Chapter X: Conclusion

I have tried to show the methods of modern illustration, and to give a sketch of its present conditions. It would be absurd to prophesy its future, though I believe it will have a very brilliant one. Much of the work that is being turned out to-day is beneath contempt; much of it is done by young men who are absolutely uneducated, and an illustrator requires education as much as an author; much of it is done by people who are too careless, or too stupid, to read or to understand the MSS. which they illustrate. Thus, in looking through late numbers of a magazine, I learn that all the policemen in New York wear patent leather shoes; while from another I find that when people are very poor in France, they rock their babies in log cabin cradles, cook their meals on American stoves and sit upon Chippendale chairs.

But it is a pleasure to turn from budding geniuses of this sort and photographic hacks; from the gentlemen who copy the imperfections of the woodcut of the Middle Ages; from the people who enlarge the borders of their magazines with decorations that neither belong to our own time, nor are good examples of any other; from those who have succeeded in making a certain portion of the world believe that clumsy eccentricity is a cloak for all the sins in the artistic calendar, to illustrators who are calmly and quietly pursuing their profession, and producing work which may even drag other portions of the magazine or book, to which they contribute, to an unmerited immortality.

I do not pretend to foretell what the ultimate form of the book of the future, or of the magazine either, may be. But I do believe that illustration is as important as any other branch of art, will live as long as there is any love for art, long after the claims of the working classes have been forgotten, and the statues of the statesmen, who are the newspaper heroes of to-day, have crumbled into dust, unless preserved because a sculptor of distinction produced them.

Illustration is an important, vital, living branch of the fine arts, and it will flourish for ever.

INDEX.

Abbey, E. A., "Herrick," 123;
"Old Songs" and "Quiet Life," 106, 124;
"She Stoops to Conquer," 124;
"Shakespeare," 124.

"Abbotsford" Waverley Novels, 26.

Ache, Caran d', 66;
"Courses dans l'Antiquité," "Carnet de Chéques," "Albums,"
etc., 67, 79.

Adams, J. A., 29.

Albrecht, E., 78.

Alexander, Miss, xvii.

Allers, C. W., 78.

Allingham, W., "The Music Master," 88.

_Ally Sloper's Half Holiday_, 103.

American illustration, xv, 30-32, 113, 130.

American Tract Society, 29.

Amicis, E. de, 70.

Andersen's "Fairy Tales," 108.

Andrew, 25.

Angelico, Fra, 3.

Angerer and Göschl, 72.

Anning Bell, R., 105.

Aquatint, 38.

"Arabian Nights" (Lane), 24;
(Dalziel), 91, 101.

Architectural drawing, 111.

_Argosy, The_, 90.

"Armée Française, L'," 60.

Armstead, H. H., 90.

Arnold, Sir Edwin, "Japonica," and "Japan," 126.

_Art, L'_, 51.

_Art, L', et l'Idée_, 56.

_Art Student_, 35.

Artist-correspondents and their work, 112.

_Artiste, L'_, 18, 22, 60.

Auriol, Georges, 63, 68.

Avril, Paul, "La Dame aux Camélias," 62.

Babbage, F., xxiv.

Bacher, Otto, 127, 130.

Bale, Edwin, 115.

_Bambou, Le_, 56.

Barnard, Fred., xxiv, 108.

Barnes, R., 108.

Batten, J. D., illustrations to Fairy Tales, 105-106.

Baude, C., 48, 51, 69.

Baxter, W. G., "Ally Sloper," 103.

Bayard, Emile, 65.

Beardsley, Aubrey, 105;
_Yellow Book_, "Morte d'Arthur," and "Salome," 105.

Bennett, G. H., 89.

Bentworth, 25, 74.

Beraldi, M., xiv.

Best, 16, 25.

Bewick, Thos., xiv, xvi, 8;
Walton's "Angler," 9;
Gay's "Fables," 9;
"General History of Quadrupeds," 9;
"British Land and Water Birds," 9;
as engraver-artist, 9, 10;
outcome of his work, 12, 17, 47, 88.

Bibliographers' duties with regard to illustrations, xx.

_Bibliographica_, xvi, 92.

Birch, Reginald, 127.

Blackburn, H., 81.

_Black and White_, 108.

Black and White Exhibition, Vienna, 72.

Blair's "The Grave," 9.

Blake, W., 9;
"Songs of Innocence" and "Songs of Experience," 10;
"Book of Job," 10;
Blair's "The Grave," 9;
Mary Wollstonecraft's "Stories," 10.

_Blanco y Negro_, 79.

