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Chapter VI: Part 6

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"Exactly," said Mr. Wycherly. "What right has she, I say, to assume anything of the kind?"

"But the wicked do go there."

"What about the thief on the cross?" asked Mr. Wycherly.

"But he repented," she answered promptly.

"And how do you, or Miss Stukely, or I, or anyone know that Lord Byron was unrepentant?"

"Then you think it is all right?" she asked anxiously.

"I am sure it is all right," Mr. Wycherly replied confidently.

"Could you lend me your handkerchief, sir?" Jane-Anne asked. "I seem to have lost mine."

Refreshed by the borrowed handkerchief, and much comforted in soul, she turned to another part of the letter, asking:

"Do those ladies she speaks of write beautiful poetry, like my mountains piece?"

"I am not well versed in the writings of the ladies Miss Stukely mentions," Mr. Wycherly said cautiously, "but I fancy I am safe in saying that their work does not display the highest poetical genius, although it is doubtless very pleasing to their admirers."

"Would you promise, if you was me?"

"Certainly not," he answered vigorously. "Nothing would induce me to promise anything so absurd."

"Absurd?" Jane-Anne's voice was astonished; it was not an adjective which she would have applied to anything so serious.

"Most ridiculous," Mr. Wycherly repeated.

"She will be sorry, and she was very kind to me."

"Never forget her kindness, repay it if ever you get the chance; but never promise anybody anything without fully understanding what you undertake."

"Not even you, sir?"

"Certainly not me, of all people--but I hope I should never ask you to make impossible promises."

"Then I may go on loving Lord Byron?"

"It seems to me that you ought to love him more if you think that he was sinful and unfortunate, and unhappy. It's a poor sort of love that only cares for the good, the fortunate, the successful."

"Christ was fond of unfortunate people," Jane-Anne said softly. Not altogether in vain had she read her New Testament.

"Ah," said Mr. Wycherly, "that is a phase of His character certain of His followers are apt to forget."

"I shall tell Miss Stukely that," Jane-Anne remarked perkily.

"You most certainly will do nothing of the kind. You must not preach at people--it's--it's so ill-bred."

Poor Jane-Anne looked very puzzled.

"It's a very funny thing," she said thoughtfully. "Nothing could be differenter than aunt and a real gentleman like you, and yet, sometimes, you both say the same sort of thing. Only, you call it ill-bred, and she'd call it the heighth of impidence."

"You may take it that we both mean the same thing," said Mr. Wycherly; and his kind eyes twinkled.

"Well, I don't understand, and I know aunt'll be raging because I'm not there to help to make the beds, but I'm happier. Here's your handkerchief, sir, and many thanks."

And Jane-Anne thrust a damp and sticky ball into Mr. Wycherly's hand, quite unconscious of offence.

When the door shut behind her, he dropped the handkerchief into his waste-paper basket, and he laughed. It was so like Montagu or Edmund.

*CHAPTER XIV*

*AN EXPERIMENT*

"Canst play the fiddle?" asked the stranger. "I don't know," quoth the Irishman, "but I'll try if you'll lend me the instrument." _Old Legend_.

Mrs. Methuen was having tea with Mr. Wycherly under the apple-tree at the side of the lawn. She came very often to see him for the simple reason that she found it so exceedingly difficult to persuade him to come and see her. He always protested that he had lived out of the world too long to go a-visiting now, that he did not know how to behave in society, that he was a fusty old anchorite whom no one could really want.

Now, Mrs. Methuen really did want him, so she came to see him instead, to their great mutual satisfaction, and as it was a fine summer and she generally came at teatime, Mrs. Dew would set it for them under the apple-tree on the lawn, and Jane-Anne was allowed to carry out the cakes and bread-and-butter.

On this particular afternoon they had discussed Jane-Anne's future, for Mrs. Methuen was full of a new plan, and when she had a new plan she was wont to be most enthusiastic.

"You see," she was saying, "it would be so much more original than being a governess; they don't do any heavy work, and the uniform is so charming, she'd look sweet in it."

"But do you think," Mr. Wycherly asked dubiously, "that Jane-Anne has any special gift for looking after little children? She has had no experience; why should she be particularly fitted for that?"

"She would be trained," cried Mrs. Methuen eagerly; "it is a splendid training, and the girls are so sought after--Norland Nurses are never out of a place----"

"Is your nurse a Norland Nurse?" asked Mr. Wycherly, trying to remember if he had seen Mrs. Methuen's nurse in any very enchanting uniform, but only succeeding in a faint remembrance of a stout, comfortable person who certainly did look "used to babies."

"Well, no," Mrs. Methuen answered, a trifle shamefaced. "You see, mother thought I was young and inexperienced and we had all known Nannie such years, and--she's Nannie you see, and no one else was possible."

"Of course, of course," Mr. Wycherly agreed hastily. "I'm sure it is most good of you to interest yourself so warmly in Jane-Anne, and such a career might prove most suitable--but would it not be well to see--could we not bring her into contact with some little child and see how they get on?"

"I have it," cried Mrs. Methuen; "she shall go and mind Mrs. Cox's baby on the days the nursery is turned out; it would be a great help to her. They're not well off, you know, and she has only one servant besides the nurse, and it will give Jane-Anne a taste for babies: her baby's a perfect darling. It's a beautiful idea--so helpful to poor Mrs. Cox and so good for Jane-Anne, and she lives so close, too, only a few doors down the street. I'll go and propose it to her now and come back and tell you what she says."

No sooner said than done. Mrs. Methuen found Mrs. Cox at home, unfolded her scheme to her, laying stress on the benefit it would be to Jane-Anne and on Jane-Anne's exceptional fitness for the task. She also pointed out the unusual advantages the baby would enjoy in having so refined and charming an unpaid under-nurse (Mrs. Methuen was fond of Jane-Anne) and hinted at all sorts of possibilities when she should be older and more experienced.

