Chapter IV: Part 4
Nothing could render this establishment more complete, except a classification of its inmates; so that the hardened offenders should be prevented from drawing the young, the thoughtless, and the incipient transgressor, into the vortex of their own viciousness. To the philanthropist, this must be a consideration of the utmost importance. The saying, that "evil communications corrupt good manners," is illustrated even in this place--and here, many who seem upon the very verge of destruction, might be saved from ultimate and utter ruin, by the judicious care and protection of the humane and reflecting magistrate.
THIRD MUNICIPALITY WORK-HOUSE
This new establishment stands on Moreau street, running from Louisa to Piety streets, and taking within its limits the building formerly used as the Washington market, which has been altered to suit its present purpose. The buildings were prepared under the superintendence of Charles K. Wise, and are well arranged. The prisoners average about one hundred--thirty of whom are females. The regulations are excellent.
THE COURT-HOUSE
This edifice stands on Chartres street, and to the right of the Cathedral, as it is seen from the Place d'Armes, opposite to which it is situated. The lower story is of the Tuscan order, with a wide portico along the front of the edifice, supported by ten antes, between semi-circular arches. The four in the middle are strengthened in front by Tuscan columns, and those at the angles by two clustered pilastres. The ascent to the second story is through the principal entrance, which is composed of a semi-circular arched door, with antes at the sides, and Doric entablature. It opens into a spacious lobby, through which, by a stone stair-way, of a single flight below, and a double one above, the second floor is reached. The front of the upper story is of the Ionic order, but generally similar to the lower. The entablature is surmounted by a denticulated cornice, and the pediment is relieved by an oblong shield.
THE CITY HALL
This building stands on the upper side of the Cathedral, on a line with the Court-House described above, both of which were erected the latter part of the preceding century, through the liberality of Don Andre Almonaster. This edifice in all general respects, much resembles the Court-House on the right of the Cathedral, except that the main entrance, under the portico, is of the Tuscan order; and that the stair within is a winding one, leading to the upper story by three flights; also, that the pediment of the front bears the American eagle, with cannon and piles of balls.
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MARKETS
The markets are a prominent feature in a description of New Orleans. They are numerous, and dispersed, to suit the convenience of the citizens. The prices of many articles they offer are very fluctuating. Not dearer, however, on an average, than in New York. Stall-fatted meats are not so usual here as at the North, preference being given to the grass-fed. The mutton has no equal in America. Poultry and fish are fine; and vegetables, except potatoes, are abundant, and speak well for the soil that produced them. Fruit, from the West Indies and our own West, is not only plenty, but of the best kind. The regulations are excellent, and are strictly enforced by officers appointed for that purpose.
The greatest market day is Sunday, during the morning. At break of day the gathering commences--youth and age, beauty and the not-so-beautiful--all colors, nations and tongues are commingled in one heterogeneous mass of delightful confusion; and, he must be a stranger indeed, who elbows his way through the dense crowd, without hearing the welcome music of his own native language. The traveller, who leaves the city without visiting one of the popular markets on Sunday morning, has suffered a rare treat to escape him. Annexed is a brief descriptive account of them.
POYDRAS STREET MARKET
Is designed for the accommodation of the inhabitants in the rear portion of the second municipality. It covers a space of ground in Poydras street forty-two feet wide by four hundred and two long--extending from near Baronne to Circus street. It was built in 1837, and cost $40,000.
THE VEGETABLE MARKET
The ground plan of this building is irregular; having been constructed at different periods. It approaches the Roman Doric order--is supported by brick columns plastered, and covered with a wooden frame roof tiled. It fronts on Old Levee, St. Philip and Ursuline streets, and the river. The design was by J. Pilie, who superintended the work. It was completed in 1830, at an expense of $25,800.
THE MEAT MARKET
Built in the rusticated Doric order, was completed in 1813, after the designs of J. Piernas, city surveyor. The building is of brick plastered, with a wooden frame roof, covered with slate. It is situated on the Levee, and extends from St. Ann to Main streets; and, from its favorable location, and neat simplicity of architecture, is a striking object to those who approach the city by water. It cost about $30,000.
ST. MARY'S MARKET
This building fronts on Tchoupitoulas street, and runs to New Levee, a distance of four hundred and eighty-six feet by a width of forty-two feet. It was completed in 1836, in the rusticated Doric order, at a cost of about $48,000. In the vicinity, on the first named street, is a vegetable market--a very neat edifice.
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Besides these, there is a very respectable market at the head of Elysian Fields street, near the Levee; and another in Orleans, between Marais and Villere streets, near the City Prison.
