Chapter L: L. L

Near Selborne, Hants.

_Hogarth._--About the year 1746, Mr. Hogarth painted a portrait of himself and wife: he afterwards cut the canvass through, and presented the half containing his own portrait to a gentleman in Yorkshire.

If any of your numerous readers are in possession of any portrait of Mr. Hogarth, about three feet in length, and one foot eight inches wide, or are aware of the existence of such a portrait, they will confer a favour by addressing a line to

J. PHILLIPS, 5. Torrington Place, London.

_Adamsons of Perth._--Can any of your Scottish correspondents inform me what relationship existed between Patrick Adamson, titular Archbishop of St. Andrew's, and the two learned brothers, Henry Adamson, author of the _Muses' Threnodie_, and John Adamson, principal of the college at Edinburgh, and editor of the _Muses' Welcome_; and whether any existing family claims to be descended from them? They were all born at Perth. Henry and John were the sons of James Adamson, a merchant and magistrate of the fair city. Probably the archbishop was a brother of this James Adamson, and son of Patrick Adamson, who was Dean of the Guild when John Knox preached his famous sermon at St. John's. Mariota, a daughter of the archbishop, is said by Burke to have married Sir Michael {479} Balfour, Bart., of Nortland Castle Orkney. Another daughter would appear to have become the wife of Thomas Wilson, or Volusenus, as he calls himself, the editor of his father-in-law's poems and other publications.

E. H. A.

_Cursitor Barons of the Exchequer._--Will you allow me to repeat a question which you inserted in Vol. v., p. 346., as to a list of these officers, and any account of their origin and history? Surely some of your correspondents, devoted to legal antiquities, can give note a clue to the labyrinth which Madox has not ventured to enter. The office still exists--with peculiar duties which are still performed--and we know that it is an ancient one; all sufficient grounds for inquiry, which I trust will meet with some response.

EDWARD FOSS.

_Syriac Scriptures._--I am very anxious to know what editions of the Scriptures in Syriac (the _Peshito_) were published between Leusden and Schaaf's New Testament, and the entire Bible in 1816 by the Bible Society.

B. H. C.

* * * * *

Replies.

PSALMANAZAR.

(Vol. vii., pp. 206. 435.)

Having long felt a great respect for this person, and a great interest in all that concerns his history, I am induced to mention the grounds on which I have been led to doubt whether the letter in the _Gentleman's Magazine_, to which MR. CROSSLEY refers, is worthy of credit. When I first saw it, I considered it as so valuable an addition to the information which I had collected on the subject, that I was anxious to know who was the writer. It had no signature; but the date, "Sherdington, June, 1704," which was retained, gave me a clue which, by means not worth detailing, led me to the knowledge that what thus appeared in the _Gentleman's Magazine_ for February, 1765, had issued from "Curll's chaste press" more than thirty years before, in the form of a letter from the person now known in literary history as "Curll's Corinna," but by her cotemporaries (see the index of Mr. Cunningham's excellent _Handbook of London_) as Mrs. Elizabeth Thomas, sometime of Dyot Street, St. Giles's, and afterwards of a locality not precisely ascertained, but within the rules of the Fleet, and possibly (though Mr. Cunningham does not corroborate this) at some period of her life resident in the more genteel quarters which Curll assigns to her. To speak more strictly, and make the matter intelligible to any one who may look at it in the Magazine, I should add that the first paragraph (seventeen lines, on p. 78., dated from "Sherdington," and beginning "I dined," says the letter writer, "last Saturday with Sir John Guise, at Gloucester") is part of a letter purporting to be written by her lover; while all the remainder (on pp. 79-81.) is from Corinna's answer to it.

The worthless and forgotten work of which these letters form a part, consists of two volumes. The copy which I borrowed when I discovered what I have stated, consisted of a first volume of the second edition (1736), and a second volume of the first edition (1732). The title of the second volume (which I give as belonging to the earlier edition) is:

"The Honourable Lovers: or, the second and last Volume of Pylades and
Corinna. Being the remainder of Love Letters, and other Pieces (in
Verse and Prose), which passed between Richard Gwinnett, Esq.; of Great
Shurdington, in Gloucestershire, and Mrs. Elizabeth Thomas, Jun., of
Great Russel Street, Bloomsbury. To which is added, a Collection of
familiar Letters between Corinna, Mr. Norris, Capt. Hemington, Lady
Chudleigh, Lady Pakington, &c. &c. All faithfully published from their
original Manuscripts. London: printed in the Year M.DCC.XXXII. (Price
5s.)"

