Chapter VII
She told him all with brief, quiet words. She spoke softly, her eyes, her fingers, resting on the embroidery of her dress. She seemed the guilty one, but dignified in her error, ready to be punished. She told of her doubts, how they had swelled and flamed. She repeated the reproaches she had made to herself, described her visions, her delirious cruelty, her suspicions, the dream, the presentiment, her intention of pardon.
Meanwhile the sun went down. The golden serpent withdrew to the shore, following the sparkling veil of victorious water. The river was divided into two zones--one of tender violet under the pale heaven of the east, the other blood-stained beneath the burning west.
But in water and sky the conflict was ended between the colours and the lights. All was unified and confounded into one supreme harmony of peace. The light had re-entered into the shadow; the shadow still sought the light. The pale water floated into the luminous zone, and the glowing waves retreated slowly towards a mysterious distance, beyond the horizon, whither the human gaze could not follow.
The crowd of grey flowers slept on, motionless on the declivity. The leaves were silent; everything had become drowsy, lulled by the simple song of the trickle in the depth of the miniature abyss.
And in all this harmonious silence, Regina, as she ended her tale, _felt_ the solemn indifference of nature for man and for his paltry fortunes.
"We are alone," she concluded, taking suggestion from this impression of solitude and abandonment; "alone in the world of our sins, if there is really such a thing as sin. Let us pity, each in our turn, and renew our existence. If we are at war, who will help us? Our relations, our friends, might die for us without their death bringing our suffering one moment of relief. I once read of a husband who wished to kill his wife. At the moment he tried to wound her she--bewildered--flung herself on his breast, instinctively seeking his protection against the murderer. How often have not I, in those days of doubt, while--to my shame--I was spying upon you, while I was wrestling with the idea of turning to strangers that I might know--_know_--how often have I not felt the impulse to come to you, to pray you to speak, to save, to protect me! See! Nature herself is indifferent to us at this moment, while, perhaps, our whole future is being decided. Every atom, every sparkle, every wave, runs to its own destiny without attending to us. We are alone; alone and lost. If we separate, where shall we go? and, moreover, if we did wrong, was it not precisely that we might not be separated?"
"But," said Antonio, with one last attempt at defence, "you once wished----"
And Regina felt a final touch of impatience. She was speaking as he ought to have spoken, and was he still resisting? What did he want?
"There's no good in beginning all over again!" she cried. "This is enough. It seems to me that already I am reasoning too much for you to understand that between you and me there is no longer room for reproaches."
"Yes, Regina," he sighed; "you reason too much, and that is what terrifies me!"
His eyes sank. He looked at his hand, raised it, and let it fall heavily on Regina's, which he had retained all this while on his knee.
"Why do I reason too much? Why are you terrified?"
"Because if you really believed in my guilt you would not speak as you are speaking. You speak like this because you do not believe it--yet----"
She felt her heart beat. He was right! But she summoned her forces and overcame herself.
"Look at me!" she commanded.
Antonio looked at her. His eyes were veiled in tears.
* * * * *
Then it was true.
Regina had never seen her husband weep, nor had she ever imagined he could weep.
At that moment, when everything darkened within her, not in swift passing eclipse, but in unending twilight, a confused recollection came to her of something far off--so far off that for years and years it had not returned to her mind. She saw again a man seated before a burning hearth. This man crouched, his elbows on his knees, his face on his hands, and he wept; while a woman bent over him, her hand laid on his bald head.
The man was her father, the spendthrift; the woman her patient mother.
Was it a dream? or a reality of her unconscious infancy, far away, forgotten? She did not know; but at that moment in the shadow of her soul a light appeared, rose-red like the reflection of the burning hearth in that distant picture of human error and of human pity.
She did not think of laying her hand on her husband's head as her mother had laid hers on the head of that father who, perhaps, had been more guilty than Antonio; but she remembered the serene and beautiful life of that woman who had fulfilled her cycle as all good women must fulfil theirs, mid the love of her children and for their sake. Never had the widow made those sad memories to weigh upon her children. If they suffered, as by law of nature all born of woman must suffer, the memory of her did not add to their grief, but softened it.
"And I, too," thought Regina, "must fulfil my cycle. Our child must never know that we have suffered and have erred."
So she must pardon; more than ever she must pardon! Like the waters of the river, she must pass silently towards the light of an horizon beyond the earth, towards the sea of infinite charity, where the greatest of human errors is no more than the remembrance of an extinguished spark.
