Music: An Art and a Language
by OpenStories
Original author: Walter Raymond Spalding
"Music: An Art and a Language" by Walter Raymond Spalding is a scholarly publication written in the early 20th century. The work focuses on the appreciation of music, exploring its grammar and structure to foster a deeper understanding and love of the art form. It aims to guide readers in grasping music's complexities and its emotional and intellectual powers, encouraging active engagement rather than passive enjoyment. The opening portion of the book emphasizes the elusive nature of music, asserting that while it can provoke deep emotional responses, it resists definitive definitions. Spalding discusses important elements like rhythm and sound, highlighting that music functions as a language of emotional expression. The text suggests methods for listeners to develop their musical understanding, stressing the importance of familiarity and intellectual engagement with compositions to truly appreciate their richness and depth. Furthermore, the author provides insights into the foundational concepts of music, including musical grammar and the significance of overall structure, setting the stage for more detailed exploration in subsequent chapters.
Music: An Art and a Language, by Walter Raymond Spalding. Republished by OpenStories from Project Gutenberg eBook #30560.
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23 Chapters
- 1.Front Matter827 words
- 2.Chapter I: Preliminary Considerations6,200 words
- 3.Chapter II: The Folk-Song3,288 words
- 4.Chapter III: Polyphonic Music; Sebastian Bach5,293 words
- 5.Chapter IV: The Musical Sentence1,820 words
- 6.Chapter XIV: in Foote and Spalding's Modern Harmony is worth2,334 words
- 7.Chapter V: The Two-Part and Three-Part Forms1,285 words
- 8.Chapter VI: The Classical and the Modern Suite2,952 words
- 9.Chapter VII: The Older Rondo Form1,055 words
- 10.Chapter VIII: The Variation Form2,245 words
- 11.Chapter IX: The Sonata-Form and Its Founders, Emmanuel Bach and Haydn7,073 words
- 12.Chapter X: Mozart. the Perfection of Classic Structure and Style4,653 words
- 13.Chapter XI: Beethoven, the Tone-Poet7,774 words
- 14.Chapter IX: ), many of Beethoven's Finales are in this mixed form, clear5,108 words
- 15.Chapter XII: The Romantic Composers. Schubert and Weber4,914 words
- 16.Chapter XIII: Schumann and Mendelssohn5,632 words
- 17.Chapter XIV: Chopin and Pianoforte Style4,716 words
- 18.Chapter XV: Berlioz and Liszt. Programme Music8,174 words
- 19.Chapter XVI: Brahms8,657 words
- 20.Chapter XVII: Cesar Franck5,863 words
- 21.Chapter XVIII: The Modern French School--D'indy and Debussy5,659 words
- 22.Chapter XIX: National Schools--Russian, Bohemian and Scandinavian8,361 words
- 23.Chapter XX: The Varied Tendencies of Modern Music5,669 words