Chapter II: Part 2
A vivid flash of lightning, a mighty roar of thunder! Terrified, almost blinded, Bimbo fell on his knees. He thought that the claws of the thunder dragon were about him. But he was unharmed, and he offered thanks to Kwan-non, the Goddess of Pity, who protects mortals from the wrath of the Thunder-God. On the spot where the lightning struck the ground, lay a little rosy boy full of life, who held out his arms and lisped. Bimbo was greatly amazed, and his heart was glad, for he knew that the gods had heard and answered his never-uttered prayer. The happy peasant took the child up, and carried him under his rice-straw coat to the hut. He called to his wife, "Rejoice, our wish is fulfilled. The gods have sent us a child. We will call him Rai-taro, the Son of the Thunder-God, and bring him up as our own."
The good woman fondly tended the boy. Rai-taro loved his foster-parents, and grew up dutiful and obedient. He did not care to play with other children, but was always happy to work in the fields with Bimbo, where he would watch the flight of the birds, and listen to the sound of the wind. Long-before Bimbo could discern any sign of an approaching storm, Rai-taro knew that it was at hand. When it drew near, he fixed his eyes intently on the gathering clouds, he listened eagerly to the roll of the thunder, the rush of the rain, and he greeted each flash of lightning with a shout of joy.
Rai-taro had come as a ray of sunshine into the lives of the poor peasants. Good fortune followed the farmer from the day that he carried the little boy home in his raincoat. The mountain stream was never dry. The land was fertile, and he gathered rich harvests of rice and abundant crops of millet. Year by year, his prosperity increased, until from Bimbo, 'the poor,' he became Kane-mochi, 'the prosperous.'
About eighteen summers passed, and Rai-taro still lived with his foster-parents. Suddenly, they knew not why, he became thoughtful and sad. Nothing would rouse him. The peasants determined to hold a feast in honour of his birthday. They called together the neighbours, and there was much rejoicing. Bimbo told many tales of other days, and, finally, of how Rai-taro came to him out of the storm. As he ceased, a strange far-off look was in the eyes of the Son of the Thunder-God. He stood before his foster-parents, and said: "You have loved me well. You have been faithful and kind. But the time has come for me to leave you. Farewell."
In a moment Rai-taro was gone. A white cloud floated upward towards the heights of Haku-san. As it neared the summit of the mountain, it took the form of a white dragon. Higher still the dragon soared, until, at last, it vanished into a castle of clouds.
The peasants looked wistfully up to the sky. They hoped that Rai-taro might return, but he had joined his father, Rai-den, the Thunder-God, and was seen no more.
The Souls of the Children
Sai-no-Kawara, the Dry Bed of the River of Souls. Far below the roots of the mountains, far below the bottom of the sea is the course of this river. Ages ago its current bore the souls of the blessed dead to the Land of Eternal Peace. The wicked _oni_ were angry when they saw the good spirits pass out of their reach on the breast of the river. They muttered curses in their throats as the stream flowed on day by day, year by year. The snow-white soul of a tender child came to the bank. A cup-shaped lotus bloom waited to carry the little one swiftly, through the dark cavernous region, to the kingdom of joy. The _oni_ gnashed their teeth. The spirit of a kindly old man, whose heart was young, would thread his way unharmed, through the horde of demons, and float on the Heavenly-Bird-Boat to the unknown world. The _oni_ looked on in wrath.
But the _oni_ stemmed the River of Souls at its source, and now the spirits of the dead must wend their way, unaided, to the country that lies far beyond.
Jizo, The Never-Slumbering, is the god who guards the souls of little children. He is full of pity, his voice is gentle as the voice of the doves on Mount Hasa, his love is infinite as the waters of the sea. To him every child in the Land of the Gods calls for succour and protection.
In Sai-no-Kawara, The Dry Bed of the River of Souls, are the spirits of countless children. Babes of two and three years old, babes of four and five, children of eight and ten. Their wailing is pitiful to hear. They cry for the mother who bore them. They cry for the father who cherished them. They cry for the brother and sister whom they love. Their cry is heard throughout Sai-no-Kawara, a cry that rises and falls, and falls and rises, rhythmic, unceasing. These are the words that they cry--
"Chichi koishi! haha koishi!----"
Their voices grow hoarse as they cry, and still they cry on--
"Chichi koishi! haha koishi!----"
While day lasts, they cry and they gather stones from the bed of the river, and heap them together as prayers.
A Tower of Prayer for the sweet mother, as they cry:
A Tower of Prayer for the father, as they cry:
A Tower of Prayer for brother and sister, as they cry:
From morning till evening they cry--
"Chichi koishi! haha koishi!----" and heap up the stones of prayer.
At nightfall come the _oni_, the demons, and say: "Why do you cry, why do you pray? Your parents in the Shaba-World cannot hear you. Your prayers are lost in the strife of tongues. The lamentation of your parents on earth is the cause of all your sorrow." So saying, the wicked _oni_ cast down the Towers of Prayer, every one, and dash the stones into great caverns of the rocks.
But Jizo, with a great love in his eyes, comes and enfolds the little ones in his robe. To the babes who cannot walk, he stretches forth his _shakujo_. The children in Sai-no-Kawara gather round him, and he speaks sweet words of comfort. He lifts them in his arms and caresses them, for Jizo is father and mother to the little ones who dwell in the Dry Bed of the River of Souls.