Blum, R., "Japonica," "Japan," 126.

Böcklin, A., 76, 77.

Bork, 48, 73.

Botticelli, 3;
designs for Dante, 3.

Boydell's "Shakespeare," 12.

"Bracebridge Hall," 86.

Bradbury and Evans, 89.

Bradley, W. H., 124.

Branston, C., 12, 21.

Braun, 18.

Braun and Schneider, 76.

Brend'amour, Richard, 76.

Brennan, A., 126.

Brévière, 16, 18.

British Museum, xv, xix, xx, 36.

_British Workman_, 96.

Brown, Ford Madox, 95.

"Brown, Jones, and Robinson," 84.

Browne, H. K. ("Phiz"), 89.

Bruant's "Dans la Rue," 68.

Buchanan's "The North Coast," 94.

Burckhardt, "Insects Injurious to Vegetation," 31.

Burges, W., 111.

Burne-Jones, Sir E., xvi;
In _Daily Chronicle_, xxiii, 95, 98.

Busch, W., 77.

Butler's "Hudibras," 19, 20.

_Butterfly, The_, 105.

Calcott, W., 24.

Caldecott, Randolph, illustration from "Old Christmas," 33, 84, 86;
Books for Children, 86.

Callot, 80.

Cameron, D. Y., 111.

Canaletto, 7.

"Caprices" (Goya), 80.

Capuana, Luigi, 71.

Caracci's "Christ and Peter," 10.

_Caricature, La_, 22.

Caricature, Political, 102, 103;
_Ally Sloper's Half Holiday_, 103.

"Carnet de Chéques," 67.

"Carols" (Gaskin, A. J.), 108.

Carpaccio, 2.

Carroll's "Alice in Wonderland," 102.

Casanova y Estorach, A., 71.

Castaigne, A., 127.

"Catalogue of Blue and White Nankin Porcelain," 95.

_Century Magazine_, xix, 34, 40, 114, 116.

"Cera una Volta," 71.

Cervante's "Don Quixote," 21.

Champfleury's "Vignettes Romantiques," xviii.

Chapman, J. G., drawings for the "Illuminated Bible," 29.

Charlet, 17, 60.

"Chaumière Indienne," 20.

Chelminski, 73.

Chéret, 68.

Chiaroscuro, engraving in, 48.

Chiswick Press, 21.

Chodowiecki, 7.

Christopher, St., 6, 34, 36.

Church, F. S., 129.

Cleaver, Reginald, 106.

Clennell, Luke, 11, 12.

Clichés, early use of, 7.

Closson, W. B., 129.

Cole, Timothy, 47, 48, 108, 129.

Colvin, Prof. S., xv.

Conquet, 63.

"Contes Remois," 24.

Cooper, A. W., illustration to Walton's "Angler," 32.

Cooper, J. D., xxiv.

Corbould, A., 21.

_Cornhill, The_, 28, 84, 89;
"Gallery," 94.

Cotman, F. G., 38, 111.

"Coups de Fusil," 60.

Courboin, E., 66.

_Courrier Français, Le_, 51.

"Courses dans l'Antiquité," 67.

Cox, Kenyon, 126.

Crane, Walter, 28;
"King Luckyboy's Party," "The Baby's Opera," "Baby's
Bouquet," 86, 99.

Crowther, T. S., 104.

Cruikshank, George, "Three Courses and a Dessert," 22-24, 83, 88.

Curmer, L., "Paul et Virginie," 20.

Cust, Lionel, xv.

_Daheim_, 78.

_Daily Chronicle_, xvii, xxi, xxiii.

_Daily Graphic_, 117.

Dalziel Brothers, 28, 35;
"Bible Gallery," 35, 95, 88, 90, 91;
"Arabian Nights' Entertainments," 91-93;
"Wayside Posies" and Ingelow's "Poems," 94;
"English Rustic Pictures," 95, 109.

Dalziel, E., 93.

"Daphnis and Chloe," 105.

Darley, F. O. C., 28.

Dasio, Max, 77.

Daubigny, 17.

Daumier, 17;
_La Caricature_, 22, 38, 60.

Davidson, H., 129.

Davis, J. P., 129.

Davison, T. R., 111.

Defoe's "Plague," 101.

Delacroix, 23, 80.

De Neuville, A., 51, 60;
"Coups de Fusil," 60;
Guizot's "History of France," 60;
"En Campagne," 60.

"Dentatus, The," 49.

Dentu's _Le Bambou_, 56;
"Tartarin de Tarascon," 61.

Derniame, Aristide, 20.

