Chapter I: Become a Barnstormer!
While I was at work on my ranch, disgusted with the methods of New York managers, I received a proposition from Oliver Morosco to appear in New York under his management in a new play which I was first to try out with one of his stock companies in Los Angeles. If that play proved a failure Morosco agreed to submit others to me until we finally succeeded in finding a success. Evidently my short season with the opposition stock company had given Morosco pause!
It looked like an advantageous offer and I accepted, consenting to appear in "Oliver Twist" in one of his stock houses--among other plays. We had just begun rehearsals of "Oliver Twist" when an accident laid me low.
Morosco, who was in New York at the time, sent two of his employees to my house within an hour after I had been carried in and from them and from him, by telegrams, I received repeated assurances that I need not worry, that the contract would continue in force indefinitely. As soon as I should be able to appear on the stage Morosco promised to carry out his part of the agreement to the letter.
I was sufficiently recovered in February, 1913, to appear as Fagin. The play ran three weeks at the stock house in Los Angeles and then I found myself wondering what was to become of me! The great Morosco was "back East" somewhere. No one seemed to be able to locate him or to get word to him. So I waited about four or five weeks on the pleasure of this magnate! Finally came word that we were to organize a company on the spot and make a tour of the Coast in "Oliver Twist," extending it to Canada and continuing in it for the remainder of the season.
I had heard of but had never known what "barnstorming" meant before.
I know now!
The production which Morosco sent out with me was the thrown-together junk which had been used in the stock production. It was never intended to last more than a few weeks or to be moved! It was quite the worst collection of moth-eaten scenery and "properties" I ever saw. The company, with a very few exceptions, was recruited from the members of the Morosco stock companies who chanced to be idle at the moment. Some of the men, driven desperate by the nature of the backwoods country through which our route lay, were thoroughly intoxicated (and not infrequently blind drunk!) most of the time--and I for one had no heart to reprove them!
Some of the towns we played are not on any map--the map could never survive it! From pillar to post we were yanked along over single-track railroads--with bits of our scenery falling out through open baggage doors all along the line! How that scenery ever managed to hang together as long as it did has always puzzled me. Finally we had to eliminate the London bridge scene. The platforms were so insecure it was positively dangerous for the actors to stand on them. This was one of the greatest and most effective scenes in the New York production and gave my leading woman, Miss Moreland, as Nancy, one of her biggest moments.
The night before we took it off, in one of the smaller Coast towns, some of the gallery boys, noticing the stone (!) steps and huge pillars of granite (God save the mark!) wabbling to and fro, began to whistle "London Bridge is falling down"--and in a moment the whole house had taken it up!
That was enough for me. After five weeks of miserable business we closed in Victoria and I returned to my beach home outside Los Angeles to the far more congenial task of completing this book. I sincerely hope you, dear reader, will find as much pleasure in reading what I've written as I have found in its composition. I have striven to be kind to everyone in these pages and if any of my criticisms appear harsh or my views on various subjects be considered arrogant, pray accept my apologies. I have written as I think and whatever the verdict I stand by my guns.
What will the verdict be?
I wonder.
I say I returned to my home to complete this book. I did--and I thank the gods that Fate stepped in and for once was kindly enough disposed to permit me to write the most appropriate and happy finis any book of mine could have!
* * * * *
Fact and unconsecrated fields oppose faith and architecture.
_Chapter LXXXVII_
NUMBER FIVE
The day (a beautiful day in May, 1913, such a day as only Southern California at its happiest moment knows), I made Margaret Moreland my wife I once again set the buzzards and the gossips to wagging their ears and tongues and lashing their tails (I have always been sure both HAVE tails!).
* * * * *
My first (wife) was an angel;
My second a silly woman;
My third a Roman Senator;
My fourth a pretty little thing;
My fifth--all woman!
My whole (desire) was by repetition to prove that hope can conquer experience!
_Chapter LXXXVIII_
L'ENVOI
I am sorry for the poor American who deserts this sun-kissed California country for worn-out Europe. I am enjoying the breezes and ozone wafted from the great Pacific while poor deluded Eastern folk are festering in heat and humidity, varied only by an occasional murky thunderstorm.
