Chapter XXXI: Introduction: TO THE P–39. Bell Aircraft Corp., for the United States (6)

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Cast: Dorothy Lamour, Brian Donlevy, Claire Trevor, Irene Hervey,
Marjorie Rambeau.

©Amusement Enterprises, Inc.; 11Feb49; LP2157.

LUCKY STRIKE MEANS FINE TOBACCO. American Tobacco Co. 1 reel, sd.,
b&w, 35mm.

Cast: L. A. "Speed" Riggs, Mark Warnow, Lucky Strike Orchestra, Hit
Paraders, Andy Russell.

LUCKY STRIKE MEANS FINE TOBACCO. Presented by the American Tobacco Co.
1 reel, sd., b&w.

Appl. author: Jam Handy Picture Service, Inc.

LUCKY STRIKE MEANS FINE TOBACCO. Presented by the American Tobacco Co.
1 reel, sd., b&w.

Appl. author: Jam Handy Organization, Inc.

LUCKY STRIKE SALESMAN'S MOVIE 48–A. American Tobacco Co. 10 min., sd.,
b&w, 35mm.

Summary: The film describes the cultivation, harvesting, storing,
buying, and manufacture of tobacco, and shows the work of three
auctioneers, a warehouseman, and a buyer. Music is supplied by Frank
Sinatra, the Lucky Strike Quartette, and the Hit Parade Orchestra.

LULLABY IN SWING. Soundies Distributing Corp. of America, Inc., c1942,
1 reel, sd.

LULLABY OF BROADWAY. Soundies Distributing Corp. of America, Inc.,
c1945. 1 reel, sd.

LULLABY OF THE RAIN. Soundies Distributing Corp. of America, Inc.,
c1943. 1 reel, sd.

LULU. Soundies Distributing Corp. of America, Inc., c1943. 1 reel, sd.

LULU AT THE ZOO. Paramount Pictures Inc., c1944. 1 reel.

Credits: Director, I. Sparber; story, Seymour Kneitel.

LULU BELLE. Columbia Pictures Corp., c1948. 87 min., sd., b&w, 35mm.
Based on the play by Charles MacArthur and Edward Sheldon.

Summary: A melodrama about a singer in a Natchez saloon who rises to
fame and wealth on Broadway through the influence of her admirers.
Her tawdry escapades reach a climax when her wealthy sister is
murdered and her husband deserts her. Settings: Natchez, New Orleans
and New York at the turn of the century.

Credits: Producer, Benedict Bogeaus; director, Leslie Fenton;
screenplay, Everett Freeman; music, Henry Russell; film editor,
James Smith.

Cast: Dorothy Lamour, George Montgomery, Albert Dekker, Otto Kruger,
Glenda Farrell.

LULU GETS THE BIRDIE. Paramount Pictures Inc., c1944. 1 reel, sd.

Credits: Director, I. Sparber; story, Carl Meyer; animation, Dave
Tendlar, Morey Reden, John Walworth, John Gentilella.

LULU IN HOLLYWOOD. Paramount Pictures Inc., c1944. 1 reel, sd.

Credits: Director, I. Sparber; story, Joe Stultz, Dana Coty.

LULU'S BIRTHDAY PARTY. Paramount Pictures Inc., c1944. 1 reel, sd.

Credits: Director, I. Sparber.

LULU'S INDOOR OUTING. Paramount Pictures Inc., c1944. 1 reel, sd.

Credits: Director, I. Sparber; story, Carl Meyer, Joe Stultz.

LUMBERJACK. Released through United Artists, c1944. Presented by Harry
A. Sherman Productions, 94 min., sd. Based on characters created by
Clarence E. Mulford.

Credits: Producer, Harry Sherman; director, Lesley Selander;
screenplay, Norman Houston, Barry Shipman; music director, Irvin
Talbot; photographer, Russell Harlan; film editor, Fred W. Berger.

Appl. author: United Artists Corp.

LUMBERJACK AND JILL. Paramount Pictures Inc., c1949. 7 min., sd.,
color, 35mm. (Popeye the Sailor Cartoon)

Credits: Director, Seymour Kneitel; animation, Tom Johnson, George
Rufle; story, Carl Meyer, Jack Mercer.

LA LUNE. Encyclopaedia Britannica Films, Inc., c1948. 1 reel, sd.,
b&w, 16mm. French version of "The Moon."

Summary: Explains with animation and other cinematic devices the
phases of the moon, its orbit, the lunar month, sunrise and sunset
on the moon, occultation of stars, the moon's path in space, and
lunar and solar eclipses.

Credits: Collaborator, Walter Bartky.

LURE OF THE ISLANDS. Monogram Pictures Corp., c1942. 7 reels, sd.

Credits: Producer, Lindsley Parsons; director, Jean Yarbrough;
original screenplay, Edmond Kelso, George Bricker, Scott Littleton;
photography, Mack Stengler; film editor, Jack Ogilvie.

LURE OF THE SURF. Paramount Pictures Inc., c1942. 1 reel, sd.
(Grantland Rice Sportlight)

Credits: Narrator, Ted Husing.

LURE OF THE TROUT. Twentieth Century-Fox Film Corp., c1940. 1 reel,
sd., color. (Ed Thorgersen's Sports Review)

Credits: Producer, Truman Talley; continuity, Russ Sheilds;
described by Ed Thorgersen; photographer, Jack Painter. Technicolor.

LURED. Oakmont Pictures, Inc., c1947. 103 min., sd., b&w, 35mm. A Hunt
Stromberg production.

Credits: Producer, James Nasser; director, Douglas Sirk; story,
Jacques Companeez, Ernest Neuville, Simon Gantillon; screenplay, Leo
Rosen; music, Michel Michelet; film editor, John M. Foley.

Cast: George Sanders, Lucille Ball, Charles Coburn, Boris Karloff,
Sir Cedric Hardwicke.

LUST FOR GOLD. Columbia Pictures Corp., c1949. 91 min., sd., color,
35mm. Previously entitled "For Those Who Dare." Based on the book
"Thunder Gods Gold" by Barry Storm.

Summary: A Western about the attempts to locate the entrance to a
gold mine which was covered over by the Apache Indians one hundred
years ago. Setting, the Superstition Mountains of Arizona.

Credits: Producer and director, S. Sylvan Simon; screenplay, Ted
Sherdman, Richard English; film editor, Gene Harlick.

Cast: Ida Lupino, Glenn Ford, William Prince, Will Geer, Gig Young.

LUXURY LINER. Loew's Inc., c1948. 91 min., sd., color, 35mm.

Summary: A school girl whose father is captain of a luxury liner
runs away from school and becomes a stowaway on his ship. A musical
comedy featuring an aria from Aïda.

Credits: Producer, Joe Pasternak; director, Richard Whorf;
screenplay, Gladys Lehman, Richard Connell; music director, Georgie
Stoll; film editor, Robert J. Kern.

Cast: George Brent, Jane Powell, Lauritz Melchior, Frances Gifford,
Xavier Cugat and his orchestra.

LYDIA. Alexander Korda Films, Inc. Released through United Artists,
c1941. Presented by Alexander Korda. 100 min., sd. A Julien Duvivier
film.

Credits: Producer, Alexander Korda; director, Julien Duvivier;
original story, Julien Duvivier, L. Bus-Fekete; screenplay and
dialogue, Ben Hecht, Samuel Hoffenstein; music, Miklos Rozsa.

THE LYIN' LION. Terrytoons, Inc. Released through Twentieth
Century-Fox Film Corp., c1949. 7 min., sd., color, 35mm. (Terrytoon)

Credits: director, Connie Rasinski; story, John Foster; music,
Philip A. Scheib.

LYNCH'S SIMPLIFICATION OF THE PERINEAL OPERATION FOR EXCISION OF THE
RECTO-SIGMOID. Evelyn Mallory Tate Buchanan, c1944. 1 reel.

MA AND PA KETTLE. Universal Pictures Co., Inc. Released through
Universal-International Pictures Co., Inc., c1949. 76 min., sd.,
b&w, 35mm. Based on characters from "The Egg and I" by Betty
MacDonald.

