Chapter IV: Part 4
III. The notions, arising from the spirit of chivalry, combined to add to the Fairies certain qualities, less atrocious, indeed, but equally formidable, with those which they derived from the last mentioned source, and alike inconsistent with the powers of the _duergar_, whom we may term their primitive prototype. From an early period, the daring temper of the northern tribes urged them to defy even the supernatural powers. In the days of Caesar, the Suevi were described, by their countrymen, as a people, with whom the immortal gods dared not venture to contend. At a later period, the historians of Scandinavia paint their heroes and champions, not as bending at the altar of their deities, but wandering into remote forests and caverns, descending into the recesses of the tomb, and extorting boons, alike from gods and daemons, by dint of the sword, and battle-axe. I will not detain the reader by quoting instances, in which heaven is thus described as having been literally attempted by storm. He may consult Saxo, Olaus Wormius, Olaus Magnus, Torfaeus, Bartholin, and other northern antiquaries. With such ideas of superior beings, the Normans, Saxons, and other Gothic tribes, brought their ardent courage to ferment yet more highly in the genial climes of the south, and under the blaze of romantic chivalry. Hence, during the dark ages, the invisible world was modelled after the material; and the saints, to the protection of whom the knights-errant were accustomed to recommend themselves, were accoutered like _preux chevaliers_, by the ardent imaginations of their votaries. With such ideas concerning the inhabitants of the celestial regions, we ought not to be surprised to find the inferior spirits, of a more dubious nature and origin, equipped in the same disguise. Gervase of Tilbury (_Otia Imperial, ap. Script, rer. Brunsvic,_ Vol. I. p. 797.) relates the following popular story concerning a Fairy Knight. "Osbert, a bold and powerful baron, visited a noble family in the vicinity of Wandlebury, in the bishopric of Ely. Among other stories related in the social circle of his friends, who, according to custom, amused each other by repeating ancient tales and traditions, he was informed, that if any knight, unattended, entered an adjacent plain by moon-light, and challenged an adversary to appear, he would be immediately encountered by a spirit in the form of a knight. Osbert resolved to make the experiment, and set out, attended by a single squire, whom he ordered to remain without the limits of the plain, which was surrounded by an ancient entrenchment. On repeating the challenge, he was instantly assailed by an adversary, whom he quickly unhorsed, and seized the reins of his steed. During this operation, his ghostly opponent sprung up, and, darting his spear, like a javelin, at Osbert, wounded him in the thigh. Osbert returned in triumph with the horse, which he committed to the care of his servants. The horse was of a sable colour, as well as his whole accoutrements, and apparently of great beauty and vigour. He remained with his keeper till cock-crowing, when, with eyes flashing fire, he reared, spurned the ground, and vanished. On disarming himself, Osbert perceived that he was wounded, and that one of his steel boots was full of blood. Gervase adds, that, as long as he lived, the scar of his wound opened afresh on the anniversary of the eve on which he encountered the spirit."[A] Less fortunate was the gallant Bohemian knight, who, travelling by night, with a single companion, came in sight of a fairy host, arrayed under displayed banners. Despising the remonstrances of his friend, the knight pricked forward to break a lance with a champion who advanced from the ranks, apparently in defiance. His companion beheld the Bohemian over-thrown horse and man, by his aërial adversary; and, returning to the spot next morning, he found the mangled, corpse of the knight and steed.--_Hierarchie of Blessed Angels,_ p. 554.
[Footnote A: The unfortunate Chatterton was not, probably, acquainted with Gervase of Tilbury; yet he seems to allude, in the _Battle of Hastings_, to some modification of Sir Osbert's adventure:
So who they be that ouphant fairies strike,
Their souls shall wander to King Offa's dike.
The entrenchment, which served as lists for the combatants, is said by Gervase to have been the work of the pagan invaders of Britain. In the metrical romance of _Arthour and Merlin_, we have also an account of Wandlesbury being occupied by the Sarasins, i.e. the Saxons; for all pagans were Saracens with the romancers. I presume the place to have been Wodnesbury, in Wiltshire, situated on the remarkable mound, called Wansdike, which is obviously a Saxon work.--GOUGH'S _Cambden's Britannia,_ pp. 87--95.]
To the same current of warlike ideas, we may safely attribute the long train of military processions which the Fairies are supposed occasionally to exhibit. The elves, indeed, seem in this point to be identified with the aërial host, termed, during the middle ages, the _Milites Herlikini_, or _Herleurini_, celebrated by Pet. Blesensis, and termed, in the life of St Thomas of Canterbury, the _Familia Helliquinii_. The chief of this band was originally a gallant knight and warrior; but, having spent his whole possessions in the service of the emperor, and being rewarded with scorn, and abandoned to subordinate oppression, he became desperate, and, with his sons and followers, formed a band of robbers. After committing many ravages, and defeating all the forces sent against him, Hellequin, with his whole troop, fell in a bloody engagement with the Imperial host. His former good life was supposed to save him from utter reprobation; but he and his followers were condemned, after death, to a state of wandering, which should endure till the last day. Retaining their military habits, they were usually seen in the act of justing together, or in similar warlike employments. See the ancient French romance of _Richard sans Peur_. Similar to this was the _Nacht Lager_, or midnight camp, which seemed nightly to beleaguer the walls of Prague,
"With ghastly faces thronged, and fiery arms,"
but which disappeared upon recitation of the magical words, _Vezelé, Vezelé, ho! ho! ho!_--For similar delusions, see DELRIUS, pp. 294, 295.
