Chapter V: Preface (5)
A plain Norman chancel arch, having a small arched aperture on each side, gives access to the chancel itself, built, as is recorded in Old English characters on a brass plate let into the wall, in the time of Queen Elizabeth: THIS . CHAUNCELL . WAS . REEDIFIED . AND . BUILDED . OF . NEWE . AT . THE . CHARDGES . OF . IOHN . LUTWICH . OF . LUTWICHE . IN . THE . XXXJ . YEARE . OF . THE . GRACIOUS . REIGNE . OF . QUEENE . ELIZABETH . 1589. The name of Mytton figures upon most of the monumental tablets on these walls. Some scraps of old painted glass may still be discovered in the window above the altar.
A by-lane, running up beside Shipton Hall, brings us in about a mile to Wilderhope, a great, stone-built manor-house of the Tudor period, standing in a secluded spot amidst the woods and pastures of Hope Dale.
Here in days of yore lived a family of the name of Smallman, a race that flourished in this locality during the sixteenth and seventeenth centuries, Major Thomas of that ilk being the hero in a certain episode in connection with a spot called the 'Major's Leap,' whereof more anon.
A spacious stone porch gives access to a large room now used as the farm kitchen, whose ceiling retains some elaborate plaster enrichments, the Tudor rose, portcullis, fleur-de-lys, etc., the letters I . E . S . U on a heart, and certain half-obliterated words, MAL . MEA . DEA . EST, thus they appear to run. Repeated here and there are seen the initials of Francis and Ellen Smallman, who about the year 1601 erected the existing mansion; and a small wainscoted chamber has T . S . 1, 1672, cut above its fireplace.
We now hark back to Shipton: noticing a curious sort of grotto, or cavity in the limestone rock, as we pass through the village. Then Corfield is left behind, a place that gives its name to an old Shropshire family; and we get a peep at Larden Hall, an ancient seat of the Mores, pleasantly situated in a well-timbered park under Wenlock Edge.
At Brocton the Feathers Inn affords opportune rest and refreshment; so, after a spell of dolce far niente, we presently strike across country to Great Oxenbold, where in bygone times the Priors of Wenlock had a grange, or residence.
All that remains of the old place is now incorporated with a farmhouse; but the lancet windows of the chapel and the corbel-table above can be detected outside, while a piscina and aumbry, and the brackets that supported the chapel roof, are visible within; besides traces of a circular stone stairway leading down to the cellars, whose ceiling is ribbed with sturdy oaken beams. Evidences, too, are not wanting that a moat formerly surrounded the whole.
Beneath overarching groves and moss-clad rocks lies our way from Brocton to Easthope; ferns and wildflowers decking the laneside, and rustic children lingering to gather posies, only to throw them aside, as children will, when some new fancy takes them.
Before entering the village, Easthope church is seen, standing in a quiet nook a little aside from the roadway; a small, plain, roughcast structure, of thirteenth century date. From its southern side projects an old stone porch, and a timber bell-cot rises atop of the western gable, all very rustic and simple, and quite innocent as yet of restoration. Upon the porch door still hangs the 'sanctuary' ring; and the interior of the church (which is dedicated to St. Peter) has a very reposeful, old-world air about it, as though time stood still, year in, year out, within these hallowed walls.
The stiff, high-backed pews have a little carved work upon them, with the following inscription: EDWARD . BALL . OF . LONDON . GAVE . THIS . PULPIT . & . PEWES . TO . THIS . PARISHE . WHEARE . HE . WAS . BORNE . IUNE . 28 . ANNO . DOMINI . 1623.
Yonder is the old carved oak pulpit; and upon it hangs the ancient hour-glass, a relic of bygone days. As shewn in our sketch, the hour-glass is enclosed in a sort of cage, or basket, of wrought and twisted iron, from which projects a banner-like sheet of metal ornamented with nicely fashioned fleurs-de-lys, a heart, and the letters S, S, and surmounted by the figures 1662, indicating the year it was made. Hour-glasses were much in vogue amongst the Covenanters; but although one sometimes meets with the cage, or holder, in country churches, it is rare to find the glass itself in situ as we see it here.
A plain, massive oak roodscreen spans the church, which, besides other antiquated features, has a 'leper' window with fifteenth-century hinge, a bowl-shaped font, and two good Queen Anne chairs in the chancel.
A short mile out of the village stands Lutwyche Hall, the beautiful seat of the Bensons, charmingly situated in an umbrageous nook of the Edge, and surrounded by terraced gardens set about with noble forest trees. Though considerably modernized, the mansion is of ancient origin, as is attested by the date 1587 inscribed upon its front; and there is a rare old plaster ceiling in the entrance hall.
The early British camp on a neighbouring hill was probably an outwork, linking up Caer Caradoc with Nordy Bank.
Setting our faces toward Wenlock, we now follow a high-lying ridgeway road commanding fine views in the direction of the west. Anon we strike into one of the numerous footpaths that zigzag down through the woods, and make for a sort of cave, or rather cranny, high up in the limestone rocks of the Edge, amidst tumbled boulders and brushwood.
This is Ippikin's Rock, the haunt of a robber knight of that ilk, whose deeds were famous in days of yore throughout all this countryside. Here, as the story goes, Ippikin was wont to foregather with his merry men all; issuing forth and levying blackmail on passing travellers, and hiding the stolen treasure in these rocky fastnesses, where the print of the knight's gold chain, it is said, may still be seen. Strange lights, twinkling like Will-o'-the-wisps at dead of night, struck terror into the hearts of the country folk as they gazed in fear and trembling from the rustic homestall, while Ippikin and his crew held high revelry in their unapproachable eyrie.
Eventually Ippikin himself was slain, and his band dispersed, so that they troubled the King's peace no more. But if tales be true his ghost still 'revisits the glimpses of the moon,' and may be summoned from the vasty deep by anyone who cares to stand atop of the cliff at midnight, and cry three times:
'Ippikin! Ippikin!
