Chapter II (3)

For O'Ryan the theatre, the people, disappeared. He was a boy again on the village-green, with the bully before him who had tortured his young days. He forgot the old debt to the foe who saved his life; he forgot everything except that once again, as of old, Constantine Jopp was fighting him, with long, strong arms trying to bring him to the ground. Jopp's superior height gave him an advantage in a close grip; the strength of his gorilla-like arms was difficult to withstand. Both were forgetful of the world, and the two other injured men, silent and awed, were watching the fight, in which one of them, at least, was powerless to take part.

The audience was breathless. Most now saw the grim reality of the scene before them; and when at last O'Ryan's powerful right hand got a grip upon the throat of Jopp, and they saw the grip tighten, tighten, and Jopp's face go from red to purple, a hundred people gasped. Excited men made as though to move toward the stage; but the majority still believed that it all belonged to the play, and shouted, "Sit down!"

Suddenly the voice of Gow Johnson was heard: "Don't kill him--let go, boy!"

The voice rang out with sharp anxiety, and pierced the fog of passion and rage in which O'Ryan was moving. He realized what he was doing, the real sense of it came upon him. Suddenly he let go the lank throat of his enemy, and, by a supreme effort, flung him across the stage, where Jopp lay resting on his hands, his bleared eyes looking at Terry with the fear and horror still in them which had come with that tightening grip on his throat.

Silence fell suddenly on the theatre. The audience was standing. A woman sobbed somewhere in a far corner, but the rest were dismayed and speechless. A few steps before them all was Molly Mackinder, white and frightened, but in her eyes was a look of understanding as she gazed at Terry. Breathing hard, Terry stood still in the middle of the stage, the red fog not yet gone out of his eyes, his hands clasped at his side, vaguely realizing the audience again. Behind him was the back curtain, in which the lights of Orion twinkled aggressively. The three men who had attacked him were still where he had thrown them.

The silence was intense, the strain oppressive. But now a drawling voice came from the back of the hall.

"Are you watching the rise of Orion?" it said. It was the voice of Gow Johnson.

The strain was broken; the audience dissolved in laughter; but it was not hilarious; it was the nervous laughter of relief, touched off by a native humor always present in the dweller of the prairie.

"I beg your pardon," said Terry, quietly and abstractedly, to the audience.

And the scene-shifter bethought himself and let down the curtain.

The fourth act was not played that night. The people had had more than the worth of their money. In a few moments the stage was crowded with people from the audience, but both Jopp and O'Ryan had disappeared.

Among the visitors to the stage was Molly Mackinder. There was a meaning smile upon her face as she said to Dicky Fergus:

"It was quite wonderful, wasn't it--like a scene out of the classics--the gladiators or something?"

Fergus gave a wary smile as he answered: "Yes. I felt like saying '_Ave, Caesar, ave!_' and I watched to see Artemis drop her handkerchief."

"She dropped it, but you were too busy to pick it up. It would have been a useful sling for your arm," she added, with thoughtful malice. "It seemed so real--you all acted so well, so appropriately. And how you keep it up!" she added, as he cringed when some one knocked against his elbow, hurting the injured tendons.

Fergus looked at her meditatively before he answered. "Oh, I think we'll likely keep it up for some time," he rejoined, ironically.

"Then the play isn't finished?" she added. "There is another act? Yes, I thought there was; the programme said four."

"Oh yes, there's another act," he answered, "but it isn't to be played now; and I'm not in it."

"No, I suppose you are not in it. You really weren't in the last act. Who will be in it?"

Fergus suddenly laughed outright as he looked at Holden expostulating intently to a crowd of people round him. "Well, honor bright, I don't think there'll be anybody in it except little Conny Jopp and gentle Terry O'Ryan; and Conny mayn't be in it very long. But he'll be in it for a while, I guess. You see, the curtain came down in the middle of a situation, not at the end of it. The curtain has to rise again."

"Perhaps Orion will rise again--you think so?" She laughed in satire; for Dicky Fergus had made love to her during the last three months with unsuppressed activity, and she knew him in his sentimental moments; which is fatal. It is fatal if, in a duet, one breathes fire and the other frost.

"If you want my opinion," he said, in a lower voice, as they moved toward the door, while people tried to listen to them--"if you want it straight, I think Orion has risen--right up where shines the evening star--Oh, say, now," he broke off, "haven't you had enough fun out of me? I tell you, it was touch and go. He nearly broke my arm--would have done it, if I hadn't gone limp to him; and your cousin Conny Jopp, little Conny Jopp, was as near Kingdom Come as a man wants at his age. I saw an elephant go _must_ once in India, and it was as like O'Ryan as putty is to dough. It isn't all over, either, for O'Ryan will forget and forgive, and Jopp won't. He's your cousin, but he's a sulker. If he has to sit up nights to do it, he'll try to get back on O'Ryan. He'll sit up nights, but he'll do it, if he can. And, whatever it is, it won't be pretty."

Outside the door they met Gow Johnson, excitement in his eyes. He heard Fergus' last words.

"He'll see Orion rising if he sits up nights," Gow Johnson said. "The game is with Terry--at last."

