Chapter II (3)

"You devil!" she said, in a whispering voice. "You killed that man! You gave Tobey the watch and the axe! You changed shoes with him! You devil! You devil!"

He drew back for a blow. She did not move. Instead she mocked him, trying to smile.

"You whelp!" she taunted him. "Go on and hit me! I ain't running! And if you don't break me to bits I'm going to the sheriff and I'll tell him what you said to me just now. And he'll wonder how you got all that money in your pockets. He knows we're as poor as church mice. How you going to explain what you got?"

"I ain't going to be such a fool as to keep it on me!" Mart crowed with venomous mirth. "You nor the sheriff nor any one won't find it where I'm going to put it!"

The broken woman leaned forward, baiting him. The strange look of exaltation and sacrifice burned in her faded eyes. "I've got you, Mart!" she jeered. "You're going to swing yet! I'll even up with you for Tobey! You didn't think I could do it, did you? I'll show you! You're trapped, I tell you! And I done it!"

She watched Mart swing around to search the room and the blank window with apprehensive eyes. She sensed his eerie dread of the unseen. He couldn't see any one. He couldn't hear a sound. She saw that he was wet with the cold perspiration of fear. It would enrage him. She counted on that. He turned back to his wife in a white fury. She leaned toward him, inviting his blows as martyrs welcome the torch that will make their pile of fagots a blazing bier.

He struck her. Once. Twice. A rain of blows given in a blind passion that drove her to her knees, but she clung stubbornly, with rigid fingers to the table-edge. Although she was dazed she retained consciousness by a sharp effort of her failing will. She had not yet achieved that for which she was fighting.

The dull thud of the blows, the confusion, the sight of the blood drove the old woman in the corner suddenly upright on her tottering feet. Her rheumy eyes glared affrighted at the sight of the only friend she recognized in all her mad, black world lying there across the table. She stood swaying in a petrified terror for a moment. Then with a thin wail, "He's killing her!" she ran around them and gained the door.

With a mighty effort Olga Brenner lifted her head so that her face, swollen beyond recognition, was turned toward her mother-in-law. Her almost sightless eyes fastened themselves on the old woman.

"Run!" she cried. "Run to the village!"

The mad woman, obedient to that commanding voice, flung open the door and lurched over the threshold and disappeared in the fog. It came to Mart that the woman running through the night with the wail of terror was the greatest danger he would know. Olga Brenner saw his look of sick terror. He started to spring after the mad woman, forgetful of the half-conscious creature on her knees before him.

But as he turned, Olga, moved by the greatness of her passion, forced strength into her maimed body. With a straining leap she sprawled herself before him on the floor. He stumbled, caught for the table, and fell with a heavy crash, striking his head on a near-by chair. Olga raised herself on her shaking arms and looked at him. Minute after minute passed, and yet he lay still. A second long ten minutes ticked itself off on the clock, which Olga could barely see. Then Mart opened his eyes, sat up, and staggered to his feet.

Before full consciousness could come to him again, his wife crawled forward painfully and swiftly coiled herself about his legs. He struggled, still dizzy from his fall, bent over and tore at her twining arms, but the more he pulled the tighter she clung, fastening her misshapen fingers in the lacing of his shoes. He swore! And he became panic-stricken. He began to kick at her, to make lunges toward the distant door. Kicking and fighting, dragging her clinging body with him at every move, that body which drew him back one step for every two forward steps he took, at last he reached the wall. He clutched it, and as his hand slipped along trying to find a more secure hold he touched the cold iron of a long-handled pan hanging there.

With a snarl he snatched it down, raised it over his head, and brought it down upon his wife's back. Her hands opened spasmodically and fell flat at her sides. Her body rolled over, limp and broken. And a low whimper came from her bleeding lips.

Satisfied, Mart paused to regain his breath. He had no way of knowing how long this unequal fight had been going on.

But he was free. The way of escape was open. He laid his hand on the door.

There were voices. He cowered, cast hunted glances at the bloody figure on the floor, bit his knuckles in a frenzy.

As he looked, the eyes opened in his wife's swollen face, eyes aglow with triumph. "You'll swing for it, Mart!" she whispered faintly. "And the money's on the table! Tobey's saved!"

Rough hands were on the door. A flutter of breath like a sigh of relief crossed her lips and her lids dropped as the door burst open to a tide of men.

The big yellow butterfly swung low on his golden wings and came to rest on her narrow, sunken breast.

NO FLOWERS

BY GORDON ARTHUR SMITH

From _Harper's Monthly Magazine_

Steve Dempsey was a conspicuously ingenious chief machinist's mate--one of the most ingenious in the Naval Aviation Forces, Foreign Service, and he was ingenious not only with his hands, but with his tongue. That is why I cannot guarantee the veracity of what follows; I can but guarantee that he guaranteed it.

Steve had had a varied and highly coloured career, and I think that the war, or so much of it as he was permitted to see, seemed to him a comparatively tame affair--something all in the year's work. When he was fifteen years old he was conducting his father's public garage in a town not far from Denver; at that age he knew as much about motors as the men who built them, and he had, moreover, the invaluable knack of putting his finger immediately on a piece of erring mechanism and, with the aid of a bit of wire and a pair of pliers, setting it to rights. Given enough wire and a pair of pliers, I believe that he could have built the Eiffel Tower.

Becoming restless in the garage, he determined to make his fortune quickly, and accordingly went out prospecting in the vicinity of the Little Annie mine. He bought himself a small patch of promising ground and he and another fellow shovelled away until they had no money left. So then he took up aviation.