The title-page of the first volume (second edition) differs principally in having the statement that the book was "printed for E. Curll" (whose name does not appear in the earlier second volume, though perhaps it may have done so in the first of that earlier edition), and an announcement that the fidelity of the publication is "attested, by Sir Edward Northey, Knight."

The work is a farrago of low rubbish utterly beneath criticism; and I should perhaps hardly think it worth while to say as much as I have said of it, had it not been that, in turning it about, I could not help feeling a suspicion that Daniel Defoe's hand was in the matter, at least so far as that papers that had belonged to him might have come into Curll's hands, and furnished materials for the work. It would be tedious to enter into details; but the question seemed to me to be one of some interest, because, in my own mind, it was immediately followed by another, namely, whether Daniel had not more to do than has been suspected with the _History of Formosa_? Those who are more familiar with Defoe than I am, will be better able to judge whether he was, as Psalmanazar says, "the person who Englished it from my Latin;" for the youth was as much disqualified for writing the book in English, by being a Frenchman, as he would have been if he had been a Formosan. He acknowledges that this person assisted him to correct improbabilities; but I do not know that he anywhere throws further light on the question respecting the help which he must have had. Daniel would be just the man to correct some gross improbabilities, and at the same time help him to some more probable fictions. Under this impression I recently inquired (see "N. & Q.," Vol. vii., p. 305.) respecting the authorship of {480} _Pylades and Corinna_, and the possibility that it might be the work of Defoe; but I believe that my question has not been answered.

I have already trespassed unreasonably on your columns; but still I must beg, in justice to a man whose character, as I have said, I very highly respect, to add one remark. When his imposture is referred to, it is not always remembered that when he came to this country he was not his own master. It seems that he rambled away from his home in the South of France, when about fifteen years old; that he spent about two years in wandering about France and Germany, and astonishing people by pretending to be, at first a converted, and afterwards an unconverted, Formosan; that when performing this second, pagan, character, he arrived at Sluys, where a Scotch regiment in the Dutch service, under Brigadier Lauder, was stationed; that the chaplain, named Innes, detected the fraud, but instead of reproving the lad for his sin and folly, only considered how he might turn the cheat to his own advantage, and render it conducive to his own preferment. The abandoned miscreant actually went through the blasphemous mockery of baptizing the youth as a convert from heathenism; named him after the brigadier, who stood godfather: claimed credit from the Bishop of London for his zeal; and was by the kind prelate invited to bring his convert to London. The chaplain lost no time in accepting, was graciously received by the bishop and the archbishop, snapped up the first piece of preferment that would answer his views (it happened to be the office of chaplain-general to the forces in Portugal), and made off, leaving his convert to bear the storm which was sure to burst on him, as best he might. That a youth thus tutored and thus abandoned, before Johnson was born, should have lived to attract his society, and win from him the testimony that he was "the best man" whom he had ever known, gives him a claim to our respect, which seems to me to be strengthened by everything which I have been able to learn respecting him.

S. R. MAITLAND.

Gloucester.

* * * * *

CONSECRATED ROSES, ETC.

(Vol. vii., p. 407.)

Had G.'s Query referred solely to the consecration of _The Golden Rose_, I might have given him a satisfactory answer by referring him to Cartari's essay on the subject entitled _La Rosa d'Ora Pontificia, &c._, 4to. 1681, and to the account (with accompanying engraving) of the _Rose, Sword, and Cap_ consecrated by Julius III., and sent by him to Philip and Mary; and to Cardinal Pole's exposition of these Papal gifts, which are to be found in the 1st volume of F. Angeli Rocca, _Opera Omnia_ (fol. Rome, 1719). In the authors to whom I have referred, much curious information will, however, be found. I take this opportunity of saying, that as I am about to submit a communication on the subject of _The Golden Rose_ to the Society of Antiquaries, I shall feel obliged by any hints which may help me to render it more complete; and of putting on record in "N. & Q." the following particulars of the ceremonial, as it was performed on the 6th of March last, which I extract from the _Dublin Weekly Telegraph_ of the 9th of April.

