Chapter I: Introduction
"A ray has pierced me from the highest heaven--
I have believed in worth; and do believe."
So runs Mr. Woolner's song, as it proceeds to show the issue of a noble earthly love, one with the heavenly. Its issue is the life of high endeavour, wherein
"They who would be something more
Than they who feast, and laugh and die, will hear
The voice of Duty, as the note of war,
Nerving their spirits to great enterprise,
And knitting every sinew for the charge."
This Library is based on a belief in worth, and on a knowledge of the wide desire among men now to read books that are books, which "do," as Milton says, "contain a potency of life in them to be as active as that soul whose progeny they are; nay, they do preserve as in a vial the purest efficacy and extraction of that living intellect that bred them." When, therefore, as now happens for the second time, a man of genius who has written with a hope to lift the hearts and minds of men by adding one more true book to the treasures of the land, honours us by such recognition of our aim, and fellow-feeling with it, that he gives up a part of his exclusive right to his own work, and offers to make it freely current with the other volumes of our series,--we take the gift, if we may dare to say so, in the spirit of the giver, and are the happier for such evidence that we are not working in vain.
Such evidence comes in other forms: as in letters from remote readers in lonely settlements, from the far West, from sheep-farms in Australia, from farthest India, from places to which these little volumes make their way as pioneers; being almost the first real books that have there been seen. To send a true voice over, for delight and support of earnest workers who open their hearts wide to a good book in a way that we can hardly understand,--we who live wastefully in the midst of plenty, and are apt sometimes to leave to feed on the fair mountain and batten on the moor,--is worth the while of any man of genius who puts his soul into his work, as Mr. Woolner does.
Books in the "National Library" that come like those of Mr. Patmore and Mr. Woolner are here as friends and companions. If they were not esteemed highly they would not be here. Beyond that implied opinion there is nothing to be said. He would be an ill-bred host who criticised his guest, or spoke loud praise of him before his face. Nor does a well- known man of our own day need personal introduction. It is only said, in consideration that this book will be read by many who cannot know what is known to those who have access to the works of artists, that Mr. Thomas Woolner is a Royal Academician, and one of the foremost sculptors of our day. For a couple of years, from 1877 to 1879, he was Professor of Sculpture at the Royal Academy. A colossal statue by him in bronze of Captain Cook was designed for a site overlooking Sydney Harbour. A poet's mind has given life to his work on the marble, and when he was an associate with Mr. Millais, Mr. Holman Hunt, and others, who, in 1850, were endeavouring to bring truth and beauty of expression into art, by the bold reaction against tame and insincere conventions for which Mr. Ruskin pleaded and which the time required, Mr. Woolner joined in the production by them of a magazine called "The Germ," to which some of the verses in this volume were contributed.
There is no more to say; but through another page let Wordsworth speak the praise of Books:
Yet is it just
That here, in memory of all books which lay
Their sure foundations in the heart of man,
Whether by native prose, or numerous verse.
That in the name of all inspired souls--
From Homer the great thunderer, from the voice
That roars along the bed of Jewish song,
And that more varied and elaborate,
Those trumpet tones of harmony that shake
Our shores in England--from those loftiest notes,
Down to the low and wren-like warblings, made
For cottagers and spinners at the wheel
And sunburnt travellers resting their tired limbs
Stretched under wayside hedgerows, ballad tunes
Food for the hungry ears of little ones
And of old men who have survived their joys--
'Tis just that in behalf of these, the works,
And of the men that framed them, whether known
Or sleeping nameless in their scattered graves,
That I should here assert their rights, attest
Their honours, and should, once for all, pronounce
Their benediction; speak of them as Powers
For ever to be hallowed; only less,
For what we are and what we may become,
Than Nature's self, which is the breath of God,
Or His pure Word by miracle revealed.
_Prelude, Book V_. H. M.
MY BEAUTIFUL LADY. INTRODUCTION.
In some there lies a sorrow too profound To find a voice or to reveal itself Throughout the strain of daily toil, or thought, Or during converse born of souls allied, As aught men understand. And though mayhap Their cheeks will thin or droop; and wane their eyes' Frank lustre; hair may lose its hue, or fall; And health may slacken low in force; and they Are older than the warrant of their years; Yet they to others seem to gild their lives With cheerfulness, and every duty tend, As if their aspects told the truth within. But they are not as others: not for them The bounding pulse, and ardour of desire, The rapture and the wonder in things new; The hope that palpitating enters where Perfection smiles on universal life; Nor do they with elastic enterprise Forecast delight in compassing results; Nor, having won their ends, fall godlike back And taste the calm completion of content. But in a sober chilled grey atmosphere Work out their lives; more various though they are Than creatures in the unknown ocean depths, Yet each in whom this vital grief has root Is dull to what makes everything of worth. And though, may be, a shallow bodily joy Oft tingles through them at the breathing spring, Or first-heard exultation of the lark; Still that deep weight draws ever steadily Their thoughts and passions back to secret woe. Though, if endowed with light, heroic deeds May be achieved; and if benignly bent They may be treasured blessings through their lives; Yet power and goodness are to them as dreams, And they heed vaguely, if their waking sight Be met with slanting storm against the pane, Or sunshine glittering on the leaves that play In purest blue of breezy summer morns.