Then he called to the dispersing, gossiping crowd: "Hold on--hold on, you people! I've got news for you. Folks, this is O'Ryan's night. It's his in the starry firmament. Look at him shine!" he cried, stretching out his arm toward the heavens, where the glittering galaxy hung near the zenith. "Terry O'Ryan--our O'Ryan--he's struck oil--on his ranch it's been struck. Old Vigon found it. Terry's got his own at last. O'Ryan's in it--in it alone. Now, let's hear the prairie-whisper!" he shouted, in a great, raucous voice. "Let's hear the prairie-whisper! What is it?"

The crowd responded in a hoarse shout for O'Ryan and his fortune. Even the women shouted--all except Molly Mackinder. She was wondering if O'Ryan risen would be the same to her as O'Ryan rising. She got into her carriage with a sigh, though she said to the few friends with her:

"If it's true, it's splendid. He deserves it, too. Oh, I'm glad--I'm so glad!" She laughed; but the laugh was a little hysterical.

She was both glad and sorry. Yet as she drove home over the prairie she was silent. Far off in the east was a bright light. It was a bonfire built on O'Ryan's ranch, near where he had struck oil--struck it rich. The light grew and grew, and the prairie was alive with people hurrying toward it. La Touche should have had the news hours earlier, but the half-breed French-Canadian, Vigon, who had made the discovery, and had started for La Touche with the news, went suddenly off his head with excitement, and had ridden away into the prairie fiercely shouting his joy to an invisible world. The news had been brought in later by a farm-hand.

* * * * *

Terry O'Ryan had really struck oil, and his ranch was a scene of decent revelry, of which Gow Johnson was master. But the central figure of it all, the man who had, in truth, risen like a star, had become to La Touche all at once its notoriety as well as its favorite, its great man as well as its friend, he was nowhere to be found. He had been seen riding full speed into the prairie toward the Kourmash Wood, and the starlit night had swallowed him. Constantine Jopp had also disappeared; but at first no one gave that thought or consideration.

As the night went on, however, a feeling began to stir which it is not good to rouse in frontier lands. It is sure to exhibit itself in forms more objective than are found in great populations where methods of punishment are various, and even when deadly are often refined. But society in new places has only limited resources, and is thrown back on primary ways and means. La Touche was no exception, and the keener spirits, to whom O'Ryan had ever been "a white man," and who so rejoiced in his good-luck now that they drank his health a hundred times in his own whiskey and cider, were simmering with desire for a public reproval of Constantine Jopp's conduct. Though it was pointed out to them by the astute Gow Johnson that Fergus and Holden had participated in the colossal joke of the play, they had learned indirectly also the whole truth concerning the past of the two men. They realized that Fergus and Holden had been duped by Jopp into the escapade. Their primitive sense of justice exonerated the humorists and arraigned the one malicious man. As the night wore on they decided on the punishment to be meted out by La Touche to the man who had not "acted on the square."

Gow Johnson saw, too late, that he had roused a spirit as hard to appease as the demon roused in O'Ryan earlier in the evening. He would have enjoyed the _battue_ of punishment under ordinary circumstances; but he knew that Miss Molly Mackinder would be humiliated and indignant at the half-savage penalty they meant to exact. He had determined that O'Ryan should marry her; and this might be an obstruction in the path. It was true that O'Ryan now would be a rich man--one of the richest in the West, unless all signs failed; but, meanwhile, a union of fortunes would only be an added benefit. Besides, he had seen that O'Ryan was in earnest, and what O'Ryan wanted he himself wanted even more strongly. He was not concerned greatly for O'Ryan's absence. He guessed that Terry had ridden away into the night to work off the dark spirit that was on him, to have it out with himself. Gow Johnson was a philosopher. He was twenty years older than O'Ryan, and he had studied his friend as a pious monk his missal.

He was right in his judgment. When Terry left the theatre he was like one in a dream, every nerve in his body at tension, his head aflame, his pulses throbbing. For miles he rode away into the waste along the northern trail, ever away from La Touche and his own home. He did not know of the great good-fortune that had come to him; and if, in this hour, he had known, he would not have cared. As he rode on and on remorse drew him into its grasp. Shame seized him that he had let passion be his master, that he had lost his self-control, had taken a revenge out of all proportion to the injury and insult to himself. It did not ease his mind that he knew Constantine Jopp had done the thing out of meanness and malice; for he was alive to-night in the light of the stars, with the sweet, crisp air blowing in his face, because of an act of courage on the part of his school-days' foe. He remembered now that, when he was drowning, he had clung to Jopp with frenzied arms and had endangered the bully's life also. The long torture of owing this debt to so mean a soul was on him still, was rooted in him; but suddenly, in the silent, searching night, some spirit whispered in his ear that this was the price which he must pay for his life saved to the world, a compromise with the Inexorable Thing. On the verge of oblivion and the end, he had been snatched back by relenting Fate, which requires something for something given when laws are overriden and doom defeated. Yes, the price he was meant to pay was gratitude to one of shrivelled soul and innate antipathy; and he had not been man enough to see the trial through to the end! With a little increased strain put upon his vanity and pride, he had run amuck. Like some heathen gladiator, he had ravaged in the ring. He had gone down into the basements of human life and there made a cockpit for his animal rage, till, in the contest, brain and intellect had been saturated by the fumes and sweat of fleshly fury.

