Chapter III: Part 3

"Poor, poor Elizabeth Dollon! I swore to her I would get at the truth--and a lamentable truth it is! Her brother is dead: he died in the Depot: he was done to death--it was no suicide!"

Whilst talking to himself Fandor was scrutinising every inch of the ground as he moved forward: there might be fresh clues:

"It's a queer kind of sewer," he went on. "This streamlet is as much mud as water, is almost stagnant. Evidently this underground sewer way is no longer used--has been abandoned!"

A horrid spectacle struck him motionless. His lantern made visible a struggling, heaving mass of rats, fighting tooth and claw, enormous rats devouring some hidden thing!

Fandor's stomach rose at the sight.

Oh, horror! Could it be Jacques Dollon's body?

Fandor snatched up a stone and flung it furiously among the unclean beasts. They fled. On the ground he could distinguish a mass, a red, formless mass, saturated with congealed blood:

"Assuredly, if the corpse has disappeared, it is there the assassins must have cut it in pieces, that they might carry it more easily, and those vile creatures are in the thick of feasting on the poor victim's remains!... Pouah!"

Fandor moved on, only to discover another pool of blood almost as large, also besieged by rats:

"Evidently I shall find nothing else," thought Fandor: "the corpse no longer exists!"

He continued his advance, determined to find out what this underground way ended in. His lantern was flickering to a finish when he arrived at the end of the sewer and found, as he had foreseen, that its opening had been cut in the steep bank of the Seine:

"That's a bit of luck! I can get out this way instead of having to climb back the way I came, up to the Palais roof and down again!"

It was still night; darkness reigned save on the far horizon, where a faint, whitish line indicated the early dawn of an April day.

Fandor was just asking himself by what gymnastic feat he could regain the quay, and he was leaning over the opening of the sewer, his body bending far forward over the inky waters of the Seine. Before he had time to turn, before he could regain his balance, a brutal blow from behind half stunned him, and a vigorous thrust precipitated his body into the Seine.

V

MOTHER TOULOUCHE AND CRANAJOUR

"Come along, Cranajour! Let's have a sight of what they've given you for the frock coat and the whole outfit!"

The person thus challenged rummaged in the pockets of his old, much-patched and filthy garments, and after interminable fumblings and huntings, finished by extracting a certain number of silver pieces, which he counted over with the greatest care, finally he replied:

"Seventeen francs, Mother Toulouche."

Mother Toulouche showed her impatience:

"It's details I want! How much for the coat? How much for the whole suit? I've got to know, I tell you! I've got to write it all down, and I've got to see how much I've to hand over to each of the owners of the duds!... Try to remember, Cranajour!"

The individual who answered to this odd appellation reflected. After a silence, shrugging his shoulders, he replied:

"I don't know. I can't make myself remember--not anyhow!... And it's a long time since I sold the goods!"

Mother Toulouche shrugged in turn:

"A long time!" she grumbled. "What a wretched job! Why, it's only two hours since--barely that!... It's true," she went on, with a pitying look at the shabby, down-at-heel fellow, who had spread out his seventeen francs on the table, "it's true that you're known not to have two ha'p'orths of memory, and that at the end of an hour you have forgotten what you've done!"

"That's right enough," answered Cranajour.

"Let's have done with it, then," cried Mother Toulouche.

She held out a repulsive-looking specimen of old clothes:

"Be off with you! Go and pawn this academician's cast-off! When the comrades catch a sight of this bit of stuff to the fore, they'll understand they can come without danger!... No cops about the store on the lookout, are there?"

Mother Toulouche took the precaution to advance to the threshold of her store, cast a rapid glance around--not a suspicious person, nor a sign of one to be seen:

"A good thing," muttered she, "but I was sure of it! Those police spies are going to give us some peace for a bit!... Likely the whole lot of them are on this Dollon business! Isn't it so, Cranajour?"

As she retreated into her store again Mother Toulouche knocked against that individual, who had not budged: he had hung over his arm respectfully the miserable bit of stuff that had been styled an academician's robe:

"Well, what are you waiting for?" asked she sharply.

"Nothing...."

"What are you going to do with that?"

Cranajour seemed to reflect:

"Haven't I told you," grumbled Mother Toulouche, "to go and stick it up outside?... Don't say you've gone and forgotten already!"

"No, no!" protested Cranajour, hastening to obey orders.

"What a specimen!" thought Mother Toulouche, whilst counting over the seventeen francs.

Cranajour was a remarkably queer fish, beyond question. How had he got into connection with Mother Toulouche and her intimates? That remained a mystery. One fine day this seedy specimen of humanity was found among the "comrades" exchanging vague remarks with one and another. He stuck to them in all their shifting from this place to that: no one had been able to get out of him what his name was, nor where he came from, for he was afflicted with a memory like a sieve--he could not remember things for two hours together. A feeble-minded, poor sort of fellow, with not a halfpenny's worth of wickedness in him, always ready to do a hand's turn for anyone: to judge by his looks he might have been any age between forty and seventy, for there is nothing like privations and misery to alter the looks of a man! Faced by this queer fish, with a brain like a sieve, they had christened him "Crane a jour"--and the nickname had stuck to this anonymous individual. Besides, was not Cranajour the most complaisant of fellows, the least exacting of collaborators--always content with what was given him, always willing to do his best!