Detaille, E., 51;
"L'Armée Française," 60.

_Dial, The_, 105.

Dickens, C., 83.

Didot, F., "Gravure sur Bois," 5.

Dietz, W., 25, 75.

"Dinner at Greenwich," 84.

Dobson, Austin, xiv, xviii, 81, 84;
"Beau Brocade," 106.

Doepler, C. E., 29.

Donné, Dr., 40.

Doré, G., 31, 32, 51, 58;
characterization of his work, 58-60, 63, 93.

Doyle, R., 83;
"Brown, Jones, and Robinson," 84, 89.

Drake, A. W., 114, 115, 127.

Du Maurier, G., 28, 39, 84, 101, 103.

Durand, 108.

Durand, Amand, photogravure process of, 44.

Dürer, A., xxii, 3;
illustrations to "Maximilian's Missal," 3;
decorative designs, 4;
his criticism on his wood-engravers, 5;
an Apollo drawing, 36.

Duveneck, Frank, 130.

Dys, Habert, 65.

_Echo de Paris, L'_, 54.

Eckhardt, Oscar, 104.

Edelfelt, A., 73.

Edwards, G. W., 124.

Elgin Marbles, xxii.

_Elsevir_, 71.

"En Campagne," 60.

"English Rustic Pictures," 95.

"Enterrement de Province," 69.

_Estampe Originale, L'_, 69.

Etching, 111;
American, 130;
Cassell's "Portfolios," 130.

Evans, Edmund, xxiv, 87, 109.

Everal et Cie., 21.

"Examples of Venetian Architecture," 85.

_Ex-Libris Series_, Editor, xiii, xiv.

Fau, F., 61.

_Felz und Meer_, 78.

Fenn, Harry, "Picturesque Europe and America," 31, 127.

Fernandez, G., 79.

Ferris, Stephen, 130.

Figaro, Le, 54.

Fildes, Luke, xxiv, 86.

_Fliegende Blätter_, xvii, 25, 75-78.

Florian, 48, 51, 57, 69.

"Fontaine, La," 8.

Foote, Mrs. Mary H., 127.

Forain, J. L., 66;
Album, 68.

Ford, H. J., 106.

_Forget-me-Not_, 13, 34.

Forrestier, A., 108.

Fortuny, M., 50, 71, 79, 126.

Foster, Birket, xv, xxiv, 26-29, 84;
"Pictures of English Landscape," 91;
"Odes and Sonnets," 91, 103.

"François le Champi," 62.

Fraser, Lewis, 114, 115.

Fredericks, Alfred, 30.

"Frederick the Great's Works," 74.

French, Frank, 129.

Frost, A. B., 126.

Furniss, Harry, 102.

Galice, L., 61.

Gamm, 48, 129.

Gardner, W. Biscombe, 48, 109.

Gaskin, A. J., 108.

Gaul, Gilbert, 126.

Gautier, T., 80.

Gavarni, 17;
_Gazette des Enfants_, lithographs in, 22, 38, 57, 60, 79.

_Gazette des Enfants_, 22.

_Gazette des Beaux-Arts, La_, 51.

Gere, C. M., _The Quest_, 108.

Giacomelli, 65.

Gibson, C. D., 125, 126.

Gibson, W. Hamilton, 126.

Gigoux, Jean, 17;
_Gil Blas_, 19.

Gilbert, Sir John, 26;
Work for American Tract Society, 29, 84;
edition of Shakespeare, 89, 103.

_Gil Blas_, 54.

Gillom, B., 129.

Gillot, C., engraver, 40.

Gillotage, the process, 51.

Gillray, 84.

Goldsmith's "Vicar of Wakefield," 21, 61, 93;
"She Stoops to Conquer," 124.

_Good Words_, 28, 84, 88, 90, 91.

Gosse, Edmund, xvi.

Gould, F. C., 102.

Goupil, 55;
_Les Lettres et les Arts_, 56.

Gourget, A. F., 61.

Goya, F., xiv, 8, 20, 79, 80;
"Caprices," 80;
"Invasion," 80;
Bull-fights, 80.

Graham, Charles, 90, 127.

_Graphic_, 18, 34, 40, 65, 85, 92, 94, 96, 108.

_Graphischen Kunste Die_, 78.

Grasset, E., 63, 68.

Gray's, "Elegy," 24.

Green, Charles, xxiv, 86, 101.

Green, W. T., xxiv.

Greenaway, Kate, 86;
Children's Books, 87.

Gregory, E. J., 86.

Greiffenhagen, Maurice, 104.

Greiner, Otto, 77.

