Chapter XXII: Book FOUR: The Sea (5)
Thus the letter is the burning-cold document of a statesman and poet, and only in this frame of mind is it becoming for a Napoleon to perish.
At the same time, he is a great military commander to the last. When he divides the remnants of his army into two halves, and begins by defeating Blücher with one of them in a brilliant advance, the six battles he fights in nine days, from Champaubert to Montereau, are still in the avalanche tempo of General Bonaparte. But that the names of these battle-fields are French, tells us the whole story; hitherto his victories have always borne foreign names. At Montereau he is an artillerist once more, training the guns with his own hand as at Toulon. He cries: “Forward, comrades! The cannon ball that will hit me has not been cast!”
He has settled accounts with Blücher. Now to deal with Schwarzenberg! But the Austrian is afraid of having his renown as commander dimmed, and is sedulous to avoid a decisive conflict; he actually writes direct to Berthier, suggesting that a truce be arranged in Châtillon. Enough for the Emperor to read this, and his lust for battle is redoubled. Another letter to Joseph, written with his own hand this time, breathing defiance, shrewd, bold:
“You have been talking to my wife about the Bourbons, but you should avoid such topics. I have no wish to take shelter behind my wife.... That would only sow dissension between us.... I have never tried to win the applause of the Parisians, for I am no stage puppet.... Besides, the real Paris is something very different from the passions of the three thousand persons who are raising all the clamour. Of course it would be easier to explain that one cannot levy any soldiers, than it is to make the attempt.... Je vous embrasse!”
It is many, many years since he has penned these words at the close of a letter. Not since the Marengo days has he written thus to any of his brothers or to any of his commanders—and Joseph is both. His heart is beating more vigorously. Next day, writing to Savary, who has informed him about a petition to the monarchs, and about the regency and fears and intrigues, his phrasing is more incisive, and bears witness to the excitement of a campaign:
“They shall learn that I am still the man of Wagram and Austerlitz! I will have no intrigues in the State.... Let me tell you that if a petition against the public authority is being circulated, I will arrest King Joseph and all the others who sign it!... I want no tribunes of the people! I myself am the great tribune!”
Meanwhile the allies are quarrelling. The tsar wants Paris to be placed under a Russian governor until the nation chooses Bernadotte or another; Austria will hear of nothing but a Bourbon restoration; Schwarzenberg wants peace to be made at once, and instead of joining battle is content to assume “a military attitude.” But Blücher, who has remarshalled his forces, simply cries “Forward!” and is on the march. When the allies once more send a proposal for the re-establishment of the old frontiers of France, the Emperor is enraged, saying: “I am so angry, that I feel dishonoured by the mere suggestion.” Being reminded that the enemy outnumbers him by three to one, he answers heroically: “I have fifty thousand men. Add myself, and you get a hundred and fifty thousand!”
Now, at the beginning of March, when he is to attack Blücher once more, for the command of his other army he puts his trust in Marmont, his earliest companion-in-arms.
But the spirit of revolt is rising. It had shown itself to Napoleon at Düben Castle in the previous autumn; during the winter it had been fomented in his brother’s circle; now it was to eventuate in treason under fire. Marmont, the first among men still above ground who had served under Napoleon, is also the first to betray him. Oudinot and Macdonald have lost the battle of Bar-sur-Aube. Now, at Laon, Marmont makes no more than a pretence of fighting, leaves his artillery in the town square, thus snatches victory from his master, and even allows himself to be surprised in his camp. “The Emperor would have been justified in cutting him down,” says Berthier, “but is so fond of him that, after making a scene, he has left him in command of his corps.”
What is more natural than that, during these days, his heart should go out to the friends of his youth? But Marmont is not the only traitor to whom he is lenient! Augereau, who had fought beside him at Rivoli, begins to make signals to the Austrians, fails to be at his post. The reprimand he receives is an affectionate one. Napoleon writes to him almost as if they were still brothers in the field, as of old.
“Six hours’ rest were not enough for you?... What pitiful excuses you are making, Augereau! No money! No horses! I command you to take the field within twelve hours of receiving this. If you are still the old Augereau of Castiglione, you can keep your command. But if you find the burden of your sixty years so heavy, hand over the command to the oldest of your generals. The country is in danger!... You should be the first in the firing line. We must all put on our seven-leagued boots, and must find the reckless courage of ’93. If the French soldiers see your plumes at the outposts, you will be able to lead your men whithersoever you please.”
Here we have General Bonaparte once more. The red of sunset reminds us of the glories of sunrise.
Owing to Marmont’s retreat, the Emperor is left unsupported at Arcis-sur-Aube, and has no more than a few thousand men with which to face a great army. Defeat is inevitable. During the height of the battle, a dust eddy sweeps across the field. A thousand dragoons are panic-stricken, and take to flight, shouting: “The Cossacks!” The Emperor gallops forward into the press. “Dragoons! Turn and fight! You are running away, but I stand firm!” He draws his sword and charges the enemy, followed only by his staff and the bodyguard. Six thousand Cossacks take to flight. It is years upon years since he has led a cavalry attack. His horse is shot under him, and he mounts another. Berthier reports that the Emperor was obviously hoping to find death on the field.
