Chapter IV: Part 4

It goes along like that for three rounds more. They don’t talk any. They’re working all the time. We worked over Jack plenty too, in between the rounds. He don’t look good at all but he never does much work in the ring. He don’t move around much and that left-hand is just automatic. It’s just like it was connected with Walcott’s face and Jack just had to wish it in every time. Jack is always calm in close and he doesn’t waste any juice. He knows everything about working in close too and he’s getting away with a lot of stuff. While they were in our corner I watched him tie Walcott up, get his right hand loose, turn it and come up with an uppercut that got Walcott’s nose with the heel of the glove. Walcott was bleeding bad and leaned his nose on Jack’s shoulder so as to give Jack some of it too, and Jack sort of lifted his shoulder sharp and caught him against the nose, and then brought down the right hand and did the same thing again.

Walcott was sore as hell. By the time they’d gone five rounds he hated Jack’s guts. Jack wasn’t sore; that is, he wasn’t any sorer than he always was. He certainly did used to make the fellows he fought hate boxing. That was why he hated Kid Lewis so. He never got the Kid’s goat. Kid Lewis always had about three new dirty things Jack couldn’t do. Jack was as safe as a church all the time he was in there, as long as he was strong. He certainly was treating Walcott rough. The funny thing was it looked as though Jack was an open classic boxer. That was because he had all that stuff too.

After the seventh round Jack says, “My left’s getting heavy.”

From then he started to take a beating. It didn’t show at first. But instead of him running the fight it was Walcott was running it, instead of being safe all the time now he was in trouble. He couldn’t keep him out with the left hand now. It looked as though it was the same as ever, only now instead of Walcott’s punches just missing him they were just hitting him. He took an awful beating in the body.

“What’s the round?” Jack asked.

“The eleventh.”

“I can’t stay,” Jack says. “My legs are going bad.”

Walcott had been just hitting him for a long time. It was like a baseball catcher pulls the ball and takes some of the shock off. From now on Walcott commenced to land solid. He certainly was a socking-machine. Jack was just trying to block everything now. It didn’t show what an awful beating he was taking. In between the rounds I worked on his legs. The muscles would flutter under my hands all the time I was rubbing them. He was sick as hell.

“How’s it go?” he asked John, turning around, his face all swollen.

“It’s his fight.”

“I think I can last,” Jack says. “I don’t want this bohunk to stop me.”

It was going just the way he thought it would. He knew he couldn’t beat Walcott. He wasn’t strong any more. He was all right though. His money was all right and now he wanted to finish it off right to please himself. He didn’t want to be knocked out.

The gong rang and we pushed him out. He went out slow. Walcott came right out after him. Jack put the left in his face and Walcott took it, came in under it and started working on Jack’s body. Jack tried to tie him up and it was just like trying to hold on to a buzz-saw. Jack broke away from it and missed with the right. Walcott clipped him with a left-hook and Jack went down. He went down on his hands and knees and looked at us. The referee started counting. Jack was watching us and shaking his head. At eight John motioned to him. You couldn’t hear on account of the crowd. Jack got up. The referee had been holding Walcott back with one arm while he counted.

When Jack was on his feet Walcott started toward him.

“Watch yourself, Jimmy,” I heard Solly Freedman yell to him.

Walcott came up to Jack looking at him. Jack stuck the left hand at him. Walcott just shook his head. He backed Jack up against the ropes, measured him and then hooked the left very light to the side of Jack’s head and socked the right into the body as hard as he could sock, just as low as he could get it. He must have hit him five inches below the belt. I thought the eyes would come out of Jack’s head. They stuck way out. His mouth come open.

The referee grabbed Walcott. Jack stepped forward. If he went down there went fifty thousand bucks. He walked as though all his insides were going to fall out.

“It wasn’t low,” he said. “It was a accident.”

The crowd were yelling so you couldn’t hear anything.

“I’m all right,” Jack says. They were right in front of us. The referee looks at John and then he shakes his head.

“Come on, you polak son-of-a-bitch,” Jack says to Walcott.

John was hanging onto the ropes. He had the towel ready to chuck in. Jack was standing just a little way out from the ropes. He took a step forward. I saw the sweat come out on his face like somebody had squeezed it and a big drop went down his nose.

“Come on and fight,” Jack says to Walcott.

The referee looked at John and waved Walcott on.

“Go in there, you slob,” he says.

Walcott went in. He didn’t know what to do either. He never thought Jack could have stood it. Jack put the left in his face. There was such a hell of a lot of yelling going on. They were right in front of us. Walcott hit him twice. Jack’s face was the worst thing I ever saw,—the look on it! He was holding himself and all his body together and it all showed on his face. All the time he was thinking and holding his body in where it was busted.

Then he started to sock. His face looked awful all the time. He started to sock with his hands low down by his side, swinging at Walcott. Walcott covered up and Jack was swinging wild at Walcott’s head. Then he swung the left and it hit Walcott in the groin and the right hit Walcott right bang where he’d hit Jack. Way low below the belt. Walcott went down and grabbed himself there and rolled and twisted around.

The referee grabbed Jack and pushed him toward his corner. John jumps into the ring. There was all this yelling going on. The referee was talking with the judges and then the announcer got into the ring with the megaphone and says, “Walcott on a foul.”

The referee is talking to John and he says, “What could I do? Jack wouldn’t take the foul. Then when he’s groggy he fouls him.”