Greuze, 7.

Griset, Ernest, "Grotesques," xxiv, 87.

"Gulliver's Travels," 93.

Guillaume, process and publisher, 56, 66.

"Guillaume" Series, 51, 62.

Guizot's "History of France," 60.

Hackländer, F., 78.

Haennen, T. von, 65.

"Half-tone" process, 40.

Halkett, G. R., 102.

Hall, S. P., 86, 101, 112.

Hallward, Reginald, 108.

Hamerton, P. G., 81.

Harburger, 77.

Harding, J. D., 38, 110, 111.

Hardy, Thos., "Tess of the D'Urbervilles," 101.

Harper, C. G., 81.

Harper's "Illuminated Bible," 29.

_Harper's Magazine_, xix, 29, 116.

Harral, H., xxiii.

Harris's "Insects Injurious to Vegetation," 30, 31.

Hartrick, A. S., 104.

Harvey, William, xxiv, 12;
Milton's "Poetical Works," 15, 16, 17, 18;
"Gardens, etc., of Zoological Society," 21, 24;
"Elegy" (Gray), 24;
"Arabian Nights," 24;
"Solace of Song," 24;
"Dentatus," 49, 88, 89.

Hassam, F. Childe, 126, 127.

Hatherell, W. H., 105.

Haug, Robert, 75.

Haydon's "Dentatus," 49.

Hendriksen, 48, 73.

Hengler, 77.

Henley, W. E., xvi.

Hennessy, W. J., xvi.

"Herbals," The, 37.

Herford, Oliver, 127.

Herkomer, Prof. H., 86;
Hardy's "Tess," 101.

"Histoire de Mobilier," 51.

"Histoire du Roi de Bohème," 18.

"Historical and Legendary Ballads," 94, 95, 102.

_Hobby Horse, The_, 108.

Hogarth, W., 7.

Holbein, Hans, 4, 7;
"Dance of Death," 34, 36.

Hole, W., 72, 111.

Holl, F., 86.

Homer, Winslow, 29.

Hooper, W. H., xvi, 28, 48, 109.

Horne, Herbert, 108.

Horsley, G. C., 111.

Houghton, A. Boyd, xvi, 27, 84, 86, 88, 90;
"Arabian Nights," 92;
Housman on his work, 92;
"Home Thoughts and Home Scenes," 92;
"Don Quixote," 92;
"Kuloff's Fables," 92;
_Graphic_ drawings, 92;
"National Nursery Rhymes," 93;
"The North Coast," 94, 95, 101.

Housman, Laurence, xvi, 92;
"Goblin Market," 106.

Huertas, 79.

Huet, Paul, 17, 20.

Hughes, Arthur,
illustrations to Christina Rossetti's "Sing Song," xxiv, 88, 96;
"Tom Brown's School-days," 96.

Hugo's, V., works, "Edition Nationale," 64.

Hunt, Holman, "Lady of Shalott," 88, 90.

"Hypnerotomachia," 4.

Ibels, 66.

Icke, H. J., 72.

Illumination, 3.

_Illustracion Artistica_, 71.

_Illustracion Española y Americana_, 71.

_Illustrated London News_, 27, 108.

_Illustration, L'_, 51, 65.

Illustration, definition of, 1;
compared to art, 1, 2;
the old illustrator, 2;
the court painters, 2;
the subject and landscape painters, 2;
illumination of MSS., 3;
French illustration, 24;
modern development in, 33;
application of photography to, 34;
increase in its popularity, 34;
production of before the introduction of photography, 36;
French, 50-57;
decline of French work, 52;
decay due to publishers, 54;
Spanish, 71;
Dutch, 71, 72;
Belgian, Austrian, and Hungarian, 72;
Russian and Scandinavian, 73;
Danish, 73, 74;
German, 74, 75;
English, 82, 84;
revival in England, 96;
editors' bad judgments on, 97;
their bad influence, 97;
their ignorance, 90, 99;
evils of modern reproductions, 99;
ignorance of printers, 100;
modern copies of obsolete fads, 100;
colour printing, 109;
American, 113, 130;
reasons for American advance in, 116;
daily papers, 117;
future of modern, 131-134.

_Illustrazion Italiana, L'_, 71.

_Illustrirte Zeitung_, 75.

Image, Selwyn, 108.

Indexing of artists' works, xix, xx.

Ingelow, Jean, "Poems," 94.

"International Society of Wood Engravers," 109.

Isabey, E., 17, 20.

Ispen, L. S., 124.

Ives' method of engraving, 40.