But death does not come for the asking. No more than Cæsar, Cromwell, or Frederick, is Napoleon destined for this swift, heroic end. Such men are something more than military commanders, and must live out their lives as leaders of nations,—even though they have to fight against their own nation. Henceforward the blows thicken, and each blow is symbolical.
But who can wonder if, at last, men forsake the despiser of men? He has made princes of his soldiers; should it surprise us that they prefer their princedoms to a soldier’s death? Need we wonder that a wife sprung from an ancient ruling house, married off to an upstart, should be quick to repudiate him and to become a Habsburg once more? That his brothers, in whom he has shown too much trust, should, when disaster comes, think of themselves rather than of the man to whom they owe everything?
When, in his last letters to Marie Louise, he asks her to write to her father, she complies with a bad grace, and, instead of following the example of Maria Theresa, she pens cold letters which can serve as hints to her father and his ministers. News reaches the allied headquarters that the English have landed in Bordeaux, and that the Bourbon flag has been hoisted there; a letter from the Emperor to his wife is intercepted, a letter in which he announces his intention to withdraw behind the Marne. It is enough; at length all are agreed for the march on Paris.
In this utmost danger, Napoleon has still a last bold shift. He will arm the peasants as a national reserve; they will be ready to his hand, for they hate the invading foreigners. But now tidings come that Marmont has allowed himself to be beaten once more, and is withdrawing to Paris with Mortier. Like one who hears that his house is on fire, the Emperor storms back towards Paris, entrusts the command of his troops to Berthier, and rides citywards with his bodyguard. Then, leaving everything behind, he jumps with Caulaincourt into a post-chaise, hoping it will not be too late to seize the reins of power. After how many victories has he not driven in such a carriage through the gates of his capital? Always his thoughts have circled round the problem, “What is Paris saying? How shall I find things there?” But now there is only one idea pulsing in his brain: Will three persons stand firm till I come; three to whom I can entrust the safety of the realm? The empress as regent, Joseph as governor of Paris, Marmont as leader of the strongest corps!
Night. Change of horses. A squad of soldiers led by an officer. The officer reports: “I am under Marshal Mortier’s orders, and am seeking quarters for the troops that are being withdrawn.”
“Troops being withdrawn? Where is the empress? Where is King Joseph?”
“Her Majesty, with the king of Rome, fled yesterday to Blois. King Joseph left Paris to-day.”
“Where is Marmont?”
“I don’t know, Sire.”
Beads of sweat form on the Emperor’s forehead; his lips twitch nervously; he is horrified at the news. He breaks out: “Forward! To-morrow the guards will be here. The National Guard is on my side. Once within the walls of Paris, I shall only leave the town as a conqueror or as a dead man!”
With difficulty, Caulaincourt persuades him to renounce this foolhardy design. The Emperor orders that Marmont’s corps is to take up its position behind the Essonne. Then he says to his minister: “Hasten to Paris! Go on negotiating for a treaty. I have been betrayed and sold. You have full powers. I will wait for you here. It is not far. Forward!”
He drives a hundred paces nearer, and can see the waters of the Seine. But what is mirrored therein? The enemy’s watch-fires! At the outposts, the invaders are cooking supper and singing songs; while the Emperor, on the left bank with two post-chaises and a few servants, watches them under cover of the darkness.
Then he has the carriage turned, and drives to Fontainebleau.
XIV
Next morning, Talleyrand is sitting in his bedchamber, submitting to the ministrations of his valet. This statesman of the revolution still has his wig dressed in the rococo style. The door is thrown open, and almost before the servant has time to announce him, Count Nesselrode hurries in to greet the friend of many years’ standing. He gets covered with powder from head to foot, Talleyrand informs us. Two hours later, the tsar himself comes to stay with his intimate friend as guest; he will not put up at the Elysée for fear of bombs. The moment for which Napoleon’s minister has worked indefatigably for six years has come at last, and the smiling victors shake hands with a sense of moral righteousness: virtue has triumphed! After knocking at the gates of Paris for two and twenty years, the legitimist monarchs have at length been admitted. This is their great moment. They have ridden into the city. A small party of Bourbon supporters has hailed them as liberators; the Faubourg Saint-Germain has rallied. Elsewhere in Paris, silence reigns. Every one is calmly waiting to see whether, on the morrow, Napoleon or Louis is to be called master.
The Emperor’s fate is sealed, for Joseph, in his cowardly flight and in spite of Napoleon’s warnings, has not taken Talleyrand along with him, but has left that cleverest and most dangerous of enemies in Paris. It is not fixity of purpose on the part of the nation that brings the Emperor to his doom; nor are the four allied foes unanimous as to his fate. He is ruined by the co-operation of faithless servants and treacherous friends, under the guidance of a man who is both—for Talleyrand, with the good graces of the tsar, takes upon himself the spiritual leadership of the next ten days. Now the intriguer is in his true element.
Yesterday he received another guest. Talleyrand by no means hates the Emperor, but has from the first sign of Napoleon’s decline, forsaken his master in order that he himself may climb. He has no wish to wreak vengeance on a prisoner, and, indeed, has no reason for revenge. Still, it would be convenient were the disturber of the peace quietly to disappear; and therefore he promises a goodly reward to a certain Maubreuil (a monarchist officer with an adventurous past) if this man “will carry out an important commission on the road to Fontainebleau.” But the adventurer’s heart fails him at the last moment, and he is content to attack Jerome’s brave young wife and carry off her jewels, instead of making an attempt on Napoleon’s life. Blücher, too, on his own initiative, has sent a detachment with definite orders to make an end of the Emperor.