“He’d lost it anyway,” John says.

Jack’s sitting on the chair. I’ve got his gloves off and he’s holding himself in down there with both hands. When he’s got something supporting it his face doesn’t look so bad.

“Go over and say you’re sorry,” John says into his ear. “It’ll look good.”

Jack stands up and the sweat comes out all over his face. I put the bathrobe around him and he holds himself in with one hand under the bathrobe and goes across the ring. They’ve picked Walcott up and they’re working on him. There’re a lot of people in Walcott’s corner. Nobody speaks to Jack. He leans over Walcott.

“I’m sorry,” Jack says. “I didn’t mean to foul you.”

Walcott doesn’t say anything. He looks too damned sick.

“Well, you’re the champion now,” Jack says to him. “I hope you get a hell of a lot of fun out of it.”

“Leave the kid alone,” Solly Freedman says.

“Hello, Solly,” Jack says. “I’m sorry I fouled your boy.”

Freedman just looks at him.

Jack went to his corner walking that funny jerky way and we got him down through the ropes and through the reporters’ tables and out down the aisle. A lot of people want to slap Jack on the back. He goes out through all that mob in his bathrobe to the dressing-room. It’s a popular win for Walcott. That’s the way the money was bet in the Garden.

Once we got inside the dressing-room Jack lay down and shut his eyes.

“We want to get to the hotel and get a doctor,” John says.

“I’m all busted inside,” Jack says.

“I’m sorry as hell, Jack,” John says.

“It’s all right,” Jack says.

He lies there with his eyes shut.

“They certainly tried a nice double-cross,” John said.

“Your friends Morgan and Steinfelt,” Jack said. “You got nice friends.”

He lies there, his eyes are open now. His face has still got that awful drawn look.

“It’s funny how fast you can think when it means that much money,” Jack says.

“You’re some boy, Jack,” John says.

“No,” Jack says. “It was nothing.”

A SIMPLE ENQUIRY

OUTSIDE, the snow was higher than the window. The sunlight came in through the window and shone on a map on the pine-board wall of the hut. The sun was high and the light came in over the top of the snow. A trench had been cut along the open side of the hut, and each clear day the sun, shining on the wall, reflected heat against the snow and widened the trench. It was late March. The major sat at a table against the wall. His adjutant sat at another table.

Around the major’s eyes were two white circles where his snow-glasses had protected his face from the sun on the snow. The rest of his face had been burned and then tanned and then burned through the tan. His nose was swollen and there were edges of loose skin where blisters had been. While he worked at the papers he put the fingers of his left hand into a saucer of oil and then spread the oil over his face, touching it very gently with the tips of his fingers. He was very careful to drain his fingers on the edge of the saucer so there was only a film of oil on them, and after he had stroked his forehead and his cheeks, he stroked his nose very delicately between his fingers. When he had finished he stood up, took the saucer of oil and went into the small room of the hut where he slept. “I’m going to take a little sleep,” he said to the adjutant. In that army an adjutant is not a commissioned officer. “You will finish up.”

“Yes, signor maggiore,” the adjutant answered. He leaned back in his chair and yawned. He took a paper-covered book out of the pocket of his coat and opened it; then laid it down on the table and lit his pipe. He leaned forward on the table to read and puffed at his pipe. Then he closed the book and put it back in his pocket. He had too much paper-work to get through. He could not enjoy reading until it was done. Outside, the sun went behind a mountain and there was no more light on the wall of the hut. A soldier came in and put some pine branches, chopped into irregular lengths, into the stove. “Be soft, Pinin,” the adjutant said to him. “The major is sleeping.”

Pinin was the major’s orderly. He was a dark-faced boy, and he fixed the stove, putting the pine wood in carefully, shut the door, and went into the back of the hut again. The adjutant went on with his papers.

“Tonani,” the major called.

“Signor maggiore?”

“Send Pinin in to me.”

“Pinin!” the adjutant called. Pinin came into the room. “The major wants you,” the adjutant said.

Pinin walked across the main room of the hut toward the major’s door. He knocked on the half-opened door. “Signor maggiore?”

“Come in,” the adjutant heard the major say, “and shut the door.”

Inside the room the major lay on his bunk. Pinin stood beside the bunk. The major lay with his head on the rucksack that he had stuffed with spare clothing to make a pillow. His long, burned, oiled face looked at Pinin. His hands lay on the blankets.

“You are nineteen?” he asked.

“Yes, signor maggiore.”

“You have ever been in love?”

“How do you mean, signor maggiore?”

“In love—with a girl?”

“I have been with girls.”

“I did not ask that. I asked if you had been in love—with a girl.”

“Yes, signor maggiore.”

“You are in love with this girl now? You don’t write her. I read all your letters.”

“I am in love with her,” Pinin said, “but I do not write her.”

“You are sure of this?”

“I am sure.”

“Tonani,” the major said in the same tone of voice, “can you hear me talking?”

There was no answer from the next room.

“He can not hear,” the major said. “And you are quite sure that you love a girl?”

“I am sure.”

“And,” the major looked at him quickly, “that you are not corrupt?”

“I don’t know what you mean, corrupt.”

“All right,” the major said. “You needn’t be superior.”

