Chapter II: Part 2

"Another word," he interrupted very gravely, "and I shall be forced to think that you insult me. As it is, I am grateful to you for supporting my flute's advice at an opportune moment. I will now leave you. Two hours ago I was in a fair way of becoming a criminal. I owe it to you, and to my flute, that I am still merely a lawyer. Farewell!"

With that he turned on his heel and was gone with a swinging stride up the path and across the moor. His figure stood out upon the sky-line for a moment, and then vanished. But I could hear for some time the tootle-tootle of his flute in the distance, and it struck me that its note was unusually sprightly and clear.

THE RETURN OF JOANNA.

High and low, rich and poor, in Troy Town there are seventy-three maiden ladies. Under this term, of course, I include only those who may reasonably be supposed to have forsworn matrimony. And of the seventy-three, the two Misses Lefanu stand first, as well from their age and extraction (their father was an Admiral of the Blue) as because of their house, which stands in Fore Street and is faced with polished Luxulyan granite--the same that was used for the famous Duke of Wellington's coffin in St. Paul's Cathedral.

Miss Susan Lefanu is eighty-five; Miss Charlotte has just passed seventy-six. They are extremely small, and Miss Bunce looks after them. That is to say, she dresses them of a morning, arranges their chestnut "fronts," sets their caps straight, and takes them down to breakfast. After dinner (which happens in the middle of the day) she dresses them again and conducts them for a short walk along the Rope-walk, which they call "the Esplanade." In the evening she brings out the Bible and sets it the right way up for Miss Susan, who begins to meditate on her decease; then sits down to a game of ecarte with Miss Charlotte, who as yet has not turned her thoughts upon mortality. At ten she puts them to bed. Afterwards, "the good Bunce "--who is fifty, looks like a grenadier, and wears a large mole on her chin--takes up a French novel, fastened by a piece of elastic between the covers of Baxter's "Saint's Rest," and reads for an hour before retiring. Her pay is fifty-two pounds a year, and her attachment to the Misses Lefanu a matter of inference rather than perception.

One morning in last May, at nine o'clock, when Miss Bunce had just arranged the pair in front of their breakfast-plates, and was sitting down to pour out the tea, two singers came down the street, and their voices--a man's and a woman's--though not young, accorded very prettily:--

"Citizens, toss your pens away!
For all the world is mad to-day--
Cuckoo--cuckoo!
The world is mad to-day."

"What unusual words for a pair of street singers!" Miss Bunce murmured, setting down the tea-pot. But as Miss Charlotte was busy cracking an egg, and Miss Susan in a sort of coma, dwelling perhaps on death and its terrors, the remark went unheeded.

"Citizens, doff your coats of black,
And dress to suit the almanack--
Cuckoo--"

The voices broke off, and a rat-tat sounded on the front door.

"Say that we never give to beggars, under any circumstances," murmured Miss Susan, waking out of her lethargy.

The servant entered with a scrap of crumpled paper in her hand. "There was a woman at the door who wished to see Miss Lefanu."

"Say that we never give--" Miss Susan began again, fumbling with the note. "Bunce, I have on my gold-rimmed spectacles, and cannot read with them, as you know. The black-rimmed pair must be up-stairs, on the--"

"How d'ye do, my dears?" interrupted a brisk voice. In the doorway stood a plump middle-aged woman, nodding her head rapidly. She wore a faded alpaca gown, patched here and there, a shawl of shepherd's plaid stained with the weather, and a nondescript bonnet. Her face was red and roughened, as if she lived much out of doors.

"How d'ye do?" she repeated "I'm Joanna."

Miss Bunce rose, and going discreetly to the window, pretended to gaze into the street. Joanna, as she knew, was the name of the old ladies' only step-sister, who had eloped from home twenty years before, and (it was whispered) had disgraced the family. As for the Misses Lefanu, being unused to rise without help, they spread out their hands as if stretching octaves on the edge of the table, and feebly stared.

"Joanna," began the elder, tremulously, "if you have come to ask charity--"

"Bless your heart, no! What put that into your head?" She advanced and took the chair which Miss Bunce had left, and resting her elbows on the table, regarded her sisters steadily. "What a preposterous age you both must be, to be sure! My husband's waiting for me outside."

"Your husband?" Miss Charlotte quavered.

"Why, of course. Did you suppose, because I ran away to act, that I wasn't an honest woman?" She stretched out her left hand; and there was a thin gold ring on her third finger. "He isn't much of an actor, poor dear. In fact, not to put too fine a point on it, he has been hissed off two-and-thirty stages in Great Britain alone. Indeed, he's the very worst actor I ever saw, although I don't tell him. But as a husband he's sublime."

"Are there--" Miss Charlotte began, and broke down. "Are there," she tried again, "are there--any--children?"

"Ah, my dear, if there were, I might be tempted to repent."

"Don't you?" jerked out Miss Bunce, turning abruptly from the window. There was a certain sharp emotion in the question, but her face was in the shadow. Joanna regarded her for a moment or two and broke into a laugh.

"My dears, I have been an actress and a mother. I retain the pride of both,--though my little one died at three months, and no manager will engage me now, because I refuse to act unless my husband has a part. Theoretically, he is the first of artists; in practice-- You were asking, however, if I repent. Well, having touched the two chief prizes within a woman's grasp, I hardly see how it is likely. I perceive that the object of my visit has been misinterpreted. To be frank, I came to gloat over you."

