Chapter I: Introduction
The fate of an introduction to a book seems not only to fall short of its purpose, but to offend those whose habit it is to criticise before they read. Once I heard an old man say, "It is dangerous to write for the wise. They strike warm hands with form, but shrug a cold shoulder at originality." I do not think, though, that this book was written for the "wise," for the men and women whose frosty judgment would freeze the warm current of a free and almost careless soul. It was written for the imaginative, and they alone are the true lovers of story and song. Onoto Watanna plays upon an instrument new to our ears, quaintly Japanese, an air at times simple and sweet, as tender as the chirrup of a bird in love, and then as wild as the scream of a hawk. Mood has been her teacher; impulse has dictated her style. She has inherited the spirit of the orchard in bloom. Her art is the grace of the wild vine, under no obligation to a gardener, but with a charm that the gardener could not impart. A monogram wrought by nature's accident upon the golden leaf of autumn, does not belong to the world of letters, but it inspires more feeling and more poetry than a library squeezed out of man's tired brain. And this book is not unlike an autumn leaf blown from a forest in Japan.
OPIE READ.
CHICAGO, January, 1899.
CONTENTS.
CHAPTER. PAGE.
I--Parental Ambitions, 5
II--Cleo, 10
III--Who Can Analyze a Coquette? 15
IV--The Dance on Deck, 20
V--Her Gentle Enemy, 24
VI--A Veiled Hint, 27
VII--Jealousy Without Love, 30
VIII--The Man She Did Love, 37
IX--Merely a Woman, 43
X--Watching the Night, 47
XI--At the Journey's End, 52
XII--Those Queer Japanese! 54
XIII--Takashima's Home-Coming, 59
XIV--After Eight Years, 60
XV--Nume, 64
XVI--An American Classic, 68
XVII--"Still a Child," 73
XVIII--The Meeting, 76
XIX--Confidences, 79
XX--Sinclair's Indifference, 83
XXI--"Me? I Lig' You," 86
XXII--Advice, 92
XXIII--Afraid to Answer, 95
XXIV--Visiting the Tea Houses, 99
XXV--Shattered Hopes, 104
XXVI--Conscience, 108
XXVII--Confession, 110
XXVIII--Japanese Pride, 115
XXIX--Seclusion, 117
XXX--Feminine Diplomacy, 121
XXXI--A Barbarian Dinner, 124
XXXII--The Philosophy of Love, 126
XXXIII--What Can that "Luf" Be? 130
XXXIV--Conspirators, 133
XXXV--A Respite for Sinclair, 136
XXXVI--Those Bad Jinrikisha Men, 139
XXXVII--Those Good Jinrikisha Men, 141
XXXVIII--Disproving a Proverb, 144
XXXIX--Love! 148
XL--A Passionate Declaration, 152
XLI--A Hard Subject to Handle, 156
XLII--A Story, 160
XLIII--The Truth of the Proverb, 163
XLIV--Nume Breaks Down, 167
XLV--Trying to Forget, 171
XLVI--An Observant Husband, 173
XLVII--Matsushima Bay, 176
XLVIII--A Rejected Lover, 180
XLIX--The Answer, 184
L--The Ball, 187
LI--The Fearful News, 190
LII--The Tragedy, 192
LIII--A Little Heroine, 194
LIV--Sinclair Learns the Truth at Last, 198
LV--Lovers Again, 202
LVI--The Penalty, 206
LVII--The Pity of It All, 211
LVIII--Mrs. Davis's Nerves, 214
LIX--Cleo and Nume, 217
ILLUSTRATIONS.
TITLE. PAGE. ONOTO WATANNA, Frontispiece
NUME-SAN, 29
KOTO, KIRISHIMA, AND MATSU, 101
PLAYING KARUTTA, 117
"NUME BREAKS DOWN," 165
KOTO WOULD NOT MARRY, 181
SITTING TOGETHER HAND IN HAND, 197
NUME AND HER TWO FRIENDS KOTO AND MATSU, 205
Miss Nume of Japan.
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Miss Numè of Japan: A Japanese-American RomanceChapter I: Introduction
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