Chapter VII: Introduction (7)

Having now examined Polybius's attitude towards the supernatural and the general ideas which guided his research, I will proceed to examine the method he pursued in his scientific investigation of the complex phenomena of life. For, as I have said before in the course of this essay, what is important in all great writers is not so much the results they arrive at as the methods they pursue. The increased knowledge of facts may alter any conclusion in history as in physical science, and the canons of speculative historical credibility must be acknowledged to appeal rather to that subjective attitude of mind which we call the historic sense than to any formulated objective rules. But a scientific method is a gain for all time, and the true if not the only progress of historical criticism consists in the improvement of the instruments of research.

Now first, as regards his conception of history, I have already pointed out that it was to him essentially a search for causes, a problem to be solved, not a picture to be painted, a scientific investigation into laws and tendencies, not a mere romantic account of startling incident and wondrous adventure. Thucydides, in the opening of his great work, had sounded the first note of the scientific conception of history. 'The absence of romance in my pages,' he says, 'will, I fear, detract somewhat from its value, but I have written my work not to be the exploit of a passing hour but as the possession of all time.' {203} Polybius follows with words almost entirely similar. If, he says, we banish from history the consideration of causes, methods and motives ([Greek]), and refuse to consider how far the result of anything is its rational consequent, what is left is a mere [Greek], not a [Greek], an oratorical essay which may give pleasure for the moment, but which is entirely without any scientific value for the explanation of the future. Elsewhere he says that 'history robbed of the exposition of its causes and laws is a profitless thing, though it may allure a fool.' And all through his history the same point is put forward and exemplified in every fashion.

So far for the conception of history. Now for the groundwork. As regards the character of the phenomena to be selected by the scientific investigator, Aristotle had laid down the general formula that nature should be studied in her normal manifestations. Polybius, true to his character of applying explicitly the principles implicit in the work of others, follows out the doctrine of Aristotle, and lays particular stress on the rational and undisturbed character of the development of the Roman constitution as affording special facilities for the discovery of the laws of its progress. Political revolutions result from causes either external or internal. The former are mere disturbing forces which lie outside the sphere of scientific calculation. It is the latter which are important for the establishing of principles and the elucidation of the sequences of rational evolution.

He thus may be said to have anticipated one of the most important truths of the modern methods of investigation: I mean that principle which lays down that just as the study of physiology should precede the study of pathology, just as the laws of disease are best discovered by the phenomena presented in health, so the method of arriving at all great social and political truths is by the investigation of those cases where development has been normal, rational and undisturbed.

The critical canon that the more a people has been interfered with, the more difficult it becomes to generalise the laws of its progress and to analyse the separate forces of its civilisation, is one the validity of which is now generally recognised by those who pretend to a scientific treatment of all history: and while we have seen that Aristotle anticipated it in a general formula, to Polybius belongs the honour of being the first to apply it explicitly in the sphere of history.

I have shown how to this great scientific historian the motive of his work was essentially the search for causes; and true to his analytical spirit he is careful to examine what a cause really is and in what part of the antecedents of any consequent it is to be looked for. To give an illustration: As regards the origin of the war with Perseus, some assigned as causes the expulsion of Abrupolis by Perseus, the expedition of the latter to Delphi, the plot against Eumenes and the seizure of the ambassadors in Boeotia; of these incidents the two former, Polybius points out, were merely the pretexts, the two latter merely the occasions of the war. The war was really a legacy left to Perseus by his father, who was determined to fight it out with Rome. {205}

Here as elsewhere he is not originating any new idea. Thucydides had pointed out the difference between the real and the alleged cause, and the Aristotelian dictum about revolutions, [Greek], draws the distinction between cause and occasion with the brilliancy of an epigram. But the explicit and rational investigation of the difference between [Greek] and [Greek] was reserved for Polybius. No canon of historical criticism can be said to be of more real value than that involved in this distinction, and the overlooking of it has filled our histories with the contemptible accounts of the intrigues of courtiers and of kings and the petty plottings of backstairs influence--particulars interesting, no doubt, to those who would ascribe the Reformation to Anne Boleyn's pretty face, the Persian war to the influence of a doctor or a curtain-lecture from Atossa, or the French Revolution to Madame de Maintenon, but without any value for those who aim at any scientific treatment of history.

But the question of method, to which I am compelled always to return, is not yet exhausted. There is another aspect in which it may be regarded, and I shall now proceed to treat of it.

One of the greatest difficulties with which the modern historian has to contend is the enormous complexity of the facts which come under his notice: D'Alembert's suggestion that at the end of every century a selection of facts should be made and the rest burned (if it was really intended seriously) could not, of course, be entertained for a moment. A problem loses all its value when it becomes simplified, and the world would be all the poorer if the Sybil of History burned her volumes. Besides, as Gibbon pointed out, 'a Montesquieu will detect in the most insignificant fact relations which the vulgar overlook.'

