Chapter IX: Part 9

But the fierce old hag began to get angry and show a glimpse of her diabolic nature (like a snake’s head, peeping with a hiss out of her bosom), at this pusillanimous behavior of the thing which she had taken the trouble to put together.

“Puff away, wretch!” cried she, wrathfully. “Puff, puff, puff, thou thing of straw and emptiness! thou rag or two! thou meal bag! thou pumpkin head! thou nothing! Where shall I find a name vile enough to call thee by? Puff, I say, and suck in thy fantastic life with the smoke! else I snatch the pipe from thy mouth and hurl thee where that red coal came from.”

Thus threatened, the unhappy scarecrow had nothing for it but to puff away for dear life. As need was, therefore, it applied itself lustily to the pipe, and sent forth such abundant volleys of tobacco smoke that the small cottage kitchen became all vaporous. The one sunbeam struggled mistily through, and could but imperfectly define the image of the cracked and dusty window pane on the opposite wall. Mother Rigby, meanwhile, with one brown arm akimbo and the other stretched towards the figure, loomed grimly amid the obscurity with such port and expression as when she was wont to heave a ponderous nightmare on her victims and stand at the bedside to enjoy their agony. In fear and trembling did this poor scarecrow puff. But its efforts, it must be acknowledged, served an excellent purpose; for, with each successive whiff, the figure lost more and more of its dizzy and perplexing tenuity and seemed to take denser substance. Its very garments, moreover, partook of the magical change, and shone with the gloss of novelty and glistened with the skilfully embroidered gold that had long ago been rent away. And, half revealed among the smoke, a yellow visage bent its lustreless eyes on Mother Rigby.

At last the old witch clinched her fist and shook it at the figure. Not that she was positively angry, but merely acting on the principle—perhaps untrue, or not the only truth, though as high a one as Mother Rigby could be expected to attain—that feeble and torpid natures, being incapable of better inspiration, must be stirred up by fear. But here was the crisis. Should she fail in what she now sought to effect, it was her ruthless purpose to scatter the miserable simulacre into its original elements.

“Thou hast a man’s aspect,” said she, sternly. “Have also the echo and mockery of a voice! I bid thee speak!”

The scarecrow gasped, struggled, and at length emitted a murmur, which was so incorporated with its smoky breath that you could scarcely tell whether it were indeed a voice or only a whiff of tobacco. Some narrators of this legend hold the opinion that Mother Rigby’s conjurations and the fierceness of her will had compelled a familiar spirit into the figure, and that the voice was his.

“Mother,” mumbled the poor stifled voice, “be not so awful with me! I would fain speak; but being without wits, what can I say?”

“Thou canst speak, darling, canst thou?” cried Mother Rigby, relaxing her grim countenance into a smile. “And what shalt thou say, quoth-a! Say, indeed! Art thou of the brotherhood of the empty skull, and demandest of me what thou shalt say? Thou shalt say a thousand things, and saying them a thousand times over, thou shalt still have said nothing! Be not afraid, I tell thee! When thou comest into the world (whither I purpose sending thee forthwith) thou shalt not lack the wherewithal to talk. Talk! Why, thou shall babble like a mill-stream, if thou wilt. Thou hast brains enough for that, I trow!”

“At your service, mother,” responded the figure.

“And that was well said, my pretty one,” answered Mother Rigby. “Then thou speakest like thyself, and meant nothing. Thou shalt have a hundred such set phrases, and five hundred to the boot of them. And now, darling, I have taken so much pains with thee and thou art so beautiful, that, by my troth, I love thee better than any witch’s puppet in the world; and I’ve made them of all sorts—clay, wax, straw, sticks, night fog, morning mist, sea foam, and chimney smoke. But thou art the very best. So give heed to what I say.”

“Yes, kind mother,” said the figure, “with all my heart!”

“With all thy heart!” cried the old witch, setting her hands to her sides and laughing loudly. “Thou hast such a pretty way of speaking. With all thy heart! And thou didst put thy hand to the left side of thy waistcoat as if thou really hadst one!”

So now, in high good humor with this fantastic contrivance of hers, Mother Rigby told the scarecrow that it must go and play its part in the great world, where not one man in a hundred, she affirmed, was gifted with more real substance than itself. And, that he might hold up his head with the best of them, she endowed him, on the spot, with an unreckonable amount of wealth. It consisted partly of a gold mine in Eldorado, and of ten thousand shares in a broken bubble, and of half a million acres of vineyard at the North Pole, and of a castle in the air, and a chateau in Spain, together with all the rents and income therefrom accruing. She further made over to him the cargo of a certain ship, laden with salt of Cadiz, which she herself, by her necromantic arts, had caused to founder, ten years before, in the deepest part of mid-ocean. If the salt were not dissolved, and could be brought to market, it would fetch a pretty penny among the fishermen. That he might not lack ready money, she gave him a copper farthing of Birmingham manufacture, being all the coin she had about her, and likewise a great deal of brass, which she applied to his forehead, thus making it yellower than ever.

“With that brass alone,” quoth Mother Rigby, “thou canst pay thy way all over the earth. Kiss me, pretty darling! I have done my best for thee.”

Furthermore, that the adventurer might lack no possible advantage towards a fair start in life, this excellent old dame gave him a token by which he was to introduce himself to a certain magistrate, member of the council, merchant, and elder of the church (the four capacities constituting but one man), who stood at the head of society in the neighboring metropolis. The token was neither more nor less than a single word, which Mother Rigby whispered to the scarecrow, and which the scarecrow was to whisper to the merchant.

