, not a memorandum of their intercourse has he left, beyond their names.

Mrs. Cibber herself he considered as a pattern of perfection in the tragic art, from her magnetizing powers of harrowing and winning at once every feeling of the mind, by the eloquent sensibility with which she portrayed, or, rather, personified, Tenderness, Grief, Horror, or Distraction.

KIT SMART.

With a different set, and at a different part of the town, young Burney formed an intimacy with Kit Smart, the poet; a man then in equal possession of those finest ingredients for the higher call of his art, fire and fancy, and, for its comic call, of sport and waggery. No indication, however, of such possession was granted to his appearance; not a grace was bestowed on his person or manners; and his physiognomy was of that round and stubbed form that seemed appertaining to a common dealer behind a common counter, rather than to a votary of the Muses. But his intellects, unhappily, were more brilliant than sound; and his poetic turn, though it never warped his sentiments or his heart, was little calculated to fortify his judgment.

DOCTOR ARMSTRONG.

And, at this same epoch, the subject of these memoirs began also an intercourse with the celebrated Dr. Armstrong, as high, then, in the theory of his art, medicine, as he was far from lucratively prosperous in its practice. He had produced upon it a didactic poem, “The Art of Preserving Health,” which young Burney considered to be as nervous in diction as it was enlightening in precept. But Dr. Armstrong, though he came from a part of the island whence travellers are by no means proverbially smitten with the reproach of coming in vain; nor often stigmatized with either meriting or being addicted to failure, possessed not the personal skill usually accorded to his countrymen, of adroitness in bringing himself forward. Yet he was as gaily amiable as he was eminently learned; and though, from a keen moral sense of right, he was a satirist, he was so free from malevolence, that the smile with which he uttered a remark the most ironical, had a cast of good-humoured pleasantry that nearly turned his sarcasm into simple sport.

MISS MOLLY CARTER.

Now, also, opened to him an acquaintance with Miss Molly Carter, a lady who, ultimately, proved the oldest friend that he sustained through life; a sacred title, of which the rights, on both sides, were affectionately acknowledged. The following account of her is copied from Dr. Burney’s early manuscripts.

“Miss Molly Carter, in her youth a very pretty girl, was, in
the year 1745, of a large party of young ladies, consisting
of five or six Miss Gores, and Miss Anderson, at William
Thompson’s Esq., in the neighbourhood of Elsham, near Brig.
Bob Thompson, Mr. Thompson’s brother, Billy Le Grand, and
myself, composed the rest of the set, which was employed in
nothing but singing, dancing, romping, and visiting, the
whole time I was there; which time was never surpassed in
hilarity at any place where I have been received in my life.”

QUEEN MAB.

Neither pleasure, however, nor literary pursuits, led young Burney to neglect the cultivation of his musical talents. The mask of Alfred was by no means his sole juvenile composition: he set to music the principal airs in the English burletta called Robin Hood, which was most flatteringly received at the theatre; and he composed the whole of the music of the pantomime of Queen Mab.

He observed at this time the strictest incognito concerning all these productions, though no motive for it is found amongst his papers; nor does there remain any recollective explanation.

With regard to Queen Mab, it excited peculiar remark, from the extraordinary success of that diverting pantomime; for when the uncertainties of the representation were over, there was every stimulus to avowal that could urge a young author to come forward; not with adventurous boldness, nor yet with trembling timidity, but with the frank delight of unequivocal success.

Queen Mab had a run which, to that time, had never been equalled, save by the opening of the Beggar’s Opera; and which has not since been surpassed, save by the representation of the Duenna.

Its music, pleasing and natural, was soon so popular, that it was taught to all young ladies, set to all barrel organs, and played at all familiar music parties. It aimed not at Italian refinement, nor at German science; but its sprightly melody, and utter freedom from vulgarity, made its way even with John Bull, who, while following the hairbreadth agility of Harlequin, the skittish coquetries of Columbine, and the merry dole of the disasters of the Clown and Pantaloon, found himself insensibly caught, and unconsciously beguiled into ameliorated musical taste.

In the present day, when English singers sometimes rise to the Italian opera, and when Italian singers are sometimes invited to the English, the music of Queen Mab could be received but in common with the feats of its pantomime; so rapidly has taste advanced, and so generally have foreign improvements become nearly indigenous.

To give its due to merit, and its rights to invention, we must always go back to their origin, and judge them, not by any comparison with what has followed them, but by what they met when they first started, and by what they were preceded.

