Chapter I: Keep Wondering
I saw a mountain,
And he was like Wotan looking at himself in the water.
I saw a cockatoo,
And he was like sunset clouds.
Even leaves and little stones
Are different to my eyes sometimes.
I keep wondering through and through my heart
Where all the beautiful things in the world
Come from.
And while I wonder
They go on being beautiful.
A SELECTED BIBLIOGRAPHY
The following twelve volumes deal, in considerable detail, with many of the poets, groups and tendencies considered in this collection. A few treat principally of the period between 1860 and 1890; the majority, however, reflect the shifting course of contemporary poetry. Most of the dozen contain liberal quotations, references, illustrative poems and suggestions for supplementary reading.
AIKEN, CONRAD. _Scepticisms: Notes on Contemporary Poetry._ Alfred A.
Knopf. 1919.
BOYNTON, PERCY H. _A History of American Literature._ Ginn and
Company. 1919.
BROOKS, VAN WYCK. _America’s Coming of Age._ (Chapters II and III.) B.
W. Huebsch. 1915.
EASTMAN, MAX. _Enjoyment of Poetry._ Charles Scribner’s Sons. 1913.
LOWELL, AMY. _Tendencies in Modern American Poetry._ The Macmillan
Company. 1917.
LOWES, JOHN LIVINGSTON. _Convention and Revolt in Poetry._ Houghton
Mifflin Company. 1919.
MONROE, HARRIET, and ALICE CORBIN HENDERSON. _The New Poetry—An
Anthology._ The Macmillan Company. 1917.
MORRIS, LLOYD R. _The Young Idea (An Anthology of Opinion)._ Duffield
and Company. 1917.
PATTEE, FRED LEWIS. _A History of American Literature Since 1870._ The
Century Company. 1915.
RITTENHOUSE, JESSIE B. _The Younger American Poets._ (1860 to 1900).
Little, Brown and Company. 1904.
UNTERMEYER, LOUIS. _The New Era in American Poetry._ Henry Holt and
Company. 1919.
WILKINSON, MARGUERITE. _New Voices._ The Macmillan Company. 1919.
INDEX
_Names of Authors are in Capitals. Titles of Poems are in Italics._
_A. E. F._, 204
ADAMS, FRANKLIN P., 237-240
AIKEN, CONRAD, xliii, 358-366
ALDRICH, T. B., 7-10
_Anne Rutledge_, 123
_Apple Tree Said, The_, 385
_At Midnight_, 76
_At the Aquarium_, 285
_At the Crossroads_, 92
_Autumn_, 316, 372
_Bacchus_, 76
_Ballad For Gloom_, 303
_Banty Tim_, 13
_Battle-Song of Failure_, 209
_Beauty_, 339
_Beclouded_, 7
_Before Dawn in the Woods_, 280
_Behold the Deeds of Mrs. Jones!_, 66
BENÉT, STEPHEN VINCENT, 393-394
BENÉT, WILLIAM ROSE, 331-337
_Between Two Loves_, 136
_Bindlestiff_, 130
_Birches_, 189
_Bird and the Tree, The_, 171
_Black Sheep_, 88
_Black Vulture, The_, 107
_Blades of Grass, The_, 129
_Blessing the Dance_, 56
_Blue Island Intersection_, 202
BODENHEIM, MAXWELL, 369-371
BRANCH, ANNA HEMPSTEAD, 157-162
BRODY, ALTER, 390-392
_Builder, The_, 355
BUNNER, H. C., 63-68
BURR, AMELIA J., 209
BURTON, RICHARD, 87-88
_By the Pacific Ocean_, 23
BYNNER, WITTER, 243-248