Nor can the scientific investigator of history isolate the particular elements, which he desires to examine, from disturbing and extraneous causes, as the experimental chemist can do (though sometimes, as in the case of lunatic asylums and prisons, he is enabled to observe phenomena in a certain degree of isolation). So he is compelled either to use the deductive mode of arguing from general laws or to employ the method of abstraction which gives a fictitious isolation to phenomena never so isolated in actual existence. And this is exactly what Polybius has done as well as Thucydides. For, as has been well remarked, there is in the works of these two writers a certain plastic unity of type and motive; whatever they write is penetrated through and through with a specific quality, a singleness and concentration of purpose, which we may contrast with the more comprehensive width as manifested not merely in the modern mind, but also in Herodotus. Thucydides, regarding society as influenced entirely by political motives, took no account of forces of a different nature, and consequently his results, like those of most modern political economists, have to be modified largely {207} before they come to correspond with what we know was the actual state of fact. Similarly, Polybius will deal only with those forces which tended to bring the civilised world under the dominion of Rome (ix. 1), and in the Thucydidean spirit points out the want of picturesqueness and romance in his pages which is the result of the abstract method ([Greek]), being careful also to tell us that his rejection of all other forces is essentially deliberate and the result of a preconceived theory and by no means due to carelessness of any kind.

Now, of the general value of the abstract method and the legality of its employment in the sphere of history, this is perhaps not the suitable occasion for any discussion. It is, however, in all ways worthy of note that Polybius is not merely conscious of, but dwells with particular weight on, the fact which is usually urged as the strongest objection to the employment of the abstract method--I mean the conception of a society as a sort of human organism whose parts are indissolubly connected with one another and all affected when one member is in any way agitated. This conception of the organic nature of society appears first in Plato and Aristotle, who apply it to cities. Polybius, as his wont is, expands it to be a general characteristic of all history. It is an idea of the very highest importance, especially to a man like Polybius whose thoughts are continually turned towards the essential unity of history and the impossibility of isolation.

Farther, as regards the particular method of investigating that group of phenomena obtained for him by the abstract method, he will adopt, he tells us, neither the purely deductive nor the purely inductive mode but the union of both. In other words, he formally adopts that method of analysis upon the importance of which I have dwelt before.

And lastly, while, without doubt, enormous simplicity in the elements under consideration is the result of the employment of the abstract method, even within the limit thus obtained a certain selection must be made, and a selection involves a theory. For the facts of life cannot be tabulated with as great an ease as the colours of birds and insects can be tabulated. Now, Polybius points out that those phenomena particularly are to be dwelt on which may serve as a [Greek] or sample, and show the character of the tendencies of the age as clearly as 'a single drop from a full cask will be enough to disclose the nature of the whole contents.' This recognition of the importance of single facts, not in themselves but because of the spirit they represent, is extremely scientific; for we know that from the single bone, or tooth even, the anatomist can recreate entirely the skeleton of the primeval horse, and the botanist tell the character of the flora and fauna of a district from a single specimen.

Regarding truth as 'the most divine thing in Nature,' the very 'eye and light of history without which it moves a blind thing,' Polybius spared no pains in the acquisition of historical materials or in the study of the sciences of politics and war, which he considered were so essential to the training of the scientific historian, and the labour he took is mirrored in the many ways in which he criticises other authorities.

There is something, as a rule, slightly contemptible about ancient criticism. The modern idea of the critic as the interpreter, the expounder of the beauty and excellence of the work he selects, seems quite unknown. Nothing can be more captious or unfair, for instance, than the method by which Aristotle criticised the ideal state of Plato in his ethical works, and the passages quoted by Polybius from Timaeus show that the latter historian fully deserved the punning name given to him. But in Polybius there is, I think, little of that bitterness and pettiness of spirit which characterises most other writers, and an incidental story he tells of his relations with one of the historians whom he criticised shows that he was a man of great courtesy and refinement of taste--as, indeed, befitted one who had lived always in the society of those who were of great and noble birth.

Now, as regards the character of the canons by which he criticises the works of other authors, in the majority of cases he employs simply his own geographical and military knowledge, showing, for instance, the impossibility in the accounts given of Nabis's march from Sparta simply by his acquaintance with the spots in question; or the inconsistency of those of the battle of Issus; or of the accounts given by Ephorus of the battles of Leuctra and Mantinea. In the latter case he says, if any one will take the trouble to measure out the ground of the site of the battle and then test the manoeuvres given, he will find how inaccurate the accounts are.

In other cases he appeals to public documents, the importance of which he was always foremost in recognising; showing, for instance, by a document in the public archives of Rhodes how inaccurate were the accounts given of the battle of Lade by Zeno and Antisthenes. Or he appeals to psychological probability, rejecting, for instance, the scandalous stories told of Philip of Macedon, simply from the king's general greatness of character, and arguing that a boy so well educated and so respectably connected as Demochares (xii. 14) could never have been guilty of that of which evil rumour accused him.