“Gouty as the old fellow is, he’ll run thy errands for thee, when once thou hast given him that word in his ear,” said the old witch. “Mother Rigby knows the worshipful Justice Gookin, and the worshipful Justice knows Mother Rigby!”

Here the witch thrust her wrinkled face close to the puppet’s, chuckling irrepressibly, and fidgeting all through her system, with delight at the idea which she meant to communicate.

“The worshipful Master Gookin,” whispered she, “hath a comely maiden to his daughter. And hark ye, my pet! Thou hast a fair outside, and a pretty wit enough of thine own. Yea, a pretty wit enough! Thou wilt think better of it when thou hast seen more of other people’s wits. Now, with thy outside and thy inside, thou art the very man to win a young girl’s heart. Never doubt it! I tell thee it shall be so. Put but a bold face on the matter, sigh, smile, flourish thy hat, thrust forth thy leg like a dancing-master, put thy right hand to the left side of thy waistcoat, and pretty Polly Gookin is thine own!”

All this while the new creature had been sucking in and exhaling the vapory fragrance of his pipe, and seemed now to continue this occupation as much for the enjoyment it afforded as because it was an essential condition of his existence. It was wonderful to see how exceedingly like a human being it behaved. Its eyes (for it appeared to possess a pair) were bent on Mother Rigby, and at suitable junctures it nodded or shook its head. Neither did it lack words proper for the occasion: “Really! Indeed! Pray tell me! Is it possible! Upon my word! By no means! Oh! Ah! Hem!” and other such weighty utterances as imply attention, inquiry, acquiescence, or dissent on the part of the auditor. Even had you stood by and seen the scarecrow made, you could scarcely have resisted the conviction that it perfectly understood the cunning counsels which the old witch poured into its counterfeit of an ear. The more earnestly it applied its lips to the pipe, the more distinctly was its human likeness stamped among visible realities, the more sagacious grew its expression, the more lifelike its gestures and movements, and the more intelligibly audible its voice. Its garments, too, glistened so much the brighter with an illusory magnificence. The very pipe, in which burned the spell of all this wonderwork, ceased to appear as a smoke-blackened earthen stump, and became a meerschaum, with painted bowl and amber mouthpiece.

It might be apprehended, however, that as the life of the illusion seemed identical with the vapor of the pipe, it would terminate simultaneously with the reduction of the tobacco to ashes. But the beldam foresaw the difficulty.

“Hold thou the pipe, my precious one,” said she, “while I fill it for thee again.”

It was sorrowful to behold how the fine gentleman began to fade back into a scarecrow while Mother Rigby shook the ashes out of the pipe and proceeded to replenish it from her tobacco-box.

“Dickon,” cried she, in her high, sharp tone, “another coal for this pipe!”

No sooner said than the intensely red speck of fire was glowing within the pipe-bowl; and the scarecrow, without waiting for the witch’s bidding, applied the tube to his lips and drew in a few short, convulsive whiffs, which soon, however, became regular and equable.

“Now, mine own heart’s darling,” quoth Mother Rigby, “whatever may happen to thee, thou must stick to thy pipe. Thy life is in it; and that, at least, thou knowest well, if thou knowest nought besides. Stick to thy pipe, I say! Smoke, puff, blow thy cloud; and tell the people, if any question be made, that it is for thy health, and that so the physician orders thee to do. And, sweet one, when thou shalt find thy pipe getting low, go apart into some corner, and (first filling thyself with smoke) cry sharply, ‘Dickon, a fresh pipe of tobacco!’ and, ‘Dickon, another coal for my pipe!’ and have it into thy pretty mouth as speedily as may be. Else, instead of a gallant gentleman in a gold-laced coat, thou wilt be but a jumble of sticks and tattered clothes, and a bag of straw, and a withered pumpkin! Now depart, my treasure, and good luck go with thee!”

“Never fear, mother!” said the figure, in a stout voice, and sending forth a courageous whiff of smoke, “I will thrive, if an honest man and a gentleman may!”

“Oh, thou wilt be the death of me!” cried the old witch, convulsed with laughter. “That was well said. If an honest man and a gentleman may! Thou playest thy part to perfection. Get along with thee for a smart fellow; and I will wager on thy head, as a man of pith and substance, with a brain and what they call a heart, and all else that a man should have, against any other thing on two legs. I hold myself a better witch than yesterday, for thy sake. Did not I make thee? And I defy any witch in New England to make such another! Here; take my staff along with thee!”

The staff, though it was but a plain oaken stick, immediately took the aspect of a gold-headed cane.

“That gold head has as much sense in it as thine own,” said Mother Rigby, “and it will guide thee straight to worshipful Master Gookin’s door. Get thee gone, my pretty pet, my darling, my precious one, my treasure; and if any ask thy name, it is Feathertop. For thou hast a feather in thy hat, and I have thrust a handful of feathers into the hollow of thy head, and thy wig, too, is of the fashion they call Feathertop,—so be Feathertop thy name!”

And, issuing from the cottage, Feathertop strode manfully towards town. Mother Rigby stood at the threshold, well pleased to see how the sunbeams glistened on him, as if all his magnificence were real, and how diligently and lovingly he smoked his pipe, and how handsomely he walked, in spite of a little stiffness of his legs. She watched him until out of sight, and threw a witch benediction after her darling, when a turn of the road snatched him from her view.

