Chapter I: Am the Mountainy Singer

I am the mountainy singer--
The voice of the peasant's dream,
The cry of the wind on the wooded hill,
The leap of the fish in the stream.

Quiet and love I sing--
The carn on the mountain crest,
The _cailin_ in her lover's arms,
The child at its mother's breast.

Beauty and peace I sing--
The fire on the open hearth,
The _cailleach_ spinning at her wheel,
The plough in the broken earth.

Travail and pain I sing--
The bride on the childing bed,
The dark man laboring at his rhymes,
The eye in the lambing shed.

Sorrow and death I sing--
The canker come on the corn,
The fisher lost in the mountain loch,
The cry at the mouth of morn.

No other life I sing,
For I am sprung of the stock
That broke the hilly land for bread,
And built the nest in the rock!

THE OLD WOMAN

As a white candle
In a holy place,
So is the beauty
Of an aged face.

As the spent radiance
Of the winter sun,
So is a woman
With her travail done,

Her brood gone from her,
And her thoughts as still
As the waters
Under a ruined mill.

_James Stephens_

This unique personality was born in Dublin in February, 1882. Stephens was discovered in an office and saved from clerical slavery by George Russell ("A. E."). Always a poet, Stephens's most poetic moments are in his highly-colored prose. And yet, although the finest of his novels, _The Crock of Gold_ (1912), contains more wild phantasy and quaint imagery than all his volumes of verse, his _Insurrections_ (1909) and _The Hill of Vision_ (1912) reveal a rebellious spirit that is at once hotly ironic and coolly whimsical.

Stephens's outstanding characteristic is his delightful blend of incongruities--he combines in his verse the grotesque, the buoyant and the profound. No fresher or more brightly vigorous imagination has come out of Ireland since J. M. Synge.

THE SHELL

And then I pressed the shell
Close to my ear
And listened well,
And straightway like a bell
Came low and clear
The slow, sad murmur of the distant seas,
Whipped by an icy breeze
Upon a shore
Wind-swept and desolate.
It was a sunless strand that never bore
The footprint of a man,
Nor felt the weight
Since time began
Of any human quality or stir
Save what the dreary winds and waves incur.
And in the hush of waters was the sound
Of pebbles rolling round,
For ever rolling with a hollow sound.
And bubbling sea-weeds as the waters go
Swish to and fro
Their long, cold tentacles of slimy grey.
There was no day,
Nor ever came a night
Setting the stars alight
To wonder at the moon:
Was twilight only and the frightened croon,
Smitten to whimpers, of the dreary wind
And waves that journeyed blind--
And then I loosed my ear ... O, it was sweet
To hear a cart go jolting down the street.

WHAT TOMAS AN BUILE SAID IN A PUB

I saw God. Do you doubt it?
Do you dare to doubt it?
I saw the Almighty Man. His hand
Was resting on a mountain, and
He looked upon the World and all about it:
I saw him plainer than you see me now,
You mustn't doubt it.

He was not satisfied;
His look was all dissatisfied.
His beard swung on a wind far out of sight
Behind the world's curve, and there was light
Most fearful from His forehead, and He sighed,
"That star went always wrong, and from the start
I was dissatisfied."

He lifted up His hand--
I say He heaved a dreadful hand
Over the spinning Earth. Then I said, "Stay,
You must not strike it, God; I'm in the way;
And I will never move from where I stand."
He said, "Dear child, I feared that you were dead,"
And stayed His hand.

TO THE FOUR COURTS, PLEASE

The driver rubbed at his nettly chin
With a huge, loose forefinger, crooked and black,
And his wobbly, violet lips sucked in,
And puffed out again and hung down slack:
One fang shone through his lop-sided smile,
In his little pouched eye flickered years of guile.

And the horse, poor beast, it was ribbed and forked,
And its ears hung down, and its eyes were old,
And its knees were knuckly, and as we talked
It swung the stiff neck that could scarcely hold
Its big, skinny head up--then I stepped in,
And the driver climbed to his seat with a grin.

God help the horse and the driver too,
And the people and beasts who have never a friend,
For the driver easily might have been you,
And the horse be me by a different end.
And nobody knows how their days will cease,
And the poor, when they're old, have little of peace.

_John Drinkwater_

Primarily a poetic dramatist, John Drinkwater, born in 1882, is best known as the author of _Abraham Lincoln--A Play_ (1919) founded on Lord Charnwood's masterly and analytical biography. He has published several volumes of poems, most of them meditative and elegiac in mood.

The best of his verses have been collected in _Poems, 1908-19_, and the two here reprinted are used by permission, and by special arrangement with Houghton Mifflin Company, the authorized publishers.

RECIPROCITY

I do not think that skies and meadows are
Moral, or that the fixture of a star
Comes of a quiet spirit, or that trees
Have wisdom in their windless silences.
Yet these are things invested in my mood
With constancy, and peace, and fortitude;
That in my troubled season I can cry
Upon the wide composure of the sky,
And envy fields, and wish that I might be
As little daunted as a star or tree.

A TOWN WINDOW

Beyond my window in the night
Is but a drab inglorious street,
Yet there the frost and clean starlight
As over Warwick woods are sweet.

Under the grey drift of the town
The crocus works among the mould
As eagerly as those that crown
The Warwick spring in flame and gold.

And when the tramway down the hill
Across the cobbles moans and rings,
There is about my window-sill
The tumult of a thousand wings.

_James Joyce_

James Joyce was born at Dublin, February 2, 1882, and educated in Ireland. He is best known as a highly sensitive and strikingly original writer of prose, his most celebrated works being _Dubliners_ (1914) and the novel, _A Portrait of the Artist as a Young Man_ (1916). His one volume of verse, _Chamber Music_, was published in this country in 1918.