The martial spirit of our ancestors led them to defy these aërial warriors; and it is still currently believed, that he, who has courage to rush upon a fairy festival, and snatch from them their drinking cup, or horn, shall find it prove to him a cornucopia of good fortune, if he can bear it in safety across a running stream. Such a horn is said to have been presented to Henry I. by a lord of Colchester.--GERVAS TILB. p. 980. A goblet is still carefully preserved in Edenhall, Cumberland, which is supposed to have been seized at a banquet of the elves, by one of the ancient family of Musgrave; or, as others say, by one of their domestics, in the manner above described. The Fairy train vanished, crying aloud,
If this glass do break or fall,
Farewell the luck of Edenhall!
The goblet took a name from the prophecy, under which it is mentioned, in the burlesque ballad, commonly attributed to the duke of Wharton, but in reality composed by Lloyd, one of his jovial companions. The duke, after taking a draught, had nearly terminated the "luck of Edenhall," had not the butler caught the cup in a napkin, as it dropped from his grace's hands. I understand it is not now subjected to such risques, but the lees of wine are still apparent at the bottom.
God prosper long, from being broke,
The luck of Edenhall.--_Parody on Chevy Chace._
Some faint traces yet remain, on the borders, of a conflict of a mysterious and terrible nature, between mortals and the spirits of the wilds. This superstition is incidentally alluded to by Jackson, at the beginning of the 17th century. The fern seed, which is supposed to become visible only on St John's Eve,[A] and at the very moment when the Baptist was born, is held by the vulgar to be under the special protection of the queen of Faëry. But, as the seed was supposed to have the quality of rendering the possessor invisible at pleasure,[B] and to be also of sovereign use in charms and incantations, persons of courage, addicted to these mysterious arts, were wont to watch in solitude, to gather it at the moment when it should become visible. The particular charms, by which they fenced themselves during this vigil, are now unknown; but it was reckoned a feat of no small danger, as the person undertaking it was exposed to the most dreadful assaults from spirits, who dreaded the effect of this powerful herb in the hands of a cabalist. Such were the shades, which the original superstition, concerning the. Fairies, received from the chivalrous sentiments of the middle ages.
[Footnote A:
Ne'er be I found by thee unawed,
On that thrice hallowed eve abroad,
When goblins haunt, from fire and fen.
And wood and lake, the steps of men.
COLLINS'S _Ode to Fear._
The whole history of St John the Baptist was, by our ancestors, accounted mysterious, and connected with their own superstitions. The fairy queen was sometimes identified with Herodias.--DELRII _Disquisitiones Magicae,_ pp. 168. 807. It is amusing to observe with what gravity the learned Jesuit contends, that it is heresy to believe that this celebrated figurante (_saltatricula_) still leads choral dances upon earth!]
[Footnote B: This is alluded to by Shakespeare, and other authors of his time:
"We have the receipt of _fern-seed_; we walk invisible."
_Henry IV. Part 1st, Act 2d, Sc. 3_.]
IV. An absurd belief in the fables of classical antiquity lent an additional feature to the character of the woodland spirits of whom we treat. Greece and Rome had not only assigned tutelary deities to each province and city, but had peopled, with peculiar spirits, the Seas, the Rivers, the Woods, and the Mountains. The memory of the pagan creed was not speedily eradicated, in the extensive provinces through which it was once universally received; and, in many particulars, it continued long to mingle with, and influence, the original superstitions of the Gothic nations. Hence, we find the elves occasionally arrayed in the costume of Greece and Rome, and the Fairy Queen and her attendants transformed into Diana and her nymphs, and invested with their attributes and appropriate insignia.--DELRIUS, pp. 168, 807. According to the same author, the Fairy Queen was also called _Habundia_. Like Diana, who, in one capacity, was denominated _Hecate_, the goddess of enchantment, the Fairy Queen is identified in popular tradition, with the _Gyre-Carline, Gay Carline_, or mother witch, of the Scottish peasantry. Of this personage, as an individual, we have but few notices. She is sometimes termed _Nicneven_, and is mentioned in the _Complaynt of Scotland_, by Lindsay in his _Dreme_, p. 225, edit. 1590, and in his _Interludes_, apud PINKERTON'S _Scottish Poems_, Vol. II. p. 18. But the traditionary accounts regarding her are too obscure to admit of explanation. In the burlesque fragment subjoined, which is copied from the Bannatyne MS. the Gyre Carline is termed the _Queen of Jowis_ (Jovis, or perhaps Jews), and is, with great consistency, married to Mohammed.[A]
[Footnote A:
In Tyberius tyme, the trew imperatour,
Quhen Tynto hills fra skraipiug of toun-henis was keipit,
Thair dwelt are grit Gyre Carling in awld Betokis bour,
That levit upoun Christiane menis flesche, and rewheids unleipit;
Thair wynit ane hir by, on the west syde, callit Blasour,
For luve of hir lanchane lippis, he walit and he weipit;
He gadderit are menzie of modwartis to warp doun the tour:
The Carling with are yren club, quhen yat Blasour sleipit,
Behind the heil scho hat him sic ane blaw,
Quhil Blasour bled ane quart
Off milk pottage inwart,
The Carling luche, and lut fart
North Berwik Law.
The king of fary than come, with elfis many ane,
And sett are sege, and are salt, with grit pensallis of pryd;
And all the doggis fra Dunbar wes thair to Dumblane,
With all the tykis of Tervey, come to thame that tyd;
Thay quelle doune with thair gonnes mony grit stane,
The Carling schup hir on ane sow, and is her gaitis gane,
Grunting our the Greik sie, and durst na langer byd,
For bruklyng of bargane, and breikhig of browis:
The Carling now for dispyte
Is maieit with Mahomyte,
And will the doggis interdyte,
For scho is queue of Jowis.