I face the sea and at my back are roses! On either side the blue-brown mountains hold converse with the sun and stars and dip their august heads in silent acquiescence to the others' whispers. At night massive Mars, always on duty, ever luminous, sternly bids them silence and the world to "go to" while he blinks a patronizing approval upon those "beneath" him. He has much of cynicism in his blinking as he contemplates this tiny carbon, Earth, for all his constant attendance.
Mars is my companion, ever peering through my casement. Only our sex and distance prevent a silent flirtation! I am sometimes tempted to address him anyhow, but his majesty always awes me. Still, I find consolation communing with the waves that lull me to sleep as they embrace the sandy shore. The consolation is all too brief, the sleep intermittent, and I awake to fly back to the companionship of Mars.
He is such a splendid officer! Always on guard--at sea and over the desert. He seldom shows himself resplendent in crowded cities. He dislikes company and turmoil. He is always alone, now and then racing with the moon and always leaving that gentleman to the left as he smilingly beckons the wary miner of the desert and the patient mariner of the sea to the right. Mars knows the road--a magnificent, reticent soldier--and I pray ere long my friend Tesla will make him better known.
The drab morning is approaching o'er the mountain tops. A sea gull of corresponding color is on the sand, seeking what it may devour. The color of the bird and atmosphere are not to my fancy.
I am going to beg a favor of sleep and awake when the colors are more radiant, when the sunbeams glisten and dance from sky to wave, when the white clouds meet and kiss the shadow that lets fall diamond drops of crystal that quench the thirst of the flowers and give them life.
My home is by the sea. My lot is one hundred feet wide. Its height is interminable. It is a thousand fathoms deep! My front yard extends to the Antipodes.
Am I not to be envied?
I wonder?
INDEX
Ables, Eddy, 128
Academy of Music, 30
Adams, Edwin, 56, 119, 344
Adams House, 153
Adams, Maude, 111, 112, 121, 125, 169
"Alabama," 171
"Alabaster Staircase, The," 253
Albaugh, John, 85
Aldrich, Louis, 280
Allen, John, 149
Allen, Viola, 182, 290
"Altar of Friendship, The," 249
Amber, Mabel, 172
"Ambition," 174-176
"American Citizen, An," 232, 235, 241, 243-245, 307, 309
Anderson, Mary, 35
"André, Major," 250
"Antony, Mark," 30
Appleton, George, 236
Archer, Belle, 95
Archer, Fred, 95
Arch Street Theatre, 26
Armstrong, Paul, 110
Arthur, Chester, 148
Arthur, Paul, 121, 122
"As a Man Thinks," 330
"As in a Looking Glass," 42
Attell, Abe, 192
Auditorium Theatre, 327
Babcock, Theodore, 168
"Baby Mine," 111
Baldwin's Theatre, 211, 214, 241
Ball, William, 89
"Banker's Daughter, The," 72
Barrett, Lawrence, 30, 35, 48, 56, 99, 112, 282
Barrett, Louis, 168, 172
Barron, Elwyn, 273
Barry, Billy, 36, 97
Barrymore, Ethel, 42, 267
Barrymore, Georgie Drew, 44
Barrymore, John, 42
Barrymore, Lionel, 42
Barrymore, Maurice, 41-44, 171, 329