Keep away with your long chin!'
Footing it merrily along the white ridgeway road, we traverse the watershed of the infant Corve, which babbles away hence towards a place called Bourton. A large old manor-house with a square stone columbarium is the most noticeable object at Bourton; unless, indeed, we except the parish church, a nondescript edifice encompassed by yew trees, overlooking the village upon the north.
Presthope with its limestone quarries is left behind; and then, turning aside near a solitary toll-house, we soon come to a flat-topped rock on the crest of the Edge, known as the 'Major's Leap.' Tradition tells that, in the days of the Civil Wars, Major Smallman of Wilderhope was endeavouring to escape from a troop of Roundheads, when, finding himself hard pressed as he rode along Wenlock Edge, he took a desperate leap from the top of this rock down into the woods below. As luck would have it, a crab-tree broke his fall, though his horse was killed on the spot; and, under cover of the rocks and brushwood that abound hereabouts, the Major made good his escape to his own home at Wilderhope.
Thenceforward, save the goodly outlook upon our left, there is little worthy of note until we draw near to Much Wenlock; and we seek in vain for a certain country inn which greeted the wayfarer in this wise:
'Now Robin Hood is dead and Gone,
Step in and drink with Little John.'
Descending from the uplands, our footsteps echo through the quiet streets of Much Wenlock as we trudge on to our journey's end, while the arrowy swifts are screaming around St. Milburga's tall church-steeple, and the waning daylight flickers slowly away beyond the hills on the western horizon.
WENLOCK, WROXETER, AND THE WREKIN.
Seated in a basin-shaped valley, the town of Much Wenlock lies high on the hills, a statement which smacks somewhat of paradox, though the explanation is not far to seek. The fact of the matter is, the place occupies one of those upland vales, locally termed Hopes, so frequently found in this part of Shropshire.
Much Wenlock is a town of very ancient origin, its earliest history centring around the venerable Priory founded by St. Milburga, daughter of Merewald, King of Mercia, towards the close of the seventh century.
Its municipal history, too, dates far away back into the past. Before Henry the Third's time Wenlock already held its weekly market, and in 1468 Edward IV. granted the first charter of incorporation, so that Much Wenlock can justly claim to be one of the most ancient boroughs in the realm. And there is a story, though we know not if it be true, that the very first member who ever entered Parliament was the Member for the Borough of Much Wenlock!
So let us now take a look at the old town, in the centre whereof rises the ancient Guildhall, 'buildid,' as an old record has it, 'over ye Prisonne.' Supported upon massive oak pillars, the upper story consists of timber and plaster, with gables and mullioned windows projecting at intervals, and a deep tiled roof over all. Upon one of these oak pillars you may still see the iron staples of the whipping-post, and under the arches hard by stand the old parish stocks.
Upstairs we find the Court of Assize; the Bench surmounted by the Royal Arms, tempore 1589, and the Sword of Justice. Adjacent is the Council Chamber, a sombre apartment panelled with dark old oak, whose open-timbered roof bears the appropriate legend, JUDICIUM . VERUM . JUDICATE : ET MISERICORDIAM FACITE.
Close at hand rises the parish church, dedicated to St. Milburga, a spacious edifice whose western tower is surmounted by a tall spire, a rather unusual feature in this locality. A fine Norman west doorway, masked by the tower built against it, is only one amongst several good features to be seen here. In the old parish register we find the following interesting record: 'Note that upon the 26 daye of June was service celebrated first in the Englysh tonge, anno primo Elizabethæ, 1559.'
Upon leaving the church we round a corner beside a queer old timbered cottage, and, passing the site of the Bull Ring, come full in view of the tall grey gables of St. Milburga's ruined Priory; while a grim old stone watch tower, now off duty, is seen rising amidst a children's playground.
Wenlock Priory arose from very modest beginnings. Originally a nunnery stood here, presided over by the gracious Saint Milburga, Wenlock's good genius.
Three centuries later--just about a thousand years ago--the Danes overran all this part of Britain, which probably accounts for an ominous blank in the local records about that time.
Earl Leofric, husband of the famous Lady Godiva, rebuilt the ruined church in the days of Edward the Confessor; but the place fell once more to decay, until, as William of Malmesbury relates, Roger de Montgomery took the matter in hand, and, about the year 1071, erected the nucleus of the present edifice.
Of Earl Roger's handiwork, except perhaps the ruined Chapter-house, scarce one stone remains upon another; the slender pillars and pointed arches of the main fabric dating from about the beginning of Henry the Third's reign. The west front is much in ruins, but such features as remain, indicate that it was built during the Early English period.
Entering by the dilapidated west doorway, we see around us, springing from the clover-scented grass, tall fragments of grey stone walls, blotched with weatherstains, and tufted with ivy, gillyflowers and creepers; while flocks of pigeons flit from point to point, or nestle in the crannies of the masonry. These massive, lofty fragments convey, by their very isolation, a striking impression of the size of the minster, which must have been of cathedral-like proportions, and unsurpassed in the beauty and richness of its architecture.
Indeed, the more closely we examine these beautiful and enduring structures, the greater grows our admiration for the cunning craftsmanship of those old monkish builders:
'Firm was their faith, the ancient bands,
The wise of heart in wood and stone.
Who reared with stern and trusty hands
These dark grey towers of days unknown.
They filled these aisles with many a thought,
They bade each nook some truth reveal:
The pillared arch its legend brought,
A doctrine came with roof and wall.'
Passing through a corner of the south aisle, now the only portion of the church not open to the sky, we enter upon a beautiful sunny courtyard, around whose velvety turf arise the grey, crumbling relics of the Priory buildings.