“Well, what does France want?” asks the tsar of the abbé, as a man of wide experience. Talleyrand has long had in mind the restoration of the former king, but he thinks it best to ask whom Alexander would recommend. Somewhat diffidently, the tsar mentions the name of Bernadotte. Talleyrand smiles: “France does not want any more soldiers. If we wanted one we should keep the one we have already, the finest soldier in the world. No other, in his place, would find a hundred men to follow him.” Talleyrand says this to the conqueror, says it in plain words to the tsar; the defeated Emperor at Fontainebleau could have wished no greater tribute of admiration than such words from such lips in such a situation.
A day later, Talleyrand summons the Senate, and the legislature confirms the decision that the Emperor must abdicate. There is a general swing of opinion in this direction. Caulaincourt is the only one who puts up a fight for Napoleon, and tries to win over the tsar. For a moment, Alexander’s impressionable heart is touched; the image of his whilom friend rises before his mind; he wavers, and says that he will do his best with his allies to save the crown for the king of Rome.
But while the impotent Caulaincourt is trying to persuade the vacillating tsar, and is doing what he can to save the house of Bonaparte, at this same hour on the third of April, Talleyrand has summoned Marshal Marmont who, with his twelve thousand men across the Seine, is still a power, since the main body of the allies has not yet reached Paris.
See them sitting there, Napoleon’s companion-in-arms and senior officer, hobnobbing with the doyen of the Emperor’s ministers. The diplomat reasons coldly with the soldier, who hardly needs to listen to the arguments. He is hopelessly disillusioned, tired out. His faith had been shaken three years ago in Spain. His thoughts run this wise: “What is the use of trying to march with a dead man? The king is dead; long live the king! At the military academy, we were all monarchists. His defeat is a proof that the Bourbons have the right of it. The only choice is between being stood up in front of an old wall or taking one’s stand behind an old throne. The oath of allegiance? That has been abrogated. The ties of friendship? Only the other day, he was scolding me after the Laon affair.” Acting on the suggestion of his old acquaintance, Marmont writes to Schwarzenberg, the allies’ commander-in-chief:
“By the decree of the Senate, the army and the people have been released from their obligation of fealty to Napoleon. I am ready to promote an understanding between people and army, in order to avoid civil war.” Upon this pretext, which he subsequently endeavoured to fortify with the excuse of patriotism (the paltry argument of every turncoat), the Emperor’s senior marshal destroys the Emperor. Augereau, in a shameful proclamation, is quick to follow Marmont’s lead.
At the time when Talleyrand is winning over the marshals, the Emperor in Fontainebleau is reviewing his guards. To them he exclaims: “Never shall we allow any one to wear in Paris the white cockade of the émigrés.... In a few days we will attack the enemy in Paris!” The officers brandish their swords enthusiastically, shouting: “À Paris! Vive l’Empereur!” He waves his hand to them, and, smiling joyfully, he briskly mounts the steps, surrounded by his last ministers in their embroidered coats.
Soon afterwards, a carriage draws up in the courtyard. Caulaincourt steps out; he is pale, having passed the night in a vigil. He approaches the Emperor. Berthier enquires: “Well, my lad, how goes it?” The minister hesitates to answer, for he does not like Berthier’s tone. Are the very nearest going to fall away too? He finds the Emperor at work.
“What do they want of me?” asks Napoleon eagerly.
“Great sacrifices, that you may retain the crown for your son.”
“You mean that they refuse to treat with me! They want to make a helot of me, to hold me up as a warning to all those whose genius enables them to rule men and to make the born kings tremble on their ancient thrones!”
Bonaparte’s metallic tone! Such is the mood produced in the Emperor by the sight of his guards, by the perusal of his latest muster rolls, by the study of his maps. Now the minister mentions the most moderate of the tsar’s demands. Napoleon is to abdicate in favour of the king of Rome, and then the terms of a regency will be discussed. But there is talk of a Bourbon restoration. The Emperor leaps to his feet:
“They are mad! The Bourbons in France; they would not be able to hold their position for a year! Nine-tenths of the nation cannot endure them; my soldiers will never serve under them. They have lived for twenty years upon the alms of a foreigner, at war all the time with the fundamental principles of their homeland! The Senate consists entirely of regicides, or the sons of regicides. I was a newcomer, with nothing to take vengeance for; a man whose only business it was to upbuild.... No doubt they can draw profit out of the crash, can exile me and my family; but the Bourbons—never!”
Thus does his work roll before his mind as in a rhapsody, lighted up by his contempt for those whom he succeeded and who are now to succeed him. He becomes the soldier once more. “They demand my abdication. Will the crown then be secure for my son? I have still fifty thousand men. They will march with me to Paris. After the victory, the people shall decide. If, then, the French want to chase me away, I will go.” See the conflict in his soul. As statesman, he is willing to abdicate, that his son may reign; as soldier, he is still eager to fight, that he may retain all.