Bates, Blanche, 217, 220, 243, 336
"Beauty and the Barge," 90, 105, 252
Beck, Senator, 148
Becket, Harry, 98
Beefsteak Club, 39
Beere, Mrs. Bernard, 42
Belasco, David, 173, 290, 336
Belasco Theatre, 336
Bell, Digby, 159, 161
Bellew, Kyrle, 237
Bellewood, Bessie, 160, 161
"Bells, The," 92, 141
Bennett, James O'Donnell, 273
Bergman, Henry, 174
Bernand, 152
Bernhardt, Sarah, 111, 112, 274
"Bertha, the Sewing Machine Girl," 115
Bigelow, Charles, 50
Bijou Theatre, 52, 91, 94, 140
Bingham, Amelia, 111
Bishop, Charles, 92, 140
Blackburne, Senator, 148
"Black Cloak, The," 68
"Black Flag, The," 67
Blake, William, 47
Blethen, Alden J., 18
Blaine, James G., 148, 150, 163
Bloodgood, Clara, 111
Bloodgood, Henry, 29
Bohemian Club, 216
"Bookmaker, The," 127, 128
Booth, Edwin, 47, 48, 56, 71, 99, 112, 119, 226, 274, 282, 343
Booth's Theatre, 58
Boston "Advertiser," 89
Boston Museum, 22, 94, 143, 154, 280
Boston "Post," 51
Boston Theatre, 22
Boston Theatre Stock Company, 56
"Bottle, The," 23
"Bottom, Nick," 90
"Bottom's Dream, Col. Tom," 96
Boucicault, Dion, 57, 59
"Bought and Paid For," 110, 111, 286
Bowser, Charles, 86
Boylan, Tommy, 61
Bradford, Joseph, 26-29, 75, 273
Brady, William, 283
Brewer, 293-298
Brice, Senator, 148
Broadhurst, George, 286, 309, 312, 320
Broadway Theatre, 29, 40
Brooke, Gustavus, 119
Brooks, Joseph, 47, 107, 113, 182, 220
Brougham, John, 82
Browning, Miss, 211
Bryton, Fred, 96
Buckley, Ned, 96, 147
Burbeck, Frank, 87
Burk, Charles, 47
Burke, Billie, 111
Burton, William E., 47
Bush Street Theatre, 190
"Butterflies, The," 169
Byron, Arthur, 250
"Camille," 132
Campbell, Bartley, 280
"Candidate, The," 94
Cannon, Anthony, 82
"Captain, The," 287, 326
Carlisle, Alexandra, 307, 308
Carlisle, Frank, 172, 329
Carlisle, John G., 148
Carlton, Henry Guy, 168-170, 174-176
Carter, Mrs. Leslie, 172, 336
Casino, 141
"Caste," 274
Cazauran, A. R., 67, 68, 73
"Celebrated Case, A," 57
Chamberlain, John, 148, 151
Chambers, Haddon, 254
"Chantecler," 123
Cincinnati Festival, 112
"Cinderella at School," 94, 143
Clancy, Veney, 80
Clapp, Henry A., 89, 273
Clarke, Marguerite, 111
Clayton, Estelle, 144, 145
Claxton, Kate, 99
Cleveland, Grover, 149
Cliff House, 223
"Climbers, The," 111
Cline, Maggie, 125
Coe, Isabel, 121, 122
Coghlan, Charles, 57, 58, 96
Cohan, George, 51, 112, 177, 178
Collier, Jim, 96
Collier, Willie, 71, 288-289
Collins, Charlie, 100
Collins, Constance, 332
"Confusion," 92
Conklin, Roscoe, 148, 150
Conners, Billy, 70, 97
Considine, George, 195
Cooke, George Frederick, 119
Coote, Charlie, 142
Coote, Robert, 92
Coquelin, 123
Corbett, James J., 164-165, 283
Couldock, William, 182
Coulter, Fraser, 211
Covent Garden, 60
"Cowboy and the Lady, The," 248
Craig, Robert, 26
Crane, William II., 30, 45, 80, 106, 182
Crinkle, Nym, 143
Crisp, Speaker, 149
Criterion Theatre, 54
"Cromwell, Oliver," 140
"Crosstree, Captain," 79
"Cruets," 84, 86
Crystal Palace, 152
Cummings, Amos, 149
Cushman, Charlotte, 56
Dailey, Peter, 49, 50
Dale, Alan, 250
Daly, Arnold, 282
Daly, Augustin, 70
Daly, John, 97
Daly, William H., 35
Dasher, Bert, 52
Davenport, E. L., 119, 276, 344