He was one of the pioneers of the flying-men in this country. He used to fly at country fairs in an old ramshackle bus of the Wright model--a thing of sticks and canvas and wires precariously hung together. But he flew it. And he rehabilitated his finances.

When war was declared he enlisted as a gob and was sent on sea duty. He knew, of course, nothing of sea duty, but lack of knowledge of a subject had never daunted him, for he had the faculty of learning things quickly by himself and for himself. His mechanical ability asserting itself, he was made a machinist's mate, second class, and transferred over to the Aviation. When I knew him he had proved so valuable at the various air stations that he had been advanced to chief machinist's mate and was an assistant in the Technical Division at Paris headquarters.

He was a very friendly soul, always respectful enough, even when outspoken, and no more in fear of an admiral than of--well, he would have said than of a marine. During his year of service, you see, he had absorbed most of the navy traditions. He spoke the navy speech like an old-timer, and undoubtedly amplified the regular navy vocabulary with picturesque expressions of his own. Of course he was very profane....

Sunday morning at headquarters was apt to be a slack morning, with not much work to do; but in intervals of idleness one could always be certain of finding something of interest to see or hear in Steve's office. Usually he would be in front of his drafting-board working on a new design for a muffler or a machine-gun turret or a self-starter, or figuring out the possibility of flying _through_ the Arc de Triomphe, which, he claimed could be done with six feet to spare at each wing-tip. This, and climbing the Eiffel Tower on its girders, were two of his pet projects.

On a Sunday in August of 1918 there were assembled around his drafting-board an interested and receptive audience of four--Peters, an ensign attached to the "lighter-than-air" section; Madden, a pilot on his way up from Italy to the Northern Bombing Group; Erskine, a lieutenant in the Operations Division; and Matthews, a chief yeoman.

"Yes," Dempsey was saying, "I'm _beaucoup_ sorry for these here frawgs. They're just bein' massacred--that's all it is--_massacred_. And there don't anybody take much notice, either. Say, somebody was tellin' me the other day just how many the French has lost since the beginnin' of the war. Just about one million. I wouldn't believe it, but it's straight. It was a French colonel that was tellin' me out to the Hispano factory day before yesterday, and he'd oughta know because he was through the battle of the Marne and the Soam, and everything."

"Did he tell you in French?" inquired Ensign Peters, meaningly, for Dempsey's French was admittedly limited.

"Pardon?" said Dempsey, and then, grasping the innuendo: "No, sir, he did _not_. Why, he talks English as good as you and me. That's another thing about these frawgs--they can all _parlez-vous_ any language. I never yet seen a Frenchie I couldn't talk to yet."

"Did you ever see anybody you couldn't talk to yet, Steve?" suggested the chief yeoman.

"Here, you, how d'ya get that way? Who was it I seen th' other night out walking in the Boy de Bullone with a skirt? And I guess you wasn't talkin'--why, you was talkin' so fast you had to help out with your hands, just like a frawg.... No, as I say, I feel sorry for these French in more ways than one."

"Just how do you display that sorrow?" asked Ensign Madden.

Dempsey hesitated an instant, scratched his head, and very carefully drew a line on the tracing-paper in front of him.

"Well, sir," he said, finally, "I displayed it last Sunday."

Then he relapsed into silence, and resumed work on the drawing. But as he worked he grinned quietly--a provocative grin which inspired curiosity.

"What did you do last Sunday?" prodded Peters.

The grin widened as Steve glanced up from the board. He laid aside his instruments, tilted back in his chair, and said: "Well, it wasn't very regular, what I done last Sunday, but I'll tell you if you don't have me up before a court.... You remember last Sunday was a swell day? Spring in the air, I guess, and everything, and everybody was out walking like Matthews, here, with a Jane. I 'ain't got a Jane, of course----"

"What!" roared Matthews.

"I 'ain't got a Jane, of course, so I decides to take a little look around all by myself. Well, I goes down the Chomps-Eleezy feelin' pretty good and sorta peppy and lookin' for trouble. I see all them army heroes--the vets and the dentists and the S O S--each with a skirt, and I passes Matthews, here, with _his_ skirt clingin' to him like a cootie."

"Cut it out, you big stiff," interposed Matthews.

"Like a cootie," continued Steve, "and I got sorta de-pressed. So I sez, me for the quiet, unfrequented streets over acrost the river. Well, sir, I was just passin' the Loover--that big museum, or whatever it is--when I see a hearse comin' in the opposite direction. It was a pretty sick-lookin' hearse, too. It had a coupla animals hitched to it that was probably called horses when they was young, and that didn't have a steak minoot left on 'em. But they was all covered with mangy black plumes and tassels and things--you know, the way they rig 'em up when the corpse is takin' his last drive. And there was an old bird sittin' up on the box-seat with a hat like Napoleon One.

"Well, at first it looked to me like it was just the regular frawg funeral, and I didn't pay no special attention, only I give it the salute when I got opposite. Then I see that there weren't no flowers nor tin wreaths on the coffin--except there was one little buncha pinks, and they was a pretty sad-lookin' buncha pinks, too, sir. Then I see that there weren't no procession walkin' along behind--except there was one little old woman all in black and lookin' sorta sick and scared. Yes, sir, there she was walkin' all by herself and lookin' lonelier 'n hell.

"So I sez to myself: 'It's all wrong, Steve, it's all wrong. Here's a poor dead frawg, the only son of his mother and her a widow'--that's Bible stuff, sir--'goin' out to be planted with none of the gang around. It's tough,' I sez. 'I'll say it is.' Well, I told you I didn't have nothin' much to do, so I sez, 'Laffyette, cheeri-o,' and steps up beside the old lady. That makes two mourners, anyhow.