Summary: A slapstick comedy in which the father of fifteen children
moves his household from a dilapidated farm to a bewildering
push-button home that he has won in a slogan contest.

Credits: Producer, Leonard Goldstein; director, Charles Lamont;
screenplay, Herbert Margolis, Louis Morheim, Al Lewis; music, Milton
Schwarzwald; film editor, Russell Schoengarth.

Cast: Marjorie Main, Percy Kilbride, Richard Long, Meg Randall,
Patricia Alphin.

MA, HE'S MAKING EYES AT ME. Soundies Distributing Corp. of America,
Inc., c1942. 1 reel, sd.

MA, HE'S MAKING EYES AT ME! Universal Pictures Co., Inc., c1940. 7
reels. From a story by Ed. Sullivan.

Credits: Director, Harold Schuster; screenplay, Charles Grayson,
Edmund L. Hartmann.

MABEL AT THE BEAUTY TARGET. Soundies Distributing Corp. of America,
Inc., c1942. 1 reel, sd.

MABEL, MABEL. Soundies Distributing Corp. of America, Inc., c1946. 1
reel, sd., b&w, 16mm. A Filmcraft production.

Credits: Director, William Forest Crouch.

THE MACADEMY AWARDS. Paramount Pictures Inc., c1949. 1 reel, sd., b&w,
35mm. (Pacemaker Series)

Summary: A satire on Academy Awards using 1910 flicks.

Credits: Chairman, Justin Herman; master of ceremonies, Dennis
James.

MACARTHUR IS THE NAME. Soundies Distributing Corp. of America, Inc.,
c1942. 1 reel, sd.

MACBETH. Mercury Productions. Released through Republic Pictures
Corp., c1948. 107 min., sd., b&w, 35mm. A Charles K. Feldman
presentation.

Summary: Orson Welles' adaptation of the Shakespearean tragedy.

Credits: Producer and director, Orson Welles; music, Jacques Ibert;
film editor, Louis Lindsay.

Cast: Orson Welles, Jeanette Nolan, Dan O'Herlihy, Roddy McDowall,
Edgar Barrier.

THE MCFARLAND TWINS AND THEIR ORCHESTRA. Paramount Pictures Inc.,
c1942. 1 reel, sd. (A Paramount Headliner)

Credits: Producer and director, Leslie Roush; continuity, Justin
Herman; photographer, George Webber.

THE MCGUERINS FROM BROOKLYN. Released thru United Artists, c1942.
Presented by Hal Roach. 5 reels, sd.

Credits: Producer, Fred Guiol; director, Kurt Neumann; screenplay,
Earle Snell, Clarence Marks; music score, Edward Ward; film editor,
Richard Currier.

MACHINE GUN BUTCH. Soundies Distributing Corp. of America, Inc.,
c1943. 1 reel, sd.

MACHINE GUN MAMA. P.R.C. Pictures, Inc., c1944. 7 reels, sd.

Credits: Producer, Jack Schwarz; director, Harold M. Young; original
screenplay, Sam Neuman; music arrangers, Mort Glickman, David
Chudnow; film editor, Robert O. Crandall.

THE MACHINE MAKER. Erpi Classroom Films, Inc., c1939. 1 reel, sd.

Appl. author: Frank C. Hockema.

MACHINE SHOEMAKING. United Shoe Machinery Corp. 9,000 ft., 35mm.

Summary: Illustrates various operations in the manufacture of shoes.

MACHINE SHOP WORK. © Audio Productions, Inc.

1. Rough Facing, Turning and Drilling on a Vertical Turret Lathe. ©
title, descr., & 4 prints, 6Jan42; MU11982.

2. Rough Facing, Boring and Turning a Shoulder on a Vertical Turret
Lathe. © title, descr., & 4 prints, 6Jan42; MU11983.

3. Facing, Turning, Boring, Grooving and Chamfering on a Vertical
Turret Lathe Using Two Heads. © title, descr., & 4 prints, 6Jan42;
MU11984.

MACHINE SHOP WORK; action, use and care of single point cutting tools.
Distributed by The Federal Security Agency, U. S. Office of
Education, c1942. 1 reel each, sd. © The Calvin Co.

Appl. author: The Calvin Co. employer for hire of Chester Lawrence
Sherwood.

1. Fundamentals of the Side Cutting Tools. © 25Sep42; MP13069.

2. Fundamentals of End Cutting Tools. © 25Sep42; MP13070.

MACHINE SHOP WORK; action, use and care of single point cutting tools.
The Calvin Co., c1944. 1 reel each, 16mm. © The Calvin Co.

1. Fundamentals of Side Cutting Tools. © 1Jun44; MP992.

2. Fundamentals of End Cutting Tools. © 1Jun44; MP993.

MACHINE SHOP WORK; basic machines. Loucks & Norling Studios, c1945. 1
reel each, sd. © Loucks & Norling Studios.

1. The Shaper. © 1Jun45; MP16265.

2. The Lathe. © 1Jun45; MP16266.

3. The Milling Machine. © 1Jun45; MP470.

MACHINE SHOP WORK; basic machines, the drill press. Atlas Educational
Film Co., c1945. 1 reel.

MACHINE SHOP WORK; bench work. Ray-Bell Films, Inc., c1942. 1 reel
each.

Appl. author: Reid H. Ray.

1. Cutting Threads with Taps and Dies. © 25Aug42; MP12969.

2. Scraping Flat Surfaces. © 25Aug42; MP12970.

3. Fitting and Scraping Small Bearings. © 25Aug42; MP12971.

4. Reaming with Straight Hand Reamers. © 25Aug42; MP12972.

5. Reaming with Taper Hand Reamers. © 25Aug42; MP12973.

MACHINE SHOP WORK; bench work. Distributed by The Federal Security
Agency, U. S. Office of Education, c1942–44. 1 reel each, sd. © The
Calvin Co.

Appl. author: The Calvin Co. employer for hire of Chester Lawrence
Sherwood.

1. Laying Out Small Castings. © 25Sep42; MP13071.

2. Centering Small Stock. © 25Sep42; MP13072.

3. Fundamentals of Filing. © 25Sep42; MP13073.

6. Laying Out Small Castings. © 1Jun44; MP989.

7. Centering Small Stock. © 1Jun44; MP990.

8. Fundamentals of Filing. © 1Jun44; MP991.

MACHINE SHOP WORK; carbide cutting tools. Mode-Art Pictures, Inc.,
c1945. 1 reel each. © Mode-Art Pictures, Inc.

1. Brazing Carbide Tools. © 1Jun45; MP16282.

2. Grinding Single-Point Carbide Tools. © 1Jun45; MP16283.

3. Grinding Multiple-Point Carbide Tools. © 1Jun45; MP16284.

4. Cutting with Carbide Tools. Part 1: Single Point. © 1Jun45;
MP16285.

5. Cutting with Carbide Tools. Part 2: Milling Cutters. © 1Jun45;
MP16286.

MACHINE SHOP WORK; fundamentals of blueprint reading. Ray-Bell Films,
Inc., c1944–45. 1 reel each, 16mm. © Ray-Bell Films, Inc.

1. Visualizing an Object. © 1Jun45; MP493.

2. Reading a Three-View Drawing. © 1Jun45; MP492.

4. Sectional Views and Projections, Finish Marks. Appl. author:
Lawrence Rosenthal. © 13Mar44; MP14604.

MACHINE SHOP WORK; operations on a broaching machine. Ray-Bell Films,
Inc., 1 reel each. © Ray-Bell Films, Inc.

Appl. author: Reid H. Ray.

1. Broaching an Internal Keyway. © 1Mar45; MP15809.

2. Single Ram Vertical Surface Broaching. © 1Mar45; MP15838.

3. Double Ram Vertical Surface Broaching. © 1Mar45; MP15811.

MACHINE SHOP WORK; operations on a milling machine. Hartley
Productions, c1945. 1 reel each. © Hartley Productions.

5. Milling a Template. © 1Jul45; MP16212.

6. Cutting a Short Rack. © 1Jul45; MP16213.

7. Boring Holes with Offset Boring Head. © 1Jul45; MP16214.

8. Milling a Helical Cutter. © 1Jul45; MP16215.

9. Cutting Teeth on a Worm Gear. © 1Jul45; MP16216.

MACHINE SHOP WORK; operations on a planer. Harfilms, Inc., c1945. 1
reel, 16mm. © Harfilms, Inc.