Yonder upon the greensward appears the Lavabo, or washing-place of the monks; a circular stone structure, richly carved with subjects from Scriptural history. Beyond it rises the Refectory, an important element in a community which entertained on so lavish a scale; and farther to the left is seen the picturesque group of buildings that figure in the adjoining sketch.
That long, low edifice, with its quaint, trefoil-headed windows, deep roof and half-timbered turret, is the Prior's Lodging of bygone days; most interesting in that its internal economy remains much as in mediæval times, though cleverly adapted to the needs of the nineteenth century.
Through those round Norman arches, with their characteristic ornamentation and damaged effigy of St. Peter, we get a glimpse of the ancient Chapter House, roofless now, it is true, but otherwise in tolerable preservation. The walls of this fine apartment are broken up into arcades of interlacing tracery, each tier of semicircular arches being superposed upon the one below, giving all the effect of an arcade of pointed arches. The work on the southern wall is profusely enriched with carving, that on the opposite side being plainer, as though it had never been completed.
There is much else to be seen, for, wander where one will about the tranquil enclave, some new beauty is ever revealing itself to the discerning eye; while the sweet, reposeful landscape enfolds the old ruins with its mantle of midsummer verdure. One pictures to one's self this rich and sumptuous monastery in the zenith of its fame and influence, the great Priory church with its crypt and chapter-house, its library, scriptorium, and picturesque Prior's Lodging. One seems to see the sober-liveried brethren plying their peaceful toil in cloister, garden and field, or attending to the crowd of strangers that daily throngs their gates; for whose benefit refectory and kitchen, vivaries, columbarium and well-stocked cellars, yield each and all their tale of good cheer to make glad the heart of man. Then, as nightfall draws on, the long dormitories fill up with way-worn travellers and pilgrims; while those in need of the leech's skill make their way to the hospital hard by.
There are several good timbered houses dotted about the town, notably the one seen upon the left in the annexed view. This formed part of Ashfield Hall, an old abode of the Lawleys, which gave shelter to King Charles after the Battle of Worcester. The house afterwards became the Blue Bridge Inn, and has finally degenerated to a common lodging-house.
In the High Street we notice an old chequered front, relieved by an open balcony, and inscribed: IOHN . AND . MARY . RAYNALDS . 1682. A still older tenement in Shineton Street is said to have been the original gaol-house of Wenlock; though its ancient Gothic doorway and traceried window have anything but a dungeon-like appearance.
Some pleasant spots lie within a measurable distance of Wenlock. Quitting the town by the Broseley road, we glance up at the admirable little wrought-iron sign of the Raven Inn, as we proceed to Barrow. Our way lies past an ancient stone grange, now used as a stable and store-house; and a cottage farther on offers refreshment to the thirsty traveller in the form of 'lemon aid and jingre bier!'
Then Barrow comes in view atop of a gentle rise, its old church tower peering over the straw ricks of a barton; while far away beyond the dark rolling woodlands of Willey Park spreads a rich, champaign country, bounded by pale Midland hills.
Despite its small size, Barrow church proves interesting, having considerable remains of Saxon work both in the chancel and under the tower. This tower is a queer, bulky structure, rising in four diminishing stages, hoary and weedgrown, at the west end of the church; and a rather curious south porch and sundial keep it in countenance.
Out in the churchyard, beneath a flat stone slab, rests all that was mortal of Tom Moody, the famous Whipper-in, who, when his hunting days were ended, was 'run to earth' at this spot in the year of grace 1796. A century ago, Tom Moody's was a name to conjure with in all this countryside; and tradition tells how his sporting comrades, determined to be 'in at the death,' gathered at the graveside to give their old friend a parting 'view-halloo!'
Past a group of seventeenth-century Almshouses we travel on to Broseley, home of the Broseley Clays, beloved of fireside smokers. The town, with its mean brick dwellings, has a decayed look about it; but in one of the streets, outside a public-house, we chance upon a rare example of local wrought-iron work, which is illustrated above.
'Fight to the left at the cross-roads, and then you canna miss the way,' remarks a passer-by of whom we now enquire the route to Benthall. Dumpy, pot-bellied pottery kilns, bowered in flowering hawthorn, rise by the roadside, where the brilliant blue Borage is abloom in untended corners.
A fine avenue of forest trees leads us to Benthall Hall, a stately freestone mansion of the sixteenth century, its mullioned windows and projecting porch making a goodly show in the landscape. Close at hand, its only neighbour, appears the parish church, a curious little whitewashed edifice, destroyed and rebuilt at the time of the Great Rebellion, when Benthall was held for the King. Its internal economy is a survival of the churchwarden period, down to the stiff, penitential box-pews, and the faded red curtains in the southward windows.
In olden times an extensive tract of woodland, called the Royal Hay, or Forest, of Shirlot, covered the rough broken country lying to the south of Broseley.
About the centre of this district lies Willey Park, the ancient demesne of the Foresters; an estate which has never, it is said, been bartered for filthy lucre since first it was granted by Henry II. to the Keeper of the Royal Forest.
The Foresters of bygone days seem to have been a free, open-handed race, and keen sportsmen to boot. Tom Moody himself made his name famous amongst the fox-hunting squires and parsons, who rode to hounds in the train of my Lord Forester.
Willey Hall, a solid, substantial stone edifice, stands atop of a gentle rise, overlooking a chain of lake-like pools embosomed amidst shadowy woodlands. Half a mile east, in a nook of the park, lies Willey church: near to which we notice a natural curiosity, an oak and an ash tree enjoying life on the co-operative principle by sharing a single stem between them.
Thenceforward our way lies through a reach of old forest land, full of gnarled timber trees and carpeted with ferns--remains of Shirlot Forest. In the heart of these woodlands we come upon a tall, ruinous stone obelisk, known as the Shirlot Monument; whence, after traversing the gorse-clad uplands of Shirlot Common, we return in due course to Much Wenlock.