Pinin looked at the floor. The major looked at his brown face, down and up him, and at his hands. Then he went on, not smiling, “And you don’t really want—” the major paused. Pinin looked at the floor. “That your great desire isn’t really—” Pinin looked at the floor. The major leaned his head back on the rucksack and smiled. He was really relieved: life in the army was too complicated. “You’re a good boy,” he said. “You’re a good boy, Pinin. But don’t be superior and be careful some one else doesn’t come along and take you.”

Pinin stood still beside the bunk.

“Don’t be afraid,” the major said. His hands were folded on the blankets. “I won’t touch you. You can go back to your platoon if you like. But you had better stay on as my servant. You’ve less chance of being killed.”

“Do you want anything of me, signor maggiore?”

“No,” the major said. “Go on and get on with whatever you were doing. Leave the door open when you go out.”

Pinin went out, leaving the door open. The adjutant looked up at him as he walked awkwardly across the room and out the door. Pinin was flushed and moved differently than he had moved when he brought in the wood for the fire. The adjutant looked after him and smiled. Pinin came in with more wood for the stove. The major, lying on his bunk, looking at his cloth-covered helmet and his snow-glasses that hung from a nail on the wall, heard him walk across the floor. The little devil, he thought, I wonder if he lied to me.

TEN INDIANS

AFTER one Fourth of July, Nick, driving home late from town in the big wagon with Joe Garner and his family, passed nine drunken Indians along the road. He remembered there were nine because Joe Garner, driving along in the dusk, pulled up the horses, jumped down into the road and dragged an Indian out of the wheel rut. The Indian had been asleep, face down in the sand. Joe dragged him into the bushes and got back up on the wagon-box.

“That makes nine of them,” Joe said, “just between here and the edge of town.”

“Them Indians,” said Mrs. Garner.

Nick was on the back seat with the two Garner boys. He was looking out from the back seat to see the Indian where Joe had dragged him alongside of the road.

“Was it Billy Tabeshaw?” Carl asked.

“No.”

“His pants looked mighty like Billy.”

“All Indians wear the same kind of pants.”

“I didn’t see him at all,” Frank said. “Pa was down into the road and back up again before I seen a thing. I thought he was killing a snake.”

“Plenty of Indians’ll kill snakes to-night, I guess,” Joe Garner said.

“Them Indians,” said Mrs. Garner.

They drove along. The road turned off from the main highway and went up into the hills. It was hard pulling for the horses and the boys got down and walked. The road was sandy. Nick looked back from the top of the hill by the schoolhouse. He saw the lights of Petoskey and, off across Little Traverse Bay, the lights of Harbour Springs. They climbed back in the wagon again.

“They ought to put some gravel on that stretch,” Joe Garner said. The wagon went along the road through the woods. Joe and Mrs. Garner sat close together on the front seat. Nick sat between the two boys. The road came out into a clearing.

“Right here was where Pa ran over the skunk.”

“It was further on.”

“It don’t make no difference where it was,” Joe said without turning his head. “One place is just as good as another to run over a skunk.”

“I saw two skunks last night,” Nick said.

“Where?”

“Down by the lake. They were looking for dead fish along the beach.”

“They were coons probably,” Carl said.

“They were skunks. I guess I know skunks.”

“You ought to,” Carl said. “You got an Indian girl.”

“Stop talking that way, Carl,” said Mrs. Garner.

“Well, they smell about the same.”

Joe Garner laughed.

“You stop laughing, Joe,” Mrs. Garner said. “I won’t have Carl talk that way.”

“Have you got an Indian girl, Nickie?” Joe asked.

“No.”

“He has too, Pa,” Frank said. “Prudence Mitchell’s his girl.”

“She’s not.”

“He goes to see her every day.”

“I don’t.” Nick, sitting between the two boys in the dark, felt hollow and happy inside himself to be teased about Prudence Mitchell. “She ain’t my girl,” he said.

“Listen to him,” said Carl. “I see them together every day.”

“Carl can’t get a girl,” his mother said, “not even a squaw.”

Carl was quiet.

“Carl ain’t no good with girls,” Frank said.

“You shut up.”

“You’re all right, Carl,” Joe Garner said. “Girls never got a man anywhere. Look at your pa.”

“Yes, that’s what you would say,” Mrs. Garner moved close to Joe as the wagon jolted. “Well, you had plenty of girls in your time.”

“I’ll bet Pa wouldn’t ever have had a squaw for a girl.”

“Don’t you think it,” Joe said. “You better watch out to keep Prudie, Nick.”

His wife whispered to him and Joe laughed.

“What you laughing at?” asked Frank.

“Don’t you say it, Garner,” his wife warned. Joe laughed again.

“Nickie can have Prudence,” Joe Garner said. “I got a good girl.”

“That’s the way to talk,” Mrs. Garner said.

The horses were pulling heavily in the sand. Joe reached out in the dark with the whip.

“Come on, pull into it. You’ll have to pull harder than this to-morrow.”

They trotted down the long hill, the wagon jolting. At the farmhouse everybody got down. Mrs. Garner unlocked the door, went inside, and came out with a lamp in her hand. Carl and Nick unloaded the things from the back of the wagon. Frank sat on the front seat to drive to the barn and put up the horses. Nick went up the steps and opened the kitchen door. Mrs. Garner was building a fire in the stove. She turned from pouring kerosene on the wood.

“Good-by, Mrs. Garner,” Nick said. “Thanks for taking me.”