1. Planing a Flat Surface. © 1Apr45; MP547.

MACHINE SHOP WORK; operations on a planer. Ray-Bell Films, Inc.,
c1945. 1 reel. © Ray-Bell Films, Inc.

Appl. author: Reid H. Ray.

2. Planing a Dovetail Slide. © 1Mar45; MP15810.

MACHINE SHOP WORK; operations on the center-type grinder. Emerson
Yorke Studio, for the U. S. Office of Education, c1944. 1 reel each,
sd. © Emerson Yorke Studio.

Appl. authors: H. M. Huffman, Samuel A. Datlowe.

1. Grinding a Plain Pin: pt. 1, The Grinding Wheel. © 21Apr44;
MP14755.

2. Grinding a Plain Pin: pt. 2, Grinding Operations. © 21Apr44;
MP14756.

3. Grinding a Slender Shaft with Back Rest. © 21Apr44; MP14757.

4. Plunge Cut Grinding. © 21Apr44; MP14758.

5. Grinding a Taper. © 21Apr44; MP14759.

MACHINE SHOP WORK; operations on the centerless grinding machine.
Ray-Bell Films, Inc., c1944. 3 reels each. © Ray-Bell Films, Inc.

Appl. author: Lawrence M. Rosenthal.

1. Thrufeed Grinding a Straight Pin: pt. 1. © 20Jun44; MP15405.

2. Thrufeed Grinding a Straight Pin: pt. 2. © 20Jun44; MP15406.

3. Infeed Grinding Shouldered Work. © 20Jun44; MP15407.

4. Infeed Grinding a Shaft of Two Diameters. © 20Jun44; MP15408.

5. Endfeed Grinding a Tapered Pin. © 20Jun44; MP15409.

MACHINE SHOP WORK; operations on the cutter grinder. Emerson Yorke
Studio, c1943. 2 reels each, sd. © Emerson Yorke Studio.

Appl. authors: S. A. Datlowe, H. M. Huffman.

1. Sharpening a Side Milling Cutter. © 25Nov43; MP14308.

2. Sharpening a Plain Helical Milling Cutter. © 25Nov43; MP14309.

3. Sharpening a Shell End Mill. © 25Nov43; MP14310.

4. Sharpening an Angular Cutter. © 25Nov43; MP14311.

5. Sharpening a Form Relieved Cutter. © 25Nov43; MP14312.

MACHINE SHOP WORK; operations on the drill press (radial drill). ©
Emerson Yorke Studio.

Appl. author: Emerson Yorke.

4. Drilling and Tapping Cast Steel. © title, descr., & 2 prints,
17Dec41; MU11922.

5. Drilling to a Layout and Spotfacing Cast Iron. © title, descr., &
2 prints, 17Dec41; MU11923.

MACHINE SHOP WORK; operations on the engine lathe. sd. © Atlas
Educational Film Co.

Appl. author: John G. Curtis.

8. Cutting an Internal Acme Thread. © title, descr., & 2 prints,
31Dec43; MU14348.

9. Cutting an Internal Taper Pipe Thread. © title, descr., & 2
prints, 13Mar44; MU14587.

10. Turning Work Held on a Fixture. © title, descr., & 2 prints,
13Mar44; MU14588.

11. Boring to Close Tolerances. © title, descr., & 2 prints,
13Mar44; MU14589.

12. Machining Work Held in a Chuck. © title, descr, & 2 prints,
13Mar44; MU14590.

13. Turning Work Held on a Mandrel. © title, descr., & 2 prints,
13Mar44; MU14591.

14. Using a Steady Rest. © title, descr., & 2 prints, 31Dec43;
MU14349.

15. Using a Follower Rest. © title, descr., & 2 prints, 31Dec43;
MU14350.

16. Using a Boring Bar Between Centers. © title, descr., & 2 prints,
13Mar44; MU14592.

MACHINE SHOP WORK; operations on the gear hobbing machine. Emerson
Yorke Studios, c1945. 1 reel each, 16mm. © Emerson Yorke Studios.

1. Hobbing a Spur Gear: pt. 1, Setting Up the Change Gears. ©
1Jun45; MP471.

2. Hobbing a Spur Gear; pt. 2, Setting Up and Hobbing the Work. ©
1Jun45; MP472.

3. Hobbing a Square Tooth Spline Shaft. © 1Jun45; MP473.

4. Hobbing a Worm Gear—Infeed Method. © 1Jun45; MP474.

5. Hobbing a Helical Gear, Two Cuts—Non-differential Method. ©
1Jun45; MP475.

MACHINE SHOP WORK; operations on the horizontal boring mill. Escar
Motion Picture Service, Inc., c1945. 1 reel each, 16mm. © Escar
Motion Picture Service, Inc.

1. Setup for Face Milling With a Fixture. © 1Nov45; MP507.

2. Face Milling With a Fixture. © 1Dec45; MP372.

3. Contour Face Milling. © 1Dec45; MP373.

4. Setup for Rough Line-Boring. © 1Dec45; MP374.

5. Rough Line-Boring. © 1Nov45; MP508.

6. Drilling, Tapping, Stub-Boring, and Reaming. © 1Dec45; MP375.

MACHINE SHOP WORK; operations on the internal grinder. Emerson Yorke
Studio, c1944. 1 reel each, sd. © Emerson Yorke Studio.

Appl. author: Samuel A. Datlowe.

1. Grinding a Straight Hole. © 26May44; MP14874.

2. Grinding a Deep Hole. © 26May44; MP14875.

3. Grinding and Facing a Blind Hole. © 26May44; MP14876.

MACHINE SHOP WORK; operations on the lathe. Distributed by the Federal
Security Agency and U. S. Office of Education, c1942. 1 reel each,
sd. © West Coast Sound Studios, Inc.

Appl. author: Alleyne W. Manchee.

6. Turning a Taper with the Tail Stock Set Over. © 26Sep42; MP12887.

7. Cutting an External Acme Thread. © 26Sep42; MP12888.

MACHINE SHOP WORK; operations on the metal cutting band saw. Ray-Bell
Films, Inc., c1944. 3 reels each. © Ray-Bell Films, Inc.

Appl. author: Reid H. Ray.

1. Sawing an Internal Irregular Shape. © 12Oct44; MP15383.

2. Filing an Internal Irregular Shape. © 12Oct44; MP15384.

MACHINE SHOP WORK; operations on the sensitive drill. Distributed by
Federal Security Agency and U. S. Office of Education, c1942. 1
reel, sd. © West Coast Sound Studios, Inc.

Appl. author: Alleyne W. Manchee.

1. Drilling a Hole in a Pin. © 26Sep42; MP12891.

MACHINE SHOP WORK; operations on the shaper. © Emerson Yorke Studio.

Appl. author: Emerson Yorke.

1. Cutting a Keyway on End of a Finished Shaft. © title, descr., & 2
prints, 17Dec41; MU11919.

2. Machining a Cast Iron Rectangular Block. © title, descr., & 2
prints, 17Dec41; MU11920.

3. Machining a Tool Steel V Block. © title, descr., & 2 prints,
17Dec41; MU11921.

MACHINE SHOP WORK; operations on the surface grinder. Worcester Film
Corp., c1945. 1 reel each. © Worcester Film Corp.

1. Grinding a Parallel Bar: pt. 1, Setting Up the Machine. © 1Aug45;
MP16485.

2. Grinding A Parallel Bar: pt. 2, Grinding Operations. © 1Aug45;
MP16486.

3. Grinding a Template. © 1Aug45; MP16487.

4. Grinding a V Block. © 1Aug45; MP16488.

5. Grinding Thin Discs. © 1Aug45; MP16489.

MACHINE SHOP WORK; operations on the turret lathe. Atlas Educational
Film Co., c1945. 1 reel each. © Atlas Educational Film Co.

1. Setting Up Bar Mechanism and Roller Turner. 1Jun45; MP16125.

2. Setting Up Multiple Roller Turner and Turning a Taper. © 1Jun45;
MP16126.

3. Necking and Threading by Use of Attachment and by Die Head. ©
1Jun45; MP16127.

MACHINE SHOP WORK; operations on the turret lathe. Industrial Film
Guild, c1945. 1 reel. © Industrial Film Guild.