Betimes in the forenoon, when the principal street of the neighboring town was just at its acme of life and bustle, a stranger of very distinguished figure was seen on the sidewalk. His port as well as his garments betokened nothing short of nobility. He wore a richly-embroidered plum-colored coat, a waistcoat of costly velvet, magnificently adorned with golden foliage, a pair of splendid scarlet breeches, and the finest and glossiest of white silk stockings. His head was covered with a peruke, so daintily powdered and adjusted that it would have been sacrilege to disorder it with a hat; which, therefore (and it was a gold-laced hat, set off with a snowy feather), he carried beneath his arm. On the breast of his coat glistened a star. He managed his gold-headed cane with an airy grace, peculiar to the fine gentlemen of the period; and, to give the highest possible finish to his equipment, he had lace ruffles at his wrist, of a most ethereal delicacy, sufficiently avouching how idle and aristocratic must be the hands which they half concealed.

It was a remarkable point in the accoutrement of this brilliant personage that he held in his left hand a fantastic kind of a pipe, with an exquisitely painted bowl and an amber mouthpiece. This he applied to his lips as often as every five or six paces, and inhaled a deep whiff of smoke, which, after being retained a moment in his lungs, might be seen to eddy gracefully from his mouth and nostrils.

As may well be supposed, the street was all astir to find out the stranger’s name.

“It is some great nobleman, beyond question,” said one of the townspeople. “Do you see the star at his breast?”

“Nay; it is too bright to be seen,” said another. “Yes; he must needs be a nobleman, as you say. But by what conveyance, think you, can his lordship have voyaged or travelled hither? There has been no vessel from the old country for a month past; and if he have arrived overland from the southward, pray where are his attendants and equipage?”

“He needs no equipage to set off his rank,” remarked a third. “If he came among us in rags, nobility would shine through a hole in his elbow. I never saw such dignity of aspect. He has the old Norman blood in his veins, I warrant him.”

“I rather take him to be a Dutchman, or one of your high Germans,” said another citizen. “The men of those countries have always the pipe at their mouths.”

“And so has a Turk,” answered his companion. “But, in my judgment, this stranger hath been bred at the French court, and hath there learned politeness and grace of manner, which none understand so well as the nobility of France. That gait, now! A vulgar spectator might deem it stiff—he might call it a hitch and jerk—but, to my eye, it hath an unspeakable majesty, and must have been acquired by constant observation of the deportment of the Grand Monarque. The stranger’s character and office are evident enough. He is a French ambassador, come to treat with our rulers about the cession of Canada.”

“More probably a Spaniard,” said another, “and hence his yellow complexion; or, most likely, he is from the Havana, or from some port on the Spanish main, and comes to make investigation about the piracies which our government is thought to connive at. Those settlers in Peru and Mexico have skins as yellow as the gold which they dig out of their mines.”

“Yellow or not,” cried a lady, “he is a beautiful man!—so tall, so slender! such a fine, noble face, with so well-shaped a nose, and all that delicacy of expression about the mouth! And, bless me, how bright his star is! It positively shoots out flames!”

“So do your eyes, fair lady,” said the stranger, with a bow and a flourish of his pipe; for he was just passing at the instant. “Upon my honor, they have quite dazzled me.”

“Was ever so original and exquisite a compliment?” murmured the lady, in an ecstasy of delight.

Amid the general admiration excited by the stranger’s appearance, there were only two dissenting voices. One was that of an impertinent cur, which, after snuffing at the heels of the glistening figure, put its tail between its legs and skulked into its master’s back yard, vociferating an execrable howl. The other dissentient was a young child, who squalled at the fullest stretch of his lungs, and babbled some unintelligible nonsense about a pumpkin.

Feathertop meanwhile pursued his way along the street. Except for the few complimentary words to the lady, and now and then a slight inclination of the head in requital of the profound reverences of the bystanders, he seemed wholly absorbed in his pipe. There needed no other proof of his rank and consequence than the perfect equanimity with which he comported himself, while the curiosity and admiration of the town swelled almost into clamor around him. With a crowd gathering behind his footsteps, he finally reached the mansion-house of the worshipful Justice Gookin, entered the gate, ascended the steps of the front door, and knocked. In the interim, before his summons was answered, the stranger was observed to shake the ashes out of his pipe.

“What did he say in that sharp voice?” inquired one of the spectators.

“Nay, I know not,” answered his friend. “But the sun dazzles my eyes strangely. How dim and faded his lordship looks all of a sudden! Bless my wits, what is the matter with me?”

“The wonder is,” said the other, “that his pipe, which was out only an instant ago, should be all alight again, and with the reddest coal I ever saw. There is something mysterious about this stranger. What a whiff of smoke was that! Dim and faded did you call him? Why, as he turns about the star on his breast is all ablaze.”

“It is, indeed,” said his companion; “and it will go near to dazzle pretty Polly Gookin, whom I see peeping at it out of the chamber window.”

The door being now opened, Feathertop turned to the crowd, made a stately bend of his body like a great man acknowledging the reverence of the meaner sort, and vanished into the house. There was a mysterious kind of a smile, if it might not better be called a grin or grimace, upon his visage; but, of all the throng that beheld him, not an individual appears to have possessed insight enough to detect the illusive character of the stranger except a little child and a cur dog.