Why, when success was thus ascertained, the name of the composer was concealed, leaving him thus singularly as unknown as he was popular, may the more be regretted, as his disposition, though chiefly domestic, was not of that effeminately sensitive cast that shrinks from the world’s notice with a dread of publicity. His mind, on the contrary, belonged to his sex; and was eminently formed to expand with that manly ambition, which opens the portals of hope to the attainment of independence, through intellectual honours.

The music, when printed, made its appearance in the world as the offspring of _a society of the sons of Apollo_: and Oswald, a famous bookseller, published it by that title, and knew nothing of its real parentage.[5]

Sundry airs, ballads, cantatas, and other light musical productions, were put forth also, as from that imaginary society; but all sprang from the same source, and all were equally unacknowledged.

The sole conjecture to be formed upon a self-denial, to which no virtue seems attached; and from which reason withdraws its sanction, as tending to counteract the just balance between merit and recompense, is, that possibly the articles then in force with Dr. Arne, might disfranchise young Burney from the liberty of publication in his own name.

EARL OF HOLDERNESSE.

The first musical work by the subject of these memoirs that he openly avowed, was a set of six sonatas for two violins and a bass, printed in 1747, and dedicated to the Earl of Holdernesse; to whose notice the author had been presented by some of the titled friends and protectors to whom he had become accidentally known.

The Earl not only accepted with pleasure the music and the dedication, but conceived a regard for the young composer, that soon passed from his talents to his person and character. Many notes of Lord Holdernesse still remain of kind engagements for meetings, even after his time was under the royal, though honourable restraint, of being governor of the heir apparent.[6] That high, and nearly exclusive occupation, lessened not the favour which his lordship had had the taste and discernment to display so early for a young man whom, afterwards, with pleasure, if not with pride, he must have seen rise to equal and general favour in the world.

At Holdernesse House,[7] the fine mansion of this earl, young Burney began an acquaintance, which in after years ripened into intimacy, with Mr. Mason, the poet, who was his lordship’s chaplain.

FULK GREVILLE.

While connexions thus various, literary, classical, noble, and professional, incidentally occurred, combatting the deadening toil of the copyist, and keeping his mind in tune for intellectual pursuits and attainments, new scenes, most unexpectedly, opened to him the world at large, and suddenly brought him to a familiar acquaintance with high life.

Fulk Greville, a descendant of _The Friend of Sir Philip Sydney_, and afterwards author of Characters, Maxims, and Reflections, was then generally looked up to as the finest gentleman about town. His person, tall and well-proportioned, was commanding; his face, features, and complexion, were striking for masculine beauty; and his air and carriage were noble with conscious dignity.

He was then in the towering pride of healthy manhood and athletic strength. He excelled in all the fashionable exercises, riding, fencing, hunting, shooting at a mark, dancing, tennis, &c.; and worked at every one of them with a fury for pre-eminence, not equalled, perhaps, in ardour for superiority in personal accomplishments, since the days of the chivalrous Lord Herbert of Cherbury.

His high birth, and higher expectation—for a coronet at that time, from some uncertain right of heritage, hung almost suspended over his head—with a splendid fortune, wholly unfettered, already in his hands, gave to him a consequence in the circles of modish dissipation that, at the clubs of St. James’s-street, and on the race ground at Newmarket, nearly crowned him as chief. For though there were many competitors of more titled importance, and more powerful wealth, neither the blaze of their heraldry, nor the weight of their gold, could preponderate, in the buckish scales of the day, over the elegance of equipment, the grandeur, yet attraction of demeanour, the supercilious brow, and the resplendent smile, that marked the lofty yet graceful descendant of Sir Philip Sydney.

This gentleman one morning, while trying a new instrument at the house of Kirkman, the first harpsichord maker of the times, expressed a wish to receive musical instruction from some one who had mind and cultivation, as well as finger and ear; lamenting, with strong contempt, that, in the musical tribe, the two latter were generally dislocated from the two former; and gravely asking Kirkman whether he knew any young musician who was fit company for a gentleman.

Kirkman, with honest zeal to stand up for the credit of the art by which he prospered, and which he held to be insulted by this question, warmly answered that he knew many; but, very particularly, one member of the harmonic corps, who had as much music in his tongue as in his hands, and who was as fit company for a prince as for an orchestra.

Mr. Greville, with much surprise, made sundry and formal inquiries into the existence, situation, and character of what he called so great a phenomenon; protesting there was nothing he so much desired as the extraordinary circumstance of finding any union of sense with sound.

The replies of the good German were so exciting, as well as satisfactory, that Mr. Greville became eager to see the youth thus extolled; but charged Mr. Kirkman not to betray a word of what had passed, that the interview might be free from restraint, and seem to be arranged merely for shewing off the several instruments that were ready for sale, to a gentleman who was disposed to purchase one of the most costly.