Sensyne the cockis of Crawmound crew nevir at day,
For dule of that devillisch deme wes with Mahoun mareit,
And the henis of Hadingtoun sensyne wald not lay,
For this wild wibroun wich thame widlit sa and wareit;
And the same North Berwik Law, as I heir wyvis say,
This Carling, with a fals east, wald away careit;
For to luck on quha sa lykis, na langer scho tareit:
All this languor for love before tymes fell,
Lang or Betok was born,
Scho bred of ane accorne;
The laif of the story to morne,
To you I sall telle.]
But chiefly in Italy were traced many dim characters of ancient mythology, in the creed of tradition. Thus, so lately as 1536, Vulcan, with twenty of his Cyclops, is stated to have presented himself suddenly to a Spanish merchant, travelling in the night, through the forests of Sicily; an apparition, which was followed by a dreadful eruption of Mount Aetna.--_Hierarchie of the Blessed Angels,_ p. 504 Of this singular mixture, the reader will find a curious specimen in the following tale, wherein the Venus of antiquity assumes the manners of one of the Fays, or Fatae, of romance. "In the year 1058, a young man of noble birth had been married at Rome, and, during the period of his nuptial feast, having gone with his companions to play at ball, he put his marriage ring on the finger of a broken statue of Venus in the area, to remain, while he was engaged in the recreation. Desisting from the exercise, he found the finger, on which he had put his ring, contracted firmly against the palm, and attempted in vain either to break it, or to disengage his ring. He concealed the circumstance from his companions, and returned at night with a servant, when he found the finger extended, and his ring gone. He dissembled the loss, and returned to his wife; but, whenever he attempted to embrace her, he found himself prevented by something dark and dense, which was tangible, though not visible, interposing between them; and he heard a voice saying, 'Embrace me! for I am Venus, whom this day you wedded, and I will not restore your ring.' As this was constantly repeated, he consulted his relations, who had recourse to Palumbus, a priest, skilled in necromancy. He directed the young man to go, at a certain hour of night, to a spot among the ruins of ancient Rome, where four roads met, and wait silently till he saw a company pass by, and then, without uttering a word, to deliver a letter, which he gave him, to a majestic being, who rode in a chariot, after the rest of the company. The young man did as he was directed; and saw a company of all ages, sexes, and ranks, on horse and on foot, some joyful and others sad, pass along; among whom he distinguished a woman in a meretricious dress, who, from the tenuity of her garments, seemed almost naked. She rode on a mule; her long hair, which flowed over her shoulders, was bound with a golden fillet; and in her hand was a golden rod, with which she directed her mule. In the close of the procession, a tall majestic figure appeared in a chariot, adorned with emeralds and pearls, who fiercely asked the young man, 'What he did there?' He presented the letter in silence, which the daemon dared not refuse. As soon as he had read, lifting up his hands to heaven, he exclaimed, 'Almighty God! how long wilt thou endure the iniquities of the sorcerer Palumbus!' and immediately dispatched some of his attendants, who, with much difficulty, extorted the ring from Venus, and restored it to its owner, whose infernal banns were thus dissolved."--FORDUNI _Scotichronicon,_ Vol. I. p. 407, _cura_ GOODALL.
But it is rather in the classical character of an infernal deity, that the elfin queen may be considered, than as _Hecate_, the patroness of magic; for not only in the romance writers, but even in Chaucer, are the Fairies identified with the ancient inhabitants of the classical hell. Thus Chaucer, in his _Marchand's Tale_, mentions
Pluto that is king of fayrie--and
Proserpine and all her fayrie.
In the _Golden Terge_ of Dunbar, the same phraseology is adopted: Thus,
Thair was Pluto that elricke incubus
In cloke of grene, his court usit in sable.
Even so late as 1602, in Harsenet's _Declaration of Popish Imposture,_ p. 57, Mercury is called _Prince of the Fairies._
But Chaucer, and those poets who have adopted his phraseology, have only followed the romance writers; for the same substitution occurs in the romance of _Orfeo and Heurodis_, in which the story of Orpheus and Eurydice is transformed into a beautiful romantic tale of faëry, and the Gothic mythology engrafted on the fables of Greece. _Heurodis_ is represented as wife of _Orfeo_, and queen of Winchester, the ancient name of which city the romancer, with unparalleled ingenuity, discovers to have been Traciens, or Thrace. The monarch, her husband, had a singular genealogy:
His fader was comen of King Pluto,
And his moder of King Juno;
That sum time were as godes y-holde,
For aventours that thai dede and tolde.
Reposing, unwarily, at noon, under the shade of an ymp tree,[A] _Heurodis_ dreams that she is accosted by the King of Fairies,
With an hundred knights and mo,
And damisels an hundred also,
Al on snowe white stedes;
As white as milke were her wedes;
Y no seigh never yete bifore,
So fair creatours y-core:
The kinge hadde a croun on hed,
It nas of silver, no of golde red,
Ac it was of a precious ston:
As bright as the sonne it schon.
[Footnote A: _Ymp tree_--According to the general acceptation, this only signifies a grafted tree; whether it should he here understood to mean a tree consecrated to the imps, or fairies, is left with the reader.]
The King of Fairies, who had obtained power over the queen, perhaps from her sleeping at noon in his domain, orders her, under the penalty of being torn to pieces, to await him to-morrow under the ymp tree, and accompany him to Fairy-Land. She relates her dream to her husband, who resolves to accompany her, and attempt her rescue:
A morwe the under tide is come,
And Orfeo hath his armes y-nome,
And wele ten hundred knights with him,
Ich y-armed stout and grim;
And with the quen wenten he,
Right upon that ympe tre.
Thai made scheltrom in iche aside,
And sayd thai wold there abide,
And dye ther everichon,
Er the qeun schuld fram hem gon:
Ac yete amiddes hem ful right,
The quen was oway y-twight,
With Fairi forth y-nome,
Men wizt never wher sche was become.
