Chapter III

Living year after year in Windlecombe, I have come by old habit to associate with each month that passes its own characteristic changes and events. February always stands in my mind for three great ebullitions of the year’s life, equally wonderful in their several ways—the coming of the elm blossom, the earliest clamorous music from the lambing-pens, and the first rich song of the awakening bees.

Through my study window, all this week of warm, glittering, showery weather, I have watched the elm-trees about the churchyard gradually lose their sharp, clear-cut outline of winter, and dissolve into the misty softness of spring. Already the tree-tops are so dense that the blue sky can barely penetrate them. This change is not caused by the expanding leaf buds, but by the opening of the myriad blossoms, which come and go before the leaf. Their colour is a magnificent, sombre purple; and the whole tree stands up in the sunshine, clad in this gorgeous raiment from its bole to its highest twig—an imperial garment reminding you in more ways than one of ancient Rome and its Cæsars; for there is little doubt that the elm is no British tree, but was brought to us by the Romans, all those centuries ago, with so many other good things.

In the deep pockets of rich soil which have sifted down to the valleys, and in the shallower soil of our chalk hills, almost every species of forest tree makes generous growth. But perhaps nothing takes so kindly to highland Sussex conditions as the elm. The village gardens are fringed about with its beautiful, wide-spreading shapes, and, in summer, griddled over with its long blue shadows. But no tree stands within a distance of its own height from any dwelling. Hard experience has taught men that the elm is undesirable as a near neighbour. Of all trees it is the most comely, because it is never symmetrical, but it owes this picturesque trait to a habit intolerable in a close acquaintance. Not only does the elm cast its great branches to earth at all times and without creak or groan of warning, but during the season of the equinoctial gales, you never know when the whole tree may not come toppling over in a moment, measuring its vast length on the ground with a sound like the impact of the heaviest wave that ever thundered against Beachy Head.

It was so that the King of Windlecombe, the oldest and mightiest elm through half the county, came down one pitch-black, tempestuous night in a September of long ago. None of the children, nor many of the younger folk in the village, now remember the King, where he towered up beyond the east wall of the churchyard, and every sunset threw his vast shadow half way up the combe. But they are all familiar with the story of his downfall. A wild night it was. Every window shook in its frame; every chimney was an organ-pipe for the wind’s blowing; the sound of the rain on roof and wall was like an incessant hail of musketry. Thatches were stripped off. The inn-sign went clattering down the street. The gilt weather-cock on the church tower took a list that it has kept to this day. No one dared go abroad that night, but families sat close at home, keeping shoulder to shoulder in timorous company, and dreadfully wondering what it was like at sea. Had you need to speak, you must shout your words, so great was the din of the hurricane. All night it raged undiminished, and no one slept; some even would not venture to bed, not knowing but the roof might be plucked off any moment as they lay, and let the drenching torrent in upon them. Then, as the first grey tinge of dawn blanched in the eastern sky, high above the voice of the storm came one tremendous booming note, as though the earth had split asunder. And with the light, people looked out and saw that the King of Windlecombe was down.

To-day, as I settled myself to work with the lattices tight closed, to shut out the lure of the songful morning, there came a patter of earth upon the glass. At first I thought it was one of the martins’ nests broken away from the eaves above, being stuffed too full of hay by interloping sparrows. But the sharp volley sounded again, and looking out, there on the path below I beheld the old vicar in wide-brimmed hat and tartan shawl.

‘How now, old mole!’ cried he, shaking his stout oak cudgel at me. ‘The sun shines, the west wind calls, all the brooks are laughing over their beds! Yet there you hide in your burrow, grouting among dead words, warming up stale, cold dreams a twelvemonth old! Shame on you! Come out, and let the air and sunbeams riddle your dusty fur! Come and lend me your eyes for a long morning. I have seen to Mrs. Dawes’ rheumatics. I have done the school. Old Collup has had his bedside talk. I am free for a ramble, and I want to go everywhere and hear tell of everything. Come this moment, or I’ll huff and I’ll puff, and I’ll blow your house down!’

With his jolly, wrinkled face turned upward, his long white beard wagging, and his kind eyes steadily meeting mine, it was difficult to believe that he could see only the faintest shadow of all before him; that for years past he had lived and worked in a world of deepest dusk, wherein the very noontide sun of summer was no more than a pale spot in never-ending gloom. I got my thick boots, and was soon trudging down the hill with him towards the riverside woods and meadows, every yard of which had been familiar to him in his days of light.

Arun was running high, with three spring tides yet to come. Much rain had fallen of late. It looked as though the floods would soon be upon us, unless the wind changed, and drier, colder weather set in. We skirted the river-bank, with the wind whipping light ripples almost to our feet, and the sun making a broad path of gold along the waters. Beyond the river stretched level green pastures intersected by deep dykes, and beyond these again lay the misty blue sierra of wooded hills. The old parson strode easily forward, his face turned up to the sky. His step never faltered, but his stick hovered incessantly about the path as he went.