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EXCHANGE HOTEL, (ST. CHARLES)
This magnificent establishment, which, for size and architectural beauty, stands unrivalled, was commenced in the summer of 1835, and finished in the May of 1838, by an incorporated company. The building was designed by, and erected under the superintendence of J. Gallier, architect, at an expense of $600,000, including the ground it stands on, which cost $100,000. It presents fronts on three streets. The principal one on St. Charles street, consists of a projecting portico of six Corinthian columns, which stand upon a granite basement fourteen feet high, with a pediment on the top, and four similar columns on each side of the portico, placed in a range with the front wall; behind which is formed a recess fifteen feet wide and one hundred and thirty-nine long, and floored over with large granite slabs, which, supported on iron beams, serve as a ceiling to that portion of the basement story standing under the portico; and on top affords a delightful promenade under the shade of the portico and side columns. The entrance to the bar room is under this; and the outside steps, leading from the street to the portico, are placed on each side thereof, between it and the front range of the building. In one of the rear angles of the basement is a bathing establishment, consisting of fourteen rooms, elegantly fitted up, with every convenience for hot or cold bathing. On the opposite angle are placed the wine cellars, store-house, and other domestic apartments. All the remaining parts of the basement are divided into stores, which are rented out to various trades-people. The bar room is in the basement, near the centre of the edifice; and is octangular in the plan, seventy feet in diameter, and twenty high; having an interior circular range of Ionic columns, distributed so as to support the weight of the floors and partitions of the upper stories. The architecture of this room is Ionic. That of the saloon, which is immediately over the bar room, is of the Corinthian order, and eighteen feet ceiling. A grand spiral stair-case commences upon the centre of the saloon floor, and is continued up to the dome. Around this stair-case, on each side of the upper stories, a gallery is formed, which gives access to six bedrooms within the octagon, on each of the six upper stories. As the bar room is six feet higher than the other parts of the basement, the entrance to the saloon from the portico is by a flight of marble steps, twelve in number, and thirty-five feet long. On the top of these steps is placed a beautiful marble statue of Washington, presented to the company by John Hagan, Esq.
The gentlemen's dining and sitting rooms occupy the whole side of the building on Gravier street. The dining room, with a pantry at the end, is one hundred and twenty-nine feet long by fifty wide, and twenty-two feet high, tastefully finished in the Corinthian order, with two inside ranges of columns, so placed that there is abundant space for four ranges of dining tables, sufficient to accommodate five hundred persons. The ladies' dining room is placed over the bathing apartments, and is fifty-two by thirty-six feet. The kitchen, fifty-eight by twenty-nine feet, is placed in the rear wing of the building, on the same story with, and in the centre between the two dining rooms. The two angles of the principal front contain the ladies' drawing room, and the gentlemen's sitting room, the former forty by thirty-two feet, the latter thirty-eight feet square. There are nine private parlors on the second story, to some of which are attached adjoining bedrooms; and the same number on the upper stories. There are four stories of elegantly furnished and well lighted bedrooms, all around the four sides of the building, with central passages, or corridors, which communicate with the centre and with each other, having three stair-cases opening to the corridors, besides the grand stair-case in the octagon. There are, in the edifice, three hundred and fifty rooms.
A dome, of beautiful proportions, after a plan of Dakin, forty-six feet in diameter, surmounts the octagon building, elevated upon an order of fluted columns, which stand eleven feet from the dome, around the outside, and on the dome is elevated an elegant little Corinthian turret. There is a large circular room under the dome, on the floor of which the spiral stair-case terminates, and around the outside of which the circular colonade forms a beautiful gallery eleven feet wide, from whence can be seen the whole city, and all the windings of the river for several miles in each direction. The effect of the dome upon the sight of the visitor, as he approaches the city, is similar to that of St. Paul's, London.
No better evidence can be adduced--nor more flattering encomiums presented to the architects, than the fact of the indescribable effect of the sublime and matchless proportions of this building upon all spectators--even the stoical Indian and the cold and strange backwoodsman, when they first view it, are struck with wonder and delight. The view of this structure by moonlight is a sight not easily described. The furnishing of this establishment cost $150,000.
THE VERANDAH
So called from being covered on its front toward the streets, to a certain height, by a projecting roof and balcony, is situated at the corner of St. Charles and Common streets, diagonally opposite the Exchange Hotel. The building was intended for a family hotel, by its enterprising projector and builder, the late R. O. Pritchard.
The great dining room, is, probably, one of the most highly finished apartments in America. The ceiling, especially, is a model; being composed of three elliptic domes for chandeliers. This room measures eighty-five by thirty-two feet, and twenty-seven high. The chimney pieces of the ladies' parlors are fine specimens of sculpture, and the rooms are otherwise handsome. The sleeping apartments are not excelled. The whole was designed and constructed by Dakin & Dakin, architects, in 1836-8, at a cost of $300,000, including the ground.
ST. LOUIS HOTEL
This building, as a hotel, may be considered as one of the most respectable in New Orleans. It stands nearly in the centre of the French portion of the population; and, in the combination of its brilliant and business-like appearance, is not an inappropriate representative of their national character. In this establishment the _utile et dulci_ are so happily blended, that the accomplished guest can find no cause of complaint. A more particular description of this superb edifice is omitted here, in consequence of its being given under the head of the City Exchange, to which the reader is respectfully referred.
HEWLETT'S HOTEL
This is a large and well-constructed building, on the corner of Camp and Common streets. It has been long known as a hotel, but, during the last year, has been opened, under new auspices, by the gentleman whose name has become associated with that of the house. The position is airy, healthy and central, and the table is said to be unexcelled.
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The Planters' Hotel, in Canal street, and the National Hotel, in Tchoupitoulas street, are both good houses; and the prices being less, they are sought after by those who wish to economise their expenses. There are several other respectable establishments, of which, like those last named, the limits of these pages will not permit a particular description.