"Well, the old lady give me the once over and seen Mr. Daniels's uniform and the rooster on my sleeve, and I guess decides that I'm eligible to the club. Anyway, she sorta nodded at me and pretty soon begun to snuffle and look for her handkerchief. It wasn't no use, though, for she didn't have any.

"Meanwhile we was crossin' one of them bridges--just crawlin' along like one of the motors had quit and the other was hittin' only on three. If we'd been in the air we'd stalled sure and gone into a tail-spin. All the time I was thinkin' how to say 'Cheer up' to the old dame in French, but all I could think of at first was 'Bravo' and '_Vous-ate tray jolee_!' Still it was sorta stupid walkin' along and no conversation, so I guess I musta had an inspiration or something, and I sez, pointing ahead at the coffin, '_Mort avec mon Dieu_.' The old lady lost her step at that, because I suppose she was surprised by a Yank speakin' good French, most of 'em relyin', like Matthews here, on the sign language, although I'll say that Matthews gets plenty far enough with that. Why, they're four girls and a widow at home that if they knew how far Matthews was gettin' with the sign language they'd be gray-headed to-day.... Aw, well, Matthews, quit spoilin' this drawin'. Do you wanta get me and Admiral Sims into trouble with the department?"

"Go ahead with your funeral, Steve," said Lieutenant Erskine--"unless your power of invention has failed you."

Dempsey looked up with a hurt and innocent expression on his face.

"Oh, lootenant," he exclaimed, "what I'm tellin' is gospel. It's as true--it's as true as the communikays."

"All right," said Erskine, "issue another, then."

"Well," Steve continued, "where was I? Oh yes, we was on the bridge and I'd just told the old lady that the dead soldier was in heaven by now."

"Soldier?" repeated Erskine. "What made you believe he was a soldier?"

"Why, ain't every frawg a soldier now, sir."

"How did you know, even, that it was a male frog?"

"I'm comin' to that, sir," replied Steve. "That comes next. You see, once the old lady knew I could _parlez-vous_ with the best of 'em, she continued the conversation and sez, '_Mon pover fees_.' Get that? '_Mon pover fees_.' Well, that means, translated, 'My poor son.'"

At this revelation of startling linguistic ability Steve paused to receive felicitations. When they were forthcoming he proceeded.

"So, of course, I know then that the corpse is a dead soldier, and I decides to see him through until he's made a safe landing somewhere. Well, just as we was acrost the bridge, the two ex-horses doin' fine on the down grade, I seen a marine standin' on the corner tellin' a buncha girls all about Château-Teery. Well, I thought that maybe it 'ud be a good thing if he joined the funeral, because, anyway, the girls could hear all about Chateau-Teery the next marine they saw. So I yell out at him: 'Hey, you! Come and join the navy and see the world!'

"Well, he looks around, and, although I guess he didn't much wanta leave them girls, he decides that he'll come and see what the big game is. So he salutes the corpse and steps in beside me and whispers, 'Say, chief, what's the idea?'

"'Whadd 'ya think, you poor cheese?' I sez. 'D'ya think it's a weddin'? Get in step. We're goin' to bury a French _poiloo_.'

"'Is that so?' he sez."

"'Yes, that's so,' I sez. 'Get over acrost on the other side of the widowed mother and say somethin' cheerful to her in French--if you know any.'"

"'If I know any!' sez he. 'Wasn't I at Château-Teery?'"

"'Well,' I sez, 'don't tell her about that. Tell her somethin' she ain't heard already.'"

"'You go to blazes!' he sez, and crosses over like I told him. And pretty soon I seen him gettin' all red and I knew he was goin' to shoot some French at the old lady, and, sure enough, out he come with, '_Madame je swee enchantay_.'"

"Well, sir, I like to 've died tryin' to keep from laughin' at that, because what it means translated is, 'Madam, I'm deelighted.' Trust them marines to say the right thing at the wrong time--I'll say they do."

"By the time I get under control we're opposite the French Aviation Headquarters--you know, the Service Technique on the Bullyvard Saint-Germain. Well, there was a lot of doughboys hangin' around there wastin' time, and I see one on a motor-cycle with a sergeant sittin' in the side-car. So I step out of the ranks and sez to the sergeant, 'What ya doin'?' And he sez, 'Waitin'--but there's nobody home at all, at all.' So I sez: 'Well, you and your side-car is commandeered for this funeral. We're buryin' a frawg and we need some more mourners. The old lady is his widowed mother, and the corpse, he's her only son and her a widow.' He sez: 'Shure, Oi'll come, an' Oi'll be afther gettin' some o' thim other divvles to jine. Me name is Roilly.' 'Right-o, old dear,' I sez. 'I didn't think it was Moses and Straus.'"

"Well, sir, Reilly was a good scout, and inside of a minute he had six doughboys lined up behind the hearse and him bringin' up the rear in the side-car. The side-car kept backfirin', and it sounded like we was firin' salutes to the dead all the way to the park.

"I wanta tell ya, that old lady was tickled. Why, there we was already ten strong, with more to come, because I drafted three gobs at the Bullyvard Raspail. They wasn't quite sober, but I kep' my eye on 'em and they behaved fine. I sez to them: 'You drunken bums, you! You join this funeral or I'll see you're put in the brig to-night.' But to make sure they'd not disgrace Mr. Daniels's uniform I put 'em right behind the widow and the marine and me.