After this fatal catastrophe, _Orfeo_, distracted for the loss of his queen, abandons his throne, and, with his harp, retires into a wilderness, where he subjects himself to every kind of austerity, and attracts the wild beasts by the pathetic melody of his harp. His state of desolation is poetically described:
He that werd the fowe and griis,
And on bed the purpur biis,
Now on bard hethe he lith.
With leves and gresse he him writh:
He that had castells and tours,
Rivers, forests, frith with flowrs.
Now thei it commence to snewe and freze,
This king mot make his bed in mese:
He that had y-had knightes of priis,
Bifore him kneland and leuedis,
Now seth he no thing that him liketh,
Bot wild wormes bi him striketh:
He that had y-had plente
Of mete and drinke, of ich deynte,
Now may he al daye digge and wrote,
Er he find his fille of rote.
In sorner he liveth bi wild fruit,
And verien hot gode lite.
In winter may he no thing find,
Bot rotes, grases, and the rinde.
* * * * *
His here of his herd blac and rowe,
To his girdel stede was growe;
His harp, whereon was al his gle,
He hidde in are holwe tre:
And, when the weder was clere and bright,
He toke his harpe to him wel right,
And harped at his owen will,
Into al the wode the soun gan shill,
That al the wild bestes that ther beth
For joie abouten him thai teth;
And al the foules that ther wer,
Come and sete on ich a brere,
To here his harping a fine,
So miche melody was therein.
At last he discovers, that he is not the sole inhabitant of this desart; for
He might se him besides
Oft in hot undertides,
The king of Fairi, with his route,
Come to hunt him al about,
With dim cri and bloweing,
And houndes also with him berking;
Ac no best thai no nome,
No never he nist whider thai bi come.
And other while he might hem se
As a gret ost bi him te,
Well atourued ten hundred knightes,
Ich y-armed to his rightes,
Of cuntenance stout and fers,
With mani desplaid baners;
And ich his sword y-drawe hold,
Ac never he nist whider thai wold.
And otherwhile he seighe other thing;
Knightis and lenedis com daunceing,
In queynt atire gisely,
Queyete pas and softlie:
Tabours and trumpes gede hem bi,
And al mauer menstraci.--
And on a day he seighe him biside,
Sexti leuedis on hors ride,
Gentil and jolif as brid on ris;
Nought o man amonges hem ther nis;
And ich a faucoun on bond bere,
And riden on hauken bi o river.
Of game thai found wel gode haunt,
Maulardes, hayroun, and cormoraunt;
The foules of the water ariseth,
Ich faucoun hem wele deviseth,
Ich fancoun his pray slough,
That seize Orfeo and lough.
"Par fay," quoth he, "there is fair game,
"Hider Ichil bi Godes name,
"Ich was y won swich work to se:"
He aros, and thider gan te;
To a leuedie hi was y-come,
Bihelde, and hath wel under nome,
And seth, bi al thing, that is
His owen quen, dam Heurodis;
Gern hi biheld her, and sche him eke,
Ac nouther to other a word no speke:
For messais that sche on him seighe,
That had ben so riche and so heighe,
The teres fel out of her eighe;
The other leuedis this y seighe,
And maked hir oway to ride,
Sche most with him no longer obide.
"Allas!" quoth he, "nowe is mi woe,
"Whi nil deth now me slo;
"Allas! to long last mi liif,
"When y no dare nought with mi wif,
"Nor hye to me o word speke;
"Allas whi nil miin hert breke!
"Par fay," quoth he, "tide what betide,
"Whider so this leuedis ride,
"The selve way Ichil streche;
"Of liif, no dethe, me no reche.
In consequence, therefore, of this discovery _Orfeo_ pursues the hawking damsels, among whom he has descried his lost queen. They enter a rock, the king continues the pursuit, and arrives at Fairy-Land, of which the following very poetical description is given:
In at roche the leuedis rideth,
And he after and nought abideth;
When he was in the roche y-go,
Wele thre mile other mo,
He com into a fair cuntray,
As bright soonne somers day,
Smothe and plain and al grene,
Hill no dale nas none ysene,
Amiddle the loud a castel he seighe,
Rich and reale and wonder heighe;
Al the utmast wal
Was cler and schine of cristal;
An hundred tours ther were about,
Degiselich and bataild stout;
The butrass come out of the diche,
Of rede gold y-arched riche;
The bousour was anowed al,
Of ich maner deuers animal;
Within ther wer wide wones
Al of precious stones,
The werss piler onto biholde,
Was al of burnist gold:
Al that loud was ever light,
For when it schuld be therk and night,
The riche stonnes light gonne,
Bright as doth at nonne the sonne
No man may tel, no thenke in thought.
The riche werk that ther was rought.
* * * * *
Than he gan biholde about al,
And seighe ful liggeand with in the wal,
Of folk that wer thidder y-brought,
And thought dede and nere nought;
Sum stode with outen hadde;
And some none armes nade;
And sum thurch the bodi hadde wounde;
And sum lay wode y-bounde;
And sum armed on hors sete;
And sum astrangled as thai ete;
And sum war in water adreynt;
And sum with fire al for schreynt;
Wives ther lay on childe bedde;
Sum dede, and sum awedde;
And wonder fere ther lay besides,
Right as thai slepe her undertides;
Eche was thus in this warld y-nome,
With fairi thider y-come.[A]
There he seize his owhen wiif,
Dame Heurodis, his liif liif,
Slepe under an ympe tree:
Bi her clothes he knewe that it was he,
And when he had bihold this mervalis alle,
He went into the kinges halle;
Then seigh he there a semly sight,
A tabernacle blisseful and bright;
Ther in her maister king sete,
And her quen fair and swete;
Her crounes, her clothes schine so bright,
That unnethe bihold he hem might.