Then they cease from their crying: they cease to build the Towers of Prayer. Night has come, and the souls of the children sleep peacefully, while The Never-Slumbering Jizo watches over them.
The Moon-Maiden
It was early spring on the coast of Suruga. Tender green flushed the bamboo thickets. A rose-tinged cloud from heaven had fallen softly on the branches of the cherry tree. The pine forests were fragrant of the spring. Save for the lap of the sea, there was silence on that remote shore.
A far-off sound became audible: it might be the song of falling waters, it might be the voice of the awakening wind, it might be the melody of the clouds. The strange sweet music rose and fell: the cadence was as the cadence of the sea. Slowly, imperceptibly, the music came nearer.
Above the lofty heights of Fuji-yama a snow-white cloud floated earthwards. Nearer and nearer came the music. A low clear voice could be heard chanting a lay that breathed of the peace and tranquillity of the moonlight. The fleecy cloud was borne towards the shore. For one moment it seemed to rest upon the sand, and then it melted away.
By the sea stood a glistening maiden. In her hand she carried a heart-shaped instrument, and, as her fingers touched the strings, she sang a heavenly song. She wore a robe of feathers, white and spotless as the breast of the wild swan. The maiden looked at the sea. Then she moved towards the belt of pine trees that fringed the shore. Birds flocked around her; they perched on her shoulder, and rubbed their soft heads against her cheek. She stroked them gently and they flew away full of joy. The maiden hung her robe of feathers on a pine branch, and went to bathe in the sea.
It was mid-day. A fisher sat down among the pines to eat his dumpling. Suddenly, his eye fell on the dazzling white robe. "Perhaps it is a gift from the gods," said Hairukoo as he went up to it. The robe was so fragile that he almost feared to touch it, but at last he took it down. The feathers were wondrously woven together, and slender curved wings sprang from above the shoulder. "I will take it home, and we shall be happy," he thought.
Now the maiden came from the sea. Hairukoo heard no sound until she stood before him. Then a soft voice spoke: "The robe is mine, good fisher, pray give it to me." The man stood awestruck, for never had he seen so lovely a being. She seemed to come from another world. He said, "What is your name, beautiful maiden, and whence do you come?" She answered, "I am one of the virgins who attend the moon. I come with a message of peace to the ocean. I have whispered it into his ear, and now I must fly heavenward." But Hairukoo replied, "I would see you dance before you leave me." The moon-maiden answered: "Give me my feather robe, and I will dance a celestial dance." The peasant refused. "Dance and I will give you your robe." Then the glittering virgin was angry: "The wicked _oni_ will take you for their own, if you doubt the word of a goddess. I cannot dance without my robe. Each feather has been given to me by the Heavenly Birds. Their love and trust support me." As she thus spoke the fisher was ashamed, and said, "I have done wrong, and I ask your forgiveness." Then he gave the robe into her hands. The moon-maiden put it around her.
And now she rose from the ground. She touched the stringed instrument and sang. Clear and infinitely sweet came the notes. It was her farewell to the earth and the sea. It ceased. She broke into a merry trilling song, and began to dance. At one moment she skimmed the surface of the sea, the next her tiny feet touched the topmost branches of the tall pine trees. Then she sped past the fisher and smiled as the long grass rustled beneath her. She swept through the air, in and out among the trees, over the bamboo thicket, and under the branches of the blossoming cherry. Still the music went on. Still the maiden danced. Hairukoo looked on in wonder: he thought it must all be a beautiful dream.
But now the music changed. It was no longer merry. The dance ended. The maiden sang of the moonlight, and of the quiet of evening.
She began to circle in the air. Slowly at first, then more swiftly, she floated over the woods towards the distant mountain. The music and the song rang in the ears of the fisher. The maiden was wafted farther and farther away. Hairukoo watched until he could no longer discern her snow-white form in the sky. But still the music reached him on the breeze. At last it too died away. The fisher was left alone: alone with the sound of the sea, and the fragrance of the pines.
The Great Fir Tree of Takasago
The cherry tree has blossomed many times since O-Matsue lived with her father and mother on the sandy coast of the Inland Sea. The home at Takasago was sheltered by a tall fir tree of great age; a god had planted it as he passed that way. O-Matsue was beautiful, for her mother had taught her to love the sea, and the birds, the trees, and every living thing. Her eyes were like a clear deep ocean-pool on a summer day. Her smile was as the sunshine on the surface of Lake Biwa.
The fallen needles of the fir made a soft couch on which O-Matsue sat for hours at a time, plying her shuttle, weaving robes for the peasants around. Sometimes, she would go to sea with the fishers, and peer into the depths to try and catch a glimpse of the Palace of the Ocean Bed; the fishers would tell her the story of the poor jelly-fish who lost his shell, or of the Blessed Island of Eternal Youth, whose tree could at times be discerned from the coast.
The steep shore of Sumi-no-ye is many leagues distant from Takasago, but a youth who dwelt there took a long journey. Teoyo said, "I will see what lies beyond the mountains. I will see the country to which the heron wings his way across the plain." He travelled through many provinces, and at last came to the land of Harima. One day he passed by Takasago. O-Matsue sat in the shade of the fir tree. She was weaving, and sang as she worked. These are the words of her song:--
"No man so callous but he heaves a sigh
When o'er his head the withered Cherry flowers
Come fluttering down. Who knows? the Spring's soft showers
May be but tears shed by the sorrowing sky."