* * * * *
Road and rail keep fast company through Farley Dingle, the deep, picturesque defile, by which one descends from Much Wenlock to the vale of Severn. A brawling stream, as it winds adown the dingle, has been ponded in and set to drive some rustic mills upon its banks.
About half-way down we come to a place called Lawley's, _i.e._ Lawless, Cross; recalling the wild times when outlaws took advantage of the fact that this spot, being on the debatable line between the franchises of Wenlock and Buildwas, formed a sort of No-man's-land, where the arm of the law scarce reached.
Emerging from the hanging woods of Farley Dingle, a broad, fertile valley opens out before us, with the Severn rolling along through rich pasture meads, and the ivy-clad ruins of Buildwas Abbey seated beside its banks. So first for a bit of derivation. 'Build' suggests bieldy, or bield, the Scottish equivalent for sheltered, comfortable; and 'was' is a termination associated with a low, waterside situation, as for example Sugwas, near the river Wye, in Herefordshire.
After the manner of their cloth, those old Cistercian monks, who erected Buildwas Abbey, seem to have had an eye to the picturesque in locating their noble foundation. Rising amidst green, folding meadows, on the right bank of the Severn, the ruined Abbey forms the central feature in a beautiful, tranquil scene; and, set amidst rich, dark foliage, with the river rolling by, and cattle standing knee-deep in the shallows, has exercised the brush of many a landscape artist.
Founded by Roger de Clinton, Bishop of Chester, early in King Stephen's reign, Buildwas Abbey is built in a plain, severe style, offering a striking contrast to its more elegant rival at Much Wenlock. It was the home of a wealthy community, owning, it is said, no fewer than nine granges in Shropshire alone. A beautiful cope, worked by the hands of Fair Rosamund, the Lady of Clifford Castle, was amongst the most valued chattels appertaining to Buildwas Abbey.
The arrangement of the several buildings is simple enough. East and west extends the great monastic church, fairly intact still, though minus its roof; a cruciform edifice with substantial circular pillars, slightly pointed Transitional arches, and round-headed clerestory windows; while a massive tower of Norman date rises above the crossing. The choir is probably older than the nave, though the triple sedilia, with its pretty dog-tooth enrichment, is evidently not earlier than the thirteenth century.
Towards the north one can trace the cloister-garth, where the Chapter House, with its groined roof and slender, elegantly-proportioned pillars, may still be seen. Beyond this lay the Abbot's dwelling, now a private residence; with its chapel, ambulatory, and noble dining-hall spanned by an open-timbered ceiling. In the vale towards the west lay the vivaries, or fishponds, fed by a stream that runs down from the neighbouring hills.
At Buildwas Abbey, the monks of old kept alive the lamp of civilization in dark, mediæval days. 'Within these walls peace reigned; from their stately chambers ever arose the sound of prayer and praise; their gates were open to the pilgrim and the traveller; hospitality, and brotherly kindness, softened in many ways the harsh incidence of feudal custom.'
Looking down-stream, as we stand upon Buildwas Bridge, we get a glimpse of that dun, smoky district, which, like the black patch on a Court beauty's cheek, seems to heighten by contrast the charms of the fair landscape around.
In the heart of this dingy region stands Madeley Court, a large, rambling old manor-house of late Elizabethan, or perhaps early Jacobean, date. At the time of Domesday Survey, the Manor of Madeley appertained to Wenlock Priory; and in Edward the First's reign the Priors obtained the King's license to enclose a park from the neighbouring Forest of Mount Gilbert.
As may be gathered from our sketch, Madeley Court is an extremely picturesque old pile; the quaint stone gatehouse in the foreground, with its turrets and mossy, stone-tiled roofs, contrasting pleasantly with the mellow tints of the ancient mansion beyond.
The scene is, unfortunately, much marred by its grimy environment; and there is little to attract one in the interior of the dwelling, which is tenanted by several humble workmen's families. The pool at the rear is a relic of the Prior's fishponds, whence a stream ran away to turn the wheel at the Manor Mill hard by.
Beyond the fact that it was used as a country residence by the Priors of Wenlock, but little is known about the history of Madeley Court. The Ferrars family, we believe, made it their home at one time; and in Charles the First's reign the mansion was in the hands of a stout old Royalist, one Sir Basil Brooke.
In the grounds upon the west side of the Court stands a very remarkable sundial, or planetarium, probably as old as the house itself. It consists of a large block of blackened freestone, supported upon a low base, with cup-shaped holes scooped upon three of its sides. Each of these holes originally contained a dial, but the dials themselves have long since disappeared. This curious astronomical instrument, besides being used as a sundial, could, it is said, be also employed to find the position of the moon in relation to the planets.
But to return to Buildwas. After passing the Abbey Hotel, a large, oldfashioned hostelry, well known to brethren of the angle, we have a delightful stroll by Severn side, with the ruins of Buildwas Abbey full in view across the water, and a lowly church peeping out upon the opposite side the way.
Through a country where cornfields and pasture lands alternate pleasantly, we push briskly on into Leighton, a tree-shaded village seated beside a wide horseshoe reach of the Severn. Time out of mind has this noble demesne been an appanage of the knightly family which gives the place its name; indeed, there was already, they say, a de Leighton here when Henry I. came to the throne. The little church, close by the Hall, contains effigies of Sir Richard de Leighton, a fourteenth-century knight arrayed in full battle harness, and of Sir William and his lady, who flourished about a century later.
Life, one would suppose, must be worth the living amidst these quiet, rural scenes; and several of the villagers who rest in the green churchyard have, we observe, well outrun a century ere they could tear themselves away.
Vorwärts! Anon we descry Eaton Constantine, the 'Etune' of Domesday Book, a high-lying village held by Constantine the Norman at the rental of a pair of white gloves, valued at one penny! Richard Baxter, the puritan Divine, spent his early days up there, where his dwelling may still be seen.