4. Setting Up and Matching Bar Stock. © 1Jun45; MP368.

MACHINE SHOP WORK; operations on the turret lathe. Escar Motion
Picture Service, Inc., c1945. 1 reel each. © Escar Motion Pictures
Service, Inc.

The Turret Lathe—An Introduction. © 1Dec45; MP369.

Chuck Work: pt. 1, Setting Up Hexagon Turret Tools. © 1Dec45; MP370.

Chuck Work; pt. 2, Setting Up Tools for Combined Cuts. © 1Dec45;
MP371.

MACHINE SHOP WORK; operations on the vertical drill. Distributed by
the Federal Security Agency and U. S. Office of Education, c1942. 1
reel each, sd. © West Coast Sound Studios, Inc.

Appl. author: Alleyne W. Manchee.

1. Locating Holes, Drilling and Tapping in Cast Iron. © 26Sep42;
MP12889.

2. Countersinking, Counterboring and Spot Facing. © 26Sep42;
MP12890.

MACHINE SHOP WORK; operations on the vertical milling machine.
Ray-Bell Films, Inc., c1943–44. 1 reel each. © Ray-Bell Films, Inc.

Appl. author: Lawrence M. Rosenthal.

1. Using a Shell End Mill. © 20Dec43; MP14489.

2. Cutting a Dovetail Taper Slide. © 9Feb44; MP14490.

3. Cutting a Round End Keyway. © 9Feb44; MP14491.

4. Milling a Helical Groove. © 20Dec43; MP14492.

5. Milling a Circular T-Slot. © 20Dec43; MP14493.

MACHINE SHOP WORK; precision measurement. Ray-Bell Films, Inc., c1945.
1 reel. © Ray-Bell Films, Inc.

Appl. author: Reid H. Ray.

8. Gage Blocks and Accessories. © 1Mar45; MP15813.

MACHINE TRANSCRIPTION. United States Navy. sd., 16mm. © De Frenes &
Co.

Appl. authors: George W. Chapman, H. Bauernschmidt.

Machine operation. © title & descr., 15Nov43; 8 prints, 27Oct43;
MU14138.

Transcription Technique. © title & descr., 15Nov43; 3 prints,
27Oct43; MU14137.

LES MACHINES ELEMENTAIRES. Encyclopaedia Britannica Films, Inc.,
c1948. 1 reel, sd., b&w, 16mm. French version of "Simple Machines."

Summary: Shows the basic features of simple machines—the lever, the
inclined plane, the wedge, the pulley, and the screw—and
demonstrates their application to modern complex machines. Animated
drawings clarify abstract mechanical principles.

Credits: Collaborator, H. Horton Sheldon.

MACKINAC ISLAND. c1944. Presented by Metro-Goldwyn-Mayer. 864 ft.,
sd., color. (James A. FitzPatrick's Traveltalks)

Credits: Producer and narrator, James A. FitzPatrick; music score,
Nat Finston; photographer, Virgil Miller. Technicolor.

MCLEOD'S FOLLY. SEE Johnny Come Lately.

MACNAMARA'S BAND. Soundies Distributing Corp. of America, Inc., c1941.
1 reel, sd.

THE MACOMBER AFFAIR. Award Productions, Inc., c1947. 89 min., sd.,
b&w, 35mm. Adapted from "The Short Happy Life of Francis Macomber" a
story by Ernest Hemingway.

Credits: Producers, Benedict Bogeaus, Casey Robinson; director,
Zoltan Korda; screenplay, Casey Robinson, Seymour Bennett;
adaptation, Seymour Bennett, Frank Arnold; music, Miklos Rozsa; film
editors, George Feld, Jack Wheeler.

Cast: Gregory Peck, Joan Bennett, Robert Preston, Reginald Denny,
Jean Gillie.

MAD ABOUT HER BLUES. Soundies Distributing Corp. of America, Inc.,
c1946. 1 reel, sd.

Credits: Director, William Forest Crouch.

MAD ABOUT MOONSHINE. RKO Radio Pictures, Inc., c1941. 19 min., sd.

Credits: Producer, Lou Brock; director, Harry D'Arcy; story, Harry
D'Arcy, George Jeske; film editor, Les Millbrook.

THE MAD DOCTOR. Paramount Pictures Inc., c1940. 10 reels, sd.

Credits: Producer, George Arthur; director, Tim Whelan; screenplay,
Howard J. Green; photographer, Ted Tetzlaff; film editor, Archie
Marshek.

THE MAD DOCTOR OF MARKET STREET. Universal Pictures Co., Inc., c1941.
6 reels, sd.

Credits: Associate producer, Paul Malvern; director, Joseph Lewis;
original screenplay, Al Martin; photography, Jerry Ash; film editor,
Ralph Dixon.

THE MAD GHOUL. Universal Pictures Co., Inc., c1943. 7 reels, sd.

Credits: Associate producer, Ben Pivar; director, James Hogan;
original story, Hans Kraly; screenplay, Brenda Weisberg, Paul
Gangelin; film editor, Milton Carruth.

THE MAD HATTER. Released by Columbia Pictures Corp., c1940. 653 ft.,
sd., color. (A Color Rhapsody)

Credits: Director, Sid Marcus; animation, Art Davis, Herb Rothwill;
music, Joe De Nat.

THE MAD HATTER. Walter Lantz Productions, Inc., c1947. 7 min., sd.,
color, 35mm. (Walter Lantz Cartune)

Credits: Director, Dick Lundy; story, Ben Hardaway, Webb Smith.

THE MAD MAESTRO. Loew's Inc. c1939. Presented by Metro-Goldwyn-Mayer.
703 ft., sd., color. (An MGM Cartoon) A Hugh Harman production.

Credits: Technicolor.

THE MAD MARTINDALES. Twentieth Century-Fox Film Corp., c1942. 5,824
ft., sd. Based upon a play by Wesley Towner, from a play by Ludwig
Hirschfeld and Edmund Wolf.

Credits: Director, Alfred E. Werker; screenplay, Francis Edwards
Faragoh; music direction, Emil Newman.

MAD MEN OF EUROPE. Columbia Pictures Corp., c1940. 8 reels, sd. From
the play by Guy du Maurier.

Credits: Director, Albert de Courville; screen adaptation, Ian Hay,
Edward Knoblock, Dennis Wheatley; music director, Louis Levy;
photography, Mutz Greenbaum, Harry Harris; editor, Lister Laurance.

THE MAD MONSTER. Producers Releasing Corp., c1942. 8 reels, sd.

Credits: Producer, Sigmund Neufeld; director, Sam Newfield; original
screenplay, Fred Myton; music, David Chudnow; film editor, Holbrook
N. Todd.

MADAME BOVARY. Loew's Inc., c1949. 114 min., sd., b&w, 35mm. Based on
Gustave Flaubert's novel. An MGM picture.

Summary: A period drama introduced by a re-enactment of Flaubert's
trial in 1857, at which the author defends his realistic novel about
an unfaithful, greedy woman.

Credits: Producer, Pandro S. Berman; director, Vincente Minnelli;
screenplay, Robert Ardrey; music, Miklos Rozsa; film editor, Ferris
Webster.

Cast: James Mason, Jennifer Jones, Van Heflin, Louis Jourdan,
Christopher Kent.

MADAME CURIE. Loew's Inc., c1943. Presented by Metro-Goldwyn-Mayer. 13
reels, sd., b&w. Based on the book by Eve Curie.

Credits: Producer, Sidney Franklin; director, Mervyn LeRoy;
screenplay, Paul Osborn, Paul H. Rameau; narrator, James Hilton;
music score, Herbert Stothart; film editor, Harold F. Kress.

MADAME SPY. Universal Pictures Co., Inc., c1942. 7 reels, sd.

Credits: Associate producer, Marshall Grant; director, Roy William
Neill; original story, Clarence Upson Young; screenplay, Lynn Riggs,
Clarence Upson Young; photography, George Robinson; film editor, Ted
Kent.