Teoyo heard the sweet song, and said, "It is like the song of a spirit,--and how beautiful the maiden is!" For some time he watched her as she wove. Then her song ceased, he moved towards her, and spoke: "I have travelled far. I have seen many fair maidens, but not one so fair as you. Take me to your father and mother that I may speak with them." Teoyo asked the peasants for the hand of their daughter, and they gave their consent.
There was great rejoicing. O-Matsue received many presents, and, as the wedding-day approached, a great feast was prepared. Bride and bridegroom drank thrice of three cups of _saké_ which made them man and wife, and the feast went on.
Now Teoyo said, "This country of Harima is a good land. Let us stay here with your father and mother." O-Matsue was glad. So they dwelt with the old people under the great fir tree. At last, the father and mother died. O-Matsue and Teoyo still lived beneath the shelter of the tree. They were very happy. Summer, autumn and winter passed over the land of Harima many times. Their love was always in its spring. The "waves of age" furrowed their brows, but their hearts remained young and tender, green as the needles of the pine. Even when their eyes had grown dim, they went to the shore to listen to the waters of the Inland Sea, or together they gathered, with rakes of bamboo, the fallen needles of the fir.
A crane came and built in the topmost branches of the tree, and for many years they watched the birds rear their young. A tortoise also dwelt beside them. O-Matsue said, "We are blessed with a fir tree, a crane, and a tortoise. The God of Long Life has taken us under his care."
When, at last, at the same moment, Teoyo and O-Matsue died, their spirits withdrew into the tree which had for so long been the witness of their happiness. To this day the pine tree is called "The Pine of the Lovers."
On moonbright nights, when the coast wind whispers in the branches of the tree, O-Matsue and Teoyo may sometimes be seen, with bamboo rakes in their hands, gathering together the needles of the fir.
Despite the storms of time, the old tree stands to this hour eternally green on the high shore of Takasago.
The Willow of Mukochima
Not far from Matsue, the great city of the Province of the Gods, there once dwelt a widow and her son. Their wooden hut looked upon the Shinji Lake set in a framework of mountain peaks. Ayame was true to the old religion, the worship of the descendants of Izanagi and Izanami. Long ere the sun rose above the chain of hills, she was up, and, with Umewaki's hand clasped closely in her own, went down to the verge of the lake. First they laved their faces in the cool water, then, turning towards the east, they clapped their hands four times and saluted the sun. "Konnichi Sama! All hail to thee, Day-Maker. Shine and bring joy to the Place of the Issuing of Clouds." Then, having turned towards the west, mother and son blessed the holy, immemorial shrine of Kitzuki; towards the north and the south they turned and prayed to the gods, unto each one, who dwell in the blue Plain of High Heaven.
Umewaki's father had been dead many years, and the love of the mother was centred upon her son. He was in the open air from sunrise to nightfall; sometimes by Ayame's side, sometimes alone, watching the heron or the crane, or listening to the sweet call of the _yamabato_. The hut was in a remote spot, but Ayame felt that her son was safe in the keeping of the good gods.
It was a beautiful summer morning. Ayame and Umewaki awakened soon after dawn. Hand in hand they went to the shore of Lake Shinji. It still slept beneath the faintly-tinged haze. The Lady of Fire had not whispered of her approach to the soft mists that veiled the hills. Mother and son waited patiently. As the Day-Maker appeared, they cried, "Konnichi Sama! Great Goddess, shine upon thy land. Give it beauty and peace and joy." Then mother and son returned to the hut. Ayame plied her shuttle, and Umewaki left her to wander in the woods.
Noon came. "My boy has met some woodcutter; he talks with him in the shade of the pine trees," she thought. As the evening drew on, she said, "He is with little Kime, his playmate, but I shall soon hear his soft footstep." Night fell. "Once only has he been so late; when he went to Matsue with the good Shijo." She looked through the paper window, and then stepped out. The hills cast a mysterious shadow on the surface of the lake. Still there was no sign of Umewaki. The mother called his name. No response came save the echo of her own voice. Now she searched far and near. To every peasant she put the question, "Have you seen my Umewaki?" But she always received the same answer. At last she returned home weary: "He may be there waiting for me," she thought. It was midnight: the hut was empty. Ayame was heavy at heart, and as she lay upon her mat she wept bitterly, and cried to the gods to give her back her son. So the night passed. In the morning she learned that a band of robbers had been seen among the mountains.
Poor Umewaki had, in truth, been stolen by the robbers. He was watched night and day, and had no chance of escape. From town to town they travelled. Through strange villages where the name of Buddha was upon the lips of the people, across great plains unsheltered by mountains. The summer passed, and autumn came. Still the men would not let Umewaki go. They treated him cruelly, and he began to pine away. Then the robbers knew that he was of no use to them. As they neared Yedo, they left him, faint and weary, on the roadside. A kind man of Mukochima found the poor little fellow and carried him to his home. But Umewaki had not long to live. On the fifteenth day of the third month, the day sacred to the awakening of the Spring, he opened his eyes, and called to the good woman who tended him, "Tell my dear mother that I love her, and would stay with her, but the Lady of the Great Light calls me, and I must obey."
