Chapter VI: A Ragoût of Things Seen and Felt

Some things detach themselves, as it were, from the general background, rooting themselves in memory. Such, the rise in the road beyond which the first of the great Mohammedan towns of the north lay concealed. Bida, the capital of the Nupes, the centre of an active trade, known for its handsomely embossed, if unsubstantial, brassware; known, too, for its rough glass bangles of black or dull blue, made out of nothing more romantic than old bottles melted in native furnaces kept going by the blowers who, when the stuff is sufficiently liquid, twirl it round a stick until the desired shape is attained; known, too, for its special species of kola—the _labozhi_, highly esteemed throughout Nigeria, requiring shade and a rich, deep loamy soil to bring it to perfection. Until the British occupation the cultivation and sale of the _labozhi_ kola were the prerogative of the ruler, the Emir, who must now be content with a tenth of the crop, and let his subjects have a chance. Past a Fulani cattle encampment; past flat country covered with rice fields; past rustling fields of guinea corn ready for the cutter, with heads towering eleven feet in height; past clumps and dotted specimens of shea butter trees, in the branches of many of which are fixed calabashes for the bees; past the weird red clay monuments of the white ants dotting the plain; along the rough pitted, red dusty road, and so on until the rise. And then, between us and the rambling city, with its decaying walls, its wide central avenue, and its umbrageous trees, its masses of blue robed men and women with their henna-dyed teeth and picturesque head-dress, a cloud of dust, and borne down the wind blowing towards us the blare of trumpets and the rattle of drums.

The great Mamodu himself, once a notorious slave raider and the perpetrator of innumerable infamies, has elected to ride out and meet us. Surrounded by two or three dozen notables and officers of his household, by a scarlet and green robed bodyguard, by four mounted drummers and two mounted trumpeters; ambling gently beneath a large umbrella of many colours held over his head by an attendant, and clad from head to foot in green-grey robes, with a turban of the same colour, Mamodu’s tall, powerful figure and olive complexion—a Nupe with Fulani blood—emerges from the crowd. Trumpets—long thin trumpets blown lustily and not inharmoniously—blare, drums beat, horses curvet and try to bite one another’s necks. Mamodu and his escort dismount and do their _gaisua_ (salutation). We dismount also, advance, shake hands, and become the target for a hundred pairs of dark pupils in bloodshot, whitish-yellow balls, which glare at us over the lower part of dark blue turbans swathed across chin and mouth and nose, while the introduction formally proceeds to the accompaniment of many a guttural “_Ah! Um, Um, Um!_” At a word from the stalwart gentleman in grey we could be cut down in a couple of minutes with these long, fierce, leather-sheathed swords which hang at every hip. In point of fact, we are a great deal safer on this African road than we should be crossing Trafalgar Square. Presently we shall see the process, here conducted by one Englishman—trusted, and even liked for his own sake, by the people—aided by an assistant, of turning _ci-devant_ slavers and warriors into administrators. In his work this Englishman relies for the pomp and panoply of power upon three policemen, one of whom is old and decrepit. The Bida division covers 5,000 square miles, and Bida itself counts 35,000 souls. The facts suggest a thought or two.

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A long, broad stretch of golden sands. Winding through them the clear green water of the reduced Kaduna. Several dug-outs, manned by Nupes, magnificent specimens of muscular development, cross backwards and forwards with men, women, and children conveying wares to market. Small mites, naked and tubby, splash and rollick about on the water’s edge. Lower down stream fishermen are getting out their nets, and, at a shallow ford, shepherds are piloting a flock of sheep across, from whose scattered ranks a chorus of loud bleating arises. A file of pack donkeys stream across the sands to the village on the opposite bank. We watch the sight from the foot of a great tree, from which hang sundry charms, and as we sit there—it is a rendezvous, it seems, and a small market-place in its way—several young women stroll towards us bearing wares in grass platters which they spread close to us on the ground, conversing in low tones broken now and again by the jolly African laughter—the mirth of the child of nature with few cares and fewer responsibilities. The winding river, the golden sands, the blue sky, the two villages—one on either side of the crossing—with their conical thatched roofs, the green of the trees and of the water, the peaceful, quiet human life, combine to make as pretty and as harmonious a picture as you would wish to see.