Passing by a timber bridge across the Severn, we travel on to Cressage; going near a very old manor-house now known as the Eye, or Island, farm. This pretty village near Severn side derives its Domesday name of Cristes-ache (_i.e._ Christ's-oak) from a tradition that the Gospel was first preached in this locality beneath the shade of an oak tree. This tradition is supported by the fact that a very ancient oak, in the last stages of decay, standing on the outskirts of the village, has from time immemorial been known as the Lady Oak ('Our Lady's Oak'), probably a mediæval perversion of the earlier Saxon name.
Belswardine House, on the hillside overlooking Cressage, is associated with Judge Jeffreys, of execrable memory, who lived there for a time.
Upon regaining the Leighton road we soon come to an elevated spot called Watch Oak, whence we get a rare view over the plain of Shropshire, and the towers and spires of the county-town, with the blue hills of Wales soaring far away beyond the border-land heights.
Eyton village lies only a mile away now, on a hill overlooking the Severn. Eyton claims, we believe, to be the birthplace of that accomplished scholar and author, Lord Herbert of Chirbury. The remains of Eyton Hall are now incorporated with a farmhouse; it was built by Sir Thomas Bromley, one of the executors of King Henry the Eighth's will, and Lord Chancellor of England, in the last year of Edward VI. From the Bromleys the estate subsequently passed, by the marriage of Sir Thomas's heiress, to the Bridgman family.
An obscure, winding lane, brings us in due course to the village of Wroxeter. Here we are on ground classic to the archæologist, for beneath our feet lie the ruins of Roman Uriconium. 'The site of this long-deserted town,' writes Professor Paley, in the _Nineteenth Century_ magazine, 'probably the most important one between Dover and Chester (London not even excepted, till the latter days of the Roman occupation), is of great extent, and it must have formed one of the chief places of defence against the turbulent inhabitants of Wales. Probably it was built as a precaution that the extremely strong position of the Wrekin should not be occupied by the enemy.'
Towards the close of the fifth century Uriconium was overwhelmed by the Saxons; when the 'high-placed city of Wrecon,' as Llywarch-Hên, the old Welsh bard, styles it, was utterly destroyed, and reduced to a heap of ruins. In mediæval days these ruins doubtless fell a prey to the pious monkish builder, who was very busy about that period: and, as time still wore on, meadows and cornfields covered the forgotten site, and the countryman wondered to see the coins and curious ornaments turned up by his passing ploughshare.
Thus matters remained until about the middle of the present century; when the Shropshire Antiquarian Society opened up so much of the ruins as funds would allow, though by far the larger portion of the 'English Pompeii' remains to this day a terra incognita. Some fine day, perhaps, this fascinating search will be renewed; for, in its glorious uncertainty, the quest for antiquities is like prospecting for gold. 'You can't tell anything about gold,' a digger once remarked, 'you're just as likely to find it where it ain't as where it are!'
A green mound, running across country in a horseshoe form, marks the limits of ancient Uriconium. Of this wall, the only portion remaining above ground is a large mass measuring about 20 feet in height, by 3 feet or so in thickness, and constructed, as was usual in Roman work, with bonding-courses of thin red tiles, alternating at intervals with the small squared stones of the masonry.
Traces of arches with lateral walls between them are visible upon its southern side; and somewhat farther from the wall, on the south, or 'city' side, may be seen the massive substructure of a building considered to have been the Basilica, or, perhaps, Government Hall, of the town. Close at hand appears an elaborate system of hypocausts and tiled flues that supplied the hot baths, all in a very fair state of preservation. Several skeletons were discovered in this portion of the ruins, besides a number of coins, whose superscriptions gave a clue to the date of the city's destruction. A hut near the entrance contains many interesting objects brought to light in course of the excavations.
But for the finer, more perishable objects found here, we must go to the excellent Museum at Shrewsbury, where one may study at one's leisure the countless articles of household use, personal adornment or what-not, that speak, more eloquently than any description, of the everyday life of Uriconium, sixteen hundred years ago.
The Watling Street, that great military highway of the Romans, passed through the city of Uriconium on its way from London to North Wales. Another Roman road went southwards from the city; running viâ Church Stretton, Leintwardine and Kenchester, to Abergavenny in Monmouthshire.
We now retrace our steps to Wroxeter, and, crossing the line of the ancient fosse, soon come to the parish church. Its tall, picturesque-looking tower is relieved by ornamental string-courses, and small niches with figures in them; while queer, uncouth gargoyles project from the angles, as may be noticed in the sketch.
Wroxeter church was originally a collegiate foundation, with four resident priests, and a chantry dedicated to St. Mary the Virgin. In 1155 William FitzAlan, Lord of Wroxeter, presented the church to the monastery of Haughmond, to which it continued to belong until the Dissolution.
From the Normans onwards, many builders have left their impress upon this fine old fabric. Good Norman windows and a doorway of the same period occupy the south wall of the chancel, where are several table monuments, of which the most interesting, perhaps, is that to Sir Thomas Bromley, whose house we have lately noticed at Eyton, and an elaborate table-tomb, with effigies of Sir Richard Newporte, and Dame Margaret his wife.
An ancient register chest in the vestry has its surface traceried over with elaborate ironwork. The font is curious, being fashioned from a Roman capital; and various architectural odds-and-ends of Roman origin are preserved in a garden adjoining the churchyard. Even the pillars on either side the gateway, seen in our sketch, are treasure-trove from the buried city.
Farewell now to Uriconium, and to Wroxeter, its offspring, with their time-honoured associations. Along the old Watling Street lies our way, until, entering the Salop road, we cross the Bell brook near the site of the Roman wall and trudge on past Attingham, serenely seated amidst its broad demesne, with rich pastures and umbrageous woodlands spreading away on either hand. Traversing Tern Bridge we presently come to Atcham, a trim, well-cared-for-looking village, with a fine old church close by Severn side, a handsome balustraded bridge spanning the broad river, and memories of Ordericus Vitalis, the historian of William the Conqueror, a native of Atcham.