Ayame had left her quiet hut by the lake of Shinji to follow the men who had stolen her son. The autumn and the winter had gone by, and still she persevered. As she passed through Mukochima, she heard that a poor boy was dead, and soon found that it was her son. She went to the house where he had been cared for, and the woman gave her Umewaki's message.
In the evening, when all was quiet, Ayame crept to the graveside of her child. Near it a sacred willow was planted. The slender tree moved in the wind. There was a whispered sound: the voice of Umewaki speaking softly to the mother from his place of rest. She was happy.
Every evening she came to listen to the sighing of the willow. Every evening she lay down happy to have spoken to her son.
On the fifteenth day of the third month, the day of the awakening of the Spring, many pilgrims visit the resting-place of Umewaki. If it rains on that day, the people say, "Umewaki weeps."
The willow is under the protection of the gods. Storm and rain can do it no hurt.
The Child of the Forest
Sakato-no-toki-yuki was a brave warrior at the court of Kyōto. He fought for the Minamoto against the Taira, but the Minamoto were defeated, and Sakato's last days were spent as a wandering exile. He died of a broken heart. His widow, the daughter of a noble house, escaped from Kyōto, and fled eastward to the rugged Ashigara mountains. No one knew of her hiding-place, and she had no enemies to fear save the wild beasts who lived in the forest. At night she found shelter in a rocky cave.
A son was born to her whom she named Kintaro, the Golden Boy. He was a sturdy little fellow, with ruddy cheeks and merry laughing eyes. Even as he lay crowing in his bed among the fern, the birds that alighted on his shoulder peeped trustfully into his eyes, and he smiled. Thus early the child and the birds were comrades. The butterfly and the downy moth would settle upon his breast, and tread softly over his little brown body.
Kintaro was not as other children--there was something strange about him. When he fell, he would laugh cheerily; if he wandered far into the wood, he could always find his way home; and, when little more than a chubby babe, he could swing a heavy axe in circles round his head. In the remote hills he had no human companions, but the animals were his constant playfellows. He was gentle and kind-hearted, and would not willingly hurt any living creature; therefore it was that the birds and all the forest people looked upon Kintaro as one of themselves.
Among Kintaro's truest friends were the bears who dwelt in the woods. A mother bear often carried him on her back to her home. The cubs ran out and greeted him joyfully, and they romped and played together for hours. They wrestled and strove in friendly rivalry. Sometimes Kintaro would clamber up the smooth-barked monkey tree, sit on the topmost branch, and laugh at the vain attempts of the shaggy little fellows to follow him. Then came supper-time and the feast of liquid honey.
But the Golden Boy loved best of all to fly through the air with his arms round the neck of a gentle-eyed stag. Soon after dawn, the deer came to awaken the sleeper, and, with a farewell kiss to his mother and a morning caress to the stag, Kintaro sprang on his back and was carried, with swift bounds, up mountain side, through valley and thicket, until the sun was high in the heavens. When they came to a leafy spot in the woods and heard the sound of falling water, the stag grazed among the high fern while Kintaro bathed in the foaming torrent.
Thus mother and son lived securely in their home among the mountains. They saw no human being save the few woodcutters who penetrated thus far into the forest, and these simple peasants did not guess their noble birth. The mother was known as Yama-uba-San, "The Wild Nurse of the Mountain," and her son as "Little Wonder."
Kintaro reigned as prince of the forest, beloved of every living creature. When he held his court, the bear and the wolf, the fox and the badger, the marten and the squirrel, and many other courtiers were seated around him. The birds, too, flocked at his call. The eagle and the hawk flew down from the distant heights; the crane and the heron swept over the plain, and feathered friends without number thronged the branches of the cedars. He listened as they told of their joys and their sorrows, and spoke graciously to all, for Kintaro had learned the language and lore of the beasts, and the birds, and the flowers, from the Tengus, the wood-elves.
The Tengus, who live in the rocky heights of the mountains and in the topmost branches of lofty trees, befriended Kintaro and became his teachers. As he was truthful and good, he had nothing to fear from them; but the Tengus are dreaded by deceitful boys, whose tongues they pull out by their roots and carry away.
These elves are strange beings: with the body of a man, the head of a hawk, long, long noses, and two powerful claws on their hairy hands and feet. They are hatched from eggs, and, in their youth, have feathers and wings: later, they moult and wear the garb of men. On their feet are stilt-like clogs about twelve inches high. They stalk proudly along with crossed arms, head thrown back, and long nose held high in the air; hence the proverb, "He has become a Tengu."
The headquarters of the tribe are in the Ōyama mountain, where lives the Dai-Tengu, their leader, whom all obey. He is even more proud and overbearing than his followers, and his nose is so long that one of his ministers always precedes him that it may not be injured. A long grey beard reaches to his girdle, and moustaches hang from his mouth to his chin. His sceptre is a fan of seven feathers, which he carries in his left hand. He rarely speaks, and is thus accounted wondrous wise. The Raven-Tengu is his chief minister; instead of a nose and mouth, he has a long beak. Over the left shoulder is slung an executioners axe, and in his hand he bears the book of Tengu wisdom.