Mrs. Cox, wife of a young doctor as yet not very abundantly blessed with patients, embraced the idea with effusion, and Mrs. Methuen flew back to Mr. Wycherly to tell him she had arranged it and that Jane-Anne might make her debut as an embryo Norland Nurse on Tuesday, that day being Friday.

"She mustn't attempt to carry a heavy baby," Mr. Wycherly exclaimed anxiously, knitting his brows distressedly.

"Of course not," Mrs. Methuen said decidedly. "She'd wheel the darling up and down Holywell in her pram, or perhaps in South Parks Road, it's so nice and quiet."

"I hope it's not a heavy perambulator," Mr. Wycherly murmured.

"Now don't you worry. No one would dream of setting Jane-Anne to do anything hard or heavy. You wouldn't, I suppose, object to her sitting with the baby on her knee, would you? She's quite a little baby, only six months old and very small."

"No," Mr. Wycherly said doubtfully, "if you think it's quite safe for the baby."

"My dear Mr. Wycherly, Jane-Anne is nearly thirteen."

"I know," he answered humbly, "that I must appear foolishly nervous to you--but a tiny baby always seems to me so brittle, and Jane-Anne herself is--so fragile--she might drop it."

"Don't you worry," Mrs. Methuen repeated consolingly. "Mrs. Cox will take every care of Jane-Anne, and Jane-Anne will take every care of the baby. Besides, it's only once a week, on nursery cleaning day."

Then Mrs. Methuen went to see Mrs. Dew in the kitchen and unfolded the scheme to her.

Mrs. Dew, of cautious Cotswold habit, viewed the plan with marked distrust, but she was too well-trained a servant to do other than seem to acquiesce gratefully in Mrs. Methuen's kind efforts to benefit her niece. So it was settled that Jane Anne should go to Mrs. Cox on Tuesday morning at ten for a couple of hours, as Mrs. Methuen had arranged. The one person who was not consulted was Jane-Anne herself.

Term was over. The men had all gone down, and next day the Methuen household was off to the seaside.

Mrs. Methuen's visit to Mr. Wycherly had been to bid him farewell for a space; and in arranging this for Jane-Anne she felt she had been really helpful.

Mr. Wycherly had consulted Mrs. Methuen on many matters connected with the child. For one thing he had begged her to assist him in developing her sense of humour. Whereupon she sent Jane-Anne both the "Alices," and suggested she should be allowed to see _Punch_ every week. She also gave her "German Popular Stories" and "A Flat Iron for a Farthing." These works were all of absorbing interest and somewhat interrupted Jane-Anne's study of Lord Byron, as had been intended.

_Punch_ she took to her heart at once; not on account of the Immortal Jester's humour, but because of the beautiful ladies depicted by Mr. Du Maurier. These she whole-heartedly admired and set herself to imitate.

All the same, Jane-Anne was getting on. She laughed very often now, sometimes from sheer joy at being in a world where there were people so kind and delightful as Mrs. Methuen and Mr. Wycherly; sometimes because things really did seem funny. She began to realise, too, that it was possible to jest; that Mr. Wycherly often said things that he did not mean; and that it was conceivable that you might love a person with all your heart and soul and yet be perfectly cognisant of their little weaknesses and oddities. Mr. and Mrs. Methuen taught her this, quite unconsciously, while she waited upon them when they lunched with Mr. Wycherly.

Jane-Anne was a quick study.

That night as she waited upon "the master" at dinner, he unfolded to her Mrs. Methuen's plan, and Jane-Anne at once burst into floods of tears, declaring hotly that she'd rather be his parlour-maid than anybody's nurse, "not if it was a prince." That she didn't want to wait upon a horrid little baby when there was her own dear master to wait upon, and she'd promised Master Montagu!

Very gently, Mr. Wycherly explained the arrangement, and when she heard of the uniform the training lost some of its horror.

"I shan't have to go for years and years, shall I?" she asked.

"Certainly not for many years; never at all if you don't like it."

"And I'm to practise on Mrs. Cox's baby?"

"You are to take care--the greatest care--of Mrs. Cox's baby for a short time once a week."

"Do you want me to?"

Candidly, Mr. Wycherly wanted nothing less. He detested schemes for the ultimate employment of Jane-Anne. To him, everything suggested seemed incongruous and infeasible, but he mistrusted his own judgment in practical matters and bowed before the youthful wisdom and general competence of Mrs. Methuen.

"I think," he said guardedly, "that every woman ought to know how to manage a baby."

"I wonder," she said dreamily, "if Lord Byron would approve of it?"

"As we have no means of finding out, let's take it that he will," he answered drily.

"I don't like the name Norland," she objected.

"It will be years before you are even ready to apply for admission to the Norland Institute," said Mr. Wycherly.

"If it's an institution, I'm not going," she said firmly.

"What you have got to do is to see how well you can look after Mrs. Cox's baby."

"I'll do my best, I really will," said Jane-Anne, "and it'll be rather fun to wheel it about, and I shall look very proud and stand-off like Mrs. Methuen's Nannie. I expect people will admire me very much and wonder whose nurse I am."

"That is possible," Mr. Wycherly politely acquiesced.

"Shall I have to make the beds that morning, sir?"

"That, my dear child, is your good aunt's province, not mine."

"Master, dear--whenever you speak of aunt to me, you say she's good, or worthy, or excellent, or sensible--do you say those nice things about me when I'm not there? Do you say 'my excellent Jane-Anne' when you talk about me to Mrs. Methuen? I hope you do--or 'that most sensible girl'--do you?"

"How do you know I ever talk about you at all to Mrs. Methuen?"

Jane-Anne looked rather foolish for a moment, then brightened as she remarked: "But you must to know all about Mrs. Cox's baby and Norland Nurses, and that. I'm sorry, though, that the young gentlemen have all gone down; I'd like them to have seen me wheeling the pram."