Our legend here loses somewhat of its continuity, and, passing over the preliminary explanation between Feathertop and the merchant, goes in quest of the pretty Polly Gookin. She was a damsel of a soft, round figure, with light hair and blue eyes, and a fair, rosy face, which seemed neither very shrewd nor very simple. This young lady had caught a glimpse of the glistening stranger while standing on the threshold, and had forthwith put on a laced cap, a string of beads, her finest kerchief, and her stiffest damask petticoat in preparation for the interview. Hurrying from her chamber to the parlor, she had ever since been viewing herself in the large looking-glass and practising pretty airs-now a smile, now a ceremonious dignity of aspect, and now a softer smile than the former, kissing her hand likewise, tossing her head, and managing her fan; while within the mirror an unsubstantial little maid repeated every gesture and did all the foolish things that Polly did, but without making her ashamed of them. In short, it was the fault of pretty Polly’s ability rather than her will if she failed to be as complete an artifice as the illustrious Feathertop himself; and, when she thus tampered with her own simplicity, the witch’s phantom might well hope to win her.

No sooner did Polly hear her father’s gouty footsteps approaching the parlor door, accompanied with the stiff clatter of Feathertop’s high-heeled shoes, than she seated herself bolt upright and innocently began warbling a song.

“Polly! daughter Polly!” cried the old merchant. “Come hither, child.”

Master Gookin’s aspect, as he opened the door, was doubtful and troubled.

“This gentleman,” continued he, presenting the stranger, “is the Chevalier Feathertop,—nay, I beg his pardon, my Lord Feathertop,—who hath brought me a token of remembrance from an ancient friend of mine. Pay your duty to his lordship, child, and honor him as his quality deserves.”

After these few words of introduction, the worshipful magistrate immediately quitted the room. But, even in that brief moment, had the fair Polly glanced aside at her father instead of devoting herself wholly to the brilliant guest, she might have taken warning of some mischief nigh at hand. The old man was nervous, fidgety, and very pale. Purposing a smile of courtesy, he had deformed his face with a sort of galvanic grin, which, when Feathertop’s back was turned, he exchanged for a scowl, at the same time shaking his fist and stamping his gouty foot—an incivility which brought its retribution along with it. The truth appears to have been that Mother Rigby’s word of introduction, whatever it might be, had operated far more on the rich merchant’s fears than on his good will. Moreover, being a man of wonderfully acute observation, he had noticed that these painted figures on the bowl of Feathertop’s pipe were in motion. Looking more closely he became convinced that these figures were a party of little demons, each duly provided with horns and a tail, and dancing hand in hand, with gestures of diabolical merriment, round the circumference of the pipe bowl. As if to confirm his suspicions, while Master Gookin ushered his guest along a dusky passage from his private room to the parlor, the star on Feathertop’s breast had scintillated actual flames, and threw a flickering gleam upon the wall, the ceiling, and the floor.

With such sinister prognostics manifesting themselves on all hands, it is not to be marvelled at that the merchant should have felt that he was committing his daughter to a very questionable acquaintance. He cursed, in his secret soul, the insinuating elegance of Feathertop’s manners, as this brilliant personage bowed, smiled, put his hand on his heart, inhaled a long whiff from his pipe, and enriched the atmosphere with the smoky vapor of a fragrant and visible sigh. Gladly would poor Master Gookin have thrust his dangerous guest into the street; but there was a constraint and terror within him. This respectable old gentleman, we fear, at an earlier period of life, had given some pledge or other to the evil principle, and perhaps was now to redeem it by the sacrifice of his daughter.

It so happened that the parlor door was partly of glass, shaded by a silken curtain, the folds of which hung a little awry. So strong was the merchant’s interest in witnessing what was to ensue between the fair Polly and the gallant Feathertop that, after quitting the room, he could by no means refrain from peeping through the crevice of the curtain.

But there was nothing very miraculous to be seen; nothing—except the trifles previously noticed—to confirm the idea of a supernatural peril environing the pretty Polly. The stranger it is true was evidently a thorough and practised man of the world, systematic and self-possessed, and therefore the sort of a person to whom a parent ought not to confide a simple, young girl without due watchfulness for the result. The worthy magistrate who had been conversant with all degrees and qualities of mankind, could not but perceive every motion and gesture of the distinguished Feathertop came in its proper place; nothing had been left rude or native in him; a well-digested conventionalism had incorporated itself thoroughly with his substance and transformed him into a work of art. Perhaps it was this peculiarity that invested him with a species of ghastliness and awe. It is the effect of anything completely and consummately artificial, in human shape, that the person impresses us as an unreality and as having hardly pith enough to cast a shadow upon the floor. As regarded Feathertop, all this resulted in a wild, extravagant, and fantastical impression, as if his life and being were akin to the smoke that curled upward from his pipe.