The Tengus are fond of games, and their long noses are useful in many ways. They serve as swords for fencing, and as poles on the point of which to balance bowls of water with gold-fish. Two noses joined together form a tight-rope on which a young Tengu, sheltered by a paper umbrella and leading a little dog, dances and jumps through hoops; the while an old Tengu sings a dance-tune and another beats time with a fan. Some among the older Tengus are very wise. The most famous of all is he who dwells on the Kurama mountain, but hardly less wise is the Tengu who undertook the education of Kintaro. At nightfall he carried the boy to the nest in the high rocks. Here he was taught the wisdom of the elves, and the speech of all the forest tribes.
One day, Little Wonder was at play with some young Tengus, but they grew tired and flew up to their nest, leaving Kintaro alone. He was angry with them, and shook the tree with all his strength, so that the nest fell to the ground. The mother soon returned, and was in great distress at the loss of her children. Kintaro's kind heart was touched, and, with the little ones in his arms, he swarmed up the tree and asked pardon. Happily they were unhurt, and soon recovered from their fright. Kintaro helped to rebuild the nest, and brought presents to his playfellows.
Now it happened that, as the hero Raiko, who had fought so bravely against the _oni_, passed through the forest, he came upon Little Wonder wrestling with a powerful bear. An admiring circle of friends stood around. Raiko, as he looked, was amazed at the strength and courage of the boy. The combat over, he asked Kintaro his name and his story, but the child could only lead him to his mother. When she learned that the man before her was indeed Raiko, the mighty warrior, she told him of her flight from Kyōto, of the birth of Kintaro, and of their secluded life among the mountains. Raiko wished to take the boy away and train him in arms, but Kintaro loved the forest. When, however, his mother spoke, he was ready to obey. He called together his friends, the beasts and the birds, and, in words that are remembered to this day, bade them all farewell.
The mother would not follow her son to the land of men, but Kintaro, when he became a great hero, often came to see her in the home of his childhood.
The peasants of the Ashigara still tell of The Wild Nurse of the Mountains and Little Wonder.
The Vision of Tsunu
When the five tall pine trees on the windy heights of Mionoseki were but tiny shoots, there lived in the Kingdom of the Islands a pious man. His home was in a remote hamlet surrounded by mountains and great forests of pine. Tsunu had a wife and sons and daughters. He was a woodman, and his days were spent in the forest and on the hillsides. In summer he was up at cock-crow, and worked patiently, in the soft light under the pines, until nightfall. Then, with his burden of logs and branches, he went slowly homeward. After the evening meal, he would tell some old story or legend. Tsunu was never weary of relating the wondrous tales of the Land of the Gods. Best of all he loved to speak of Fuji-yama, the mountain that stood so near his home.
In times gone by, there was no mountain where now the sacred peak reaches up to the sky; only a far-stretching plain bathed in sunlight all day. The peasants in the district were astonished, one morning, to behold a mighty hill where before had been the open plain. It had sprung up in a single night, while they slept. Flames and huge stones were hurled from its summit; the peasants feared that the demons from the under-world had come to wreak vengeance upon them. But for many generations there have been peace and silence on the heights. The good Sun-Goddess loves Fuji-yama. Every evening she lingers on his summit, and when at last she leaves him, his lofty crest is bathed in soft purple light. In the evening the Matchless Mountain seems to rise higher and higher into the skies, until no mortal can tell the place of his rest. Golden clouds enfold Fuji-yama in the early morning. Pilgrims come from far and near, to gain blessing and health for themselves and their families from the sacred mountain.
On the self-same night that Fuji-yama rose out of the earth, a strange thing happened in the mountainous district near Kyōto. The inhabitants were awakened by a terrible roar, which continued throughout the night. In the morning every mountain had disappeared; not one of the hills that they loved was to be seen. A blue lake lay before them. It was none other than the lute-shaped Lake Biwa. The mountains had, in truth, travelled under the earth for more than a hundred miles, and now form the sacred Fuji-yama.
As Tsunu stepped out of his hut in the morning, his eyes sought the Mountain of the Gods. He saw the golden clouds, and the beautiful story was in his mind as he went to his work.
One day the woodman wandered farther than usual into the forest. At noon he was in a very lonely spot. The air was soft and sweet, the sky so blue that he looked long at it, and then took a deep breath. Tsunu was happy.
Now his eye fell on a little fox who watched him curiously from the bushes; The creature ran away when it saw that the man's attention had been attracted. Tsunu thought, "I will follow the little fox and see where she goes." Off he started in pursuit. He soon came to a bamboo thicket. The smooth slender stems waved dreamily, the pale green leaves still sparkled with the morning dew. But it was not this which caused the woodman to stand spellbound. On a plot of mossy grass beyond the thicket, sat two maidens of surpassing beauty. They were partly shaded by the waving bamboos, but their faces were lit up by the sunlight. Not a word came from their lips, yet Tsunu knew that the voices of both must be sweet as the cooing of the wild dove. The maidens were graceful as the slender willow, they were fair as the blossom of the cherry tree. Slowly they moved the chess-men which lay before them on the grass. Tsunu hardly dared to breathe, lest he should disturb them. The breeze caught their long hair, the sunlight played upon it.... The sun still shone.... The chess-men were still slowly moved to and fro.... The woodman gazed enraptured.