"Your step-sisters are at least respectable," Miss Bunce answered.

"Let us grant that to be a merit," retorted Joanna: "Do I understand you to claim the credit of it?"

"They are very clean, though," she went on, looking from one to the other, "and well preserved. Susan, I notice, shows signs of failing; she has dropped her spectacles into the teacup. But to what end, Miss--"

"Bunce."

"To what end, Miss Bunce, are you preserving them?"

"Madam, when you entered the room I was of your way of thinking. Book after book that I read"--Miss Bunce blushed at this point-- "has displayed before me the delights of that quick artistic life that you glory in following. I have eaten out my heart in longing. But now that I see how it coarsens a women--for it _is_ coarse to sneer at age, in spite of all you may say about uselessness being no better for being protracted over much time--"

"You are partly right," Joanna interrupted, "although you mistake the accident for the essence. I am only coarse when confronted by respectability. Nevertheless, I am glad if I reconcile you to your lot."

"But the point is," insisted Miss Bunce, "that a lady _never_ forgets herself."

"And you would argue that the being liable to forget myself is only another development of that very character by virtue of which I follow Art. Ah, well"--she nodded towards her stepsisters--"I ask you why they and I should be daughters of one father?"

She rose and stepped to the piano in the corner. It was a tall Collard, shaped, above the key-board, like a cupboard. After touching the notes softly, to be sure they were in tune, she drew over a chair, and fell to playing Schumann's "_Warum?_" very tenderly. It was a tinkling instrument, but perhaps her playing gained pathos thereby, before such an audience. At the end she turned round: there were tears in her eyes.

"You used to play the 'Osborne Quadrilles' very nicely," observed Miss Susan, suddenly. "Your playing has become very--very--"

"Disreputable," suggested Joanna.

"Well, not exactly. I was going to say 'unintelligible.'"

"It's the same thing." She rose, kissed her step-sisters, and walked out of the room without a look at Miss Bunce.

"Poor Joanna!" observed Miss Susan, after a minute's silence. "She has aged very much. I really must begin to think of my end."

Outside, in the street, Joanna's husband was waiting for her--a dark, ragged man, with a five-act expression of face.

"Don't talk to me for a while," she begged. "I have been among ghosts."

"Ghosts?"

"They were much too dull to be real: and yet--Oh, Jack, I feel glad for the first time that our child was taken! I might have left him there."

"What shall we sing?" asked the man, turning his face away.

"Something pious," Joanna answered with an ugly little laugh, "since we want our dinner. The public has still enough honesty left to pity piety." She stepped out into the middle of the street, facing her sisters' windows, and began, the man's voice chiming in at the third bar--

"In the sweet by-and-bye
We shall meet on that be-yeautiful shore." . . .

PSYCHE.

"_Among these million Suns how shall the strayed Soul find her way back to earth?_"

The man was an engine-driver, thick-set and heavy, with a short beard grizzled at the edge, and eyes perpetually screwed up, because his life had run for the most part in the teeth of the wind. The lashes, too, had been scorched off. If you penetrated the mask of oil and coal-dust that was part of his working suit, you found a reddish-brown phlegmatic face, and guessed its age at fifty. He brought the last down train into Lewminster station every night at 9.45, took her on five minutes later, and passed through Lewminster again at noon, on his way back with the Galloper, as the porters called it.

He had reached that point of skill at which a man knows every pound of metal in a locomotive; seemed to feel just what was in his engine the moment he took hold of the levers and started up; and was expecting promotion. While waiting for it, he hit on the idea of studying a more delicate machine, and married a wife. She was the daughter of a woman at whose house he lodged, and her age was less than half of his own. It is to be supposed he loved her.

A year after their marriage she fell into low health, and her husband took her off to Lewminster for fresher air. She was lodging alone at Lewminster, and the man was passing Lewminster station on his engine, twice a day, at the time when this tale begins.

People--especially those who live in the West of England--remember the great fire at the Lewminster Theatre; how, in the second Act of the _Colleen Bawn_, a tongue of light shot from the wings over the actors' heads; how, even while the actors turned and ran, a sheet of fire swept out on the auditorium with a roaring wind, and the house was full of shrieks and blind death; how men and women were turned to a white ash as they rose from their seats, so fiercely the flames outstripped the smoke. These things were reported in the papers, with narratives and ghastly details, and for a week all England talked of Lewminster.

This engine-driver, as the 9.45 train neared Lewminster, saw the red in the sky. And when he rushed into the station and drew up, he saw that the country porters who stood about were white as corpses.

"What fire is that?" he asked one.

"'Tis the theayter! There's a hundred burnt a'ready, and the rest treadin' each other's lives out while we stand talkin', to get 'pon the roof and pitch theirselves over!"

Now the engine-driver's wife was going to the play that night, and he knew it. She had met him at the station, and told him so, at midday.

But there was nobody to take the train on, if he stepped off the engine; for his fireman was a young hand, and had been learning his trade for less than three weeks.

So when the five minutes were up--or rather, ten, for the porters were bewildered that night--this man went on out of the station into the night. Just beyond the station the theatre was plain to see, above the hill on his left, and the flames were leaping from the roof; and he knew that his wife was there. But the train was never taken down more steadily, nor did a single passenger guess what manner of man was driving it.