"Well, it appears that one of 'em talks French good--real good, I mean, sir--like a frawg waiter or a coacher."

"Or a what?" interjected Erskine.

"Or a coacher," repeated Steve, with dignity. "The fact is, he talked it so good that--well, never mind that yet. He's a smart fellow, though, Mr. Erskine, by the name of Rathbone. Well, never mind--only he's a good fellow and 'ud be pretty useful here, with his French and everything.

"Well, anyway, I begun to wonder after a while where that fellow driving the hearse was takin' us to. We'd gone out the old Bullyvard Raspail a deuce of a way, and Napoleon One showed no signs of stoppin' them horses, and I didn't see no cemetery.

"I sez to the marine, 'I guess we're not goin' to stop till we get to Château-Teery,' and he sez, 'You go to hell and stop _there_.' So I sez, 'I hope the poor old lady don't understand your English.'

"The old dame, I could see, was beginnin' to get weak in the knees and was walkin' about as unsteady as the three gobs behind us. So me and the marine each grabbed an arm and she sez, '_Mercy_,' and tried to start a smile. I guess it was pretty hard goin', because the smile didn't get far.

"Well, anyway, we kep' right on and passed that stone lion out there and went right through the gates, the boys all marchin' strong and the motor-bike makin' one hell of a noise aft. When we get through the gates I fall back and I sez to the gob, 'Rathbone,' I sez, 'ask the lady where we're headed and if she trusts the driver.' So Rathbone moves up and has quite a _parlez-vous_ with her.

"'Well,' I sez, 'what's she say?'

"'She sez,' sez Rathbone, 'that we're goin' to bury him in a field out here, and that there ain't no priest will bury him and there ain't no cemetery she can bury him in.'

"'That's funny,' I sez--'too poor, I guess. Well, anyway, it's a shame--I'll say it is--it's a shame.'

"'Yes,' sez Rathbone, slowly, as if he was thinkin'--'yes, it's a damn shame!'"

"And the other two gobs who wasn't as sober as Rathbone, they sez, too, 'Yes, it's a damn shame.'"

"'That makes the navy unanimous,' I sez, and then I begin to work my bean. I was still workin' it and it was respondin' about as well as one of them black Kabyles that are pretendin' to help build our station at Lacanau--I was still workin' it, when the old hearse swings to the right through a gate in a stone wall and brings up short in a field. There was grass in the field and daisies and things, and a lotta tin crosses stuck on mounds that I guessed was graves. It woulda been a pretty cheerful old field, I guess, if they'd let it alone, but them tin crosses looked pretty sick and the paint was peelin' off the tin flowers that people had stuck on the graves, and I guess the head gardener wasn't much of a hand at weedin'."

"Well, anyway, we all line up in a sorta circle and every one looks pretty downhearted and the three gobs gets perfectly sober, which was a relief. Then Napoleon One climbs down from his box and says somethin' in French to the old widow and points to two birds who're diggin' a hole half-way acrost the field. Rathbone sez that he sez that that is the grave and that the two birds is the grave-diggers and pall-bearers combined."

"'They are, are they?' I sez. 'This is a military funeral, ain't it? A military funeral conducted by the navy with the army for pall-bearers. And I call on Sergeant Reilly to back me up.'

"'Shure,' sez Reilly, 'but who'll be providin' the priest?'

"Well, when he sez that my old bean give a sort of throb, and I sez: 'Don't bother your nut about the priest. He'll be forthcomin' when and if needed.'

"So, while Reilly was explainin' to his six doughboys and Rathbone was bringin' Napoleon One up to date, me and the widow and the marine goes over to superintend the two birds diggin' the grave. They was two funny-lookin' old birds, too--I'll say they was. They was about a hundred years old apiece and had long white whiskers like St. Peter, and, say, they talked a whole lot more than they dug. I guess they musta been workin' on that grave for a coupla weeks--you know, ten minutes _parlez-vous_ and then one shovela dirt. Me and the marine had to grab their shovels and finish the job or there wouldn't 'a' been no funeral _that_ day.

"When we get back the six doughboys is all ready to give first aid to the coffin, and Rathbone is talkin' to Napoleon One like they was brothers. So I go up to them and I sez to Rathbone:

"'Looka here, Rathbone. I'm the priest at this party. See?'

"'What's that?' sez Rathbone. 'Come again.'

"'I say I'm the priest. This dead _poiloo_ ain't gotta priest nor nothin' and there's his poor mother and her a widow. So I'm that missin' priest, and I'm not too proud to perform free and gratis. Get that?'

"'Hold on, chief,' sez Rathbone. 'You ain't got nothin' to wear.'

"'Nothin' to wear!' I sez. 'You poor cheese, I'm a navy chaplain.'

"'You look more like a Charlie Chaplin,' sez Rathbone.

"I guess that bird wasn't sober yet, after all, because he thought he was funny.

"'Can the comedy,' I sez, 'and you go tell the widow that Father Dempsey, the head chaplain of the U.S. Navy, has consented to perform this afternoon. Now, get it straight, and for Gawd's sake don't go and laugh or I'll put you in the brig.'

"Well, Rathbone looks at me like I was goin' to my death.

"'Good-by, chief,' he sez. 'Wait till the admiral hears of this.'

"'Haw,' I sez--'if he does I'll get decorated.'

"Well, I give Reilly the high sign and out comes the coffin on the doughboys' shoulders. Napoleon One leads the way, and Rathbone and the widow step in after the coffin, and I see that they is talkin' together _beaucoup_ earnestly.