But pretty Polly Gookin felt not thus. The pair were now promenading the room: Feathertop with his dainty stride and no less dainty grimace, the girl with a native maidenly grace, just touched, not spoiled, by a slightly affected manner, which seemed caught from the perfect artifice of her companion. The longer the interview continued, the more charmed was pretty Polly, until, within the first quarter of an hour (as the old magistrate noted by his watch), she was evidently beginning to be in love. Nor need it have been witchcraft that subdued her in such a hurry; the poor child’s heart, it may be, was so very fervent that it melted her with its own warmth as reflected from the hollow semblance of a lover. No matter what Feathertop said, his words found depth and reverberation in her ear; no matter what he did, his action was heroic to her eye. And by this time it is to be supposed there was a blush on Polly’s cheek, a tender smile about her mouth and a liquid softness in her glance; while the star kept coruscating on Feathertop’s breast, and the little demons careered with more frantic merriment than ever about the circumference of his pipe bowl. O pretty Polly Gookin, why should these imps rejoice so madly that a silly maiden’s heart was about to be given to a shadow! Is it so unusual a misfortune, so rare a triumph?

By and by Feathertop paused, and throwing himself into an imposing attitude, seemed to summon the fair girl to survey his figure and resist him longer if she could. His star, his embroidery, his buckles glowed at that instant with unutterable splendor; the picturesque hues of his attire took a richer depth of coloring; there was a gleam and polish over his whole presence betokening the perfect witchery of well-ordered manners. The maiden raised her eyes and suffered them to linger upon her companion with a bashful and admiring gaze. Then, as if desirous of judging what value her own simple comeliness might have side by side with so much brilliancy, she cast a glance towards the full-length looking-glass in front of which they happened to be standing. It was one of the truest plates in the world and incapable of flattery. No sooner did the images therein reflected meet Polly’s eye than she shrieked, shrank from the stranger’s side, gazed at him for a moment in the wildest dismay, and sank insensible upon the floor. Feathertop likewise had looked towards the mirror, and there beheld, not the glittering mockery of his outside show, but a picture of the sordid patchwork of his real composition stripped of all witchcraft.

The wretched simulacrum! We almost pity him. He threw up his arms with an expression of despair that went further than any of his previous manifestations towards vindicating his claims to be reckoned human, for perchance the only time since this so often empty and deceptive life of mortals began its course, an illusion had seen and fully recognized itself.

Mother Rigby was seated by her kitchen hearth in the twilight of this eventful day, and had just shaken the ashes out of a new pipe, when she heard a hurried tramp along the road. Yet it did not seem so much the tramp of human footsteps as the clatter of sticks or the rattling of dry bones.

“Ha!” thought the old witch, “what step is that? Whose skeleton is out of its grave now, I wonder?”

A figure burst headlong into the cottage door. It was Feathertop! His pipe was still alight; the star still flamed upon his breast; the embroidery still glowed upon his garments; nor had he lost, in any degree or manner that could be estimated, the aspect that assimilated him with our mortal brotherhood. But yet, in some indescribable way (as is the case with all that has deluded us when once found out), the poor reality was felt beneath the cunning artifice.

“What has gone wrong?” demanded the witch. “Did yonder sniffling hypocrite thrust my darling from his door? The villain! I’ll set twenty fiends to torment him till he offer thee his daughter on his bended knees!”

“No, mother,” said Feathertop despondingly; “it was not that.”

“Did the girl scorn my precious one?” asked Mother Rigby, her fierce eyes glowing like two coals of Tophet. “I’ll cover her face with pimples! Her nose shall be as red as the coal in thy pipe! Her front teeth shall drop out! In a week hence she shall not be worth thy having!”

“Let her alone, mother,” answered poor Feathertop; “the girl was half won; and methinks a kiss from her sweet lips might have made me altogether human. But,” he added, after a brief pause and then a howl of self-contempt, “I’ve seen myself, mother! I’ve seen myself for the wretched, ragged, empty thing I am! I’ll exist no longer!”

Snatching the pipe from his mouth, he flung it with all his might against the chimney, and at the same instant sank upon the floor, a medley of straw and tattered garments, with some sticks protruding from the heap, and a shrivelled pumpkin in the midst. The eyeholes were now lustreless; but the rudely-carved gap, that just before had been a mouth still seemed to twist itself into a despairing grin, and was so far human.

“Poor fellow!” quoth Mother Rigby, with a rueful glance at the relics of her ill-fated contrivance. “My poor, dear, pretty Feathertop! There are thousands upon thousands of coxcombs and charlatans in the world, made up of just such a jumble of wornout, forgotten, and good-for-nothing trash as he was! Yet they live in fair repute, and never see themselves for what they are. And why should my poor puppet be the only one to know himself and perish for it?”

While thus muttering, the witch had filled a fresh pipe of tobacco, and held the stem between her fingers, as doubtful whether to thrust it into her own mouth or Feathertop’s.

“Poor Feathertop!” she continued. “I could easily give him another chance and send him forth again tomorrow. But no; his feelings are too tender, his sensibilities too deep. He seems to have too much heart to bustle for his own advantage in such an empty and heartless world. Well! well! I’ll make a scarecrow of him after all. ’Tis an innocent and useful vocation, and will suit my darling well; and, if each of his human brethren had as fit a one, ’twould be the better for mankind; and as for this pipe of tobacco, I need it more than he.”

So saying Mother Rigby put the stem between her lips. “Dickon!” cried she, in her high, sharp tone, “another coal for my pipe!”