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THE GAS WORKS
Occupy a square fronting on St. Mary street four hundred and sixty-seven feet, with a depth of two hundred and thirty-five feet on Gravier and Perdido streets; which is enclosed by a substantial brick wall fourteen feet high. The site was selected by James H. Caldwell, Esq., to whom New Orleans is mainly indebted for this great undertaking, as well as for many others which stand as lasting eulogiums to his memory. In 1834, the original works were put in operation. Mr. Caldwell, at this time, had the exclusive privilege of lighting the city for thirty years. His were the fourth gas works in the Union, and the first west of the mountains. The first wrought-iron roof in this country, was erected over the retort house by Mr. C., and has served as a model for all since built. The largest cast iron tank ever constructed was also put up by him. It is fifty-one feet diameter and eighteen deep, and contains over two hundred thousand gallons of water. In 1835 Mr. Caldwell disposed of this property to the Gas Light and Banking Company; who, finding the buildings insufficient, constructed them anew. The present establishment was planned and erected under the superintendence of David John Rogers, in whose care it still continues to prosper. The works, finished in 1837, cost $150,000. The whole present value is $650,000.
These consist of a retort house on Gravier street, one hundred and seventeen by eighty feet, and parallel to which is the purifying house, one hundred and seventeen by fifty-two feet. On the rear is the chimney, constructed to resemble Trajan's pillar, one hundred and seven feet high; and presents a chaste specimen of classical architecture. There are three fifty feet gasometers, arranged along in the centre of the premises, capable of containing thirty thousand cubic feet each, built after the most approved workmanship, and considered to be superior to any others in this country. On Perdido street is a three story dwelling, thirty by seventy-five feet, for the workmen. The coal shed is one hundred and ninety by fifty-two feet. In addition to these are the blacksmith, carpenter, and other shops, necessary for advantageously conducting so extensive a business. The structures are all fire-proof, and every thing is kept in the neatest possible condition.
In addition to the works already described, and immediately in front of them, embracing nearly another square, two more gasometers, of equal dimensions, together with the accompanying buildings, have been constructed during 1844-5. These will enable the company to transmit the gas through a distance of one hundred and fifty miles of pipe, sufficient for the accommodation of a half million of persons.
The gas is extracted from Pittsburgh coal--after which the coke is sold for fuel, at about half the price that is asked for the original coal.
THE WATER WORKS
In 1833, a company was incorporated under the title of the "Commercial Bank of New Orleans," the principal object of which was to supply the city with pure water from the Mississippi river. To effect this object, an artificial mound was constructed on the square comprised within Richard, Market, John the Baptist and Religious streets, consisting of seventy thousand cubic yards of earth, taken from the batture (deposit) of the river. The work was completed during 1834-5. The reservoir is constructed on the top of this mound. It is two hundred and fifty feet square, built of brick, and divided into four compartments, measuring each one hundred and eighteen feet in the clear. The walls and bottoms forming the reservoir, are built with brick, and plastered with hydraulic cement. A pavilion of an octagonal form has been erected on the intersection of the partition walls, supported by eight pillars. It is about fifteen feet wide and ten high, and affords quite a commanding and pleasant prospect.
The reservoir is supplied with water from the Mississippi river, by plunge pumps, worked by a condensing engine, acting expansively on Bolton and Watt's plan. These pumps were adopted as the most efficacious, on account of the great quantity of matter held in suspension by the water. They are connected to a suction pipe sixteen inches in diameter, and about eight hundred feet long; and to the main, descending into the reservoir, sixteen inches in diameter and six hundred feet long. The cylinder is twenty-five inches in diameter and six feet stroke, and is calculated to raise three millions gallons of water in twenty-four hours. The engine and pump houses are built of brick, and are situated on the lot forming the corner of Tchoupitoulas and Richard streets.
The water is distributed through cast iron pipes, capable of sustaining a pressure of water of three hundred feet head. They vary from eighteen to six inches in diameter for the mains--but the greater part of them consist of the larger sizes, which have numerous ramifications of less dimensions. There are two mains from the reservoir; one of eighteen, the other of twelve inches bore, which are gradually reduced in size as the distance becomes greater from the source, or as circumstances may require. In 1836, water was first pumped into the reservoir. It can be delivered in the upper part of the city twenty-one feet, and in the lower sections, twenty-seven feet above the level of the soil.
The daily average consumption of water, during the year 1844, was one million gallons; and, from the comparative great capacity of the reservoir, sufficient time is allowed for the water to settle, in one of the four compartments, before it is drawn for the use of the city.
Much good might be achieved by a more enlarged operation of these works. The water is capable of being made fit for all domestic purposes, thus obviating the necessity for cisterns, the birthplace of millions of moschetoes, and, possibly the source of much sickness. For the purposes of bathing it is almost indispensable; and, for forming fountains, to cleanse the streets and to purify and cool the air, it may be rendered equally a convenience, a luxury, and an embellishment.
ARMORIES
A room has been fitted up in Camp street, for which the substantial and well constructed walls of the old Camp street Theatre have been used--a building erected by James H. Caldwell, Esq., in 1822. This apartment, used as an armory for the Washington Battalion, is sixty by one hundred and twenty feet, and twenty-two feet high, and is decidedly one of the largest in New Orleans.
Another armory is located at the corner of Perdido and Baronne streets, in the upper part of the Carrolton Rail-Road depot. Both of these armories are the depositories of arms, all kept in the best order, and disposed in various tasteful forms.