* * * * *
"But now," thought Tsunu, "I must return, and tell those at home of the beautiful maidens." Alas, his knees were stiff and weak. "Surely I have stood here for many hours," he said. He leaned for support upon his axe; it crumbled into dust. Looking down, he saw that a flowing white beard hung from his chin.
For many hours the poor woodman tried in vain to reach his home. Fatigued and wearied, he came at last to a hut. But all was changed. Strange faces peered curiously at him. The speech of the people was unfamiliar. "Where are my wife and my children?" he cried. But no one knew his name.
Finally, the poor woodman came to understand that seven generations had passed since he bade farewell to his dear ones in the early morning. While he had gazed at the beautiful maidens, his wife, his children, and his children's children, had lived and died.
The few remaining years of Tsunu's life were spent as a pious pilgrim to Fuji-yama, his well-loved mountain.
Since his death he has been honoured as a saint who brings prosperity to the people of his native country.
Princess Fire-Fly
Deep in the pinky petals of a lotus bloom that grew in the castle moats of Fukui, in Echizen, lived Hi-O, the King of the Fire-Flies. In this beautiful flower his daughter, the Princess Hotaru, passed her childhood exploring every shady nook and fragrant corner of the bell-like palace, listening to the buzz of life around, and peeping over the edge of the petals at the wonderful world which lay mysteriously beyond. Hotaru-Himé had few youthful companions, but, as she daily bade her father farewell, she dreamed of the time when she, too, would fly abroad, and her brilliant light would attract universal admiration.
Gradually, a beautiful sheen o'erspread her body; night by night it became brighter, until at last her home, in the hours of darkness, was as a globe of coral wherein shone a lamp of gold. So glorious was her light that the stars paled before it, and the bright sickle moon withdrew behind a cloud from jealousy.
Himé was now allowed to fly from her home, to loiter among the pleasant rice fields, and to explore the indigo meadows which lay far off on the horizon. She had no lack of friends and would-be lovers; thousands of insects, attracted by her magic light, came and offered their homage, but Himé never forgot that she was of royal blood, and, while she haughtily thanked her many suitors, none found a way into her heart.
One evening the Princess, seated on a throne formed by the heart of the lotus, held her court. Soon the faint roseate petals of the flower were thronged with a host of ardent lovers. But the Princess whispered to herself, "Only he who loves me more than life shall call me bride."
The golden beetle laid his fortunes at her feet, the cockchafer wooed her in passionate words, the dragon-fly proudly proffered his hand, and the hawk-moth humbly, yet persistently, addressed her. Countless other insects gained audience, but her answer was ever the same, "Go, and bring me fire, and I will be your bride."
One by one they took wing, enraptured by the hope of success, and unconscious that they were all bent on the self-same errand. The hawk-moth entered the Buddhist Temple and circled round and round the tall wax lights, until, in an ecstasy of love, he flew into the flame, exclaiming, "Now to win the Princess or meet my death!" His poor singed body fell heavily to the ground. The beetle watched intently, for a moment or two, the log fire crackling on the hearth, and then, regardless of his fate, boldly caught at a tongue of flame he hoped to carry to Himé--but his end was that of the hawk-moth. The dragon-fly, notwithstanding his sunlit splendours, could not fulfil the bidding of the Lady of the Lotus Bloom; he also fell a prey to her imperious command. Other lovers there were who tried to steal from the diamond his heart of fire, who winged their way to the summit of Fukui, or sped to the depths of the valleys in search of the talisman that was to make Himé their bride. The sun rose in morning splendour over untold numbers of dead bodies, which alone remained to tell of the great devotion that had inspired the lovers of Princess Hotaru.
Now tidings came to Hi-Maro, a Prince of the Fire-Flies living hard by, that the Princess Hotaru was exceedingly beautiful; whereupon he flew swiftly to her home among the lotus flowers. Even as, with a flood of golden light, he entered, the charms of Himé were not dimmed. One look passed between the youth and the maiden, and then each felt that a great love filled their hearts. Hi-Maro wooed and wed, and for many years lived happily with Hotaru-Himé in the castle moats of Fukui.
Centuries have passed since Hi-Maro won his bride, and still the dazzling fire-fly Princesses send their insect lovers in search of fire.
The Sparrow's Wedding
In the heart of a forest of pine-trees that lay in a remote corner of the Land of the Dragon-Fly, dwelt Chiyotaro, a prosperous sparrow, who was honoured and beloved alike by his family and friends. He had many beautiful children, but not one with manners more distinguished, or heart more true, than Tschiotaro. He was the life of the little household; merry as the summer-day is long, and talkative as only a sparrow can be.
Tschiotaro would fly afar through the woods, and across the surrounding plains; indeed, at times, he would even come within sight of the towering peaks of the Matchless Mountain. With the first whisper of the approach of sundown, he would wing his way homeward, to delight the loved ones in the pine forest with the story of his day's adventures. Laughter and sounds of glee echoed through the twilight, as the sparrow family listened to Tschiotaro's chatter. Then came the hush of night, and there was silence in the depths of the wood.