“_Byron_,” _From_, 25
CABELL, JAMES BRANCH, 213-216
_Caliban in the Coal Mines_, 309
_Canopus_, 101
CARMAN, BLISS, xxvii-xxviii, 82-87
CARRYL, CHARLES EDWARD, 33-37
CARRYL, GUY WETMORE, 142-150
CAWEIN, MADISON, 97-100
_Cemetery, A_, 6
_Chance Meetings_, 360
_Chartless_, 4
_City Park_, 391
CLARK, BADGER, 276-280
_Clean Curtains_, 203
CLEGHORN, SARAH N., 194-195
_Coming to Port_, 284
_Congo, The_, 221
_Conservative, A_, 78
_Cool Tombs_, 198
CONKLING, GRACE HAZARD, 207-209
CONKLING, HILDA, 394-397
_Coquette Conquered_, _A_, 140
CORBIN, ALICE, xli, 258-261
_Coyote, The_, 279
CRANE, STEPHEN, 126-129
CRAPSEY, ADELAIDE, 205-207
_Creeds_, 356
CROMWELL, GLADYS, 298-300
_Crossing the Plains_, 24
_Crowning Gift, The_, 299
CURRAN, EDWIN, 371-373
_Cry of the People_, 241
“D., H.,” xxxviii, 327-330
_Daisies_, 87
DALY, T. A., 133-137
_Dare You?_, 26
_Dark Hills, The_, 119
DAVIES, MARY CAROLYN, 384-385
_Dawn_, 78, 322
_Dawns_, 271
_Day Before April, The_, 384
_Death_, 370
_Death of a Child, The_, 389
_Death of the Hired Man, The_, 181
_Dedication_, 213
_Desert, The_, 54
_Deserted_, 100
DEUTSCH, BABETTE, 388-390
DICKINSON, EMILY, xlv, 3-7
_Discovered_, 141
_Drug Clerk, The_, 291
DUNBAR, PAUL LAURENCE, 137-142
_Dust, The_, 70
_Δωρια_, 305
_Eagle that Is Forgotten, The_, 219
_Earth_, 89
EASTMAN, MAX, 283-286
_Echoes of Childhood_, 258
_Elf and the Dormouse, The_, 90
ELIOT, T. S., 356, 358
“_Enamored Architect of Airy Rhyme_,” 9
ERSKINE, JOHN, 212-213
_Factories_, 350
_Fanatic, The_, 388
FICKE, ARTHUR DAVISON, 273-275
FIELD, EUGENE, xxv, 42-46
FLETCHER, JOHN GOULD, xxxviii, 319-327
_Fog_, 199
_Fragmentary Blue_, 191
_Free Fantasia on Japanese Themes_, 167
_From a Chinese Vase_, 386
FROST, ROBERT, xxxiii-xxxv, xliii, 174-192
_Frost on a Window_, 208
“_Frost To-Night_,” 61
_Frustrate_, 368
_Fulfilled Dream, The_, 360
_Fust Banjo, De_, 58
_Ghetto, From the_, 262
_Ghetto Twilight_, 392
_Gift of God, The_, 112
GILMAN, CHARLOTTE P. S., 78-80
GIOVANNITTI, ARTURO, 286-289
_Girl, A_, 302
_Glory Trail, The_, 276
_God’s World_, 374
_Golden Haired Girl_, _To a_, 229
_Good-Bye and Keep Cold_, 187
GORMAN, HERBERT S., 387
_Grass_, 205
_Grass-Tops_, 244
_Gravedigger, The_, 83
GUINEY, LOUISE IMOGEN, 80-81
_Halcyon Days_, 236
_Hands_, 312
HARTE, BRET, xviii, xxiv-xxv, xl, 15-21
HAY, JOHN, xviii, xxiv, 10-15
_Hay-Cock_, 396
_Heat_, 329
HELTON, ROY, 346
_Hem and Haw_, 86
_Her Eyes_, 272
HERFORD, OLIVER, 89-90
_High Tide_, 315
_Hours_, 285
HOVEY, RICHARD, xxvii-xxviii, 91-96
_How Are You, Dear World?_, 72
_How a Cat Was Annoyed and a Poet Was Booted_, 147
_How Jack Found that Beans May Go Back on a Chap_, 143
_How He Turned Out_, 234
_How to Catch Unicorns_, 336
_Humiliation_, 386
_Hymn_, 128
_“I Have a Rendezvous with Death,”_ 353
_I Keep Wondering_, 397
_Image of Delight, The_, 193