How quiet the night was, how soothing to the fevered mind and body, how the cool air laved the heated head and flushed the lungs of the rheum of passion! He rode on and on, farther and farther away from home, his back upon the scenes where his daily deeds were done. It was long past midnight before he turned his horse's head again homeward.

Buried in his thoughts, now calm and determined, with a new life grown up in him, a new strength different from the mastering force which gave him a strength in the theatre like one in a delirium, he noticed nothing. He was only conscious of the omniscient night and its warm, penetrating friendliness; as, in a great trouble, when no words can be spoken, a cool, kind palm steals into the trembling hand of misery and stills it, gives it strength and life and an even pulse. He was now master in the house of his soul, and had no fear or doubt as to the future or as to his course.

His first duty was to go to Constantine Jopp and speak his regret like a man. And after that it would be his duty to carry a double debt his life long for the life saved, for the wrong done. He owed an apology to La Touche, and he was scarcely aware that the native gentlemanliness in him had said through his fever of passion over the footlights, "I beg your pardon." In his heart he felt that he had offered a mean affront to every person present, to the town where his interests lay, where his heart lay.

Where his heart lay--Molly Mackinder! He knew now that vanity had something to do, if not all to do, with his violent acts, and though there suddenly shot through his mind, as he rode back, a savage thrill at the remembrance of how he had handled the three, it was only a passing emotion. He was bent on putting himself right with Jopp and with La Touche. With the former his way was clear; he did not yet see his way as to La Touche. How would he be able to make the _amende honorable_ to La Touche?

By-and-by he became somewhat less absorbed and enveloped by the comforting night. He saw the glimmer of red light afar, and vaguely wondered what it was. It was in the direction of O'Ryan's Ranch, but he thought nothing of it, because it burned steadily. It was probably a fire lighted by settlers trailing to the farther North. While the night wore on he rode as slowly back to the town as he had galloped from it like a centaur with a captive.

Again and again Molly Mackinder's face came before him, but he resolutely shut it out of his thoughts. He felt that he had no right to think of her until he had "done the right thing" by Jopp and by La Touche. Yet the look in her face as the curtain came down, it was not that of one indifferent to him or to what he did. He neared the town half-way between midnight and morning. Almost unconsciously avoiding the main streets, he rode a roundabout way toward the little house where Constantine Jopp lived. He could hear loud noises in the streets, singing, and hoarse shouts. Then silence came, then shouts, and silence again. It was all quiet as he rode up to Jopp's house, standing on the outskirts of the town. There was a bright light in the window of a room.

Jopp, then, was still up. He would not wait till to-morrow. He would do the right thing now. He would put things straight with his foe before he slept; he would do it at any sacrifice to his pride. He had conquered his pride.

He dismounted, threw the bridle over a post, and, going into the garden, knocked gently at the door. There was no response. He knocked again, and listened intently. Now he heard a sound--like a smothered cry or groan. He opened the door quickly and entered. It was dark. In another room beyond was a light. From it came the same sound he had heard before, but louder; also there was a shuffling footstep. Springing forward to the half-open door, he pushed it wide, and met the terror-stricken eyes of Constantine Jopp--the same look that he had seen at the theatre when his hands were on Jopp's throat, but more ghastly.

Jopp was bound to a chair by a lasso. Both arms were fastened to the chair-arm, and beneath them, on the floor, were bowls into which blood dropped from his punctured wrists.

He had hardly taken it all in--the work of an instant--when he saw crouched in a corner, madness in his eyes, his half-breed Vigon. He grasped the situation in a flash. Vigon had gone mad, had lain in wait in Jopp's house, and, when the man he hated had seated himself in the chair, had lassoed him, bound him, and was slowly bleeding him to death.

He had no time to think. Before he could act Vigon was upon him also, frenzy in his eyes, a knife clutched in his hand. Reason had fled, and he only saw in O'Ryan the frustrator of his revenge. He had watched the drip, drip from his victim's wrists with a dreadful joy.

They were man and man, but O'Ryan found in this grisly contest a vaster trial of strength than in the fight upon the stage a few hours ago. The first lunge that Vigon made struck him on the tip of the shoulder and drew blood; but he caught the hand holding the knife in an iron grasp, while the half-breed, with superhuman strength, tried in vain for the long, brown throat of the man for whom he had struck oil. As they struggled and twisted, the eyes of the victim in the chair watched them with agonized emotions. For him it was life or death. He could not cry out--his mouth was gagged; but to O'Ryan his groans were like a distant echo of his own hoarse gasps as he fought his desperate fight. Terry was as one in an awful dream battling with vague, impersonal powers which slowly strangled his life, yet held him back in torture from the final surrender.

For minutes they struggled. At last O'Ryan's strength came to a point of breaking, for Vigon was a powerful man, and to this was added a madman's energy. He felt that the end was coming. But all at once, through the groans of the victim in the chair, Terry became conscious of noises outside--such noises as he had heard before he entered the house, only nearer and louder. At the same time he heard a horse's hoofs, then a knock at the door, and a voice calling, "Jopp! Jopp!"

He made a last desperate struggle, and shouted hoarsely.

An instant later there were footsteps in the room, followed by a cry of fright and amazement.

It was Gow Johnson. He had come to warn Constantine Jopp that a crowd were come to tar and feather him, and to get him away on his own horse.