At Drakeport, where his run ended, he stepped off the engine, walked from the railway-sheds to his mother-in-law's, where he still lodged, and went up-stairs to his bed without alarming a soul.

In the morning, at the usual hour, he was down at the station again, washed and cleanly dressed. His fireman had the Galloper's engine polished, fired up, and ready to start.

"Mornin'," he nodded, and looking into his driver's eyes, dropped the handful of dirty lint with which he had been polishing. After shuffling from foot to foot for a minute, he ended by climbing down on the far side of the engine.

"Oldster," he said, "'tis mutiny p'raps; but s'help me, if I ride a mile longside that new face o' your'n!"

"Maybe you're right," his superior answered wearily. "You'd best go up to the office, and get somebody sent down i' my place. And while you're there, you might get me a third-class for Lewminster."

So this man travelled up to Lewminster as passenger, and found his young wife's body among the two score stretched in a stable-yard behind the smoking theatre, waiting to be claimed. And the day after the funeral he left the railway company's service. He had saved a bit, enough to rent a small cottage two miles from the cemetery where his wife lay. Here he settled and tilled a small garden beside the high-road.

Nothing seemed to be wrong with the man until the late summer, when he stood before the Lewminster magistrates charged with a violent and curiously wanton assault.

It appeared that one dim evening, late in August, a mild gentleman, with Leghorn hat, spectacles, and a green gauze net, came sauntering by the garden where the ex-engine-driver was pulling a basketful of scarlet runners: that the prisoner had suddenly dropped his beans, dashed out into the road, and catching the mild gentleman by the throat had wrenched the butterfly net from his hand and belaboured him with the handle till it broke.

There was no defence, nor any attempt at explanation. The mild gentleman was a stranger to the neighbourhood. The magistrates marvelled, and gave his assailant two months.

At the end of that time the man came out of gaol and went quietly back to his cottage.

Early in the following April he conceived a wish to build a small greenhouse at the foot of his garden, by the road, and spoke to the local mason about it. One Saturday afternoon the mason came over to look at the ground and discuss plans. It was bright weather, and while the two men talked a white butterfly floated past them--the first of the year.

Immediately the mason broke off his sentence and began to chase the butterfly round the garden: for in the West country there is a superstition that if a body neglect to kill the first butterfly he may see for the season, he will have ill luck throughout the year. So he dashed across the beds, hat in hand.

"I'll hat 'en--I'll hat 'en! No, fay! I'll miss 'en, I b'lieve. Shan't be able to kill 'n if hor's wunce beyond th' gaate--stiddy, my son! Wo-op!"

Thus he yelled, waving his soft hat: and the next minute was lying stunned across a carrot-bed, with eight fingers gripping the back of his neck and two thumbs squeezing on his windpipe.

There was another assault case heard by the Lewminster bench; and this time the ex-engine-driver received four months. As before, he offered no defence: and again the magistrates were possessed with wonder.

Now the explanation is quite simple. This man's wits were sound, save on one point. He believed--why, God alone knows, who enabled him to drive that horrible journey without a tremor of the hand--that his wife's soul haunted him in the form of a white butterfly or moth. The superstition that spirits take this shape is not unknown in the West; and I suppose that as he steered his train out of the station, this fancy, by some odd freak of memory, leaped into his brain, and held it, hour after hour, while he and his engine flew forward and the burning theatre fell further and further behind. The truth was known a fortnight after his return from prison, which happened about the time of barley harvest.

A harvest-thanksgiving was held in the parish where he lived; and he went to it, being always a religious man. There were sheaves and baskets of vegetables in the chancel; fruit and flowers on the communion-table, with twenty-one tall candles burning above them; a processional hymn; and a long sermon. During the sermon, as the weather was hot and close, someone opened the door at the west end.

And when the preacher was just making up his mind to close the discourse, a large white moth fluttered in at the west door.

There was much light throughout the church; but the great blaze came, of course, from the twenty-one candles upon the altar. And towards this the moth slowly drifted, as if the candles sucked her nearer and nearer, up between the pillars of the nave, on a level with their capitals. Few of the congregation noticed her, for the sermon was a stirring one; only one or two children, perhaps, were interested--and the man I write of. He saw her pass over his head and float up into the chancel. He half-rose from his chair.

"My brothers," said the preacher, "if two sparrows, that are sold for a farthing, are not too little for the care of this infinite Providence--"

A scream rang out and drowned the sentence. It was followed by a torrent of vile words, shouted by a man who had seen, now for the second time, the form that clothed his wife's soul shrivelled in unthinking flames. All that was left of the white moth lay on the altar-cloth, among the fruit at the base of the tallest candlestick.

And because the man saw nothing but cruelty in the Providence of which the preacher spoke, he screamed and cursed, till they overpowered him and took him forth by the door. He was wholly mad from that hour.

THE COUNTESS OF BELLARMINE.

Few rivers in England are without their "Lovers' Leap"; but the tradition of this one is singular, I believe. It overhangs a dark pool, midway down a west country valley--a sheer escarpment of granite, its lip lying but a stone's throw from the high-road, that here finds its descent broken by a stiff knoll, over which it rises and topples again like a wave.

I had drawn two shining peel out of the pool, and sat eating my lunch on the edge of the Leap, with my back to the road. Forty feet beneath me the water lay black and glossy, behind the dotted foliage of a birch-tree. My rod stuck upright from the turf at my elbow, and, whenever I turned my head, neatly bisected the countenance and upper half of Seth Truscott, an indigenous gentleman of miscellaneous habits and a predatory past, who had followed me that morning to carry the landing-net.