"My dear child," exclaimed Mr. Wycherly with real consternation in his voice. "You surely don't suppose that a well-bred undergraduate would be aware of the existence of a little girl wheeling a perambulator."

"They're aware of _my_ existence, anyway, master, dear. I heard one say one day: 'Look what hair that flapper's got.'"

"A most impertinent and ill-bred young man. I hope you felt very angry."

"Angry?" she repeated in a surprised voice. "Oh, no; I was pleased he should admire my hair. It is very long, you know."

Mr. Wycherly groaned, but he said nothing more, only registering a mental vow to the effect that nothing would induce him to allow Jane-Anne to wheel anybody's perambulator once the men came up again. "But she'll be safely at school then," he reflected, "and there will be an end of these ridiculous schemes."

Mrs. Dew discussed the question with her niece during their supper in the housekeeper's room.

"I don't fancy the notion much, myself," she said. "A nurse as is worth having for a nurse is born so, and I don't see as any institution will either make or mar her. Bein' a fine lady with someone else to do your nurseries'd suit you well enough, I've no doubt, but whether you'd ever learn to do _your_ part is more than mortal can say."

"Aunt, what do you do with a baby if it cries?"

"Turn it face downwards on your knee an' pat it gentle--ten to one it's got wind, poor little soul, and that'll break it up. Many's the time I've held you that way an' you starin' at the carpet with those great eyes of yours as good as gold. But you won't have much nursing to do--it's wheelin' that you'll be doin', an' mind as you don't let the wheel go over the kerb. Whatever it is you're doin', Jane-Anne, for mercy's sake think about that thing, and don't go dreamin' of poetry books and such foolhardy nonsense."

Tuesday came and it poured with rain.

Jane-Anne duly made her timid appearance at Mrs. Cox's and was shown into Mrs. Cox's study, where the baby sat propped up in her pram while her mother pushed her back and forth to amuse her. Mrs. Cox stayed for a little, then the baby showed signs of wanting to go to sleep, so she was laid down and Jane-Anne was instructed to continue the gentle to and fro movement till she "went off," and Mrs. Cox departed to see to some household matters elsewhere, leaving the door open.

The Cox baby was fair and plump and pretty, and appeared an entirely exemplary infant, for in five minutes she was fast asleep.

Jane-Anne stopped pushing the perambulator to and fro, and sat down to look round. There was a book-case at one side of the fireplace and its two lowest shelves were full of bound volumes of _Mr. Punch_. In a moment, her quick eyes had taken in this pleasing fact and she had one of the big flat books open on her knee. She looked at the pictures and read the legends beneath them with great content for a little while, always, however, with one eye on the perambulator and ears alert to catch the faintest movement from its occupant.

Presently there was a little stir and the indescribable soft sound a baby makes when it is just waking up. From the room above came sundry bumps and scrapings that proclaimed the cleaning to be in full swing. She darted to the perambulator and looked in; the baby, rosy and warm and adorable looked up at her and smiled. It was too much for Jane-Anne. She forgot Mrs. Cox's instructions that she was on no account to lift the baby out when it woke, but to call her. She seized the small delicious bundle that stretched and cuddled against her and sat down on the low seat close by the book-case.

Baby began to whimper.

Jane-Anne repeated "See-Saw, Margery Daw," but the baby evidently was impervious to the charms of poetry, and the whimper grew a little more decided.

Then there flashed into Jane-Anne's perturbed mind her aunt's instructions: "Turn it face downwards on your knee and pat it gentle." No sooner thought of than done, and it was, apparently, quite successful.

Jane-Anne had just got to a very interesting part of _Punch_, and she longed to return to it. As the baby was evidently quiet and happy, she felt she might go back to her study of the Great Jester--nurses always were reading--even while they wheeled their prams--so it was all right. She kept one hand on the baby's back to steady it and tried to hold up the volume of _Punch_ with the other, but _Punch_ was heavy and she was not very successful.

Presently a brilliant thought struck her: If _Punch_ was open on the top of the baby, it would fulfil a double purpose, keep the baby from rolling off her knee, and amuse her, Jane-Anne.

It really was a very fascinating _Punch_.

For a moment Miss Cox was perfectly quiet. The heavy weight across her back petrified her with astonishment. She tried to lift her head to see what it all meant, but some hard substance caught her just in the nape of the neck and prevented her doing anything of the kind.

Such an indignity was not to be borne for an instant.

Miss Cox filled her lungs as well as she could, considering how compressed she was, and gave vent to a good hearty roar of rage and grief that such impertinent persons should be left loose in a naughty world.

Jane-Anne absently patted the pages of _Mr. Punch_ and read on absorbedly.

There was a pause in the cleansing operations overhead. A door was opened hastily and quick steps descended from above. At the same instant, another door was opened just across the hall, and Mrs. Cox and the nurse met at the open study door to behold the cause of the uproar.

Jane-Anne was never very clear as to what happened during the next three minutes. All she knew was that _Mr. Punch_ fell violently on the floor to the ultimate detriment of his back--the baby was seized from her and two people hurled indignant reproaches at her while the baby, once more in a position to inflate properly, filled the air with angry wails.

Of course Jane-Anne wept too. She made no excuses, for there were none to be made, and this rather disarmed Mrs. Cox, who was kindly and gentle, and finding that only the baby's feelings were hurt, recovered her sense of humour, laughed, and bade Jane-Anne go back to her aunt as she was evidently not fitted yet for an under-nurse.

Nurse, with the baby clasped safely in her arms, had already stalked upstairs in high dudgeon.

Soon after eleven o'clock, a meek, draggled, tear-stained Jane-Anne crept in at the side-door in Holywell. Mrs. Dew was in the front of the house "turning out" the dining-room, as her niece had observed as she passed the windows.