But while enthusiasm grows in the rank and file of his army, while the common soldiers are willing to give their lives for the Emperor, the marshals are malcontent. Although they have not yet heard of Marmont’s defection, they cherish like wishes, and would gladly shake off their allegiance to Napoleon if they could do so decently. This marked difference between the mood of the men and that of their leaders is once more a vengeance for the system of titles and monetary rewards with whose aid the military commander, when he had become an emperor, had transformed generals into marshals. Next day, the seniors among them are of one mind. Ney, Macdonald, Oudinot, and Lefèvre, in the most subservient way possible, speak to him of the advantages of abdication.
The Emperor shows them his maps, which are again beset with coloured pins; he points out to them that the enemy is in an unfavourable position, and enumerates his own resources. All is vain! The frame of mind they had shown in Düben Castle, intensified a hundredfold, blocks his way. Silently he dismisses them, for he wants to think over a plan. Mentally, he has mustered his forces, and the total of his additions does not seem to him a bad one. A conditional renunciation, therefore, will not betoken anything more than an armistice, a postponement.
A few hours after the audience of the marshals, he sends for Caulaincourt, and points to a holograph document on the table:
“There is my abdication. You can take it to Paris.”
The minister reads:
“Since the allied powers have declared that Emperor Napoleon is the only obstacle to the peace of Europe, Emperor Napoleon, faithful to his oath, declares himself ready, for the welfare of his country, which is inseparable from the rights of his son, from those of the regency of the empress, and from the maintenance of the laws of the Empire, to descend from the throne, to give up France and even life itself.”
What a style! A diplomatic document, involved in its phraseology, cautiously worded, ambiguous, penned for the inspection of diplomats of the old school. Nothing of Napoleon in it. The minister begs for the companionship of two of the marshals for so important a mission.
“Take Marmont and Ney,” says the Emperor, adding, “Marmont is my oldest comrade.”
“Marmont is not here.”
“Macdonald, then.”
Late that evening, three hours after the interview with Napoleon, the plenipotentiaries are at the Elysée confronting the allied princes and ministers. Most of the negotiations are carried on between the tsar and Caulaincourt. The latter’s contention that the French are heartily against the Bourbons has its effect; the parleys continue far into the night. Suddenly an announcement is made in Russian; the Frenchmen do not understand. Thereupon the tsar speaks: “You are relying, gentlemen, upon the unshakable loyalty of the troops towards the imperial regime. Well, I have just been informed that the advance guard, the sixth army corps, has deserted the Emperor. It has come over to our lines.”
The allies’ task has become easier; they now demand instant and unconditional abdication. Meanwhile the Emperor sends one courier after another from Fontainebleau to his minister. He writes:
“If they refuse to negotiate with me, what kind of a treaty will it be?... Bring back my act of abdication, I command you.... I will sign no treaty!”
Next day at six o’clock in the morning the Emperor is at work with Berthier. A captain is introduced, an adjutant of Mortier’s.
“Well, what news?”
“The sixth army corps has gone over to the enemy. It is marching to Paris.”
The Emperor seizes him by the arm and shakes it.
“Marmont? Are you sure? Did the troops know where they were being led?”
“During the night they were led into the Austrian camp. They were told that they were marching against the enemy.”
“My men have to be duped before they can be torn away from me! Did you see Marmont at the time he set out?”
“No, Sire.”
“The cavalry, too?”
“In close columns.”
“Where is Mortier?”
“He sent me to tell you that his corps will be loyal to you in life and in death. He awaits Your Majesty’s orders. The young guard is ready to die for you. All young France is ready!”
The emperor steps close up to the young officer, looks him straight in the eyes, and with a friendly gesture allows his hand to slip under the fringe of the epaulette so that it may rest on the captain’s shoulder. Thus does the ageing Napoleon find support once more in the young men of France.
When Caulaincourt brings the demands, he is accompanied only by Macdonald.
“Where is Ney?”
Silence. A pause. Then he is told the conditions. They probe him to the quick. To disavow the dynasty! For a decade the dynasty has been his goal.
“My personal withdrawal did not suffice? Must I, with my signature, disinherit my wife and my son? I cannot do this! I won their throne for them by my deeds!” The paradox has taken such deep root in his thoughts that he has ceased to be aware of his existence. Then he counts his troops again.
“I have twenty-five thousand men here; I can speedily bring up another eighteen thousand from Italy; Souchet has eighteen thousand, Soult forty. I shall fight!...”
The remaining troops are loyal, but the leaders are weary of the struggle. Why does he not place himself at the head of his guards? Because he can only think in terms of marshals, because the feudalist atmosphere is cutting him off from his stalwarts.
Here they all come again! They warn him, even Berthier joins with the others now, that Fontainebleau can easily be surrounded. He listens to them with dignified composure. Then he abruptly asks them whether they are prepared to march with him to the Loire; or to Italy, where they can join Eugene’s forces. Behind the proposal, we sense new plans of our adventurer. But the men who stand before him are marshals and Frenchmen; they breathe the words “civil war”; they advise him to abdicate. The island of Elba has been chosen for his dwelling place; he had better take what he can get! He dismisses them.
“None of them has either heart or reins! I am not so much beaten by fortune, as by the ingratitude of my brothers-in-arms. It is infamous. All is over!”