Jackson, Mason, "The Pictorial Press," xviii, 32, 115.

Jacobi, C. T., xvi.

Jacque, C., 17, 20;
"Vicar of Wakefield," 21.

Jacquemart, Jules, 51.

Jeanniot, P. G., 60.

Job, 66.

Johannot, Tony, 25.

Johannots, the Brothers, 17, 18.

Johnson, T., 129.

Johnstone, J. M., xxiv.

_Judge_, 129.

Jüngling, Frederick, 48, 129.

Kaulbach, 76.

Keene, C., 28, 38, 39, 84, 89, 90, 104.

_Keepsake_, 13, 34.

Kepler, F., 129.

King, F. S., 129.

Kingsley's "Water Babies," 102.

Kingsley, Elbridge, 47, 48, 129.

Klinger, Max, 76;
his method, 77;
his "Apuleius," 77.

Knight, Charles, 24.

Koehler, S. R., 130.

Konewka, Paul, 76;
"Faust," 76.

Kreull, G., 48, 129.

Kreitzschmar, 25.

_Kunst für Alle_, 78.

Lacour, O., xxiv.

La Farge, John, 29.

Lalauze, A., 64.

Lameyer, 79.

Lami, E., 23.

Landseer, Sir E., 24.

Lang, A., "The Library," xviii, 81;
"Fairy Books," 106.

Langton, first use of photography for book illustration, 34.

_Lanterne, La_, 54.

Lathrop's "Spanish Vistas," 124.

Laurens, Jean Paul, 61.

Lautrec, H. T., 68.

_La Vie Moderne_, 51.

Lavoignat, 15, 17, 21, 24.

Lawless, M. J., 89.

Leech, John, 83, 84, 88, 89.

"Legend of the Portent," 89.

Legrand, L., 66.

Lehers, Max, 77.

Leighton, Brothers, 109.

Leighton, Sir F., 28, 89;
_Cornhill_ "Gallery," 94, 95.

Leloir, M., 25, 61.

Lemaire, Mme., 62.

Lepère, A., 18, 47, 51, 69.

Le Sage's "Diable Boiteux," 21.

_Les Lettres et les Arts_, 56.

Leveille, 16, 24, 51.

Lhermitte, L., "La Vie Rustique," 61.

"Liber Studiorum," 27.

_Lidia, La_, 79.

_Life_, 126, 129.

Linnells, The, 10, 11;
"The National Gallery," 14.

Linton's "Engraving," xviii;
on engraver and artist, 24, 28, 48, 86, 109.

Lithography, 38;
work by Prout, Harding, Roberts, Nash, 38;
revival in, 109;
_Vanity Fair_ and chromo-lithography, 109;
photo-lithography, 109.

Low, Will. H., 126.

Lucena, Jiminez, 79.

Luders, Hermann, 75.

Lunel, F., 61.

Lungren, F., 126.

Lynch, Albert, "La Dame aux Camélias," 62.

Macbeth, R. W., 72, 111.

"Madame Chrysanthème," 62.

_Magazin Pittoresque_, 21.

Mahoney, T., "Scrambles amongst the Alps," 94, 101.

Mallows, C. E., 111.

Marchetti, 64.

Marie, Adrian, 65.

Marold, L., 57, 72, 78.

Mars, 66, 68.

May, Phil, 104;
"The Parson and the Painter," 104.

Meadows, Kenny, 88.

Meggendorfer, 77.

Meisenbach process, 40.

Meissonier, J. L. E., 8, 17, 20;
"Deux Joueurs," 21;
"Contes Remois," 24, 25, 50, 57, 60, 73, 74, 79.

Menzel, Adolph, xx, 8, 24;
comparison with Bewick, 25;
"Life of Frederick the Great," 25;
"Paul et Virginie," 25, 73, 74;
his genius and work, 74, 75, 76, 88, 126.

Merson, Luc Ollivier, 64.

Metal, engraving on, 37.

Metcalfe, W. L., Stevenson's "The Wreckers," 128.

Métivet, L., 65.

Millais, Sir J. E., 28;
"St. Agnes' Eve," 88, 89;
"Parables," 90-92;
_Cornhill_ "Gallery," 94;
Strahan's "Portfolio," 94.

Millar, H. R., 104.

Mitchell, G. C., 111.

Mitchell, J. A., _Life_, 129.

"Modern Painters," 85.

_Monde Illustré, Le_, 51.

Monnier, H., 17, 23.

Montalti, "Cera una Volta," 71.

Montbard, A., 108.

Monvel, Boutet de, 66.