Upstairs she flew and reached Mr. Wycherly's study door undetected. She looked particularly forlorn and miserable, for she wore her aunt's macintosh, a voluminous purple garment much too large for her. She had left her umbrella at the Cox's in the shame of her hasty exit, and the heavy rain had beaten upon her face, mingling with her tears. Very timidly she knocked.

Mr. Wycherly had quick ears, and he knew that knock.

"Come in, my child; they didn't need you long," he said, always with the same kind welcome in his voice.

Jane-Anne shut the door softly and rushed across the room to throw herself on her knees at his side.

"I'm sent away," she cried tragically; "dismissed, disgraced; I don't know what aunt will say."

"What in the world has occurred?" Mr. Wycherly said quietly. "Take off that wet macintosh; look what a pool it's making. Get up, you poor, silly child; there, that's better--now come and sit on my knee and tell me exactly what happened."

Jane-Anne flung herself upon Mr. Wycherly, buried her wet face in his neck and sobbed out:

"I read _Punch_ on the top of the baby."

At this most unexpected revelation Mr. Wycherly fairly jumped.

"You mean you sat on the baby?" he cried, aghast.

"No, it was _Punch_ sat on the baby and it didn't like it. It yelled."

"Do explain--your statements are so confused--what _do_ you mean?"

"I mean," she continued, "I opened _Punch_ on the baby and read it--it was only a minute, but I was so interested, and I've heard them say that it doesn't hurt to let a healthy baby cry for a minute--and all the nurses read, I've seen them hundreds of times; but they heard and came flying all in a hurry and were so cross, and Mrs. Cox said I needn't ever come back."

It was well that Jane-Anne couldn't see Mr. Wycherly's face, which was lighted up by a smile of immense satisfaction; but what he _said_ sounded very grave.

"I fear you have not been very honest, little Jane-Anne."

She sat up and looked at him.

"Honest! I've told you exactly what happened."

"Certainly, you've been honest to me, but what about Mrs. Cox?"

Jane-Anne hung her head.

"The baby slept at first," she said, "and it was so dull and all the _Punches_ were there--and I got so interested----"

"You've not done what you undertook to do, that was to look after the baby. Mrs. Cox didn't ask you there to read her _Punches_ did she?"

"She'll never have me again, she said so."

"I'm not surprised."

"What will Mrs. Methuen say?"

"I can't think."

"And aunt?"

"I don't think your--aunt" (Mr. Wycherly was just going to say "excellent," but restrained himself) "will be much surprised."

Jane-Anne sighed deeply. "I shall never be a Norland Nurse now," she said sadly. "I've lost my character."

"I'm afraid you have."

"Do _you_ mind very much?"

"Upon my soul," said Mr. Wycherly, "I don't care a brass farthing."

*CHAPTER XV*

*THE PHILOSOPHY OF BEAUTY*

"The foundation of beauty is a reasonable order addressed to the imagination through the senses." PHILEBUS.

The last time Mrs. Methuen called in Holywell, just before she went away, she left a ladies' paper, _The Peeress_.

Jane-Anne fell upon it instantly and carried it off to her room. She had never seen such a paper before and her mind was in a curiously receptive state. Lord Byron's Hebrew melodies rang in her ears, and she immensely enjoyed herself when she went to bed at night by standing in front of the looking-glass in her night gown, with her thick black hair streaming round her like a cloud, while she repeated solemnly:--

"She walks in beauty, like the night
Of cloudless climes and starry skies;
And all that's best of dark and bright
Meet in her aspect and her eyes.
Thus mellowed to that tender light
Which heaven to gaudy day denies."

She quite agreed with the poet that "gaudy day" was a little unkind to her appearance. She was too brown; moreover, she was no longer pale, and this rather vexed her. She had an idea that Lord Byron would have preferred her pale. Still she felt that her hair was quite satisfactory and shook it round her, only grieving that the glass was far too small to show it all. There was not a cheval-glass in Mr. Wycherly's house. But from time to time she caught sight of her big plait (Mrs. Methuen had persuaded Mrs. Dew to have Jane-Anne's hair done in one thick plait instead of two) in shop windows, with the profoundest satisfaction.

"One shade the more, one ray the less."

She hoped she had rays in her hair, but was not quite sure.

"Had half impaired the nameless grace
Which waves in every raven tress,
Or softly lightens o'er her face;
Where thoughts serenely sweet express
How pure, how dear their dwelling-place."

To obtain the "thoughts serenely sweet" it was but necessary to adopt the Bruey pose, and, behold, the thing was done.

Mere words cannot express the comfort that poem was to Jane-Anne. Up and down her room she sailed, "clothed on in majesty," an unbleached calico night gown, and her long black hair.

"The smiles that win, the tints that glow,
But tell of days in goodness spent,
A mind at peace with all below,
A heart whose love is innocent."

At such moments she adored Lord Byron for writing such beautiful things about her, and was perfectly happy.

Mrs. Methuen's magazine opened up new possibilities. From its pages she learned that no one need despair of their personal appearance. Had nature been niggardly in the matter of hair, a hundred artists in coiffure advertised their aid. Was one's complexion not quite to one's liking, there were skin specialists galore who undertook to remedy any facial defects. In fact the journal was a regular _vade mecum_ as to the cult of beauty, and such pleasing visions were not conjured up by words alone. There were pictures in plenty of lovely ladies in every stage of lack of attire and with every variety of "transformation." Radiant beings with enormous eyes, preternaturally minute mouths, and figures so slender that one wondered if they ever had anything to eat.

And every one of them had wavy hair.

Now Jane-Anne's hair waved just after it was unplaited, but it was naturally quite straight, soft, fine, abundant hair, growing very prettily round her face with an upward sweep from her forehead.