MADEMOISELLE DOCTEUR. SEE Under Secret Orders.

MADEMOISELLE FIFI. RKO Radio Pictures, Inc., c1944. 69 min., sd. Based
on stories of Guy de Maupassant.

Credits: Producer, Val Lewton; director, Robert Wise; screenplay,
Josef Mischel, Peter Ruric; music, Werner Heymann; music director,
C. Bakaleinikoff; editor, J. R. Whittredge.

MLLE FIFI. Marshall Grant-Realm Television Productions, c1949. 2
reels, sd., b&w, 16mm. Based on the story by Guy de Maupassant.

Summary: A drama about the German occupation of France in 1870, and
a Prussian officer, nicknamed Mlle Fifi, who attempts to overcome
the resistance of the villagers.

Credits: Screenplay, Stanley Rubin.

MADERO OF MEXICO. Loew's Inc., c1942. Presented by
Metro-Goldwyn-Mayer. 979 ft., sd., b&w. (John Nesbitt's Passing
Parade)

Credits: Director, Edward Cahn; original story, Brainerd Duffield;
screenplay, Doane Hoag, Brainerd Duffield; music score, Sol Kaplan.

MADHATTAN ISLAND. Paramount Pictures Inc., c1947. 9 min., sd., color,
35mm.

Credits: Director, Seymour Kneitel; story, I. Klein.

MADMAN'S HOLIDAY. SEE Crack Up.

MADONNA OF THE DESERT. Republic Productions, Inc., c1948. 60 min.,
sd., b&w, 35mm.

Summary: The story of a young girl who plans to steal a jewelled
madonna.

Credits: Associate producer, Stephen Auer; director, George Blair;
original story, Frank Wisbar; screenplay, Albert DeMond; music
director, Mort Glickman; film editor, Harry Keller.

Cast: Lynne Roberts, Donald Barry, Don Castle, Sheldon Leonard.

MADONNA OF THE SEVEN MOONS. Universal Pictures Co., Inc., c1946. 10
reels, sd. A Gainsborough picture. From the novel by Margery
Lawrence.

Credits: Producer, R. J. Minney, director, Arthur Crabtree;
screenplay, Roland Pertwee; photographer. Jack Cox.

THE MADONNA'S SECRET. c1946. Presented by Republic Pictures. 8 reels,
sd., 35mm.

Credits: Associate producer, Stephen Auer; director, William Thiele;
original screenplay, Bradbury Foote, William Thiele; music score,
Joseph Dubin; music director, Richard Cherwin; photographer, John
Alton; film editor, Fred Allen.

Appl. author: Republic Productions, Inc.

MAESTROS OF THE COMICS. Universal Pictures Co., Inc., 1945. 1 reel,
sd. (Person-Oddity, no. 145)

Credits: Producer, Thomas Mead; director, Carl S. Clancy; narrator,
Arthur Hale.

MAGAZINE MODEL. SEE Variety Views, no. 129.

THE MAGIC ALPHABET. Loew's Inc., c1942. Presented by
Metro-Goldwyn-Mayer. 992 ft., sd., b&w. (John Nesbitt's Passing
Parade)

Credits: Director, Jack Tourneur; original story and screenplay,
Robert Lopez; film editor, Harry Komer.

THE MAGIC BOW. Universal Pictures Co., Inc., c1947. Presented by J.
Arthur Rank. 105 min., sd., b&w, 35mm. A Gainsborough picture. Based
on the novel by Manuel Komroff.

Summary: A picture based on the life of the composer, Nicolò
Paganini. Includes musical compositions of Beethoven and Tartini as
well as those of Paganini. Setting is Italy during the Napoleonic
period.

Credits: Producer, R. J. Minney; director, Bernard Knowles;
screenplay, Roland Pertwee; music director, Louis Levy; incidental
score, Henry Geehl; film editor, Alfred Roome.

Cast: Stewart Granger, Phyllis Calvert, Jean Kent, Dennis Price,
Cecil Parker.

THE MAGIC CARPET. Soundies Distributing Corp. of America, Inc., c1942.
1 reel, sd.

THE MAGIC FLUKE. Columbia Pictures Corp., c1949. 7 min., sd., color,
35mm. (Fox and Crow Cartoon)

Credits: Executive producer, Steve Bosustow; director, John Hubley;
story, Sol Barzman; music, Del Castillo; animation, Bob Cannon,
Willis Pyle, Rudy Larriva, Pat Matthews.

MAGIC IN THE AIR. Presented by Chevrolet. 1 reel, sd., b&w.

MAGIC IN THE KITCHEN. c1946. 1 reel, 16mm.

Appl. author: Herbert Kerkow.

MAGIC IS THE MOONLIGHT. Soundies Distributing Corp. of America, Inc.,
c1945. 1 reel, sd.

MAGIC MINERAL. SEE Variety Views, no. 153.

MAGIC OF MAGNOLIAS. Soundies Distributing Corp. of America, Inc.,
c1942. 1 reel, sd.

THE MAGIC OF STEAM; the steam turbine. Presented by Allis Chalmers
Mfg. Co. 2 reels each, b&w.

Appl. author: Jam Handy Picture Service, Inc.

MAGIC OF YOUTH. Twentieth Century-Fox Film Corp., c1945. 1 reel, sd.,
color. (Movietone Adventures)

Credits: Producer, Edmund Reek; narrator, Paul Douglas; music score,
L. de Francesco; photographer, Jack Kuhne; film editor, Russ
Sheilds. Technicolor.

MAGIC ON A STICK. Loew's Inc., c1945. Presented by
Metro-Goldwyn-Mayer. 855 ft., sd., b&w. (John Nesbitt's Passing
Parade)

Credits: Director, Cyril Endfield; original story and screenplay,
Charles Larson; music score, Max Terr; film editor, Tom Biggart.

THE MAGIC PENCIL. Distributed by Twentieth Century-Fox Film Corp.,
c1940. Presented by Paul Terry. 1 reel, sd. (A Terrytoon)

Credits: Director, Volney White; story, John Foster; music, Philip
A. Scheib.

THE MAGIC SHELL. Distributed by Twentieth Century-Fox Film Corp.,
c1941. Presented by Paul Terry. 1 reel, sd. (A Terrytoon)

Credits: Director, Mannie Davis; story, John Foster; music, Philip
A. Scheib.

MAGIC STRENGTH. Screen Gems, Inc., c1944. 1 reel, sd. (Phantasy)

Credits: Director, Bob Wickersham; story, Dun Roman.

MAGIC TOWN. Robert Riskin Productions, Inc., c1947. 103 min., sd.,
b&w, 35mm. Based on a story by Robert Riskin and Joseph Krumgold.

Credits: Produced and written by Robert Riskin; director, William A.
Wellman; music score, Roy Webb; music director, C. Bakaleinikoff;
film editors, Sherman Todd, Richard G. Wray.

Cast: James Stewart, Jane Wyman, Kent Smith, Ned Sparks, Wallace
Ford.

MAGICALULU. Paramount Pictures Inc., c1945. 1 reel, sd.

Credits: Director, Seymour Kneitel; story, Jack Ward.

MAGNESIUM, METAL FROM THE SEA. Presented by the Dow Chemical Co. 3
reels, b&w.

Appl. author: Jam Handy Organization, Inc.

MAGNESIUM, METAL FROM THE SEA. SEE This is Magnesium.

THE MAGNET. Gateway Productions, Inc., c1949. 10 min., sd., b&w, 16mm.
(The Pirro Series, no. 5)

Summary: Pat shows his puppet, Pirro, how a magnet works.

Credits: Directed and written by Alvin J. Gordon.

©Gateway Productions, Inc.; 26Jan49 (in notice: 1948); LP2342.

MAGNETISM. Coronet, c1947. 12 min., sd., b&w, 16mm.

Credits: Collaborator, N. E. Bingham.

MAGNETS. Young America Films, Inc., c1946. 12 min. With A Teacher's
Guide.

MAGNETS AND MAGNETISM. De Forest's Training, Inc., c1948. 100 feet,
b&w, 16mm. (Radio Electronics. Reel lesson 3)

Summary: Explains the basic principles of magnetism as an aid to the
understanding of the operation of the various magnetic applications
in electronic devices.