"On Sunday, the 6th [March, 1853], the Benediction of the Golden Rose,
was, according to annual usage, performed by the Pontiff previously to
High Mass, in the Sistine Chapel, celebrated by a cardinal, at which he
assists every Sunday during Lent. To the more ancient practice of
blessing, on the fourth Sunday of 'Quaresima,' a pair of gold and
silver keys, touched with filings from the chains of St. Peter (which
are still preserved in Rome), the Holy See has substituted that of the
Benediction of the 'Rosa d'Oro,' to be presented, within the year, to
some sovereign or other potentate, who has proved well deserving of the
Church. The first positive record respecting the Golden Rose has been
ascribed to the Pontificate of Leo IX. (1049-53); but a writer in the
_Civitta Catolica_ states that allusion to a census levied for its cost
may be found in the annals of a still earlier period. The Pontiffs used
formerly to present it annually to the Prefect of Rome, after singing
Mass, on this Sunday, at the Lateran, and pronouncing a homily, during
which they lifted the consecrated object in one hand whilst expounding
to the people its mystic significance. Pius II. (1458) is the last Pope
recorded to have thus preached in reference to and thus conferred the
Golden Rose; and the first foreign potentate recorded to have received
it from the Holy See is Fulk, Count of Anjou, to whom it was presented
by Urban II. in 1096. A homily of Innocent III. also contains all
explanation of this beautiful symbol--the precious metal, the balsam
and musk used in consecrating it, being taken in mystic sense as
allusion to the triple substance in the person of the Incarnate
Lord--divinity, soul, and body. It is not merely a single flower, but
an entire rose-tree that is represented--the whole about a foot in
height, most delicately wrought in fine lamina of gold. This being
previously deposited between lighted candelabra, on a table in the
sacristy, is taken by the youngest cleric of the camera, to be
consigned to his Holiness, after the latter has been vested for the
solemnity, but before his assuming the mitre. After a beautiful form of
prayer, with incense and holy water, the Pontiff then, holding the
object in his hand, imparts the Benediction, introducing into the
flower which crowns the graceful stem, and is perforated so as to
provide a receptacle, balsam of Peru and powder of musk. He then passes
with the usual procession into the Sistine, still carrying the rose in
his left hand; and during the Mass it remains beneath the crucifix over
the altar. If in the course of the year no donation of the precious
object is thought advisable, the same is consecrated afresh on the
anniversary following. Some have conjectured that the Empress of France
will be selected {481} by Pius IX. to receive this honour in the
present instance; but this is mere conjecture. On a former occasion, it
is true, the Golden Rose was conferred by him on another crowned head
of the fairer sex--one entitled to more than common regards from the
Supreme Pastor in adversity--the Queen of Naples."

WILLIAM J. THOMS.

* * * * *

CAMPBELL'S IMITATIONS.

(Vol. vi., p. 505.)

It is curious that two of the passages pointed out by MR. BREEN, as containing borrowed ideas, are those quoted by Alison in his recent volume (_Hist. Eur._, vol. i. pp. 429, 430.) to support his panegyric on Campbell, of whose "felicitous images" he speaks with some enthusiasm.

The propensity of Campbell to adapt or imitate the thoughts and expressions of others has often struck me. Let me then suggest the following (taken at random) as further, and I believe hitherto unnoticed, illustrations of that propensity:

1. "When front to front the banner'd hosts combine,
Halt ere they close, and form the dreadful line."
_Pleasures of Hope._

"When front to front the marching armies shine,
Halt ere they meet, and form the lengthening line."
Pope, _Battle of Frogs and Mice_.

2. "As sweep the shot stars down the troubled sky."
_Pleasures of Hope._

"And rolls low thunder thro' _the troubled sky_."
Pope, _Frogs and Mice_.

3. "With meteor-standard to the winds unfurl'd."
_Pleasures of Hope._

"The imperial _standard_ which full high advanc'd,
Shone _like a meteor_ streaming _to the wind_."
Milton, _Par. Lost_, i. 535.

