Chapter IV: Luminous Phenomena (2)
Is he a victim of hallucination? It is possible; but then how are we to explain the fragment of truth which exists in his hallucination? I am well aware that impersonal memory is an inexhaustible source of knowledge, quite unknown to the normal personality; but there are cases, where the hypothesis of hypermnesia is scarcely acceptable. Here is an example. The medium, of whom I spoke a little while ago, has several times had the impression that a deceased person unknown to him, but known to me, entered his bedroom. The apparition was preceded by a noise of approaching footsteps, the door appeared to open, and the form entered. The form sat down at the foot of the bed, caressed the medium’s arm, and took his hand. The sensitive was alarmed at these visions, which he looks upon as hallucinations, and does his best to rid himself of. At the end of three or four visits the form ceased to show itself, to my great regret, for I had therein the occasion of making an observation of the highest interest. Unfortunately, I had not sufficient influence over this remarkable sensitive, to induce him to lend a hand to the development of this phenomenon. The person reputed to appear had a very characteristic walk, and it would be sufficient for me to describe it, for those who knew the man to recognise him at once; the vision had the same characteristic walk. Again, my friend wore whiskers. But the vision wore a full short beard, a detail which the doctor who attended him in his last illness verified; my friend did not shave towards the end of his life. I was not aware of this.
The medium, living in the same town, could have known the man; but if, contrary to his assertions, he had known him, how could he have seen him wearing a beard such as he never used to wear? Interesting detail! since the apparition, purporting to be my friend, wore a beard just as my friend had worn, not in his lifetime, but at the time of his death.
Further, the apparition appeared to manifest a desire to speak. It tried to reassure the alarmed medium; but the latter always got up and turned on the light, before the phantom had time to speak. Now at that moment, an event was brewing, of which I would have been thankful to have been warned. The incident occurred, and the apparition was not seen again. This is an _ensemble_ of facts of a nature to arouse attention. I have not been able to submit the case to thorough analysis, and I give it with reserve. It is the nearest approach to classical spiritism, which I have personally met with, but to me it does not seem to be convincing under the conditions in which I observed it; for the incident I refer to could easily have been foreseen by the medium.
Other personifications manifested themselves to this medium, but their character of apparent identity is less certain. One of them, with curious energy, insists that he is the person he claims to be: namely, Chappe d’Auteroche, a savant of the last century. His name appears in Larousse’s Dictionary. The personification gave his name correctly, as well as the date of his death and where he died. He gave a Christian name which is not in Larousse, Adhémar instead of Jean, which the Dictionary gives. It would be interesting to know, if this name Adhémar is mentioned in other dictionaries. I will add that the apparition expresses itself in old French, but with a Norman accent. The medium hears it say ‘moué’ for ‘moi,’ ‘étoué’ for ‘était,’ etc. Now Chappe was born at Mauriac in Auvergne; therefore I cannot explain why his apparition should have a Norman accent. So far, however, I have not carefully analysed this personification.
I would like to have been able to experiment, more than I have been able to do, with the sensitive through whose medianity I have observed these curious facts. Perhaps the publication of this book will interest him, and induce him to give himself up to an attentive examination.[6]
[6] See Chapter vi., ‘Recent Phenomena, etc.’
It must not be concluded from what I have just related, that the intervention of my friend and of Chappe d’Auteroche appears to me to be real. Nothing in my experience authorises me to entertain this opinion. I relate these facts, because the emergence of these two personifications occurred at seances where I was present, and because they are closely associated with phenomena directly observed by me. I think we can draw a conclusion from these phenomena: it will be noticed that in the manner in which these visions are produced, there are certain features, which recall to mind the symbolisation and dramatisation of dreams. This indication is only temporary; I have not enough elements of appreciation to be able to formulate it with any degree of certitude, but I point out this feature to experimenters, who, more favoured than I, may have opportunities for observing analogous phenomena with more convenience and for a greater length of time.