As to Mother Toulouche; she kept a little shop on the quay of the Clock. The sign over her little store read:

"_For the Curiosity Lover._"

This alluring title was not justified by anything to be found inside this store, which was nothing but a common pick-up-anything shop: it was a receptacle for a hideous collection of lumber, for old broken furniture, for garments past decent wear, for indescribable odds and ends, where the wreckage of human misery lay huddled cheek by jowl with the beggarly offscourings of Parisian destitution.

Behind the store, whose little front faced the edge of the quay and looked over the Seine, was a sordid back-shop: here the pallet of Mother Toulouche, a kitchen stove out of order, and the overflow of the goods which were crowded out of the store were jumbled up in ill-smelling disorder. This back-shop communicated with the rue de Harlay by a narrow dark passage; thus the lair of old Mother Toulouche had two outlets, nor were they superfluous; in fact, they were indispensable for such as she--ever on the alert to escape the inquisitive attentions of the police, ever receiving visitors of doubtful morals and thoroughly bad reputation.

Mother Toulouche's quarters comprised not only the two stores, but a cellar both large and deep, to which one obtained access by a staircase pitch dark, crooked, and everlastingly covered with moisture, owing to the proximity of the river. The floor of the cellar was a kind of noisome cesspool: one slipped on the greasy mud--floundered about in it: for all that, this cellar was almost entirely filled with cases of all kinds, with queer-looking bundles, with objects of various shapes and sizes. Evidently the jumble store of Mother Toulouche did not confine itself to the rough-and-ready shop in the front; and, into the bargain, this basement might be used as a safe hiding-place in an emergency, a precious refuge for whoever might feel it necessary to cover his tracks, and thus escape the investigations of the police, for instance!

Mother Toulouche, as a matter of fact, needed such premises as hers: if she took ceaseless precautions it was because she had a reason for her uneasy watchfulness.

Mother Toulouche had already come into involuntary contact with the police; and her last and most serious encounter with them went as far back as those days of renown when the band of Numbers had as their chief the mysterious hooligan Loupart, also known under the name of Dr. Chaleck.[4] She had been arrested for complicity in a bank-note robbery, had been tried, and had been sentenced to twenty-two months' imprisonment.

[Footnote 4: See _The Exploits of Juve_.]

Not turned in the slightest degree from the error of her ways, and possessing some money, which she had kept carefully hidden, Mother Toulouche had decided to set up shop close to the Palais de Justice, that Great House where those gentlemen of the robe judged and condemned poor folk! She would say:

"Being so close to the red-robed I shall end by making the acquaintance of one or two of them, and that may turn out a good job for me one of these days!"

But this was merely a blind, for other considerations had led to Mother Toulouche renting this shop on the Isle of the City, in opening on the quay of the Clock, a quay but little frequented, her wretched jumble store of odds and ends. She had kept in touch with the band of Numbers, which had gradually come together again as soon as the various numbers of it had finished serving their time.

For a while they had lived unmolested, but lately misfortunes had laid a heavy hand on the group. Still, as the band began to break up, other members came to replace those who had disappeared, either temporarily or for good and all.

At any rate, they could safely count on the assistance of an individual more valuable to them than anyone; this was a man named Nibet, who although he intervened but seldom, could, thanks to his influence, save the band many annoyances. This Nibet held an honourable official position; he was a warder at the Depot.

* * * * *

Whilst Mother Toulouche, from the back of her store, was watching with a derisive air the good-natured Cranajour fasten up the Academician's robe in a prominent position on the front of her nondescript emporium, someone stepped inside, and warmly greeted Mother Toulouche with a:

"Good day, old lady!"

It was big Ernestine,[5] who explained volubly that for a good half hour she had been prowling about near the statue of Henry IV, keeping the store well in view, but not daring to approach until the usual signal had been displayed. Those who frequented the place knew that when the store was under police observation and Mother Toulouche feared a raid she took care to hang out any kind of old clothes; but if the way was clear, if no lurking police were on the lookout, then the rallying flag would be hoisted, the flag being the old, patched, rusty, musty Academician's robe.

[Footnote 5: See _The Exploits of Juve_.]

Ernestine had arrived looking thoroughly upset:

"Have you heard the latest?" she cried, "the bad news?"

"What news? Whose news?" questioned Mother Toulouche.

"Why, that poor Emilet has come down a regular cropper!"

"The poor fellow!... He isn't smashed up, is he?" Mother Toulouche lifted her hands.

"I haven't heard anything more than what I've told you!"

Consternation was on the faces of the two women.

Their good Mimile! He who knew how to take care of himself without leaving a comrade in the lurch, who stuck to them, working for the common good.

A few years previous to this Mimile, having refused to conform to military law, had been arrested in the tavern of a certain Father Korn during a particularly drastic police raid, and the defaulting youth had been straightway put under the penal military discipline administered to such as he. Instead of making himself notorious by his execrable conduct as those in his position generally did, he behaved like a little saint. Having thus made a reputation to trade on, he was twice able to steal the money from the regimental chest without a shadow of suspicion falling on him, and, what was worse, two of his innocent comrades had been accused of the crime, had been condemned and shot in his stead! Owing to his good conduct Mimile had been transferred to a regiment stationed in Algiers, and having a considerable amount of spare time on his hands, he got into close touch with the aeroplane mechanics.

He was very much at home in this branch of work: could not Mimile demolish a lock as easily as one rolls a cigarette? He was daring to a degree, and, as soon as his time in the army was up, he began to earn his living as an aviator, and rightly, for he had become an able airman. Nevertheless, Mimile become Emilet, had aspired to greater things: a humdrum honest livelihood was not to his taste!