Davenport, Fanny, 106
Davey, Tom, 97
Denver "Post," 218
Detroit "Free Press," 89
"Dietrich, Captain," 80
Dixey, Henry E., 92, 93, 140, 153-154, 329
Donnelly, Henry, 131
Doro, Marie, 332
Dramatic Schools, 198
Drew, John, 97, 111, 169, 181, 217
Drew, Mrs. John, 45, 46, 48
Drury Lane Theatre, 60, 164
Dupree, Minnie, 111, 168, 172
Duse, Eleanora, 111, 274
Dyas, Ada, 97
"Easiest Way, The," 119
Edeson, Robert, 111
Edwin, Eddy, 75
Elliott, Gertrude, 217, 220-222, 231-232, 234, 238-239
Elliott, Maxine, 183, 217-222, 230-232, 234, 238-239, 243-248, 250,
254-261, 290, 308
Elliott Theatre, Maxine, 222
Ely Central, 299
Emerson, Billy, 215
Emmet, J. K., 99, 106
Empire Stock Company, 290
Empire Theatre, 332
Erlanger, Abe, 105, 107, 108, 247, 250
"Erminie," 140, 141
Esmond, Henry V., 248
"Evangeline," 80, 82, 154
"Evening Sun," 91
Eytinge, Rose, 97
"Fagin," 274, 332, 333, 352
"False Shame," 57
Farnum, Bill, 287
Farnum, Dustin, 287
Farrell, Leila, 92, 140
Faversham, William, 290
Fawcett, George, 174, 329
Fechter, Charles, 58, 276
Fellows, John R., 36
Field, Cyrus, 155
Field, Kate, 227
Fifth Avenue Theatre, 173
Fisher's, Mrs., Boarding House, 22
Fiske, James, Jr., 156
Fiske, Minnie Maddern, 97
Fitch, Clyde, 111, 222, 245-247, 253
Flemming, Mr., 253
Fletchers, The, 131
Florence, W. J., 48, 84
"Fool's Revenge, A," 72
Forbes-Robertson, 221, 343
Ford, Charlie, 106
Ford, Robert, 284, 285
Ford's Theatre, 178
Forrest, Edwin, 56, 119, 274, 344
Forsythe, Kate, 35, 97
Fourteenth Street Theatre, 79
Foy, Eddie, 279
Frawley, Tim, 217, 231
Friars Club House, 178
Frohman, Charles, 102-105, 112, 124, 169, 252-253, 304, 332
Frohman, Daniel, 102
Frohman, Gustave, 102
Fuller, Loie, 92, 140
Fuller, Mollie, 97
Gaiety Theatre, 128
Galt House, 205
Gans-Nelson Fight, 293
"Garden of Allah, The," 324
Garden Theatre, 43, 175
Garrick Club, 38, 69
Garrick, David, 91, 119
"Garrick, David," 54, 174-176, 234
"Gay Deceiver, A," 96
"Genius, The," 91, 306, 308
George, Grace, 287
Gerard, Florence, 92
Germaine, 75
Gilbert, John, 97
Gilbert, W. S., 152
"Gilded Fool, A," 168, 174, 235, 306, 307
Gillette, William, 281, 282
"Girl of the Golden West, The," 173
Golden, Dick, 154, 183, 244
Goldfield, 294
"Gold Mine, The," 121, 127, 128
"Goldsmith, Oliver," 153
Goodale, George P., 89, 273
Goodi, 236, 237
Goodrich, Edna, 309
Goodwin Company, Nat C., 298
Goodwin, Edward, 95
Goodwin, J. Cheever, 80
Goodwin, Nat C., as
Camille, 132
Captain Crosstree, 79
Captain Dietrich, 80
Fagin, 274, 332, 333, 352
Grave Digger, The, 35
Jim Radburn, 172, 211, 214
Mark Antony, 30
Mathias, 141
Modus, 35
Ned, the Newsboy, 28
Nick Bottom, 90
Shylock, 90, 249
Sim Lazarus, 87
Sir George Hounslow, 23
Sir Lucius O'Trigger, 48, 64
Goodwin, Nat C., III, 137
Gorman, Arthur Pugh, 270
Gould, Jay, 156
Grand Opera House, 58, 93
Grand Pacific Hotel, 63
"Grave Digger, The," 35
Greene, Clay M., 77, 329
Greenroom Club, 54, 65, 164
"Gringoire," 93
Grubb, Lillian, 97
Guitry, 124, 281
Guy's Hotel, 61
Hackett, James K., 267
"Hale, Nathan," 52, 90, 104, 232, 246-248
Hale, Philip, 273
Hall, Blakely, 149, 273
Hall, Josie, 97