One sunny morning Tschiotaro chirped his farewell, and flew off he knew not whither. At last, he alighted in the shadowy bamboo grove where Kosuzumi, the tongue-cut sparrow, dwelt. Truly the gods had favoured him in guiding his flight to this spot. Kosuzumi was beautiful, but her daughter Osuzu was even more lovely. She was blithe, warm-hearted, and winsome; simple, too, was the maiden whose days had been spent in the cool shade of the bamboo thicket. Tschiotaro had only to see her to love her. At first, it is true, he was a little shy, and hopped around the beautiful one with mute appeal in his tiny sparkling eyes; but when he saw that Osuzu smiled and peeped coyly at him, he grew bolder, and even ventured to address her. Little by little the talk became more animated: reserve vanished, and mutual confidences passed. Tschiotaro and Osuzu had, in truth, entered the Garden of Bliss, which is known in the feathered world of Japan as _Okugi_. Time sped apace, and the hour of parting came all too quickly. Tschiotaro assured Osuzu that he would soon return. As he travelled through the summer air, laden with the fragrance of myriad flowers, a deep joy filled his heart and added zest to his flight. Osuzu, happy in her new-found love, was rocked peacefully to sleep by the swaying of the bamboo branches in the soft breeze.
Tschiotaro lost no time in making known to his father his love for the beautiful daughter of Kosuzumi, and declared that she, and none other, should be his bride. The old one heard the news with surprise. Rich and respected as he was, he could not permit his son to marry the first maiden with whom he fell in love; but as Chiyotaro sat contentedly in a quiet nook of his rustling home, his love for his son, and the desire to see him happy, outweighed all other considerations. He said, "If Osuzu be good and true, I will not refuse to give my consent." Even before he heard that Osuzu belonged to a family honoured far and wide, that her home was dainty, and that her mother was the famous tongue-cut sparrow, Chiyotaro had determined that nothing should cloud his son's happiness.
After the lapse of a day or two, Tschiotaro's glowing story was confirmed by the wise ones among the sparrows. Father and mother were content, and, according to old custom, an envoy was despatched to the parents of Osuzu with a formal offer of marriage. The family in the bamboo thicket, after due deliberation, consented to meet Chiyotaro. All went well. The wedding day was speedily fixed, and all manner of preparations were made for the auspicious event.
The home that was to shelter Tschiotaro and Osuzu was built with the greatest care in the upper branches of a beautiful cherry tree, whose pure white petals in blossom-time would lend fragrance and peace to the happy retreat. Many were the gifts which arrived to adorn, and add comfort to, the new abode. Sparrows from far and near vied with one another in the delicacy and variety of their offerings, until the dwelling was wondrously enticing.
Just before the wedding day, Osuzu rejoiced at the arrival of rare gifts from her beloved Tschiotaro. An _obi_ of dewdrops, which held in them the secrets of the sun; a head-dress, fashioned of the slender petals of a mountain flower; and tiny moss sandals, so soft and exquisite that she donned them at once for very love and pride; these and many other gifts did Tschiotaro bestow. Nor were Osuzu's parents unmindful of their duties. A grand robe of ceremony, woven of the pinky blossom of the peach, as well as _saké_ and luscious fruit, were sent to Tschiotaro.
The morning of the marriage dawned. By the time the sun touched with glory the peak of Fusi-yama, the sparrow families were busy preparing for the day's festivities. Long ere the purple shadows had lifted from the valleys, the wedding procession had assembled from copse, and hedgerow, and woodland. Never before had such a concourse of sparrows been seen. Tschiotaro was widely beloved, and the beauty of Osuzu had become noised abroad.
On arrival at their new home, the bride and bridegroom sipped thrice of the three cups of rice wine which consecrated their union, and afterwards the whole company drank freely to the health and well-being of the newly wedded pair. Sounds of revelry and rejoicing lasted until the late evening; and long after the sun had bade his daily farewell to the cherry grove the sparrows still chattered and twittered.
As the moon, with her attendant maidens, rose slowly in the heavens, the festal sounds died away and silence reigned.
Tschiotaro and Osuzu spent many happy years of wedded sparrowhood. They had children fair and graceful as themselves, and never had cause to regret their loving union.
The Love of the Snow-White Fox
In Idzumo, the Province of the Gods, are many foxes. There the wicked Ninko, in league with the _oni_, prowls about at nightfall and carries away the souls of little children, he robs the poor man of his rice and millet, and bewitches the maidens who cross his path. There, too, is his enemy the Inari fox, who is kind of heart. The Inari loves the children, and warns the anxious mothers when Ninko is near; he guards the store of the peasant, and comes to the aid of maidens in distress.
Many centuries ago, there lived a young Inari fox. She was snow-white, and her eyes were keen and intelligent. She was beloved by all the good people for miles around. They were glad if, in the evening, she knocked softly with her tail against the window of their hut; when she entered she would play with the children, eat of their humble fare, and then trot away. The god Inari protected those who were kind to her. The Ninko foxes hated her.
There were hunters in the country of Idzumo who thirsted for the blood of the beautiful white fox. Once or twice she nearly lost her life at the hands of these cruel men.
One summer afternoon, she was frisking about in the woods with some young fox friends, when two men caught sight of her. They were fleet of foot and had dogs by their side. Off ran the white fox. The men uttered an excited cry and gave chase. Instead of going towards the open plain, she made for the Temple of Inari Daim-yojin. "There surely I will find a safe refuge from my pursuers," she thought.