Now he sprang to the front door, called to the approaching crowd for help, then ran back to help O'Ryan. A moment later a dozen men had Vigon secure, and had released Constantine Jopp, now almost dead from loss of blood.

As they took the gag from his mouth and tied their handkerchiefs round his bleeding wrists, Jopp sobbed aloud. His eyes were fixed on Terry O'Ryan. Terry met the look, and grasped the limp hand lying on the chair-arm.

"I'm sorry, O'Ryan, I'm sorry for all I've done to you," Jopp sobbed. "I was a sneak, but I want to own it. I want to be square now. You can tar and feather me, if you like. I deserve it." He looked at the others. "I deserve it," he repeated.

"That's what the boys had thought would be appropriate," said Gow Johnson, with a dry chuckle, and the crowd looked at one another and winked. The wink was kindly, however. "To own up and take your gruel!" was the easiest way to touch the men of the prairie.

A half-hour later the roisterers, who had meant to carry Constantine Jopp on a rail, carried Terry O'Ryan on their shoulders through the town, against his will. As they passed the house where Miss Mackinder lived, some one shouted:

"Are you watching the rise of Orion?"

Many a time thereafter Terry O'Ryan and Molly Mackinder looked at the galaxy in the evening sky with laughter and with pride. It had played its part with Fate against Constantine Jopp and the little widow at Jansen. It had never shone so brightly as on the night when Vigon struck oil on O'Ryan's ranch. But Vigon had no memory of that. Such is the irony of life.

THE ERROR OF THE DAY

The "Error of the Day" may be defined as the "The difference between
the distance or range which must be put upon the sights in order to
hit the target and the actual distance from the gun to the
target."--_Admiralty Note._

A great naval gun never fires twice alike. It varies from day to day,
and expert allowance has to be made in sighting every time it is
fired. Variations in atmosphere, condition of ammunition, and the
wear of the gun are the contributory causes to the ever-varying
"Error of the Day."

"Say, ain't he pretty?"

"A Jim-dandy--oh, my!"

"What's his price in the open market?"

"Thirty millions--I think not."

Then was heard the voice of Billy Goat--his name was William Goatry----

"Out in the cold world, out in the street,
Nothing to wear and nothing to eat,
Fatherless, motherless, sadly I roam,
Child of misfortune, I'm driven from home."

A loud laugh followed, for Billy Goat was a popular person at Kowatin, in the Saskatchewan country. He had an inimitable drollery, heightened by a cast in his eye, a very large mouth, and a round, good-humored face; also he had a hand and arm like iron, and was altogether a great man on a "spree."

There had been a two days' spree at Kowatin, for no other reason than that there had been great excitement over the capture and subsequent escape of a prairie-rover who had robbed the contractor's money-chest at the rail-head on the Canadian Pacific Railroad. Forty miles from Kowatin he had been caught by, and escaped from, the tall, brown-eyed man with the hard-bitten face who leaned against the open window of the tavern, looking indifferently at the jeering crowd before him. For a police officer, he was not unpopular with them, but he had been a failure for once, and, as Billy Goat had said, "It tickled us to death to see a rider of the plains off his trolley--on the cold, cold ground, same as you and me."

They did not undervalue him. If he had been less a man than he was, they would not have taken the trouble to cover him with their drunken ribaldry. He had scored off them in the past in just such sprees as this, when he had the power to do so, and used the power good-naturedly and quietly--but used it.

Then he was Sergeant Foyle, of the Royal Northwest Mounted Police, on duty in a district as large as the United Kingdom. And he had no greater admirer than Billy Goat, who now reviled him. Not without cause, in a way, for he had reviled himself to this extent that, when the prairie-rover, Halbeck, escaped on the way to Prince Albert, after six months' hunt for him and a final capture in the Kowatin district, Foyle resigned the Force before the Commissioner could reproach him or call him to account. Usually so exact, so certain of his target, some care had not been taken, he had miscalculated, and there had been the Error of the Day. Whatever it was, it had seemed to him fatal; and he had turned his face from the barrack-yard.

Then he had made his way to the Happy Land Hotel at Kowatin, to begin life as "a free and independent gent on the loose," as Billy Goat had said. To resign had seemed extreme; because, though the Commissioner was vexed at Halbeck's escape, Foyle was the best non-commissioned officer in the Force. He had frightened horse-thieves and bogus land-agents and speculators out of the country; had fearlessly tracked down a criminal or a band of criminals when the odds were heavy against him. He carried on his cheek the scars of two bullets, and there was one white lock in his brown hair where an arrow had torn the scalp away as, alone, he drove into the Post a score of Indians, fresh from raiding the cattle of an immigrant trailing north.

Now he was out of work, or so it seemed; he had stepped down from his scarlet-coated dignity, from the place of guardian and guide to civilization, into the idleness of a tavern stoop.

As the little group swayed round him, and Billy Goat started another song, Foyle roused himself as though to move away--he was waiting for the mail-stage to take him south--

"Oh, father, dear father, come home with me now,
The clock in the steeple strikes one;
You said you were coming right home from the shop
As soon as your day's work was done.
Come home--come home--"

The song arrested him, and he leaned back against the window again. A curious look came into his eyes, a look that had nothing to do with the acts of the people before him. It was searching into a scene beyond this bright sunlight and the far green-brown grass, and the little oasis of trees in the distance marking a homestead, and the dust of the wagon-wheels out on the trail beyond the grain-elevator--beyond the blue horizon's rim, quivering in the heat, and into regions where this crisp, clear, life-giving, life-saving air never blew.