“Oh shucks, Nickie.”

“I had a wonderful time.”

“We like to have you. Won’t you stay and eat some supper?”

“I better go. I think Dad probably waited for me.”

“Well, get along then. Send Carl up to the house, will you?”

“All right.”

“Good-night, Nickie.”

“Good-night, Mrs. Garner.”

Nick went out the farmyard and down to the barn. Joe and Frank were milking.

“Good-night,” Nick said. “I had a swell time.”

“Good-night, Nick,” Joe Garner called. “Aren’t you going to stay and eat?”

“No, I can’t. Will you tell Carl his mother wants him?”

“All right. Good-night, Nickie.”

Nick walked barefoot along the path through the meadow below the barn. The path was smooth and the dew was cool on his bare feet. He climbed a fence at the end of the meadow, went down through a ravine, his feet wet in the swamp mud, and then climbed up through the dry beech woods until he saw the lights of the cottage. He climbed over the fence and walked around to the front porch. Through the window he saw his father sitting by the table, reading in the light from the big lamp. Nick opened the door and went in.

“Well, Nickie,” his father said, “was it a good day?”

“I had a swell time, Dad. It was a swell Fourth of July.”

“Are you hungry?”

“You bet.”

“What did you do with your shoes?”

“I left them in the wagon at Garner’s.”

“Come on out to the kitchen.”

Nick’s father went ahead with the lamp. He stopped and lifted the lid of the ice-box. Nick went on into the kitchen. His father brought in a piece of cold chicken on a plate and a pitcher of milk and put them on the table before Nick. He put down the lamp.

“There’s some pie too,” he said. “Will that hold you?”

“It’s grand.”

His father sat down in a chair beside the oilcloth-covered table. He made a big shadow on the kitchen wall.

“Who won the ball game?”

“Petoskey. Five to three.”

His father sat watching him eat and filled his glass from the milk-pitcher. Nick drank and wiped his mouth on his napkin. His father reached over to the shelf for the pie. He cut Nick a big piece. It was huckleberry pie.

“What did you do, Dad?”

“I went out fishing in the morning.”

“What did you get?”

“Only perch.”

His father sat watching Nick eat the pie.

“What did you do this afternoon?” Nick asked.

“I went for a walk up by the Indian camp.”

“Did you see anybody?”

“The Indians were all in town getting drunk.”

“Didn’t you see anybody at all?”

“I saw your friend, Prudie.”

“Where was she?”

“She was in the woods with Frank Washburn. I ran onto them. They were having quite a time.”

His father was not looking at him.

“What were they doing?”

“I didn’t stay to find out.”

“Tell me what they were doing.”

“I don’t know,” his father said. “I just heard them threshing around.”

“How did you know it was them?”

“I saw them.”

“I thought you said you didn’t see them.”

“Oh, yes, I saw them.”

“Who was it with her?” Nick asked.

“Frank Washburn.”

“Were they—were they——”

“Were they what?”

“Were they happy?”

“I guess so.”

His father got up from the table and went out the kitchen screen door. When he came back Nick was looking at his plate. He had been crying.

“Have some more?” His father picked up the knife to cut the pie.

“No,” said Nick.

“You better have another piece.”

“No, I don’t want any.”

His father cleared off the table.

“Where were they in the woods?” Nick asked.

“Up back of the camp.” Nick looked at his plate. His father said, “You better go to bed, Nick.”

“All right.”

Nick went into his room, undressed, and got into bed. He heard his father moving around in the living-room. Nick lay in the bed with his face in the pillow.

“My heart’s broken,” he thought. “If I feel this way my heart must be broken.”

After a while he heard his father blow out the lamp and go into his own room. He heard a wind come up in the trees outside and felt it come in cool through the screen. He lay for a long time with his face in the pillow, and after a while he forgot to think about Prudence and finally he went to sleep. When he awoke in the night he heard the wind in the hemlock trees outside the cottage and the waves of the lake coming in on the shore, and he went back to sleep. In the morning there was a big wind blowing and the waves were running high up on the beach and he was awake a long time before he remembered that his heart was broken.

A CANARY FOR ONE

THE train passed very quickly a long, red stone house with a garden and four thick palm-trees with tables under them in the shade. On the other side was the sea. Then there was a cutting through red stone and clay, and the sea was only occasionally and far below against rocks.

“I bought him in Palermo,” the American lady said. “We only had an hour ashore and it was Sunday morning. The man wanted to be paid in dollars and I gave him a dollar and a half. He really sings very beautifully.”

It was very hot in the train and it was very hot in the _lit salon_ compartment. There was no breeze came through the open window. The American lady pulled the window-blind down and there was no more sea, even occasionally. On the other side there was glass, then the corridor, then an open window, and outside the window were dusty trees and an oiled road and flat fields of grapes, with gray-stone hills behind them.

There was smoke from many tall chimneys—coming into Marseilles, and the train slowed down and followed one track through many others into the station. The train stayed twenty-five minutes in the station at Marseilles and the American lady bought a copy of _The Daily Mail_ and a half-bottle of Evian water. She walked a little way along the station platform, but she stayed near the steps of the car because at Cannes, where it stopped for twelve minutes, the train had left with no signal of departure and she had only gotten on just in time. The American lady was a little deaf and she was afraid that perhaps signals of departure were given and that she did not hear them.