I will terminate these remarks by the recital of another fact of the same order, which I witnessed at Madame Agullana’s. It occurred during an afternoon seance at her house. The medium, and two or three persons whom I did not know, were seated round a small table. One of the visitors was a small landed proprietor near Bordeaux. This visitor came for the first time; he was accompanied by a rural constable, whom I knew. All at once Madame Agullana said to the newcomer, ‘I see some one, who says he is your uncle; he wears a cap; his face is red; he has a long beard; he has sandy-coloured hair; he smokes a short pipe; he seems to have something the matter with his right arm, it is bent across his chest.’ ... She also gave other details. The visitor did not speak, a fact of which I took pains to assure myself.
When the details were all given, the visitor said that if the apparition claiming to be his uncle, was really his uncle, would he kindly say how he was addressed in his family. The table dictated typtologically, ‘Touton L. P.’ The stranger then said that Madame Agullana had given him the exact description of a second cousin[7] who had been dead for some months, and who, because of his inveterate habit of smoking, was nicknamed ‘Touton-la-Pipe.’
[7] In France, a male cousin once removed is sometimes called
‘oncle à la mode de Bretagne.’
I have seen several sincere, trustworthy people receive facts of the same kind through Madame Agullana. There is notably the history of the discovery of a lost debenture, which is curious and interesting; I was able to follow the different phases of this discovery. The indication appeared to emanate from the deceased husband of the owner of the debenture. Notwithstanding the interest which these observations presented, I cannot analyse them seriously, for they are insufficiently proved. The character of the medium has always seemed to me irreproachable, and her good faith above all suspicion; but the circumstances do not permit of an exact judgment. Neither do I consider myself authorised to affirm that the personality of ‘Touton-la-Pipe’ was quite unknown to the medium. The discovery of the debenture is perhaps only a coincidence. I have, however, related these facts to indicate the possibility of an order of research of a particularly suggestive nature. Some of the more influential members of the English Society for Psychical Research, Myers, Lodge, Hodgson, Hyslop, have entered upon these studies under excellent conditions of observation, and consider that they have been in communication with their deceased friends. I have not had the same chances, and my own experiences tend to make me adopt a different way of thinking. It is very possible that my colleagues are right, and I am wrong.
Finally, the third statement which my observations permit me to make, is that the production of forms and luminous phenomena is accompanied with much fatigue on the part of the observers. I have already frequently pointed out this circumstance. On the occasion of the production of the facts described in the present chapter, I noticed certain peculiarities, which I will point out to the attention of experimenters. Fatigue is not felt in an equal degree by all the sitters. Some seem to feel none at all; and, as a rule, these latter are not good auxiliaries. It looks as though some persons were not capable of emitting the force employed. Others, on the contrary, emit it with great facility and tire quickly. I have not been able to study the relation which may exist, between the temperament of these two kinds of sitters and the production of the phenomena; but I have the impression, that this relation ought to exist; it appears to me in a function of the organism rather than in a _rapport_ with the mental condition or moods. This makes one think of the belief professed by spiritists concerning incredulity. In several spiritistic groups failure is attributed to the presence of incredulous sitters; I am persuaded, that the beliefs of experimenters have nothing at all to do with the production of the phenomena observed, though it is certainly necessary to experiment seriously and without bias. I touched upon the results of my observations in that respect, when speaking about the harmony of the circle. The influence of bias would be explained, if the apparent consciousness of the personification could be considered as composed of the elementary consciousness of the sitters. This hypothesis does not appear to me to be demonstrated; but some of my experiments have made me think of its possibility, and I consider it ought to be submitted to examination. Things seem to happen, as though the nervous influx of the sitters created a field of force around the experimenters, and more especially the medium: Each experimenter would then act as a dynamogenic element, and would enter, for a variable part, into the production of the liberated energy. This energy would act beyond the apparent limits of the body, under conditions analogous to those governing its intracorporal action; that is to say, it would remain, to a certain extent, in connection with the superior or inferior nervous centres, conscious or unconscious. In this case we could understand, how the energy appears to depend, to a certain extent, upon the will of the sitters or the medium. We can even explain that it should appear to manifest an independent will, if its production were due to the activity of the nervous centres, the action of which is independent of ordinary consciousness. In that hypothesis, none of the sitters would recognise the trace of their normal personality in the evolution of the phenomena; and this is what generally happens. Sometimes, however, the medium or one of the sitters has the feeling, more or less precise, that a phenomenon is about to take place. Eusapia Paladino often announces what is coming. In this case the nervous energy, employed to realise the phenomenon, would be in connection with the conscious nervous centres of the medium only; and she would appear to the sitters to be subjected to an extraneous personal will. Eusapia attributes it to ‘John,’ who seems to have the characteristics of a secondary personality. Such appears to me to be the genesis of the personification, in the greater number of cases observed by me. There are others, however, where this explication is less satisfactory.