* * * * *

Tramp, tramp, tramp! The stamping of innumerable feet. The murmur of innumerable voices. The waving of arms, the jangle of iron anklets, and the rising cloud of dust beneath the trampling of bare toes. The dancers range themselves in a wide circle, which slowly revolves in the light of the moon, now lighting up this part, anon the other part, giving a grey and ghostly look to the naked shoulders and close-cropped heads. _Aah! Aah! Aah!_ The chant rises and falls, monotonous, barbaric. Bracelets and anklets, amulets and charms clash and clang again as the wearers thereof bend this way and that, crouching, stooping, flinging the upper part of their bodies backwards, raising high the knee and bringing down the leg with thunderous stamp, shaking themselves from head to foot like a dog emerging from his bath. Naked bodies, but for a strip of jagged leather falling athwart the hips; naked, lithe bodies on which the moon sheds her beams. _Aah! Aah! Aah!_

And with it the sound of the drum, the everlasting drum; stimulus to labour, spirit of the dance, dirge at the death-bed, call to the feast, frenzy-lasher at the religious ceremonial, medium of converse, warner of peril, bearer of news, telephone and telegraph in one. Go where you will, you cannot escape the drum—where human life is. The everlasting drum which heralds the setting sun, which ushers in the morn, which troubles your sleep and haunts your dreams. Borne across the silent waters, booming through the sombre forest, rising from the murmuring town, cheering on the railway cutters—the fascinating, tedious, mysterious, maddening, attractive, symbolic, inevitable, everlasting African drum.

* * * * *

I suppose they must be thirsty like every other living thing in the glare of the sun and the heat of the sky and the dust of the track, for they crowd thick and fast about the _kurimi_, the narrow belt of vegetation (a blessed sight in the “dries”) where the stream cuts the road. _Pieridæ_ with white and yellow wings; _Lycaenæ_ shot with amethyst and azure; _Theklas_, too, or what I take for such, with long, fragile, waving extremities, infinitely beautiful. Now and then a black and green _Papilio_, flashing silver from his under wing, harbinger of spring. Or some majestic, swift-flying _Charaxes_ with broad and white band on a centre of russet brown—not the _castor_, alas! nor yet the _pollux_—I have yet to live to see _them_ afloat ’neath the African sun. Narrow veins of muddy ooze trickle from the well-nigh dried-up bed. And here they congregate in swarms, proboscis thrust into the nectar, pumping, pumping up the liquid, fluttering and jostling one another for preferential places even as you may see the moths do on the “treacles” at home. The butterfly world is much like the human world after all in its egotism.

But if you want to see it at its best, plunge into the cool forest glades before the sun has attained his _maximum_ (when even the butterflies rest) and watch the green and gold _Euphædra_ dodging in and about the broad green leaves or tangled creepers. See him spread his glorious panoply where that fitful sunbeam has somehow managed to pierce the vault. A sight for the dear gods, I tell you—is the _Euphædra_ sunning himself on a Niger forest path. Men and politics become as small fry. The right perspective asserts itself. You almost forget the beastly, clogging, mentally muddling helmet (how the Almighty has blessed the African by granting him a thick skull which he can carry on his neck, shaved—shaved, mind you (the bliss of it even in thought!),—and as clean as a billiard ball at that) as you watch the _Euphædra_, and absorb the countless other delights the forest contains, foremost amongst them silence, silence from humans at least. “These are the best days of my life. These are my golden days.”

* * * * *

The floods have fallen and a thousand dark forms are building up the muddy, slippery banks against the next invasion, with saplings rough hewn in the forest; the men chopping and adjusting these defences, the women carrying up earth from below in baskets. Beneath, the fishermen are making fast their canoes and spreading out their nets to dry—all kinds of nets, ordinary cast nets, nets resembling gigantic hoops, stiff nets encased in wood somewhat after the pattern of the coracle. The broad river fades away into the evening haze. For the swift wings of night are already felt, and the sun has just dropped behind the curtain of implacable forest.

One by one, in twos and threes, in struggling groups, the workers scramble up the slope on to the path—or what remains of it from the floods—which skirts the village. It grows dark. One is vaguely aware of many naked, shadowy, mostly silent figures on every side of one; wending their way along the path, or flitting in and out among the houses. Eyes flash out of the semi-obscurity which is replete with the heavy, dank odour of African humanity when African humanity has been busily at work. In the open doorways a multitude of little fires spring into life, and with them the smell of aromatic wood. The evening meal is in preparation, and presently tired and naked limbs will stretch themselves to the warmth with a sense of comfort. The lament of a child serves to remind you how seldom these Niger babies cry.

And now it is the turn of the fireflies to glow forth. Thick as bees, they carpet the ground on every marshy spot where the reeds grow—vivid, sentient gems. Patches of emeralds: but emeralds endowed with life; emeralds with an ambient flame lighting them from within. They hover above the ground like delicate will-o’-the-wisps. They float impalpable, illusive, unearthly beautiful in the still night air, as some rare and fleeting dream of immortality, some incarnation of transcendent joy towards which dull clay stretches forth arms everlastingly impotent.