* * * * *
They came home in the carriage left by the five foreigners. A tender and transparent twilight had fallen around and within them. Resigned to the Nostalgia of a light lost for ever, not joyous nor very sad, like husband and wife re-united after a long separation, they clasped each other by the hand, silently promising to help each other as one helps the blind.
Thus they returned into the circle of the city and of the past.
It seemed to Regina that a long time, a whole period of life, had passed since she and her husband had stopped before the wayside tavern. But, returning, as their driver pulled up at the same place to light his lamps, she saw the girl in the pink blouse still sitting by the inside door, and the couple, light-footed and black against the background of golden glass, were at their dancing still.
THE END
RICHARD CLAY & SONS, LIMITED,
BREAD STREET HILL, E.C., AND
BUNGAY, SUFFOLK.
CHAPMAN AND HALL'S NEW BOOKS
_ALFRED RUSSEL WALLACE'S AUTOBIOGRAPHY_
=MY LIFE: A RECORD OF EVENTS AND OPINIONS.= By ALFRED
RUSSEL WALLACE, Author of 'Man's Place in the Universe,'
'Darwinism,' 'Geographical Distribution of Animals,' 'Natural
Selection and Tropical Nature,' 'The Malay Archipelago.' With
numerous Portraits, Illustrations, Facsimile Letters, etc.
Two Vols. Demy 8vo, 25_s._ net.
It is anticipated that this work will be one of the most
important publications of the autumn season. Besides
giving full and extremely interesting details of the great
scientist's early life and education, his first inclination
and attraction towards science, and an anecdotal narrative of
his travels on the Amazon and in the Malay Archipelago, it
relates the historic incidents connected with his association
with Darwin, gives full accounts of all the people he met,
and a very particular history of his investigation of
Spiritualism and the various controversies involved by his
theories. The book is written in a fascinatingly open and
candid style, and is sure to be widely read.
_THE LATEST TRIUMPH OF SCIENCE_
=THE ORIGIN OF LIFE: Its Physical Basis and Definition.= By
J. BUTLER BURKE. With Photographs, Diagrams, etc. Demy 8vo,
16_s._ net.
While experimenting at the Cavendish Laboratory, Cambridge,
to determine the effect of radium on sterilised bouillon,
Mr. Burke recently found that he could secure the apparently
spontaneous generation of growths, resembling bacteria, but
which were neither bacteria nor crystals. They were termed
"Radiobes." These bodies have since been examined by many
eminent men of science, to whom they appear to be in a
critical state between the vegetable and mineral kingdoms.
This discovery has since been the subject of extensive
comment in the publications of practically every civilised
country. It is believed to be of such importance that by
many it is acclaimed to be one of the great scientific
achievements of the age, and no doubt will rank as one of the
few supremely important discoveries for all time.
Mr. Burke has put the results of his investigations and
discovery into a book, and there is little doubt that it will
be eagerly looked forward to by the whole of the scientific
world, and its importance cannot be easily estimated.
_A NEW WORK BY W. H. MALLOCK_
=THE RECONSTRUCTION OF BELIEF.= By W. H. MALLOCK, Author of
'Religion as a Credible Doctrine.' Demy 8vo, 12_s._ net.
Mr. Mallock's book will appeal to all thinking men and women
who are interested in the subject of Religious Belief, and
who care for scholarly discussion set out in a distinguished
style. In his preface he says: "In two volumes which I have
published during the last four years, I have in different
ways attempted the same two things--firstly, to show the
futility of the methods employed by the religious thinkers
of to-day, in their attempt to liberate religion from the
negative conclusions of science; and secondly, to point out,
or rather suggest the outlines of a method which, for this
purpose, is likely to prove more profitable. In _Religion as
a Credible Doctrine_, the treatment was purely argumentative.
In _The Veil of the Temple_ the questions dealt with were
exhibited in their relation to the life of every day, and
the interests and characters of people who are anything but
professed thinkers: but in both of the volumes the negative
position was dealt with at greater length than the positive.
In the present volume these proportions are reversed. It
begins, indeed, with a short summary which exhibits the
strength of the negative arguments, but the larger part is
occupied with the attempted work of construction."