_Orfeo and Heurodis, MS._
[Footnote A: It was perhaps from such a description that Ariosto adopted his idea of the Lunar Paradise, containing every thing that on earth was stolen or lost.]
_Orfeo_, as a minstrel, so charms the Fairy King with the music of his harp, that he promises to grant him whatever he should ask. He immediately demands his lost _Heurodis_; and, returning safely with her to Winchester, resumes his authority; a catastrophe, less pathetic indeed, but more pleasing, than that of the classical story. The circumstances, mentioned in this romantic legend, correspond very exactly with popular tradition. Almost all the writers on daemonology mention, as a received opinion that the power of the daemons is most predominant at noon and midnight. The entrance to the Land of Faëry is placed in the wilderness; a circumstance, which coincides with a passage in Lindsay's _Complaint of the Papingo:_
Bot sen my spreit mon from my bodye go,
I recommend it to the queue of Fary,
Eternally into her court to tarry
In _wilderness_ amang the holtis hair.
LINDSAY'S _Works_, 1592, p. 222.
Chaucer also agrees, in this particular, with our romancer:
In his sadel he clombe anon,
And priked over stile and ston,
An elf quene for to espie;
Til he so long had riden and gone
That he fond in a privie wone
The countree of Faërie.
Wherein he soughte north and south,
And often spired with his mouth,
In many a foreste wilde;
For in that countree nas ther non,
That to him dorst ride or gon,
Neither wif ne childe.
_Rime of Sir Thopas._
V. Other two causes, deeply affecting the superstition of which we treat, remain yet to be noticed. The first is derived from the Christian religion, which admits only of two classes of spirits, exclusive of the souls of men--Angels, namely, and Devils. This doctrine had a necessary tendency to abolish the distinction among subordinate spirits, which had been introduced by the superstitions of the Scandinavians. The existence of the Fairies was readily admitted; but, as they had no pretensions to the angelic character, they were deemed to be of infernal origin. The union, also, which had been formed betwixt the elves and the Pagan deities, was probably of disservice to the former; since every one knows, that the whole synod of Olympus were accounted daemons.
The fulminations of the church were, therefore, early directed against those, who consulted or consorted with the Fairies; and, according to the inquisitorial logic, the innocuous choristers of Oberon and Titania were, without remorse, confounded with the sable inhabitants of the orthodox Gehennim; while the rings, which marked their revels, were assimilated to the blasted sward on which the witches held their infernal sabbath.--_Delrii Disq. Mag._ p. 179. This transformation early took place; for, among the many crimes for which the famous Joan of Arc was called upon to answer, it was not the least heinous, that she had frequented the Tree and Fountain, near Dompré, which formed the rendezvous of the Fairies, and bore their name; that she had joined in the festive dance with the elves, who haunted this charmed spot; had accepted of their magical bouquets, and availed herself of their talismans, for the delivery of her country.--_Vide Acta Judiciaria contra Johannam D'Arceam, vulgo vocutam Johanne la Pucelle._
The Reformation swept away many of the corruptions of the church of Rome; but the purifying torrent remained itself somewhat tinctured by the superstitious impurities of the soil over which it had passed. The trials of sorcerers and witches, which disgrace our criminal records, become even more frequent after the Reformation of the church; as if human credulity, no longer amused by the miracles of Rome, had sought for food in the traditionary records of popular superstition. A Judaical observation of the precepts of the Old Testament also characterized the Presbyterian reformers. _"Thou shalt not suffer a witch to live,"_ was a text, which at once (as they conceived) authorized their belief in sorcery, and sanctioned the penalty which they denounced against it. The Fairies were, therefore, in no better credit after the Reformation than before, being still regarded as actual daemons, or something very little better. A famous divine, Doctor Jasper Brokeman, teaches us, in his system of divinity, "that they inhabit in those places that are polluted with any crying sin, as effusion of blood, or where unbelief or superstitione have gotten the upper hand."--_Description of Feroe._ The Fairies being on such bad terms with the divines, those, who pretended to intercourse with them, were, without scruple, punished as sorcerers; and such absurd charges are frequently stated as exaggerations of crimes, in themselves sufficiently heinous.
Such is the case in the trial of the noted Major Weir, and his sister; where the following mummery interlards a criminal indictment, too infamously flagitious to be farther detailed: "9th April, 1670. Jean Weir, indicted of sorceries, committed by her when she lived and kept a school at Dalkeith: that she took employment from a woman, to speak in her behalf to the _Queen of Fairii, meaning the Devil_; and that another woman gave her a piece of a tree, or root, the next day, and did tell her, that as long as she kept the same, she should be able to do what she pleased; and that same woman, from whom she got the tree, caused her spread a cloth before her door, and set her foot upon it, and to repeat thrice, in the posture foresaid, these words, _'All her losses and crosses go alongst to the doors,'_ which was truly a consulting with the devil, and an act of sorcery, &c. That after the spirit, in the shape of a woman, who gave her the piece of tree, had removed, she, addressing herself to spinning, and having spun but a short time, found more yarn upon the pirn than could possibly have come there by good means."[A]--_Books of Adjournal._
[Footnote A: It is observed in the record, that Major Weir, a man of the most vicious character, was at the same time ambitious of appearing eminently godly; and used to frequent the beds of sick persons, to assist them with his prayers. On such occasions, he put to his mouth a long staff, which he usually carried, and expressed himself with uncommon energy and fluency, of which he was utterly incapable when the inspiring rod was withdrawn. This circumstance, the result, probably, of a trick or habit, appearing suspicious to the judges, the staff of the sorcerer was burned along with his person. One hundred and thirty years have elapsed since his execution, yet no one has, during that space, ventured to inhabit the house of this celebrated criminal.]