THE NEW ADAM AND EVE

We who are born into the world’s artificial system can never adequately know how little in our present state and circumstances is natural, and how much is merely the interpolation of the perverted mind and heart of man. Art has become a second and stronger nature; she is a step-mother, whose crafty tenderness has taught us to despise the bountiful and wholesome ministrations of our true parent. It is only through the medium of the imagination that we can lessen those iron fetters, which we call truth and reality, and make ourselves even partially sensible what prisoners we are. For instance, let us conceive good Father Miller’s interpretation of the prophecies to have proved true. The Day of Doom has burst upon the globe and swept away the whole race of men. From cities and fields, sea-shore and midland mountain region, vast continents, and even the remotest islands of the ocean, each living thing is gone. No breath of a created being disturbs this earthly atmosphere. But the abodes of man, and all that he has accomplished, the footprints of his wanderings and the results of his toil, the visible symbols of his intellectual cultivation and moral progress,—in short, everything physical that can give evidence of his present position,—shall remain untouched by the hand of destiny. Then, to inherit and repeople this waste and deserted earth, we will suppose a new Adam and a new Eve to have been created, in the full development of mind and heart, but with no knowledge of their predecessors nor of the diseased circumstances that had become incrusted around them. Such a pair would at once distinguish between art and nature. Their instincts and intuitions would immediately recognize the wisdom and simplicity of the latter; while the former, with its elaborate perversities, would offer them a continual succession of puzzles.

Let us attempt, in a mood half sportive and half thoughtful, to track these imaginary heirs of our mortality, through their first day’s experience. No longer ago than yesterday the flame of human life was extinguished; there has been a breathless night; and now another morn approaches, expecting to find the earth no less desolate than at eventide.

It is dawn. The east puts on its immemorial blush, although no human eye is gazing at it; for all the phenomena of the natural world renew themselves, in spite of the solitude that now broods around the globe. There is still beauty of earth, sea, and sky, for beauty’s sake. But soon there are to be spectators. Just when the earliest sunshine gilds earth’s mountain-tops, two beings have come into life, not in such an Eden as bloomed to welcome our first parents, but in the heart of a modern city. They find themselves in existence, and gazing into one another’s eyes. Their emotion is not astonishment; nor do they perplex themselves with efforts to discover what, and whence, and why they are. Each is satisfied to be, because the other exists likewise; and their first consciousness is of calm and mutual enjoyment, which seems not to have been the birth of that very moment, but prolonged from a past eternity. Thus content with an inner sphere which they inhabit together, it is not immediately that the outward world can obtrude itself upon their notice.

Soon, however, they feel the invincible necessity of this earthly life, and begin to make acquaintance with the objects and circumstances that surround them. Perhaps no other stride so vast remains to be taken as when they first turn from the reality of their mutual glance to the dreams and shadows that perplex them everywhere else.

“Sweetest Eve, where are we?” exclaims the new Adam; for speech, or some equivalent mode of expression, is born with them, and comes just as natural as breath. “Methinks I do not recognize this place.”

“Nor I, dear Man,” replies the new Eve. “And what a strange place, too! Let me come closer to thy side and behold thee only; for all other sights trouble and perplex my spirit.”

“Nay, Eve,” replies Adam, who appears to have the stronger tendency towards the material world; “it were well that we gain some insight into these matters. We are in an odd situation here. Let us look about us.”

Assuredly there are sights enough to throw the new inheritors of earth into a state of hopeless perplexity. The long lines of edifices, their windows glittering in the yellow sunrise, and the narrow street between, with its barren pavement tracked and battered by wheels that have now rattled into an irrevocable past! The signs, with their unintelligible hieroglyphics! The squareness and ugliness, and regular or irregular deformity of everything that meets the eye! The marks of wear and tear, and unrenewed decay, which distinguish the works of man from the growth of nature! What is there in all this, capable of the slightest significance to minds that know nothing of the artificial system which is implied in every lamp-post and each brick of the houses? Moreover, the utter loneliness and silence, in a scene that originally grew out of noise and bustle, must needs impress a feeling of desolation even upon Adam and Eve, unsuspicious as they are of the recent extinction of human existence. In a forest, solitude would be life; in a city, it is death.

The new Eve looks round with a sensation of doubt and distrust, such as a city dame, the daughter of numberless generations of citizens, might experience if suddenly transported to the garden of Eden. At length her downcast eye discovers a small tuft of grass, just beginning to sprout among the stones of the pavement; she eagerly grasps it, and is sensible that this little herb awakens some response within her heart. Nature finds nothing else to offer her. Adam, after staring up and down the street without detecting a single object that his comprehension can lay hold of, finally turns his forehead to the sky. There, indeed, is something which the soul within him recognizes.

“Look up yonder, mine own Eve,” he cries; “surely we ought to dwell among those gold-tinged clouds or in the blue depths beyond them. I know not how nor when, but evidently we have strayed away from our home; for I see nothing hereabouts that seems to belong to us.”

“Can we not ascend thither?” inquires Eve.

“Why not?” answers Adam, hopefully. “But no; something drags us down in spite of our best efforts. Perchance we may find a path hereafter.”

In the energy of new life it appears no such impracticable feat to climb into the sky. But they have already received a woful lesson, which may finally go far towards reducing them to the level of the departed race, when they acknowledge the necessity of keeping the beaten track of earth. They now set forth on a ramble through the city, in the hope of making their escape from this uncongenial sphere. Already in the fresh elasticity of their spirits they have found the idea of weariness. We will watch them as they enter some of the shops and public or private edifices; for every door, whether of alderman or beggar, church or hall of state, has been flung wide open by the same agency that swept away the inmates.