_A FASCINATING HISTORICAL MONOGRAPH_
=WILHELMINA, MARGRAVINE OF BAIREUTH.= By EDITH E. CUTHELL.
With numerous Portraits. Two Vols. Demy 8vo, 21_s._ net.
This is a romantic story from real history, dealing with a
highly talented woman of the eighteenth century who moved
in Continental Courts and founded the fortunes of the town
of Baireuth. It is constructed entirely from fresh material
gathered from documents hitherto unknown, and gives a bright
and spirited picture of Court life on the Continent one
hundred years ago.
_AN ILLUSTRATED HISTORY OF JAVA_
=JAVA: FACTS AND FANCIES.= By AUGUSTA DE WITT. With 160
Illustrations. Demy 8vo, 14_s._ net.
A splendidly illustrated volume dealing with all phases
of Javanese life, history, and character. The author
adopts a narrative style, avoiding the stolid, dry-as-dust
particulars, and attempts to give a picturesque account of
the daily round of life of the people of Java--their domestic
life, manners and customs, religious beliefs and marriage
rites, their sports and amusements, including their primitive
efforts at drama; the book deals fully with the Flora and
Fauna of the country, and the wonderful scenery is charmingly
described; whilst the agricultural and commercial value of
the island are adequately insisted upon. The illustrations
are plentiful and attractive, and add immeasurably to the
book's value.
_A CHARMING AND STANDARD BOOK ON LACE_
=THE LACE BOOK.= By N. HUDSON MOORE, Author of 'The Old
China Book,' 'The Old Furniture Book,' etc. With Seventy
Engravings, showing specimens of Lace, or its wear in famous
Portraits, with Border by C. E. CARTWRIGHT, and Decorations
after BODONI. 4to, 21_s._ net.
This is a handsomely illustrated history of lace from the
earliest times. It is divided into five parts, dealing
respectively with the Growth of Lace, Italian Lace, French
and Spanish Laces, and English and Irish Lace. In the
introductory part, the author traces the whole history of
lace manufacture in all countries in an exhaustive manner and
gives full details of the different styles of lace of the
various periods.
The illustrations are an important feature in the book.
Besides reproductions of every imaginable style of lace work,
there are many illustrations of notable personages of history
wearing robes and garments which exhibit some remarkable lace
of their period.
_A REVISED AND ENLARGED EDITION_
=RUSSIA IN REVOLUTION.= By G. H. PERRIS. With numerous
Illustrations. Demy 8vo, 10_s._ 6_d._
This is a revised edition containing an additional chapter
bringing the history of the tragic events in Russia up to
the present date. The book is a valuable and indispensable
one for all who desire to know the position of affairs
in Russia, and how and why they have reached the present
crisis. "A plain unvarnished tale," says the _Standard_; "the
substantial accuracy of the terrible facts and statistics
marshalled in these pages cannot be seriously challenged."
_AN IMPORTANT NEW WORK ON HEREDITY_
=THE PRINCIPLES OF HEREDITY.= By G. ARCHDALL REID, Author of
'The Present Evolution of Man,' 'Alcoholism: its Cause and
Cure,' etc. Demy 8vo, 12_s._ 6_d._ net.
"A work distinguished alike for incisiveness of diction,
originality of thought, and cogency of argument. It is
difficult to controvert any of the main conclusions, and
every medical man should study it carefully."--_The Lancet._
"This is a book which no intelligent student of human
affairs, whether he be a biologist or no, can possibly afford
to ignore. In knowledge, in style, in method, in purpose, in
logical power, in every necessary or desirable character, it
is a model of what such a treatise should be."--_The Outlook._
_A NEW BOOK BY THE AUTHOR OF 'HONORIA'S PATCHWORK'_
=A COAT OF MANY COLOURS.= Woven from Honoria's Letters to
the Best Friend, and Patched with Pieces from a Certain
Note-Book. By the Author of 'Honoria's Patchwork.' With
numerous Illustrations. Crown 8vo, 6_s._
Those who admired _Honoria's Patchwork_, published last
year, will be glad to be again in her delightful company,
surrounded by her friends, to be interested again in her
household duties, her cultured conversation and views on
books, pictures, and kindred subjects, and to once more
sojourn for a time in her charming Homemead. _A Coat of Many
Colours_ will be found to be as fresh, as sincere, and as
intimately personal as the _Patchwork_, and will be fully
illustrated by reproductions from charming photographs.