IMAGISTS, THE, xxxvii-xxxix
_Immortal Love_, 62
_Improvisation_, 272
_In a Museum_, 390
_Incentive, The_, 195
_Indian Summer_, 4
_In Passing_, 346
_Interpreter, The_, 348
_I Saw a Man_, 127
_I Shall Go Back_, 382
_I Shall Not Care_, 296
_Ivy_, 77
JENNINGS, LESLIE NELSON, 368
_Jetsam, From_, 103
“_Jim_,” 16
_Jim Bludso_, 11
JOHNS, ORRICK, 348-349
KEMP, HARRY, 281-283
KILMER, JOYCE, 340-343
KNIBBS, H. H., xli, 150-157
KREYMBORG, ALFRED, 269-273
_Lady, A_, 166
_Lake Song_, 318
LANIER, SIDNEY, 27-33
LEONARD, WILLIAM ELLERY, 193-194
_Lethe_, 330
_Let Me Live Out My Years_, 242
_Lincoln_, 323
_Lincoln, A Farmer Remembers_, 245
_Lincoln Child, The_, 252
_Lincoln, The Man of the People_, 51
_Lincoln Walks at Midnight_, 232
LINDSAY, VACHEL, xli-xlii, 217-233
_Little Boy Blue_, 44
_Little Things_, 349
_London Nightfall_, 221
_Long Hill, The_, 296
_Love and Liberation_, 339
_Love in the Winds_, 95
_Love Song from New England_, 387
_Love Song of J. Alfred Prufrock, From the_, 357
LOWELL, AMY, xxxviii 162-170
_Lucinda Matlock_, 122
_Madonna of the Evening Flowers_, 169
_Man Hunt, The_, 98
_Man with the Hoe, The_, 49
_Maple Leaves_, 9
MARKHAM, EDWIN, xxx, 47-53
MARQUIS, DON, 211
_Marshes of Glynn, From the_, 32
_Martin_, 342
_Master, The_, 114
_Master Mariner, The_, 108
MASTERS, EDGAR LEE, xxxiii, 119-126
_Meeting-House Hill_, 165
_Memory_, 8
_Mending Wall_, 177
_Merchants from Cathay_, 331
_Mia Carlotta_, 135
MILLAY, EDNA ST. V., xliii, 373-383
MILLER, JOAQUIN, xxv, 21-25
_Miniver Cheevy_, 111
_Miracles_, 363
_Modern Woman to Her Lover, The_, 352
_Monk in the Kitchen, The_, 158
MOODY, WILLIAM VAUGHN, xxix, 102-107
MORLEY, CHRISTOPHER, 367
_Morning at the Window_, 357
_Morning Song from “Senlin,”_ 364
MORTON, DAVID, 346-348
_Most-Sacred Mountain, The_, 290
_Mould, The_, 300
_Negro Sermon, A_, 230
NEIHARDT, JOHN G., 240-243
_New Orleans_, 265
_Night_, 335
_Night and Day_, 31
_Night Note_, 257
_Night Song at Amalfi_, 294
_Nirvana_, 340
_Nocturne in a Deserted Brickyard_, 205
_November Night_, 206
_O My Dead Comrade_, 74
_Old Age_, 370
_Old Bridge, The_, 396
_Old Manuscript_, 270
_Old Ships_, 347
_Old Story, An_, 117
_On a Soldier Fallen in the Philippines_, 105
_One End of Love_, 215
_On Seeing Weather-Beaten Trees_, 207
_Onset, The_, 192
OPPENHEIM, JAMES, xlii, 248-258
_Oread_, 328
O SHEEL, SHAEMAS, 344
_Our Two Opinions_, 43
_Outwitted_, 48
_Painted Hills of Arizona, The_, 372
_Pandora’s Song_, 104
_Parting Guest, A_, 41
_Pear Tree_, 329
_Pear Tree, The_, 383
_Penury_, 100
_Pessimist and Optimist_, 10
_Peter Quince at the Clavier_, 266
_Petit, The Poet_, 121
_Phantasy of Heaven, A_, 282
PIPER, EDWIN FORD, 129-133
_Pitcher of Mignonette_, A, 68
_Pity Me Not_, 382
_Plain Language from Truthful James_, 19
_Plaint of the Camel, The_, 34
_Poet to His Love_, 369
_Portrait of a Boy_, 393