THE FIRE DEPARTMENT
There are in New Orleans, fifteen engine, three hose, and one hook and ladder--in all nineteen companies. The city may justly boast of the energy and efficiency of this arm of safety. The members are exempt from military and jury duty; and, after a certain term, are enrolled as honorary members, who are free from the performance of further service. The expenses of the department are defrayed by appropriations from the municipalities, and from fines imposed upon delinquent members.
The courage and bearing of these companies during a conflagration, are much to be admired. They proceed with that cool and determined spirit that shows a consciousness of their power in subduing the destructive element. An excellent and convenient supply of water, which is always at command, enables them promptly to extinguish the most dangerous fire.
MANUFACTURES
In New Orleans, have, until recently been but little known. There are now however, several actively employed and well patronised branches of the manufacturing business; which, if not calculated to compete with those in other markets, answer a very good purpose for its own.
THE IRON FOUNDRY
Of Messrs. Leeds & Co. produces every variety of machinery, that steamboats and manufactories require for extensive operations. It has been established many years, at the corner of Foucher and Delord streets, occupies nearly a whole square, and is on as extensive a scale as any in the country. The business-like and prompt system practiced by the conductors, is known to all who require their aid upon the whole line of the Mississippi and its tributaries.
STEAM PLANING MILL
Upon Carondelet Walk, has been in successful operation over four years. Lumber is landed from Carondelet Canal, which passes in front of the building.
STEAM SAW MILLS
Of these there are two; one located in the third municipality, the other five miles below the city, and both upon the banks of the river. They can furnish lumber of almost any description in abundance.
ROPE WALKS
There are several of these, in different parts of the city, where cordage may be manufactured, to any extent, demanded by the business of the place.
Besides these there are several Flour Mills, a Paper Mill, Sugar Refinery, Cotton Factories, &c., all in successful operation.
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THE COTTON PRESSES
This is the place of all others, for these extensive buildings, which, generally, occupy a square, and sometimes more. They are numerous and extensive establishments. A brief description of two of the most prominent, will serve for the whole, as they very much resemble each other in their construction.
THE LEVEE COTTON PRESS
Erected by a company under that name, was completed in 1832, at a cost of $500,000. No architectural effect was aimed at in the facade, which is, however, neat and plain. This establishment can press about 200,000 bales per annum.
THE ORLEANS COTTON PRESS
This vast establishment fronts on the Mississippi, running back on Roffignac and New Levee streets. The ground occupied is six hundred and thirty-two by three hundred and eight feet, and is nearly covered by the buildings. The whole was built according to designs made by Charles F. Zimpel, begun in 1833, and completed in 1835, at a cost, including the site, of $753,558. The front on the river, although having no pretensions to architectural effect, is still, from its location and extent, quite impressive. This press can store twenty-five thousand bales of cotton; and compresses, on an average, one hundred and fifty thousand bales per annum; but its capacity is much greater.
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BANKS
LOUISIANA STATE BANK
This building was erected in 1822, at a cost, including the ground, of $55,000. The plan was from Latrobe, and Benjamin Fox the architect. It stands on the corner of Royal and Bienville streets, and presents rather a plain but neat external appearance. It is most substantially built; the lower story is heavily arched, and the banking apartments are completely fire-proof. Capital, $2,000,000.
THE MECHANICS' AND TRADERS' BANK
Is situated on Canal street, occupying only an ordinary house, compared to some others, and requires no particular description. Capital, $2,000,000.
THE CITY BANK
Is a building of the Ionic order, situated in Camp, near Canal street, and designed by W. L. Atkinson, architect. Its construction was commenced in 1837, and finished in 1838, under the superintendence of J. Gallier, at a cost of about $50,000. The banking room is admired for its elegant simplicity. Capital, $2,000,000.
THE GAS BANK
This building, in St. Charles street, between Canal and Common streets, is so closely squeezed in among others, that it has little opportunity to show off the beauty it possesses. It was erected in 1839, under the superintendence of Sidel & Stewart, at an expense of about $25,000, ground $25,000, making $50,000, and is every way well calculated for a banking house. The original capital was $4,000,000, but it was reduced to $180,000, and by request of the stockholders, the banking privileges have been withdrawn by an act of the Legislature of 1845.
THE CANAL BANK
Has its entrance in the centre of the front on Magazine street, of a substantial granite building which stands on that and the corner of Gravier street. That portion of the edifice is very tastefully arranged after the designs of Dakin, the architect. It was erected in 1845. The residue of the structure is used for stores. Capital, $4,000,000.
THE BANK OF LOUISIANA
Is a fine Ionic building at the south-west corner of Royal and Conti streets, surrounded by a handsome court. The whole edifice is well arranged, the banking room in particular, is admired for its good architectural effect, being 60 feet square, and of a proportionate height, with a fine gallery above. It was commenced by Bickle, Hamlet and Fox, builders, in 1826, and finished the following year, at a cost of $80,000. Capital, $4,000,000.
BANKS' ARCADE
Occupies the front of a square on Magazine street, between Gravier and Natchez streets, having a main entrance, from each of those last named, to the Arcade, which divides the building through the whole length--being three stories high, and covered in with glass, to exclude rain and admit the light. In the lower and second stories, are offices of almost all descriptions--and the third is appropriated mostly to sleeping rooms.
The bar room, opening on Magazine street, is 100 by 60 feet, and 35 in height. It is handsomely embellished, has a gallery surrounding the upper story, and is a popular place for public meetings. It will accommodate 5,000 people on such occasions. This building stands in the centre of business, and, consequently, is a place of great resort for merchants and others. Erected by Thomas Banks in 1833, Charles Zimple, architect.