Hall, Pauline, 97
Hamilton, Mr., 54, 55, 164, 165
"Hamlet," 35, 276
Hammerstein's, 43
Hampton, Alf, 29
Handysides, Clarence, 211
Harley Sisters, 97
Harding, Lyn, 332
Hare, John, 253, 274
Harrigan, Edward, 83
Harrigan and Hart, 82
Harris, Henry, 111
Harrison, Alice, 98
Harrison, Louis, 98
Hart, Tony, 30, 82, 83, 183
Hatton, Frank, 273
Haverly, Jack, 101
Haworth, Joseph, 95
Hayman, Al, 102, 105
Haymarket Theatre, 81
Hearne, Chrystal, 278
Hearne, James A., 277, 278
Hearne, Julie, 278
"Heir at Law, The," 48, 62
"Heir to the Hoorah, The," 110
"Held by the Enemy," 281
Henderson, William, 23
"Her Own Way," 247
Hicks, Seymour, 143
Hilliard, Robert, 142
"His First Rehearsal," 75
"Hobbies," 86, 87
Hoffman House, 96
Holland Brothers, 45, 329
Hollenden Hotel, 244
Hollis Street Theatre, 251
Holt, Clarence, 168
Holy, John, 155
Hooley, Richard, 180
Hooley's Theatre, 127, 172
Hoops, Arthur, 168, 172, 211, 225, 240
Hopper, De Wolfe, 159, 161, 162, 182
"Hounslow, Sir George," 23
"House of Cards, A," 175
Howard Athenaeum, 23, 27, 75, 79
Howard, Bronson, 103
Howard, Joe, Jr., 149
Hoyt, Charles, 51-53, 121
"Hunchback, The," 35
Hutchins, Stillson, 66, 89, 273
Ingersoll, Robert, 33, 116, 150, 163, 211
"In Mizzoura," 111, 172, 211, 214
Irving, Henry, 38-40, 47, 48, 72, 92, 93, 112, 117, 119, 290, 330
Jackwood, 103, 255, 264
Jacob, L. H., 249
Jacobs, W. W., 252, 253
James, Jesse, 284, 285
Janis, Elsie, 125
Jansen, Marie, 97
Jefferson, Charley, 182
Jefferson, Joseph, 44-48, 62-64, 182
Jefferson, Thomas, 30
Jeffries-Johnson Fight, 192, 312
Jerome, Lawrence, 149
Jerome, Leonard, 155
Jerome, William Travers, 149
Jones, Senator, 148
Jones, Walter, 244
Jonson, Ben, 116
Josephs, Harry, 80
"Julius Caesar," 30, 35
Kean, 119
Keane, Charles, 336
Keene, Laura, 47
Kelcey, Herbert, 217
Killduff, Jim, 313
"Kirby, Cameo," 287
Klaw, Marc, 105
Klaw and Erlanger, 108, 249
Knickerbocker Theatre, 70, 91, 104, 123
Knight, George, 97
Knight, Joseph, 69
Lackaye, Wilton, 42, 173, 185, 329
Lamb, Charles, 272
Lambs Club, 42, 44, 98, 184, 216, 238, 288, 329, 330
Langtry, Lilly, 127
"Law in New York," 28
"Lazarus, Sim," 87
"Led Astray," 57, 59
LeMoyne, William J., 95
"Lend Me Five Shillings," 48, 93
Leslie, Amy, 273
Levick, Milnes, 344
Lewis, Alfred Henry, 253
Lewis, Catherine, 95
Lewis, James, 97
Liebler & Co., 287
"Lion and the Mouse, The," 110, 306
"Lion's Mouth, The," 168
"Little Jack Shepard," 140, 141
"Little Rebel, The," 79
Lotta, 99
Lyceum Theatre, 102, 105, 252, 336
Lyceum Theatre, London, 38, 117
"Macaire, Robert," 141
Macauley, Barney, 96
"Macbeth," 276
Mackaye, Steele, 135, 136
Mackie, Johnny, 96
Macklin, 89
Macready, 119
Madison Square Theatre, 281
Mahone, William, 148, 150
Mannering, Mary, 267
Manning, William, 215
Mansfield, Richard, 67-74, 106, 246, 282
Mantell, Robert, 119
"Marionettes, The," 132
Marks, Eli, 132, 133, 240, 241
Marlowe, Julia, 45, 71
Marshall, Captain, 253
Marshall, Tully, 111
Marshall, Wyzeman, 25
Martinot, Sadie, 95
"Mascot, The," 94, 143
Mason, John, 92, 95, 128, 134, 249, 323, 330, 331
"Master Hand, The," 253
"Mathias," 141
Maude, Cyril, 252