_Portrait of an Old Woman_, 274
POUND, EZRA, xxxviii, 300-305
_Prelude_, 358
_Preparedness_, 51
_Quickening_, 367
_Railway Train, The_, 6
REESE, LIZETTE WOODWORTH, 69-70
_Renascence_, 375
_Richard Cory_, 117
_Rich Man, The_, 238
RIDGE, LOLA, 262-265
_Robinson Crusoe’s Story_, 35
ROBINSON, E. A., xxxii, 109-119
ROBINSON, EDWIN MEADE, 234-237
_Roll a Rock Down_, 153
_Runaway, The_, 188
_Runner in the Skies, The_, 250
RUSSELL, IRWIN, xxvi, 55-60
RILEY, JAMES WHITCOMB, xviii, xli, 38-41
SANDBURG, CARL, xxxv-xxxvii, 196-205
SARETT, LEW, xli
_Searchlights_, 391
_Sea-Scapes_, 214
SEEGER, ALAN, 352-354
_Seein’ Things_, 45
_Shake, Mulleary and Go-ethe_, 64
SHERMAN, FRANK D., 75-78
_Side Street, A_, 312
_Silence_, 123
SILL, EDWARD ROWLAND, xxv, 25-27
_Simon Legree_, 230
_Sinfonia Domestica_, 317
_Skaters, The_, 327
_Slave, The_, 250
_Smoke and Steel, From_, 199
_Snow_, 98
_Solitaire_, 165
_Solitude_, 26
_Son, The_, 173
_Song of Sunrise, A_, 63
_Song of the Chattahoochee_, 29
_Song of the Thrush, The_, 134
_Sonnet_, 275
_Spicewood_, 70
_Spring Night_, 295
_Station of the Metro, In a_, 305
_Stein Song, A_, 95
STERLING, GEORGE, 107-109
STEVENS, WALLACE, 266-269
_Street Lamps_, 282
_Summons_, 307
_Sunday Evening in the Common_, 338
_Sunrise_, 53
_Survival of the Fittest, The_, 195
_Suspense_, 5
_Swan, The_, 320
_Sweetgrass Range_, 132
_Swimmers_, 309
_Sycophantic Fox and the Gullible Raven, The_, 145
_Symbols_, 347
_Tasting the Earth_, 251
TAYLOR, BERT L., 101-102
_Tears_, 69
TEASDALE, SARA, xliii, 293-298
_They Went Forth to Battle but They Always Fell_, 344
THOMAS, EDITH M., 60-61
_Those Two Boys_, 239
_Three Sisters, The_, 275
TIETJENS, EUNICE, 289-293
_Tired_, 298
TORRENCE, RIDGELY, 171-173
_Trail-Makers, The_, 155
_Train-Mates_, 246
TRAUBEL, HORACE, 71-75
_Traveller, The_, 229
_Trees_, 341
_Triad_, 207
_Tuft of Flowers, The_, 178
_Turning of the Babies in the Bed, The_, 138
_Two Dyings, The_, 351
_Unmanifest Destiny_, 94
_Unrest_, 211
UNTERMEYER, JEAN STARR, 314, 319
UNTERMEYER, LOUIS, 305-313
_Vagabond Song, A_, 83
_Vain Gratuities_, 118
_Valley that God Forgot, The_, 151
_Victor, To the_, 194
_Virginal, A_, 303
_Voices_, 244
_Walker, From the_, 287
_War and Peace_, 238
_Warning, The_, 207
_Water_, 395
_Water Lilies_, 297
WATTLES, WILLARD, 354-356
_Wayfarer, The_, 128
WELLES, WINIFRED, 385-387
WHEELOCK, JOHN HALL, 337-340
_When I am Dead_, 241
“_When the Frost Is on the Punkin_,” 39
_While Loveliness Goes By_, 162
WHITMAN, WALT, xviii, xxi-xxiv, xliv, 71
_Whole Duty of Berkshire Brooks, The_, 208
WIDDEMER, MARGARET, 350-352
_Wild Ride, The_, 81
_Wild Swans_, 383
WILKINSON, MARGUERITE, 280
_Wind and Silver_, 170
_Wind in the Alleys_, 265
WOOD, C. E. S., 53-55
WOODBERRY, GEORGE E., 61-63
-----
Footnote 1:
See _Modern British Poetry_, pages xi-xiii.