Without, in the drawing-room, groups of courtiers and dignitaries have assembled. Voices are hushed as though a king lay dead. All are awaiting the signature. The Emperor is well aware of this, he allows no one to enter his room, he will keep them waiting till morning. After a feverish, sleepless night, his negotiators find him sitting in his dressing-gown before the fire, a broken man and pitiable.
They bring him the deed which they have signed in Paris that night. He is to receive Elba, and two million francs as annual subsidy; he is to retain the title of Emperor; he is to have a guard of four hundred men. Talleyrand had warned the allies that this proximity of the lion to France was a menace; he suggested Corfu, and even mentioned St. Helena. Fouché endeavours to shield the Emperor from a slow descent from the heights; in elegantly phrased letters he suggests that Napoleon should go straight to America, where, as a free citizen, life could be started anew.—The farther away from the coasts of Europe, the better!
All this leaves the Emperor cold. He is visioning something different. He sees how Macdonald is standing the test; in his secret heart he is comparing this marshal with those others who have shown so much ingratitude; he feels now that he has not honoured the man enough. In this hour when he has to sign his abdication, Napoleon says:
“I have not sufficiently rewarded you. Now I can do no more. Take the sword which Sultan Selim gave me and keep it in remembrance.” While all are waiting for the signature, the Emperor sends for the gilded scimitar, and embraces the general as he presents it. Then Napoleon signs the act of abdication.
“The allied powers having declared that Emperor Napoleon is the sole obstacle to the re-establishment of peace in Europe, the Emperor, faithful to his oath, declares that he renounces, for himself and his heirs, the thrones of France and Italy, and that there is no sacrifice, not even that of life, which he is not ready to make for the interests of France.”
The deed is done! All breathe freely again. The generals and the courtiers leave Fontainebleau; Maret alone remains. They hasten to Paris; even Berthier throws himself into the arms of the provisional government. Talleyrand and Fouché are at the head of things.
But the Emperor remains another nine days in his palace, and he is not alone. Around him, unshaken, his guards are encamped; they still muster twenty-five thousand men. Who else is with him? His brothers have taken to their heels. What is Josephine doing, at Malmaison? After she has wept, and sworn that she will follow the forsaken Emperor, she receives Napoleon’s conqueror with sparkling eyes and adorned with all the pitiful appeal of a Niobe. The tsar wishes to play the part of a knightly cavalier, and succumbs to the renowned charms of the first empress. But Hortense, her daughter, receives the tsar’s visit coldly and off-handedly. As soon as he is gone, she hastens to Fontainebleau and remains with the Emperor till his departure.
At first, his mother is with him. But, wishing to see her in safety, he persuades her to go away with Jerome. They will meet again later. When the empress says good-bye to Letizia, she utters polite commonplaces and wishes her mother-in-law well. The old lady, who sees through Marie Louise, and knows that all she cares for is security and enjoyment, answers this daughter of the Habsburgs: “That will depend upon you, and upon your future conduct.”
The Emperor has no word from wife or son in reply to his numerous letters and messengers. While for himself he asks neither land nor money, for her he demands that, in addition to Parma, she should have Tuscany, or at least a strip of it which would bring her lands nearer to Elba and thus set up a link between man and wife. He writes to her advising as to the best halting-places on the route; Corvisart is to decide which waters will do her health most good; she is to take her personal treasure with her. Then he writes to the palace prefect that all the diamonds which are not her or his personal property must be given back to the treasury, for they belong to France.
Meanwhile the government has sent a confidential agent to the Tuileries with orders to seize the imperial treasure. All the gold and securities, valued at one hundred and fifty millions, were taken away; in plain words, stolen. These sums had been saved by Napoleon from his civil list during the fourteen years of his rule. His silver plate, all personal articles of value, his golden snuff-boxes, and even his handkerchiefs embroidered with the initial N., were taken at the same time. The order for this bears, among others, Talleyrand’s signature. The Emperor, who until yesterday was the wealthiest man in Europe, journeys to Elba with three million francs as his fortune!
He is profoundly disheartened. Can anything disillusion him further? Lucien writes to the pope the day after the abdication, and becomes a Roman prince. Murat, acting on the advice of Fouché (who holds the net of intrigues during these last weeks), has entered Rome, has advanced his troops towards Tuscany, invading Elise’s realm—always spurred on by Caroline, and always in alliance with England, which has occupied Tuscany. Elise, who at the last moment has staked on the wrong hazard, and has through a false calculation remained faithful to her brother, flees before her sister’s troops, brings a child into the world while lying up at a mountain tavern, and in Bologna is taken prisoner by the Austrians. The only two of the pack who have behaved decently are Jerome and his wife.
The last days pass in sinister silence. “If a carriage drives into the palace yard, all prick up their ears. Is any one coming to bid Napoleon farewell? No one comes while affairs are being wound up. But a day or two before the departure, a veiled lady arrives, late in the evening. No one knows her, and she is not admitted. Countess Walewska waits a whole night, and when she goes away in the morning she leaves a letter for him. He sends after her, but she has gone. He writes:
“Marie!... The feelings which animate you touch me profoundly. They are worthy of your lovely soul and the goodness of your heart.... Think affectionately of me! Never doubt me! N.”