Neither was the judgment of the criminal court of Scotland less severe against another familiar of the Fairies, whose supposed correspondence with the court of Elfland seems to have constituted the sole crime, for which she was burned alive. Her name was Alison Pearson, and she seems to have been a very noted person. In a bitter satire against Adamson, Bishop of St Andrews, he is accused of consulting with sorcerers, particularly with this very woman; and an account is given of her travelling through Breadalbane, in the company of the Queen of Faëry, and of her descrying, in the court of Elfland, many persons, who had been supposed at rest in the peaceful grave.[A] Among these we find two remarkable personages; the secretary, young Maitland of Lethington, and one of the old lairds of Buccleuch. The cause of their being stationed in Elfland probably arose from the manner of their decease; which, being uncommon and violent, caused the vulgar to suppose that they had been abstracted by the Fairies. Lethington, as is generally supposed, died a Roman death during his imprisonment in Leith; and the Buccleuch, whom I believe to be here meant, was slain in a nocturnal scuffle by the Kerrs, his hereditary enemies. Besides, they were both attached to the cause of Queen Mary, and to the ancient religion; and were thence, probably, considered as more immediately obnoxious to the assaults of the powers of darkness.[B] The indictment of Alison Pearson notices her intercourse with the Archbishop of St Andrews, and contains some particulars, worthy of notice, regarding the court of Elfland. It runs thus: "28th May, 1586. Alison Pearson, in Byrehill, convicted of witchcraft, and of consulting with evil spirits, in the form of one Mr William Simpsone, her cosin, who she affirmed was a gritt schollar, and doctor of medicine, that healed her of her diseases when she was twelve years of age; having lost the power of her syde, and having a familiaritie with him for divers years, dealing with charms, and abuseing the common people by her arts of witchcraft, thir divers years by-past.
[Footnote A:
For oght the kirk culd him forbid,
He sped him sone, and gat the thrid;
Ane carling of the quene of Phareis,
That ewill win geir to elpliyne careis;
Through all Brade Abane scho has bene,
On horsbak on Hallow ewin;
And ay in seiking certayne nightis,
As scho sayis with sur silly wychirs:
And names out nybours sex or sewin,
That we belevit had bene in heawin;
Scho said scho saw theme weill aneugh,
And speciallie gude auld Balcleuch,
The secretar, and sundrie uther:
Ane William Symsone, her mother brother,
Whom fra scho has resavit a buike
For ony herb scho likes to luke;
It will instruct her how to tak it,
In saws and sillubs how to mak it;
With stones that meikle mair can doe,
In leich craft, where scho lays them toe:
A thousand maladeis scho hes mendit;
Now being tane, and apprehendit,
Scho being in the bischopis cure,
And keipit in his castle sure,
Without respect of worldlie glamer,
He past into the witches chalmer.
_Scottish Poems of XVI. Century,_ Edin. 1801,
Vol. II, p. 320.]
[Footnote B: Buccleuch was a violent enemy to the English, by whom his lands had been repeatedly plundered (See _Introduction,_ p. xxvi), and a great advocate for the marriage betwixt Mary and the dauphin, 1549. According to John Knox, he had recourse even to threats, in urging the parliament to agree to the French match. "The laird of Buccleuch," says the Reformer, "a bloody man, with many Gods wounds, swore, they that would not consent should do worse."]
"_Item,_ For banting and repairing with the gude neighbours, and queene of Elfland, thir divers years by-past, as she had confest; and that she had friends in that court, which were of her own blude, who had gude acquaintance of the queene of Elfland, which might have helped her; but she was whiles well, and whiles ill, sometimes with them, a'nd other times away frae them; and that she would be in her bed haille and feire, and would not wytt where she would be the morn; and that she saw not the queene this seven years, and that she was seven years ill handled in the court of Elfland; that, however, she kad gude friends there, and that it was the gude neighbours that healed her, under God; and that she was comeing and going to St Andrews to haile folkes thir many years past.
"_Item,_ Convict of the said act of witchcraft, in as far as she confest that the said Mr William Sympsoune, who was her guidsir sone, born in Stirleing, who was the king's smith, who, when about eight years of age, was taken away by ane Egyptian to Egypt; which Egyptian was a gyant, where he remained twelve years, "and then came home.
"_Item,_ That she being in Grange Muir, with some other folke, she, being sick, lay downe; and, when alone, there came a man to her, clad in green, who said to her, if she would be faithful, he would do her good; but she, being feared, cried out, but naebodye came to her; so she said, if he came in God's name, and for the gude of her saule, it was well; but he gaid away: that he appeared to her another tyme like a lustie man, and many men and women with him; that, at seeing him, she signed herself and prayed, and past with them, and saw them making merrie with pypes, and gude cheir and wine, and that she was carried with them; and that when she telled any of these things, she was sairlie tormentit by them; and that the first time she gaed with them, she gat a sair straike frae one of them, which took all the _poustie_[A] of her syde frae her, and left ane ill-far'd mark on her syde.
"_Item,_ That she saw the gude neighbours make their sawes[B] with panns and fyres, and that they gathered the herbs before the sun was up, and they came verie fearful sometimes to her, and flaide[C] her very sair, which made her cry, and threatened they would use her worse than before; and, at last, they took away the power of her haile syde frae her, which made her lye many weeks. Sometimes they would come and sitt by her, and promise all that she should never want if she would be faithful, but if she would speak and telle of them, they should murther her; and that Mr William Sympsoune is with them, who healed her, and telt her all things; that he is a young man not six years older than herself, and that he will appear to her before the court comes; that he told her he was taken away by them, and he bidd her sign herself that she be not taken away, for the teind of them are tane to hell everie year.
[Footnote A: _Poustie_--Power.]