"You said you were coming right home from the shop
As soon as your day's work was done.
Come home--come home--"

He remembered when he had first heard this song in a play called _Ten Nights in a Bar-Room_, many years before, and how it had wrenched his heart and soul, and covered him with a sudden cloud of shame and anger. For his father had been a drunkard, and his brother had grown up a drunkard, that brother whom he had not seen for ten years until--until--

He shuddered, closed his eyes, as though to shut out something that the mind saw. He had had a rough life, he had become inured to the seamy side of things--there was a seamy side even in this clean, free, wide land; and he had no sentimentality; though something seemed to hurt and shame him now.

"As soon as your day's work was done.
Come home--come home--"

The crowd was uproarious. The exhilaration had become a kind of delirium. Men were losing their heads; there was an element of irresponsibility in the new outbreak likely to breed some violent act, which every man of them would lament when sober again.

Nettlewood Foyle watched the dust rising from the wheels of the stage, which had passed the elevator and was nearing the Prairie Home Hotel, far down the street. He would soon leave behind him this noisy ribaldry of which he was the centre. He tossed his cheroot away. Suddenly he heard a low voice behind him.

"Why don't you hit out, sergeant?" it said.

He started almost violently, and turned round. Then his face flushed, his eyes blurred with feeling and deep surprise, and his lips parted in a whispered exclamation and greeting.

A girl's face from the shade of the sitting-room was looking out at him, half smiling, but with heightened color and a suppressed agitation. The girl was not more than twenty-five, graceful, supple, and strong. Her chin was dimpled; across her right temple was a slight scar. She had eyes of a wonderful deep blue; they seemed to swim with light. As Foyle gazed at her for a moment dumfounded, with a quizzical suggestion and smiling still a little more, she said:

"You used to be a little quicker, Nett." The voice appeared to attempt unconcern; but it quivered from a force of feeling underneath. It was so long since she had seen him.

He was about to reply, but, at the instant, a reveller pushed him with a foot behind the knees so that they were sprung forward. The crowd laughed--all save Billy Goat, who knew his man.

Like lightning, and with cold fury in his eyes, Foyle caught the tall cattleman by the forearm, and, with a swift, dexterous twist, had the fellow in his power.

"Down--down to your knees, you skunk!" he said, in a low, fierce voice.

The knees of the big man bent--Foyle had not taken lessons of Ogami, the Jap, for nothing--they bent, and the cattleman squealed, so intense was the pain. It was break or bend; and he bent--to the ground and lay there. Foyle stood over him for a moment, a hard light in his eyes, and then, as if bethinking himself, he looked at the other roisterers and said:

"There's a limit, and he reached it. Your mouths are your own, and you can blow off to suit your fancy, but if any one thinks I'm a tame coyote to be poked with a stick--!" He broke off, stooped over, and helped the man before him to his feet. The arm had been strained, and the big fellow nursed it.

"Hell, but you're a twister!" the cattleman said, with a grimace of pain.

Billy Goat was a gentleman, after his kind, and he liked Sergeant Foyle with a great liking. He turned to the crowd and spoke.

"Say, boys, this mine's worked out. Let's leave the Happy Land to Foyle. Boys, what is he--what--is--he? What--is--Sergeant Foyle--boys?"

The roar of the song they all knew came in reply, as Billy Goat waved his arms about like the wild leader of a wild orchestra:

"Sergeant Foyle, oh, he's a knocker from the West,
He's a chase-me-Charley, come-and-kiss-me tiger from the zoo;
He's a dandy on the pinch, and he's got a double cinch
On the gent that's going careless, and he'll soon cinch you:
And he'll soon--and he'll soon--cinch you!"

Foyle watched them go, dancing, stumbling, calling back at him, as they moved toward the Prairie Home Hotel:

"And he'll soon--and he'll soon--cinch you!"

His under-lip came out, his eyes half closed, as he watched them. "I've done my last cinch. I've done my last cinch," he murmured.

Then, suddenly, the look in his face changed, the eyes swam as they had done a minute before at the sight of the girl in the room behind. Whatever his trouble was, that face had obscured it in a flash, and the pools of feeling far down in the depths of a lonely nature had been stirred. Recognition, memory, tenderness, desire swam in his face, made generous and kind the hard lines of the strong mouth. In an instant he had swung himself over the window-sill. The girl had drawn away now into a more shaded corner of the room, and she regarded him with a mingled anxiety and eagerness. Was she afraid of something? Did she fear that--she knew not quite what, but it had to do with a long ago?

"It was time you hit out, Nett," she said, half shyly. "You're more patient than you used to be, but you're surer. My, that was a twist you gave him, Nett. Aren't you glad to see me?" she added, hastily and with an effort to hide her agitation.

He reached out and took her hand with a strange shyness and a self-consciousness which was alien to his nature. The touch of her hand thrilled him. Their eyes met. She dropped hers. Then he gathered himself together. "Glad to see you? Of course, of course, I'm glad. You stunned me, Jo. Why, do you know where you are? You're a thousand miles from home. I can't get it through my head, not really. What brings you here? It's ten years--ten years since I saw you, and you were only fifteen, but a fifteen that was as good as twenty."