It so happens,—and not unluckily for an Adam and Eve who are still in the costume that might better have befitted Eden,—it so happens that their first visit is to a fashionable dry-goods store. No courteous and importunate attendants hasten to receive their orders; no throng of ladies are tossing over the rich Parisian fabrics. All is deserted; trade is at a stand-still; and not even an echo of the national watchword, “Go ahead!” disturbs the quiet of the new customers. But specimens of the latest earthly fashions, silks of every shade, and whatever is most delicate or splendid for the decoration of the human form, he scattered around, profusely as bright autumnal leaves in a forest. Adam looks at a few of the articles, but throws them carelessly aside with whatever exclamation may correspond to “Pish!” or “Pshaw!” in the new vocabulary of nature. Eve, however,—be it said without offence to her native modesty,—examines these treasures of her sex with somewhat livelier interest. A pair of corsets chance to be upon the counter; she inspects them curiously, but knows not what to make of them. Then she handles a fashionable silk with dim yearnings, thoughts that wander hither and thither, instincts groping in the dark.

“On the whole, I do not like it,” she observes, laying the glossy fabric upon the counter. “But, Adam, it is very strange. What can these things mean? Surely I ought to know; yet they put me in a perfect maze.”

“Poh! my dear Eve, why trouble thy little head about such nonsense?” cries Adam, in a fit of impatience. “Let us go somewhere else. But stay; how very beautiful! My loveliest Eve, what a charm you have imparted to that robe by merely throwing it over your shoulders!”

For Eve, with the taste that nature moulded into her composition, has taken a remnant of exquisite silver gauze and drawn it around her forms, with an effect that gives Adam his first idea of the witchery of dress. He beholds his spouse in a new light and with renewed admiration; yet is hardly reconciled to any other attire than her own golden locks. However, emulating Eve’s example, he makes free with a mantle of blue velvet, and puts it on so picturesquely that it might seem to have fallen from heaven upon his stately figure. Thus garbed they go in search of new discoveries.

They next wander into a Church, not to make a display of their fine clothes, but attracted by its spire pointing upwards to the sky, whither they have already yearned to climb. As they enter the portal, a clock, which it was the last earthly act of the sexton to wind up, repeats the hour in deep reverberating tones; for Time has survived his former progeny, and, with the iron tongue that man gave him, is now speaking to his two grandchildren. They listen, but understand him not. Nature would measure time by the succession of thoughts and acts which constitute real life, and not by hours of emptiness. They pass up the church-aisle, and raise their eyes to the ceiling. Had our Adam and Eve become mortal in some European city, and strayed into the vastness and sublimity of an old cathedral, they might have recognized the purpose for which the deep-souled founders reared it. Like the dim awfulness of an ancient forest, its very atmosphere would have incited them to prayer. Within the snug walls of a metropolitan church there can be no such influence.

Yet some odor of religion is still lingering here, the bequest of pious souls, who had grace to enjoy a foretaste of immortal life. Perchance they breathe a prophecy of a better world to their successors, who have become obnoxious to all their own cares and calamities in the present one.

“Eve, something impels me to look upward,” says Adam; “but it troubles me to see this roof between us and the sky. Let us go forth, and perhaps we shall discern a Great Face looking down upon us.”

“Yes; a Great Face, with a beam of love brightening over it, like sunshine,” responds Eve. “Surely we have seen such a countenance somewhere.”

They go out of the church, and kneeling at its threshold give way to the spirit’s natural instinct of adoration towards a beneficent Father. But, in truth, their life thus far has been a continual prayer. Purity and simplicity hold converse at every moment with their Creator.

We now observe them entering a Court of Justice. But what remotest conception can they attain of the purposes of such an edifice? How should the idea occur to them that human brethren, of like nature with themselves, and originally included in the same law of love which is their only rule of life, should ever need an outward enforcement of the true voice within their souls? And what, save a woful experience, the dark result of many centuries, could teach them the sad mysteries of crime? O Judgment Seat, not by the pure in heart vast thou established, nor in the simplicity of nature; but by hard and wrinkled men, and upon the accumulated heap of earthly wrong. Thou art the very symbol of man’s perverted state.

On as fruitless an errand our wanderers next visit a Hall of Legislature, where Adam places Eve in the Speaker’s chair, unconscious of the moral which he thus exemplifies. Man’s intellect, moderated by Woman’s tenderness and moral sense! Were such the legislation of the world there would be no need of State Houses, Capitols, Halls of Parliament, nor even of those little assemblages of patriarchs beneath the shadowy trees, by whom freedom was first interpreted to mankind on our native shores.

Whither go they next? A perverse destiny seems to perplex them with one after another of the riddles which mankind put forth to the wandering universe, and left unsolved in their own destruction. They enter an edifice of stern gray stone standing insulated in the midst of others, and gloomy even in the sunshine, which it barely suffers to penetrate through its iron grated windows. It is a prison. The jailer has left his post at the summons of a stronger authority than the sheriff’s. But the prisoners? Did the messenger of fate, when he shook open all the doors, respect the magistrate’s warrant and the judge’s sentence, and leave the inmates of the dungeons to be delivered by due course of earthly law? No; a new trial has been granted in a higher court, which may set judge, jury, and prisoner at its bar all in a row, and perhaps find one no less guilty than another. The jail, like the whole earth, is now a solitude, and has thereby lost something of its dismal gloom. But here are the narrow cells, like tombs, only drearier and deadlier, because in these the immortal spirit was buried with the body. Inscriptions appear on the walls, scribbled with a pencil or scratched with a rusty nail; brief words of agony, perhaps, or guilt’s desperate defiance to the world, or merely a record of a date by which the writer strove to keep up with the march of life. There is not a living eye that could now decipher these memorials.