Footnote 2:
Permission to reprint this poem was granted by the Harr Wagner
Publishing Co., San Francisco, California, publishers of Joaquin
Miller’s Complete Poetical Works.
Footnote 3:
Permission to reprint this poem was granted by the Harr Wagner
Publishing Co., San Francisco, California, publishers of Joaquin
Miller’s Complete Poetical Works.
Footnote 4:
From _Poems of Sidney Lanier_. Copyright, 1884, 1891, 1916, by Mary D.
Lanier; published by Charles Scribner’s Sons. By permission of the
publishers.
Footnote 5:
From _Poems of Sidney Lanier_. Copyright, 1884, 1891, 1916, by Mary D.
Lanier; published by Charles Scribner’s Sons. By permission of the
publishers.
Footnote 6:
From _Poems of Sidney Lanier_. Copyright, 1884, 1891, 1916, by Mary D.
Lanier; published by Charles Scribner’s Sons. By permission of the
publishers.
Footnote 7:
From the Biographical Edition of the _Complete Works of James Whitcomb
Riley_. Copyright, 1913. Used by special permission of the publishers,
The Bobbs-Merrill Company.
Footnote 8:
From the Biographical Edition of the _Complete Works of James Whitcomb
Riley_. Copyright, 1913. Used by special permission of the publishers,
The Bobbs-Merrill Company.
Footnote 9:
Reprinted from _The Complete Works of Eugene Field_ by permission of
Charles Scribner’s Sons, holders of the copyright.
Footnote 10:
Reprinted from _The Complete Works of Eugene Field_ by permission of
Charles Scribner’s Sons, holders of the copyright.
Footnote 11:
Reprinted from _The Complete Works of Eugene Field_ by permission of
Charles Scribner’s Sons, holders of the copyright.
Footnote 12:
Revised version, 1920. Copyright by Edwin Markham.
Footnote 13:
See pages 114, 123, 232, 245, 252, 323.
Footnote 14:
Reprinted, by permission, from _Poems_ by H. C. Bunner. Copyright,
1899, by Charles Scribner’s Sons.
Footnote 15:
Reprinted from _The Bashful Earthquake_ by Oliver Herford. Copyright,
1898, by Charles Scribner’s Sons.
Footnote 16:
Taken by permission from _The Vale of Tempe_ by Madison Cawein.
Copyright, 1905, by E. P. Dutton and Co., New York.
Footnote 17:
Reprinted by permission of the publishers, Charles Scribner’s Sons,
from _The Town down the River_ by E. A. Robinson.
Footnote 18:
Reprinted by permission of the publishers, The Macmillan Company, from
_The Man Against the Sky_ by E. A. Robinson.
Footnote 19:
See pages 51, 123, 232, 245, 252, 323.
Footnote 20:
Reprinted by permission of the publishers, Charles Scribner’s Sons,
from _The Town down the River_ by E. A. Robinson.
Footnote 21:
Reprinted by permission of the publishers, Charles Scribner’s Sons,
from _The Children of the Night_.
Footnote 22:
Reprinted by permission of the publishers, The Macmillan Company, from
_Spoon River Anthology_ by Edgar Lee Masters.
Footnote 23:
Reprinted by permission of the publishers, The Macmillan Company, from
_Spoon River Anthology_ by Edgar Lee Masters.
Footnote 24:
See pages 51, 114, 232, 245, 252, 323.
Footnote 25:
Reprinted by permission of the publishers, The Macmillan Company, from
_Spoon River Anthology_ by Edgar Lee Masters.
Footnote 26:
Reprinted by permission of the publishers, The Macmillan Company, from
_Songs and Satires_ by Edgar Lee Masters.