It was he who, after lunch, imparted the story of the rock on which we sat; and as it seemed at the time to gain somewhat by the telling, I will not risk defacing it by meddling with his dialect.

"I reckon, sir," he began, with an upward nod at a belt of larches, the fringe of a great estate, that closed the view at the head of the vale, "you'm too young to mind th' ould Earl o' Bellarmine, that owned Castle Cannick, up yonder, in my growin' days. 'Ould Wounds' he was nick-named--a cribbage-faced, what-the-blazes kind o' varmint, wi' a gossan wig an' a tongue like oil o' vitriol. He'd a-led the fore-half o' his life, I b'lieve, in London church-town, by reason that he an' his father couldn' be left in a room together wi'out comin' to fisticuffs: an' by all accounts was fashion's favourite in the naughty city, doin' his duty in that state o' life an' playing Hamlet's ghost among the Ten Commandments.

"The upshot was that he killed a young gentleman over a game o' whist, an' that was too much even for the Londoners. So he packed up and sailed for furrin' parts, an' didn' show his face in England till th' ould man, his father, was took wi' a seizure an' went dead, bein' palsied down half his face, but workin' away to the end at the most lift-your-hair wickedness wi' the sound side of his mouth.

"Then the new Earl turned up an' settled at Castle Cannick. He was a wifeless man, an', by the look o't, had given up all wish to coax the female eye: for he dressed no better'n a jockey, an' all his diversion was to ride in to Tregarrick Market o' Saturdays, an' hang round the doorway o' the Pack-Horse Inn, by A. Walters, and glower at the men an' women passin' up and down the Fore Street, an' stand drinkin' brandy an' water while the horse-jockeys there my-lord'ed 'en. Two an' twenty glasses, they say, was his quantum' between noon an' nine o'clock; an' then he'd climb into saddle an' ride home to his jewelled four-poster, cursin' an' mutterin', but sittin' his mare like a man of iron.

"But one o' these fine market-days he did a thing that filled the mouths o' the country-side.

"He was loafin' by the Pack-Horse door, just as usual, at two o'clock, rappin' the head o' his crop on the side o' his ridin' boots, drawin' his brows down an' lookin' out curses from under 'em across the street to the saddler's opposite, when two drover-chaps came up the pavement wi' a woman atween 'em.

"The woman--or maid, to call her by her proper title--was a dark-browed slut, wi' eyes like sloes, an' hair dragged over her face till she looked like an owl in an ivy-bush. As for the gown o' her, 'twas no better'n a sack tied round the middle, wi' a brave piece torn away by the shoulder, where one o' the men had clawed her.

"There was a pretty dido goin' on atween the dree, an' all talkin' together--the two men mobbin' each other, an' the girl i' the middle callin' em every name but what they was chris'ened, wi'out distinction o' persons, as the word goes.

"'What's the uproar?' asks Ould Wounds, stoppin' the tap-tap o' his crop, as they comes up.

"'The woman b'longs to me,' says the first. 'I've engaged to make her my lawful wife; an' I won't go from my word under two gallon o' fourpenny.'

"'You agreed to hand her over for one gallon, first along,' says t'other,' an' a bargain's a bargain.'

"Says the woman, 'You're a pair o' hair-splitting shammicks, the pair of 'ee. An' how much beer be I to have for my weddin' portion?' (says she)--'for that's all _I_ care about, one way or t'other.'

"Now Ould Wounds looked at the woman; an' 'tis to be thought he found her eyeable, for he axed up sharp--

"'Would 'ee kick over these two, an' marry me, for a bottle o' gin?'

"'That would I.'

"'An' to be called My Lady--Countess o' Bellarmine?'

"'Better an' better.'

"'I shall whack 'ee.'

"'I don't care.'

"'I shall kick an' cuff an' flog 'ee like a span'el dog,' says he: 'by my body! I shall make 'ee repent.'

"'Give 'ee leave to try,' says she.

"An' that's how th' Earl o' Bellarmine courted his wife. He took her into the bar an' treated her to a bottle o' gin on the spot. At nine o'clock that evenin' she tuk hold of his stirrup-leather an' walked beside 'en, afoot, up to Castle Cannick. Next day, their banns were axed in church, an' in dree weeks she was My Ladyship.

"'Twas a battle-royal that began then. Ould Wounds dressed the woman up to the nines, an' forced all the bettermost folk i' the county to pay their calls an' treat her like one o' the blood; and then, when the proud guests stepped into their chariots an' druv away, he'd fall to, an' lick her across the shoulders wi' his ridin'-whip, to break her sperrit. 'Twas the happiest while o' th' ould curmudgeon's life, I do b'lieve; for he'd found summat he cudn' tame in a hurry. There was a noble pond afore the house, i' those days, wi' urns an' heathen gods around the brim, an' twice he dragged her through it in her night-gown, I've heerd, an' always dined wi' a pistol laid by his plate, alongside the knives an' prongs, to scare her. But not she!

"An' next he tried to burn her in her bed: an' that wasn' no good.

"An' last of all he fell i' love wi' her: an' that broke her."