But the chief object of his literary censure is Timaeus, who had been so unsparing of his strictures on others. The general point which he makes against him, impugning his accuracy as a historian, is that he derived his knowledge of history not from the dangerous perils of a life of action but in the secure indolence of a narrow scholastic life. There is, indeed, no point on which he is so vehement as this. 'A history,' he says, 'written in a library gives as lifeless and as inaccurate a picture of history as a painting which is copied not from a living animal but from a stuffed one.'

There is more difference, he says in another place, between the history of an eye-witness and that of one whose knowledge comes from books, than there is between the scenes of real life and the fictitious landscapes of theatrical scenery. Besides this, he enters into somewhat elaborate detailed criticism of passages where he thought Timaeus was following a wrong method and perverting truth, passages which it will be worth while to examine in detail.

Timaeus, from the fact of there being a Roman custom to shoot a war-horse on a stated day, argued back to the Trojan origin of that people. Polybius, on the other hand, points out that the inference is quite unwarrantable, because horse-sacrifices are ordinary institutions common to all barbarous tribes. Timaeus here, as was so common with Greek writers, is arguing back from some custom of the present to an historical event in the past. Polybius really is employing the comparative method, showing how the custom was an ordinary step in the civilisation of every early people.

In another place, {211} he shows how illogical is the scepticism of Timaeus as regards the existence of the Bull of Phalaris simply by appealing to the statue of the Bull, which was still to be seen in Carthage; pointing out how impossible it was, on any other theory except that it belonged to Phalaris, to account for the presence in Carthage of a bull of this peculiar character with a door between his shoulders. But one of the great points which he uses against this Sicilian historian is in reference to the question of the origin of the Locrian colony. In accordance with the received tradition on the subject, Aristotle had represented the Locrian colony as founded by some Parthenidae or slaves' children, as they were called, a statement which seems to have roused the indignation of Timaeus, who went to a good deal of trouble to confute this theory. He does so on the following grounds:--

First of all, he points out that in the ancient days the Greeks had no slaves at all, so the mention of them in the matter is an anachronism; and next he declares that he was shown in the Greek city of Locris certain ancient inscriptions in which their relation to the Italian city was expressed in terms of the position between parent and child, which showed also that mutual rights of citizenship were accorded to each city. Besides this, he appeals to various questions of improbability as regards their international relationship, on which Polybius takes diametrically opposite grounds which hardly call for discussion. And in favour of his own view he urges two points more: first, that the Lacedaemonians being allowed furlough for the purpose of seeing their wives at home, it was unlikely that the Locrians should not have had the same privilege; and next, that the Italian Locrians knew nothing of the Aristotelian version and had, on the contrary, very severe laws against adulterers, runaway slaves and the like. Now, most of these questions rest on mere probability, which is always such a subjective canon that an appeal to it is rarely conclusive. I would note, however, as regards the inscriptions which, if genuine, would of course have settled the matter, that Polybius looks on them as a mere invention on the part of Timaeus, who, he remarks, gives no details about them, though, as a rule, he is so over- anxious to give chapter and verse for everything. A somewhat more interesting point is that where he attacks Timaeus for the introduction of fictitious speeches into his narrative; for on this point Polybius seems to be far in advance of the opinions held by literary men on the subject not merely in his own day, but for centuries after. Herodotus had introduced speeches avowedly dramatic and fictitious. Thucydides states clearly that, where he was unable to find out what people really said, he put down what they ought to have said. Sallust alludes, it is true, to the fact of the speech he puts into the mouth of the tribune Memmius being essentially genuine, but the speeches given in the senate on the occasion of the Catilinarian conspiracy are very different from the same orations as they appear in Cicero. Livy makes his ancient Romans wrangle and chop logic with all the subtlety of a Hortensius or a Scaevola. And even in later days, when shorthand reporters attended the debates of the senate and a Daily News was published in Rome, we find that one of the most celebrated speeches in Tacitus (that in which the Emperor Claudius gives the Gauls their freedom) is shown, by an inscription discovered recently at Lugdunum, to be entirely fabulous.

Upon the other hand, it must be borne in mind that these speeches were not intended to deceive; they were regarded merely as a certain dramatic element which it was allowable to introduce into history for the purpose of giving more life and reality to the narration, and were to be criticised, not as we should, by arguing how in an age before shorthand was known such a report was possible or how, in the failure of written documents, tradition could bring down such an accurate verbal account, but by the higher test of their psychological probability as regards the persons in whose mouths they are placed. An ancient historian in answer to modern criticism would say, probably, that these fictitious speeches were in reality more truthful than the actual ones, just as Aristotle claimed for poetry a higher degree of truth in comparison to history. The whole point is interesting as showing how far in advance of his age Polybius may be said to have been.

The last scientific historian, it is possible to gather from his writings what he considered were the characteristics of the ideal writer of history; and no small light will be thrown on the progress of historical criticism if we strive to collect and analyse what in Polybius are more or less scattered expressions. The ideal historian must be contemporary with the events he describes, or removed from them by one generation only. Where it is possible, he is to be an eye-witness of what he writes of; where that is out of his power he is to test all traditions and stories carefully and not to be ready to accept what is plausible in place of what is true. He is to be no bookworm living aloof from the experiences of the world in the artificial isolation of a university town, but a politician, a soldier, and a traveller, a man not merely of thought but of action, one who can do great things as well as write of them, who in the sphere of history could be what Byron and AEschylus were in the sphere of poetry, at once le chantre et le heros.