"When we get to the grave the doughboys set down the coffin beside it and all forms in a circle with me and the widow facin' each other. And then there's an anxious silence. I'll say right here that I was the most anxious, and I was sweatin' more than I guess any chaplain oughta sweat. But, by luck, I happen to think that I have my old logarithm-book in my pocket--you know, the one that's bound in black patent-leather. Looks sorta as if it might be a prayer-book or somethin' like that. Anyway, the widow, bein' a frawg widow, I figgered how she'd think maybe it was a Yank Bible issued special to the A.E.F. and condensed like malted milk or somethin'.

"So I draw the old logarithm-book outa my coat and ease up gently to the edge of the grave. The doughboys and the gobs, all except Rathbone, who is wise, acourse, begin to nudge each other and snicker. I oughta warned 'em what was comin', but I didn't have no time, it come to me so quick. So I pretended to read from the book, and sez, in a low voice and very solemn, like I was openin' the funeral, 'If any you birds here starts laughin' I'll see him after the show and I'll knock the daylight outa him.'

"'Amen,' sez Rathbone, very piously.

"'We've come here to-day,' I sez, always like I was readin' from the book--'we've come here to-day to plant a frawg soldier who's the only son of his mother and her a widow. And she's so broke that there ain't no regular priest or no regular cemetery that'll offer their services. So I'm the priest, and it's goin' to make a lotta difference to that poor widow's feelin's when she thinks her son's got a swell U. S. Navy priest administering the rites. Now, get that straight and don't start whinnyin' like a buncha horses and gum the game.'

"Well, I stop there for breath, and Rathbone, who's right on the job, comes across with another 'Amen,' and Reilly, who's a good Catholic, sez, _'Pax vobiscum_.'

"So that's all right, and I give her the gun and go ahead.

"'This here _poiloo_,' I sez, 'I don't know much about him, but he was a regular fellow and a good old bird and treated his mother swell and everything, and I guess if we was wise to everything he'd done we'd be proud to be here and we'd 'a' brung a lotta flowers and things. He most likely was at the battle of the Marne and the Soam and Verdun, and maybe he was at Château-Teery. Anyway, he was a grand fighter, and done his bit all the time and kep' the Huns from passin'."

'And I wanta tell you that we gotta hand it to these French, because they may be little guys, but they carry the longest bayonets I ever see in any man's army.'

"'Amen,' sez all the doughboys and the gobs, except one that yells, 'Alleluia!' He musta been from the South or somewheres.

"'And so,' I sez, 'we're proud to give this frawg a good send-off, and even if we ain't got a real chaplain and the guns to fire a salute with, we're doin' the poor widow a lotta good, and that's somethin'--I'll say it is.'

"'Amen,' sez the audience.

"Then I sez, 'Glory be,' and cross myself and signal the doughboys to lower away on the coffin, and I flung a handfula dirt in on top like I see 'em do always.

"Well, the poor old widow near collapsed and Rathbone and the marine had to hold hard to keep her on her pins. But Reilly created a diversion by startin' up the motor-bike, and it back-fired like a buncha rookies tryin' to fire a volley. If we'd hadda bugle we coulda sounded taps, and the musical accompaniment woulda been complete.

"Napoleon One come up and shake hands with me like I'd won the Medeye Militaire, and, before I could side-step, the widow had her arms round my neck and was kissin' me on both cheeks. Napoleon sez it was a '_Beau geste_' which I thought meant a fine joke, and I was afraid the bird was wise, but Rathbone sez no, that it meant a swell action; and the widow sez, over and over again, '_Ces braves Americains--ces braves Americains_!' The cordial entente was pretty cordial on the whole! I'll say it was."

At this point Steve Dempsey paused and glanced about as who should say, "Are there any comments or questions?" For a while there was none forthcoming, but finally Lieutenant Erskine ventured a remark.

"This occurred last Sunday?" he inquired, mildly.

"Yes, sir," said Steve--"last Sunday."

"Um," said Erskine, and without further remarks left the office.

On his return he bore a copy of _Le Matin_ in his hand. He sat down and leisurely and silently unfolded the sheet. Steve had resumed his work, but I noticed that he kept an eye on Erskine.

"I wonder," said Erskine, smoothing out the newspaper on his knees-- "I wonder, Steve, if you happened to see this very interesting article."

"No, sir," said Steve. "I don't read French like I speak it."

"Well," said Erskine, "I'll translate. This paper is dated last Monday, and on page two occurs the following announcement:"

"_American soldiers, sailors, and marines attend funeral of
notorious apache. Jean the Rat, convicted murderer and suicide
and denied the offices of the Catholic Church, is buried by
stalwart Americans.
Department of Foreign Affairs reluctant to file protest at
present time.
Strange demonstration believed to be unofficial and without U.S.
government sanction, although U. S. Navy chaplain delivers
eloquent peroration in English_."

Erskine put aside the paper in silence, and we all turned to watch Steve. He was very red, even to his ears.

"Gawd!" he spluttered. "Does it really say that, sir? Honest?"

Erskine nodded. "Yes," he said. "We'll be lucky if we avoid international complications."

"An apache murderer," Steve groaned--"and me thinkin' it was a frawg hero. Will I get a court martial for it, sir?"

"I doubt it," said Erskine, "but I don't think you'll get the Congressional Medal or the Legion of Honour, either. Maybe, though, the President, in recognition of your services toward cementing the entente, will appoint you the next ambassador to France."