"One day--the tale goes--she made up her mind an' ordered a shay an' pair from the Pack-Horse. The postillion was to be waitin' by the gate o' the deer-park--the only gate that hadn't a lodge to it--at ten o'clock that night. 'Twas past nine afore dinner was done, an' she got up from her end o' the table an' walked across to kiss th' ould fellow. He, 'pon his side, smiled on her, pleased as Punch; for 'twas little inore'n a fortni't since he'd discovered she was the yapple of his eye. She said 'Good night' an' went up-stairs to pack a few things in a bag, he openin' the door and shuttin' it upon her. Then he outs wi' his watch, waits a couple o' minutes, an' slips out o' the house.

"At five minutes to ten comes my ladyship, glidin' over the short turf o' the deer-park, an' glancin' over her shoulder at the light in his lordship's libery window. 'Twas burnin' in true watch-an'-fear-nothin' style, an' there, by the gate, was the shay and horses, and postillion, wrapped up and flapping his arms for warmth, who touched his cap and put down the steps for her.

"'Drive through Tregarrick,' says she, 'an' don't spare whip-cord.'

"Slam went the door, up climbed the postillion, an' away they went like a house afire. There was half-a-moon up an' a hoar frost gatherin', an' my lady, lean in' back on the cushions, could see the head and shoulders of the postillion bob-bobbing, till it seemed his head must work loose and tumble out of his collar.

"The road they took, sir, is the same that runs down the valley afore our very eyes. An' 'pon the brow o't, just when it comes in sight, the off horse turned restive. In a minute 'twas as much as the post-boy could ha' done to hold 'en. _But he didn' try_. Instead, he fell to floggin' harder, workin' his arm up an' down like a steam-engin'.

"'What the jiminy are 'ee doin?' calls out her ladyship--or words to that effec'--clutchin' at the side o' the shay, an' tryin' to stiddy hersel'.

"'I thought I wasn' to spare whip-cord,' calls back the post-boy.

"An' with that he turned i' the saddle; an' 'twas the face o' her own wedded husband, as ghastly white as if 't burned a'ready i' the underground fires.

"Seem' it, her joints were loosed, an' she sat back white as he; an' down over the hill they swung at a breakneck gallop, shay lurchin' and stones flyin'.

"About thirty yards from where we'm sittin', sir, Ould Wounds caught the near rein twice round his wrist an lean't back, slowly pullin' it, till his face was slewed round over his left shoulder an' grinnin' in my lady's face.

"An' that was the last look that passed atween 'em. For now feeling the wheels on grass and the end near, he loosed the rein and fetched the horse he rode a cut atween the ears--an' that's how 'twas," concluded Seth, lamely.

Like most inferior narrators, he shied at the big fence, flinched before the climax. But as he ended, I flung a short glance downward at the birches and black water, and took up my rod again with a shiver.

FROM A COTTAGE IN TROY.

I.--A HAPPY VOYAGE.

The cottage that I have inhabited these six years looks down on the one quiet creek in a harbour full of business. The vessels that enter beneath Battery Point move up past the grey walls and green quay-doors of the port to the jetties where their cargoes lie. All day long I can see them faring up and down past the mouth of my creek; and all the year round I listen to the sounds of them--the dropping or lifting of anchors, the _wh-h-ing!_ of a siren-whistle cutting the air like a twanged bow, the concertina that plays at night, the rush of the clay cargo shot from the jetty into the lading ship. But all this is too far remote to vex me. Only one vessel lies beneath my terrace; and she has lain there for a dozen years. After many voyages she was purchased by the Board of Guardians in our district, dismasted, and anchored up here to serve as a hospital-ship in case the cholera visited us. She has never had a sick man on board from that day to the present. But once upon a time three people spent a very happy night on her deck, as you shall hear. She is called _The Gleaner_.

I think I was never so much annoyed in my life as on the day when Annie, my only servant, gave me a month's "warning." That was four years ago; and she gave up cooking for me to marry a young watchmaker down at the town--a youth of no mark save for a curious distortion of the left eyebrow (due to much gazing through a circular glass into the bowels of watches), a frantic assortment of religious convictions, a habit of playing the fiddle in hours of ease, and an absurd name--Tubal Cain Bonaday. I noticed that Annie softened it to "Tubey."

Of course I tried to dissuade her, but my arguments were those of a wifeless man, and very weak. She listened to them with much patience, and went off to buy her wedding-frock. She was a plain girl, without a scintilla of humour; and had just that sense of an omelet that is vouchsafed to one woman in a generation.

So she and Tubal Cain were married at the end of the month, and disappeared on their honeymoon, no one quite knew whither. They went on the last day of April.

At half-past eight in the evening of May 6th I had just finished my seventh miserable dinner. My windows were open to the evening, and the scent of the gorse-bushes below the terrace hung heavily underneath the verandah and stole into the room where I sat before the white cloth, in the lamp-light. I had taken a cigarette and was reaching for the match-box when I chanced to look up, and paused to marvel at a singular beauty in the atmosphere outside.

It seemed a final atonement of sky and earth in one sheet of vivid blue. Of form I could see nothing; the heavens, the waters of the creek below, the woods on the opposite shore were simply indistinguishable--blotted out in this one colour. If you can recall certain advertisements of Mr. Reckitt, and can imagine one of these transparent, with a soft light glowing behind it, you will be as near as I can help you to guessing the exact colour. And, but for a solitary star and the red lamp of a steamer lying off the creek's mouth, this blue covered the whole firmament and face of the earth.