Dedicated to St. Eata, Atcham church is built of a reddish stone, supposed to have been brought from the ruins of Uriconium. It has a seventeenth-century timbered porch, and a fine traceried oak roodscreen, brought, we believe, from Worfield church; while the carved panels of the oak lectern illustrate the parable of the Prodigal Son.
The only monument worthy of note is that of Jocosa Burton, an incised slab brought from Old St. Chad's, Shrewsbury, and dated 1524. In one of the south nave windows we notice some good stained glass representing Blanch Parry, one of Queen Elizabeth's gentlewomen, kneeling at her mistress's feet, with the Parry arms and an inscription recording her death in 1589. This glass was brought from Bacton Church, Herefordshire, where Blanch Parry's fine monument is still to be seen. It was illustrated in 'Nooks and Corners of Herefordshire,' some few years ago.
Crossing the bridge, we obtain a good view of the church reflected in the placid river; and thereafter we stretch away along the Watling Street, Rome's grand Prætorian thoroughfare of days gone by. Presently Uppington and its ruined castle appear upon our left, looking across Tern river to Withington, where the curious church brasses are.
By-and-by we come to Hay Gate, where, as the name suggests, we enter upon the 'Royal Haye of Wellington,' a tract of woodland emparked by the Normans from the Forest of Mount Gilbert. This forest was formerly very extensive, spreading over more than one of the old Domesday Hundreds; and it was not until John's reign that a charter was obtained to disafforest the district.
So now, with the smoke of Wellington lurking upon the rear, we set our faces southwards, where the dark wooded flanks of the Wrekin swell upwards to meet the sky. Geologists tell us the Wrekin is the oldest mountain in England; and, as the typical hill of our county, it has given rise to the time-honoured Salopian toast, 'To All Round the Wrekin.'
Folk-lore, too, has had its say anent this famous hill. 'The Devil,' so the story runs, 'had an old spite against Shrewsbury, so he determined to bring a flood upon it: he would stop up the Severn! For this purpose he came with a great spadeful of earth; but, outwitting himself, as many of his children do, he lifted more than he could carry. Presently he became fatigued upon his way to the river, and let some of the mould fall--that is the Ercal (a smaller hill adjoining the larger). Then he upset it all--and that is the Wrekin.'
Beneath the hanging woods of Ercal lies our onward way. After passing Buckatree, _i.e._ Buck-i'-the-Tree, Hall, we traverse a shady dingle, and tackle the climb to the summit of old Wrekin himself; an exhilarating pull beneath whispering fir-trees, and by grassy glades carpeted with soft moss and springy pine needles, glimpses of blue distance between whiles whetting one's appetite for the good things to come. Nor is the scene wanting in animation, the ubiquitous lover and his lass figuring prominently in every prospect: for Wrekin's brow is a favourite haunt of picknickers and holiday folk from all the Midland parts.
From 'Hell's Gate' we ascend to 'Heaven's Gate,' and so win our way to the brow of the Wrekin, 1,335 feet above the sea. 'There is on the Toppe of this Hill a delicate plaine Ground, and in this plaine a fayre Fountaine,' wrote Leland, the antiquary, long ago. No water is to be found there now except such as collects, from time to time, in the 'Raven's Bowl,' a cup-like depression on the top of a conical outcrop of rock, known as the 'Bladder, (or Balder's) Stone.' At the foot of this rock there is a deep, narrow, crooked cleft, yclept the 'Needle's Eye.' Now the fable goes that, if any young maid dips her foot into the Raven's Bowl, and then 'threads the Needle's Eye,' by scrambling through the cloven rock, she will be married within a twelvemonth, 'so sure as there's acherns in Shropshire.'
Owing to an isolated situation, the Wrekin commands a better all-round view than some of his loftier compeers. To merely chronicle a lot of remote hill-tops would, however, convey but a bald impression of a scene which owes so much to atmospheric effect; so we will only remark that the prospect embraces hills so wide asunder as Axe Edge, near Buxton, and the Brecon Beacons in South Wales; Cader Idris, above Dolgelly, and Bardon Hill in Leicestershire--'a delightfully awful prospect,' as someone has quaintly described it.
A goodly cantle of Shropshire lies at our feet, like a map unfurled on a table; its heights and hollows beautifully diversified by cornfields and orchards, verdant pastures and ruddy plough-fields; while in and between the green hedgerows are seen, like the meshes of a huge net.
Towards the east, the landscape is sadly marred by the smoke of the Shropshire coalfield; so we turn to the opposite quarter, where the Wrekin, falling away by Primrose Hill, bathes his feet in the silver Severn. Yonder in the vale we can just descry the ruined Abbey of Buildwas, with Wenlock church-steeple peeping over a neighbouring hill. That high-lying village away to the left is Little Wenlock, 'Wenlock under the Wrekin,' as it was anciently called.
After 'boxing the compass' in a final farewell glance, we bid adieu to the Wrekin, and plunge downhill again by way of 'Hell Gate'--facilis descensus Averni--until by-and-by we come to Wellington, a place that, from the diminutive 'vill' of King John's days, has grown to a smoke-begrimed mining centre, with little attraction for travellers, like ourselves, in search of the picturesque.
But near the Watling Street, about a couple of miles away, we find 'metal more attractive,' in the form of a fine old timbered manor-house, called Arleston. The date 1614, upon one of its gable-ends, is probably not that of the main structure, which looks considerably older.
There are some very fine plaster ceilings inside, with fruit and foliage elaborately interwoven amidst scenes from the chase, etc., and curious plaster pendants. A small painted figure, let into the wall, is said to represent King James I. In olden times Arleston was used as a hunting-box by the Lords Forester; when, no doubt, it was a place of some consequence. It is now occupied as a farmhouse.