To this injunction Mr. Kirkman agreed, and conscientiously adhered.

A day was appointed, and the meeting took place.

Young Burney, with no other idea than that of serving Kirkman, immediately seated himself at an instrument, and played various pieces of Geminiani, Corelli, and Tartini, whose compositions were then most in fashion. But Mr. Greville, secretly suspicious of some connivance, coldly and proudly walked about the room; took snuff from a finely enamelled snuff-box, and looked at some prints, as if wholly without noticing the performance.

He had, however, too much penetration not to perceive his mistake, when he remarked the incautious carelessness with which his inattention was returned; for soon, conceiving himself to be playing to very obtuse ears, young Burney left off all attempt at soliciting their favour; and only sought his own amusement by trying favourite passages, or practising difficult ones, with a vivacity which shewed that his passion for his art rewarded him in itself for his exertions. But coming, at length, to keys of which the touch, light and springing, invited his stay, he fired away in a sonata of Scarlatti’s, with an alternate excellence of execution and expression, so perfectly in accord with the fanciful flights of that wild but masterly composer, that Mr. Greville, satisfied no scheme was at work to surprise or to win him; but, on the contrary, that the energy of genius was let loose upon itself, and enjoying, without premeditation, its own lively sports and vagaries; softly drew a chair to the harpsichord, and listened, with unaffected earnestness, to every note.

Nor were his ears alone curiously awakened; his eyes were equally occupied to mark the peculiar performance of intricate difficulties; for the young musician had invented a mode of adding neatness to brilliancy, by curving the fingers, and rounding the hand, in a manner that gave them a grace upon the keys quite new at that time, and entirely of his own devising.

To be easily pleased, however, or to make acknowledgment of being pleased at all, seems derogatory to strong self-importance; Mr. Greville, therefore, merely said, “You are fond, Sir, it seems, of Italian music?”

The reply to this was striking up, with all the varying undulations of the crescendo, the diminuendo, the pealing swell, and the “dying, dying fall,” belonging to the powers of the pedal, that most popular masterpiece of Handel’s, the Coronation Anthem.

This quickness of comprehension, in turning from Italian to German, joined to the grandeur of the composition, and the talents of the performer, now irresistibly vanquished Mr. Greville; who, convinced of Kirkman’s truth with regard to the harmonic powers of this son of Apollo, desired next to sift it with regard to the wit.

Casting off, therefore, his high reserve, with his jealous surmises, he ceased to listen to the music, and started some theme that was meant to lead to conversation.

But as this essay, from not knowing to what the youth might be equal, consisted of such inquiries as, “Have you been in town long, Sir?” or, “Does your taste call you back to the country, Sir?” &c. &c., his young hearer, by no means preferring this inquisitorial style to the fancy of Scarlatti, or the skill and depth of Handel, slightly answered, “Yes, Sir,” or “No, Sir;” and, perceiving an instrument not yet tried, darted to it precipitately, and seated himself to play a voluntary.

The charm of genuine simplicity is nowhere more powerful than with the practised and hackneyed man of the world; for it induces what, of all things, he most rarely experiences, a belief in sincerity.

Mr. Greville, therefore, though thwarted, was not displeased; for in a votary of the art he was pursuing, he saw a character full of talents, yet without guile; and conceived, from that moment, an idea that it was one he might personally attach. He remitted, therefore, to some other opportunity, a further internal investigation.

Mr. Kirkman now came forward to announce, that in the following week he should have a new harpsichord, with double keys, and a deepened bass, ready for examination.

They then parted, without any explanation on the side of Mr. Greville; or any idea on that of the subject of these memoirs, that he and his acquirements were objects of so peculiar a speculation.

At the second interview, young Burney innocently and eagerly flew at once to the harpsichord, and tried it with various recollections from his favourite composers.

Mr. Greville listened complacently and approvingly; but, at the end of every strain, made a speech that he intended should lead to some discussion.

Young Burney, however, more alive to the graces of melody than to the subtleties of argument, gave answers that always finished with full-toned chords, which as constantly modulated into another movement; till Mr. Greville, tired and impatient, suddenly proposed changing places, and trying the instrument himself.

He could not have devised a more infallible expedient to provoke conversation; for he thrummed his own chosen bits by memory with so little skill or taste, yet with a pertinacity so wearisome, that young Burney, who could neither hearken to such playing, nor turn aside from such a player, caught with alacrity at every opening to discourse, as an acquittal from the fatigue of mock attention.