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CITY EXCHANGE
This magnificent edifice, which is one of the greatest ornaments of the city, fronts on three streets--about 300 feet on St. Louis, and 120 each on Royal and Chartres street--the building being intended by the projectors to combine the convenience of a city exchange, hotel, bank, large ball rooms, and private stores.
The principal facade, on St. Louis street, may be generally described as being composed of the Tuscan and Doric orders. The main entrance is formed by six columns of the composite Doric order. Through this portico, access is had to the vestibule of the Exchange, a handsome, though simple hall, 127 by 40 feet. This room is appropriated to general business, and constantly open during waking hours. You pass through this into one of the most beautiful rotundas in America, which is devoted exclusively to business, and is open from noon to three o'clock P. M. This fine room is surrounded by arcades and galleries, always open to the public, (Sundays excepted,) and its general appearance cannot fail to impress upon the mind a most favorable idea of its grandeur and beauty. The dome is most tastefully laid off in compartments, within which the magic pencils of Canova and Pinoli have portrayed allegorical scenes and the busts of eminent Americans, in rich fresco--a style of painting comparatively new in the United States. The floors of the gallery which engird the rotunda, and the winding stairs leading to them, are of iron.
By a side entrance on St. Louis street, access is obtained to the second story; the front of which, on this street, is occupied by a suite of ball rooms and their dependencies. The great ball room is magnificent in its size and decorations. The building also has a capacious entrance on Royal street, as a hotel that can accommodate 200 persons. At the corner of Chartres street are the public baths. In the spring of 1840 this building was nearly burnt down--but, in less than two years, it was completely restored to its original splendor.
THE COMMERCIAL EXCHANGE
This edifice is now being erected upon the south west corner of St. Charles and Perdido streets, fronting one hundred and three feet upon the former, and running one hundred upon the latter. The main part of the building is to be constructed of brick and stuccoed; the upper portion is purely Corinthian the lower entirely Tuscan. The principal entrance on St. Charles street, is by a portico supported by two Ionic pillars, and the same number of pilastres, composed of granite. The vestibule is eleven feet deep, which admits visitors by three separate doors into the exchange saloon, the most spacious apartment of the kind in the United States; it being seventy by one hundred feet, and twenty seven to the ceiling, which is supported by twelve well arranged and substantial pillars. At the rear of this public room are two others, intended for the accommodation of auctioneers, leaving only sufficient space on the left for the necessary offices and access to the second floor.
The structure shows three stories in front--on the second of which is the news room, expressly arranged for the occupation of the New Orleans Reading Room. This apartment is fifty-five by eighty-three feet, and thirty-seven to the ceiling; and is lighted by thirty-six windows. A portico, with a recess of eleven feet, occupies the immediate front, supporting the pediment by two Corinthian pillars, and an equal number of pilastres. Two rooms are set apart in connection with this establishment, one for the accommodation of captains of vessels, and one for that of sugar-brokers. On each side of the news-room are ranges of offices, to which admission is obtained by corridors on the inner side. Immediately over these, the third floor is arranged in the same manner. The intention of the company, under whose auspices this exchange is building, is, to furnish to the mercantile community a place solely for the transaction of business, similar to Lloyd's of London. There are to be no liquors sold on the premises. Mr. Gallier is the architect, and builder, and the building and land cost $90,000.
THE MERCHANTS' EXCHANGE
Fronting on Royal street and Exchange Place, was erected by a joint stock company in 1835-6, from the designs and under the superintendence of Mr. Dakin, architect. Both fronts are of marble, in a plain and bold style. The cost of the erection was $100,000.
THE MERCHANTS' READING ROOM
Entrance from Royal street and Exchange Place. This reading room occupied a spacious apartment in the second story of the Merchants' Exchange, and is under the patronage and control of the company interested in that building. It is generally supplied with most of the newspapers of the country, and has received a patronage quite equal to the extent of its accommodations.
THE NEW ORLEANS READING ROOMS
Occupy the second story of a spacious building on the corner of Common and St. Charles streets, opposite the Exchange and Verandah hotels. This is an enterprise started upon the plan of Galignani's, in Paris, and Lloyd's, in London--professing to supply the earliest commercial and general information. The fixtures are arranged with a degree of neatness and convenience that is extremely gratifying to the stranger, who has a spare hour to devote to reading. Here he can peruse the latest papers, not only from almost every section of the United States, but English, French, German, Mexican, Irish, Scotch, and Colonial, together with all the periodicals, to his heart's content. The merchant can see the prices current from nearly every part of the world; arrivals and departures of vessels and of travellers--sales of the great staples and merchandise and their prices, and many such matters of interest to the business man.
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THE PUBLIC SCHOOLS
In each parish, have heretofore been placed under the management of a board of five administrators, who reported annually to the secretary of state the condition of those under their direction. This system has been adhered to, till very recently, in the first and third municipalities. In the second a change took place in 1841, which has proved to be so complete a revolution, is attended with such important results to this large portion of the city, and so extended its influence even to the neighboring parishes, that it is referred to with a degree of pleasure which can only be surpassed by our pride in its success.
In accordance with an act of the legislature, approved the 14th of February, 1841, authorizing the municipalities of New Orleans to establish public schools, the authorities of the second municipality set themselves at work with a will. They selected twelve of their fellow-citizens as a board of directors for public schools, together with a standing committee on public education, to whom were granted almost unlimited powers.