4. "The dying man to Sweden turn'd his eye,
Thought of his home, and clos'd it with a sigh."
_Pleasures of Hope._

"Sternitur infelix alieno vulnere, coelumque
Aspicit, _et dulces moriens reminiscitur Argos_."
Virgil, _Æn._, x. 782.

5. "... Red meteors flash'd along the sky,
And conscious Nature shudder'd at the cry."
_Pleasures of Hope._

"... _Fulsere ignes, et conscius_ æther."
Virgil, _Æn._, iv. 167.

6. "In hollow winds he hears a spirit moan."
_Pleasures of Hope._

Shakespeare has the _hollow whistling_ of the southern _wind_.

7. "The strings of Nature crack'd with agony."
_Pleasures of Hope._

"His _grief_ grew puissant. and _the strings of life_
Began _to crack_."--Shakspeare, _King Lear_.

8. "The fierce extremes of good and ill to brook."
_Gertrude of Wyoming._

"... And feel by turns the bitter change
Of _fierce extremes, extremes_ by change more _fierce_."
Milton, _Par. Lost_, ii. 599.

9. "His tassell'd horn beside him laid."
_O'Connor's Child._

"... Ere th' odorous breath of morn
Awakes the slumbering leaves, or _tassell'd horn_
Shakes the high thicket."--Milton, _Arcades_.

10. "The scented wild-weeds and enamell'd moss."
_Theodric._

Campbell thinks it necessary to explain this latter epithet in a note: "The moss of Switzerland, as well as that of the Tyrol, is remarkable for a bright smoothness approaching to the appearance of enamel." And yet was no one, or both, of the following passages floating in his brain when his pen traced the line?

"O'er the _smooth enamell'd green_
Where no print of sleep hath been."
Milton, _Arcades_.

"Here blushing Flora paints _th' enamell'd ground_."
Pope, _Winsdor Forest_.

W. T. M.

Hong Kong.

* * * * *

"THE HANOVER RAT."

(Vol. vii. p. 206.)

_An Essay on Irish Bulls_ is said to have found its way into a catalogue of works upon natural history; with which precedent in my favour, and pending the inquiries of _naturalists_, _ratcatchers_, and _farmers_ into the history of the above-named formidable invader, I hope MR. HIBBERD will have no objection to my intruding a bibliographical curiosity under the convenient head he has opened for it in "N. & Q."

My book, then, bears the appropriate title, _An Attempt towards a Natural History of the Hanover Rat, dedicated to P***m M******r, M.D., and S----y to the Royal Society_, 8vo., pp. 24.: London, 1744.

The writer of this curious piece takes his _cue_ from that remarkable production, _An Attempt towards a Natural History of the Polype_, 1743; in which the learned Mr. Henry Baker, in a letter to Martin Folkes, of 218 pages, 8vo., illustrated by a profusion of woodcuts, elaborately describes this link between the animal and vegetable creation, and the experiments he practised upon the same: commencing with "cutting off a polype's head," and so on through a series of scientific barbarities upon his _little creature_, which ended only in "turning a polype inside out!"

Following the plan of Mr. Baker, the anonymous author of _The Hanover Rat_ tells us, that, after thirty years' laborious research, he had {482} satisfied himself that this animal was not a native of these islands: "I cannot," he says, "particularly mark the date of its first appearance, yet I think it is within the memory of man;" and finding favour in its original _mine affamée_ state with a few of the most starved and hungry of the English rats from the common sewer, he proceeds to show that it _did_ extirpate the natives; but whether this is the best account, or whether the facts of the case as here set forth will satisfy your correspondent, is another thing. According to _my_ authority, the aboriginal rat was, at the period of writing, sorely put to it to maintain his ground against the invading colonists and their unnatural allies the _providers_; and the present work seems to have been an effort on the part of one in the interest of the former to awaken them to a sense of their danger. In his laudable attempts to rally their courage, this advocate reminds them of a similar crisis when their country was infested with a species of frog called _Dutch frogs_: "which no sooner," says he, "began to be mischievous, than its growth and progress was stopped by the natives." "Had we," he continues, "but the same public spirit with our ancestors, we need not complain to-day of being eaten up by _rats_. Our country is the same, but alas! we feel no more the same affection for it." In this way he stimulates the invaded to a combined attack upon the common enemy, and we need not tell _our_ readers how successfully, nor how desperate the struggle, the very next year; which ended in the complete ascendancy of the _Hanover rat_, or reigning family, over the unlucky Jacobite native. Under his figure of a rat, this Jacobite is very scurrilous indeed upon the Hanoverian succession; and, continuing his _polypian_ imitations, relates a few coarse experiments upon _his subject_ illustrative of its destructive properties, voracity, and sagacity, which set at nought "all the contrivances of the farmer to defend his barns; the trailer his warehouse; the gentleman his land; or the inferior people their cup-boards and small beer cellars. No bars or bolts can keep them out, nor can any gin or trap lay hold of them."