He had come to the conclusion that provided he went warily nothing could be easier than to carry on a lucrative smuggling trade by aeroplane: he could fly from country to country under the pretext that he was out to make records in flying. Custom-house officials and police inspectors in the interior would never think of examining the tubes of a flying machine, to see whether or no they were packed with lace; nor would it occur to them to overhaul certain cells fore and aft to discover whether things of value had been secreted in them, such as thousands of matches or false coin.

So, from time to time, Mimile would announce that he was off on a trial trip to Brussels from Paris, from London to Calais, and so on.

For mechanics Mimile had two brokendown sharpers, who served as connecting links between the aviator and the band of smugglers and false coiners who gathered at the lair of Mother Toulouche under the seal of secrecy. This was why big Ernestine was so anxious when she heard of Mimile's accident. Had the aeroplane been totally wrecked? Would the very considerable prize of Malines lace they were expecting reach its destination safe and sound?

For some time past ill-luck had pursued them, had seemed to pursue implacably these unfortunates who took such pains and precautions to carry through their unlawful operations to a successful issue. Already the Cooper, a member of the confraternity who had had his glorious hour in the famous days of Chaleck and Loupart, had scarcely left prison retirement before he had been nabbed again, owing to the far too sharp eyes of the French custom-house officials on the Belgian frontier. Others of the band were also under lock and key again: it really seemed as if Mother Toulouche and her circle were being strictly watched by the police ... and now here was Emilet who had come a regular cropper in his aeroplane--no doubt about it!

Mother Toulouche was set on knowing the rights of it:

"But what has happened to Emilet exactly?"

She called Cranajour. The queer fellow came forward from the back store, where he had been loafing: he had a bewildered air.

"Cranajour," said Mother Toulouche, putting a sou in his hand, "hurry off and buy me an evening paper! Now be quick about it!... Don't forget.... Make a knot in your handkerchief to remind a stupid head!"

"Oh, don't be afraid, Mother Toulouche," declared Cranajour, "I shan't forget!" He nodded to big Ernestine, and vanished as by magic into the darkness, for night had fallen.

Scarcely had Cranajour gone, than a surly looking individual slipped into the store, not by the quay entrance, but through the back store, to which he had gained access by the dark passage leading to the rue de Harlay.

His collar was turned up as though he were cold; his cap was drawn well over his eyes, thus his face was almost entirely hidden.

Having barred the door on the quay side of the store, Mother Toulouche joined big Ernestine and the newcomer:

"Well, Nibet, anything fresh?" she asked.

Removing his cap and lowering his collar Nibet's crabbed visage glowered on the two women: it was the Depot warder right enough:

"Bad," he growled between his teeth: "Things are hot right at the Palais!"

"Things to worry about--to do with comrades committed for trial?" questioned big Ernestine.

Nibet shrugged and threw a glance of disdain at the girl:

"You're going silly! It's this Dollon mess-up!"

The warder gave them an account of what had happened. The two women were all ears, as they followed Nibet's story of events which had thrown the whole legal world into a state of commotion: incomprehensible occurrences, which threatened to turn an ordinary murder case into one of the most mysterious and most popular of assassination dramas.

Mother Toulouche and big Ernestine were well aware that Nibet knew much more than he had told them about the details of the Dollon-Vibray affair; but they dared not cross-examine the warder who was in a nasty mood--nor did the announcement of Emilet's accident add to his gaiety!

"It just wanted that!" he grunted: "And those bundles of lace were to turn up this evening too!"

"Who is to bring them?" asked big Ernestine.

"The Sailor," declared Nibet.

"And who is to receive them?" demanded Mother Toulouche.

"I and the Beadle," answered Nibet in a surly tone. "Come to think of it," went on Nibet, staring hard at big Ernestine, "where _is_ that man of yours--the Beadle?"

* * * * *

Like someone who had been running at top speed Cranajour, who had been gone about an hour on his newspaper-buying errand, drew up panting before the dark little entry leading from the rue de Harlay to the den of Mother Toulouche. He slipped into the passage; but instead of rejoining the old storekeeper he began to mount a steep and tortuous staircase, which led up to the many floors of the house. He climbed up to the seventh story; turned the key of a shaky door, and entered an attic whose skylight window opened obliquely in the sloping roof.

This poverty-stricken chamber was the domicile of the queer fellow who passed his daylight hours in the company of Mother Toulouche, hobnobbing with a hole-and-corner crew, cronies of the old receiver of stolen goods.

Overheated with running, Cranajour unbuttoned his coat, opened his shirt, sprinkled his face and the upper part of his body with cold water, sponged the perspiration from his brow, and brushed the dust off his big shoes.

It was a clear starlight night. To freshen himself up still more he put his head and shoulders out of the half-opened window. He was gazing at the roofs facing him; suddenly he started, and his eyes gleamed. They were the roofs, outlined against the night sky, of the Palais de Justice. There was a shadow on the roof of the great pile, a shadow which moved to and fro, passing from one roof ridge to another, now vanishing behind a chimney, now coming into view again. Anxiously Cranajour followed the odd movements of the mysterious individual who was making his lofty and lonely promenade up above there.