Zealous of acquitting themselves with honor, they at once looked to the fountain head, to New England, where the best schools in the country existed, and secured the aid of Mr. J. A. Shaw, who was perfectly conversant with all the improvements, and placed this efficient gentleman at the head of the department as superintendent. From a despairing beginning, in less than one year, the prospect seemed to be most cheering. Commencing with only thirteen children of each sex, it increased, in two years, to ten hundred and sixty-one in actual attendance--and nearly double that number enrolled.
Thus far these schools occupied rooms under the Methodist church in Poydras street, and a new building, called the Washington school, on Magazine, at the corner of Basin street; but since that, the undertaking has been continually extending, until it was found necessary to erect another structure, the Franklin school, on St. Charles street--all of which are now scarcely sufficient to answer the increasing demand for admission.
That, which at first was tested as an experiment, has proved to be a successful enterprise, producing an example which promises to have a beneficial influence over the southern method of education. It found strong opposition and prejudice to contend against, but these have subsided--and the children of the rich and the poor are seated side by side, sharing advantages and striving intellectually--the only distinction recognized among them--"teaching one, as well as informing the other, that adventitious wealth confers no superiority over the fortunate competitor, when engaged in a contest of the mind."
The third municipality school is under the charge of Mr. Geo. W. Harby. All the branches of a good education are taught here in the English, French and Spanish languages. Although this school is under excellent discipline, and has all the advantages of a classical and gentlemanly teacher, it still has labored under the old regime, and could have educated double the number that have attended it. That nothing stands still is as applicable to the intellectual as to the physical world. Already the spirit of improvement, that has done so much for the second municipality, is busy in the first and third--and though slowly, it is as sure, eventually, to push its way into them as water is to find its own level. Beside the public schools, there are many private seminaries of a high order, and conducted by teachers of ability, where the wealthy, who have objections to those above designated, may send their children for instruction.
The education of youth is of the utmost importance to a country--especially to one like this, that should be governed by the intelligence of its citizens. The portals to learning should be thrown wide open, equally to all--for upon knowledge is based the beautiful temple of liberty. Tear away this foundation and the fair edifice must fall. Cherish and support it, and freedom will become as permanent as our rocks, as ever-lasting as our hills.
PUBLIC SCHOOL LYCEUM AND SOCIETY LIBRARY
The intention of this undertaking, is to establish a library for the benefit of the juvenile class of the second municipality, by the voluntary subscriptions and contributions of the scholars attached to the public schools, and by private donations. To advance this important object, the common council passed an ordinance organizing the establishment, regulating and directing its proceedings, and tendering liberal advantages to encourage success in its operations. When $5000 are subscribed they are pledged to furnish rooms to accommodate the library--and, as soon as it amounts to $15,000, to purchase ground and erect suitable buildings. It also provides that, at a certain period, a chemical and philosophical apparatus shall be purchased, and lectures delivered once a week, during eight months of the year, by the most competent men in the country, on astronomy, geology, chemistry, natural and moral philosophy, navigation, book-keeping, engineering, civil architecture and design, and such other useful branches as may be determined by the directors--who are the same as those of the public schools, with the mayor, recorder and aldermen as _ex-officio_ members. The scholar paying twenty-five cents a month, or three dollars a year, for three years, is constituted a life member, and for ever after may have access to this excellent institution. Such has been the success of this undertaking that a building will soon be provided, and very little time will transpire before it will realize all the advantages that its beginning promised. To Samuel J. Peters, Esq., particularly, is this city indebted for introducing and maturing this measure--and for generous presents, to many other citizens and strangers, who have not permitted their names to come before the world.
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The growing popularity of the "_People's Lyceum_," and of the "_Young Men's Literary Association_," is noticed with no ordinary feelings of gratification. These, commenced and continued by the young, fostered and cherished by all--have become a cheering sight to the eye of the christian, the patriot, and the philanthropist. Established upon judicious principles, tending to give a wholesome direction and salutary stimulus to the mind of their members, the moral influence may be deemed of incalculable consequence to this growing metropolis. History and science are the leading objects of their inquiry, facilitated and encouraged by the delivery of lectures, affording not only instruction but recreation--creating a taste for the rapid acquirement of knowledge--giving a new impulse to the intellectual powers, and to the advancement of literature--all nobly contributing to the refinement and happiness of mankind. These, and others in the course of being established under the auspices of our most eloquent and learned literati, the city may class among the brightest of her jewels.
MEDICAL COLLEGE OF LOUISIANA
This building is erected on a fine lot of ground, on the corner of Common and Philippa streets, granted to the college by a recent act of the legislature. It was designed by, and completed under the direction of Mr. Dakin, architect, whose reputation is a guaranty for its taste and elegance. The location is retired, and yet near all the public buildings and thoroughfares. The faculty of this institution are gentlemen of superior qualifications, enthusiastic in their zeal to give it the first place among the kindred establishments of the country. The advantages of New Orleans, for acquiring a practical knowledge of medicine and surgery, are superior to any city in the United States, especially for the study of all diseases peculiar to a southern climate. The facilities for prosecuting the study of anatomy and surgery are unrivalled. The school is well furnished with models, plates, casts, and every thing necessary for illustrations. The requisitions for graduation are those adopted by the best colleges. With these advantages presented to southern students, they will see the benefits resulting from an institution built up among them, conducted by gentlemen acquainted by experience with the wants of the country.