[Footnote B: _Sawes_--Salves.]
[Footnote C: _Flaide_--Scared.]
"_Item,_ That the said Mr William told her what herbs were fit to cure every disease, and how to use them; and particularlie tauld, that the Bishop of St Andrews laboured under sindrie diseases, sic as the riples, trembling, feaver, flux, &c. and bade her make a sawe, and anoint several parts of his body therewith, and gave directions for making a posset, which she made and gave him."
For this idle story the poor woman actually suffered death. Yet, notwithstanding the fervent arguments thus liberally used by the orthodox, the common people, though they dreaded even to think or speak about the Fairies, by no means unanimously acquiesced in the doctrine, which consigned them to eternal perdition. The inhabitants of the Isle of Man call them the "_good people_, and say they live in wilds, and forests, and on mountains, and shun great cities, because of the wickedness acted therein: all the houses are blessed where they visit, for they fly vice. A person would be thought impudently prophane who should suffer his family to go to bed, without having first set a tub, or pail, full of clean water, for those guests to bathe themselves in, which the natives aver they constantly do, as soon as ever the eyes of the family are closed, wherever they vouchsafe to come."--WALDREN's _Works_, p. 126. There are some curious, and perhaps anomalous facts, concerning the history of Fairies, in a sort of Cock-lane narrative, contained in a letter from Moses Pitt, to Dr Edward Fowler, Lord Bishop of Gloucester, printed at London in 1696, and preserved in Morgan's _Phoenix Britannicus,_ 4to, London 1732.
Anne Jefferies was born in the parish of St Teath, in the county of Cornwall, in 1626. Being the daughter of a poor man, she resided as servant in the house of the narrator's father, and waited upon the narrator himself, in his childhood. As she was knitting stockings in an arbour of the garden, "six small people, all in green clothes," came suddenly over the garden wall; at the sight of whom, being much frightened, she was seized with convulsions, and continued so long sick, that she became as a changeling, and was unable to walk. During her sickness, she frequently exclaimed, "They are just gone out of the window! they are just gone out of the window! do you not see them?" These expressions, as she afterwards declared, related to their disappearing. During the harvest, when every one was employed, her mistress walked out; and dreading that Anne, who was extremely weak and silly, might injure herself, or the house, by the fire, with some difficulty persuaded her to walk in the orchard till her return. She accidentally hurt her leg, and, at her return, Anne cured it, by stroking it with her hand. She appeared to be informed of every particular, and asserted, that she had this information from the Fairies, who had caused the misfortune. After this, she performed numerous cures, but would never receive money for them. From harvest time to Christmas, she was fed by the Fairies, and eat no other victuals but theirs. The narrator affirms, that, looking one day through the key-hole of the door of her chamber, he saw her eating; and that she gave him a piece of bread, which was the most delicious he ever tasted. The Fairies always appeared to her in even numbers; never less than two, nor more than eight, at a time. She had always a sufficient stock of salves and medicines, and yet neither made, nor purchased any; nor did she ever appear to be in want of money. She, one day, gave a silver cup, containing about a quart, to the daughter of her mistress, a girl about four years old, to carry to her mother, who refused to receive it. The narrator adds, that he had seen her dancing in the orchard among the trees, and that she informed him she was then dancing with the Fairies. The report of the strange cures which she performed, soon attracted the attention of both ministers and magistrates. The ministers endeavoured to persuade her, that the Fairies by which she was haunted, were evil spirits, and that she was under the delusion of the devil. After they had left her, she was visited by the Fairies, while in great perplexity; who desired her to cause those, who termed them evil spirits, to read that place of scripture, _First Epistle of John,_, chap. iv. v. 1,--_Dearly beloved, believe not every spirit, but try the spirits, whether they are of God,_ &c. Though Anne Jefferies could not read, she produced a Bible folded down at this passage. By the magistrates she was confined three months, without food, in Bodmin jail, and afterwards for some time in the house of Justice Tregeagle. Before the constable appeared to apprehend her, she was visited by the Fairies, who informed her what was intended, and advised her to go with him. When this account was given, on May 1, 1696, she was still alive; but refused to relate any particulars of her connection with the Fairies, or the occasion on which they deserted her, lest she should again fall under the cognizance of the magistrates.
Anne Jefferies' Fairies were not altogether singular in maintaining their good character, in opposition to the received opinion of the church. Aubrey and Lily, unquestionably judges in such matters, had a high opinion of these beings, if we may judge from the following succinct and business-like memorandum of a ghost-seer. "Anno 1670. Not far from Cirencester was an apparition. Being demanded whether a good spirit or a bad, returned no answer, but disappeared with a curious perfume, and most melodious twang. M.W. Lilly believes it was a Fairie. So Propertius,
Omnia finierat; tenues secessit in auras,
Mansit odor possis scire fuisse Deam!"
AUBREY'S _Miscellanies,_ p. 80.
A rustic, also, whom Jackson taxed with magical practices, about 1620, obstinately denied that the good King of the Fairies had any connection with the devil; and some of the Highland seers, even in our day, have boasted of their intimacy with the elves, as an innocent and advantageous connection. One Maccoan, in Appin, the last person eminently gifted with the second sight, professed to my learned and excellent friend, Mr Ramsay, of Ochtertyre, that he owed his prophetic visions to their intervention.