He scanned her face closely. "What's that scar on your forehead, Jo? You hadn't that--then."

"I ran up against something," she said, evasively, her eyes glittering, "and it left that scar. Does it look so bad?"

"No, you'd never notice it, if you weren't looking close as I am. You see, I knew your face so well ten years ago."

He shook his head with a forced kind of smile. It became him, however, for he smiled rarely; and the smile was like a lantern turned on his face; it gave light and warmth to its quiet strength--or hardness.

"You were always quizzing," she said, with an attempt at a laugh--"always trying to find things out. That's why you made them reckon with you out here. You always could see behind things; always would have your own way; always were meant to be a success."

She was beginning to get control of herself again, was trying hard to keep things on the surface. "You were meant to succeed--you had to," she added.

"I've been a failure--a dead failure," he answered, slowly. "So they say. So they said. You heard them, Jo."

He jerked his head toward the open window.

"Oh, those drunken fools!" she exclaimed, indignantly, and her face hardened. "How I hate drink! It spoils everything."

There was silence for a moment. They were both thinking of the same thing--_of the same man_. He repeated a question.

"What brings you out here, Jo?" he asked, gently.

"Dorland," she answered, her face setting into determination and anxiety.

His face became pinched. "Dorl!" he said, heavily. "What for, Jo? What do you want with Dorl?"

"When Cynthy died she left her five hundred dollars a year to the baby, and--"

"Yes, yes, I know. Well, Jo?"

"Well, it was all right for five years--Dorland paid it in; but for five years he hasn't paid anything. He's taken it, stolen it from his own child by his own honest wife. I've come to get it--anyway, to stop him from doing it any more. His own child--it puts murder in my heart, Nett! I could kill him."

He nodded grimly. "That's likely. And you've kept Dorl's child with your own money all these years?"

"I've got four hundred dollars a year, Nett, you know; and I've been dressmaking--they say I've got taste," she added, with a whimsical smile.

Nett nodded his head. "Five years. That's twenty-five hundred dollars he's stolen from his own child. It's eight years old now, isn't it?"

"Bobby is eight and a half," she answered.

"And his schooling, and his clothing, and everything; and you have to pay for it all?"

"Oh, I don't mind, Nett; it isn't that. Bobby is Cynthy's child, and I love him--love him; but I want him to have his rights. Dorl must give up his hold on that money--or--"

He nodded gravely. "Or you'll set the law on him?"

"It's one thing or the other. Better to do it now when Bobby is young and can't understand."

"Or read the newspapers," he commented, thoughtfully.

"I don't think I've a hard heart," she continued, "but I'd like to punish him, if it wasn't that he's your brother, Nett, and if it wasn't for Bobby. Dorland was dreadfully cruel, even to Cynthy."

"How did you know he was up here?" he asked.

"From the lawyer that pays over the money. Dorland has had it sent out here to Kowatin this two years. And he sent word to the lawyer a month ago that he wanted it to get here as usual. The letter left the same day as I did, and it got here yesterday with me, I suppose. He'll be after it--perhaps to-day. He wouldn't let it wait long, Dorl wouldn't."

Foyle started. "To-day--to-day--"

There was a gleam in his eyes, a setting of the lips, a line sinking into the forehead between the eyes.

"I've been watching for him all day, and I'll watch till he comes. I'm going to say some things to him that he won't forget. I'm going to get Bobby's money, or have the law to do it--unless you think I'm a brute, Nett." She looked at him wistfully.

"That's all right. Don't worry about me, Jo. He's my brother, but I know him--I know him through and through. He's done everything that a man can do and not be hanged. A thief, a drunkard, and a brute--and he killed a man out here," he added, hoarsely. "I found it out myself--myself. It was murder."

Suddenly, as he looked at her, an idea seemed to flash into his mind. He came very near and looked at her closely. Then he reached over and almost touched the scar on her forehead.

"Did he do that, Jo?"

For an instant she was silent and looked down at the floor. Presently she raised her eyes, her face suffused. Once or twice she tried to speak, but failed. At last she gained courage, and said:

"After Cynthy's death I kept house for him for a year, taking care of little Bobby. I loved Bobby so--he has Cynthy's eyes. One day Dorland--oh, Nett, of course I oughtn't to have stayed there--I know it now; but I was only sixteen, and what did I understand! And my mother was dead. One day--oh, please, Nett, you can guess. He said something to me. I made him leave the house. Before I could make plans what to do, he came back mad with drink. I went for Bobby, to get out of the house, but he caught hold of me. I struck him in the face, and he threw me against the edge of the open door. It made the scar."

Foyle's face was white. "Why did you never write and tell me that, Jo? You know that I--" He stopped suddenly.

"You had gone out of our lives down there. I didn't know where you were for a long time; and then--then it was all right about Bobby and me, except that Bobby didn't get the money that was his. But now--"

Foyle's voice was hoarse and low. "He made that scar, and he--and you only sixteen--Oh, my God!"

Suddenly his face reddened, and he choked with shame and anger. "And he's my brother!" was all that he could say.

"Do you see him up here ever?" she asked, pityingly.