I lit my cigarette and stepped out upon the verandah. In a minute or so a sound made me return, fetch a cap from the hall, and descend the terrace softly.

My feet trod on bluebells and red-robins, and now and then crushed the fragrance out of a low-lying spike of gorse. I knew the flowers were there, though in this curious light I could only see them by peering closely. At the foot of the terrace I pulled up and leant over the oak fence that guarded the abrupt drop into the creek.

There was a light just underneath. It came from the deck of the hospital-ship, and showed me two figures standing there--a woman leaning against the bulwarks, and a man beside her. The man had a fiddle under his chin, and was playing "Annie Laurie," rather slowly and with a deal of sweetness.

When the melody ceased, I craned still further over the oak fence and called down, "Tubal Cain!"

The pair gave a start, and there was some whispering before the answer came up to me.

"Is that you, sir?"

"To be sure," said I. "What are you two about on board _The Gleaner?_"

Some more whispering followed, and then Tubal Cain spoke again--

"It doesn't matter now, sir. We've lived aboard here for a week, and to-night's the end of our honeymooning. If 'tis no liberty sir, Annie's wishful that you should join us."

Somehow, the invitation, coming through this mysterious atmosphere, seemed at once natural and happy. The fiddle began again as I stepped away from the fence and went down to get my boat out. In three minutes I was afloat, and a stroke or two brought me to the ship's ladder. Annie and Tubal Cain stood at the top to welcome me.

But if I had felt no incongruity in paying this respectful visit to my ex-cook and her lover, I own that her appearance made me stare. For, if you please, she was dressed out like a lady, in a gown of pale blue satin trimmed with swansdown--a low-necked gown, too, though she had flung a white shawl over her shoulders. Imagine this and the flood of blue light around us, and you will hardly wonder that, half-way up the ladder, I paused to take breath. Tubal Cain was dressed as usual, and tucking his fiddle under his arm, led me up to shake hands with his bride as if she were a queen. I cannot say if she blushed. Certainly she received me with dignity: and then, inverting a bucket that lay on the deck, seated herself; while Tubal Cain and I sat down on the deck facing her, with our backs against the bulwarks.

"It's just this, sir," explained the bridegroom, laying his fiddle across his lap, and speaking as if in answer to a question: "it's just this:--by trade you know me for a watchmaker, and for a Plymouth Brother by conviction. All the week I'm bending over a counter, and every Sabbath-day I speak in prayer-meeting what I hold, that life's a dull pilgrimage to a better world. If you ask me, sir, to-night, I ought to say the same. But a man may break out for once; and when so well as on his honeymoon? For a week I've been a free heathen: for a week I've been hiding here, living with the woman I love in the open air; and night after night for a week Annie here has clothed herself like a woman of fashion. Oh, my God! it has been a beautiful time--a happy beautiful time that ends to-night!"

He set down the fiddle, crooked up a knee and clasped his hands round it, looking at Annie.

"Annie, girl, what is it that we believe till to-morrow morning? You believe--eh?--that 'tis a rare world, full of delights, and with no ugliness in it?"

Annie nodded.

"And you love every soul--the painted woman in the streets no less than your own mother?"

Annie nodded again. "I'd nurse 'em both if they were sick," she said.

"One like the other?"

"And there's nothing shames you?" Here he rose and took her hand. "You wouldn't blush to kiss me before master here?"

"Why should I?" She gave him a sober kiss, and let her hand rest in his.

I looked at her. She was just as quiet as in the old days when she used to lay my table. It was like gazing at a play.

I should be ashamed to repeat the nonsense that Tubal Cain thereupon began to talk; for it was mere midsummer madness. But I smoked four pipes contentedly while the sound of his voice continued, and am convinced that he never performed so well at prayer-meeting. Down at the town I heard the church-clock striking midnight, and then one o'clock; and was only aroused when the youth started up and grasped his fiddle.

"And now, sir, if you would consent to one thing, 'twould make us very happy. You can't play the violin, worse luck; but you might take a step or two round the deck with Annie, if I strike up a waltz-tune for you to move to."

It was ridiculous, but as he began to play I moved up to Annie, put my arm around her, and we began to glide round and round on the deck. Her face was turned away from mine, and looked over my shoulder; if our eyes had met, I am convinced I must have laughed or wept. It was half farce, half deadly earnest, and for me as near to hysterics as a sane man can go. Tubal Cain, that inspired young Plymouth Brother, was solemn as a judge. As for Annie, I would give a considerable amount, at this moment, to know what she thought of it. But she stepped very lightly and easily, and I am not sure I ever enjoyed a waltz so much. The blue light--that bewitching, intoxicating blue light--paled on us as we danced. The grey conquered it, and I felt that when we looked at each other the whole absurdity would strike us, and I should never be able to face these lovers again without a furious blush. As the day crept on, I stole a glance at Tubal Cain. He was scraping away desperately--_with his eyes shut_. For us the dance had become weariness, but we went on and on. We were afraid to halt.

Suddenly a string of the violin snapped. We stopped, and I saw Tubal Cain's hand pointing eastward. A golden ripple came dancing down the creek, and, at the head of the combe beyond, the sun's edge was mounting.

"Morning!" said the bridegroom.

"It's all done," said Annie, holding out a hand to me, without looking up. "And thank you, sir."

"We danced through the grey," I answered; and that was all I could find to say, as I stepped towards the ladder.