It was all very well to walk in beauty like the night. It was comparatively easy to imagine one realised Lord Byron's conception of the Hebrew beauty. But here much more was expected.

Jane-Anne was certainly slim, the unkindly accurate might have described her as decidedly thin; but, even so, she was not shaped at all like the ladies depicted in _The Peeress_. Her legs were long and her hips were small, but--"I seem too thick through," she said to herself.

There was a whole page of replies to anxious students of the Art of Beauty. "Pietista" sought to improve a throat "discoloured and too thin." "Butterfly" complained of "sagging lines beneath chin and around mouth."

Jane-Anne flew to the glass but could discover nothing of the kind, and was comforted.

"Troubled" wanted to know how to "colour dark hair a bright auburn," but Jane-Anne passed this by. She was perfectly satisfied with the colour of her hair. What she did long for was a box of "Magnolia Bloom powder," which _The Peeress_ assured "Amabelle" would lend to the countenance "the soft sheen of a butterfly's wing."

But this desirable appearance could only be arrived at by the expenditure of eighteen-pence, and Jane-Anne possessed but three-halfpence in the world. The other beautifiers cost such vast sums as excluded them altogether from her scheme of possibilities.

Eighteenpence: one shilling and sixpence. Once Lord Dursley had given her a new two-shilling bit and her aunt allowed her to keep it. But, alas! it was spent long ago, and Lord Dursley was not very likely to come to Oxford that summer.

She would consult Mr. Wycherly. She had infinite faith in his sympathy, his wisdom, and his resource. She would show him this enchanting journal and see what he thought of it. Perhaps he, who read so many books, was already familiar with its pages.

She carried it with her when she went to bid him good-night. It had become an established custom for Jane-Anne to bid him good-night at considerable length.

"Have you ever read _The Peeress_, sir?" she asked, laying it on his table on the top of an open book.

"Never," said Mr. Wycherly. "Is this the lady?" He opened it, turned the pages somewhat hastily, and actually blushed.

"My dear child!" he exclaimed, "where did you get hold of this extremely shameless production?"

"Mrs. Methuen always takes it, sir; it's a ladies' paper. She left this number here."

"Mrs. Methuen, that refined and charming young lady! Surely, my dear, you are mistaken."

"No, sir, really. Lots of ladies always read it, aunt said so. I wanted to take it back to her lest she should want it, but aunt says she gets it every week, and she didn't think it mattered."

"That being the case," Mr. Wycherly remarked, hastily shutting the magazine, "it is evidently not intended for me, and you had better take it away."

"Oh, sir," Jane-Anne pleaded, "do look at the pictures. They're such beautiful ladies."

But Mr. Wycherly steadfastly averted his gaze from the offending magazine, exclaiming:

"Beautiful! My dear child, how can you apply that dignified and really expressive adjective to anything so dreadful? Have you ever seen any human being who in the least resembled the extremely indelicate creatures depicted in this paper?"

"No, sir, but I'd like to. They've all got such curly hair."

"Most of them," Mr. Wycherly said severely, "appear to wear very little else. We must show you some really beautiful pictures, Jane-Anne, and then perhaps you will realise the worthlessness of these."

She felt that it was an unpropitious moment for the introduction of "Magnolia Bloom toilet powder." Mr. Wycherly's attitude was strangely unsympathetic. Nevertheless she was full of tenacity of purpose, so she said, in what she was assured Bruey would have considered a "winning" voice:

"Please, sir, is there anything I could do to earn one-and-six?"

Mr. Wycherly laughed. "I think you have earned it many times over by all the things you do for me. Would you like it now?"

He took a handful of silver from his pocket and pushed the coins toward her, saying:

"I wish they were new ones. I always think all the new silver ought to be kept for boys and girls--but if you're in a hurry--perhaps you'd rather have it now."

"Thank you very much, sir," said Jane-Anne; but her voice was not joyful, as one might have expected.

She felt rather uncomfortable.

He had never questioned her as to why she wanted it.

"Are you sure it's enough?" he asked kindly.

"Quite sure, sir, and I'm very much obliged."

Mr. Wycherly looked at her curiously. Why was her voice so listless and flat?

She dropped the coins into the pocket of her dress and stood before him, rubbing one slender foot over the other, her eyes downcast, quite unlike the eager, chattering child he loved.

"Good-night, sir," said Jane-Anne.

When she reached her bedroom she felt very miserable indeed. She possessed the coveted eighteenpence and was thoroughly ashamed of having it. It had been obtained too easily and she felt that she was deceiving Mr. Wycherly. Without knowing why, she was certain he would not wholly approve of the purchase of the "Magnolia Bloom powder," and he had never asked her why she wanted the eighteen-pence. He trusted her.

Jane-Anne felt mean.

Against her will, the verses she loved returned to her mind:

"The smiles that win, the tints that glow,
But tell of days in goodness spent."

Hitherto she had happily considered those lines quite applicable to her general conduct. Even the disastrous morning at Mrs. Cox's had not left behind it the uncomfortable sensations she was now enduring.

She had not been six years in Mrs. Dew's charge without acquiring something of that good woman's sturdy independence.

She had asked for money.

She had taken it; and for a purpose she was certain the donor would disapprove.

He would call it "meretricious," that curious word Master Montagu had used. She had heard Mr. Wycherly use it too.

"A mind at peace with all below,
A heart where love is innocent!"

Should she go back and tell Mr. Wycherly why she wanted the money and let him decide? Then once more might she "walk in beauty like the night" with her hair all round her and a light heart.

But he would be certain to advise her not to buy the "Magnolia Bloom." He wouldn't forbid it. That was not his way. But he would make it impossible for her to go and buy it--and she wanted it so dreadfully.

Perhaps when he saw how lovely she looked with a face that was no longer brown but purest white "with the soft sheen of a butterfly's wing" he would be glad she was so much improved.