Moran, Mrs. Mary Nimmo, 130.

Moran, Thomas and Peter, 30, 127, 128, 130.

Morin, Louis, 63.

Morris, William, xvi, 108.

Morton, T., "Gulliver's Travels," 93.

Moxon's "Tennyson," 28, 88;
Macmillan's re-issue, 101.

Muckley, L. F., _The Quest_, 108.

Mulready, W., 24.

Murray, C. O., 111.

Myrbach, 54, 62, 72.

Nash, 38.

Nast, Thomas, 30.

Nesbit, 12.

_Neue Lithographem_, 77.

New, E. H., 108.

Newell, P., 127.

Newspapers, illustrated, 116, 117.

_New York Daily Graphic_, 117.

Niepce, 40.

North, J. W., 35, 93;
"Wayside Posies" and Ingelow's "Poems," 94.

Novello's "National Nursery Rhymes," 93.

Oberländer, 77.

"Odes and Sonnets," 91.

"Old Christmas," 86.

"Old Songs," 106.

"Omar Khayyam," 126.

_Once a Week_, xix, 28, 84, 88-90.

Orrinsmith, H., xvi, 12, 57.

Overbeck, 76.

Overend, W. H., 108.

Overlays used by Bewick, xvi, 20, 21.

"Pablo de Ségovie," 51, 54, 61.

Paget, Wal, 105.

"Palace of Art, The," 88.

_Pall Mall Gazette_, 117.

_Pall Mall Magazine_, xix.

Palmer, Samuel, xxiv.

Pannemaker, 32, 69.

Papier Gillot, 71.

_Paris Illustré_, 51.

Parrish, Stephen, 130.

Parsons, Alfred, 106;
"Old Songs," "A Quiet Life," "Wordsworth's Sonnets," and
"The Warwickshire Avon," 106, 124.

Parsons, Charles, 114.

Partridge, J. Bernard, 106.

Paterson, R., xxiv.

Paul, Rowland, 111.

Pegram, F., 104.

"Pen Drawing and Pen Draughtsmen," 35.

_Penny Magazine_, 24.

Perea, D., 79.

Perugini, Carlo, 109.

Perugino's "The Holy Family," 10.

_Petit Journal, Le_, 54.

Pettie, J., 90.

"Phiz" (H. K. Browne), 83.

Photography applied to book illustration, 34;
_Art Student_, 1865, 35;
fairly general in 1870, 36;
photographing of drawings in line upon a metal plate or gelatine
film, 40;
"half-tone" process, 40;
Meisenbach process, 40;
Ives' method, 40.

Piaud, 17.

Pickering's "Alphabet," 19.

"Pictures of English Landscape," 91.

"Pictures in Words," 91.

"Picturesque America," 31, 127.

"Picturesque Europe," 31.

Pille, Henri, 61.

Pinturicchio, 3.

Pinwell, G. J., 27, 35, 39, 86, 88, 90, 92;
"Goldsmith's Works," 93;
"Wayside Posies" and Ingelow's "Poems," 94;
"English Rustic Pictures," 95.

Piranesi, 7.

Pisan, 17.

Pissarro, L., 105.

Pite, A. B., 111.

Plantin Museum, 36.

Platt, Charles A., 130.

"Poets of the Nineteenth Century," xxiv.

Poirret, 17.

Poirson, V. A., 61.

Pollard, A. W., xv.

Pons, Angel, 79.

Powell, Miss C. A., 129.

Poynter, E. J., 95.

Prado, The, 80.

Pranishnikoff, 73.

_Premières Illustrées, Les_, 61.

Pre-Raphaelites, xxii, 76, 88, 98.

Prior, Melton, 112.

"Process," art of, 41;
Meisenbach, 40;
comparison with wood-engraving, 41-43;
method of, 42;
application of photography, 42;
for "line" work, 42;
use of swelled gelatine, 42;
photogravure of Amand Durand, 44;
black-and-white drawings reproduced in, 44;
wash reproductions by, 44;
advantages of, over engraving, 45;
flat washes, 45;
objections to, 45;
object of, 46;
not a "mechanical makeshift," 46;
answers to criticisms on, 46;
bound to supersede wood-engraving, 48;
Gillotage, 51;
Guillaume half-tone process, 62;
bad process work, 96.

Proctor, J., 102.

Prout, S., 38, 110, 111.

_Puck_, 129.

_Punch_, 27, 106, 129.

Pyle, Howard, 124, 125.

Pyle, Miss Katharine, 127.

"Quatre fils d'Aymon," 63.

_Quest, The_, 108.