He is to keep before his eyes the fact that chance is merely a synonym for our ignorance; that the reign of law pervades the domain of history as much as it does that of political science. He is to accustom himself to look on all occasions for rational and natural causes. And while he is to recognise the practical utility of the supernatural, in an educational point of view, he is not himself to indulge in such intellectual beating of the air as to admit the possibility of the violation of inviolable laws, or to argue in a sphere wherein argument is a priori annihilated. He is to be free from all bias towards friend and country; he is to be courteous and gentle in criticism; he is not to regard history as a mere opportunity for splendid and tragic writing; nor is he to falsify truth for the sake of a paradox or an epigram.

While acknowledging the importance of particular facts as samples of higher truths, he is to take a broad and general view of humanity. He is to deal with the whole race and with the world, not with particular tribes or separate countries. He is to bear in mind that the world is really an organism wherein no one part can be moved without the others being affected also. He is to distinguish between cause and occasion, between the influence of general laws and particular fancies, and he is to remember that the greatest lessons of the world are contained in history and that it is the historian's duty to manifest them so as to save nations from following those unwise policies which always lead to dishonour and ruin, and to teach individuals to apprehend by the intellectual culture of history those truths which else they would have to learn in the bitter school of experience.

Now, as regards his theory of the necessity of the historian's being contemporary with the events he describes, so far as the historian is a mere narrator the remark is undoubtedly true. But to appreciate the harmony and rational position of the facts of a great epoch, to discover its laws, the causes which produced it and the effects which it generates, the scene must be viewed from a certain height and distance to be completely apprehended. A thoroughly contemporary historian such as Lord Clarendon or Thucydides is in reality part of the history he criticises; and, in the case of such contemporary historians as Fabius and Philistus, Polybius is compelled to acknowledge that they are misled by patriotic and other considerations. Against Polybius himself no such accusation can be made. He indeed of all men is able, as from some lofty tower, to discern the whole tendency of the ancient world, the triumph of Roman institutions and of Greek thought which is the last message of the old world and, in a more spiritual sense, has become the Gospel of the new.

One thing indeed he did not see, or if he saw it, he thought but little of it--how from the East there was spreading over the world, as a wave spreads, a spiritual inroad of new religions from the time when the Pessinuntine mother of the gods, a shapeless mass of stone, was brought to the eternal city by her holiest citizen, to the day when the ship Castor and Pollux stood in at Puteoli, and St. Paul turned his face towards martyrdom and victory at Rome. Polybius was able to predict, from his knowledge of the causes of revolutions and the tendencies of the various forms of governments, the uprising of that democratic tone of thought which, as soon as a seed is sown in the murder of the Gracchi and the exile of Marius, culminated as all democratic movements do culminate, in the supreme authority of one man, the lordship of the world under the world's rightful lord, Caius Julius Caesar. This, indeed, he saw in no uncertain way. But the turning of all men's hearts to the East, the first glimmering of that splendid dawn which broke over the hills of Galilee and flooded the earth like wine, was hidden from his eyes.

There are many points in the description of the ideal historian which one may compare to the picture which Plato has given us of the ideal philosopher. They are both 'spectators of all time and all existence.' Nothing is contemptible in their eyes, for all things have a meaning, and they both walk in august reasonableness before all men, conscious of the workings of God yet free from all terror of mendicant priest or vagrant miracle-worker. But the parallel ends here. For the one stands aloof from the world-storm of sleet and hail, his eyes fixed on distant and sunlit heights, loving knowledge for the sake of knowledge and wisdom for the joy of wisdom, while the other is an eager actor in the world ever seeking to apply his knowledge to useful things. Both equally desire truth, but the one because of its utility, the other for its beauty. The historian regards it as the rational principle of all true history, and no more. To the other it comes as an all-pervading and mystic enthusiasm, 'like the desire of strong wine, the craving of ambition, the passionate love of what is beautiful.'

Still, though we miss in the historian those higher and more spiritual qualities which the philosopher of the Academe alone of all men possessed, we must not blind ourselves to the merits of that great rationalist who seems to have anticipated the very latest words of modern science. Nor yet is he to be regarded merely in the narrow light in which he is estimated by most modern critics, as the explicit champion of rationalism and nothing more. For he is connected with another idea, the course of which is as the course of that great river of his native Arcadia which, springing from some arid and sun-bleached rock, gathers strength and beauty as it flows till it reaches the asphodel meadows of Olympia and the light and laughter of Ionian waters.