"What the devil does it mean?" soliloquised the watcher. Whoever could have seen Cranajour at this moment would have been struck by the marked change produced in his physiognomy. This was not the Cranajour of the wandering eye, the silly smile, the stupid face, known to Mother Toulouche and her cronies; it was a transformed Cranajour, mobile of feature, lively of movement, a sharp, keen-witted Cranajour! Veritably another man!

Puzzled by the vagaries of the promenader on the Palais roofs, Cranajour followed his movements intently for a few minutes longer. He would have remained at the window the whole night long had the unknown persisted in his peregrinations; but Cranajour saw him climb to the top of a chimney, a wide one, lower himself slowly into the opening of it, and then vanish from view!

Cranajour waited a while in hopes that the unknown would not be long in coming out of his mysterious hiding-place again. He waited and expected in vain: the roofs of the Palais resumed their ordinary aspect: solitude reigned there.

* * * * *

Not long afterwards Cranajour re-entered the back store.

"What a time you have been!" cried Mother Toulouche: "You've brought the newspaper, haven't you?"

Cranajour looked at the little company with his most stupid expression and then lowered his eyes:

"My goodness, I've forgotten to buy one!" he cried.

Nibet, who had paid but scant attention to the new arrival, continued his conversation with big Ernestine: they were talking about her lover, nicknamed the Beadle.

He was a terrible individual this Beadle! Though his nickname suggested a peaceful occupation, he really owed it to the frightful reputation he had won as a "_bell-ringer_"; but the bells big Ernestine's lover was in the habit of ringing were unfortunate pedestrians whom he would rob and half murder, beating them unmercifully about the head and body. Sometimes he would beat them to within an ace of their last gasp: occasionally he would beat the life out of them altogether if they tried to resist his brutal attacks. The Beadle was an Apache[6] of the first order of brutality.

[Footnote 6: Hooligan.]

Big Ernestine finished explaining to Nibet that he must not count on the Beadle that evening, for things were so queer and uncertain, the outlook was so gloomy that no one knew what bad business they might be in for.

Mother Toulouche asked if he had got mixed up in the Dollon affair.

Cranajour cocked his ear at that, whilst pretending to put a great bundle of old clothes in order.

But Nibet replied:

"The Beadle has nothing whatever to do with that business.... I know what I know about all that.... He's afraid of getting what the Cooper got, so he keeps away. He's not far out either--you've got to be careful these days--queer times!"

Ernestine and Mother Toulouche bewailed the Cooper's fate:

"Poor fellow! No sooner out of quod than back--only a fortnight's liberty! And with a vile accusation fastened to him--smuggling and coining!"

Nibet tried to relieve their minds:

"Haven't I told you," growled he, "that I'm going to get Maitre Henri Robart to defend him? He knows how to get round juries: he'll get the Cooper off with an easy sentence."

Nibet looked at his watch:

"It will soon be half-past two! Got to go down! The boatman will be there before long, at the mouth of the sewer!"

Mother Toulouche, who was always in a flurry when smuggled goods were to be unloaded in her cellars, tried to dissuade Nibet:

"You'll never be able to manage it by yourself!"

Nibet glanced at Cranajour. The warder hesitated, then said:

"Since there's no one else, couldn't I take Cranajour with me?"

At first objections were raised; there was a low-voiced discussion, so that the simpleton might not catch what they were saying: Cranajour had never been up to dodges of this kind: so far he had been kept out of them; besides, he was such a senseless cove, he might give things away, make a hash of it!

Nibet smiled:

"Why, it's just because he is such a simpleton, and because he hasn't a mite of memory that we can use him safely!"

"That's true!" said Mother Toulouche, somewhat reassured.

She called to Cranajour:

"Come along, Cranajour, and just tell us where you dined this evening!"

The simpleton seemed to make a prodigious effort of memory, seized his head between his hands, closed his eyes, and racked his brains: after quite a long silence, he declared emphatically and with a distressed air:

"Faith, I can't tell you now!"

Nibet, who had closely watched this performance, nodded:

"It's quite all right," he said.

The cellars below Mother Toulouche's store were extensive, dark, and ill-smelling. The walls glistened with exuding damp, and the ground was a sticky mass of foul mud, of all sorts of refuse, of putrefying matter.

Nibet, followed by his companion, made his way down to them: it was no easy descent, for they had to climb over cases of all kinds, and over bales and bundles that moved and rolled about. They passed into a smaller cellar, around which were ranged long boxes of tin with rusty covers.

Cranajour, who had been given the lantern to carry, was attracted to these boxes: he lifted the cover of one of them and drew back wonderstruck, for the box was full of shining gold pieces! Nibet, with a jab and thrust in the back, interrupted Cranajour's contemplation of this fortune:

"Nothing to faint over!" he growled. "You're not such a simpleton then! You know the value of yellow boys? All right, then, I'll give you one or two, if you do your job all right! But," continued the warder, leading his companion to the further end of the second cellar, "you will have to look out if you present your banker with one of those pieces, for the little bits of shiny won't pass everywhere--you've got to keep your eye open--and jolly wide, too!"

Cranajour nodded comprehension:

"False money! False money!" he murmured.

There was a very strong big door: an iron bar kept it closed. Nibet raised it with Cranajour's help. Through the door the two men passed into a long dark passage, swept by a sharp rush of air. The floor of it was paved, and at the side of it flowed a pestilential stream, carrying along in its slow-moving water a quantity of miscellaneous filth: it was thick as soup with impurities.