VI. There remains yet another cause to be noticed, which seems to have induced a considerable alteration into the popular creed of England, respecting Fairies. Many poets of the sixteenth century, and, above all, our immortal Shakespeare, deserting the hackneyed fictions of Greece and Rome, sought for machinery in the superstitions of their native country. "The fays, which nightly dance upon the wold," were an interesting subject; and the creative imagination of the bard, improving upon the vulgar belief, assigned to them many of those fanciful attributes and occupations, which posterity have since associated with the name of Fairy. In such employments, as rearing the drooping flower, and arranging the disordered chamber, the Fairies of South Britain gradually lost the harsher character of the dwarfs, or elves. Their choral dances were enlivened by the introduction of the merry goblin _Puck_,[A] for whose freakish pranks they exchanged their original mischievous propensities. The Fairies of Shakespeare, Drayton, and Mennis, therefore, at first exquisite fancy portraits, may be considered as having finally operated a change in the original which gave them birth.[B]
[Footnote A: Robin Goodfellow, or Hobgoblin, possesses the frolicksome qualities of the French _Lutin_. For his full character, the reader is referred to the _Reliques of Ancient Poetry_. The proper livery of this sylvan Momus is to be found in an old play. "Enter Robin Goodfellow, in a suit of leather, close to his body, his hands and face coloured russet colour, with a flail."--_Grim, the Collier of Croydon, Act 4, Scene 1._ At other times, however, he is presented in the vernal livery of the elves, his associates:
_Tim._ "I have made
"Some speeches, sir, ill verse, which have been spoke
"By a _green Robin Goodfellow_, from Cheapside conduit,
"To my father's company."
_The City Match, Act I, Scene 6._]
[Footnote B: The Fairy land, and Fairies of Spenser, have no connection with popular superstition, being only words used to denote an Utopian scene of action, and imaginary or allegorical characters; and the title of the "Fairy Queen" being probably suggested by the elfin mistress of Chaucer's _Sir Thopas_. The stealing of the Red Cross Knight, while a child, is the only incident in the poem which approaches to the popular character of the Fairy:
--A Fairy thee unweeting reft;
There as thou sleptst in tender swadling band,
And her base elfin brood there for thee left:
Such men do changelings call, so chang'd by Fairies theft.
_Book I. Canto_ 10.]
While the fays of South Britain received such attractive and poetical embellishments, those of Scotland, who possessed no such advantage, retained more of their ancient, and appropriate character. Perhaps, also, the persecution which these sylvan deities underwent, at the instance of the stricter presbyterian clergy, had its usual effect, in hardening their dispositions, or at least in rendering them more dreaded by those among whom they dwelt. The face of the country, too, might have some effect; as we should naturally attribute a less malicious disposition, and a less frightful appearance, to the fays who glide by moon-light through the oaks of Windsor, than to those who haunt the solitary heaths and lofty mountains of the North. The fact at least is certain; and it has not escaped a late ingenious traveller, that the character of the Scottish Fairy is more harsh and terrific than that which is ascribed to the elves of our sister kingdom.--See STODDART'S _View of Scenery and Manners in Scotland._
The Fairies of Scotland are represented as a diminutive race of beings, of a mixed, or rather dubious nature, capricious in their dispositions, and mischievous in their resentment. They inhabit the interior of green hills, chiefly those of a conical form, in Gaelic termed _Sighan_, on which they lead their dances by moon-light; impressing upon the surface the mark of circles, which sometimes appear yellow and blasted, sometimes of a deep green hue; and within which it is dangerous to sleep, or to be found after sun-set. The removal of those large portions of turf, which thunderbolts sometimes scoop out of the ground with singular regularity, is also ascribed to their agency. Cattle, which are suddenly seized with the cramp, or some similar disorder, are said to be _elf-shot_; and the approved cure is, to chafe the parts affected with a blue bonnet, which, it may be readily believed, often restores the circulation. The triangular flints, frequently found in Scotland, with which the ancient inhabitants probably barbed their shafts, are supposed to be the weapons of Fairy resentment, and are termed _elf-arrow heads_. The rude brazen battle-axes of the ancients, commonly called _celts_, are also ascribed to their manufacture. But, like the Gothic duergar, their skill is not confined to the fabrication of arms; for they are heard sedulously hammering in linns, precipices, and rocky or cavernous situations where, like the dwarfs of the mines, mentioned by Georg. Agricola, they busy themselves in imitating the actions and the various employments of men. The brook of Beaumont, for example, which passes, in its course, by numerous linns and caverns, is notorious for being haunted by the Fairies; and the perforated and rounded stones, which are formed by trituration in its channel, are termed, by the vulgar, fairy cups and dishes. A beautiful reason is assigned, by Fletcher, for the fays frequenting streams and fountains. He tells us of
A virtuous well, about whose flowery banks
The nimble-footed Fairies dance their rounds,
By the pale moon-shine, dipping oftentimes
Their stolen children, so to make them free
From dying flesh, and dull mortality.
_Faithful Shepherdess._
It is sometimes accounted unlucky to pass such places, without performing some ceremony to avert the displeasure of the elves. There is, upon the top of Minchmuir, a mountain in Peebles-shire, a spring, called the _Cheese Well_, because, anciently, those who passed that way were wont to throw into it a piece of cheese, as an offering to the Fairies, to whom it was consecrated.
Like the _feld elfen_ of the Saxons, the usual dress of the Fairies is green; though, on the moors, they have been sometimes observed in heath-brown, or in weeds dyed with the stoneraw, or lichen.[A] They often ride in invisible procession, when their presence is discovered by the shrill ringing of their bridles. On these occasions, they sometimes borrow mortal steeds; and when such are found at morning, panting and fatigued in their stalls, with their manes and tails dishevelled and entangled, the grooms, I presume, often find this a convenient excuse for their situation; as the common belief of the elves quaffing the choicest liquors in the cellars of the rich (see the story of Lord Duffus below), might occasionally cloak the delinquencies of an unfaithful butler.
[Footnote A: Hence the hero of the ballad is termed an "elfin grey."]
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Minstrelsy of the Scottish Border, Volume 2 (of 3)Chapter IV: Part 4
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