The train left the station in Marseilles and there was not only the switch-yards and the factory smoke but, looking back, the town of Marseilles and the harbor with stone hills behind it and the last of the sun on the water. As it was getting dark the train passed a farmhouse burning in a field. Motor-cars were stopped along the road and bedding and things from inside the farmhouse were spread in the field. Many people were watching the house burn. After it was dark the train was in Avignon. People got on and off. At the news-stand Frenchmen, returning to Paris, bought that day’s French papers. On the station platform were negro soldiers. They wore brown uniforms and were tall and their faces shone, close under the electric light. Their faces were very black and they were too tall to stare. The train left Avignon station with the negroes standing there. A short white sergeant was with them.

Inside the _lit salon_ compartment the porter had pulled down the three beds from inside the wall and prepared them for sleeping. In the night the American lady lay without sleeping because the train was a _rapide_ and went very fast and she was afraid of the speed in the night. The American lady’s bed was the one next to the window. The canary from Palermo, a cloth spread over his cage, was out of the draft in the corridor that went into the compartment wash-room. There was a blue light outside the compartment, and all night the train went very fast and the American lady lay awake and waited for a wreck.

In the morning the train was near Paris, and after the American lady had come out from the wash-room, looking very wholesome and middle-aged and American in spite of not having slept, and had taken the cloth off the birdcage and hung the cage in the sun, she went back to the restaurant-car for breakfast. When she came back to the _lit salon_ compartment again, the beds had been pushed back into the wall and made into seats, the canary was shaking his feathers in the sunlight that came through the open window, and the train was much nearer Paris.

“He loves the sun,” the American lady said. “He’ll sing now in a little while.”

The canary shook his feathers and pecked into them. “I’ve always loved birds,” the American lady said. “I’m taking him home to my little girl. There—he’s singing now.”

The canary chirped and the feathers on his throat stood out, then he dropped his bill and pecked into his feathers again. The train crossed a river and passed through a very carefully tended forest. The train passed through many outside of Paris towns. There were tram-cars in the towns and big advertisements for the Belle Jardinière and Dubonnet and Pernod on the walls toward the train. All that the train passed through looked as though it were before breakfast. For several minutes I had not listened to the American lady, who was talking to my wife.

“Is your husband American too?” asked the lady.

“Yes,” said my wife. “We’re both Americans.”

“I thought you were English.”

“Oh, no.”

“Perhaps that was because I wore braces,” I said. I had started to say suspenders and changed it to braces in the mouth, to keep my English character. The American lady did not hear. She was really quite deaf; she read lips, and I had not looked toward her. I had looked out of the window. She went on talking to my wife.

“I’m so glad you’re Americans. American men make the best husbands,” the American lady was saying. “That was why we left the Continent, you know. My daughter fell in love with a man in Vevey.” She stopped. “They were simply madly in love.” She stopped again. “I took her away, of course.”

“Did she get over it?” asked my wife.

“I don’t think so,” said the American lady. “She wouldn’t eat anything and she wouldn’t sleep at all. I’ve tried so very hard, but she doesn’t seem to take an interest in anything. She doesn’t care about things. I couldn’t have her marrying a foreigner.” She paused. “Some one, a very good friend, told me once, ‘No foreigner can make an American girl a good husband.’”

“No,” said my wife, “I suppose not.”

The American lady admired my wife’s travelling-coat, and it turned out that the American lady had bought her own clothes for twenty years now from the same maison de couturier in the Rue Saint Honoré. They had her measurements, and a vendeuse who knew her and her tastes picked the dresses out for her and they were sent to America. They came to the post-office near where she lived up-town in New York, and the duty was never exorbitant because they opened the dresses there in the post-office to appraise them and they were always very simple-looking and with no gold lace nor ornaments that would make the dresses look expensive. Before the present vendeuse, named Thérèse, there had been another vendeuse, named Amélie. Altogether there had only been these two in the twenty years. It had always been the same couturier. Prices, however, had gone up. The exchange, though, equalized that. They had her daughter’s measurements now too. She was grown up and there was not much chance of their changing now.

The train was now coming into Paris. The fortifications were levelled but grass had not grown. There were many cars standing on tracks—brown wooden restaurant-cars and brown wooden sleeping-cars that would go to Italy at five o’clock that night, if that train still left at five; the cars were marked Paris-Rome, and cars, with seats on the roofs, that went back and forth to the suburbs with, at certain hours, people in all the seats and on the roofs, if that were the way it were still done, and passing were the white walls and many windows of houses. Nothing had eaten any breakfast.

“Americans make the best husbands,” the American lady said to my wife. I was getting down the bags. “American men are the only men in the world to marry.”

“How long ago did you leave Vevey?” asked my wife.

“Two years ago this fall. It’s her, you know, that I’m taking the canary to.”

“Was the man your daughter was in love with a Swiss?”

“Yes,” said the American lady. “He was from a very good family in Vevey. He was going to be an engineer. They met there in Vevey. They used to go on long walks together.”

“I know Vevey,” said my wife. “We were there on our honeymoon.”

“Were you really? That must have been lovely. I had no idea, of course, that she’d fall in love with him.”

“It was a very lovely place,” said my wife.

“Yes,” said the American lady. “Isn’t it lovely? Where did you stop there?”

“We stayed at the Trois Couronnes,” said my wife.