Mayo, Frank, 43
McClellan, George B., 217, 221, 222, 235, 237, 238
McCullough, John, 35-37, 70, 72, 96, 119, 344
McDonald, Sadie, 233
McIntosh, Burr, 172-174
McKee, Mrs. Frank, 121
McPhelim, Mr., of Chicago, 273
Meade, James, 278
Melba, Nellie, 254, 255
Mellish, Fuller, 332
Melville, Emily, 211
"Member for Slocum, The," 87
"Memnon," 168
"Merchant of Venice, The," 70, 89, 92, 249, 309
Metropole Hotel, 302
"Midnight Bell, A," 121
"Midsummer Night's Dream," 40, 90, 250, 251
"Mighty Dollar, The," 84
Miles, Bob, 180
Miles, R. E. J., 35
Miles and Barton, 140-142
Miller, Henry, 182, 290
Miner, Harry, 220
Miner's Fifth Avenue Theatre, 174
Mitchell, Maggie, 99
Modjeska, 106
"Modus," 35
Moffit, James, 80
Montague, Harry J., 96
Montaine, Clarence, 174
"Monte Cristo," 58
Montgomery, James, 286
Moore, Mary, 54
Moreland, Margaret, 210, 326, 327, 334, 353, 355
Morgan, Matt, 79
Morosco, Oliver, 154, 327, 352, 353
Morris, Clara, 35
Morse, Woolson, 143
Mortimer, Estelle, 121, 168, 174
Morton House, 99
"Much Ado About Nothing," 35
Murdock, James E., 35
Murray, George, 84
Musgrove, George, 205, 233, 234, 236
"Music Master, The," 190
"My Partner," 280
"Nadjesda," 42
Nash, George, 128, 330
National Press Club, 266
"Native Son, A," 286
"Ned, the Newsboy," 28
Newall, Major, 131
New Amsterdam Theatre, 90, 250, 252
Newcombe, 117
New York "American," 91
Niblo's Garden, 59, 75
Nixon and Zimmerman, 106, 107
"Nominee, The," 94, 121, 127, 128
Norton, John, 180
"Nunky," 280, 281
O'Brien, Mayor, 20
O'Brien, Neil, 155, 172, 211, 223
"Oliver Twist," 274, 332-334, 352-353
Olympic Theatre, 79
"Othello," 35
"O'Trigger, Sir Lucius," 48, 64
"Ourselves," 87
Owens, John E., 30, 47
"Paid in Full," 110
Palmer, A. M., 57, 58, 99, 106, 280, 281
Palmer, Minnie, 79
Papin, 117
"Parisian Romance, A," 67, 68, 70, 74
Parker House, 94, 280
Park Theatre, Brooklyn, 36, 280
Pastor, Tony, 79
Payne, Louis, 172, 174, 211, 223, 240
Payton, Corse, 343
Pease, Nella Baker, 131, 134, 139, 230, 238
Perry, Henry, 97
"Peter Pan," 121
Pettit, Henry, 87
Phelps, 119
Piercy, Sam, 96
Piggott, James, 127, 128
"Pinafore," 94
Players Club, 288, 289
"Plummer, Caleb," 48
Pomeroy, "Brick," 273
Pond, Anson, 145, 147
"Pony, Big," 143
Possart, 47, 119
Potter, Mrs. Brown, 237
Pouissard, 336
Power, Tyrone, 126
"Prisoner of Zenda, The," 224
"Private Secretary, The," 280, 281
"Professor, The," 280
"Providence Opera House," 23, 168
"Punch," 152
"Quick's Patient, Dr.," 253
"Radburn, Jim," 172, 211, 214
"Rainbow, The," 290
"Ramblers, The," 87
Rapley, 106
Ratcliff, James, 131
Raymond, John T., 97, 122
Rawhide Coalition, 299
Read, Charlie, 96, 289
"Ready Money," 286
Reed, Tom, 149, 150
Reedy, Marion, 273
Rehan, Ada, 97
Rhea, Mlle, 35
Rice, Edward E., 80, 82, 94
Rice, Fannie, 45, 131, 132
Rich and Harris, 106
"Richard the Third," 321
"Richelieu," 111
Richelieu Hotel, Chicago, 62
Riddel, George, 89
Riley, James Whitcomb, 157
"Rip Van Winkle," 47, 48
"Rivals, The," 45, 46, 48, 63, 113, 182, 184, 203, 241, 242, 244
Rix, Alice, 218
Robertson, Ian, 280
Robinson, Peter, 216
Robson, Frederick, 93