‘Hark to the wind in the trees!’ he said. ‘That is a new voice: the elms must be in full bloom, and I can guess what they look like. And the sound is different in that clump of beeches there: the leaf-buds must be getting long and green now. Only the ash and the oak keep their winter voice in February.’

Thus it always was on our walks together. What he heard, he told me of; and what I saw, I gave him as well as I was able.

‘Listen!’ he said presently. ‘Did you hear that? That is the first chaffinch-song of the year. And there is the great-tit clashing his silver cymbals together, and the bullfinches blowing over the tops of their latchkeys, and a green woodpecker laughing—he never laughs in that grim, scornful way until the year is well on the wing!’

Then I, not to be behind him:

‘I see grass—fresh new growth pushing up everywhere. Young nettles too: they are coming up green amongst the old dead stems. But they cannot sting yet—yes, they can! and badly! Stop here a moment, Reverend! The celandines are out thick on the bank—you remember their shining, yellow, five-rayed stars, set in dark green leaves like the spade-blades of Hamlet’s diggers. Below on the bank, where it is too steep for anything else to grow, there are coltsfoot flowers. The drab earth glows with them—no leaves at all, but just long, curved, scaly stems, each ending in a tuft of golden fleece. And then there is—’

‘I know, I know! I can look back a dozen springs, and see them all as well as you. But listen to that thrush! That is his honeymooning note, and the pair must be nesting not far away. I have found thrushes’ nests in February many a time. See if you can find this one.’

‘Your singer has flown. And there goes the hen, out of the other side of the bush; if the nest is anywhere, it will be here under this tangle of clematis. Yes, two eggs already! I wish you could see their clear greenish-blue, with the dapple-marks on it.’

I guided his hand to the nest, and his fingers wandered lightly over it.

‘Cold!’ said he. ‘She will not begin to sit yet. Perhaps never on this clutch. There is frost and snow ahead of us still, though all of us forget it this weather, bird, beast, and man.’

The path led us into the hazelwood; hazel below, and overhead soaring columns of beech, whose branches touched finger-tips everywhere across the white-flecked blue of the sky. As we went along, the sound of our footsteps in the fallen leaves was like the sound of wading through water. I must read off to him what I saw about me as though it were from a book.

‘The hazel-catkins were never so fine, I think, as they are this spring. The wood is full of them, like showers of gold-green rain falling. Whenever we brush against them, clouds of pollen drift off in the wind. It is the wind that makes the hazel-nuts which we gather by and by. What millions upon millions of spores only to make a few bushels of nuts! I struck a single bush with my stick just now, and, for yards ahead, the sunshine was misty with the floating green dust. Then, here and there on every branch—’

‘Yes! I can see it all! There are little green buds each with a torch of bright crimson at its tip, flaming in the sun. Why should they be so vividly coloured, if only to catch what the wind brings—floating pollen as blind as I? No, no! The hazel-nut was made for the bees originally, depend upon it. Nature never uses bright colour unless to attract winged life.’

We came out of the wood on the south side. Stopping just within the shade of the last trees, we had a view over a chain of sunny, sheltered meadows that lay between the riverside willows and the first steep escarpment of the Downs. Here the wind was only a song above our heads. Scarce a breath stirred where we leaned upon the gate in the sunshine. I must be at my living book again, yet knew not where to begin, so crowded was the page.

‘March is still three weeks off, and yet the hares are already as mad as can be. Over there under the Hanger, a mile away, I can see them racing and tumbling about together. There are more celandines and coltsfoot blossom everywhere. I can see daisies wherever I look, and there is a disc of dandelion by the gate-post just where you stand. What clouds of midges! Thousands are dancing in the air above our heads, and I can see their wings making a hazy streak of light all down the hedgerow, where the elders are in flourishing green leaf. Did you ever hear so many birds all singing at the same time? And there goes an army of rooks and jackdaws overhead! What a din!—the high, yelping treble of the daws, and the deep-voiced rooks singing bass to it.’

The Reverend put a hand upon my arm to stop me.

‘I can hear something else,’ he said. ‘A dandelion, did you say? Then she will come straight for it.’ And as he spoke, I heard the old familiar sound too. It was a hive-bee, tempted abroad by the glad spring sunlight. She came straight over the meadows. Passing all other blossoms by, she settled on the single flower half-hidden in its whorl of ragged green leaves close beside us, and forthwith began to smother herself in its yellow pollen.

‘And there she goes again!’ said the old vicar, as the soft, rich sound mingled once more with the myriad other notes about us. ‘High up into the air—doesn’t she?—making ever a wider and wider circle until she gets her first flying-mark, and then in the usual zigzag course, home to the hive! A bee-line! People always make the words stand for something absolutely straight and direct. But a true bee-line is the easiest way between two points, not necessarily the shortest. To take a bee-line, if folk only knew it, is just to fly through the calmest, or most favouring airs, judge the quickest way between all obstacles, dodge the ravenous tits and sparrows, and so get home safe and sound to the hive.’