Jane-Anne knelt down and said her prayers and added at the end the following petition:

"And please, dear Lord, let him admire me very much when I'm all over 'Magnolia Bloom.'"

Mrs. Dew came to take away the candle, but the room was quite light, for a big yellow moon was shining straight in.

Now was the moment when Jane-Anne usually arose and walked in beauty, repeating the poem the while.

Instead, she lay quite still. She felt she had no right to that poem; Lord Byron had not written it for her.

Why did she feel so certain that he, too, would have disapproved of the "Magnolia Bloom"?

Jane-Anne cried herself to sleep.

* * * * *

Next day she went to the largest hairdresser's in Oxford, and presented herself timidly at a counter laden with all sorts of pots and boxes and bottles.

She asked for the "Magnolia Bloom" in a weak and trembling voice, and was relieved to find they had it.

"Which shade will you have?" asked the young lady behind the counter.

"Oh, the very whitest, please!" exclaimed Jane-Anne.

"D'you want a puff, miss?" asked the attendant.

Jane-Anne had never thought of a puff. She shook her head sadly. Judging by the price of the other things, no puff could be obtained for three-halfpence, which was all the money she had.

She hurried from the shop.

How expensive it was to be beautiful!

She knew what a puff was, for she had been permitted to assist at and to admire the bathing of Mrs. Methuen's baby, and she had seen the nurse powder him. She was nothing if not resourceful. She went to the nearest jeweller and bought a pennyworth of cotton wool, and armed with what _The Peeress_ called these "aids to beauty," she returned to Holywell in a flutter of excitement.

Anxious as she was to try the beautifying effect of the "Magnolia Bloom," she felt some diffidence in presenting herself before her aunt thus embellished, so she waited until she had taken in Mr. Wycherly's tea and had her own.

It was Mr. Wycherly's pleasant custom to keep her for half an hour or so when she went in to take away his tea. They talked about Greece, and she had learned to read some of the simple words. She learned the alphabet in two evenings, and astonished Mr. Wycherly by her quickness and receptivity.

She stood in front of her looking-glass that evening and, with hands that trembled with excitement, applied the "Magnolia Bloom" to her little brown face.

It never occurred to Jane-Anne that the way to use powder was to put it on and take it off again. That would have appeared to her a wasteful work of supererogation. She liberally bedaubed her face with the "snow-white" powder and anxiously regarded the result.

Her eyes looked very dark and large, and her eyebrows, what she had left of them, very black. It had rather an ageing effect on the whole, for so liberal had she been with the powder that her hair all round the temples was iron grey.

She was not quite sure whether she liked the effect or not. Even to her own prejudiced eyes it was a trifle _bizarre_ and pronounced.

Where was the soft sheen of the butterfly's wing promised to "Amabelle"?

"Perhaps it looks different to other people," she reflected.

She crept to the foot of the stairs and listened.

Yes, her aunt was safely in the kitchen. She darted through the housekeeper's room and upstairs to Mr. Wycherly's door, and went in.

He looked up from the letter he was writing with his usual kindly smile of welcome, then suddenly he laughed.

"My dear Jane-Anne," he exclaimed, "have you been baking?"

Jane-Anne stood still in the middle of the room and hung her head.

"It's Magnolia Bloom," she mumbled.

"It's what?" Mr. Wycherly demanded.

"Magnolia Bloom," she repeated, her cheeks very hot indeed beneath the powder.

"Is that some new kind of flour?" asked Mr. Wycherly, "and if so why in the world do you not wash your face?"

"It's not flour, sir, it's powder--face powder--to make one white and pretty? Don't you like it?"

Mr. Wycherly sat back in his chair gazing in speechless wonder at Jane-Anne. That a girl who admired Lord Byron's poetry, who could learn the Greek alphabet in two evenings, who showed a real appreciation of what was noble and uplifting in the history of her country, could make such an absolute guy of herself in all good faith was to him quite incomprehensible. Boys did not do these things. He was fairly nonplussed.

"Where did you get this--ahem--bloom?" he asked quietly.

"I bought it, sir, with that eighteenpence."

"Have you much more of it?"

"Oh, yes, sir, a whole box."

"Please bring it, and you shall similarly adorn me and see how I look."

Jane-Anne was puzzled. He certainly had not admired her, but then, again, he had not condemned, and he wanted some himself. Swiftly and softly as a panther (lest she should meet her aunt) she fetched the powder and the screw of cotton wool from her room.

"Now," said Mr. Wycherly, "do me."

Jane-Anne made a dreadful mess. All over his coat, his chair (even the writing-table did not escape), fell the "Magnolia Bloom."

"What a very disagreeable smell the stuff has got," said Mr. Wycherly, and sneezed. He hated common scents.

At this psychological moment, when they were both smothered in powder and clouds of it were in the air, Mrs. Dew opened the study door, announcing:

"Mr. Gloag, sir."

Jane-Anne started violently and upset the box, and the visitor announced came into the room.

He was tall and young, with a keen, clean-shaven face, merry dark eyes, and dark curly hair worn a thought longer than is usual with young men.

He stopped short on the threshold, for really the pair before him presented a most extraordinary appearance.

Mr. Wycherly leapt to his feet, exclaiming:

"Curly, my dear fellow, I am delighted to see you." He had quite forgotten the "Magnolia Bloom" in his pleasure at beholding an old friend.

"Am I interrupting a rehearsal, or what?" the young man asked, as he shook hands warmly.

Mr. Wycherly sneezed again. "Oh, this abominable powder; I had forgotten it for the moment. Now, Curly, you are an actor; you are familiar with make-up in every shape and form. Will you kindly tell this young lady whether you consider us improved by this whitewash?"

The situation jumped to the eye. The young man laughed.

"You are both of you rather new to the use of powder, I should say; no one ever leaves it on, you know."