Footnote 27:
From _Lyrics of Love and Laughter_. Copyright, 1903, by Dodd, Mead &
Company.
Footnote 28:
From _Lyrics of Lowly Life_. Copyright, 1896, by Dodd, Mead & Company.
Footnote 29:
From _Lyrics of Lowly Life._ Copyright, 1896, by Dodd, Mead & Company.
Footnote 30:
Reprinted by permission of the publishers, The Macmillan Company, from
_Pictures of the Floating World_ by Amy Lowell.
Footnote 31:
Reprinted by permission of the publishers, The Macmillan Company, from
_Sword Blades and Poppy Seed_ by Amy Lowell.
Footnote 32:
Reprinted by permission of the publishers, The Macmillan Company, from
_Pictures of the Floating World_ by Amy Lowell.
Footnote 33:
Reprinted by permission of the publishers, The Macmillan Company, from
_Pictures of the Floating World_ by Amy Lowell.
Footnote 34:
Reprinted by permission of the publishers, The Macmillan Company, from
_General William Booth Enters into Heaven and Other Poems_ by Vachel
Lindsay.
Footnote 35:
Reprinted by permission of the publishers, The Macmillan Company, from
_The Congo and Other Poems_ by Vachel Lindsay.
Footnote 36:
See pages 51, 114, 123, 245, 252, 323.
Footnote 37:
Reprinted by permission of the publishers, The Macmillan Company, from
_The Chinese Nightingale and Other Poems_ by Vachel Lindsay.
Footnote 38:
Reprinted by permission of the publishers, The Macmillan Company, from
_The Quest_ by John G. Neihardt.
Footnote 39:
Reprinted by permission of the publishers, The Macmillan Company, from
_The Quest_ by John G. Neihardt.
Footnote 40:
See pages 51, 114, 123, 232, 252, 323.
Footnote 41:
Reprinted by permission from _Grenstone Poems_ by Witter Bynner.
Copyright, 1917, by Frederick A. Stokes Company.
Footnote 42:
Reprinted by permission from _Grenstone Poems_ by Witter Bynner.
Copyright, 1917, by Frederick A. Stokes Company.
Footnote 43:
See pages 51, 114, 123, 232, 245, 323.
Footnote 44:
From _Sun and Saddle Leather_ by Badger Clark. Copyright, 1915.
Richard G. Badger, Publisher.
Footnote 45:
From _Grass-Grown Trails_ by Badger Clark. Copyright, 1917. Richard G.
Badger, Publisher.
Footnote 46:
Reprinted by permission of the publishers, The Macmillan Company, from
_Love Songs_ by Sara Teasdale.
Footnote 47:
Reprinted by permission of the publishers, The Macmillan Company, from
_Rivers to the Sea_ by Sara Teasdale.
Footnote 48:
Reprinted by permission of the publishers, The Macmillan Company, from
_Love Songs_ by Sara Teasdale.
Footnote 49:
Reprinted by permission of the publishers, The Macmillan Company, from
_Flame and Shadow_ by Sara Teasdale.
Footnote 50:
Reprinted by permission of the publishers, The Macmillan Company, from
_Flame and Shadow_ by Sara Teasdale.
Footnote 51:
Reprinted by permission of the publishers, The Macmillan Company, from
_Poems_ by Gladys Cromwell.
Footnote 52:
Reprinted by permission of the publishers, The Macmillan Company, from
_Poems_ by Gladys Cromwell.
Footnote 53:
See pages 51, 114, 123, 232, 245, 252.
Footnote 54:
From _Moons of Grandeur_ by William Rose Benét. Copyright, 1920,
George H. Doran Company, Publishers.
Footnote 55:
From _Trees and Other Poems_ by Joyce Kilmer. Copyright, 1914, by
George H. Doran Company, Publishers.
Footnote 56:
From _Trees and Other Poems_ by Joyce Kilmer. Copyright, 1914, by
George H. Doran Company, Publishers.
Footnote 57:
Reprinted, by permission, from _Poetry: A Magazine of Verse_.
Footnote 58:
From _Poems_ by Alan Seeger. Copyright, 1916, by Charles Scribner’s
Sons. By permission of the publishers.