"Quiet Life," 106.

_Quotidien Illustré_, 117.

Raffaëlli, J. F., 65.

Raffet, 17, 60.

Railton, Herbert, 105.

Rainey, W., 108.

Ramos, F. Garcia y, "La Tierra di Maria Santissima," 79.

Ratdolt, E., 5.

Raven-Hill, L., 104, 115.

Read, S., 88, 112.

Redwood, A. C., 126, 128.

Reed, E. T., 106.

Régamey, Felix, 65.

Reid, Sir George, 106;
"Johnny Gibb," "The River Tweed and the River Clyde," 107.

Reinecke, René, 78.

Reinhart, G. S., "Spanish Vistas," 124.

Rembrandt, 2, 3;
Etchings of, 4, 88.

Remington, F., "Hunting Trips of a Ranchman," 126.

Renouard, Paul, 65.

Répine, 73.

Retzche's "Shakespeare," 76.

_Revue Illustré, La_, 51.

Ricketts, Charles, 105;
"Daphnis and Chloe," 105.

Rico, 50, 71, 79, 126.

Riou, 65.

Roberts, C., xxiii.

Roberts, D., 38.

Robida, "Rabelais," 63.

Rochegrosse, G., 61.

Roehle, 18.

Rogers' "Italy," 38;
"Poems," 11, 12, 18.

Rops, Félicien, 63.

Rossetti, C., "Goblin Market," 106.

Rossetti, D. G., xvii, 27, 35, 85;
"The Palace of Art," "Sir Galahad," 88, 98;
his influence and motives, 98.

Rossi, 54, 62, 128.

Rowlandson, 84.

Rubens, sketches for title-pages, 4, 11.

Ruskin, J., 28, 85, 93.

Russell, W. W., 104.

Ryland, Henry, 108.

Sala, G. A., 89.

Sambourne, Linley, 101;
"Water Babies," 102;
_Punch_ work, 102.

Sandys, Frederick, xv, 27;
"Amor Mundi," 35, 39, 84, 88-90;
_Cornhill_ "Gallery," 94;
"Legendary Ballads," 95, 101, 108.

Savage, Reginald, 105.

Schlittgen, H., 78.

Schwæbe, C., 63, 77.

"Scrambles amongst the Alps," 94, 101.

_Scribner's Magazine_, 116.

Séon, 64.

Seymour, G. L., 105.

Shannon, C. H., 105;
"Daphnis and Chloe," 105.

Shepherd, W. L., 30, 126.

Shields, Frederick, xvi, 39, 84;
Defoe's "Plague," 101.

_Shilling Magazine_, 28, 35, 84, 88, 90.

Short, Frank, 72, 111.

Simpson, William, 112.

Singer, Dr. Hans, xv.

Small, W., 27, 101, 103.

Smedley, W. T., "Sketches of American Watering-places," 124.

Smeeton, 18.

Smillie, J. D., 130.

Smith, F. Hopkinson, 127.

"Sociétés Anonymes," 54.

"Solace of Song," 24.

Solomon, S., 95.

Sourel, "Insects Injurious to Vegetation," 31.

South Kensington Museum, xv, xix, xx, 36.

"Spanish Scenes," 79.

_Spectator_, xviii.

Speed, Lancelot, 106.

Spielmeyer, W., xxiv.

"Spy," 109.

_St. Stephen's Review_, 104.

Stacey, W. S., 108.

Stainforth, M., xxiv.

Staniland, C. J., 108.

Stationers' Hall, Exhibition of Wood-Engravings, March, 1895, xxiii.

Steinhausen, W., 77.

Steinlen, 57, 66;
Bruant's "Dans la Rue," 68.

Stephens, Mrs. Alice B., 127.

Sterne's "Sentimental Journey," 61.

Stevenson's "The Wreckers," 128.

"Stones of Venice," 85.

Stothard, T., 9, 10;
"The Pilgrim's Progress," 11;
Richardson's "Novels," 11;
Rogers' "Poems," 11-13, 18;
"Alphabet," 19, 24.

Strahan, A., xvi.

Strang, William, 111.

Strange, E. F., xv.

Stroebel, 78.

Stück, Franz, 77.

Sullivan, E. J., 104.

Sullivan, J. F., 102.

Sumner, Heywood, 108.

_Sunday Magazine_, 90.

_Supplement Littéraire et Artistique_, 54.

Swain, J., 28, 35, 90, 109.

"Tartarin de Tarascon," 52, 61.

Taylor, Tom, 83;
"Pictures in Words," 91.