Whence springs this well of mournfulness profound, Unfathomable to plummet cast by man? Alas; for who can tell! Whence comes the wind Heaving the ocean into maddened arms That clutch and dash huge vessels on the rocks, And scatter them, as if compacted slight As little eggs boys star against a tree In wanton mischief? Whence, detestable, To man, who suffers from the monster-jaws, The power that in the logging crocodiles' Outrageous bulk puts evil fire of life? That spouts from mountain-pyramids a flood Of lava, overwhelming works and men In burning, fetid ruin?--The power that stings A city with a pestilence: or turns The pretty babe, who in his mother's lap Babbles her back the lavished kiss and laugh, Through lusts and vassalage to obdurate sin, Into a knife-armed midnight murderer?
Our lives are mysteries, and rarely scanned As we read stories writ by mortal pen. We can perchance but catch a straying weft And trace the hinted texture here or there, Of that stupendous loom weaving our fates. Two parents, late in life, are haply blessed With one bright child, a wonder in his years, For loveliness and genius versatile: Some common ill destroys him; parents, both, Until their death, are left but living tombs That hold the one dead image of their joy. A man, the flower of honour, who has found His well-beloved young daughter fled from home, Fallen from her maidenhood, a nameless thing Tainting his blood. A youth who throws the strength Of his whole being into love for one Answering him honeyed smiles, and leaves his land For some far country, seeking wealth he hopes Will grace her daintily with choice delights, And on returning sees the honeyed smiles Are sweetening other lips. A husband who Has found that household curse, a faithless wife. A thinker whose far-piercing care perceives His nation goes the road that ends in shame. A gracious woman whose reserve denies The power to utter what consumes her heart. Such instances (and some a loss to know, Which steadfast reticence will shield from those, Debased or garrulous, whose hearts corrupt, But learn the gloomy secrets of their kind To poison-tip their wit, or grope and grin With pharisaic laughter at disgrace)-- Such instances as these demand no guide To thrid the dismal issues from their source! But others are there, lying fast concealed, Dark, hopeless, and unutterably sad, Which have not been, and never may be known.
Then we may well call happy one whose grief, Mixed up with sacred memories of the past, Can tell to others how the tempest rose, That struck and left him lonely in the world; And who, narrating, feels his sorrow soothed, By that respect which love and sorrow claim.
It much behoves us all, but chiefly those Whom fate has favoured with an easy trust, To keep a bridle upon restless speech And thought: and not in flagrant haste prejudge The first presentment as the rounded truth. For true it is, that rapid thoughts, and freak Of skimming word, and glance, more frequently Than either malice, settled hate, or scorn, Support confusion, and pervert the right; Set up the weakling in the strong man's place; And yoke the great one's strength to idleness; Pour gold into the squanderer's purse, and suck The wealth, which is a power, from their control Who would have turned it unto noble use. And oftentimes a man will strike his friend, By random verbiage, with sharper pain Than could a foe, yet scarcely mean him wrong; For none can strip this complex masquerade And know who languishes with secret wounds. They whom the brunt of war has maimed in limb, Who lean on crutches to sustain their weight, Are manifest to all; and reverence For their misfortunes kindly gains them place: But wounds, sometimes more deep and dangerous, We may in careless jostle through the crowd, Gall and oppress, because to us unknown. Then, howsoever by our needs impelled, Let us resolve to move in gentleness; Judge mildly when we doubt; and pause awhile Before injustice palpably proclaimed Ere we let fall the judgment stroke: against Their ignominious craft, who ever wait To filch another's right, we will maintain Majestic peace in silence; knowing well Their craft takes something richer from themselves. It is but seemly to respect the great; But never let us fail toward lowly ones; Respecting more, in that they lack the force To claim it of the world. For souls there are Of poor capacities, whose purpose holds, Throughout their unregarded lives, a worth, And earnest law of fixed integrity, That were an honour even unto those Whose genius marks the boundaries of our race.
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My Beautiful Lady. Nelly DaleChapter I: Introduction
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