“It’s such a fine old hotel,” said the American lady.

“Yes,” said my wife. “We had a very fine room and in the fall the country was lovely.”

“Were you there in the fall?”

“Yes,” said my wife.

We were passing three cars that had been in a wreck. They were splintered open and the roofs sagged in.

“Look,” I said. “There’s been a wreck.”

The American lady looked and saw the last car. “I was afraid of just that all night,” she said. “I have terrific presentiments about things sometimes. I’ll never travel on a _rapide_ again at night. There must be other comfortable trains that don’t go so fast.”

Then the train was in the dark of the Gare de Lyons, and then stopped and porters came up to the windows. I handed bags through the windows, and we were out on the dim longness of the platform, and the American lady put herself in charge of one of three men from Cook’s who said: “Just a moment, madame, and I’ll look for your name.”

The porter brought a truck and piled on the baggage, and my wife said good-by and I said good-by to the American lady, whose name had been found by the man from Cook’s on a typewritten page in a sheaf of typewritten pages which he replaced in his pocket.

We followed the porter with the truck down the long cement platform beside the train. At the end was a gate and a man took the tickets.

We were returning to Paris to set up separate residences.

AN ALPINE IDYLL

IT was hot coming down into the valley even in the early morning. The sun melted the snow from the skis we were carrying and dried the wood. It was spring in the valley but the sun was very hot. We came along the road into Galtur carrying our skis and rucksacks. As we passed the churchyard a burial was just over. I said, “Grüss Gott,” to the priest as he walked past us coming out of the churchyard. The priest bowed.

“It’s funny a priest never speaks to you,” John said.

“You’d think they’d like to say ‘Grüss Gott.’”

“They never answer,” John said.

We stopped in the road and watched the sexton shovelling in the new earth. A peasant with a black beard and high leather boots stood beside the grave. The sexton stopped shovelling and straightened his back. The peasant in the high boots took the spade from the sexton and went on filling in the grave—spreading the earth evenly as a man spreading manure in a garden. In the bright May morning the grave-filling looked unreal. I could not imagine any one being dead.

“Imagine being buried on a day like this,” I said to John.

“I wouldn’t like it.”

“Well,” I said, “we don’t have to do it.”

We went on up the road past the houses of the town to the inn. We had been skiing in the Silvretta for a month, and it was good to be down in the valley. In the Silvretta the skiing had been all right, but it was spring skiing, the snow was good only in the early morning and again in the evening. The rest of the time it was spoiled by the sun. We were both tired of the sun. You could not get away from the sun. The only shadows were made by rocks or by the hut that was built under the protection of a rock beside a glacier, and in the shade the sweat froze in your underclothing. You could not sit outside the hut without dark glasses. It was pleasant to be burned black but the sun had been very tiring. You could not rest in it. I was glad to be down away from snow. It was too late in the spring to be up in the Silvretta. I was a little tired of skiing. We had stayed too long. I could taste the snow water we had been drinking melted off the tin roof of the hut. The taste was a part of the way I felt about skiing. I was glad there were other things beside skiing, and I was glad to be down, away from the unnatural high mountain spring, into this May morning in the valley.

The innkeeper sat on the porch of the inn, his chair tipped back against the wall. Beside him sat the cook.

“Ski-heil!” said the innkeeper.

“Heil!” we said and leaned the skis against the wall and took off our packs.

“How was it up above?” asked the innkeeper.

“Schön. A little too much sun.”

“Yes. There’s too much sun this time of year.”

The cook sat on in his chair. The innkeeper went in with us and unlocked his office and brought out our mail. There was a bundle of letters and some papers.

“Let’s get some beer,” John said.

“Good. We’ll drink it inside.”

The proprietor brought two bottles and we drank them while we read the letters.

“We better have some more beer,” John said. A girl brought it this time. She smiled as she opened the bottles.

“Many letters,” she said.

“Yes. Many.”

“Prosit,” she said and went out, taking the empty bottles.

“I’d forgotten what beer tasted like.”

“I hadn’t,” John said. “Up in the hut I used to think about it a lot.”

“Well,” I said, “we’ve got it now.”

“You oughtn’t to ever do anything too long.”

“No. We were up there too long.”

“Too damn long,” John said. “It’s no good doing a thing too long.”

The sun came through the open window and shone through the beer bottles on the table. The bottles were half full. There was a little froth on the beer in the bottles, not much because it was very cold. It collared up when you poured it into the tall glasses. I looked out of the open window at the white road. The trees beside the road were dusty. Beyond was a green field and a stream. There were trees along the stream and a mill with a water wheel. Through the open side of the mill I saw a long log and a saw in it rising and falling. No one seemed to be tending it. There were four crows walking in the green field. One crow sat in a tree watching. Outside on the porch the cook got off his chair and passed into the hall that led back into the kitchen. Inside, the sunlight shone through the empty glasses on the table. John was leaning forward with his head on his arms.

Through the window I saw two men come up the front steps. They came into the drinking room. One was the bearded peasant in the high boots. The other was the sexton. They sat down at the table under the window. The girl came in and stood by their table. The peasant did not seem to see her. He sat with his hands on the table. He wore his old army clothes. There were patches on the elbows.

“What will it be?” asked the sexton. The peasant did not pay any attention.

“What will you drink?”

“Schnapps,” the peasant said.