Robson, Stuart, 25, 26-34, 59, 75, 106
"Roderick Dhu," 59
"Romany Rye," 153
"Romeo and Juliet," 35
Romona's Restaurant, 161
Rooney, Pat, 75
Rosenfeld, Sydney, 141, 173, 175, 329
Rossi, 119
Rostand, 124
"Royal Revenge, A.," 96
Russell, Annie, 174
Russell, Lillian, 97, 197
Russell, Sol Smith, 61-66, 75, 97, 106, 183
Ryley, Tom, 306
"St. Catherine," 318
St. James Hotel, 97
Salsbury's Troubadors, 84
Salvini, 72, 119
Sanford, Wright, 155
San Francisco "Chronicle," 216
Sanger, Frank, 131, 132, 141
Savage Club, 238
Saville, John, 174
Scanlon, Billy, 36
Scott, Clement, 273
"Second in Command, The," 253
"Second Mrs. Tanqueray, The," 111
"Seven Days," 110
Shakespeare, 116
Shakespeare's Plays, 119
Shannon, Effie, 217
"Shenandoah," 103
Shook, Sheridan, 99
Shook and Palmer, 67
"Shore Acres," 279
"Shylock," 90, 249
Sinn, Col., 79
Sinn, William, 36
"Skating Rink, The," 96, 131, 143
"Sketches in India," 79
Snyder, Matt, 98
Solari's, 68
Sothern, E. H., 47, 71, 162, 246, 275
"Sparks," 87, 96
Spreckles, Adolph, 237
Standard Theatre Company, 68
Stanley, Fred, 183
Stetson, John, 58, 75, 92
Stevens, Ashton, 173, 218
Stevenson, Robert Louis, 226-228
Stevenson, Mrs. Robert Louis, 227-229
Stoddard, J. H., 67
Swinnerton, Jimmie, 218
Tarkington, Booth, 287
Tempest, Marie, 97
"Terrible Time, A," 96
Terry, Edward, 128
Terry, Ellen, 92
Terry, Fred, 65
Theatre Comique, 82
Thomas, Augustus, 171-174, 329, 330
Thomas, Charlie, 18, 51
Thompson, Denman, 75
Thompson, Lydia, 80, 81
Thompson, William H., 128, 265, 290
Thorne, Charles R., Jr., 56-60, 72, 96
Thorne, Charles R., Sr., 75, 98
Thorne, Edwin, 23, 87, 96
Thornes, The, 23, 59
"Thousand Years Ago, A," 154
Toole, Johnny, 39
"Too Much Johnson," 281
Tree, Sir Beerbohm, 66, 152, 315, 316
Tree, Sir Herbert, 152
Tremont House, 70
Triangle, 296
"Trip to Chinatown, A," 237
"Turned Up," 92, 140-142
"Two Orphans, The," 99
Tyler, George C., 287, 324, 325, 327, 332, 333
Union Square, 97
Union Square Hotel, 98
Union Square Theatre, 57, 87, 99
Usner, Miss, 211
"Usurper, The," 249
Van Otterendorf, Capt., 229
Vokes Family, 84
Wallack's Theatre, 97, 98
Wallis, Gladys, 217
Walnut Street Theatre, 82
Walsh, Blanche, 211, 219
Walton, "Plunger," 97
Warfield, David, 111, 112, 128, 168, 172, 174, 190, 252
Warren, Arthur, 273
Warren, William, 19-21, 48, 275
Watterson, Henry, 36, 89, 266, 268, 273
Weathersby, Emmy, 81
Weathersby, Eliza, 80-87
Weber and Field's, 153
Weber and Field's Music Hall, 50, 190
Webster, Lizzie, 80
Western, Helen, 278
Western, Lucille, 277, 278
Whalley, William, 278
"What Every Woman Knows," 122
"What Would a Gentleman Do?", 253
Wheeler, A. C., 143, 144
"When We Were Twenty-One," 248, 249, 309, 327
"Why Women Sin," 115
Wiliard, 273
Williams, Arthur, 128
Williams, Gus, 75
Williamson, James C., 233, 234, 236
Wilson, Al, 49
Wilson, Francis, 45, 106, 107, 141
Wilson, Robert, 172
Winter, William, 91
"Witching Hour, The," 330
Wolfe, Benjamin, 84, 85
"Wolfville," 90, 253
Woodthorp, H. C., 211
Worthing, Frank, 222
Wyndham, Sir Charles 54, 55, 93
Yardley, William, 93, 140
TRANSCRIBER'S NOTES
Italic text is denoted by _underscores_.