As soon as he has recovered his old tranquillity of mind, the Emperor is promptly animated with new energy. Has he not an island as base of operations? Who knows what may come of it? Corsica, too, is an island in the Mediterranean! He orders a monograph and studies the geography and statistics of Elba. “The air is wholesome, the inhabitants are honest folk, and I hope that my good Louise will like the place well enough.” He chooses his four hundred men; but the whole guard wants to go with him, though this will involve leaving wife and children. Among them are men whose hearts he had won two-and-twenty years earlier when he had been captain in Toulon, men who had followed his fortunes from Cairo to Moscow, through sixty battles.
He cheers up. Discussing predetermination with the palace prefect, and how death has passed him by during the last battles, he adds:
“A violent death is cowardice. I can see no greatness in shirking responsibility in that manner, like one who has gambled away his fortune.... Suicide is incompatible with my principles and with the position I have occupied in the world.” They walk up and down the terrace in silence for a time, and then he says with a smile: “Between ourselves, a living drummer is better than a dead emperor!”
All the formalities have been accomplished; the allied commissioners who are to accompany him to Elba, four in number, have arrived; the start is fixed for noon. He writes in simple terms to tell his wife, and concludes: “Farewell, my good Louise. You can rest assured of the courage, the tranquillity, and the affection of your husband. N.” He adds as a postscript: “A kiss for the little king!”
The start will be an easy matter, for no one has come to take leave.
But there are to be leave-takings after all. The old guard is waiting for him in the palace yard, drawn up in a square. As he comes down the steps, thousands of eyes are fixed on him. He must say something. What can he say? For twenty years he has only spoken to these men just before a battle and just after a victory, to inspire them or to thank them. Well, he will thank them now, though there has been no victory; he will thank them for the hundred victories of the past. He steps forward. “Vive l’Empereur!” He enters the square, and says:
“Soldiers of my old guard, I take leave of you. For twenty years I have seen you always upon the path of honour and glory. During the last few weeks, you have been models of bravery and fidelity, just as in the years of good fortune.... But there would have been civil war. That is why I sacrificed all other interests to those of the country. I am going away.... You, friends, continue to serve France. Her happiness has been my only thought. My good wishes go with you. Do not mourn my fate. If I have determined to go on living, it is that I may increase your fame. I shall write the story of the great deeds we wrought together. Farewell, my children. I would gladly press you all to my heart. At least let me kiss your colours!”
The general holds out the colours. Napoleon embraces him, and kisses the flag. “Good-bye, comrades!” He gets into the carriage. “Vive l’Empereur!” He drives away.
The war-hardened veterans stand there, blubbering like children. Their father has gone away. Never had he spoken to them more movingly. The dignified pathos of ancient Rome, the ardent imagery of his manifestoes, the similes and the exaltations, have vanished with the fever of battle. This Emperor spoke like a commander, this commander spoke like a company leader. His words were manly, blunt, and restrained. When he kissed the colours, it was an unparalleled gesture; never before had he done anything of the kind. They will tell their grandchildren what the great Emperor, their “petit caporal,” has said to them this day. The grandchildren will tell their grandchildren in turn, and so the story will go down the generations.
But hardly has he left this soldierly atmosphere, in which he grew to manhood and then to greatness, when he has to face the mob. After the sobs of his old soldiers, come clamour, cries, and curses! As the train of carriages drives swiftly through Provence, the threatening shouts of the people deafen him: “Down with the tyrant! Kill the wretch!” In the villages where the horses are changed, women rage round his carriage, screaming at him, flinging stones, trying to force the coachman to shout “Vive le Roi!” At one of these villages, the crowd has prepared an effigy, a uniform coat stuffed with straw and smeared with mire and blood. Here they hail him with the cry: “Kill the murderer!” The carriages press on at top speed and the journey becomes a flight. Napoleon’s first flight.
With rigid face, the Emperor looks at the mob and listens to the cries of execration. Are these the same people who ran beside his carriage, eager to catch a glance from his eyes? They are indeed the same! What he is now experiencing, he had foreseen, with the seer’s vision of the misanthrope, at his first entry into Paris when the crowd had jubilantly welcomed him as conqueror. He sits huddled in a corner of the carriage, pale and silent; at each halt, the foreign commissioners jump out to guard the windows of his coach. Will he bear all this without making a sign? Will he draw his sword? He does not wear one now. In mufti, he can get away from his country, but not in his green uniform. Only once before has he had such an experience. It was on the Nineteenth Brumaire, when the radicals were shaking their fists at him. Then he did not draw his sword. Then, as now, he was powerless against the mob, for it was not his trade to beat the mutable many, nor was it his talent to persuade them. He is not a tribune; he is an emperor. One who can command as well as he, can do nothing but command. If he fights, it must be in a battle.
Movement! Air! In a lonely road, he has the carriage stopped, and one of the post-horses taken out of the traces. He fixes a white cockade on his plain round hat, and rides in front of the carriages, outstripping them, his servant following. Thus he makes his way to Aix, but halts short of the town, enters a wayside inn, and gives his name there as Campbell, a British colonel. This is his sixth name.