"The little collecting sewer of the Cite," whispered Nibet. Pointing to a grey patch in the distance he put his mouth to Cranajour's ear:

"See the daylight yonder? That's where the sewer discharges itself into the Seine: it's there the boatman and his load will be waiting for us presently."

Nibet stopped dead; drew Cranajour back by the sleeve, and stepped stealthily backwards to the massive doors of the cellar. An unaccustomed noise had alarmed the warder. In profound silence the two men stood listening intently. There was no mistake! The sound of sharp regular steps could be clearly heard coming from that part of the sewer opposite the opening.

"Someone!" said Cranajour, who was all on the alert, as he had been in his attic, watching the shadow and its vagaries on the roofs of the Palais de Justice.

Nibet nodded.

The light from a dark lantern gleamed on the damp, slimy walls of the subterranean passageway.

"Come inside," murmured Nibet, in an almost inaudible voice; and, with infinite precaution, he closed the massive portal between the cellar and the sewer-way.

In safe hiding the two men could watch the approaching intruder: they had extinguished their lantern, and were peering through the badly joined wood of the solid door. Friend or foe? An individual moved into view. The reflected light of his lantern lit up the vaulting of the sewer-way, and showed up his face. The man was young, fair, wore a small moustache!

Hardly had he passed the cellar door when Nibet gripped Cranajour's arm and growled--intense rage was expressed in grip and tone--"It's he! Again! The journalist of the Dollon affair, of the Depot business--Jerome Fandor! Ah.... This time we'll see!..."

Nibet's hand plunged into his trouser pocket.

Cranajour was eagerly watching the warder's every movement: he clearly heard the sharp snap of a pocket-knife--a long sharp knife--a deadly weapon!

Giving prudence the go-by, Nibet had opened the door, and dragging Cranajour in his wake had rushed into the sewer-way, hard on the heels of the journalist, who was slowly going in the direction of the Seine. Nibet ground his teeth.

"I have had enough of that beast! Always on our track! Too good a chance to miss! I'm going to make a hole in his skin for him!"

In the twilight of early dawn, which penetrated the sewer near the opening, Cranajour shuddered.

With stealthy step the two men drew near the journalist. Fandor walked on unsuspicious at a slow regular pace, his head lowered. The two bandits came up to within a yard of him. Noiselessly, savagely determined, Nibet lifted his arm for a murderous stroke. At this precise moment Fandor stopped at the verge of the exit, by which the sewer discharged its burden steeply into the Seine.

Yet a moment: Nibet's knife was poised for the rapid and terrible stroke; it was about to bury itself in the neck of the journalist up to the hilt, when Cranajour lifted his foot, as if inspired by an idea on the spur of the moment, gave the journalist a violent kick in the lower part of the back, and sent him flying into space!

They heard his body fall heavily into the Seine.... So roughly sudden had been Cranajour's movement that Nibet stood dumbfounded, arm in air, and staring at Cranajour:

Cranajour smiled his most idiotic smile, nodded, but did not utter one word!...

* * * * *

It was formidable, the rage of Nibet! Here had that crass fool, Cranajour, kicked away the warder's chance of ridding himself of the journalist for good and all! This hit-and-miss made Nibet foam with rage. Of all the exasperating simpletons, this fool of a Cranajour took the cake!

The two made their way back to the store, where Mother Toulouche and big Ernestine anxiously awaited results; and now not only had the two men returned stuttering over their statements and with no news of the boatman, who was generally up to time, but they had missed a fine opportunity chance had offered them!

Nibet hated the journalist like all the poisons. Taunts, jeers, abuse were heaped on the silly head of Cranajour, who, all in vain, raised his eyes to heaven, beat his chest, shrugged his shoulders, stammered, mumbled vague excuses:

"He didn't know exactly why he had done it! He thought he was helping Nibet!"

They disputed and contended for two hours. Suddenly Cranajour broke a long silence and demanded, looking as stupid as a half-witted owl:

"What have I done then? What are you scolding me for?"

Mother Toulouche, big Ernestine, and the wrathful Nibet stared at one another, taken aback--then they understood: two hours had gone by, and Cranajour no longer remembered what had happened!

Decidedly he was more innocent than a new-born babe! There was nothing whatever to be done with such an idiot, that was certain!

VI

IN THE OPPOSITE SENSE

When Jerome Fandor had been precipitated into the Seine so unexpectedly and with such violence he kept control of his wits: he did not utter a cry as he fell head foremost into the darkling river. He was an excellent swimmer: all aching as he was, he let himself go with the current and presently reached the sheltering arch of the Pont Neuf. There he took breath for a minute:

"Queer!" was all he murmured. Then with regular strokes he made for the steep bank of the Seine opposite. Quitting the river, he secreted himself behind a heap of stones which lay on the quay. He took off his soaked garments and wrung the water out of them. This done, and clad in what looked like dry clothes, Fandor walked along the quay, hailed a passing cabman half asleep on his seat, jumped inside, and gave his address to the Jehu.

* * * * *

When he arrived at _La Capitale_ on the Friday morning a boy approached him, and whispered mysteriously:

"Monsieur Fandor, there's a very nice little woman in the sitting-room, who has been waiting for over an hour. She wishes to see you. She will not give her name: she declares that you know who she is."

"What is she like?" Fandor asked. His curiosity was not much aroused.

"Pretty, fair, all in black," replied the boy.

"Good. I'll go in," interrupted Fandor.