Now Yaschima, a young prince of the noble house of Abe, was in the temple, deep in meditation. The white fox, whose strength was almost spent, ran fearlessly up to him and took refuge beneath the thick folds of his robe. Yaschima was moved with pity, and did all in his power to soothe the poor frightened creature. He said, "I will protect you, little one; you have nothing to fear." The fox looked up at him, and seemed to understand. She ceased to tremble. Then the Prince went to the door of the great temple. Two men hastened up to him and asked if he had seen a pure white fox. "It must have run into the Temple of Inari. We would have its blood to cure the sickness of one of our family." But Yaschima, faithful to his promise, answered: "I have been in the temple praying to the good god, but I can tell you nothing of the fox." The men were about to leave him, when, behind his robe, they spied a white bushy tail. Fiercely they demanded that he should stand aside. The Prince firmly refused. But, intent on their prey, the men attacked him, and he was obliged to draw his sword in self-defence. At this moment Yaschima's father, a brave old man, came up; he rushed upon the enemies of his son, but a deadly blow, which Yaschima could not avert, struck him down. Then the young Prince was very wroth, and, with two mighty strokes, he felled his adversaries to the ground.
The loss of his beloved father filled Yaschima with grief. He did not break out into loud lamentation, for the sorrow lay too near his heart.
Then a sweet song fell on his ear. It came from the temple. As he re-entered the sacred building, a beautiful maiden stood before him. She turned, and saw that he was in deep trouble. The Prince told her of the snow-white fox, and the cruel hunters, and the death of his father whom he loved. The maiden spoke tender words of sympathy; her voice was so soft and sweet that the sound brought comfort to him. When Yaschima learned that the maiden was true, that her heart was as pure and beautiful as her face, he loved her, and asked her to be his bride. She replied, very gently, "I already love you. I know that you are good and brave, and I would solace you for the loss of your father."
They were wed. Yaschima did not forget the death of his father, but he remembered that his beautiful wife had then been given to him. For some time they lived happily together. The days passed swiftly. Yaschima ruled his people wisely, and his fair Princess was ever by his side. Each morning they went to the temple, and thanked the good god Inari for the joy that had come to them.
Now a son was born to the Prince and Princess. They gave him the name of Seimei. Thereafter the Princess became sorely troubled. She sat alone for hours, and tears sprang to her eyes when Yaschima asked her the cause of her sorrow. One day she took his hand and said, "Our life here has been very beautiful. I have given you a son to be with you always. The god Inari now tells me that I must leave you. He will guard you as you guarded me from the hunters at the door of the great temple. I am none other than the snow-white fox whose life you saved." Once more she looked into his eyes, and then, without a word, she was gone.
Yaschima and Seimei lived long in the Province of the Gods. They were greatly beloved, but the snow-white fox was seen no more.
Nedzumi
In the Central Land of Reed-Plains dwelt two rats. Their home was in a lonely farmstead surrounded by rice fields. Here they lived happily for so many years that the other rats in the district, who had constantly to change their quarters, believed that their neighbours were under the special protection of Fukoruku Jin, one of the Seven Gods of Happiness, and the Patron of Long Life.
These rats had a large family of children. Every summer day they led the little ones into the rice fields, where, under shelter of the waving stalks, the young rats learned the history and cunning of their people. When work was done, they would scamper away and play with their friends until it was time to return home.
The most beautiful of these children was Nedzumi, the pride of her parents' heart. She was truly a lovely little creature, with sleek silvery skin, bright intelligent eyes, tiny upstanding ears, and pearly white teeth. It seemed to the fond father and mother that no one was great enough to marry their daughter, but, after much pondering, they decided that the most powerful being in the whole universe should be their son-in-law.
The parents discussed the weighty question with a trusted neighbour, who said, "If you would wed your daughter to the most powerful being in the universe, you must ask the sun to marry her, for his empire knows no bounds."
How they mounted through the skies, no rat can tell. The sun gave them audience and listened graciously as they said, "We would give you our daughter to wife." He smiled and rejoined, "Your daughter is indeed beautiful, and I thank you for coming so far to offer her to me. But, tell me, why have you chosen me out of all the world?" The rats made answer, "We would marry our Nedzumi to the mightiest being, and you alone wield world-wide sway." Then the sun replied, "Truly my kingdom is vast, but oftentimes, when I would illumine the world, a cloud floats by and covers me. I cannot pierce the cloud; therefore you must go to him if your wish is to be attained."
In no way discouraged, the rats left the sun and came to a cloud as he rested after a flight through the air. The cloud received them less cordially than the sun, and replied to their offer, with a look of mischief in his dusky eyes, "You are mistaken if you think that I am the most powerful being. It is true that I sometimes hide the sun, but I cannot withstand the force of the wind. When he begins to blow I am driven away, and torn in pieces. My strength is not equal to the power of the wind."
A little saddened, the rats, intent on their daughter's future prosperity, waylaid the wind as he swept through a pine forest. He was about to awaken the plain beyond, to stir the grass and the flowers into motion. The two anxious parents made known their mission. This was the whispered reply of the wind: "It is true that I have strength to drive away the clouds, but I am powerless against the wall which men build to keep me back. You must go to him if you would have the mightiest being in the world for your son-in-law. Indeed I am not so mighty as the wall."
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Old-World Japan: Legends of the Land of the GodsChapter II: Part 2
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