The little Provençal maid who waits at table prattles: “They’ll finish him off before he reaches the sea!” “Colonel Campbell” nods, saying “Of course, of course!” to all her utterances. Then, when he is left alone with his servant, his head droops on the man’s shoulder, he has a nap to make up for two sleepless nights. Kindly nature, this is your gift to the greatest of your warriors! When he wakes, the recent sounds and sights recur to his mind. With a shudder, he says in low tones:
“Never again! I shall be happier in Elba than ever before. The sciences now, nothing more. I do not want to wear another European crown. You have seen what the people really is. Was I not right to despise man?”
When the carriages reach the inn, he thinks it wise, warned by his previous experiences, to change his clothes once more. Since time presses, he puts on the uniform of an Austrian general which belongs to Commissioner Koller; surmounts it with the cap of Truchsess, the Prussian colonel; and has a Russian cloak hung round his shoulders by Shuvaloff. Thus bedecked in a carnival costume, pieced together from garments belonging to the three allied powers, a fool on the heath, does Emperor Napoleon escape from his country.
Fréjus at last! This is the port where he landed on his return from Egypt, a beaten commander, who had lost all the battleships of France, and ought to have been tried by court-martial! But how enthusiastic, then, had been his reception by this leaderless people, for the memory of his successful Italian campaign was still fresh. Then, he had driven through triumphal arches on the journey to Paris; the journey he had now been making in the reverse direction, in danger of being stoned, and escaping murder only by a mummer’s disguise! Fifteen years lie between, the rebirth of a State, the glory of a nation. Europe lies between, the clash of arms, dead soldiers rotting in their graves, the returning hero received with frenzied acclamations, a marshal rising from pothouse to palace, men of genius taking sides for and against the conquering nation—and a circlet of little golden leaves which the foreigner from the Mediterranean island had, with the simplicity of the self-made man, placed on his own brow.
XV
How big Corsica is! How high her mountains! Bastia is an admirable harbour; its fortifications can be seen through a spyglass. If taken from the eastern side....
When the ruler of Elba rides among the hills of his new home, the silhouette of his old home lies spread before him; everything looms larger across the water. Forty times bigger, ten times as many inhabitants; he has all the figures, to a unit, in his head. Elba is nothing more than a mole-hill.
On the clear May morning when he landed, he was welcomed by a deputation of peasants and petty burghers in Porto Ferrajo. Timidly they had paid their compliments to the man who was to reign over them. But their astonishment was great when, instead of inviting them to a banquet, he leapt into the saddle and rode off to inspect the fortifications. On the morrow, orders began to fly about the sleepy little isle: Pianosa was to have two more batteries; the mole must be lengthened; the roads improved. When first the four hundred grenadiers appeared in the land, the natives looked at them askance as men of a foreign race. Soon, however, the forces were increased by the creation of a foreign battalion, and a National Guard. Napoleon once more has an army of over a thousand men; soon he has a small flotilla likewise. What for? Just for him to see after and take care of. He has a Council of State; Bertrand and Drouot (the generals who have accompanied him into exile) and a dozen inhabitants of the island, are members; and, together with Napoleon who presides over the assembly, they discuss improvements in the iron mines and the salt pits. Have you no mulberry culture here? The silkworms bring in good money over there, in Lyons; and if the French government imposes a tariff upon our produce, we can easily sell to Italy.
Save! We are so poor, and France makes no move to pay the promised allowance. The white house is smaller than the one in Ajaccio, and very much simpler; but there is no money for building additional accommodation; and when the “grand marshal” Bertrand draws up a list of mattresses and other bedgear, his master underlines the mistakes,—for he has every detail of his establishment by heart.
Is this indefatigable man never to realise what a parody is his administration over the tiny island, the diminutive army, the small household? Never! Here in Elba, where in the best of spirits and health he throws himself whole-heartedly into his undertakings, he comes to realise that it was not the masses that had allured him. To order, to build, to press his finger into the wax of humanity, these things he must do, urged onward by the impulse of his artist’s soul. But, since humanity is not as wax, and since his constructions can never be finished and are always vibrant with life; since the opposition of material forces also takes a hand in the game, even when matter seems to have been conquered—he can only fulfil his mission by coercing and conquering the human spirit, by issuing orders and bringing suggestions to bear, by constant vigilance and constant upbuilding; in a word, by ruling. He has never been a dilettante or a parvenu; and, this being so, he drives the little wheel to-day with just as much precision and earnestness as he had driven the earth’s sphere in former days.
But soon, when most of his enterprises are in good going order, he feels he is becoming lazy, even when he is studying mathematics. This causes him to reconsider his position.
“It is by no means difficult to accustom oneself to a life of meditation,” he writes, “if one possesses within oneself the necessary reserves. I work hard in my study; when I emerge I have the delightful spectacle of my old grenadiers in front of me.... Born kings must suffer terribly when they are dethroned, for pomp and etiquette are the very marrow of their lives. For my part, I have always been a soldier, and became a king only by chance, so that these things have been nothing but a burden to me, whereas wars and camps come naturally. Out of my great past, I regret naught but my soldiers. After all my treasures and my crowns, my most cherished possessions are the couple of French uniforms they have allowed me to keep.”
These are the words of an unpretentious king. Do people not believe him? And does Europe laugh when, in his kingdom of Lilliput, he preserves the forms of kingship? Does Europe begin to suspect a secret in the island? The innate dignity, whereby long ago the young general had wrung respect from the bearers of inherited rank, to-day is still able to hold satirical visitors in check. Every one admires the natural simplicity of the lonely man who, despite the exiguity of his dwelling, still holds to the title of “Majesty.” He lives in his island sans palace or fittings, sans court or ministers, only surrounded with the aureole of his deeds.