Obvious typographical and punctuation errors have been corrected
after careful comparison with other occurrences within the text and
consultation of external sources.
Inconsistent spelling of a word or word-pair within the text has been
retained, except for those changes noted below. For example: goodby
good-bye; make up make-up; role rôle; to-night tonight.
Spelling has been left as found in the text, except for those changes
noted below.
Page xii 'FISHCAKES' changed to 'FISH CAKES'.
Page xi and xiv 'DeWolf' changed to 'De Wolf'.
Page 30 'sponser' changed to 'sponsor'.
Page 31 and Page 57 'thoughtout' changed to 'thought-out'.
Page 31 'Robsoneyn' changed to 'Robsonian'.
Page 57 'quodus retained; probably 'kudos'.
Page 64 'every one' changed to 'everyone'.
Page 68 'grewsome' changed to 'gruesome'.
Page 70 'be to annoyed' changed to 'to be annoyed'.
Page 77 'magestic' changed to 'majestic'.
Page 81 'afterlife' changed to 'after life'.
Page 87 'beseiged' changed to 'besieged'.
Page 116 'devasting' changed to 'devastating'.
Page 129 'deferentiate' changed to 'differentiate'.
Page 143 'exceptionaly' changed to 'exceptionally'.
Page 146 'castor' changed to 'caster'.
Page 159 'recontours' changed to raconteurs'.
Page 160 'ostensively' changed to 'ostensibly'.
Page 161 'illusive' changed to 'elusive'.
Page 181 'varigated' changed to 'variegated'.
Page 183 A duplicated line "Congratulations ... for me." was removed.
Page 221 'ecstacy' changed to 'ecstasy'.
Page 224 'Oaui' changed to 'Oahu'.
Page 233 'likeable' changed to 'likable'.
Page 233 'go' inserted into phrase 'must through to Melbourne'.
Page 255 'any way' changed to 'anyway'.
Page 258 'accidently' changed to 'accidentally'.
Page 311 'think to be' changed to 'thing to be'.
Page 336 'conspicious' changed to 'conspicuous'.
Page 336 'will down to history' changed to 'will go down in history'.
Page 340 'one night' changed to 'one-night'.
Changes made to Index entries are noted below.
Page 359 'Andre' changed to 'André'.
Page 359 'Looking-Glass' changed to 'Looking Glass'.
Page 360 'Bouser' changed to 'Bowser'.
Page 360 'Cazuran' changed to 'Cazauran'.
Page 361 'Forsyth' changed to 'Forsythe'.
Page 363 'Kilduff' changed to 'Killduff'.
Page 363 'Levick, Mulner' changed to 'Levick, Milnes'.
Page 363 'Lyceum Theatre': '226' corrected to '336'.
Page 364 'Morne' changed to 'Morse'
Page 364 'Poussard' changed to 'Pouissard'.
Page 364 'Ratcliffe' changed to 'Ratcliff'.
End of Project Gutenberg's Nat Goodwin's Book, by Nat C. Goodwin
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Nat Goodwin's BookChapter I: Become a Barnstormer!
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