"Then what on earth is the use of it?" demanded Mr. Wycherly.

"It has, perhaps, a softening effect, but it is never used in such quantities."

"Go and wash, Jane-Anne," said Mr. Wycherly, "and I must do the same, then ask Mrs. Dew--no, come yourself with a dustpan and brush and clear up as well as you can. Curly will go downstairs."

In absolute silence Jane-Anne did as she was bid. It took a long time to clean Mr. Wycherly's study. There seemed a great deal of "Magnolia Bloom" for eighteenpence when she had finished. She emptied the dustpan into the dustbin, then she went and fetched _The Peeress_. Mrs. Dew had gone out to get something extra for dinner, as the gentleman was going to stay, so Jane-Anne had the kitchen to herself. She tore _The Peeress_ across and across and thrust it down into the hottest part of the fire, putting more coal on the top of it lest her aunt should see it and wonder.

"There," said Jane-Anne, poking viciously. "You're a horrid, meretricious, lying old thing, that you are."

*CHAPTER XVI*

*THE PURSUIT CONTINUED*

"For beauty draws us by a single hair." POPE.

Jane-Anne waited at dinner that night, and the stranger with the dark, vivacious eyes looked at her curiously more than once. When she had set the port in front of Mr. Wycherly and left the room finally, this guest, whom he called "Curly," leant forward, saying:

"So that is the new ward?"

"If you like to call her so."

"She is not an ordinary girl."

"I fear not."

"Why fear?"

"Because she will be very hard to place safely."

"My own impression is," Curly said slowly, "that she will need no placing at all, she will arrange matters for herself."

"You mean she will marry while quite young."

"Not at all. I should say she is quite unlikely to marry very young, but she will find a niche for herself, and she won't follow any beaten track either."

"When she came first of all," said Mr. Wycherly, "it was understood that she was to be trained for a servant; the doctor vetoed that--said she would never be strong enough. Then a charming lady here suggested having her trained as some very superior sort of nurse--children's nurse, but I question whether her genius lies in that direction. Personally, I can think of nothing very suitable for Jane-Anne except to delight me and get strong; but of course one must be practical. She is extraordinarily receptive. She takes pleasure in every kind of beauty, and she is quite singularly susceptible to beautiful verse. You should hear her recite Byron's 'Isles of Greece.'"

"Why shouldn't I hear her? Get her in and ask her to do it, then, perhaps, I can throw some light on this dark question."

"I can't say that I think she would be shy," Mr. Wycherly said dubiously, "for shyness and Jane-Anne seem quite foreign to one another; but--whether it would be good for her----"

"I'd like to hear her awfully," said Curly persuasively. "A housekeeper's niece, not thirteen, and steeped in Byron sounds such a delightful anachronism. Moreover, a little girl brought up by you. Please let me."

There was something very wheedling about Curly as he rose and went to the bell.

Mr. Wycherly nodded, and he rang.

Mrs. Dew thought it was for coffee, and that they were in a great hurry. However, she made it quickly and sent Jane-Anne in with it.

"This gentleman," said Mr. Wycherly, as she set down the coffee in front of him, "is fond of poetry, and I wonder if you would repeat to him your favourite verses about Marathon?"

Jane-Anne looked quickly from one to the other. She stepped back a little from the table and held up one slender brown hand as if adjuring them to listen.

Curly leant his elbow on the table and his head on his hand, and sat still as a statue, his brilliant eyes fixed on Jane-Anne.

She had a musical voice and a singularly clear enunciation. She no longer mispronounced any words, for Mr. Wycherly had heard her say the poem many times and took care of that. There was, withal, a curious little foreign distinctness in the way she separated one word from another that was undoubtedly a reminiscence of her father. She was never monotonous and she never ranted; best of all, she was utterly unconscious of herself and absolutely wholehearted in her lament for her country, and there was real passion in her young voice as she declaimed:

"A land of slaves shall ne'er be mine--
Dash down yon cup of Samian wine!"

No one spoke for a minute, then very gravely and courteously Curly said, "Thank you."

Jane-Anne turned to go, and Mr. Wycherly rose and opened the door for her. She looked up at him as she went out, with timid questioning eyes.

"It was beautiful, my child, quite beautiful," he said.

Jane-Anne went back to the kitchen to wash dishes, perfectly happy.

Curly waited till Mr. Wycherly sat down again.

"And so you wonder what that child will be?" he asked.

"I do, indeed," sighed Mr. Wycherly.

"And she, with those great eyes set so wide apart?"

"That," said Mr. Wycherly, "is the Greek type."

"Every great actress," Curly said sententiously, "has her eyes set wide apart. There has never been a ferrety-faced actress worth anything."

"But what has that got to do with Jane-Anne," Mr. Wycherly said in a puzzled voice.

Curly laughed. "I shan't tell you," he said. "Only I know what she will be, and you needn't worry or try to stop it, for you can't."

"I hope she will be nothing of the kind," Mr. Wycherly said hotly. "Poor little nymph, so sensitive, so loving-hearted, so wise, and at times, so amazingly silly."

"They are like that," said Curly.

* * * * *

Next morning, Mr. Wycherly told Jane-Anne that the friend who had dined with him the night before was an actor, and that the company he was in was performing "As you Like It" that afternoon in a ducal garden not very far from Oxford; and finally that he was going to take her to see it.

That day was one long _festa_ for Jane-Anne. First of all came the drive, sitting side by side with Mr. Wycherly in a hired victoria. She wore her best summer frock and hat, beautiful white garments chosen by Mrs. Methuen, that filled her soul with rapture every time she put them on; white cotton gloves that Mrs. Dew had washed that morning, thin black stockings, and the light shoes Mr. Wycherly had insisted upon after he had seen her dance under the apple-tree.

Mrs. Dew watched them drive away with great pride.