He entered the sitting-room and stood face to face with Mademoiselle Elizabeth Dollon. She came forward, her eyes shining, her face alight with welcome:

"Ah, monsieur," she cried, taking his hands in hers, a movement of pure gratitude: "Ah, monsieur, I knew you would come to my help! I have read your article of yesterday. Thank you again and again! But, I implore you, since my brother is alive, tell me where I can see him! For mercy's sake don't keep me waiting!"

Surprise kept Fandor silent a moment.

_La Capitale_ had published the evening before a sensational article by Fandor, in which, under the guise of suppositions and interrogations, he had narrated the various adventures as they had happened to himself, concluding with the question--really an ironical one: "If Jacques Dollon, who had disappeared from his cell, where he had been left for dead, had escaped from the Depot by way of the famous chimney of Marie Antoinette, had reached the roof of the Palais, had redescended by another passageway to the sewer opening on to the Seine, did it not seem possible that Dollon had escaped alive from the Depot?"

Fandor had indulged in a gentle irony, despite the gravity of the circumstances, in order to complicate the already complicated affair, and so plunge the police into a confusion worse confounded: this, in spite of his conviction that Dollon was dead, dead as dead could be!

Now the cruelty of this professional game was brought home to him. His article had raised fresh hopes in Dollon's poor sister! At sight of this charming girl, brightened with hope, Fandor felt all pity and guilt. He pressed her hands; he hesitated; he was troubled. He did not know how to explain. At last he murmured:

"It was wrong of me, mademoiselle, very wrong to write that article in such a way without warning you beforehand. Alas! You must not cherish illusions, illusions which this unfortunate article has given rise to, illusions I cannot believe in myself. I speak with all the sincerity of which I am capable, with the keenest desire to be of service to you: I dare not let you buoy yourself up with false hopes.... I assure you then, that from what I have been able to learn, to see, to know, I am convinced that your unfortunate brother is no more!... If there have been moments when I have doubted this, I am now morally certain that he is dead. Take courage, mademoiselle! Try, try to forget--to--to ..."

Fandor was trembling with emotion: he could not continue. Elizabeth bent her head, her eyes full of tears. She could not speak. She was overcome by this cruel dashing to the ground of her hopes. Never, never, to see her brother again!

An agonising silence reigned.

Fandor was profoundly troubled by this mute grief. He sought in vain for some word of comfort, of encouragement.

Elizabeth rose to go. The poor girl realised that nothing could be gained by prolonging the interview. Her one need now was to be alone, for then she could weep.

Fandor was about to accompany her to the door, when a boy entered:

"Monsieur Fandor, there's a man wishes to speak to you!"

"Say I am not here," replied our journalist: he had no wish to see strangers just then.

"But Monsieur Fandor, he says he is the keeper of the landing stage of the passenger boat service, and he comes with reference to the Dollon affair!"

Both Elizabeth Dollon and Jerome Fandor started. She was trembling. Our journalist said at once:

"Bring him in then!"

The boy went off, and Fandor turned to the trembling girl.

"Tell me, Mademoiselle Elizabeth, do you feel equal to hearing what this man has to tell us? It is not improbable that he has seen something--something it would be best you should not hear--had you not better avoid it?"

Elizabeth shook her head in the negative. She was collecting all her forces: she would not remain ignorant of any detail of the terrible tragedy which had cost her brother so dear:

"I shall be strong enough," she announced firmly.

The boy ushered in the visitor. He looked a good specimen of his class, a man about forty. On his cap were the gold anchors of those in the employ of the Paris boat service.

"Monsieur!... Madame!... At your service!" The good fellow was very much embarrassed:

"Monsieur Fandor," he went on, "you do not know me, but I know you very well, that I do!... I read your articles every day in _La Capitale_. They're jolly good! What I say is ..."

Fandor cut short his admirer: "Now tell me what brings you here!"

"Oh, well, here goes! I was reading your article yesterday, about how Jacques Dollon, no more dead than you or I, had escaped over the roofs of the Palais de Justice. That made me laugh, because I am the keeper of the landing stage at the Pont Neuf Station. This affair is supposed to have happened in my parts, don't you see?... Well, I had just come to the bit where you also suppose that the corpse might easily have been devoured by rats inside the sewer.... Well, Monsieur Fandor, I can assure you that it was nothing of the sort...."

The journalist was all eyes and ears. He signed to Elizabeth that she must keep quiet, so as not to intimidate the good fellow.

"Come now, what is it you have seen?"

"What I've seen?... Why, I saw Dollon break bounds!"

At this statement Elizabeth grew white as a sheet. She jumped up, and with clasped hands rushed towards the keeper:

"Speak, speak quickly, I implore you!" she cried.

Fandor drew Elizabeth back gently, and whispered a few words to her. He turned to the keeper:

"Mademoiselle has also come to make a statement regarding this affair," he explained. "That is why she is so interested in what you have just told us.... But tell us how you saw Jacques Dollon escape!"

"Well, I had got up a bit earlier than usual to see that the anchors and mooring were all right, and I thought I saw what looked like a big bundle fall into the river from the sewer opening--only I was half asleep and didn't take much notice; for, what with all the rain we've been having, there's no end of filthy stuff tumbling out of the mouth of the sewers. But, a few minutes after that, I noticed that the bundle, instead of going with the flow of the current, was drifting across the Seine, plainly making for the bank. There could be no mistake about that!"

Elizabeth Dollon cried:

"And then? And then?"