“And a quarter litre of red wine,” the sexton told the girl.

The girl brought the drinks and the peasant drank the schnapps. He looked out of the window. The sexton watched him. John had his head forward on the table. He was asleep.

The innkeeper came in and went over to the table. He spoke in dialect and the sexton answered him. The peasant looked out of the window. The innkeeper went out of the room. The peasant stood up. He took a folded ten-thousand kronen note out of a leather pocket-book and unfolded it. The girl came up.

“Alles?” she asked.

“Alles,” he said.

“Let me buy the wine,” the sexton said.

“Alles,” the peasant repeated to the girl. She put her hand in the pocket of her apron, brought it out full of coins and counted out the change. The peasant went out the door. As soon as he was gone the innkeeper came into the room again and spoke to the sexton. He sat down at the table. They talked in dialect. The sexton was amused. The innkeeper was disgusted. The sexton stood up from the table. He was a little man with a mustache. He leaned out of the window and looked up the road.

“There he goes in,” he said.

“In the Löwen?”

“Ja.”

They talked again and then the innkeeper came over to our table. The innkeeper was a tall man and old. He looked at John asleep.

“He’s pretty tired.”

“Yes, we were up early.”

“Will you want to eat soon?”

“Any time,” I said. “What is there to eat?”

“Anything you want. The girl will bring the eating-card.”

The girl brought the menu. John woke up. The menu was written in ink on a card and the card slipped into a wooden paddle.

“There’s the speise-karte,” I said to John. He looked at it. He was still sleepy.

“Won’t you have a drink with us?” I asked the innkeeper. He sat down. “Those peasants are beasts,” said the innkeeper.

“We saw that one at a funeral coming into town.”

“That was his wife.”

“Oh.”

“He’s a beast. All these peasants are beasts.”

“How do you mean?”

“You wouldn’t believe it. You wouldn’t believe what just happened about that one.”

“Tell me.”

“You wouldn’t believe it.” The innkeeper spoke to the sexton. “Franz, come over here.” The sexton came, bringing his little bottle of wine and his glass.

“The gentlemen are just come down from the Wiesbadenerhütte,” the innkeeper said. We shook hands.

“What will you drink?” I asked.

“Nothing,” Franz shook his finger.

“Another quarter litre?”

“All right.”

“Do you understand dialect?” the innkeeper asked.

“No.”

“What’s it all about?” John asked.

“He’s going to tell us about the peasant we saw filling the grave, coming into town.”

“I can’t understand it, anyway,” John said. “It goes too fast for me.”

“That peasant,” the innkeeper said, “to-day he brought his wife in to be buried. She died last November.”

“December,” said the sexton.

“That makes nothing. She died last December then, and he notified the commune.”

“December eighteenth,” said the sexton.

“Anyway, he couldn’t bring her over to be buried until the snow was gone.”

“He lives on the other side of the Paznaun,” said the sexton. “But he belongs to this parish.”

“He couldn’t bring her out at all?” I asked.

“No. He can only come, from where he lives, on skis until the snow melts. So to-day he brought her in to be buried and the priest, when he looked at her face, didn’t want to bury her. You go on and tell it,” he said to the sexton. “Speak German, not dialect.”

“It was very funny with the priest,” said the sexton. “In the report to the commune she died of heart trouble. We knew she had heart trouble here. She used to faint in church sometimes. She did not come for a long time. She wasn’t strong to climb. When the priest uncovered her face he asked Olz, ‘Did your wife suffer much?’ ‘No,’ said Olz. ‘When I came in the house she was dead across the bed.’

“The priest looked at her again. He didn’t like it.

“‘How did her face get that way?’

“‘I don’t know,’ Olz said.

“‘You’d better find out,’ the priest said, and put the blanket back. Olz didn’t say anything. The priest looked at him. Olz looked back at the priest. ‘You want to know?’

“‘I must know,’ the priest said.”

“This is where it’s good,” the innkeeper said. “Listen to this. Go on Franz.”

“‘Well,’ said Olz, ‘when she died I made the report to the commune and I put her in the shed across the top of the big wood. When I started to use the big wood she was stiff and I put her up against the wall. Her mouth was open and when I came into the shed at night to cut up the big wood, I hung the lantern from it.’

“‘Why did you do that?’ asked the priest.

“‘I don’t know,’ said Olz.

“‘Did you do that many times?’

“‘Every time I went to work in the shed at night.’

“‘It was very wrong,’ said the priest. ‘Did you love your wife?’

“‘Ja, I loved her,’ Olz said. ‘I loved her fine.’”

“Did you understand it all?” asked the innkeeper. “You understand it all about his wife?”

“I heard it.”

“How about eating?” John asked.

“You order,” I said. “Do you think it’s true?” I asked the innkeeper.

“Sure it’s true,” he said. “These peasants are beasts.”

“Where did he go now?”

“He’s gone to drink at my colleague’s, the Löwen.”

“He didn’t want to drink with me,” said the sexton.

“He didn’t want to drink with me, after he knew about his wife,” said the innkeeper.

“Say,” said John. “How about eating?”

“All right,” I said.