TO LILLESHALL ABBEY, TONG, AND BOSCOBEL.
From Wellington, a short spin by train brings us to Donnington station. Here we alight, and, running the gauntlet of some grimy ironworks, we strike into a cross-country road and make for Lilleshall Abbey. Anon we espy the graceful ruins, overtopped by a wooded hill, with the stately grey façade of Lilleshall House shewing up well amidst a setting of luxuriant foliage.
Turning across the meadows, we now make the best of our way to the old ruined Abbey. The most striking feature still remaining is the rich, late-Norman portal of the west front, which, with a fragment of one slender, ivy-clad tower, figures prominently in our sketch. A beautiful Norman doorway, with bold chevron ornamentation upon pillars and arch, gives access to the choir, the oldest portion of the edifice. Eastwards extends the church devoted to the monks; westwards, the people's church, built at a later date.
To the south, around a square cloister court, rise the ruins of the monastic buildings, the chapter-house, the parlour, the refectory; and beyond these again lay the large fishponds, the dovecot, etc.
All is now far gone into a state of ruin and decay, over which Nature has spread her mantle of luxuriant ivy; while wind and weather have combined to add their softening touches. Set in the midst of a green, tranquil landscape, 'the world forgetting, by the world forgot,' this venerable pile seems redolent of memories from dim, mediæval days, when life went forward in quite another fashion from these hard-driven, high-pressure times.
From an excellent local handbook by the late C. C. Walker, Esq., we glean the following particulars anent the history of Lilleshall Abbey. 'The Convent of the Monastery of the Blessed Virgin Mary at Lilleshull' was founded, about the middle of the twelfth century, for monks of the Order of St. Augustine; Philip de Belmeis, Lord of Tong, being the first Patron of the monastery.
The establishment received charters from more than one of our Kings, besides gifts and benefactions from many pious donors. Yet, in spite of all these riches, the worthy Abbots had much ado to make both ends meet, so great was the host of needy pilgrims that daily came clamouring at their gates, as they journeyed to and fro along Watling Street.
By-and-by came the Dissolution; when the monastery was abolished, the Abbey lands leased to Sir William Cavendish, and the reversion of the whole demesne sold by Henry VIII. to James Leveson, of Wolverhampton, ancestor of the Dukes of Sutherland, in whose family the estate has continued ever since.
About a mile west of the Abbey ruins, at the foot of an abrupt, rocky hill, whence the place takes its name, stands Lilleshall village, with its ancient parish church. Lilleshall church, as we now see it, dates from the early part of the thirteenth century; having in all probability supplanted an earlier structure, whereof the font, a very old stone vessel carved in a primitive manner, is perhaps the only survival.
In the grounds of the old Hall, a stuccoed, gabled house at the entrance to the village, is a large pool, or lakelet, whose waters formerly served to turn the wheel of the Abbey Mill mentioned in Domesday Record.
Lille's-hill, the Hill of Lilla, the Saxon, stands but a bowshot off from the church. Rising amidst a flattish country, it commands an extensive panorama in the direction of the west; though itself of so modest a height that the bulky obelisk, to some defunct Duke of Sutherland, with which it is crowned, seems quite to dwarf the monticle.
Due south, as the crow flies, from Lilleshall Abbey lies Shiffnal, a little old market town, whither we now betake ourselves. Emerging from the mirky Shropshire coalfield, the train runs near the ruins of Malins Lee chapel, a diminutive edifice of early Norman date; and then, passing over a tall viaduct, gives us a bird's-eye view of red-tiled roofs and a ruddy sandstone church, as it enters Shiffnal station. Whether or no owing to the warm, mellow tints of these antique buildings, there is a kind of homely air about this quiet townlet; and its principal inn, the Jerningham Arms, is a model of what a country inn should be; though, like some members of the fair sex, it conceals its real age, being much older than the date 1705, inscribed upon the front, would lead one to suppose.
There are several ancient houses dotted about the town, of which a good coup d'oeil is obtained by taking one's stand beneath the big railway arch that spans the High Street, whence our sketch was taken.
Notice the substantial-looking house upon the left, a very old building with an early eighteenth-century brick front, and quaint, glazed turret atop. Beyond it is seen a group of half-timbered gables, with carved bargeboards, brackets and moulded beams; while a smaller house of similar character keeps them in countenance across the way.
St. Andrew's church, a fine, cruciform structure, begun about 1180 A.D., rises beside the Bridgnorth road, on the western flank of the town.
From its southern side projects a wide stone porch, with a curious chamber, called a parvise, above it. Enshrouded by dark yews, and with the old, weatherworn tower soaring overhead, this porch makes an excellent study for the artist's pencil.
Within, the church wears a somewhat sombre air, owing to the rich, subdued colour of its ancient masonry. The nave is covered by a handsome hammer-beam roof; while four lofty, elegant arches span the crossing beneath the central tower. Eastward of the crossing we get a glimpse of the original Norman chancel arch, with a bit of carved work above it; and the tracery of the east window, though simple, strikes us as good in style.
Beneath an arched recess in the north wall of the chancel lies the figure of a tonsured priest, cut in stone, with the following inscription: HERE . LIETH . THE . BODY . OF . THOMAS . FORSTER . SOME . TIME . PRIOR . OF . WOMBRIDGE . WARDEN . OF . TONGUE . & . VICAR . OF . IDSALL . 1526: Idsall, it may be observed, is the olden form of Shiffnal, and Tongue is the modern Tong.
A couple of instances of longevity in connection with this place are too good to be missed. Born at Shiffnal in 1590, William Wakley was buried at Adbaston in 1714, aged 124. Mary Yates, another veteran, lived to the ripe old age of 127 years. She is said to have walked from Shiffnal to London when only seventeen, just after the Great Fire of London, in 1666.