THE MAGNIFICENT AMBERSONS. c1942. 88 min., sd. A Mercury production.
From the novel by Booth Tarkington.

Credits: Screenplay, production and direction, Orson Welles; music,
Bernard Herrmann; photographer, Stanley Cortez; film editor, Robert
Wise.

MAGNIFICENT DOLL. Hallmark Productions, Inc., c1946. 95 min., sd.,
b&w, 35mm. A Jack H. Skirball-Bruce Manning production.

Credits: Producer, Jack H. Skirball; director, Frank Borzage;
original story and screenplay, Irving Stone; music, H. J. Salter;
orchestrations, David Tamkin; film editor, Ted J. Kent.

Cast: Ginger Rogers, David Niven, Burgess Meredith.

THE MAGNIFICENT DOPE. Twentieth Century-Fox Film Corp., c1942. 7,500
ft., sd.

Credits: Director, Walter Lang; original story, Joseph Schrank;
screenplay, George Seaton; music director, Emil Newman.

THE MAGNIFICENT ROGUE. Republic Pictures Corp., c1946. 74 min., sd.,
b&w, 35mm.

Credits: Associate producer, Wm. J. O'Sullivan; director, Albert S.
Rogell; original story, Gerald Drayson Adams, Richard Sokolove;
screenplay, Dane Lussier; adaptation, Sherman L. Lowe; music
director, Mort Glickman; film editor, Richard L. Van Enger.

Cast: Lynne Roberts, Warren Douglas, Gerald Mohr, Stephanie
Bachelor, Adele Mara.

Appl. author: Republic Productions, Inc.

MAHARAJA. Soundies Distributing Corp. of America, Inc., c1943. 1 reel,
sd.

THE MAID. Charles W. Wilmert, c1949. 1 reel, sd., b&w, 16mm.

Summary: Illustrates the value of "The Maid," a device designed to
hold bedding in place.

A MAID MADE MAD. Columbia Pictures Corp., c1943. 1,410 ft., sd.

Credits: Director, Del Lord; story and screenplay, Elwood Ullman,
Monty Collins.

MAID TROUBLE. RKO Radio Pictures, Inc., 18 min., sd.

Credits: Producer, George Bilson; direction and screenplay, Harry
Edwards; film editor, Edward W. Williams.

MAIL DOG. Walt Disney Productions, c1947. 7 min., sd., color, 35mm. (A
Walt Disney Pluto)

Credits: Director, Charles Nichols; story, Eric Gurney, Bill de la
Torre; animation, George Nicholas, George Kreisl, Jerry Hathcock,
Jack Boyd; music, Oliver Wallace. Technicolor.

MAIL TROUBLE. RKO Radio Pictures, Inc., c1942. 18 min., sd.

Credits: Producer, Bert Gilroy; director, Lloyd French; story,
George Jeske, Charles E. Roberts; film editor, Mark Robson.

THE MAILMAN. Encyclopaedia Britannica Films, Inc., in collaboration
with Paul R. Hanna, c1947. 1 reel, sd., b&w, 16mm.

MAILMAN BLUES. Soundies Distributing Corp. of America, Inc., c1942. 1
reel, sd.

MAILMAN OF SNAKE RIVER. Twentieth Century-Fox Film Corp., c1944. 1
reel.

LA MAIN DU DIABLE (THE DEVIL'S HAND). c1946. 8 reels, sd., 35mm. First
published Paris, France, date unknown. English titles.

Credits: Producer, Maurice Tourneur; scenario, Jean-Paul Le Chanois;
music, Roger Dumas.

Appl. author: Maurice Tourneur Films.

MAIN STREET AFTER DARK. Loew's Inc., c1944. Presented by
Metro-Goldwyn-Mayer. 6 reels, sd., b&w.

Credits: Producer, Jerry Bresler; director, Edward Cahn; original
story, John C. Higgins; screenplay, Karl Kamb, John C. Higgins;
music score, George Bassman; film editor, Harry Komer.

THE MAIN STREET KID. Republic Productions, Inc., c1948. 64 min., sd.,
b&w, 35mm. Based on a radio play by Caryl Coleman.

Summary: A small-town printer with an interest in mental telepathy
makes use of his hobby to help his daughter and her sweetheart.

Credits: Associate producer, Sidney Picker; director, R. G.
Springsteen; screenplay, Jerry Sackheim; music director, Morton
Scott; film editor, Tony Martinelli.

Cast: Al Pearce, Janet Martin, Alan Mowbray, Adele Mara, Arlene
Harris.

MAIN STREET LAWYER, c1939. Presented by Republic Pictures. 8 reels,
sd. Based on original story by Harry Hamilton.

Credits: Associate producer, Robert North; director, Dudley Murphy;
screenplay, Joseph Krumgold; adaptation, Devery Freeman; music
director, Cy Feuer; photographer, Jack Marta; film editor, William
Morgan.

Appl. author: Republic Productions, Inc.

MAIN STREET ON THE MARCH! Loew's Inc., c1942. Presented by
Metro-Goldwyn-Mayer. 1,768 ft., sd., sepia.

Credits: Director, Edward Cahn; original story and screenplay, Karl
Kamb; narrator, John Nesbitt; music score, David Snell; film editor,
Harry Komer.

MAIN STREET TODAY. Loew's Inc., c1944. Presented by
Metro-Goldwyn-Mayer. 2 reels, sd., b&w, 35mm.

Credits: Director, Edward Cahn; original story and screenplay, Karl
Kamb, Julian Harmon; narrator, John Nesbitt; music score, David
Raksin; film editor, Tom Biggart.

MAIN STREET. U. S. A.—1942. SEE The March of Time, v. 8, no. 4.

MAINE SAIL. Twentieth Century-Fox Film Corp., c1949. 8 min., sd.,
color, 35mm. (Movietone Adventures)

Summary: Vacation highlights in Maine including scenes of Boothbay
Harbor, old churches at Wiscasset, a clambake at Kennebunk Beach,
and sailing at Penobscot Bay.

Credits: Producer, Edmund Reek; directed and written by Tom
Cummiskey; narrator, George C. Putnam; music score, L. DeFrancesco;
film editor, Valeska Weidig.

MAINTAIN THE RIGHT. Loew's Inc., with the cooperation of the Royal
Canadian Mounted Police, c1940. 950 ft., sd., b&w. (A Pete Smith
Specialty)

Credits: Directors, Joe Newman, Willard Van Der Veer; screenplay, E.
Maurice Adler, Jerry Hoffman; film editor, Philip Anderson.

MAINTAINING CLASSROOM DISCIPLINE. McGraw-Hill Book Co., Inc., c1947.
14 min., sd., b&w, 16mm. (Teacher Education Series, film 3)

Summary: By contrasting different methods of handling the same
class, the film explores techniques for maintaining discipline and
stimulating the interest of students. Prepared to accompany the
textbook, "Student Teaching," by Dr. Raleigh Schorling.

MAISIE GETS HER MAN. Loew's Inc., c1942. Presented by
Metro-Goldwyn-Mayer. 8 reels, sd., b&w. Based upon the characters
created by Wilson Collison.

Credits: Producer, J. Walter Ruben; director, Roy Del Ruth; original
story, Betty Reinhardt, Ethel Hill; screenplay, Betty Reinhardt,
Mary C. McCall, Jr.; music score, Lennie Hayton; film editor,
Fredrick Y. Smith.

MAISIE GOES TO RENO. Loew's Inc., c1944. Presented by
Metro-Goldwyn-Mayer. 9 reels, sd., b&w. Based upon the characters
created by Wilson Collison.

Credits: Producer, George Haight; director, Harry Beaumont; original
story, Harry Ruby, James O'Hanlon; screenplay, Mary C. McCall, Jr.;
music score, David Snell; film editor, Frank E. Hull.

MAISIE WAS A LADY. Loew's Inc., c1941. Presented by
Metro-Goldwyn-Mayer. 8 reels, sd., b&w.

Credits: Producer, J. Walter Ruben; director, Edwin L. Marin;
original story, Betty Reinhardt, Myles Connolly; screenplay, Betty
Reinhardt, Mary C. McCall, Jr.; music score, David Snell; film
editor, Fredrick Y. Smith.