"Then, my little lady, what if this surprise packet didn't turn off behind an arch of the Pont-Neuf! I didn't see what became of it--but no one will get it out of my head that it isn't some jolly dog who had no wish to show himself--that's what I think!"

The keeper paused, then went on:

"That's all I have to tell you, Monsieur Fandor ... it might serve for one of your articles some time or other ... only you mustn't say that I told you. I might get into trouble with my chiefs about it!"

Elizabeth Dollon was no longer listening. She had turned to Fandor, and with shining eyes murmured:

"He lives!... He lives!..."

Fandor thanked the keeper, and got rid of him. Directly the door closed on him he darted to Elizabeth:

"Poor child!" he cried, full of pity for her.

"Ah! Don't pity me! I don't need your pity now!... My brother is alive!... That man has seen him!"

Fandor had to undeceive her:

"Your brother is certainly dead," he declared. "If he were the individual in question, it would not have been yesterday morning, but the morning before that, when the keeper saw him; and I do assure you ..."

"But this good fellow is telling the truth then?"

"I assure you that I have good reasons, the best of reasons, for believing, for being certain, that the swimmer who crossed the Seine was not your brother!"

"Great Heaven! Who was it then?"

Fandor hesitated a moment.... Should he divulge his secret? All he said was:

"It was not your brother--I know that!"

So decisive was his tone, so great the sympathy vibrating through his words, that Elizabeth Dollon, once more convinced that Fandor was not speaking at random, bent her head and shed tears of deepest grief and bitter disappointment.

Fandor allowed the sorrow-stricken girl to give way to her grief for a few minutes; then he gently asked her:

"Mademoiselle Elizabeth, shall we have a little talk?... You see I simply cannot tell you everything, yet I would gladly help you!... But first and foremost, I beg of you to put quite out of your mind this hope that your brother is still alive!..."

Sadly Elizabeth wiped away her tears, and in a voice which she tried to steady, said:

"Oh, what is to become of me! I thought I had found in you a support, a help, and now you abandon me! And I had put my faith in your goodness of heart!... There are your articles on the one hand, and your attitude on the other--what am I to make of it? It is driving me to despair! And if you only knew how much I need to be supported, encouraged; I feel as if I should go out of my senses--out of my mind ... and I am alone, so terribly alone!"

The poor girl's voice was broken by sobs, her whole body was shaken by them. Fandor went up to her, and spoke to her in a low tone affectionately: he felt great sympathy and an immense pity for this unhappy young creature, who charmed and attracted him. He tried to console her, and to change the current of her thoughts:

"Come now, Mademoiselle, do try to control yourself a little! I have promised to help you, and I certainly shall--you may be sure of it. But consider now--if I am to be of real use to you, I must know a little about you: you, yourself, your family, your brother; who your friends are, and who are your enemies! I must enter into your existence, not as a judge, but as a comrade who is interested in all that concerns you. Will you not confide in me? Once I know what there is to know we might then unite our efforts to some purpose, and find out what really has happened, since the mystery remains inexplicable."

Elizabeth Dollon felt the young man was sincere, and that what he said in such a gentle voice was true.

This poor human waif asked no more than to be allowed to cling to whoever would take pity on her and be kind. She now spoke to Jerome Fandor of her childhood without suspecting in the least that the same Jerome Fandor--Charles Rambert--used to play with her in those days.[7]

[Footnote 7: See _Fantomas_.]

She mentioned the assassination of the Marquise de Langrune--the first tragic episode of her life; then had come the horrible death of her father, old Steward Dollon, who had passed from the service of the Marquise to that of the Baroness de Vibray, and then perished, the victim of a criminal.

She explained how Jacques Dollon and she had come to settle in Paris, feeling themselves rich on the savings they had inherited from their parents. Elizabeth had become a dressmaker, and Jacques had become an artist-craftsman. Gradually the young man's talent and industry had enabled his sister to leave her workroom and come to live with him. His reputation was a growing one, and the two young people looked forward to an existence of honest comfort in the near future. They got to know some people, one or two of whom were rich, and had shown their interest in the brother and sister.

Jerome Fandor interrupted her:

"You always remained on good terms with the Baroness de Vibray?"

At this question the girl's eyes flashed:

"They have put into print shameful things about this poor dear Baroness, and about my brother also. The papers have represented her as eccentric, as mad; they have said worse things than that, you know that, don't you?... They have declared that there was a very intimate relation between her and my brother--I cannot say more--it is too hateful! It is all false--as false as false can be! The Baroness was particularly interested in Jacques, but assuredly that was owing to the long standing relations between her family and ours.... The suicide of the Baroness has been a sad addition to my grief, for I was very fond of her!..."

Fandor had been listening attentively to Elizabeth's story. He now said:

"You have used the word 'suicide,' mademoiselle: do you then really think, as everyone seems to do, that your patroness killed herself of her own free will?"

Elizabeth reflected a minute before replying:

"That was what she wrote--and one must believe that, nevertheless ..."

"Nevertheless?"

Elizabeth hesitated, passed her hand over her forehead, then said:

"Nevertheless, Monsieur Fandor, the more I think over this death, the more remarkable it seems. The Baroness de Vibray was not the kind of person to commit suicide, even if she were unhappy, even if she were ruined. I have often heard her speak of her money affairs; she even used to joke about the expostulations of her bankers, Messieurs Barbey-Nanteuil, because she was too fond of gambling. That was our poor friend's weakness: she was a dreadful gambler: she was always betting on horses and gambling on the Bourse."[8]

[Footnote 8: Stock Exchange.]