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THE NATIONAL GALLERY OF PAINTINGS
This establishment occupies rooms, expressly built for its accommodation, at 13 St. Charles street, and was opened in 1844, under the personal inspection of the proprietor, Mr. G. Cooke, who is himself an artist of taste, and well known among the profession. The principal object was, to form a rallying point for the exhibition of the works of celebrated artists, both of foreign and American origin, and to dispose of such as might please the fancy of the public, at a certain fixed price. Here, visitors will have an opportunity of selecting copies and originals from a quarter that may be relied upon, works both of the old masters, and of the best of the modern schools.
The proprietor is under obligations to a number of the gentlemen of this city, connoisseurs of painting, for the exhibition of some of the most prominent pieces. From R. D. Shepherd, Esq., he has a picture by Rothmel, representing De Soto discovering the Mississippi. If this artist should leave no other work, his reputation, as a genius of no ordinary ability, will remain as durable as the canvas on which he has portrayed the Spaniard and the "Father of Waters."
From James Robb, Esq., whose magnificent collection of modern paintings is better known in other cities than our own, the gallery has received its richest treasures, and most valuable contributions. The chef d'oeuvre is from the pencil of a native artist now at Rome, Leutze; and illustrates this sentence in our Lord's prayer--"deliver us from evil." To speak of this gem in terms equal to its merits, would place it immeasurably above the estimation of the age in which we live. Aware that it may be considered presumption to compare living genius with the justly venerated names of the immortal dead, whose works, on account of their antiquity and intrinsic worth, are doubly valued--yet, at the risk of losing our little reputation in such matters, we venture the assertion that this picture of Leutze's will compare with the most beautiful of the Italian school, and is excelled by none in America, not excepting those of our lamented and talented Alston. This picture alone would make any gallery in Europe attractive, and the public are greatly indebted to Mr. Robb for the opportunity he has afforded them of seeing not only this, but many other brilliant productions.
Here, also, is a landscape of no ordinary excellence, by Boddington, an English artist, who has most successfully represented one of his native scenes, in a style of handling peculiarly true and free. Here may be seen four of Doughty's best landscapes, and several fine specimens from the pencils of Cole and Chapman. The portrait of Col. David Crocket, as large as life, in his forest costume, by Chapman, and two large altar pieces, copied from celebrated works in the Vatican--The Entombing of Christ, after Corregio--and The Crucifixion of St. Peter, after Guido--comprise a portion of the more recent additions to the gallery.
Among the most attractive performances, are The Wreck of the Medusa, The Roman Forum, and a Sketch of Rome--from the pencil of the proprietor. The first of these is very much admired--but, to the classical visitor, the last two are far more fascinating; calling up, as they do, with all their endearing associations, our happy school-day remembrances.
Much more might be said respecting this establishment, but the brevity of these pages will not permit an indulgence of our wishes in a more minute detail.
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It is probably the general impression of strangers, suggested by the limited number and extent of the public galleries of paintings in this city, that there is, among us, an entire deficiency of a proper taste for the fine arts. And we may, ourselves, inadvertently have contributed to such an impression, by representing our citizens as exclusively absorbed in commercial pursuits. It must be received, however, with many abatements. We have our artists, and not a few of them, who are highly talented, and deservedly patronised.
There are choice collections of paintings in the possession of several private gentlemen, other than those already alluded to; among which are many valuable productions, not only of the modern but ancient masters, purchased at enormous prices.
Among others, those owned by our highly esteemed fellow-citizens, Glendy Burke, H. R. W. Hill, and Joseph M. Kennedy, Esqs., are well worth a visit of the connoisseur and admirer of fine specimens of the arts, to which the known courtesy of the proprietors will cheerfully afford ready access. The only original painting of the famous Wilkie in this country, is in the splendid collection of Mr. Burke.
Several fine specimens of original statues are in the possession of James Dick, and John Hagan, Esqs., which are not excelled by any collection in this country.
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THE PRESS
"What is it but a map of busy life,
Its fluctuations, and its vast concerns?"
The diurnal press of this country, is not only a mighty political engine, but one of the utmost importance in a commercial and literary point of view. Its increase, within a few years past, like its extending liberty, is without a parallel, and almost beyond belief. Junius, in his peculiar manner, observes, that "they who conceive that our newspapers are no restraint upon bad men, or impediment to the execution of bad measures, know nothing of this country." The force of this remark applies nowhere better than to the Press of the United States.
Every enlightened American, who loves the constitution of his country, and correctly estimates its lofty principles, will lend his aid to preserve these invaluable privileges from the violation of power on the one hand, and the equally injurious outrages of popular licentiousness on the other.
The press of this city comes in for a portion of the credit that is attached to that of the country--more particularly for its elaborate commercial details and general literature. To embody the spirit of the age; to relieve the grave by the gay; and to embellish the useful by the amusing, is its daily task. The choicest of home and foreign literature is found in the leading issues from the New Orleans press. It is equally interesting to the merchant and the general reader; and it preserves, above all its cotemporaries of other cities, a self-respect that does infinite credit to the gentlemen to whose hands the important trust is confided.