Half an hour later as I looked out of the window before getting into bed I saw in the sunlight a boat moving down the creek towards the town. Tubal Cain was rowing, and Annie sat in the stern. She had changed her gown.

They have been just an ordinary couple ever since, and attend their chapel regularly. Sometimes Annie comes over to make me an omelet; and, as a matter of fact, she is now in the kitchen. But not a word has ever been spoken between us about her honeymoon.

II.--THESE-AN'-THAT'S WIFE.

In the matter of These-an'-That himself, public opinion in Troy is divided. To the great majority he appears scandalously careless of his honour; while there are just six or seven who fight with a suspicion that there dwells something divine in the man.

To reach the town from my cottage I have to cross the Passage Ferry, either in the smaller boat which Eli pulls single-handed, or (if a market-cart or donkey, or drove of cattle be waiting on the slip) I must hang about till Eli summons his boy to help him with the horse-boat. Then the gangway is lowered, the beasts are driven on board, the passengers follow at a convenient distance, and the long sweeps take us slowly across the tide. It was on such a voyage, a few weeks after I settled in the neighbourhood, that I first met These-an'-That.

I was leaning back against the chain, with my cap tilted forward to keep off the dazzle of the June sunshine on the water, and lazily watching Eli as he pushed his sweep. Suddenly I grew aware that by frequent winks and jerks of the head he wished to direct my attention to a passenger on my right--a short, round man in black, with a basket of eggs on his arm.

There was quite a remarkable dearth of feature on this passenger's face, which was large, soft, and unhealthy in colour: but what surprised me was to see, as he blinked in the sunlight, a couple of big tears trickle down his cheeks and splash among the eggs in his basket.

"There's trouble agen, up at Kit's," remarked Eli, finishing his stroke with a jerk, and speaking for the general benefit, though the words were particularly addressed to a drover opposite.

"Ho?" said the drover: "that woman agen?"

The passengers, one and all, bent their eyes on the man in black, who smeared his face with his cuff, and began weeping afresh, silently.

"Beat en blue las' night, an' turned en to doors--the dirty trollop."

"Eli, don't 'ee--" put in the poor man, in a low, deprecating voice.

"Iss, an' no need to tell what for," exclaimed a red-faced woman who stood by the drover, with two baskets of poultry at her feet. "She's a low lot; a low trapesin' baggage. If These-an'-That, there, wasn' but a poor, ha'f-baked shammick, he'd ha' killed that wife o' his afore this."

"Naybours, I'd as lief you didn't mention it," appealed These-an'-That, huskily.

"I'm afeard you'm o' no account, These-an'-That: but sam-sodden, if I may say so," the drover observed.

"Put in wi' the bread, an' took out wi' the cakes," suggested Eli.

"Wife!--a pretty loitch, she an' the whole kit, up there!" went on the market-woman. "If you durstn't lay finger 'pon your wedded wife, These-an'-That, but let her an' that long-legged gamekeeper turn'ee to doors, you must be no better'n a worm,--that's all I say."

I saw the man's face twitch as she spoke of the gamekeeper. But he only answered in the same dull way.

"I'd as lief you didn' mention it, friends,--if 'tis all the same."

His real name was Tom Warne, as I learnt from Eli afterwards; and he lived at St. Kit's, a small fruit-growing hamlet two miles up the river, where his misery was the scandal of the place. The very children knew it, and would follow him in a crowd sometimes, pelting him with horrible taunts as he slouched along the road to the kitchen garden out of which he made his living. He never struck one; never even answered; but avoided the school-house as he would a plague; and if he saw the Parson coming would turn a mile out of his road.

The Parson had called at the cottage a score of times at least: for the business was quite intolerable. Two evenings out of the six, the long-legged gamekeeper, who was just a big, drunken bully, would swagger easily into These-an'-That's kitchen and sit himself down without so much as "by your leave." "Good evenin', gamekeeper," the husband would say in his dull, nerveless voice. Mostly he only got a jeer in reply. The fellow would sit drinking These-an'-That's cider and laughing with These-an'-That's wife, until the pair, very likely, took too much, and the woman without any cause broke into a passion, flew at the little man, and drove him out of doors, with broomstick or talons, while the gamekeeper hammered on the table and roared at the sport. His employer was an absentee who hated the Parson, so the Parson groaned in vain over the scandal.

Well, one Fair-day I crossed in Eli's boat with the pair. The woman--a dark gipsy creature--was tricked out in violet and yellow, with a sham gold watch-chain and great aluminium earrings: and the gamekeeper had driven her down in his spring-cart. As Eli pushed off, I saw a small boat coming down the river across our course. It was These-an'-That, pulling down with vegetables for the fair. I cannot say if the two saw him: but he glanced up for a moment at the sound of their laughter, then bent his head and rowed past us a trifle more quickly. The distance was too great to let me see his face.

I was the last to step ashore. As I waited for Eli to change my sixpence, he nodded after the couple, who by this time had reached the top of the landing-stage, arm in arm.

"A bad day's work for _her_, I reckon."

It struck me at the moment as a moral reflection of Eli's, and no more. Late in the afternoon, however, I was enlightened.