"Do you know the Barbey-Nanteuils at all, mademoiselle?"

"A little. I have met them once or twice at Madame de Vibray's--when she had one of her little evenings. Once or twice my brother has asked their advice about investments--very modest investments I can assure you--and they got one of their friends, a Monsieur Thomery, to buy some of my brother's art pottery."

"Have you many acquaintances in Paris, mademoiselle?"

"Besides the Baroness we hardly saw anyone except Madame Bourrat, a very nice, kind woman, widow of an inspector of the City of Paris; she keeps a boarding-house at Auteuil, rue Raffet. In fact, I am staying with her now, for I had not the courage to go back to my brother's place: too many dreadful memories are connected with his studio there. I am lucky to find such a sympathetic friend in Madame Bourrat, and such a warm welcome.... I am alone now, and life is sad."

Fandor went on with his cross-examination:

"Nevertheless, mademoiselle, I must ask you to return in thought to that tragic home of yours. Please tell me what people you knew in your immediate neighbourhood? Acquaintances?"

Elizabeth considered:

"Acquaintances is the word, because we were not on really intimate terms with our neighbours in the Cite; for the most part they are either art students or work-people. However, we saw fairly often a nice man, a stranger, a Dutchman I think he was, called Monsieur Van Hoeren; he manufactures accordions; and lives in a little house opposite ours, with six children; he has been a widower for years! Also there was a Monsieur Louis, an engraver, who used to take tea with us in the evening sometimes, his wife also: he is employed in the Posts and Telegraphs. We had practically no other acquaintances."

Elizabeth stopped. There was a silence. Fandor asked another question:

"Tell me, mademoiselle, when you entered the studio for the first time after the tragedy, did you notice anything abnormal?"

The poor girl shuddered at the appalling picture before her mind's eye:

"Good Heavens, monsieur," she cried, "I did not examine the studio minutely! I had only one thought--to be with my brother, who had been so unjustly accused, so ..."

Fandor interrupted to ask:

"Do you not know that at his preliminary examination your brother declared that he had not received a single visitor during the evening preceding the tragedy? How then do you explain the fact that the Baroness de Vibray was found dead in his studio, and at his side, when no one had seen her enter it? Did your brother make a mistake? Please tell me what you think about it!"

Elizabeth gazed anxiously at the young journalist, then fixed her eyes on the floor. Her hands twitched; she began to twist her fingers feverishly:

"Do trust me!" begged Jerome Fandor. "Please tell me what you think!"

Elizabeth rose, took several steps, and placed herself in front of the journalist:

"Ah, monsieur, there is something mysterious, which I cannot explain! As a matter of fact, someone must have come to see my brother that evening: I cannot assert it as a fact beyond dispute certainly: but in my own mind I feel quite sure about it."

"But you must have more proof of it than that?" cried Fandor.

"But--there is more!" cried Elizabeth, as if enlightened by a sudden discovery: "There is a fact!..."

"Tell me, do!" cried Fandor, intensely interested.

"Well, just imagine, then! Among the papers scattered over his table, and close to his book, which was open, I noticed a sort of list of names and addresses, written on our own note-paper, and in the kind of green ink we use--so--well ..."

"So," interrupted the journalist, "you came to the conclusion that this list had been written at your brother's house?"

"Yes, and it was not my brother's handwriting."

"Nor that of the Baroness de Vibray?"

"Nor that of the Baroness de Vibray!"

"And what did this list contain?"

"Names, addresses, I tell you, of persons we knew. There were also two or three dates...."

"And is that all?"

"That is all, monsieur: I saw nothing else!"

"Little enough," murmured Fandor, disappointed. "Still no detail, however slight, must be ignored!... What have you done with that list, mademoiselle?"

"I must have taken it with me when I collected all the papers I could find the day before yesterday, before going to the boarding-house at Auteuil."

"When you have an opportunity, will you bring me that list?" requested Fandor.

* * * * *

The conversation was interrupted. A boy came to tell Fandor that he was wanted on the telephone by someone in the Public Prosecutor's Office.

* * * * *

Later on in the day Jerome Fandor sent the following express message to Elizabeth Dollon:

_"Do not believe a word of the Police Headquarters' version which
you will read in this evening's 'La Capitale.'"_

This despatched, our journalist commenced his article entitled:

STILL THE AFFAIR OF THE RUE NORVINS

_Police Headquarters takes a view of this affair which is the very
reverse of that taken by our contributor, Jerome Fandor._

_By the Seine sewer, the roofs of the Palace, and the chimney of
Marie Antoinette, an inspector has succeeded in reaching the
Depot._

_Police Headquarters is convinced that Jacques Dollon escaped
alive!_

VII

PEARLS AND DIAMONDS

"Nadine!"

"Princess!"

"Nadine, what time is it?"

The young Circassian, with hair as black as ink, souple and slender, rose from her chair and was hastening from the bedroom to ascertain the time when her mistress recalled her:

"Don't go away, Nadine! Stay with me!"

The dusky Circassian obeyed: she stared with big, astonished eyes into those of her mistress:

"But, Princess, why don't you wish me to go?"

The Princess stammered in a mysterious tone:

"Don't you know then, Nadine, that to-day is the anniversary?... and I am frightened!"

* * * * *