MAJESTY OF YELLOWSTONE. Twentieth Century-Fox Film Corp., c1948. 8
min., sd., b&w, 35mm. (Movietone Adventures)

Summary: A pictorial study of Yellowstone National Park, with
emphasis on the work of the Rangers of the National Park Service.

Credits: Producer, Edmund Reek; narrator, George Carson Putnam;
music, L. DeFrancesco; film editor, Arthur Lincer.

THE MAJOR AND THE MINOR. Paramount Pictures Inc., c1942. 10 reels, sd.
Suggested by a play by Edward Childs Carpenter from a story by
Fannie Kilbourne.

Credits: Producer, Arthur Hornblow, Jr.; director, Billy Wilder;
written by Charles Brackett, Billy Wilder; music score, Robert
Emmett Dolan; editor, Doane Harrison.

MAJOR BARBARA. Released by United Artists, c1941. Presented by Gabriel
Pascal. 13 reels, sd. By George Bernard Shaw.

Credits: Producer and director, Gabriel Pascal; scenario and
dialogue, George Bernard Shaw; music, William Walton; music
director, Muir Mathieson; cameraman, Ronald Neame; film editor,
Charles Frend.

MAKA LA PUA. Soundies Distributing Corp. of America, Inc., c1943. 1
reel, sd.

MAKE BELIEVE BALLROOM. Columbia Pictures Corp., c1949. 79 min., sd.,
b&w, 35 mm. Based on the Al Jarvis and Martin Block radio programs
of the same title.

Summary: An all-star comedy about a "Musical Mystery Contest."

Credits: Producer, Ted Richmond; director, Joseph Santley; story,
Albert Duffy; screenplay, Albert Duffy, Karen DeWolf; film editor,
Jerome Thoms.

Cast: Jerome Courtland, Ruth Warrick, Ron Randell, Virginia Welles,
Al Jarvis.

MAKE MINE FREEDOM. Loew's Inc., c1948. 1 reel, sd., color, 35mm. (An
MGM Cartoon)

Summary: In this cartoon, the basic freedoms enjoyed in America are
enumerated, and citizens are warned against adoption of Utopian
schemes that may cost the nation its liberty.

Credits: Music composition and arrangement, Scott Bradley, Paul J.
Smith.

MAKE MINE LAUGHS. RKO Radio Pictures, Inc., c1949. 64 min., sd., b&w,
35mm.

Summary: A vaudeville revue which presents a series of comedy and
musical acts including sequences clipped from old RKO features and
shorts.

Credits: Producer, George Bilson; director, Richard O. Fleischer;
Leon Errol sequence written and directed by Hal Yates; music
director, Constantin Bakaleinikoff; film editors, Robert Swink,
Edward W. Williams.

Cast: Ray Bolger, Anne Shirley, Dennis Day, Joan Davis, Jack Haley.

MAKE MINE MONICA. Paramount Pictures Inc., c1949. 11 min., sd., b&w,
35mm. (Pacemaker Series)

Credits: Directed and written by Justin Herman; editor, Robert
Blauvelt.

MAKE MINE MUSIC. Walt Disney Productions, c1946. 75 min., sd., color,
35mm.

Credits: Production supervision, Joe Grant; directors, Jack Kinney,
Clyde Geronimi, Hamilton Luske, Bob Cormack, Josh Meador; story,
Homer Brightman; animation, Les Clark, George Rowley; music
director, Charles Wolcott.

Cast: Nelson Eddy, Dinah Shore, Benny Goodman, Andrews Sisters,
Jerry Colonna.

MAKE MY COFFEE BLACK. Video Varieties Corp. 3 min., sd., b&w, 35mm.

Summary: "Make My Coffee Black" is sung by The Striders, a Negro
male quartet.

MAKE WAY FOR YOUTH. Transfilm, Inc., c1947. 23 min., sd., b&w, 16mm.

Credits: Director, Marvin Rothenberg; scenario, Basil Beyea and
Burton Rowles, Jr.; narration, Melvyn Douglas.

MAKE YOU A GOOD WIFE. SEE My Own True Love.

MAKE YOUR OWN BED; if you don't...? Warner Bros. Pictures, Inc.,
c1944. 82 min., sd. A Warner Bros.-First National picture. From a
play by Harvey J. O'Higgins and Harriet Ford.

Credits: Producer, Alex Gottlieb; director, Peter Godfrey;
screenplay, Francis Swann, Edmund Joseph; adaptation, Richard Weil;
music, H. Roemheld; music director, Leo F. Forbstein; photographer,
Robert Burks.

MAKERS OF DESTINY. Hullinger Productions, c1947. 2 reels, sd., color,
16mm.

Credits: Producer and director, Edwin Ware Hullinger.

MAKING A CLAY PORTRAIT. Vanguard Productions, c1942. 1 reel, sd., b&w,
16mm.

Appl. author: Carl L. Kahn.

MAKING A LITHOGRAPH. Lester H. Kohs, c1941. 1 reel.

MAKING AN INDIAN TIPI. Boy Scouts of America, c1948. 8 min., sd., b&w,
16mm.

Summary: Demonstrates that the making of a tipi is not only a
practical project but also an adventure in Indian lore.

MAKING BOOKS. Encyclopaedia Britannica Films, Inc., in collaboration
with Luther H. Evans, c1947. 11 min., sd., b&w, 16mm.

MAKING BRICKS FOR HOUSES. Encyclopaedia Britannica Films, Inc., c1947.
11 min., sd., b&w, 16mm.

Summary: The story of brick making. The film shows the processes by
which shale is converted into finished bricks: preparation of raw
materials; forming and cutting bricks; baking in the kiln; and
shipping of the finished bricks. For primary and middle grades.

Credits: Collaborator, R. K. Hursh.

MAKING COTTON CLOTHING. Encyclopaedia Britannica Films, Inc., c1946. 1
reel, sd., 16mm.

Credits: Collaborator, Isabel B. Wingate.

MAKING ELECTRICITY. Encyclopaedia Britannica Films, Inc., c1949. 11
min., sd., b&w, 16mm.

Summary: Describes the construction of a miniature generator and
explains how electricity is generated at a large hydro-electric
plant. For middle and primary grades.

Credits: Collaborator, S. Ralph Powers.

MAKING GLASS FOR HOUSES. Encyclopaedia Britannica Films, Inc., c1948.
11 min., sd., b&w, 16mm.

Summary: The mining and processing of the raw materials of which
glass is made; the weighing, mixing, and melting of these raw
materials in a glass plant; the cooling and cutting of the glass;
and the glazing of windows. A teaching film for primary and middle
grades.

Credits: Collaborator, F. V. Tooley.

MAKING INDIAN HAND PRINTED CLOTH. c1941. 2 reels.

MAKING INDIAN MOCCASINS. Boy Scouts of America, c1948. 17 min., sd.,
b&w, 16mm.

Summary: Ben Hunt shows the steps in making a pair of moccasins,
from the selection of the hide to the first "try-on".

THE MAKING OF A MURAL. Encyclopaedia Britannica Films, Inc., in
collaboration with Thomas Hart Benton, c1947. 1 reel, sd., color,
16mm.

MAKING SHOES. Encyclopaedia Britannica Films, Inc., in collaboration
with A. S. Knowles, c1947. 1 reel, sd., b&w, 16mm.

Credits: Script, J. Stanley McIntosh.

MAKING THE GRADE. Presented by Chevrolet. 1 min., sd., b&w.

Appl. author: Jam Handy Picture Service, Inc.

MAKING THE MOST OF SCHOOL. Coronet, c1948. 10 min., sd., b&w, 16mm.

Summary: Shows how the individual student can make the most of his
school experience, and explains the purpose of rules and
restrictions.

Credits: Educational collaborator, Frederick G. Neel.

MAKING THE VARSITY. Paramount Pictures Inc., c1947. 10 min., sd., b&w,
35mm. (Grantland Rice Sportlight)

Credits: Narrator, Ted Husing.

MAKING WELDED PIPE LINE. Presented by the A. O. Smith Corp.

Appl. author: The Jam Handy Organization, Inc.