I do not hide from myself how difficult it is to admit the hypothesis I have just formulated. We are ill-prepared to consider the _psychic force_ as identical, at least in its essence, with that which circulates in our nerves; and we are no better prepared to believe, that this force may be able to serve as a vehicle to a part of our personal or subliminal consciousness, or to think that it can preserve any connection with our psychic centres, when it acts beyond the limits of the body. Nevertheless, it looks as though it were really so, in the greater number of cases.
These data suffice to render comprehensible the possible mechanism of raps and movements without contact. It is not even necessary to suppose that the nervous force acts beyond the limits of the body, if we admit that the experimenters create around them a sort of magnetic field. The nervous force would reach a maximum of potentiality in the experimenters or in the medium; the objects placed within the field would have a different potentiality; according to the conditions, we would have phenomena of attraction or repulsion.
In this way we could understand motor phenomena. Raps are less easily explained, unless we consider them as facts analogous to electrical discharges. The rap would then be equivalent to the noise of a spark; it would be invisible, though in some cases it might be perceived.
Lights and forms raise problems much more difficult of solution. They may be susceptible of the following explanation: we will suppose that particles of a very attenuated substance, _e.g._ the ether or any other kind of rarefied matter, existed capable of being acted upon by nerve force; they would become charged, and dispersed, according to the lines of force, and these lines would be determined by the action of nerve centres, and would take form corresponding to those particular centres. They would have a certain plasticity, if I may thus express myself, and this plasticity would be in connection with those centres, possessing preponderating physiological activity.
If this connection existed with the superior ideative centres, we would have intelligible, definite forms, such as faces of human beings, heads of animals, and objects; should connection with the inferior centres be established, undefined forms only would be obtained.
Their luminosity would depend upon the state of condensation of this rarefied matter of which they are constituted. Those subject to lesser condensation would be the most luminous; and it might happen, that a form of greater density would be surrounded by a luminous atmosphere of lesser density.
One could, in this way, explain the relative independence of the forms, and phosphorescent nature of the pictures.
These are the hypotheses which might be made. I indicate them with much reserve, simply to show the theoretical route towards which my experience tends to direct me. I set them forth summarily, without discussing them in detail. I do not conceal from myself the fact that my ideas are far from being definite, and that the hypotheses I timidly express would fare badly under rigorous analysis. I have found no better, and I have the impression that they ought to contain a particle of truth.
I beg to be excused for having again infringed upon the rule I imposed on myself, for having presented purely theoretical considerations, which I am the first to acknowledge as premature. I have not seen the curious facts I relate without trying to penetrate into their cause, nor have I been able to resist the desire to make known, not what is a definite opinion, but what is for me a hypothesis worth examining.
Besides the phenomena described in this and preceding chapters, I have observed others which might be compared with them, for they seem to me to have a certain connection with them. I refer to tactile sensations such as touch, contact, and stamped impressions, etc. I will briefly describe them.