For in him we can discern the first notes of that great cult of the seven- hilled city which made Virgil write his epic and Livy his history, which found in Dante its highest exponent, which dreamed of an Empire where the Emperor would care for the bodies and the Pope for the souls of men, and so has passed into the conception of God's spiritual empire and the universal brotherhood of man and widened into the huge ocean of universal thought as the Peneus loses itself in the sea.

Polybius is the last scientific historian of Greece. The writer who seems fittingly to complete the progress of thought is a writer of biographies only. I will not here touch on Plutarch's employment of the inductive method as shown in his constant use of inscription and statue, of public document and building and the like, because they involve no new method. It is his attitude towards miracles of which I desire to treat.

Plutarch is philosophic enough to see that in the sense of a violation of the laws of nature a miracle is impossible. It is absurd, he says, to imagine that the statue of a saint can speak, and that an inanimate object not possessing the vocal organs should be able to utter an articulate sound. Upon the other hand, he protests against science imagining that, by explaining the natural causes of things, it has explained away their transcendental meaning. 'When the tears on the cheek of some holy statue have been analysed into the moisture which certain temperatures produce on wood and marble, it yet by no means follows that they were not a sign of grief and mourning set there by God Himself.' When Lampon saw in the prodigy of the one-horned ram the omen of the supreme rule of Pericles, and when Anaxagoras showed that the abnormal development was the rational resultant of the peculiar formation of the skull, the dreamer and the man of science were both right; it was the business of the latter to consider how the prodigy came about, of the former to show why it was so formed and what it so portended. The progression of thought is exemplified in all particulars. Herodotus had a glimmering sense of the impossibility of a violation of nature. Thucydides ignored the supernatural. Polybius rationalised it. Plutarch raises it to its mystical heights again, though he bases it on law. In a word, Plutarch felt that while science brings the supernatural down to the natural, yet ultimately all that is natural is really supernatural. To him, as to many of our own day, religion was that transcendental attitude of the mind which, contemplating a world resting on inviolable law, is yet comforted and seeks to worship God not in the violation but in the fulfilment of nature.

It may seem paradoxical to quote in connection with the priest of Chaeronea such a pure rationalist as Mr. Herbert Spencer; yet when we read as the last message of modern science that 'when the equation of life has been reduced to its lowest terms the symbols are symbols still,' mere signs, that is, of that unknown reality which underlies all matter and all spirit, we may feel how over the wide strait of centuries thought calls to thought and how Plutarch has a higher position than is usually claimed for him in the progress of the Greek intellect.

And, indeed, it seems that not merely the importance of Plutarch himself but also that of the land of his birth in the evolution of Greek civilisation has been passed over by modern critics. To us, indeed, the bare rock to which the Parthenon serves as a crown, and which lies between Colonus and Attica's violet hills, will always be the holiest spot in the land of Greece: and Delphi will come next, and then the meadows of Eurotas where that noble people lived who represented in Hellenic thought the reaction of the law of duty against the law of beauty, the opposition of conduct to culture. Yet, as one stands on the [Greek] of Cithaeron and looks out on the great double plain of Boeotia, the enormous importance of the division of Hellas comes to one's mind with great force. To the north is Orchomenus and the Minyan treasure house, seat of those merchant princes of Phoenicia who brought to Greece the knowledge of letters and the art of working in gold. Thebes is at our feet with the gloom of the terrible legends of Greek tragedy still lingering about it, the birthplace of Pindar, the nurse of Epaminondas and the Sacred Band.

And from out of the plain where 'Mars loved to dance,' rises the Muses' haunt, Helicon, by whose silver streams Corinna and Hesiod sang. While far away under the white aegis of those snow-capped mountains lies Chaeronea and the Lion plain where with vain chivalry the Greeks strove to check Macedon first and afterwards Rome; Chaeronea, where in the Martinmas summer of Greek civilisation Plutarch rose from the drear waste of a dying religion as the aftermath rises when the mowers think they have left the field bare.

Greek philosophy began and ended in scepticism: the first and the last word of Greek history was Faith.

Splendid thus in its death, like winter sunsets, the Greek religion passed away into the horror of night. For the Cimmerian darkness was at hand, and when the schools of Athens were closed and the statue of Athena broken, the Greek spirit passed from the gods and the history of its own land to the subtleties of defining the doctrine of the Trinity and the mystical attempts to bring Plato into harmony with Christ and to reconcile Gethsemane and the Sermon on the Mount with the Athenian prison and the discussion in the woods of Colonus. The Greek spirit slept for wellnigh a thousand years. When it woke again, like Antaeus it had gathered strength from the earth where it lay, like Apollo it had lost none of its divinity through its long servitude.

In the history of Roman thought we nowhere find any of those characteristics of the Greek Illumination which I have pointed out are the necessary concomitants of the rise of historical criticism. The conservative respect for tradition which made the Roman people delight in the ritual and formulas of law, and is as apparent in their politics as in their religion, was fatal to any rise of that spirit of revolt against authority the importance of which, as a factor in intellectual progress, we have already seen.