Footnote 59:
Taken by permission from _Lanterns in Gethsemane_ by Willard Wattles.
Copyright, 1918, by E. P. Dutton & Co., New York.
Footnote 60:
From _Hide and Seek_ by Christopher Morley. Copyright, 1920. George H.
Doran Company, Publishers.
Footnote 61:
From _The Sonnet_. Copyright, 1918, by Mahlon Leonard Fisher.
Footnote 62:
Reprinted by permission of the Publishers, The Macmillan Company. From
_Youth Riding_ by Mary Carolyn Davies.
Footnote 63:
Reprinted by permission of the publishers, The Macmillan Company. From
_Youth Riding_ by Mary Carolyn Davies.
Footnote 64:
From _Banners_ by Babette Deutsch. Copyright, 1919. George H. Doran
Co., Publishers.
------------------------------------------------------------------------
TRANSCRIBER’S NOTES
1. P. 378–380, one of the poems (Renascence) was different in the two otherwise identical editions, so both sets of pages were included. See the second set below. 2. Silently corrected typographical errors and variations in spelling. 3. Retained anachronistic, non-standard, and uncertain spellings as printed. 4. Enclosed italics font in _underscores_. 5. Enclosed bold font in =equals=.
=Renascence= fragment mentioned above
And so beneath the weight lay I
And suffered death, but could not die.
Deep in the earth I rested now;
Cool is its hand upon the brow
And soft its breast beneath the head
Of one who is so gladly dead.
And all at once, and over all,
The pitying rain began to fall;
O God, I cried, give me new birth,
And put me back upon the earth!
Upset each cloud’s gigantic gourd
And let the heavy rain, down-poured
In one big torrent, set me free,
Washing my grave away from me!
I ceased; and, through the breathless hush
That answered me, the far-off rush
Of herald wings came whispering
Like music down the vibrant string
Of my ascending prayer, and—crash!
Before the wild wind’s whistling lash
The startled storm-clouds reared on high
And plunged in terror down the sky,
And the big rain in one black wave
Fell from the sky and struck my grave.
I know not how such things can be
I only know there came to me
A fragrance such as never clings
To aught save happy living things;
A sound as of some joyous elf
Singing sweet songs to please himself,
And, through and over everything,
A sense of glad awakening.
The grass, a tip-toe at my ear,
Whispering to me I could hear;
I felt the rain’s cool finger-tips
Brushed tenderly across my lips,
Laid gently on my sealèd sight,
And all at once the heavy night
Fell from my eyes and I could see,—
I lay and heard each pattering hoof
Upon my lowly, thatchèd roof,
And seemed to love the sound far more
Than ever I had done before.
For rain it hath a friendly sound
To one who’s six feet underground;
And scarce the friendly voice or face:
A grave is such a quiet place.
The rain, I said, is kind to come
And speak to me in my new home.
I would I were alive again
To kiss the fingers of the rain,
To drink into my eyes the shine
Of every slanting silver line,
To catch the freshened, fragrant breeze
From drenched and dripping apple-trees.
For soon the shower will be done,
And then the broad face of the sun
Will laugh above the rain-soaked earth
Until the world with answering mirth
Shakes joyously, and each round drop
Rolls, twinkling, from its grass-blade top.
How can I bear it; buried here,
While overhead the sky grows clear
And blue again after the storm?
O, multi-colored, multiform,
Beloved beauty over me,
That I shall never, never see
Again! Spring-silver, autumn-gold,
That I shall never more behold!
Sleeping your myriad magics through,
Close-sepulchred away from you!
A drenched and dripping apple-tree,
A last long line of silver rain,
A sky grown clear and blue again.
And as I looked a quickening gust
Of wind blew up to me and thrust
Into my face a miracle
Of orchard-breath, and with the smell,—
I know not how such things can be!—
I breathed my soul back into me.
Ah! Up then from the ground sprang I
And hailed the earth with such a cry
As is not heard save from a man
Who has been dead, and lives again.
About the trees my arms I wound;
Like one gone mad I hugged the ground;
End of Project Gutenberg's Modern American Poetry, by Louis Untermeyer
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