Tegner, Hans, 73;
drawings for Holberg's "Comedies," 73.

Tenniel, Sir J., 28, 89, 92;
"Alice in Wonderland," "Legendary Ballads," 102.

Thackeray, W. M., 12, 83, 89;
"Roundabout Papers," 90.

Thoma, H., 77.

Thomas, G. H., xxiv.

Thomas, W. L., 115.

Thompson, Charles, 14, 15, 16.

Thompson, John, Hogarth's Works, 13.

Thompsons, the, 12;
Cruikshank's Work, 24.

Thomson, D. C., 115.

Thomson, Hugh, 105.

Thulstrup, T. de, 127.

Thurston's Butler's "Hudibras," 19, 20;
"Tasso," 21, 24.

Tilt's, "Gardens and Menageries of the Zoological Society
Delineated," 21.

Tinkey, J., 129.

"Tierra di Maria Santissima, La," 79.

Titian's "Ariadne and Bacchus," 14.

Tofani, 64.

"Tom Brown's School-days," 96.

Toudouze, Edouard, 62.

Townsend, Horace, xvi.

Trevès, Fratelli, 70.

Tristram's "Coaching Days and Coaching Ways," 105.

_Ueber Land und Meer_, 75.

Unger, J. F. G., 75.

Unzelmann, 25, 74.

Uzanne, Octave, 56, 62.

Valloton, F., 69;
"Enterrement en Province," 69.

_Vanity Fair_, 109.

Vebers, the, 64.

Vedder, Elihu, "Omar Khayyam," 126.

Velasquez, portraits of, 2, 80.

Veronese, 2, 3.

Vierge, Daniel, 19, 51, 54, 61, 71, 79, 80, 126.

"Vie Rustique, La," 61.

Villiers, F., 112.

Vinne, Theodore de, 120.

Vizetelly, H., 27.

Vogels, the, 25, 72, 74, 78.

Walker, Emery, xvi.

Walker, Fred., 27, 39, 88;
"Adventures of Philip," 90, 93;
_Cornhill_ "Gallery," 94;
"English Rustic Pictures," 95.

War Correspondents and their work, 112.

"Warwickshire Avon," 106.

Watson, C. J., 111.

Watson, J. D., 92.

Watteau, 7.

Way, Messrs., 109.

"Wayside Posies," 94.

Weir, Harrison, xv, xxiv, 26, 30, 31, 103.

Whall, Christopher, 108.

Whistler, J. M. N., xxii;
in _Daily Chronicle_, xxiii, 84, 93;
"Legendary Ballads," 95;
"Catalogue of Blue and White Nankin Porcelain," 95, 101.

White, Gleeson, xiv.

Whittingham, C., 21.

Whymper, 90;
"Scrambles amongst the Alps," 94, 101.

Wiles, Irving R., 128.

Wilkie, Sir David, 24.

Willette, A., 66, 68.

Williamses, the, 12, 15, 24.

Wilmot's, "Sacred Poetry," xxiv.

Wilson, Edgar, 104.

Wilson, Richard, 11.

Wilson, T. Walter, 108.

Wood-engraving, xvi;
early English, 12-14;
French prize for, 14;
rise of in France, 16;
Bewick's influence, 12, 17;
disappearance of, 37;
methods of wood-engraving shops, 38;
bad influence on the artists, 39;
disappearance of the "wood-choppers" again, 39;
replaced by photography, 40;
progression of the art of, 41;
advantages claimed for, 41;
comparison to "process" work, 41-43;
real duties of the engraver, 47;
three great periods, 47;
Japanese wood-cutting, 48;
no danger in the hands of good artists, 48;
modern facsimile wood-engraving, 48;
bound to be superseded by "process" work, 48;
bright outlook for, 49;
revival in France, Germany, etc., 57, 58, 75;
method of publication of the Dalziel books, 91;
"International Society of Wood-Engravers," 109;
American School of, 114-116;
facsimile work in America, 115.

Wolf, Henry, 129.

Woods, H., 86.

Woodville, R. Caton, 108.

Woodward, J. D., "Picturesque Europe and America," 31, 127, 128.

Wollen, W. B., 108.

Wordsworth's "Sonnets," 106.

Wolf, J., 89.

Worf, A., xxiv.

Wright, 21.

Wyllie, W. L., 108.

_Yellow Book_, xxii, 105.

Zogbaum, Rufus, 128.

Zola's "Le Rêve," 63.

CHISWICK PRESS:--CHARLES WHITTINGHAM AND CO.

TOOKS COURT, CHANCERY LANE, LONDON.