Nor is it while so fresh from their Creator’s hand that the new denizens of earth—no, nor their descendants for a thousand years—could discover that this edifice was a hospital for the direst disease which could afflict their predecessors. Its patients bore the outward marks of that leprosy with which all were more or less infected. They were sick-and so were the purest of their brethren—with the plague of sin. A deadly sickness, indeed! Feeling its symptoms within the breast, men concealed it with fear and shame, and were only the more cruel to those unfortunates whose pestiferous sores were flagrant to the common eye. Nothing save a rich garment could ever hide the plague-spot. In the course of the world’s lifetime, every remedy was tried for its cure and extirpation, except the single one, the flower that grew in Heaven and was sovereign for all the miseries of earth. Man never had attempted to cure sin by LOVE! Had he but once made the effort, it might well have happened that there would have been no more need of the dark lazar-house into which Adam and Eve have wandered. Hasten forth with your native innocence, lest the damps of these still conscious walls infect you likewise, and thus another fallen race be propagated!

Passing from the interior of the prison into the space within its outward wall, Adam pauses beneath a structure of the simplest contrivance, yet altogether unaccountable to him. It consists merely of two upright posts, supporting a transverse beam, from which dangles a cord.

“Eve, Eve!” cries Adam, shuddering with a nameless horror. “What can this thing be?”

“I know not,” answers Eve; “but, Adam, my heart is sick! There seems to be no more sky,—no more sunshine!”

Well might Adam shudder and poor Eve be sick at heart; for this mysterious object was the type of mankind’s whole system in regard to the great difficulties which God had given to be solved,—a system of fear and vengeance, never successful, yet followed to the last. Here, on the morning when the final summons came, a criminal—one criminal, where none were guiltless—had died upon the gallows. Had the world heard the footfall of its own approaching doom, it would have been no inappropriate act thus to close the record of its deeds by one so characteristic.

The two pilgrims now hurry from the prison. Had they known how the former inhabitants of earth were shut up in artificial error and cramped and chained by their perversions, they might have compared the whole moral world to a prison-house, and have deemed the removal of the race a general jail-delivery.

They next enter, unannounced, but they might have rung at the door in vain, a private mansion, one of the stateliest in Beacon Street. A wild and plaintive strain of music is quivering through the house, now rising like a solemn organ-peal, and now dying into the faintest murmur, as if some spirit that had felt an interest in the departed family were bemoaning itself in the solitude of hall and chamber. Perhaps a virgin, the purest of mortal race, has been left behind to perform a requiem for the whole kindred of humanity. Not so. These are the tones of an Eolian harp, through which Nature pours the harmony that lies concealed in her every breath, whether of summer breeze or tempest. Adam and Eve are lost in rapture, unmingled with surprise. The passing wind, that stirred the harp-strings, has been hushed, before they can think of examining the splendid furniture, the gorgeous carpets, and the architecture of the rooms. These things amuse their unpractised eyes, but appeal to nothing within their hearts. Even the pictures upon the walls scarcely excite a deeper interest; for there is something radically artificial and deceptive in painting with which minds in the primal simplicity cannot sympathize. The unbidden guests examine a row of family portraits, but are too dull to recognize them as men and women, beneath the disguise of a preposterous garb, and with features and expression debased, because inherited through ages of moral and physical decay.

Chance, however, presents them with pictures of human beauty, fresh from the hand of Nature. As they enter a magnificent apartment they are astonished, but not affrighted, to perceive two figures advancing to meet them. Is it not awful to imagine that any life, save their own, should remain in the wide world?

“How is this?” exclaims Adam. “My beautiful Eve, are you in two places at once?”

“And you, Adam!” answers Eve, doubtful, yet delighted. “Surely that noble and lovely form is yours. Yet here you are by my side. I am content with one,—methinks there should not be two.”

This miracle is wrought by a tall looking-glass, the mystery of which they soon fathom, because Nature creates a mirror for the human face in every pool of water, and for her own great features in waveless lakes. Pleased and satisfied with gazing at themselves, they now discover the marble statue of a child in a corner of the room so exquisitely idealized that it is almost worthy to be the prophetic likeness of their first-born. Sculpture, in its highest excellence, is more genuine than painting, and might seem to be evolved from a natural germ, by the same law as a leaf or flower. The statue of the child impresses the solitary pair as if it were a companion; it likewise hints at secrets both of the past and future.

“My husband!” whispers Eve.

“What would you say, dearest Eve?” inquires Adam.

“I wonder if we are alone in the world,” she continues, “with a sense of something like fear at the thought of other inhabitants. This lovely little form! Did it ever breathe? Or is it only the shadow of something real, like our pictures in the mirror?”

“It is strange!” replies Adam, pressing his hand to his brow. “There are mysteries all around us. An idea flits continually before me,—would that I could seize it! Eve, Eve, are we treading in the footsteps of beings that bore a likeness to ourselves? If so, whither are they gone?—and why is their world so unfit for our dwelling-place?”

“Our great Father only knows,” answers Eve. “But something tells me that we shall not always be alone. And how sweet if other beings were to visit us in the shape of this fair image!”