The whitened tables of the Pontifices preserved carefully the records of the eclipses and other atmospherical phenomena, and what we call the art of verifying dates was known to them at an early time; but there was no spontaneous rise of physical science to suggest by its analogies of law and order a new method of research, nor any natural springing up of the questioning spirit of philosophy with its unification of all phenomena and all knowledge. At the very time when the whole tide of Eastern superstition was sweeping into the heart of the Capitol the Senate banished the Greek philosophers from Rome. And of the three systems which did at length take some root in the city those of Zeno and Epicurus were merely used as the rule for the ordering of life, while the dogmatic scepticism of Carneades, by its very principles, annihilated the possibility of argument and encouraged a perfect indifference to research.

Nor were the Romans ever fortunate enough like the Greeks to have to face the incubus of any dogmatic system of legends and myths, the immoralities and absurdities of which might excite a revolutionary outbreak of sceptical criticism. For the Roman religion became as it were crystallised and isolated from progress at an early period of its evolution. Their gods remained mere abstractions of commonplace virtues or uninteresting personifications of the useful things of life. The old primitive creed was indeed always upheld as a state institution on account of the enormous facilities it offered for cheating in politics, but as a spiritual system of belief it was unanimously rejected at a very early period both by the common people and the educated classes, for the sensible reason that it was so extremely dull. The former took refuge in the mystic sensualities of the worship of Isis, the latter in the Stoical rules of life. The Romans classified their gods carefully in their order of precedence, analysed their genealogies in the laborious spirit of modern heraldry, fenced them round with a ritual as intricate as their law, but never quite cared enough about them to believe in them. So it was of no account with them when the philosophers announced that Minerva was merely memory. She had never been much else. Nor did they protest when Lucretius dared to say of Ceres and of Liber that they were only the corn of the field and the fruit of the vine. For they had never mourned for the daughter of Demeter in the asphodel meadows of Sicily, nor traversed the glades of Cithaeron with fawn-skin and with spear.

This brief sketch of the condition of Roman thought will serve to prepare us for the almost total want of scientific historical criticism which we shall discern in their literature, and has, besides, afforded fresh corroborations of the conditions essential to the rise of this spirit, and of the modes of thought which it reflects and in which it is always to be found. Roman historical composition had its origin in the pontifical college of ecclesiastical lawyers, and preserved to its close the uncritical spirit which characterised its fountain-head. It possessed from the outset a most voluminous collection of the materials of history, which, however, produced merely antiquarians, not historians. It is so hard to use facts, so easy to accumulate them.

Wearied of the dull monotony of the pontifical annals, which dwelt on little else but the rise and fall in provisions and the eclipses of the sun, Cato wrote out a history with his own hand for the instruction of his child, to which he gave the name of Origines, and before his time some aristocratic families had written histories in Greek much in the same spirit in which the Germans of the eighteenth century used French as the literary language. But the first regular Roman historian is Sallust. Between the extravagant eulogies passed on this author by the French (such as De Closset), and Dr. Mommsen's view of him as merely a political pamphleteer, it is perhaps difficult to reach the via media of unbiassed appreciation. He has, at any rate, the credit of being a purely rationalistic historian, perhaps the only one in Roman literature. Cicero had a good many qualifications for a scientific historian, and (as he usually did) thought very highly of his own powers. On passages of ancient legend, however, he is rather unsatisfactory, for while he is too sensible to believe them he is too patriotic to reject them. And this is really the attitude of Livy, who claims for early Roman legend a certain uncritical homage from the rest of the subject world. His view in his history is that it is not worth while to examine the truth of these stories.

In his hands the history of Rome unrolls before our eyes like some gorgeous tapestry, where victory succeeds victory, where triumph treads on the heels of triumph, and the line of heroes seems never to end. It is not till we pass behind the canvas and see the slight means by which the effect is produced that we apprehend the fact that like most picturesque writers Livy is an indifferent critic. As regards his attitude towards the credibility of early Roman history he is quite as conscious as we are of its mythical and unsound nature. He will not, for instance, decide whether the Horatii were Albans or Romans; who was the first dictator; how many tribunes there were, and the like. His method, as a rule, is merely to mention all the accounts and sometimes to decide in favour of the most probable, but usually not to decide at all. No canons of historical criticism will ever discover whether the Roman women interviewed the mother of Coriolanus of their own accord or at the suggestion of the senate; whether Remus was killed for jumping over his brother's wall or because they quarrelled about birds; whether the ambassadors found Cincinnatus ploughing or only mending a hedge. Livy suspends his judgment over these important facts and history when questioned on their truth is dumb. If he does select between two historians he chooses the one who is nearer to the facts he describes. But he is no critic, only a conscientious writer. It is mere vain waste to dwell on his critical powers, for they do not exist.

* * * * *

In the case of Tacitus imagination has taken the place of history. The past lives again in his pages, but through no laborious criticism; rather through a dramatic and psychological faculty which he specially possessed.

In the philosophy of history he has no belief. He can never make up his mind what to believe as regards God's government of the world. There is no method in him and none elsewhere in Roman literature.