I. It is only with Eusapia Paladino, that I have felt tactile sensations in a positive manner. With this medium certain sitters, and especially those seated next to her, have the feeling of being touched on the back, on the arms, and hands, on the head and body. The phenomenon is usually produced under the following conditions. Eusapia’s hands being or appearing to be held by her neighbours, the latter see the curtains come near them, and then feel themselves touched. The touch is sometimes given without any movement of the curtains. The sensation of the touch varies: it is now that of a finger which is thrust into the thigh, now of a large hand resting on the back, now fingers pinching you, or seizing you on the head, the neck, chin, etc. Numerous examples of these contacts will be found in the report of the l’Agnélas experiments (_Annales des Sciences Psychiques_, 1896).
In our seances at Choisy 1896, the same phenomenon was often reproduced. In that series we were careful to have as much light as possible; we arranged a system of different coloured lights. One of the lights which gave us the best results was that of a lantern, the glass sides of which were replaced by parchment. It gave a softened yellowish light. From the private account of these seances I take the following extracts. Seance of the 8th October:—
‘Eusapia’s hands are still held and seen on the table. The Colonel then feels several touches, and a large hand rubs him through the curtains, on the top of his head.’ ... A more curious phenomenon happened before that; but only one of the medium’s hands was visible.
‘At the medium’s request the lamp is turned in such a way as to lessen the light, which, however, is still sufficient to enable us to distinguish faces and hands by their whiteness. MM. de Rochas and de Gramont change places; Eusapia’s hands are seen and held by General Thomassin on the left and M. de Gramont on the right. Eusapia frees her left hand for a moment, brings a part of the curtain on to the table, and glides her hand underneath it, in order to shelter it from the light; the General regains possession of the hand—under the curtain—and does not abandon it any more. The other hand, held by M. de Gramont, remains visible to every one. Almost instantly, General Thomassin feels on his thigh—and through the curtains, which bulge out in consequence—slight contacts; then the sensation of a pinch; afterwards, he distinguishes the contact of a woman’s small hand, followed by the contact of a man’s large hand. After that, he is struck with force on the shoulders and head by a large hand, outside the curtains. Every one hears the sound of the blows, and sees the hand; but every one sees the hand in a different fashion. M. de Rochas hardly sees it at all; General Thomassin sees it as greyish green; M. Watteville and M. Gramont see it as grey; M. Maxwell as greyish yellow. Eusapia determines different movements of the fluidic hand by mimicking them with her right hand, which is held by M. Gramont in sight of every one.’
This observation is interesting, but at first glance it appears very suspicious, because of the care taken by the medium to hide her hand under the curtain. General Thomassin held her hand well; I do not doubt but that it was Eusapia’s hand he held; but let us accept for a moment the hypothesis of an artificial hand, which Eusapia had adroitly given to the General to hold. This is Dr. Hodgson’s explanation. In that case, how would the hand, which touched General Thomassin, have been able to move over his back and head and strike him without any movement of the left arm being perceived? It is to be noted that the light was sufficient, and that the hand which gave the touches was seen by nearly all the observers. That hand was outside the curtains. I remember another seance held in the afternoon, in the course of which touches were lavished on all the experimenters, even on those who were furthest away from the medium.
In the three series of experiments, 1895, 1896, and 1897, made with Eusapia, I have had occasion of repeatedly verifying the phenomenon of touch. It appeared certain to me in a great number of cases. But it is a suspicious phenomenon, because of the extreme facility with which it can be simulated.
I remember a series of fraudulent experiments, in the course of which several touches were given. The first touches, through the curtains, made me think of the contacts obtained with Eusapia; but obscurity reigned complete, and I have reason to believe that the medium’s left-hand neighbour touched me with a stick. I was also touched on the knee, but it was by a very natural hand, which belonged to one of the experimenters, a man of inferior intellect. Inexperienced people are easily deceived by these contacts; however, the marked difference which exists between the falsidical and the veridical is quickly perceived, when we have become accustomed to these phenomena. I do not advise experimenters to put themselves under the conditions in which these facts are observed, as they are very unfavourable for the examination of the phenomenon. These conditions, as far as I have been able to judge, are:—(1) the formation of a chain around a table, the medium being seated with his back to the curtains of the cabinet; (2) an extremely feeble light, or none at all. It is only with Eusapia that I have obtained touches with light, and even then the light was of the weakest.