This return home brings solace to his heart—for Elba is Italy. The peasant speaks to him in the language Napolione had learned at Letizia’s knee. The Mediterranean amid whose waters he was born and reared, the islands with their quiet shores, do they not all of them bring back memories of youthful days? Stone-pines, fig trees, and crags; the white houses among the vineyards; the sails, and the fishermen’s nets; pride of clan, and the headkerchief worn at church; all these things seem to take him gently by the hand and lead him back to the dreams of childhood. Now the storm-racked nerves relax, and at length know a spell of repose. In these wholesome months, the Emperor comes to look upon his career as a visionary flight into the land of childish imagination; and it is only when he contemplates the men of his old guard that he realises something did happen during the years that separate Corsica from Elba.
“The Emperor lives very contentedly on his island,” writes one who accompanied him there. “He seems to have forgotten the past. The management of his small household gives him occupation; he is now looking out for a suitable site to build his country-seat; we ride, and drive, and sail round the coasts as much as we please.”
Since he has plenty of time on his hands, and since thrift is essential, he examines everything, to the minutest details. Just as, in the Tuileries, he himself drew up the list of his clothing, so now, in Elba, he says to Bertrand: “My underlinen is in a lamentable state. Part of it has never been unpacked, and it has not been marked. Give orders that everything must be laid out in drawers and presses, and that no one is to be given anything belonging to our court without furnishing a receipt.... There are not enough ordinary chairs. Have a sample sent from Pisa; they must not cost more than five francs apiece.”
Europe laughs when it hears of this. Posterity stands bewildered before such energetic renunciation.
Once only do we hear a gentle sigh. He has climbed to the top of a hill whence he can look over the whole of his realm. Surveying the prospect, he says: “One must acknowledge that the island is very small.” Like distant thunder, the fate of a man seems to rumble in these words; for an all too great imagination, confined within the narrow limits of Europe and cribbed within the circle of the folk intelligence of the nineteenth century, is doomed at the outset to be crushed.
With the summer, comes his mother. She, alone, is happy. Her son is no longer threatened with assassination or with battles. Here, all is peaceful and warm; Elba is almost as lovely as Corsica. Daily intercourse with him renews for her the good old times. It is as well that she has come; for, from the millions which she alone has put by, she now brings her son what he needs; and when he receives her banknotes, may we not picture mother and son smiling at one another? On his name-day, she invites him to a little rustic feast.
(From the “Corpus Imaginum” of the Photographic Society, Charlottenburg.)]
A dozen and more St. Napoleon days she has spent in Paris: the guns would fire the salute from the Invalides, Masses would be said; Senate and ministers, the court and foreign diplomats, would throng the halls of the Tuileries. When, in the evening, the rooms were filled with guests, and, amid the strains of music, there came and went all that France possessed of great names, of beauty, and of precious jewels; when the fireworks filled the August night-sky with brightness, and thousands of tiny lamps formed the initial N.—Letizia, surrounded by the kings who were the fruit of her womb, would stand silent and proud, thinking the old words so full of ominous warning. But to-day she is blithe; to-day she compares this jocund festivity with the little town of Ajaccio; to-day, for the first time, she thinks: “All the same, we achieved something fine!”
Letizia had been able, while in Rome, to heal many wounds dealt in the heat of the fray. The pope, on his return, had pardoned the mother of his sometime foe. She was not surprised when the whole court, when even her secretary (a Corsican), speedily went over to the Bourbon king. Has she not always foretold it? Caroline, alone, is not permitted to appear before her.
Pauline, Princess Borghese, merry and brilliant, does not hang long in the wind. She has always been the most affectionate, and has been clever enough to prefer real diamonds and nights of love to uncertain thrones and crowns. She comes to the island, so that, with her mother, she may bring cheer to the Emperor. She shakes out a basketful of gossip and news for his delectation.
Hardly a word from his brothers. One letter comes from Lucien. What propositions can he be laying before his banished brother? Will he, who lives in princely fashion in Rome, with magnanimous generosity offer Napoleon money or bring his influence to bear in his imperial brother’s behalf? What does the “Prince of Canino” by the pope’s grace write in his letter? He owns smelting furnaces, and Elba has iron ore wherewith to feed them: he asks his brother to provide him with the minerals. Crowns and gold, he has refused; but iron, which his brother still possesses, he can make good use of. Maybe he, who is a poet, is enjoying the farce of these blast-furnaces! Is it not a kindness that one still thinks of the exile? Who else writes?
Josephine is dead. A few weeks after Napoleon’s departure, she died at Malmaison. No one knows if she ever wrote to him; what is certain is that she left debts amounting to three millions, which he had to pay. Hortense has been separated from her husband. She has become a duchess, and has made her most graceful curtsey before the Bourbon king, in the very room where she and her mother had held sway for so long. Little Léon, whom Letizia had for a time with her in Rome, resembles his father; he is reported to be courageous and full of pranks. These are all the members of Napoleon’s family about whom he has news.
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NapoleonChapter XXII: Book FOUR: The Sea (5)
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