Nations may not have missions but they certainly have functions. And the function of ancient Italy was not merely to give us what is statical in our institutions and rational in our law, but to blend into one elemental creed the spiritual aspirations of Aryan and of Semite. Italy was not a pioneer in intellectual progress, nor a motive power in the evolution of thought. The owl of the goddess of Wisdom traversed over the whole land and found nowhere a resting-place. The dove, which is the bird of Christ, flew straight to the city of Rome and the new reign began. It was the fashion of early Italian painters to represent in mediaeval costume the soldiers who watched over the tomb of Christ, and this, which was the result of the frank anachronism of all true art, may serve to us as an allegory. For it was in vain that the middle ages strove to guard the buried spirit of progress. When the dawn of the Greek spirit arose, the sepulchre was empty, the grave-clothes laid aside. Humanity had risen from the dead.

The study of Greek, it has been well said, implies the birth of criticism, comparison and research. At the opening of that education of modern by ancient thought which we call the Renaissance, it was the words of Aristotle which sent Columbus sailing to the New World, while a fragment of Pythagorean astronomy set Copernicus thinking on that train of reasoning which has revolutionised the whole position of our planet in the universe. Then it was seen that the only meaning of progress is a return to Greek modes of thought. The monkish hymns which obscured the pages of Greek manuscripts were blotted out, the splendours of a new method were unfolded to the world, and out of the melancholy sea of mediaevalism rose the free spirit of man in all that splendour of glad adolescence, when the bodily powers seem quickened by a new vitality, when the eye sees more clearly than its wont and the mind apprehends what was beforetime hidden from it. To herald the opening of the sixteenth century, from the little Venetian printing press came forth all the great authors of antiquity, each bearing on the title-page the words [Greek] words which may serve to remind us with what wondrous prescience Polybius saw the world's fate when he foretold the material sovereignty of Roman institutions and exemplified in himself the intellectual empire of Greece.

The course of the study of the spirit of historical criticism has not been a profitless investigation into modes and forms of thought now antiquated and of no account. The only spirit which is entirely removed from us is the mediaeval; the Greek spirit is essentially modern. The introduction of the comparative method of research which has forced history to disclose its secrets belongs in a measure to us. Ours, too, is a more scientific knowledge of philology and the method of survival. Nor did the ancients know anything of the doctrine of averages or of crucial instances, both of which methods have proved of such importance in modern criticism, the one adding a most important proof of the statical elements of history, and exemplifying the influences of all physical surroundings on the life of man; the other, as in the single instance of the Moulin Quignon skull, serving to create a whole new science of prehistoric archaeology and to bring us back to a time when man was coeval with the stone age, the mammoth and the woolly rhinoceros. But, except these, we have added no new canon or method to the science of historical criticism. Across the drear waste of a thousand years the Greek and the modern spirit join hands.

In the torch race which the Greek boys ran from the Cerameician field of death to the home of the goddess of Wisdom, not merely he who first reached the goal but he also who first started with the torch aflame received a prize. In the Lampadephoria of civilisation and free thought let us not forget to render due meed of honour to those who first lit that sacred flame, the increasing splendour of which lights our footsteps to the far-off divine event of the attainment of perfect truth.

LA SAINTE COURTISANE; OR, THE WOMAN COVERED WITH JEWELS

The scene represents a corner of a valley in the Thebaid. On the right hand of the stage is a cavern. In front of the cavern stands a great crucifix.

On the left [sand dunes].

The sky is blue like the inside of a cup of lapis lazuli. The hills are of red sand. Here and there on the hills there are clumps of thorns.

FIRST MAN. Who is she? She makes me afraid. She has a purple cloak and her hair is like threads of gold. I think she must be the daughter of the Emperor. I have heard the boatmen say that the Emperor has a daughter who wears a cloak of purple.

SECOND MAN. She has birds' wings upon her sandals, and her tunic is of the colour of green corn. It is like corn in spring when she stands still. It is like young corn troubled by the shadows of hawks when she moves. The pearls on her tunic are like many moons.

FIRST MAN. They are like the moons one sees in the water when the wind blows from the hills.

SECOND MAN. I think she is one of the gods. I think she comes from Nubia.

FIRST MAN. I am sure she is the daughter of the Emperor. Her nails are stained with henna. They are like the petals of a rose. She has come here to weep for Adonis.

SECOND MAN. She is one of the gods. I do not know why she has left her temple. The gods should not leave their temples. If she speaks to us let us not answer and she will pass by.

FIRST MAN. She will not speak to us. She is the daughter of the Emperor.

MYRRHINA. Dwells he not here, the beautiful young hermit, he who will not look on the face of woman?

FIRST MAN. Of a truth it is here the hermit dwells.

MYRRHINA. Why will he not look on the face of woman?

SECOND MAN. We do not know.

MYRRHINA. Why do ye yourselves not look at me?

FIRST MAN. You are covered with bright stones, and you dazzle our eyes.