In the midst of the Fair, about four o'clock, a din of horns, beaten kettles, and hideous yelling, broke out in Troy. I met the crowd in the main street, and for a moment felt afraid of it. They had seized the woman in the taproom of the "Man-o'-War"--where the gamekeeper was lying in a drunken sleep--and were hauling her along in a Ram Riding. There is nothing so cruel as a crowd, and I have seen nothing in my life like the face of These-an'-That's wife. It was bleeding; it was framed in tangles of black, dishevelled hair; it was livid; but, above all, it was possessed with an awful fear--a horror it turned a man white to look on. Now and then she bit and fought like a cat: but the men around held her tight, and mostly had to drag her, her feet trailing, and the horns and kettles dinning in her wake.

There lay a rusty old ducking-cage among the lumber up at the town-hall; and some fellows had fetched this down, with the poles and chain, and planted it on the edge of the Town Quay, between the American Shooting Gallery and the World-Renowned Swing Boats. To this they dragged her, and strapped her fast.

There is no heed to describe what followed. Even the virtuous women who stood and applauded would like to forget it, perhaps. At the third souse, the rusty pivot of the ducking-pole broke, and the cage, with the woman in it, plunged under water.

They dragged her ashore at the end of the pole in something less than a minute. They unstrapped and laid her gently down, and began to feel over her heart, to learn if it were still beating. And then the crowd parted, and These-an'-That came through it. His face wore no more expression than usual, but his lips were working in a queer way.

He went up to his wife, took off his hat, and producing an old red handkerchief from the crown, wiped away some froth and green weed that hung about her mouth. Then he lifted her limp hand, and patting the back of it gently, turned on the crowd. His lips were still working. It was evident he was trying to say something.

"Naybours," the words came at last, in the old dull tone; "I'd as lief you hadn' thought o' this."

He paused for a moment, gulped down something in his throat, and went on--

"I wudn' say you didn' mean it for the best, an' thankin' you kindly. But you didn' know her. Roughness, if I may say, was never no good wi' her. It must ha' been very hard for her to die like this, axin your parden, for she wasn' one to bear pain."

Another long pause.

"No, she cudn' bear pain. P'raps _he_ might ha' stood it better-- though o' course you acted for the best, an' thankin' you kindly. I'd as lief take her home now, naybours, if 'tis all the same."

He lifted the body in his arms, and carried it pretty steadily down the quay steps to his market-boat, that was moored below. Two minutes later he had pushed off and was rowing it quietly homewards.

There is no more to say, except that the woman recovered. She had fainted, I suppose, as they pulled her out. Anyhow, These-an'-That restored her to life--and she ran away the very next week with the gamekeeper.

III--"DOUBLES" AND QUITS.

Here is a story from Troy, containing two ghosts and a moral. I found it, only last week, in front of a hump-backed cottage that the masons are pulling down to make room for the new Bank. Simon Hancock, the outgoing tenant, had fetched an empty cider-cask, and set it down on the opposite side of the road; and from this Spartan seat watched the work of demolition for three days, without exhaustion and without emotion. In the interval between two avalanches of dusty masonry, he spoke to this effect:--

Once upon a time the cottage was inhabited by a man and his wife. The man was noticeable for the extreme length of his upper lip and gloom of his religious opinions. He had been a mate in the coasting trade, but settled down, soon after his marriage, and earned his living as one of the four pilots in the port. The woman was unlovely, with a hard eye and a temper as stubborn as one of St. Nicholas's horns. How she had picked up with a man was a mystery, until you looked at _him_.

After six years of wedlock they quarrelled one day, about nothing at all: at least, Simon Hancock, though unable to state the exact cause of strife, felt himself ready to swear it was nothing more serious than the cooking of the day's dinner. From that date, however, the pair lived in the house together and never spoke. The man happened to be of the home-keeping sort--possessed no friends and never put foot inside a public-house. Through the long evenings he would sit beside his own fender, with his wife facing him, and never a word flung across the space between them, only now and then a look of cold hate. The few that saw them thus said it was like looking on a pair of ugly statues. And this lasted for four years.

Of course the matter came to their minister's ears--he was a "Brianite"--and the minister spoke to them after prayer-meeting, one Wednesday night, and called at the cottage early next morning, to reconcile them. He stayed fifteen minutes and came away, down the street, with a look on his face such as Moses might have worn on his way down from Mount Sinai, if only Moses had seen the devil there, instead of God.

At the end of four years, the neighbours remarked that for two days no smoke had issued from the chimney of this cottage, nor had anyone seen the front door opened. There grew a surmise that the quarrel had flared out at last, and the wedded pair were lying within, in their blood. The anticipated excitement of finding the bodies was qualified, however, by a very present sense of the manner in which the bodies had resented intrusion during life. It was not until sunset on the second day that the constable took heart to break in the door.

There were no corpses. The kitchen was tidy, the hearth swept, and the house empty. On the table lay a folded note, addressed, in the man's handwriting, to the minister.

"Dear Friend in Grace," it began, "we have been married ten
years, and neither has broken the other; until which happens,
it must be hell between us. We see no way out but to part for
ten years more, going our paths without news of each other.
When that time's up, we promise to meet here, by our door, on
the morning of the first Monday in October month, and try
again. And to this we set our names."--here the two names
followed.

They must have set out by night; for an extinguished candle stood by the letter, with ink-pot and pen. Probably they had parted just outside the house, the one going inland up the hill, the other down the street towards the harbour. Nothing more was heard of them. Their furniture went to pay the quarter's rent due to the Squire, and the cottage, six months later, passed into the occupation of Simon Hancock, waterman.

At this point Simon shall take up the narrative:--