Southward from Shiffnal the infant Worf ripples along through a quiet, agricultural country; with a number of old paper mills strung along its course like beads upon a string, and villages and country seats dotted about on the neighbouring uplands.
Overlooking this pleasant vale rises Brimstree Hill, an admirable view-point within easy strolling distance from Shiffnal. 'Mornin', sirs,' says a carter, giving us the sele of the day, as he stops to breathe his team on the brow of the hill. 'Come to look about yer, like? There's many a one I've seen a-standin' here, same as you be, to look at the country yander. It's bin plaguey whot a-comin' up the bank, but we shanna be long now afore we gets to th' Horseshoe.' So, accepting this pretty broad hint, we drop a coin into friend carter's ready fist, and, turning over an adjacent stile, proceed to spy out the land.
And well worth coming to see it proves, for, though our present elevation is but slight, it gives us an outlook over a lordly landscape. As George Borrow very aptly remarks, 'What a beautiful country is England! People run abroad to see beautiful countries, and leave their own behind unknown, unnoticed, their own, the most beautiful!'
Returning to Shiffnal, we proceed thence towards Tong: traversing a broken, undulating country chequered with woodlands, sandy warrens and cornfields, where the young wheat is shot with the scarlet gleam of the poppies. In yonder meadow haymaking is in full swing, the women's aprons fluttering to the breeze, the high-piled waggon half smothered beneath its big, sweet-scented load, and some labouring men resting under the hedgerow. Rooks are swaying hither and thither in the wind, and clustering about the tops of the tall elms in the foreground--altogether one of those breezy, rural scenes, that David Cox and John Linnel knew so well how to portray.
Presently we traverse a secluded dingle, with regiments of foxgloves standing sentinel along the laneside, and ferns and wildflowers galore draping the glades beyond. Then, approaching our destination, the country opens out, revealing a richly timbered vale where silvery meres meander in long, still, reed-fringed reaches, and swans sail to and fro amidst the water-lilies. Hence we get a charming peep of Tong Castle, a large stone mansion of curiously bizarre architecture, with an old tree-begirt pigeon-house mirrored in the placid waters of the mere.
The original castle had a venerable history, if we are to credit the following tradition. Once upon a time Hengist, the Saxon, having aided King Vortigern in his wars, was offered by that monarch as much land as an ox-hide would enclose. Thereupon the wily Teuton hit upon the device of cutting an ox-hide into narrow strips, wherewith he enclosed a goodly cantle of land, and upon it built Tong Castle.
Now Tong Church is seen ahead, crowning the brow of a gentle rise, with the ivy-clad ruins of the ancient 'College and Almose House,' stretching down towards the mere below; a place which, as John Leland tells us, was 'an Auncient Foundation of the Vernons of Haddon in the Peke.'
In 'The Old Curiosity Shop,' Charles Dickens has given us this fascinating glimpse of Tong Church. "See--here's the church!" cried the delighted schoolmaster in a low voice; "and that old building close beside it is the school-house, I'll be sworn." It was a very aged, ghostly place; the church had been built many hundreds of years ago, and had once had a convent or monastery attached; for arches in ruins, remains of oriel windows, and fragments of blackened walls, were yet standing; while other portions of the old building, which had crumbled away and fallen down, were mingled with the churchyard earth, and overgrown with grass.'
'They admired everything--the old grey porch, the mullioned windows, the venerable gravestones dotting the green churchyard, the ancient tower, the very weathercock: the brown thatched roofs of cottage, barn and homestead, peeping from among the trees; the stream that rippled by the distant water-mill; the blue Welsh mountains far away.'
Though perhaps the old church is not now in quite so picturesque a state of decay, this description holds good in the main to-day; and our sketch may convey some idea of its outward appearance.
Upon stepping within we discern, by the 'dim, religious light' that filters through traceried windows, a venerable interior crowded with sculptured tombs, old gothic screens and curiously carved stall work; all so richly wrought in alabaster, wood and stone, as to repay the closest examination. The Vernon and Pembrugge tombs, indeed, are considered the finest of their kind in Shropshire, and a detailed description of them would fill a good-sized volume.
A 'leper's' door gives access to the vestry, which contains a library of rare old tomes, stoutly bound in faded parchment; and a wonderful piece of ecclesiastical needlework, wrought by the nuns of Whiteladies, Heaven knows how many years ago.
Then there is the beautiful Cup, or Chalice, which figures upon this page.
This Cup, which is probably of foreign workmanship, is of silver-gilt, richly chased with delicate, scrolly patterns, and a small leaf ornamentation around the middle part, which has crystal in lieu of glass, and lions' heads upon the three upright supporters. The top is formed as a removable lid, and is surmounted by a small knop; and the base is relieved by scrolls, and boldly emphasized mouldings.
Authorities differ as to the use which this interesting and unique Cup was originally intended to serve; but it has been suggested that it was either a 'ciborium,' to contain the reserved sacrament, or a 'monstrance,' for displaying the sacred wafer. It was presented to Tong church by Lady Eleanor Harries, about 1625, but is supposed to have previously belonged to the old College established here by the Vernons in the fifteenth century.
The Vernon Chantry, or 'Golden Chapel,' as it is called, forms a small but richly ornamented annexe on the south side of the church. It was 'ffounded,' as an inscription attests, by Sir Henry Vernon, in 1515, and contains, in a niche upon its western wall, a curious half-length stone effigy of Sir Arthur Vernon, sometime Warden of Tong College, to whom there is a brass upon the floor. At the opposite end of the chapel is the ancient altar stone, with the five consecrational crosses incised upon it.
Having paid a visit to the Great Bell, one of the 'lions' of Tong, and glanced at the quaint bellringers' 'Laws' set up in the tower, we now bid farewell to Tong church, and, traversing the tranquil village, pause at the lodge-gate of Tong castle to examine the fantastic devices carved upon its stonework.
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Nooks and Corners of ShropshireChapter V: Preface (5)
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