SECOND MAN. He who looks at the sun becomes blind. You are too bright to look at. It is not wise to look at things that are very bright. Many of the priests in the temples are blind, and have slaves to lead them.

MYRRHINA. Where does he dwell, the beautiful young hermit who will not look on the face of woman? Has he a house of reeds or a house of burnt clay or does he lie on the hillside? Or does he make his bed in the rushes?

FIRST MAN. He dwells in that cavern yonder.

MYRRHINA. What a curious place to dwell in.

FIRST MAN. Of old a centaur lived there. When the hermit came the centaur gave a shrill cry, wept and lamented, and galloped away.

SECOND MAN. No. It was a white unicorn who lived in the cave. When it saw the hermit coming the unicorn knelt down and worshipped him. Many people saw it worshipping him.

FIRST MAN. I have talked with people who saw it.

. . . . .

SECOND MAN. Some say he was a hewer of wood and worked for hire. But that may not be true.

. . . . .

MYRRHINA. What gods then do ye worship? Or do ye worship any gods? There are those who have no gods to worship. The philosophers who wear long beards and brown cloaks have no gods to worship. They wrangle with each other in the porticoes. The [ ] laugh at them.

FIRST MAN. We worship seven gods. We may not tell their names. It is a very dangerous thing to tell the names of the gods. No one should ever tell the name of his god. Even the priests who praise the gods all day long, and eat of their food with them, do not call them by their right names.

MYRRHINA. Where are these gods ye worship?

FIRST MAN. We hide them in the folds of our tunics. We do not show them to any one. If we showed them to any one they might leave us.

MYRRHINA. Where did ye meet with them?

FIRST MAN. They were given to us by an embalmer of the dead who had found them in a tomb. We served him for seven years.

MYRRHINA. The dead are terrible. I am afraid of Death.

FIRST MAN. Death is not a god. He is only the servant of the gods.

MYRRHINA. He is the only god I am afraid of. Ye have seen many of the gods?

FIRST MAN. We have seen many of them. One sees them chiefly at night time. They pass one by very swiftly. Once we saw some of the gods at daybreak. They were walking across a plain.

MYRRHINA. Once as I was passing through the market place I heard a sophist from Cilicia say that there is only one God. He said it before many people.

FIRST MAN. That cannot be true. We have ourselves seen many, though we are but common men and of no account. When I saw them I hid myself in a bush. They did me no harm.

MYRRHINA. Tell me more about the beautiful young hermit. Talk to me about the beautiful young hermit who will not look on the face of woman. What is the story of his days? What mode of life has he?

FIRST MAN. We do not understand you.

MYRRHINA. What does he do, the beautiful young hermit? Does he sow or reap? Does he plant a garden or catch fish in a net? Does he weave linen on a loom? Does he set his hand to the wooden plough and walk behind the oxen?

SECOND MAN. He being a very holy man does nothing. We are common men and of no account. We toil all day long in the sun. Sometimes the ground is very hard.

MYRRHINA. Do the birds of the air feed him? Do the jackals share their booty with him?

FIRST MAN. Every evening we bring him food. We do not think that the birds of the air feed him.

MYRRHINA. Why do ye feed him? What profit have ye in so doing?

SECOND MAN. He is a very holy man. One of the gods whom he has offended has made him mad. We think he has offended the moon.

MYRRHINA. Go and tell him that one who has come from Alexandria desires to speak with him.

FIRST MAN. We dare not tell him. This hour he is praying to his God. We pray thee to pardon us for not doing thy bidding.

MYRRHINA. Are ye afraid of him?

FIRST MAN. We are afraid of him.

MYRRHINA. Why are ye afraid of him?

FIRST MAN. We do not know.

MYRRHINA. What is his name?

FIRST MAN. The voice that speaks to him at night time in the cavern calls to him by the name of Honorius. It was also by the name of Honorius that the three lepers who passed by once called to him. We think that his name is Honorius.

MYRRHINA. Why did the three lepers call to him?

FIRST MAN. That he might heal them.

MYRRHINA. Did he heal them?

SECOND MAN. No. They had committed some sin: it was for that reason they were lepers. Their hands and faces were like salt. One of them wore a mask of linen. He was a king's son.

MYRRHINA. What is the voice that speaks to him at night time in his cave?

FIRST MAN. We do not know whose voice it is. We think it is the voice of his God. For we have seen no man enter his cavern nor any come forth from it.

MYRRHINA. Honorius.

HONORIUS (from within). Who calls Honorius?

. . . . .

MYRRHINA. Come forth, Honorius.

. . . . .

My chamber is ceiled with cedar and odorous with myrrh. The pillars of my bed are of cedar and the hangings are of purple. My bed is strewn with purple and the steps are of silver. The hangings are sewn with silver pomegranates and the steps that are of silver are strewn with saffron and with myrrh. My lovers hang garlands round the pillars of my house. At night time they come with the flute players and the players of the harp. They woo me with apples and on the pavement of my courtyard they write my name in wine.

From the uttermost parts of the world my lovers come to me. The kings of the earth come to me and bring me presents.