This eagerness gave a piquancy to what he said, that stole from him the diffidence that might otherwise have hung upon his inexperience; and endued him with a courage for uttering his opinions, that might else have faded away under the trammels of distant respect.

Mr. Greville, however, was really superior to the mawkish parade of unnecessary etiquette in private circles, where no dignity can be offended, and no grandeur be let down by suffering nature, wit, or accident to take their bent, and run their race, unfettered by punctilio.

Yet was he the last of men to have borne any designed infringement upon the long established claims of birth, rank, or situation; which, in fact, is rarely practised but to lead to a succession of changes, that circulate, like the names written in a round robin, to end just where they began;—

“Such chaos, where degree is suffocate,
Follows the choaking.”[8]

In the subject of these memoirs, this effervescence of freedom was clearly that of juvenile artlessness and overflowing vivacity; and Mr. Greville desired too sincerely to gather the youth’s notions and fathom his understanding, for permitting himself to check such amusing spirits, by proudly wrapping himself up, as at less favourable moments he was wont to do, in his own consequence. He grew, therefore, so lively and entertaining, that young Burney became as much charmed with his company as he had been wearied by his music; and an interchange of ideas took place, as frankly rapid, equal, and undaunted, as if the descendant of _the friend of Sir Philip Sydney_ had encountered a descendant of Sir Philip Sydney himself.

This meeting concluded the investigation; music, singing her gay triumph, took her stand at the helm; and a similar victory for capacity and information awaited but a few intellectual skirmishes, on poetry, politics, morals, and literature,—in the midst of which Mr. Greville, suddenly and gracefully holding out his hand, fairly acknowledged his scheme, proclaimed its success, and invited the unconscious victor to accompany him to Wilbury House.

The amazement of young Burney was boundless; but his modesty, or rather his ignorance that not to think highly of his own abilities merited that epithet, was most agreeably surprised by so complicate a flattery to his character, his endowments, and his genius.

But his articles with Dr. Arne were in full force; and it was not without a sigh that he made known his confined position.

Unaccustomed to control his inclinations himself, or to submit to their control from circumstances, expense, or difficulty, Mr. Greville mocked this puny obstacle; and, instantly visiting Dr. Arne in person, demanded his own terms for liberating his Cheshire pupil.

Dr. Arne, at first, would listen to no proposition; protesting that a youth of such promise was beyond all equivalent. But no sooner was a round sum mentioned, than the Doctor, who, in common with all the dupes of extravagance, was evermore needy, could not disguise from himself that he was dolorously out of cash; and the dazzling glare of three hundred pounds could not but play most temptingly in his sight, for one of those immediate, though imaginary wants, that the man of pleasure is always sure to see waving, with decoying allurement, before his longing eyes.

The articles, therefore, were cancelled: and young Burney was received in the house of Mr. Greville as a desired inmate, a talented professor, and a youth of genius: to which appellations, from his pleasantry, gaiety, reading, and readiness, was soon superadded the title—not of a humble, but of a chosen and confidential companion.

* * * * *

Young Burney now moved in a completely new sphere, and led a completely new life. All his leisure nevertheless was still devoted to improvement in his own art, by practice and by composition. But the hours for such sage pursuits were soon curtailed from half the day to its quarter; and again from that to merely the early morning that preceded any communication with his gay host: for so partial grew Mr. Greville to his new favourite, that, speedily, there was no remission of claim upon his time or his talents, whether for music or discourse.

Nor even here ended the requisition for his presence; his company had a charm that gave a zest to whatever went forward: his opinions were so ingenious, his truth was so inviolate, his spirits were so entertaining, that, shortly, to make him a part of whatever was said or done, seemed necessary to Mr. Greville for either speech or action.

GAMING CLUBS.

The consequence of this taste for his society carried young Burney into every scene of high dissipation which, at that period, made the round of the existence of a buckish fine gentleman; and he was continually of the party at White’s, at Brookes’s, and at every other superfine club house, whether public or private, to which the dangerous allurement of gaming, or the scarcely less so of being _à la mode_, tempted his fashionable patron.

As Mr. Greville uniformly, whether at cards, dice, or betting, played with Honour, his success, of course, was precarious; but as he never was so splendidly prosperous as to suffer himself to be beguiled out of all caution; nor yet so frequently unfortunate as to be rendered desperate, he was rarely distressed, though now and then he might be embarrassed.

At these clubs, the subject of these memoirs witnessed scenes that were ever after rivetted on his memory. Cards, betting, dice, opened every nocturnal orgie with an _éclat_ of expectation, hope, ardour, and fire, that seemed to cause a mental inflammation of the feelings and faculties of the whole assembly in a mass.