"I will say this," she said to her friend, Miss Morecraft, that afternoon, "that when Jane-Anne's dressed you couldn't tell her from one of the gentry. She's got something about her, my sister had it, and her father--not as I ever cared for him--had it, too. I think if my sister could have seen her this afternoon she'd be set up, that I do. He's a fine-looking old gentleman, too; handsome he is, and no mistake."

A good many people regarded the quaint pair with pleasure. They were so manifestly proud and fond of each other, and the child was so radiantly happy. The crowds of well-dressed people delighted her. The garden was beautiful, the weather perfect, and with thrills of the wildest excitement she recognised Curly as Orlando.

When it was over, her first criticism was characteristic. "I'd have made a better boy than that if I'd been Rosalind; she wasn't a bit like a boy really, was she? If ever I pretended to be a boy I'd try to behave like Master Edmund, then I don't believe anyone would rekkernise me."

"I don't think Shakespeare meant Rosalind to be a finished actress. She is a supremely lovable girl. I don't think we would care so much for her if we didn't realise the girl all the way through," Mr. Wycherly said thoughtfully.

"Perhaps that pretty lady was right then," said Jane-Anne; "but somehow I _think_ Rosalind would have tried to behave more like a boy."

"When you play Rosalind you shall give us a new reading of the part," Mr. Wycherly remarked carelessly.

Jane-Anne cuddled closely against him. "When I'm grown up," she said, "I shall ask that Mr. Curly to take me about acting, too. How did he begin?"

"That," Mr. Wycherly answered dreamily, "is a long story, and rather sad. No one wanted him to be anything of the kind----"

"But he _had_ to!" exclaimed Jane-Anne. "He just had to, something drove him----"

"I suppose so; even yet I think it a pity."

"I don't," Jane-Anne said decidedly. "I'd rather go about being people than anything--one could never be dull."

"I'm not so sure of that," said Mr. Wycherly.

For several nights now, both Bruey and "She walks in beauty like the night" were forgotten. Jane-Anne arose, after her aunt had taken away the candle, to impersonate Rosalind. She rolled her thick plait round her head and pinned it up with hairpins stolen from her aunt's store. She achieved doublet and hose by means of two towels, several safety pins, and her long stockings. And the moon looked in at the window and was doubtless well amused.

The moon waxed and waned and the end of July was at hand.

Mr. Wycherly was plainly stirred out of his usual scholarly calm. His boys were coming home. Jane-Anne shared his excitement, and even Mrs. Dew felt it necessary to make a large cake and "to get in" quantities of stores of every description.

Jane-Anne was strung up to the highest pitch of expectation. Although she had seen comparatively little of the "young gentlemen" when she first came to Holywell, she had heard about them so much and so constantly from the master, that she felt she, too, owned them. There was, moreover, the delightful sense of an "understanding" with Montagu. He had asked her to look after his guardian and she had done her best. Moreover, quick and sympathetic always, she early realised that not even the Greek Myths were so entrancing a subject to Mr. Wycherly as these two boys of his, and during their walks together she invariably led the conversation in their direction, and found it an easy and fascinating path.

At last the great day came. The boys were to meet in London and come down together to Oxford by a train getting in just before tea.

At the last moment Mr. Wycherly bade Jane-Anne come with him to the station.

She was pale with excitement and could hardly speak.

When at last the train came in and the boys, brown and jolly and full of rejoicing at getting home, jumped on to the platform, and the first exciting greetings had passed, Jane-Anne suddenly flung her arms round Edmund's neck and burst into tears upon his shoulder.

Edmund looked across the weeping damsel at his guardian in comical dismay. "I say," he exclaimed. "If she does this when she meets me, whatever will she do when we go away?"

"I beg your pardon, Master Edmund," sobbed Jane-Anne, hastily withdrawing her arms, "but we have wanted it so, and now it's come."

"Well, that's nothing to cry for," Montagu said, patting her back consolingly. "Cheer up."

Jane-Anne dried her eyes, and the four went home in a cab laden with luggage.

The next few days drove Mrs. Dew almost to desperation. It was impossible to make Jane-Anne "keep herself to herself," as that good woman considered decorous and desirable.

Wherever the young gentlemen were, there was Jane-Anne, and it wasn't altogether her own fault. They sought her out. She fielded at impromptu cricket matches, and discussed high subjects with Montagu. She proudly displayed her knowledge of the Greek alphabet, and assisted to stick in stamps in a long-neglected album. She even confided to the boys her misfortune with the "Magnolia Bloom," nor was she wholly crushed by their scorn for her silliness. _Apropos_ of this, one day, she said:

"I wouldn't mind so much being brown if only I had curly hair."

"The Greeks always had curly hair," Montagu announced authoritatively. "I can't think why you've been left out, 'ribbed and rippled like the wet sea-sand,'" he quoted.

"I wonder," Edmund remarked, with a gravity that would have warned a wiser person, "that you never wash it in beer, then it would curl like anything."

"_Would_ it?" exclaimed Jane-Anne, in great excitement. "Is that why yours is so curly?"

Edmund winked at Montagu, who grinned appreciatively. "Of course it is," he cried; "all our chaps wash their heads in beer every Saturday, that's why we've all got such ripping hair. Look at it." And Edmund thrust his head under Jane-Anne's nose.

She ran her hand gently over the short, fair hair that was indeed "ribbed and rippled like the wet sea-sand," then she sniffed delicately, remarking: "I wonder it doesn't smell of it."

"Oh, the smell soon goes off," Edmund answered airily.

"Why don't you do it?" she asked Montagu. "Your hair's as straight as mine."

"He's too slack," Edmund remarked.

"Oh, I can't be bothered," Montagu said carelessly; "I don't want curly hair. If I did I should wash it in beer."

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Mr. Wycherly's WardsChapter VI: Part 6

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