"Well, anyway," said Steve, still violently red about the face and ears--"well, anyway, I don't care. Even if it weren't a first-class corpse, it was a first-class funeral."

FOOTFALLS

BY WILBUR DANIEL STEELE

From _The Pictorial Review_

This is not an easy story; not a road for tender or for casual feet. Better the meadows. Let me warn you, it is as hard as that old man's soul and as sunless as his eyes. It has its inception in catastrophe, and its end in an act of almost incredible violence; between them it tells barely how one long blind can become also deaf and dumb.

He lived in one of those old Puritan sea towns where the strain has come down austere and moribund, so that his act would not be quite unbelievable. Except that the town is no longer Puritan and Yankee. It has been betrayed; it has become an outpost of the Portuguese islands.

This man, this blind cobbler himself, was a Portuguese from St. Michael, in the Western Islands, and his name was Boaz Negro.

He was happy. An unquenchable exuberance lived in him. When he arose in the morning he made vast, as it were uncontrollable, gestures with his stout arms. He came into his shop singing. His voice, strong and deep as the chest from which it emanated, rolled out through the doorway and along the street, and the fishermen, done with their morning work and lounging and smoking along the wharfs, said, "Boaz is to work already." Then they came up to sit in the shop.

In that town a cobbler's shop is a club. One sees the interior always dimly thronged. They sit on the benches watching the artizan at his work for hours, and they talk about everything in the world. A cobbler is known by the company he keeps.

Boaz Negro kept young company. He would have nothing to do with the old. On his own head the gray hairs set thickly.

He had a grown son. But the benches in his shop were for the lusty and valiant young, men who could spend the night drinking, and then at three o'clock in the morning turn out in the rain and dark to pull at the weirs, sing songs, buffet one another among the slippery fish in the boat's bottom, and make loud jokes about the fundamental things, love and birth and death. Harkening to their boasts and strong prophecies his breast heaved and his heart beat faster. He was a large, full-blooded fellow, fashioned for exploits; the flame in his darkness burned higher even to hear of them.

It is scarcely conceivable how Boaz Negro could have come through this much of his life still possessed of that unquenchable and priceless exuberance; how he would sing in the dawn; how, simply listening to the recital of deeds in gale or brawl, he could easily forget himself a blind man, tied to a shop and a last; easily make of himself a lusty young fellow breasting the sunlit and adventurous tide of life.

He had had a wife, whom he had loved. Fate, which had scourged him with the initial scourge of blindness, had seen fit to take his Angelina away. He had had four sons. Three, one after another, had been removed, leaving only Manuel, the youngest. Recovering slowly, with agony, from each of these recurrent blows, his unquenchable exuberance had lived. And there was another thing quite as extraordinary. He had never done anything but work, and that sort of thing may kill the flame where an abrupt catastrophe fails. Work in the dark. Work, work, work! And accompanied by privation; an almost miserly scale of personal economy. Yes, indeed, he had "skinned his fingers," especially in the earlier years. When it tells most.

How he had worked! Not alone in the daytime, but also sometimes, when orders were heavy, far into the night. It was strange for one, passing along that deserted street at midnight, to hear issuing from the black shop of Boaz Negro the rhythmical tap-tap-tap of hammer on wooden peg.

Nor was that sound all: no man in town could get far past that shop in his nocturnal wandering unobserved. No more than a dozen footfalls, and from the darkness Boaz's voice rolled forth, fraternal, stentorian, "Good night, Antone!" "Good night to you, Caleb Snow!"

To Boaz Negro it was still broad day.

Now, because of this, he was what might be called a substantial man. He owned his place, his shop, opening on the sidewalk, and behind it the dwelling-house with trellised galleries upstairs and down.

And there was always something for his son, a "piece for the pocket," a dollar-, five-, even a ten-dollar bill if he had "got to have it." Manuel was "a good boy." Boaz not only said this, he felt that he was assured of it in his understanding, to the infinite peace of his heart.

It was curious that he should be ignorant only of the one nearest to him. Not because he was physically blind. Be certain he knew more of other men and of other men's sons than they or their neighbours did. More, that is to say, of their hearts, their understandings, their idiosyncrasies, and their ultimate weight in the balance-pan of eternity.

His simple explanation of Manuel was that Manuel "wasn't too stout." To others he said this, and to himself. Manuel was not indeed too robust. How should he be vigorous when he never did anything to make him so? He never worked. Why should he work, when existence was provided for, and when there was always that "piece for the pocket"? Even a ten-dollar bill on a Saturday night! No, Manuel "wasn't too stout."

In the shop they let it go at that. The missteps and frailties of every one else in the world were canvassed there with the most shameless publicity. But Boaz Negro was a blind man, and in a sense their host. Those reckless, strong young fellows respected and loved him. It was allowed to stand at that. Manuel was "a good boy." Which did not prevent them, by the way, from joining later in the general condemnation of that father's laxity--"the ruination of the boy!"

"He should have put him to work, that's what."

"He should have said to Manuel, 'Look here, if you want a dollar, go earn it first.'"

As a matter of fact, only one man ever gave Boaz the advice direct. That was Campbell Wood. And Wood never sat in that shop.

In every small town there is one young man who is spoken of as "rising." As often as not he is not a native, but "from away."

In this town Campbell Wood was that man. He had come from another part of the state to take a place in the bank. He lived in the upper story of Boaz Negro's house, the ground floor now doing for Boaz and the meagre remnant of his family. The old woman who came in to tidy up for the cobbler looked after Wood's rooms as well.