"I never saw him till a week ago." A moment, then he added, "The letter wasn't to be sent here in his own name, was it?"

She nodded. "Yes, in his own name, Dorland W. Foyle. Didn't he go by that name when you saw him?"

There was an oppressive silence, in which she saw that something moved him strangely, and then he answered, "No, he was going by the name of Halbeck--Hiram Halbeck."

The girl gasped. Then the whole thing burst upon her. "Hiram Halbeck! Hiram Halbeck, the thief--I read it all in the papers--the thief that you caught, and that got away. And you've left the Mounted Police because of it--oh, Nett!" Her eyes were full of tears, her face was drawn and gray.

He nodded. "I didn't know who he was till I arrested him," he said. "Then, afterward, I thought of his child, and let him get away; and for my poor old mother's sake. She never knew how bad he was, even as a boy. But I remember how he used to steal and drink the brandy from her bedside, when she had the fever. She never knew the worst of him. But I let him away in the night, Jo, and I resigned, and they thought that Halbeck had beaten me, had escaped. Of course I couldn't stay in the Force, having done that. But, by the heaven above us, if I had him here now I'd do the thing--do it, so help me God!"

"Why should you ruin your life for him?" she said, with an outburst of indignation. All that was in her heart welled up in her eyes at the thought of what Foyle was. "You must not do it. You shall not do it. _He_ must pay for his wickedness, not you. It would be a sin. You and what becomes of you mean so much." Suddenly, with a flash of purpose, she added, "He will come for that letter, Nett. He would run any kind of risk to get a dollar. He will come here for that letter--perhaps to-day."

He shook his head moodily, oppressed by the trouble that was on him. "He's not likely to venture here, after what's happened."

"You don't know him as well as I do, Nett. He is so vain he'd do it, just to show that he could. He'd probably come in the evening. Does any one know him here? So many people pass through Kowatin every day. Has any one seen him?"

"Only Billy Goatry," he answered, working his way to a solution of the dark problem. "Only Billy Goatry knows him. The fellow that led the singing--that was Goatry."

"There he is now," he added, as Billy Goat passed the window.

She came and laid a hand on his arm. "We've got to settle things with him," she said. "If Dorl comes, Nett--"

There was silence for a moment, then he caught her hand in his and held it. "If he comes, leave him to me, Jo. You will leave him to me?" he added, anxiously.

"Yes," she answered. "You'll do what's right--by Bobby?"

"And by Dorl, too," he replied, strangely.

There were loud footsteps without.

"It's Goatry," said Foyle. "You stay here. I'll tell him everything. He's all right; he's a true friend. He'll not interfere."

The handle of the door turned slowly. "You keep watch on the post-office, Jo," he added.

Goatry came round the opening door with a grin.

"Hope I don't intrude," he said, stealing a half-leering look at the girl. As soon as he saw her face, however, he straightened himself up and took on different manners. He had not been so intoxicated as he had made out, and he seemed only "mellow" as he stood before them, with his corrugated face and queer, quaint look, the eye with the cast in it blinking faster than the other.

"It's all right, Goatry," said Foyle. "This lady is one of my family from the East."

"Goin' on by stage?" Goatry said, vaguely, as they shook hands.

She did not reply, for she was looking down the street, and presently she started as she gazed. She laid a hand suddenly on Foyle's arm.

"See--he's come," she said, in a whisper, and as though not realizing Goatry's presence. "He's come."

Goatry looked, as well as Foyle. "Halbeck--the devil!" he said.

Foyle turned to him. "Stand by, Goatry. I want you to keep a shut mouth. I've work to do."

Goatry held out his hand. "I'm with you. If you get him this time, clamp him, clamp him like a tooth in a harrow."

Halbeck had stopped his horse at the post-office door. Dismounting, he looked quickly round, then drew the reins over the horse's head, letting them trail, as is the custom of the West.

A few swift words passed between Goatry and Foyle.

"I'll do this myself, Jo," he whispered to the girl presently. "Go into another room. I'll bring him here."

* * * * *

In another minute Goatry was leading the horse away from the post-office, while Foyle stood waiting quietly at the door. The departing footsteps of the horse brought Halbeck swiftly to the doorway, with a letter in his hand.

"Hi, there, you damned sucker!" he called after Goatry, and then saw Foyle waiting.

"What the hell--!" he said, fiercely, his hand on something in his hip-pocket.

"Keep quiet, Dorl. I want to have a little talk with you. Take your hand away from that gun--take it away!" he added, with a meaning not to be misunderstood.

Halbeck knew that one shout would have the town on him, and he did not know what card his brother was going to play. He let his arm drop to his side. "What's your game? What do you want?" he asked, surlily.

"Come over to the Happy Land Hotel," Foyle answered, and in the light of what was in his mind his words had a grim irony.

With a snarl Halbeck stepped out. Goatry, who had handed the horse over to the hostler, watched them coming.

"Why did I never notice the likeness before?" Goatry said to himself. "But, gosh! what a difference in the men. Foyle's going to double cinch him this time, I guess."

