Musical Criticisms
by OpenStories
Original author: Arthur Johnstone
"Musical Criticisms" by Arthur Johnstone is a collection of essays exploring various aspects of music, likely written in the early 20th century. The work focuses on a range of notable composers, including Bach, Beethoven, Wagner, and Tchaikovsky, examining their contributions to the art form and showcasing Johnstone's critical insights. Readers can expect a deep dive into music appreciation intertwined with Johnstone's personal experiences and perspectives as a musician and educator. The opening of the text introduces readers to the structure and intent of the collection, beginning with a memoir detailing Johnstone's life, influences, and early encounters with music. It reveals his upbringing in a religious household, his early education, and his eventual journey into composition and critical writing. The text establishes his passion for music and the arts in general, setting the stage for the subsequent musical criticisms that evaluate notable works from various composers, reflecting Johnstone's unique voice and the intellectual connections he draws between music and broader human experiences.
Musical Criticisms, by Arthur Johnstone. Republished by OpenStories from Project Gutenberg eBook #42097.
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17 Chapters
- 1.Foreword (1)8,840 words
- 2.Foreword (2)8,863 words
- 3.Foreword (3)4,130 words
- 4.Chapter I: Bach2,461 words
- 5.Chapter II: Beethoven3,219 words
- 6.Chapter III: Berlioz2,282 words
- 7.Chapter IV: Liszt1,379 words
- 8.Chapter V: Wagner6,286 words
- 9.Chapter VI: Tchaïkovsky3,807 words
- 10.Chapter VII: Elgar10,809 words
- 11.Chapter VIII: Richard Strauss5,935 words
- 12.Chapter IX: Chamber Music2,743 words
- 13.Chapter X: Piano-Playing5,211 words
- 14.Chapter XI: Violin-Playing1,938 words
- 15.Chapter XII: MUSIC IN THE 19th CENTURY5,086 words
- 16.Chapter XIII: Dr. Hans Richter2,290 words
- 17.Chapter XIV: Nietzsche4,530 words