Dealing with Wood, one had first of all the sense of his incorruptibility. A little ruthless perhaps, as if one could imagine him, in defence of his integrity, cutting off his friend, cutting off his own hand, cutting off the very stream flowing out from the wellsprings of human kindness. An exaggeration, perhaps.

He was by long odds the most eligible young man in town; good looking in a spare, ruddy, sandy-haired Scottish fashion; important, incorruptible, "rising." But he took good care of his heart. Precisely that; like a sharp-eyed duenna to his own heart. One felt that here was the man, if ever was the man, who held his destiny in his own hand. Failing, of course, some quite gratuitous and unforeseeable catastrophe.

Not that he was not human, or even incapable of laughter or passion. He was, in a way, immensely accessible. He never clapped one on the shoulder; on the other hand, he never failed to speak. Not even to Boaz.

Returning from the bank in the afternoon, he had always a word for the cobbler. Passing out again to supper at his boarding-place, he had another, about the weather, the prospects of rain. And if Boaz were at work in the dark when he returned from an evening at the Board of Trade, there was a "Good night, Mr. Negro!"

On Boaz's part, his attitude toward his lodger was curious and paradoxical. He did not pretend to anything less than reverence for the young man's position; precisely on account of that position he was conscious toward Wood of a vague distrust. This was because he was an uneducated fellow.

To the uneducated the idea of large finance is as uncomfortable as the idea of the law. It must be said for Boaz that, responsive to Wood's unfailing civility, he fought against this sensation of dim and somehow shameful distrust.

Nevertheless his whole parental soul was in arms that evening, when, returning from the bank and finding the shop empty of loungers, Wood paused a moment to propose the bit of advice already referred to.

"Haven't you ever thought of having Manuel learn the trade?"

A suspicion, a kind of premonition, lighted the fires of defence.

"Shoemaking," said Boaz, "is good enough for a blind man."

"Oh, I don't know. At least it's better than doing nothing at all."

Boaz's hammer was still. He sat silent, monumental. Outwardly. For once his unfailing response had failed him, "Manuel ain't too stout, you know." Perhaps it had become suddenly inadequate.

He hated Wood; he despised Wood; more than ever before, a hundredfold more, quite abruptly, he distrusted Wood.

How could a man say such things as Wood had said? And where Manuel himself might hear!

Where Manuel _had_ heard! Boaz's other emotions--hatred and contempt and distrust--were overshadowed. Sitting in darkness, no sound had come to his ears, no footfall, no infinitesimal creaking of a floor-plank. Yet by some sixth uncanny sense of the blind he was aware that Manuel was standing in the dusk of the entry joining the shop to the house.

Boaz made a Herculean effort. The voice came out of his throat, harsh, bitter, and loud enough to have carried ten times the distance to his son's ears.

"Manuel is a good boy!"

"Yes--h'm--yes--I suppose so."

Wood shifted his weight. He seemed uncomfortable.

"Well. I'll be running along, I----ugh! Heavens!"

Something was happening. Boaz heard exclamations, breathings, the rustle of sleeve-cloth in large, frantic, and futile graspings--all without understanding. Immediately there was an impact on the floor, and with it the unmistakable clink of metal. Boaz even heard that the metal was minted, and that the coins were gold. He understood. A coin-sack, gripped not quite carefully enough for a moment under the other's overcoat, had shifted, slipped, escaped, and fallen.

And Manuel had heard!

It was a dreadful moment for Boaz, dreadful in its native sense, as full of dread. Why? It was a moment of horrid revelation, ruthless clarification. His son, his link with the departed Angelina, that "good boy"--Manuel, standing in the shadow of the entry, visible alone to the blind, had heard the clink of falling gold, and-- _and Boaz wished that he had not_!

There, amazing, disconcerting, destroying, stood the sudden fact.

Sitting as impassive and monumental as ever, his strong, bleached hands at rest on his work, round drops of sweat came out on Boaz's forehead. He scarcely took the sense of what Wood was saying. Only fragments.

"Government money, understand--for the breakwater workings--huge--too many people know here, everywhere--don't trust the safe--tin safe--'Noah's Ark'--give you my word--Heavens, no!"

It boiled down to this--the money, more money than was good for that antiquated "Noah's Ark" at the bank--and whose contemplated sojourn there overnight was public to too many minds--in short, Wood was not only incorruptible, he was canny. To what one of those minds, now, would it occur that he should take away that money bodily, under casual cover of his coat, to his own lodgings behind the cobbler-shop of Boaz Negro? For this one, this important night!

He was sorry the coin-sack had slipped, because he did not like to have the responsibility of secret sharer cast upon any one, even upon Boaz, even by accident. On the other hand, how tremendously fortunate that it had been Boaz and not another. So far as that went, Wood had no more anxiety now than before. One incorruptible knows another.

"I'd trust you, Mr. Negro" (that was one of the fragments which came and stuck in the cobbler's brain), "as far as I would myself. As long as it's only you. I'm just going up here and throw it under the bed. Oh, yes, certainly."

Boaz ate no supper. For the first time in his life food was dry in his gullet. Even under those other successive crushing blows of Fate the full and generous habit of his functionings had carried on unabated; he had always eaten what was set before him. To-night, over his untouched plate, he watched Manuel with his sightless eyes, keeping track of his every mouthful, word, intonation, breath. What profit he expected to extract from this catlike surveillance it is impossible to say.

When they arose from the supper-table Boaz made another Herculean effort. "Manuel, you're a good boy!"

The formula had a quality of appeal, of despair, and of command.