Luckily for us living in these latter days, we can extract amusement from topics of this nature, which would have subjected our forefathers to severe pains and penalties; and looking at the character and mischievous tendency of _The Hanover Rat_, I am curious to know if Mary Cooper, the publisher, was put under surveillance for her share in its production; for to me it appears a more aggravated libel upon the reigning family than that of the _Norfolk Prophecy_--for the publication of which, Boswell says, the great Samuel Johnson had to play at hide and seek with the officers of justice.

The advent of both Pretenders was preceded by _straws_ like these cast out by their adherents, to try _how the current set_. The present _jeu d'esprit_, however, is a double-shotted one: for, not content with tampering with the public allegiance, this aboriginal rat seems more innocently enjoying a laugh at the Royal Society, and its ingenious _fellow_ Mr. Baker, in as far as regards the aforesaid elaborate treatise upon _polypes_.

J. O.

* * * * *

FONT INSCRIPTIONS.

(Vol. vii., p. 408.)

MR. ELLACOMBE desires examples of these. I can supply the following:--

At Bradley, Lincolnshire, is a very large font, of the Decorated period, with this inscription round the bowl in black letter:

"Pater Noster, Ave Maria, and Criede, leren ye chyld yt es nede."

This is an early instance of the use of _English_ for inscriptions. The sketch was engraved in the work on _Baptismal Fonts_.

At Threckingham, Lincolnshire, I believe I succeeded in deciphering an inscription round the font, which was said to have been previously studied in vain. It is somewhat defaced; but in all probability the words are,--

"Ave Maria gracia p... d... t..."

_i. e._ of course, "plena, dominus tecum." The bowl of the font is Early English; but the base, round which the inscription runs, appears to be of the fifteenth century.

At Burgate, Suffolk, an inscription in black letter is incised on the upper step of the font:

"[Orate pro an--b'] Will'mi Burgate militis et d[=n]e Elionore uxoris
eius qui istum fontem fieri fecerunt."

Sir William Burgate died in 1409. It is engraved in the _Proceedings of the Bury and West Suffolk Archæological Institute_.

At Caistor, by Norwich:

"Orate pro animab ... liis ... ici de Castre."

At Walsoken, Norfolk:

"Remember the soul of S. Honyter and Margaret his wife, and John
Beforth, Chaplain."

with the date 1544.

At Gaywood, Norfolk, is a font of Gothic design, lust probably of post-Reformation date. On four of the eight sides of the bowl are these inscriptions:

"QVI . CREDIDE "VOCE . PATER
RIT . ET . BAPTI NATUS . CORPORE
ZATVS . FVERIT FLAMEN . AVE.
SALVVS . ERIT." MAT. 3."

"CHRISTVM . IN "I . AM . THY . GOD
DVISTIS . QVOT AND . THE . GOD
QVOT . BAPTI OF . THY . SEEDE.
ZATI . ESTIS." GEN."

{483}

At Tilney, All Saints, Norfolk, is an inscribed font so similar to the one last mentioned that they are probably the works of the same designer.

On the _cover_ of the font at Southacre, Norfolk, is this inscription:

"Orate p. aia. M[=r]i. Ri[=c]i. Gotts et d[=n]i Galfridi baker,
Rectoris huj' [eccl[=i]e qui hoc] opus fieri fece^t."

I may take the opportunity of adding two _pulpit_ inscriptions; one at Utterby, Lincolnshire, on the sounding-board:

"Quoties conscendo animo contimesco."

The other at Swarby, in the same county:

"O God my Saviour be my sped,
To preach thy word, men's soulls to fed."