He followed them inside the hall of the Happy Land. When they stepped into the sitting-room, he stood at the door waiting. The hotel was entirely empty, the roisterers at the Prairie Home having drawn off the idlers and spectators. The barman was nodding behind the bar, the proprietor was moving about in the backyard inspecting a horse. There was a cheerful warmth everywhere; the air was like an elixir; the pungent smell of a pine-tree at the door gave a kind of medicament to the indrawn breath. And to Billy Goat, who sometimes sang in the choir of a church not a hundred miles away--for the people agreed to forget his occasional sprees--there came, he knew not why, the words of a hymn he had sung only the preceding Sunday:

"As pants the hart for cooling streams,
When heated in the chase--"

The words kept ringing in his ears as he listened to the conversation inside the room--the partition was thin, the door thinner, and he heard much. Foyle had asked him not to intervene, but only to stand by and await the issue of this final conference. He meant, however, to take a hand in if he thought he was needed, and he kept his ear glued to the door. If he thought Foyle needed him--his fingers were on the handle of the door.

"Now, hurry up! What do you want with me?" asked Halbeck of his brother.

"Take your time," said ex-Sergeant Foyle, as he drew the blind three-quarters down, so that they could not be seen from the street.

"I'm in a hurry, I tell you. I've got my plans. I'm going South. I've only just time to catch the Canadian Pacific three days from now, riding hard."

"You're not going South, Dorl."

"Where am I going, then?" was the sneering reply.

"Not farther than the Happy Land."

"What the devil's all this? You don't mean you're trying to arrest me again, after letting me go?"

"You don't need to ask. You're my prisoner. You're my prisoner," he said, in a louder voice--"_until you free yourself_."

"I'll do that damn quick, then," said the other, his hand flying to his hip.

"Sit down," was the sharp rejoinder, and a pistol was in his face before he could draw his own weapon.

"Put your gun on the table," Foyle said, quietly. Halbeck did so. There was no other way.

Foyle drew it over to himself. His brother made a motion to rise.

"Sit still, Dorl," came the warning voice.

White with rage, the freebooter sat still, his dissipated face and heavy angry lips, looking like a debauched and villanous caricature of his brother before him.

"Yes, I suppose you'd have potted me, Dorl," said the ex-sergeant. "You'd have thought no more of doing that than you did of killing Linley, the ranchman; than you did of trying to ruin Jo Byndon, your wife's sister, when she was sixteen years old, when she was caring for your child--giving her life for the child you brought into the world."

"What in the name of hell--it's a lie!"

"Don't bluster. I know the truth."

"Who told you--the truth?"

"She did--to-day--an hour ago."

"She here--out here?" There was a new, cowed note in the voice.

"She is in the next room."

"What did she come here for?"

"To make you do right by your own child. I wonder what a jury of decent men would think about a man who robbed his child for five years, and let that child be fed and clothed and cared for by the girl he tried to destroy, the girl he taught what sin there was in the world."

"She put you up to this. She was always in love with you, and you know it."

There was a dangerous look in Foyle's eyes, and his jaw set hard. "There would be no shame in a decent woman caring for me, even if it was true. I haven't put myself outside the boundary as you have. You're my brother, but you're the worst scoundrel in the country--the worst unhanged. Put on the table there the letter in your pocket. It holds five hundred dollars belonging to your child. There's twenty-five hundred dollars more to be accounted for."

The other hesitated, then with an oath threw the letter on the table. "I'll pay the rest as soon as I can, if you'll stop this damned tomfoolery," he said, sullenly, for he saw that he was in a hole.

"You'll pay it, I suppose, out of what you stole from the C. P. R. contractor's chest. No, I don't think that will do."

"You want me to go to prison, then?"

"I think not. The truth would come out at the trial--the whole truth--the murder and all. There's your child, Bobby. You've done him enough wrong already. Do you want him--but it doesn't matter whether you do or not--do you want him to carry through life the fact that his father was a jail-bird and a murderer, just as Jo Byndon carries the scar you made when you threw her against the door?"

"What do you want with me, then?" The man sank slowly and heavily back into the chair.

"There is a way--have you never thought of it? When you threatened others as you did me, and life seemed such a little thing in others--can't you think?"

Bewildered, the man looked around helplessly. In the silence which followed Foyle's words his brain was struggling to see a way out. Foyle's further words seemed to come from a great distance.

"It's not too late to do the decent thing. You'll never repent of all you've done; you'll never do different."

The old, reckless, irresponsible spirit revived in the man; he had both courage and bravado; he was not hopeless yet of finding an escape from the net. He would not beg, he would struggle.

"I've lived as I meant to, and I'm not going to snivel or repent now. It's all a rotten business, anyhow," he rejoined.

With a sudden resolution the ex-sergeant put his own pistol in his pocket, then pushed Halbeck's pistol over toward him on the table. Halbeck's eyes lighted eagerly, grew red with excitement, then a change passed over them. They now settled on the pistol, and stayed.

He heard Foyle's voice. "It's with you to do what you ought to do. Of course you can kill me. My pistol's in my pocket. But I don't think you will. You've murdered one man. You won't load your soul up with another. Besides, if you kill me, you will never get away from Kowatin alive. But it's with you--take your choice. It's me or you."

Halbeck's fingers crept out and found the pistol.

"Do your duty, Dorl," said the ex-sergeant, as he turned his back on his brother.

The door of the room opened, and Goatry stepped inside softly. He had work to do, if need be, and his face showed it. Halbeck did not see him.