"Manuel, you should be short of money, maybe. Look, what's this? A tenner? Well, there's a piece for the pocket; go and enjoy yourself."

He would have been frightened had Manuel, upsetting tradition, declined the offering. With the morbid contrariness of the human imagination, the boy's avid grasping gave him no comfort.

He went out into the shop, where it was already dark, drew to him his last, his tools, mallets, cutters, pegs, leather. And having prepared to work, he remained idle. He found himself listening.

It has been observed that the large phenomena of sunlight and darkness were nothing to Boaz Negro. A busy night was broad day. Yet there was a difference; he knew it with the blind man's eyes, the ears.

Day was a vast confusion, or rather a wide fabric, of sounds; great and little sounds all woven together, voices, footfalls, wheels, far-off whistles and foghorns, flies buzzing in the sun. Night was another thing. Still there were voices and footfalls, but rarer, emerging from the large, pure body of silence as definite, surprising, and yet familiar entities.

To-night there was an easterly wind, coming off the water and carrying the sound of waves. So far as other fugitive sounds were concerned it was the same as silence. The wind made little difference to the ears. It nullified, from one direction at least, the other two visual processes of the blind, the sense of touch and the sense of smell. It blew away from the shop, toward the living-house.

As has been said, Boaz found himself listening, scrutinizing with an extraordinary attention, this immense background of sound. He heard footfalls. The story of that night was written, for him, in footfalls.

He heard them moving about the house, the lower floor, prowling here, there, halting for long spaces, advancing, retreating softly on the planks. About this aimless, interminable perambulation there was something to twist the nerves, something led and at the same time driven like a succession of frail and indecisive charges.

Boaz lifted himself from his chair. All his impulse called him to make a stir, join battle, cast in the breach the re-enforcement of his presence, authority, good will. He sank back again; his hands fell down. The curious impotence of the spectator held him.

He heard footfalls, too, on the upper floor, a little fainter, borne to the inner rather than the outer ear, along the solid causeway of partitions and floor, the legs of his chair, the bony framework of his body. Very faint indeed. Sinking back easily into the background of the wind. They, too, came and went, this room, that, to the passage, the stair-head, and away. About them too there was the same quality of being led and at the same time of being driven.

Time went by. In his darkness it seemed to Boaz that hours must have passed. He heard voices. Together with the footfalls, that abrupt, brief, and (in view of Wood's position) astounding interchange of sentences made up his history of the night. Wood must have opened the door at the head of the stair; by the sound of his voice he would be standing there, peering below perhaps; perhaps listening.

"What's wrong down there?" he called. "Why don't you go to bed?"

After a moment, came Manual's voice, "Ain't sleepy."

"Neither am I. Look here, do you like to play cards?"

"What kind? Euchre! I like euchre all right. Or pitch."

"Well, what would you say to coming up and having a game of euchre then, Manuel? If you can't sleep?"

"That'd be all right."

The lower footfalls ascended to join the footfalls on the upper floor. There was the sound of a door closing.

Boaz sat still. In the gloom he might have been taken for a piece of furniture, of machinery, an extraordinary lay figure, perhaps, for the trying on of the boots he made. He seemed scarcely to breathe, only the sweat starting from his brow giving him an aspect of life.

He ought to have run, and leaped up that inner stair and pounded with his fists on that door. He seemed unable to move. At rare intervals feet passed on the sidewalk outside, just at his elbow, so to say, and yet somehow, to-night, immeasurably far away. Beyond the orbit of the moon. He heard Rugg, the policeman, noting the silence of the shop, muttering, "Boaz is to bed to-night," as he passed.

The wind increased. It poured against the shop with its deep, continuous sound of a river. Submerged in its body, Boaz caught the note of the town bell striking midnight.

Once more, after a long time, he heard footfalls. He heard them coming around the corner of the shop from the house, footfalls half swallowed by the wind, passing discreetly, without haste, retreating, merging step by step with the huge, incessant background of the wind.

Boaz's muscles tightened all over him. He had the impulse to start up, to fling open the door, shout into the night, "What are you doing? Stop there! Say! What are you doing and where are you going?"

And as before, the curious impotence of the spectator held him motionless. He had not stirred in his chair. And those footfalls, upon which hinged, as it were, that momentous decade of his life, were gone.

There was nothing to listen for now. Yet he continued to listen. Once or twice, half arousing himself, he drew toward him his unfinished work. And then relapsed into immobility.

As has been said, the wind, making little difference to the ears, made all the difference in the world with the sense of feeling and the sense of smell. From the one important direction of the house. That is how it could come about that Boaz Negro could sit, waiting and listening to nothing in the shop and remain ignorant of disaster until the alarm had gone away and come back again, pounding, shouting, clanging.

"_Fire_!" he heard them bawling in the street. "_Fire! Fire_!"

Only slowly did he understand that the fire was in his own house.

There is nothing stiller in the world than the skeleton of a house in the dawn after a fire. It is as if everything living, positive, violent, had been completely drained in the one flaming act of violence, leaving nothing but negation till the end of time. It is worse than a tomb. A monstrous stillness! Even the footfalls of the searchers can not disturb it, for they are separate and superficial. In its presence they are almost frivolous.

Half an hour after dawn the searchers found the body, if what was left from that consuming ordeal might be called a body. The discovery came as a shock. It seemed incredible that the occupant of that house, no cripple or invalid but an able man in the prime of youth, should not have awakened and made good his escape. It was the upper floor which had caught; the stairs had stood to the last. It was beyond calculation. Even if he had been asleep!