A PURSUIT RACE

WILLIAM CAMPBELL had been in a pursuit race with a burlesque show ever since Pittsburgh. In a pursuit race, in bicycle racing, riders start at equal intervals to ride after one another. They ride very fast because the race is usually limited to a short distance and if they slow their riding another rider who maintains his pace will make up the space that separated them equally at the start. As soon as a rider is caught and passed he is out of the race and must get down from his bicycle and leave the track. If none of the riders are caught the winner of the race is the one who has gained the most distance. In most pursuit races, if there are only two riders, one of the riders is caught inside of six miles. The burlesque show caught William Campbell at Kansas City.

William Campbell had hoped to hold a slight lead over the burlesque show until they reached the Pacific coast. As long as he preceded the burlesque show as advance man he was being paid. When the burlesque show caught up with him he was in bed. He was in bed when the manager of the burlesque troupe came into his room and after the manager had gone out he decided that he might as well stay in bed. It was very cold in Kansas City and he was in no hurry to go out. He did not like Kansas City. He reached under the bed for a bottle and drank. It made his stomach feel better. Mr. Turner, the manager of the burlesque show, had refused a drink.

William Campbell’s interview with Mr. Turner had been a little strange. Mr. Turner had knocked on the door. Campbell had said: “Come in!” When Mr. Turner came into the room he saw clothing on a chair, an open suitcase, the bottle on a chair beside the bed, and some one lying in the bed completely covered by the bed-clothes.

“Mister Campbell,” Mr. Turner said.

“You can’t fire me,” William Campbell said from underneath the covers. It was warm and white and close under the covers. “You can’t fire me because I’ve got down off my bicycle.”

“You’re drunk,” Mr. Turner said.

“Oh, yes,” William Campbell said, speaking directly against the sheet and feeling the texture with his lips.

“You’re a fool,” Mr. Turner said. He turned off the electric light. The electric light had been burning all night. It was now ten o’clock in the morning. “You’re a drunken fool. When did you get into this town?”

“I got into this town last night,” William Campbell said, speaking against the sheet. He found he liked to talk through a sheet. “Did you ever talk through a sheet?”

“Don’t try to be funny. You aren’t funny.”

“I’m not being funny. I’m just talking through a sheet.”

“You’re talking through a sheet all right.”

“You can go now, Mr. Turner,” Campbell said. “I don’t work for you any more.”

“You know that anyway.”

“I know a lot,” William Campbell said. He pulled down the sheet and looked at Mr. Turner. “I know enough so I don’t mind looking at you at all. Do you want to hear what I know?”

“No.”

“Good,” said William Campbell. “Because really I don’t know anything at all. I was just talking.” He pulled the sheet up over his face again. “I love it under a sheet,” he said. Mr. Turner stood beside the bed. He was a middle-aged man with a large stomach and a bald head and he had many things to do. “You ought to stop off here, Billy, and take a cure,” he said. “I’ll fix it up if you want to do it.”

“I don’t want to take a cure,” William Campbell said. “I don’t want to take a cure at all. I am perfectly happy. All my life I have been perfectly happy.”

“How long have you been this way?”

“What a question!” William Campbell breathed in and out through the sheet.

“How long have you been stewed, Billy?”

“Haven’t I done my work?”

“Sure. I just asked you how long you’ve been stewed, Billy.”

“I don’t know. But I’ve got my wolf back,” he touched the sheet with his tongue. “I’ve had him for a week.”

“The hell you have.”

“Oh, yes. My dear wolf. Every time I take a drink he goes outside the room. He can’t stand alcohol. The poor little fellow.” He moved his tongue round and round on the sheet. “He’s a lovely wolf. He’s just like he always was.” William Campbell shut his eyes and took a deep breath.

“You got to take a cure, Billy,” Mr. Turner said. “You won’t mind the Keeley. It isn’t bad.”

“The Keeley,” William Campbell said. “It isn’t far from London.” He shut his eyes and opened them, moving the eyelashes against the sheet. “I just love sheets,” he said. He looked at Mr. Turner.

“Listen, you think I’m drunk.”

“You _are_ drunk.”

“No, I’m not.”

“You’re drunk and you’ve had dt’s.”

“No.” William Campbell held the sheet around his head. “Dear sheet,” he said. He breathed against it gently. “Pretty sheet. You love me, don’t you, sheet? It’s all in the price of the room. Just like in Japan. No,” he said. “Listen Billy, dear Sliding Billy, I have a surprise for you. I’m not drunk. I’m hopped to the eyes.”

“No,” said Mr. Turner.

“Take a look.” William Campbell pulled up the right sleeve of his pyjama jacket under the sheet, then shoved the right forearm out. “Look at that.” On the forearm, from just above the wrist to the elbow, were small blue circles around tiny dark blue punctures. The circles almost touched one another. “That’s the new development,” William Campbell said. “I drink a little now once in a while, just to drive the wolf out of the room.”

“They got a cure for that, ‘Sliding Billy’” Turner said.

“No,” William Campbell said. “They haven’t got a cure for anything.”

“You can’t just quit like that, Billy,” Turner said. He sat on the bed.

“Be careful of my sheet,” William Campbell said.

“You can’t just quit at your age and take to pumping yourself full of that stuff just because you got in a jam.”

“There’s a law against it. If that’s what you mean.”

“No, I mean you got to fight it out.”

Billy Campbell caressed the sheet with his lips and his tongue. “Dear sheet,” he said. “I can kiss this sheet and see right through it at the same time.”

“Cut it out about the sheet. You can’t just take to that stuff, Billy.”