These touches, besides having the inconvenience of carrying little conviction with them, because of the conditions under which they are obtained, have also the disadvantage of impressioning persons who are easily moved and frightened. I have seen very courageous people affected by these touches. Therefore we must not try to obtain them, until we are already familiarised with the observation of physical phenomena.
It is to be noted, that the phenomenon of _attouchement_ presents the characteristics pointed out in those I have already examined. In the first place, we note the correlation which exists between the movements of the medium and the contact. I gave an example just now, when relating the phenomena of which General Thomassin was the object. The movements of the right hand which touched him were mimicked by Eusapia’s right hand, which was visible, held by M. de Gramont, and seen by every one.
Here is another example, taken from my notes, in which synchronous movements were executed by one of the experimenters:—
‘John’ (the secondary personality) ‘then asks M. Rochas, who holds Eusapia’s left hand in his right hand, to put his left hand on Eusapia’s neck, the fingers stretched out as though in the act of magnetising; he then tells him to lower his fingers. M. Rochas executes the movement several times, and each time M. Maxwell, who holds the medium’s right hand, feels synchronous touches on his right shoulder, which is, at the very least, eighteen inches away from the medium.’ This fact may be compared with those I indicated when dealing with raps and motor or luminous phenomena. We see how constant the relation is between the medium’s movements and the phenomenon. This is a first general ascertainment. If I might venture to use the expression, I would say that we are in the presence of one of the first laws governing the production of these paranormal phenomena. I have not sufficiently observed the phenomenon of touch to be able to say, that the relation indicated exists between the muscular contraction and the phenomenon, rather than between the phenomenon and the movement executed; but some facts, far too few, it is true, tend to make me think it is so.
Finally, the experimenters, and especially the medium, are very fatigued after the production of the phenomenon of touch.
The influence of light seems to be very unfavourable. I have not had occasion of observing touches in full light, as I have so often done with raps and movements without contact. Almost total obscurity was necessary with Eusapia. This circumstance brings the phenomenon of _attouchement_ into conjunction with that of materialisation. This is interesting, for if the touches are due to the condensation of some matter, as materialised forms appear to be, there is room to think that the two phenomena are closely connected, and that it is the same substance which, in becoming condensed, produces them both. This is what I have observed, notably at l’Agnélas, when I saw a hand and arm touch M. Sabatier’s head, at the moment the latter mentioned having been touched on the head.
We see how much a calm and impartial examination of the facts reveals common conditions for their production, and similarities between some among them.
II. Stamped impressions or imprints bring us into the presence of a category of phenomena of the same order. Pressure appears to be exercised upon a material substance instead of upon the sitters. If that substance be soft enough, the impression of the form which has exercised the pressure may be left upon it. I have only twice observed this phenomenon, and that was with Eusapia. It was at Choisy in 1896. The first time, we obtained the impression of the mounts of the fingers in lamp-black. The conditions of observation were not good. The second time, the impression was marked in clay. I take the following extract from our report:—
‘The dish containing the plastic clay is put in the centre of the table. Almost immediately the dish, which weighs nearly four lbs., is lifted up and placed in equilibrium on the left arm of M. de Rochas, whose left hand continues to hold Eusapia’s right hand. M. de Rochas feels three distinct, successive pressures of the dish resting on his arm; then a friendly pressure on the back of his arm apprises him, that the phenomenon is accomplished. We carry the dish away at once, and in the daylight we see finger-prints in the clay; the prints look as though the fingers had been enveloped in some material of fine texture, the woof being distinctly visible in the clay.’ I did not observe this fact with enough precision to be able to retain it as a demonstrated fact. I point it out, nevertheless, because it permits one to preserve the material trace of the phenomenon. Other observers have obtained better imprints with Eusapia. I have seen some which represent a distorted likeness of the medium’s face. I think this phenomenon ought to be observed with care, if one has the occasion to meet with mediums capable of producing it. I will point out the following fact to the attention of possible observers: the almost constant presence of a kind of woof, as if the object which made the impression was covered with thin gauze. This circumstance is at first sight suspicious; but here, again, as always when we are in presence of these unfamiliar manifestations, we must not be in too great a hurry to conclude in fraud, and say that the medium put a wet piece of gauze over face and hands, in order to avoid soiling the loam and bearing tell-tale traces of cheating. But I recognise that this is the explanation which ought to present itself before any other; and we must not put it to one side, unless we have sufficient reasons for doing so. At the same time, we must not jump to the conclusion of fraud solely because of this gauzy appearance. There is something interesting in the presence of this gauze. The faces I have seen were all framed in a sort of milky-looking veil. Personally, I have rarely seen faces free of this. I have not observed it around material objects nor around animals’ heads. Neither do I observe it in hypnagogic illusions. I will point out the following observation of MM. Brincard and Béchade on the subject:—
‘M. de Rochas feels himself touched on the face as though by a beard, and sees standing out in relief, against the part of the room best lighted up by the window, a long black lock of wavy hair. MM. Brincard and Béchade have the sensation that their heads are enveloped in transparent black gauze, which seems to fall on to their shoulders; it disappears before they have time to seize it.’
I did not notice these traces of tissue, with the undoubtedly fraudulent impressions which have been shown me or done in my presence. I am going to give an example, to show how an attentive examination can reveal fraud.
At a seance, I was one day shown the impression in some plastic substance of a small death’s head; a young man presented it to me as an authentic impression. This appeared abnormal to me, for a death’s head is not a common thing in serious seances, and for my part I have never seen a repugnant or painful phenomenon. An attentive examination revealed to me traces of the finger-tips, which had held the object while it was being pressed on the plastic substance.
At another seance at which I was present, one of the experimenters prepared some plates of cement. He placed them himself upon the top of a wardrobe. At the end of the seance finger-prints were found in the cement. These prints had been made while the experimenter was placing the plate on the wardrobe, and, of course, normally made by him. In these two cases, the impressions were distinct and bore no traces of woof. Therefore, such traces are not necessarily indications of fraud, since tricksters do not always use material to preserve themselves from stains, when they make the fraudulent impression.
As for photographs, I have never obtained any paranormal ones. It is true I have given no attention to this order of experimentation. I will say nothing about it therefore, since I have no personal fact of interest to relate thereon. The existence of paranormal photography is affirmed by sincere and honourable men, and their experiments deserve to be resumed. The method of operating is simple. The medium is photographed in daylight, when in a state of trance; photography by magnesium light is not to be recommended for many reasons, chiefly because it renders fraud particularly easy of execution. Never use any but your own plates, never let them out of your possession for an instant, change the plates yourself, expose and develop them yourself.
I remember one of my friends, a superior military officer, once showed me some extraordinary photographs, on which we saw abnormal forms beside the medium. I told my friend he had been imposed upon. Too honest himself to admit he could be the victim of disloyal trickery, the officer put no faith in my criticisms, and assured me that the photographs had been taken by himself with his own camera, and declared he had not lost sight of the apparatus for a second. His affirmations did not modify my opinion. Later on, when carefully discussing the conditions of the experiment, the officer acknowledged that he had interrupted the seance for lunch, and had left his camera at the medium’s house in the meanwhile.—The latter had taken advantage of his absence either to change the plates and substitute exposed ones, or to make a fraudulent exposure on my friend’s plates.
The author of this fraud was, moreover, obliged to acknowledge the imposture. I wonder what motive this young man could have had in cheating! I believe he acted out of pure childishness—having a tendency to hysteria.
In photography there are several ways of defrauding; the most usual is by double exposure. A shrewd use of sulphite of quinine permits of certain curious operations, it appears. I have not verified this.
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Metapsychical Phenomena: Methods and ObservationsChapter IV: Luminous Phenomena (2)
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