There are eight daily papers published in New Orleans--three of which may be rated as of the "mammoth" size; the other five are smaller, but of sufficient dimensions to furnish the ordinary news of the day. They are as follows:
The Louisiana Courier is the only evening paper of the city, and is published in French and English. This is the pioneer, before referred to in this work, under the name of "La Moniteur." The Bee, also in French and English, and the Commercial Bulletin, in English, make up the three mammoth sheets. The Picayune, the Tropic, the Jeffersonian Republican, the Native American, and the New Orleans Times, are all in English. The New Orleans Price Current is a very useful publication, issued twice a week.
In addition to these, the Catholics and Protestants each have their weekly Journals, and the Medical faculty their bi-monthly Periodicals, edited by the most prominent members of the profession, and devoted to Medicine, and Collateral Sciences. They are intended to bring forth the industry and talents of the profession in the South, and to furnish the most recent information of its progress generally.
The subject of Organic Chemistry is that to which, at the present day, the eyes of all thinking members of the profession are directed, and upon which their hope of progress mainly depends,--the relations of chemical action to the functions of organized matter, the application of chemistry to physiology and pathology, are to be treated of as fully as present knowledge extends.
Such contributions to the noble science, in which these gentlemen have long been successful laborers, cannot fail to be properly estimated throughout the scientific world.
AMUSEMENTS
At the commencement of the holidays, the city begins to put on a gay aspect. Visitors, from all parts of the habitable globe, have arrived, either on business or pleasure. A general round of balls, masquerades, soirees and parties begin, and are continued without intermission during the season. Theatres and operas, with their _stars_ and _prima donnas_, circuses and menageries, bell-ringers and serenaders, are in full success--and New Orleans, filled with every description of amusement, from the top of the drama down to Judy and Punch. Strangers are surprised and delighted at the splendor that is carried out in these circles of pleasure. Our present object, however, is merely to describe the most conspicuous places of public resort.
ORLEANS THEATRE
The site of this building was occupied by an edifice erected for dramatic performances in 1813, somewhat on the plan of the one now existing. This, which was built by a joint stock company, was burnt to the ground in 1816. Mr. John Davis afterwards became the sole proprietor, and began the erection of the present theatre.
The building was opened by the first dramatic corps, ever in Louisiana directly from France, in November, 1819. The total cost of the edifice was about $180,000. The lower story is of the Roman Doric order, certainly not a pure specimen. The upper is what may be called the Corinthian composite. The interior and scenic arrangements of the house are excellent for seeing and hearing, having a pit, or parquette, quite elevated and commodious, with grated boxes at the side for persons in mourning; two tiers of boxes, and one of galleries above; the whole being of such a form as to afford the greatest accommodation to the spectators.
Nothing can exceed the decorum of the audience, except the brilliancy of the dress circle, which, on certain occasions, is completely filled with the beautiful ladies of our city, in full evening costume. The performances are in the French language, and the stock company always respectable. The orchestra is excellent. Melodramas and operas are perfectly got up at this house. The strict adherence to nature and history, in costume and manners, will never fail to please the man of taste who visits the Orleans theatre.
THE NEW ST. CHARLES THEATRE
Like the phoenix, literally arose from the ashes of its predecessor. The first house was erected by the sole exertions of James H. Caldwell, Esq., in 1835, at the cost of $250,000, exclusive of the ground. It occupied one hundred and twenty-nine feet front by one hundred and eighty-six deep, and was seventy-six high. It held four thousand people, and was the fourth in size in the world--one at St. Petersburg, in Russia, another at Pescala, in Milan, and the third at San Carlos, in Naples, were those only which excelled it in size. It was destroyed by fire in 1842. That structure was styled "the Temple of the Drama," and the city had good reason to be proud of such an ornament.
The present building has a front of seventy-nine feet on St. Charles street, extends back one hundred and forty-nine, and is fifty-three high. The main entrance and front wall are remains of the former establishment; which, from the substantial workmanship, resisted the conflagration so effectually as to be made available the second time. Passing this memento, the spectator finds himself in the vestibule, thirty-four by twenty-three feet, from which a double flight of geometrically formed stairs ascend to the first tier. Here the pit is seen in a semi-circular shape. The centre box is but fifty-one feet from the foot lights, which brings the audience within a convenient distance of the stage. The depth of the front boxes to the rear is twenty-one feet. The proscenium presents an elevation of thirty-nine feet in the clear, by fifty in width. The upper circles of boxes possess the like advantage of the first, in respect to a distinct view of the performances.
The fronts of the boxes consist of an open balustrade, producing a novel, and agreeable effect. The dome is ornamented with sunken panels, suitably embellished with emblematic devices. A golden-fringed national drapery falls from the proscenium, displaying an ingeniously contrived allegory in the centre. Four columns sustain an ornamented entablature above, composed of a mixed style of architecture, and copied after those of the celebrated temple of Benares.
THE AMERICAN THEATRE
Burnt on the 30th of July, 1842, was rebuilt and reopened on the 5th of December following, at a cost of $28,000. The building is ninety by one hundred and fifty feet, and sufficiently elevated for all the purposes of the drama, but irregular in its altitude. The depth of the stage is sixty feet, and the width of the proscenium thirty-eight. The house will accommodate over fifteen hundred persons. It stands near Lafayette square, on Poydras street; and, from its isolated position, presents quite an imposing appearance.
THE CIRCUS
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Norman's New Orleans and EnvironsChapter IV: Part 4
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