THE MALAY PENINSULA; people and products. Coronet, c1948. 11 min.,
sd., b&w, 16mm.

Summary: Shows the inter-relation between native customs and
European influences; depicts methods of transportation; and
describes the modern industrial methods used in the production of
tin, copra, rubber, rice, and tea. For geography classes in the
sixth and seventh grades and for junior and senior high school
classes in social studies and economics.

Credits: Collaborator, John H. Garland.

MALAYA. Loew's Inc., c1949. 95 min., sd., b&w, 35mm. An MGM picture.
Based on a story by Manchester Boddy.

Summary: A reporter and a convict lead a desperate war-time mission
to smuggle vital rubber out of Japanese-occupied Malaya.

Credits: Producer, Edwin H. Knopf; director, Richard Thorpe;
screenplay, Frank Fenton; music, Bronislau Kaper; film editor, Ben
Lewis.

Cast: Spencer Tracy, James Stewart, Valentina Cortesa, Sydney
Greenstreet, John Hodiak.

THE MALE ANIMAL. Warner Bros. Pictures, Inc., c1942. 101 min., sd.
From the play by James Thurber and Elliott Nugent.

Credits: Associate producer, Wolfgang Reinhardt; director, Elliott
Nugent; screenplay, Julius J. Epstein, Philip G. Epstein, Stephen
Morehouse Avery; film editor, Thomas Richards.

MALE ORDER. Featurettes, Inc., c1941. 1 reel, sd.

Credits: Words and music, Harold Raymond.

MALIBU BEACH PARTY. The Vitaphone Corp., c1940. 1 reel, sd. (Merrie
Melodies)

Credits: Story, Jack Miller; animation, Gil Turner.

MALICE IN SLUMBERLAND. Distributed by Columbia Pictures Corp., c1942.
582 ft., sd. (Phantasy, no. 21)

Credits: Producer, Dave Fleischer; director, Alec Geiss; animation,
Ray Patterson; music, Ed Kilfeather.

MALICE IN THE PALACE. Columbia Pictures Corp., c1949. 16 min., sd.,
b&w, 35mm.

Summary: The adventures of the Three Stooges in the Orient.

Credits: Producer and director, Jules White; story and screenplay,
Felix Adler; film editor, Edwin Bryant.

Cast: The Three Stooges.

THE MALTESE FALCON. Warner Bros. Pictures, Inc., c1941. 100 min., sd.

Credits: Associate producer, Henry Blanke; direction and screenplay,
John Huston; film editor, Thomas Richards.

MAMA DON'T ALLOW IT. Soundies Distributing Corp. of America, Inc.,
c1942. 1 reel, sd.

MAMA DON'T WANT NO MUSIC. Soundies Distributing Corp. of America,
Inc., c1942. 1 reel, sd.

MAMA, I WANNA MAKE RHYTHM. Soundies Distributing Corp. of America,
Inc., c1943. 1 reel, sd.

MAMA, I WANT A SWEETHEART. Soundies Distributing Corp. of America,
Inc., c1941. 1 reel, sd.

MAMA LOVES PAPA. RKO Radio Pictures, Inc., c1945. 61 min., sd.

Credits: Producer, Ben Stoloff; director, Frank Strayer; screenplay,
Charles Roberts, Monte Brice; music, Leigh Harline; editor, Edward
W. Williams.

MAMAE EU QUERO. Soundies Distributing Corp. of America, Inc., c1941. 1
reel, sd.

MAMA'S BANK ACCOUNT. SEE I Remember Mama.

MAME IS ME FLAME. Soundies Distributing Corp. of America, Inc., c1944.
1 reel, sd.

MAMMALS OF THE COUNTRYSIDE. Coronet, c1947. 11 min., sd., color, 16mm.

Credits: Collaborator, Robert Snedigar.

MAMMALS OF THE ROCKY MOUNTAINS. Coronet, c1947. 1 reel, sd., color,
16mm.

Summary: This film shows that moose, grizzly bears, bighorn sheep,
mule deer, and other animals of the Rocky Mountains have seasonal
patterns of life adapted to the four major zones of plant life found
on the slopes of the mountains.

Credits: Collaborator, Colin C. Sanborn.

MAMMALS OF THE WESTERN PLAINS. Coronet, c1947. 11 min., sd., color,
16mm.

Summary: Shows animals of the western plains, such as bison, mule
deer, antelopes, coyotes, and jack rabbits, and describes their
struggle for survival.

Credits: Collaborator, Colin Campbell Sanborn.

MAM'ZELLE BONAPARTE. Continental Film, Paris. 9 reels, sd.

MAN ABOUT TOWN. Pathe Cinema, Paris, c1947. 90 min., sd., b&w, 35mm.
Dialogue in French, with English commentary by Maurice Chevalier.
Released in France with the title "Le Silence est d'or."

Credits: Produced, directed and written by Rene Clair; English
adaptation, Robert Pirosh.

Cast: Maurice Chevalier.

MAN ALIVE. RKO Radio Pictures, Inc., c1945. 70 min., sd. Based on an
original story by Jerry Cady and John Tucker Battle.

Credits: Associate producer, Theron Warth; director, Ray Enright;
screenplay, Edwin Harvey Blum; music, Leigh Harline; music director,
C. Bakaleinikoff; orchestral arrangements, Gil Grau; editor, Marvin
Coil.

MAN AND STEEL. 1 reel, color.

Credits: Kodachrome.

MAN AT LARGE. Twentieth Century-Fox Film Corp., c1941. 6,250 ft., sd.

Credits: Director, Eugene Forde; original screenplay, John Larkin;
music director, Emil Newman.

A MAN BETRAYED. c1941. Presented by Republic Pictures. 9 reels, sd.

Credits: Associate producer, Armand Schaefer; director, John H.
Auer; original story, Jack Moffitt; screenplay, Isabel Dawn;
adaptation, Tom Kilpatrick; music director, Cy Feuer; photographer,
Jack Marta; film editor, Charles Craft.

Appl. author: Republic Productions, Inc.

MAN-EATER OF KUMAON. Monty Shaff Productions, Inc. Released through
Universal International Pictures Co., Inc., c1948. 79 min., sd.,
b&w, 35mm. Based on the book "Man-Eaters of Kumaon" by James
Corbett.

Summary: A jungle melodrama about the stalking of a man-eating tiger
that is ravaging a native Indian village at the foot of the
Himalayas.

Credits: Producers, Monty Shaff, Frank P. Rosenberg; director, Byron
Haskin; screenplay, Jeanne Bartlett, Lewis Meltzer; adaptation,
Richard G. Hubler, Alden Nash; music, Hans J. Salter; film editor,
George Arthur.

Cast: Sabu, Wendell Corey, Joanne Page, Morris Carnovsky, Argentina
Brunetti.

MAN FROM CHEYENNE. c1942. Presented by Republic Pictures. 6 reels, sd.

Credits: Director, Joseph Kane; original screenplay, Winston Miller;
music director, Cy Feuer; photographer, Reggie Lanning; film editor,
William Thompson.

Appl. author: Republic Productions, Inc.

THE MAN FROM COLORADO. Columbia Pictures Corp., c1948. 9 reels, sd.,
color, 35mm.

Summary: A western drama in which a former Union officer of the
Civil War commits a series of crimes before he is recognized as a
homicidal maniac.

Credits: Producer, Jules Schermer; director, Henry Levin; original
story, Borden Chase; screenplay, Robert D. Andrews, Ben Maddow;
music director, M. W. Stoloff; music score, George Duning; film
editor, Charles Nelson.

Cast: Glenn Ford, William Holden, Ellen Drew, Ray Collins, Edgar
Buchanan.

THE MAN FROM DAKOTA. Loew's Inc., c1940. Presented by
Metro-Goldwyn-Mayer. 8 reels, sd., b&w. Based on a book by MacKinlay
Kantor.

Credits: Producer, Edward Chodorov; director, Leslie Fenton;
screenplay, Laurence Stallings; music score, David Snell, Daniele
Amfitheatrof; film editor, Conrad A. Nervig.

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Motion pictures, 1940-1949Chapter XXXI: Introduction: TO THE P–39. Bell Aircraft Corp., for the United States (6)

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