_AN EDITION DE LUXE, WITH COLOURED PLATES, OF_
=THE FIELDS OF FRANCE.= By MADAME MARY DUCLAUX (A. MARY F.
ROBINSON ). With Twenty Illustrations in Colour by W. B.
MACDOUGALL. Crown 4to, 21_s._ net.
It may be justly said that Madame Duclaux's book on rural
France has become a classic. Its interest and value was in no
way ephemeral, for in it Madame Duclaux gives the sense of
that wonderful world of out-of-doors which seems fading from
the horizon of the modern town-dweller. "The little book,"
said the _Daily Telegraph_, "presents a perfect gallery of
pictures, a sort of literary complement to Corot and Millet."
It is a book eminently suited for illustration, and Mr.
MacDougall spent a long period in the districts dealt with
in the volume in making a series of artistic paintings which
are reproduced by the best colour process. Unlike many such
books, the paintings were done to illustrate the text and not
the text written to the pictures.
_THE WIT AND WISDOM OF DICKENS_
=THE BOZ BIRTHDAY BOOK.= Compiled by J. W. T. LEY, Secretary
of the Dickens Fellowship. Containing an Index to Subjects
and a Portrait of Dickens. Crown 8vo, 3_s._ 6_d._ net, cloth;
in leather, 5_s._ net.
In compiling this Dickens Birthday Book, Mr. Ley's aim has
been to combine usefulness with ornament. That is to say,
every quotation expresses some sentiment on some phase of
life, on men or things, and with the aid of the Subject Index
appended, the volume forms a useful reference book of Dickens
quotations. The source is invariably given, and when the
sentiment is given expression to by a character, the name of
that character is added. Two quotations are given for every
day in the year, and the book is a compendium of Dickens's
wit, humour, and pathos.
_ANDREW LANG ON 'EDWIN DROOD'_
=THE PUZZLE OF DICKENS'S LAST PLOT.= By ANDREW LANG. With
Illustrations by LUKE FILDES, R.A. Crown 8vo, 2_s._ 6_d._
net.
In this book Mr. Andrew Lang attempts to discover the
intention of Dickens as to the "mystery of Edwin Drood,"
left unsolved by the death of the author. The question is,
was Edwin Drood slain by his uncle, John Jasper, as Jasper
himself certainly believed; and, if Edwin escaped, how did he
escape, and how would Jasper be unaware of his own failure
to murder his nephew? There are other subsidiary puzzles of
which solutions are offered.
The original cover of _Edwin Drood_, with two of Luke
Fildes's original illustrations, are reproduced for the
purpose of identifying the portraits and costumes of the
persons in the romance.
NEW 6s. NOVELS BY POPULAR AUTHORS
_BY THE AUTHOR OF 'JEMINA,' 'THE OTHER SON,' etc._
=OXENDALE.= By ELLA MACMAHON, Author of 'A New Note,' etc.,
etc. Crown 8vo, 6_s._
_BY THE AUTHOR OF 'THE SILVER KEY'_
=BEGGARS' LUCK.= By NELLIE K. BLISSETT, Author of
'Bindweed,' etc. Crown 8vo, 6_s._
_A FAMOUS ITALIAN NOVEL_
=NOSTALGIA.= By GRAZIA DELEDDA, Author of 'Cenere,' etc.
Translated by HELEN HESTER COLVILL.
_BY THE AUTHOR OF 'LOVE THE ATONEMENT'_
=SPIRITUAL ADVENTURES.= By FRANCES CAMPBELL, Author of 'Two
Queenslanders and their Friends.'
_BY THE AUTHOR OF 'JOHN WESTACOTT'_
=THE INSEPARABLES.= By JAMES BAKER, Author of 'The Gleaming
Dawn,' 'Mark Tillotson,' etc.
LONDON: CHAPMAN AND HALL, LTD.
* * * * *
TRANSCRIBER NOTES
Italic text is denoted by _underscores_ and bold text by =equal signs=
A number of words in this book have both hyphenated and non-hyphenated variants. For those words, the variant more frequently used was retained. The book also contains vernacular conversation in Italian.
Obvious punctuation errors were fixed.
Other printing errors, which were not detected during the revision of the printing process of the original book, have been corrected.
A Table of Content was added after the author's preface.
Comments
Log in to leave a comment.
NostalgiaChapter VII
0%12 min left in chapter